Cała prawda 1963
Transcript
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00:02:41What's wrong? Do you feel bad?
00:02:43I can call the guests.
00:02:44No, if they're coming, let them come.
00:02:46I'll call Marion, at least. Tony is not a problem.
00:02:49Maybe she won't come alone, maybe she forgot.
00:02:52I'm afraid she'll show up in all the fun.
00:02:55So now go upstairs, take a shower and change, okay?
00:02:58Okay.
00:03:10♪♪
00:03:24Good evening.
00:03:25Good evening.
00:03:28Have I surprised you, Mr. Poulton?
00:03:30Mr. Poulton expects you.
00:03:32No.
00:03:34How should I address you?
00:03:36Carlis, 2S at the end.
00:03:39Mr. Carlis wants to see you, Mr. Poulton.
00:03:42Thank you, you can go.
00:03:46Mrs. Poulton?
00:03:48Excuse me, here's Carlis.
00:03:51Do you want to see your husband?
00:03:53No, no, no, it's a personal matter.
00:03:56I swear I won't take more than a few minutes.
00:04:00Please, come in.
00:04:07Excuse me, I have to get dressed.
00:04:10I'll send your husband, provided it's really not an interest.
00:04:13I've had enough trouble all day.
00:04:36What can I do for you?
00:04:51It's hard to explain.
00:04:53Please, have a seat.
00:04:57Damn, it's broken.
00:04:59It's bad luck.
00:05:01I'll have a drink.
00:05:02Please.
00:05:04Now, if I may ask you, what are you doing here?
00:05:10I didn't tell your wife, I didn't want to upset her.
00:05:13Upset her?
00:05:15Because, you see, I'm from the police.
00:05:20I thought it was a blackmail attempt.
00:05:22You don't look like a policeman.
00:05:24Why should I thank you for your visit?
00:05:27I have a small request for you, before we start the conversation.
00:05:30During this time, let's pretend we're having a friendly conversation.
00:05:37As if you weren't a policeman at all.
00:05:41That would be very useful to me.
00:05:43What do you mean?
00:05:45You know what I mean.
00:05:47What did I steal from you?
00:05:51Although, to tell you the truth, I managed to do it today.
00:05:54We're not investigating your case.
00:05:57We're just talking about one of your close friends.
00:06:01If I'm not mistaken, this person was supposed to come in the evening.
00:06:05Who are you talking about?
00:06:07About Mrs. Marion Gray.
00:06:09Was she here today?
00:06:11As far as I know, she's supposed to come.
00:06:14I doubt she'll come.
00:06:17Mrs. Gray is dead.
00:06:20What?
00:06:23I think this news must have surprised you.
00:06:27You can expect it.
00:06:29Yes, of course.
00:06:31It's hard to believe that a woman like her will never get married.
00:06:35Of course, you're absolutely right.
00:06:38Would you let me have another drink after all this?
00:06:42Of course.
00:06:44Please.
00:06:46Can I give you something?
00:06:52Dini, leave us alone.
00:06:54Yes, sir.
00:07:01You see, I try to have a conversation naturally.
00:07:04Marion is dead.
00:07:07I can't believe it. How did it happen?
00:07:09Was it an accident?
00:07:11No.
00:07:13She was murdered.
00:07:17Can I continue?
00:07:19Are you going to warn me that from now on anything I say can be used against me?
00:07:25Yes.
00:07:27I just wanted to ask you a few questions.
00:07:30When was the last time you saw Mrs. Gray?
00:07:34It must have been a long time ago.
00:07:39Yes?
00:07:41When?
00:07:43A few months ago?
00:07:45A few weeks ago?
00:07:47Maybe a few days ago?
00:07:49No, I don't remember exactly.
00:07:52I can remind you if I say that I talked to the watchman of the house where Mrs. Gray lives.
00:08:01Oh, yes.
00:08:03Well, then you know what I...
00:08:06The watchman said that you were there this afternoon.
00:08:14At what time?
00:08:16I came in twenty-four, I left the block after four.
00:08:19Do you agree?
00:08:21Well, I knew Marion as I know a lot of people from the film.
00:08:24I worked with her, maybe you saw her on the screen.
00:08:28Well, I don't know, I doubt it, but I'm not interested in cinema.
00:08:31It was necessary for me to give her a new role.
00:08:35Unfortunately...
00:08:38Recently I was convinced that Marion is not a very good actress,
00:08:42but when she called me today asking for this meeting, I could not refuse.
00:08:47So you saw her quite often?
00:08:49Today I was with her, we talked about everything, about nothing,
00:08:52then I said goodbye to her career and went back to the studio.
00:08:56That's all?
00:08:58Yes.
00:09:00It's stupid that I didn't tell you right away, but I was too stunned.
00:09:07It happens.
00:09:10Everyone would do that.
00:09:12Well, it's time for me.
00:09:20Maybe you'll have a drink?
00:09:23No, thank you, I've already drunk two glasses.
00:09:26I did it just not to look like a policeman.
00:09:30Yes.
00:09:32I see you're still waiting for someone.
00:09:35Yes.
00:09:36Do you know what came to my mind?
00:09:38Maybe we should cancel this visit?
00:09:41Of course, I should think about it myself.
00:09:44Yes, and one more request.
00:09:47Please don't mention Mrs. Gray to anyone.
00:09:51Of course.
00:10:06Zenty, I'll try later.
00:10:11Yes, I'll go now.
00:10:16Thank you for the information.
00:10:18You're welcome.
00:10:20Maybe you can give me some information about how she was murdered.
00:10:25She was stabbed.
00:10:28In the apartment.
00:10:29And you don't know who did it?
00:10:31No.
00:10:32Who did it?
00:10:34The doctor said around 4 o'clock.
00:10:37Wait.
00:10:39But I left at 4.15.
00:10:44Yes.
00:10:45But the doctor came to make a mistake.
00:10:48Are you playing cat and mouse with me?
00:10:51Of course.
00:10:53It's hard to say the exact time.
00:10:57Wait, wait.
00:10:59She didn't expect a visitor.
00:11:01She even said goodbye to me earlier.
00:11:04You have to find him.
00:11:06We found him.
00:11:08He was there.
00:11:10Around 4.20.
00:11:12No one opened the door.
00:11:14He went down to the watchman.
00:11:16He found out that Mrs. Gray hadn't left the house since morning.
00:11:19After a while they decided to open the door.
00:11:23And Marion is dead.
00:11:25It's absurd.
00:11:26I don't think so.
00:11:29Are you going to arrest me?
00:11:33No, I'll just report to the inspector.
00:11:36I suppose he'll want to talk to you about it.
00:11:40Call him now.
00:11:42This whole thing is madness.
00:11:44No, no.
00:11:46He's very busy.
00:11:48He's looking at Mrs. Gray's papers.
00:11:52Papers?
00:11:54Letters.
00:11:57Some of them are very personal.
00:12:02From a friend.
00:12:04The inspector will be surprised if he finds any clues.
00:12:07Weren't there any of your letters?
00:12:10I bet you've already looked through them.
00:12:13Yes, you know.
00:12:15I looked through them.
00:12:16One or two.
00:12:18But it's time for me.
00:12:21Don't forget to call your friend.
00:12:25Good night, sir.
00:12:27Good night.
00:12:39Hello?
00:12:41Tony, it's Tom.
00:12:42Don't be angry, but I have to cancel today's meeting.
00:12:46What?
00:12:47I'm sorry, but I can't explain it to you.
00:12:50I'll explain it to you tomorrow.
00:12:52Good night.
00:13:00Who was that?
00:13:02Tony.
00:13:03Always punctual.
00:13:05Did something happen?
00:13:06Are you depressed?
00:13:08No, I was just thinking.
00:13:11I'll be right back.
00:13:13Brenda...
00:13:14I have to go to the kitchen.
00:13:16You don't have to.
00:13:21There won't be any reception today.
00:13:23I called him not to come.
00:13:25Did you call Marion too?
00:13:28Get ready for a big shock.
00:13:30I'm listening.
00:13:31Marion can't come to us.
00:13:34Marion is dead.
00:13:36What?
00:13:38A car accident?
00:13:40No.
00:13:41She was murdered and they don't know who did it.
00:13:44What do you mean, they?
00:13:45The police.
00:13:47The police?
00:13:49Poor Marion.
00:13:50But who could care about her death and why?
00:13:53Brenda...
00:13:55I've never told you about it.
00:13:58But...
00:14:01But I'll tell you today.
00:14:03Marion was a woman without scruples.
00:14:05She was sickly and ambitious.
00:14:07She didn't back down from anything.
00:14:09She wanted to get everything.
00:14:10Success, money, fame.
00:14:11Even the corpses.
00:14:13You didn't like her?
00:14:14I hated her.
00:14:16You should have told me earlier.
00:14:19Anyway, I don't regret it now.
00:14:22You know...
00:14:23I'm glad she's dead.
00:14:25You can't say that.
00:14:27I mean, I'd be glad if...
00:14:31if it wasn't for one thing.
00:14:33What?
00:14:34I fell in.
00:14:35Terribly.
00:14:36I was at Marion's this morning.
00:14:39You didn't tell me anything?
00:14:41She called to say she wanted to talk to me.
00:14:43I couldn't refuse.
00:14:45I was there for half an hour and...
00:14:48it looks like she was murdered right after I left.
00:14:52But they can't suspect you.
00:14:54How can I explain that it wasn't me?
00:14:57You had no reason.
00:14:59A film producer doesn't kill just because
00:15:01someone is a bad actress and not a nice woman.
00:15:05Don't worry.
00:15:06I'll tell Ginny we'll be together for dinner.
00:15:09Brenda...
00:15:10You really don't need to worry about that.
00:15:12I told you to get ready for a big shock,
00:15:15but it's about to come.
00:15:17You see, I...
00:15:19I had an affair with Marion.
00:15:24I thought...
00:15:26it was over.
00:15:28You knew?
00:15:30I knew you'd taken care of her last year.
00:15:34But I didn't think it was something more serious.
00:15:37It was a momentary outburst.
00:15:39After a few weeks it was over.
00:15:41What did she say?
00:15:42She said she wouldn't let me leave.
00:15:46She wanted me to divorce her and marry her.
00:15:49What happened next?
00:15:51Today I told her it was over.
00:15:55She threatened to tell everyone.
00:15:58She threatened to divorce me.
00:16:00She said she could take revenge.
00:16:02Did you tell the police?
00:16:04No.
00:16:05Do you think they'll believe you?
00:16:10Brenda, I...
00:16:12I wrote a few letters.
00:16:15A few stupid letters.
00:16:17Marion was keeping them.
00:16:20The police again?
00:16:23I'll go and see.
00:16:24No, no.
00:16:25I'll go.
00:16:35Marion?
00:16:37Am I late?
00:16:38Did I come too early?
00:16:39I don't know.
00:16:43Good evening, Brenda.
00:16:46You look lovely.
00:16:49I haven't seen you in half a year.
00:16:51Marion.
00:16:53I came at the right time.
00:16:55I thought you'd invited me.
00:16:57Yes, fortunately.
00:16:59I don't remember the date.
00:17:01I could come a week early or late.
00:17:06Tom.
00:17:09You should say I look lovely.
00:17:14Yes, wonderful.
00:17:16And that I have a lovely dress?
00:17:19You're not very charming today.
00:17:22No.
00:17:26You like my necklace.
00:17:29It's a present.
00:17:30I know.
00:17:33Pour me a glass.
00:17:34Sorry.
00:17:35My throat is dry.
00:17:38Sorry, Marion.
00:17:40We're not very talkative.
00:17:42But we didn't expect you.
00:17:47But you invited me.
00:17:49Yes, but we thought you'd left.
00:17:52Left where?
00:17:54To heaven or hell.
00:17:57We were told you're dead.
00:17:59That's nonsense.
00:18:02Who told you?
00:18:04The police.
00:18:06I don't understand.
00:18:08Why would he lie?
00:18:10Because he wasn't a real policeman.
00:18:13So who was?
00:18:15I don't know.
00:18:16I'm just curious who he sent here to tell him what he said.
00:18:21Are you crazy?
00:18:22Do you think I sent someone here with the news of my death?
00:18:26No, it's not my specialty.
00:18:28It wasn't a joke, Marion.
00:18:30You said you could take revenge.
00:18:36So you told her?
00:18:38Yes.
00:18:39You succeeded.
00:18:44Breda.
00:18:47What did he tell you?
00:18:50About your romance.
00:18:53That you wanted him to divorce you and marry you.
00:18:57That he hated you.
00:19:00That's all.
00:19:02Isn't that enough?
00:19:06That's a very clever story, Tom.
00:19:10You have a different version.
00:19:13He told you how many times I told him I didn't want to see him again.
00:19:16How many times I asked him to leave me alone.
00:19:18I'll tell you.
00:19:19Not once.
00:19:20Of course you can tell your wife.
00:19:22You have every reason to lie.
00:19:23I have none.
00:19:24None?
00:19:25Poor Breda.
00:19:27It's obvious that you were an honest, faithful wife.
00:19:31For better or for worse.
00:19:33I hate you, Marion.
00:19:36Only me.
00:19:38Even if I tell you that he wanted to sleep with me this afternoon.
00:19:46That's a lie!
00:19:48I still have your fingerprints.
00:19:52Under the necklace I got from you.
00:19:58I should have killed you.
00:20:01I'm sorry I didn't.
00:20:09What do you want, Dini?
00:20:11Will you have dinner now?
00:20:13Later, Dini.
00:20:14Wait in the kitchen.
00:20:15Don't be late.
00:20:16Everything will be raw.
00:20:24You'd like to keep your face.
00:20:26But I won't help you.
00:20:28You always pretended that someone else was to blame.
00:20:32Breda, Tom told me today that he didn't want a divorce.
00:20:37You told me the truth at least once.
00:20:39But he wanted to have a good time.
00:20:43With you.
00:20:44A lawful wife and me.
00:20:46A lover who can be visited twice a week.
00:20:49You're lying!
00:20:50Don't get involved now.
00:20:52I asked him to leave me alone.
00:20:54When he didn't want to agree, I threatened to use another method.
00:20:58I'll just tell you about everything tonight.
00:21:03Tom.
00:21:04That's not true.
00:21:05That's why he was the first to come up with his fairy tale.
00:21:09You made a very interesting theory about a fake policeman
00:21:13who brought the news of my death.
00:21:18But I have my own theory.
00:21:22You know who it was.
00:21:24You sent him yourself.
00:21:26Breda.
00:21:28Did you talk to this policeman?
00:21:31No.
00:21:32He just said he wanted to see Tom in some personal matter.
00:21:36And you left him alone.
00:21:39Yes.
00:21:41So he made it all up.
00:21:45And now...
00:21:48I'll have a drink.
00:21:51This man gave me his name.
00:21:53Of course it's fake.
00:21:55What's his name? John Smith?
00:21:57Carlis.
00:21:58Hughes Carlis.
00:22:01He's your lover, isn't he?
00:22:05I've never heard of him.
00:22:07Let me describe him to you.
00:22:10He knew a lot about you and me.
00:22:13He knew everything about us.
00:22:15No one knew except the two of us.
00:22:23I've had enough.
00:22:26Goodbye.
00:22:36You finally got rid of me.
00:22:39You sent him, didn't you?
00:22:40I didn't send him.
00:22:41Then why did you come?
00:22:43I've had enough.
00:22:45You got what you wanted.
00:22:47Now take me to the car.
00:22:49You'll be so happy to see me leaving.
00:23:02Didn't you want to stay for dinner?
00:23:04No, I had to go.
00:23:06Such beauty needs a lot of invitations.
00:23:10Mr. Polton is very angry with her.
00:23:13He had his reasons.
00:23:16But she's not nice, is she?
00:23:21But she's pretty.
00:23:23She's gone?
00:23:25Let's hope for the best.
00:23:31Brenda, I don't think you believe me.
00:23:35I swear...
00:23:37Leave me alone.
00:23:39I've heard so many things that they don't matter to me anymore.
00:23:43I don't want to believe you.
00:23:45I have to go.
00:23:47If you want to divorce me.
00:23:49Please stop talking.
00:23:52I have to eat.
00:23:54It's so stuffy in here.
00:24:00Tom!
00:24:01Marion hasn't left yet.
00:24:03The car is under the house.
00:24:07In the car?
00:24:09Why is she in the car?
00:24:11I don't know. I'll go and see.
00:24:13Leave her alone.
00:24:15Why isn't she leaving?
00:24:41Brenda?
00:25:01Marion is dead.
00:25:04In the car.
00:25:07Someone had to watch us from the hideout.
00:25:10He killed her when I got home.
00:25:15What do we do now?
00:25:17I'll call the police.
00:25:19No, let's talk.
00:25:20I didn't kill her.
00:25:21I believe you.
00:25:23I'll do anything to help you.
00:25:25But you didn't leave the house.
00:25:27Ginny saw me leave.
00:25:29Let's think of something else.
00:25:32No.
00:25:34We'll tell the truth.
00:25:35Hello?
00:25:42This is Belsize 3527.
00:25:47What?
00:25:49I'll give you my address.
00:26:03Inspector...
00:26:06One moment.
00:26:17Mr. Polton.
00:26:19Let's get back to the facts.
00:26:24You took Mrs. Negray away from the house.
00:26:27Please interrupt me if I'm wrong.
00:26:29There was a new quarrel outside.
00:26:32That's easy to say.
00:26:34Mrs. Negray didn't get in the car yet.
00:26:36No, she was standing on the sidewalk.
00:26:38So when you got home,
00:26:40Mrs. Negray got in the car.
00:26:43What did she do next?
00:26:45I don't know.
00:26:47What does a woman do before she starts the engine?
00:26:50I don't know.
00:26:51She opens the bag and looks for the key.
00:26:54That's right.
00:26:56What was the killer doing at that time?
00:27:00Who?
00:27:01The killer.
00:27:04I thought you were only interested in facts.
00:27:07That's how we get to certain facts.
00:27:10Let it be that way.
00:27:12I don't know.
00:27:13He was hiding in the bushes on the other side of the street.
00:27:16Or behind the car.
00:27:18So when Mrs. Negray was looking for the key,
00:27:22the killer came out of hiding and stabbed her.
00:27:25With a knife?
00:27:26Yes, a blow to the back.
00:27:27Now I wonder if we can recreate the killer's movements.
00:27:37What are you trying to do, Inspector?
00:27:39I'm just trying to establish some facts.
00:27:42You didn't hear a single scream.
00:27:44The officer also said so.
00:27:45So we assume that the killer covered Mrs. Negray's mouth.
00:27:49That was your concept, Mr. Polton.
00:27:51I suppose that was the killer's concept.
00:27:54So the killer came to the car from the side of the house,
00:27:57had to cover her mouth with his right hand,
00:28:00and hit her with his left, right?
00:28:02Not exactly.
00:28:03There was no killer on this side of the car.
00:28:05I didn't kill her.
00:28:06But we're talking about Mr. X.
00:28:08That's right.
00:28:09So Mr. X covered her mouth,
00:28:12and she grabbed him by the hand.
00:28:16By the right hand.
00:28:21You must have noticed that I don't have any clothes in my wardrobe.
00:28:24It's true, I don't have any clothes in my wardrobe.
00:28:27You must think that I lost it.
00:28:30Unfortunately, I have to disappoint you.
00:28:33It broke when I was putting it on.
00:28:36I'll put it somewhere here.
00:28:38Don't worry.
00:28:41It's with me.
00:28:45Where did you find it?
00:28:47In the car.
00:28:48Mr. X, I wasn't getting close to the car.
00:28:52Oh, it was Carlis.
00:28:54Of course it was Carlis.
00:28:55He saw how I put it on my shoulder,
00:28:57took advantage of the moment of inattention and took it.
00:28:59And he threw it into the car.
00:29:01Yes, yes, exactly.
00:29:02Precise work.
00:29:04Or maybe we lost the knife from the kit, right?
00:29:07Would you like to think about it?
00:29:08No.
00:29:10It wasn't the knife from the kit.
00:29:14How do you know it's ours?
00:29:16I showed it to the maid.
00:29:18Don't you think that all these evidences are too obvious to be true?
00:29:22If I had killed him, I would have erased the traces.
00:29:25Mr. Polton, in affection, people commit various...
00:29:29...inconsistencies.
00:29:32What's the matter, sergeant?
00:29:41I won't wait.
00:29:42Yes, Mr. Inspector.
00:29:45So who killed him?
00:29:47Carlis.
00:29:50Carlis is the murderer.
00:29:52He came here with a plan of how to commit the murder...
00:29:55...and how to suspect Tom.
00:29:57So you think that Carlis knew that in this apartment...
00:30:00...he would find the knife with which he would commit the crime...
00:30:02...and the pin that he would throw at the crime scene, right?
00:30:05No.
00:30:06And the knife and the pin fell into his hand by accident.
00:30:09He just took the opportunity.
00:30:12He came here to make a mess.
00:30:14He wanted to make sure that he would come to an agreement with Marion...
00:30:17...in the presence of a witness, at least a servant.
00:30:20He told me a fairy-tale about her death.
00:30:23He said that in this situation I would not have a choice...
00:30:26...and that I would confess to the affair with Marion.
00:30:29A handy theory.
00:30:32But the motive, Mr. Polton.
00:30:35You had a great motive, but Carlis?
00:30:39Mr. Inspector, finding Carlis' motive is your task.
00:30:43If you find him at all.
00:30:46Do you think that it will be difficult?
00:30:48Of course, he gave a false name.
00:30:50You will never find him.
00:30:52I would not be such a pessimist.
00:30:54I will remain a man with a wonderful motive and a lot of evidence.
00:30:59If we do not find Carlis, we will have to believe...
00:31:03...that you are telling the truth.
00:31:05In any case, the truth about his visit.
00:31:08After all, one relates to the other.
00:31:11Do you believe that he pretended to be a policeman?
00:31:13Do you believe that he took Spinkane?
00:31:16Very possible.
00:31:18But he was not so clever.
00:31:20He prepared everything to blame us.
00:31:23He forgot that his disappearance will prove my innocence.
00:31:26Prove?
00:31:28I would not say that.
00:31:30It will help to prove.
00:31:31Let it be so.
00:31:32But there is another possibility.
00:31:34If we find Carlis, your case will be much worse.
00:31:38Do you agree?
00:31:40I think so.
00:31:42Great.
00:31:43Now we know what to do.
00:31:48Sergeant.
00:31:59Mr. Carlis.
00:32:01I am Inspector Brett.
00:32:04Good evening, inspectors.
00:32:08Good evening, gentlemen.
00:32:13Mr. Polton.
00:32:15Was it this gentleman who visited you today?
00:32:18Yes.
00:32:19How did you find him?
00:32:21Very simple.
00:32:22I looked into the phone book under the letter C.
00:32:25Carlis.
00:32:26Jules Carlis.
00:32:28I called him and asked him to come to us.
00:32:30What do you think?
00:32:32He is smarter than I thought.
00:32:34Did he pretend to be here?
00:32:36No.
00:32:37It's true, Mr. Carlis.
00:32:39But I'm sure he will deny that something connected him to Marion.
00:32:42We were supposed to get married.
00:32:44And he probably came to me to inform me about the engagement, right?
00:32:48Oh.
00:32:50I remember.
00:32:52It's a lie!
00:32:53Mr. Carlis.
00:32:55You see, your story is not the same as the story of the Poltons.
00:33:02You can even say that these are two completely different stories.
00:33:07Really?
00:33:08Yes.
00:33:09Before we asked you here, I collected some information about your person.
00:33:14You are the son of Sir John Carlis.
00:33:18He is a very rich man.
00:33:20You are his only heir.
00:33:22That's right.
00:33:24And now tell us what you were doing this afternoon.
00:33:28I was at Marion's.
00:33:29What time?
00:33:31About half past five.
00:33:33I've known Marion for three months.
00:33:36I wanted her to marry me.
00:33:39I knew what connected her to...
00:33:42Well, you don't have to worry.
00:33:44Everyone knows that.
00:33:48When I came to Marion, she was very upset.
00:33:50She said that Tom Polton had just been with her.
00:33:53She said that she wanted to break up with him.
00:33:58Tom!
00:33:59Oh, listen, Mrs. Polton.
00:34:02It sounded too real here.
00:34:05No.
00:34:06Nothing.
00:34:10It's illegal for her to marry me.
00:34:14Just to break up with Polton.
00:34:18She finally agreed.
00:34:20We asked Marion if she knew anyone named Carlis.
00:34:25She denied.
00:34:26I thought she was afraid of something.
00:34:29Of course.
00:34:31Of Polton's reaction.
00:34:33That's why I decided to come here
00:34:36and tell him everything.
00:34:39It would be best if I told him
00:34:42about our engagement.
00:34:44I'm telling you again that he was pretending to be a policeman.
00:34:47And, of course,
00:34:49you demanded that he be identified.
00:34:52No.
00:34:53It never occurred to me.
00:34:54I've never dealt with the police.
00:34:56Mr. Carlis,
00:34:57did you introduce yourself as a policeman here?
00:35:01What a fantastic idea.
00:35:04Mrs. Polton,
00:35:06did I tell you that I'm from the police?
00:35:09No, you didn't say anything.
00:35:11Only when we were alone.
00:35:12And, of course, no one heard about this conversation.
00:35:14That's how it was arranged.
00:35:17Let's ask the servant.
00:35:19I think she came here during our conversation.
00:35:22Servant?
00:35:23Let's check.
00:35:25Dini!
00:35:31You called me?
00:35:33Yes.
00:35:35I wanted to ask you something.
00:35:39When did Mr. Carlis come here the last time?
00:35:43You came in for a moment.
00:35:45Did you hear what they were talking about?
00:35:47Yes.
00:35:48Mr. Carlis said,
00:35:50I know it's a surprise for you,
00:35:53but you should have expected
00:35:55that a girl like her
00:35:57would finally get married.
00:35:59And Mr. Polton said,
00:36:01that's the truth.
00:36:02And what else?
00:36:04Then Mr. Carlis said,
00:36:06after all this,
00:36:07I'd like to have a drink.
00:36:09And Mr. Polton,
00:36:10I'm sorry,
00:36:11I didn't notice,
00:36:12I'll pour you a drink.
00:36:14We were just pretending
00:36:15such an ordinary conversation about nothing.
00:36:18Mr. Carlis suggested
00:36:20that no one would know who he is.
00:36:23He pretended he wasn't a policeman.
00:36:25Mr. Polton,
00:36:26you've got it all wrong.
00:36:28First you said he pretended to be a policeman,
00:36:30and now again.
00:36:31Dini, did you notice anything special
00:36:33in Mr. Polton's behavior?
00:36:35He was very angry.
00:36:36He yelled at me to get out.
00:36:38I was upset with the news of Mary's death.
00:36:41Or the handcuffs.
00:36:43I don't know why you were angry.
00:36:45I'm just yelling at this beautiful lady.
00:36:48Thank you, Dini.
00:36:57Mr. Carlis,
00:36:59what were you doing
00:37:00and where were you
00:37:01between 8 and 8.15?
00:37:06At home.
00:37:08I read a bit.
00:37:10I had a few phones.
00:37:11Between 8 and 8.15?
00:37:14I don't remember exactly.
00:37:16There were a lot of phones that evening.
00:37:20I could have written them down on a piece of paper,
00:37:23but I don't know if it's the right order.
00:37:25There won't be any of them
00:37:27during the murder.
00:37:29You were here chatting with Mary.
00:37:31I'm telling you
00:37:33I didn't leave the house.
00:37:35Yes, and you didn't take the handcuffs or the knife
00:37:37and you didn't kill Mary.
00:37:38No, no, just a moment.
00:37:41Let's go back to those phones.
00:37:43You called your friends
00:37:45and told them about the handcuffs, right?
00:37:47No.
00:37:49Only my father.
00:37:50I wanted to introduce Mary to him.
00:37:52I talked to him about tomorrow's lunch.
00:37:57Who else did you call?
00:38:00Restaurants,
00:38:01night clubs,
00:38:03theatres.
00:38:04We were supposed to be there tomorrow
00:38:06with Mary.
00:38:08What a crazy story.
00:38:11It's like a nightmare.
00:38:14All the pieces fit together
00:38:16and give a false impression.
00:38:18Two plus two
00:38:20is four.
00:38:22Always and everywhere.
00:38:24Good, good.
00:38:25So if you catch him
00:38:26even on the smallest trick,
00:38:28it means he lied.
00:38:29And if he's a trickster, he's a murderer, right?
00:38:31Are you finished?
00:38:34For now.
00:38:35Can we go?
00:38:38You're arresting me, aren't you?
00:38:40For the murder of Mary Gray.
00:38:42You're not obliged to answer all the questions.
00:38:45But I warn you,
00:38:46whatever you say will be reported
00:38:48and can be used against you.
00:38:52I'd like to take a few pieces.
00:38:55Please do.
00:38:56Sergeant, you'll go upstairs with him.
00:39:08Oh, here's the coffee.
00:39:10Enjoy it before you leave, Mr. Carlis.
00:39:15Is Mr. Stapolton not here?
00:39:17No, he'll be back soon.
00:39:19Don't pour me more.
00:39:21I have to take care of something.
00:39:25Black or white?
00:39:27Black.
00:39:32And no sugar.
00:39:34And no sugar.
00:39:43Are they arresting Mr. Stapolton?
00:39:46Everything indicates that it's him.
00:39:50I think I noticed something important.
00:39:53When I came in here,
00:39:55Mr. Stapolton was so rude to me.
00:39:58You know, I'm very observant.
00:40:01Maybe I should tell the inspector.
00:40:03Dynia, it depends.
00:40:05What did you notice?
00:40:07I noticed...
00:40:09I'd like to drink now.
00:40:11I'll pour you some.
00:40:13What are they doing up there for so long?
00:40:19Dynia?
00:40:23I don't think you should tell the inspector what you noticed.
00:40:27Unless he asks you.
00:40:30In this country,
00:40:32I like to do everything myself,
00:40:34asking questions.
00:40:36Just like in the Netherlands.
00:40:38I don't like people
00:40:40who ask no questions.
00:40:43They want to be the smartest.
00:40:45Exactly.
00:40:46Where are you going?
00:40:48I have to tell Mr. Stapolton that the coffee is getting cold.
00:40:51Let's go.
00:40:53I don't think the coffee will help.
00:40:55Dynia, don't wait for me.
00:40:57I'll be back late.
00:40:59Maybe in the morning.
00:41:02Mr. Inspector, do you have any more questions?
00:41:06No.
00:41:09Not right now, anyway.
00:41:12Are you sure?
00:41:15Yes.
00:41:16I can't wait till morning.
00:41:19So, good night.
00:41:25Goodbye.
00:41:26See you tomorrow.
00:41:28Mr. Carlis.
00:41:29Won't I need you at night, Mr. Inspector?
00:41:32No, I don't think so.
00:41:34You know, I have my phone on the floor,
00:41:36and I sleep on the floor.
00:41:38I have a very hard sleep.
00:41:40Don't worry, Mr. Carlis.
00:41:42You can sleep well.
00:41:45Good night, Mr. Inspector.
00:41:51I'm very sorry.
00:41:55Damn it.
00:41:59You know, he has to come across something.
00:42:04There must be a question he can't find the answer to.
00:42:08Let him ask.
00:42:10Let him ask.
00:42:12What?
00:42:17I don't know.
00:42:30You don't want to add anything or change anything?
00:42:34No.
00:42:35Please sign this.
00:42:41And now, please go back home and sleep well.
00:42:45Sleep, then everything.
00:42:48You're a funny man, Mr. Inspector.
00:42:50Funny and blind.
00:42:51But not blind.
00:42:52I know when Tom is telling the truth.
00:42:54But for a year he was betraying you, and you didn't know that.
00:42:57Sergeant, will you take her home in the car?
00:43:00Thank you, I'll go on foot.
00:43:06Inspector, is it really him?
00:43:28Who's there?
00:43:30It's me, Carlis.
00:43:33Why did you come?
00:43:35I forgot something in the living room.
00:43:37I had to go back.
00:43:39It's very late.
00:43:41I'm very sorry.
00:43:58What did you lose?
00:44:00A souvenir file.
00:44:02It fell out of my pocket.
00:44:04Where was I?
00:44:08Here, I think.
00:44:10Here.
00:44:12No, it's not mine.
00:44:14Maybe under the other pillow?
00:44:16There it is.
00:44:17Bravo, you're brilliant.
00:44:19Thank you very much.
00:44:21You can go now, Mr. Carlis.
00:44:23I'll just light it, I've been waiting so long.
00:44:26I feel better now.
00:44:28You have no idea what a cigarette means to a man,
00:44:34especially to a woman.
00:44:37I know from my father.
00:44:39Yes?
00:44:41Tell me, do you like your father?
00:44:44Very much.
00:44:46He's so kind and nice.
00:44:48Not like mine.
00:44:50He doesn't like you?
00:44:51No, sometimes he's just worried about me.
00:44:54I inherited his name and fortune.
00:44:57But you have a good character.
00:45:01Of course.
00:45:03I'm just kidding.
00:45:05I have an English sense of humor.
00:45:07But I'd never tell you that if I wasn't sure you wouldn't repeat it.
00:45:11Why should I repeat it?
00:45:14You're a good girl, Dina.
00:45:16You know, you know how to keep your mouth shut.
00:45:21Listen.
00:45:23You told me you noticed something when the inspector was here.
00:45:28Yes, but maybe it's not important.
00:45:30What was it?
00:45:32Mr. Polton's hairpin.
00:45:34When you were here for the first time,
00:45:37and Mr. Polton was so angry with me,
00:45:39I noticed he didn't have a hairpin on his right sleeve.
00:45:42Are you sure?
00:45:44Yes, I'm very observant.
00:45:47Did you tell the inspector?
00:45:49Yes, I did.
00:45:56Good.
00:46:07Listen, Dina.
00:46:11I have an idea.
00:46:14Do you like to dance?
00:46:16Very much.
00:46:18But we've been talking for too long, Mr. Carlis.
00:46:22Have you ever been to our place?
00:46:24No, I haven't.
00:46:26Would you like to go?
00:46:28I can't.
00:46:30Mrs. Polton isn't here.
00:46:33Maybe she'll be back in a few hours,
00:46:35or maybe even in the morning.
00:46:38You know what? We'll go.
00:46:40No one will find out.
00:46:42It's impossible.
00:46:44Get dressed quickly.
00:46:46I know a quiet place.
00:46:48We'll only dance one dance.
00:46:50We'll stay for half an hour,
00:46:52or even less.
00:46:54I'll take you home.
00:46:56You'll have something to talk about
00:46:58when you get back to Holland.
00:47:00I'd be ashamed to talk about such things.
00:47:02All right.
00:47:04We won't tell anyone.
00:47:06Never.
00:47:08I'll stay for half an hour.
00:47:10Will you see me off later?
00:47:16She's coming.
00:47:29We checked everything we could.
00:47:32Everything he said had a special meaning.
00:47:36He didn't say anything random.
00:47:38He wanted to accuse me of everything.
00:47:40I asked questions, he answered.
00:47:42But in the end, he said something
00:47:44that had nothing to do with me.
00:47:46He had to have a purpose.
00:47:48He asked if you'd call him at night,
00:47:50because his phone was on the floor.
00:47:52I wondered what it meant.
00:47:56I'll explain.
00:47:58He had his phone on the floor.
00:48:00He couldn't have heard the bell.
00:48:02You can't take anything he said literally.
00:48:04That means...
00:48:06That means he's not at home.
00:48:08I sent a detective.
00:48:10He followed Carlis.
00:48:12He went home, turned off the light
00:48:14and told you he was on his way back.
00:48:16He probably snored.
00:48:18Did the detective stay there?
00:48:20No, he came back.
00:48:22So you don't know if Carlis is at home?
00:48:24Where else could he be?
00:48:26You're a scrupulous man.
00:48:28You check everything.
00:48:30Where is Carlis now?
00:48:32He's not at home.
00:48:34Send someone. I'm afraid of him.
00:48:36Mr. Polton.
00:48:38Tomorrow you'll stand before the judge.
00:48:40In these conditions,
00:48:42talking to you is not one of my duties.
00:48:44At least call him.
00:48:46Talk to Carlis.
00:48:48He may already be there.
00:48:50You can't wait.
00:48:52You can't.
00:49:02You can't.
00:49:16Mr. Carlis.
00:49:20Why didn't you get dressed?
00:49:22Why do you want to take me
00:49:24to the club today?
00:49:26You said you liked to dance.
00:49:28I changed my mind.
00:49:30It's hard.
00:49:32As you wish.
00:49:34We'll go another time.
00:49:36We'll tell you everything about Mr. Polton.
00:49:38And now you can go.
00:49:42What a beautiful night.
00:49:46I couldn't
00:49:50fall asleep.
00:49:56Listen.
00:49:58I'm still thinking about
00:50:00that girl.
00:50:02Don't you think
00:50:04we should tell the inspector?
00:50:06I think so.
00:50:08Dina.
00:50:10Come with me to the police station.
00:50:12No.
00:50:14If it's so important,
00:50:16you can call.
00:50:22It's better to tell
00:50:24personally.
00:50:28I don't trust you.
00:50:32I'm trying to
00:50:34help you.
00:50:38Dina.
00:50:40You don't want me to tell.
00:50:44Maybe I can
00:50:46convince you.
00:50:48You can convince me.
00:50:52You can go.
00:50:54Dina.
00:51:18Dina.
00:51:38What are you doing here?
00:51:40Who let you in?
00:51:42Dina.
00:51:44Where is she?
00:51:48What happened?
00:51:50Nothing.
00:51:52She just went to sleep.
00:51:54She was very tired.
00:51:56Why did you come back?
00:51:58I couldn't
00:52:00fall asleep.
00:52:02I wanted to talk to you.
00:52:04What do you want to tell me?
00:52:06Please,
00:52:08sit down.
00:52:10Please.
00:52:18I'll tell you
00:52:20honestly.
00:52:22I feel sorry for you.
00:52:24I'd like to help you.
00:52:26Me or Tom?
00:52:28Both of you.
00:52:30I understand Tom.
00:52:32Maria was
00:52:34a bad woman.
00:52:36I thought
00:52:38I was wrong.
00:52:40I don't know
00:52:42what I feel now.
00:52:44I feel depressed
00:52:46or relieved.
00:52:48You killed her.
00:52:50Unfortunately,
00:52:52I didn't.
00:52:54Your husband did it.
00:52:56There is no proof.
00:53:00Don't get tired.
00:53:02If you want to drink,
00:53:04I'll bring you a glass.
00:53:14Cognac, right?
00:53:16Yes, please.
00:53:18Please.
00:53:20And you?
00:53:22I'd like to
00:53:24overuse hospitality.
00:53:30You know,
00:53:32I think
00:53:34I feel sorry for you.
00:53:36I don't want to blame myself.
00:53:38I just don't have a motive.
00:53:40A confession without a motive
00:53:42is not worth anything.
00:53:44Maybe you have one.
00:53:48In connection with your father.
00:53:50Maria knew something
00:53:52and blackmailed you
00:53:54to tell everything to your father.
00:53:56He would inherit you
00:53:58without giving you a penny.
00:54:00It must have been something
00:54:02that would cause a scandal.
00:54:04In my opinion,
00:54:06it's one of your lies.
00:54:08The only thing left
00:54:10is to accept the fact
00:54:12that I'm a murderer's wife.
00:54:14It's the only thing
00:54:16you can do.
00:54:18I see you're tired.
00:54:20What?
00:54:22Why don't you go to bed?
00:54:24I'll go out myself.
00:54:26I'll walk you out.
00:54:28No.
00:54:30I won't leave
00:54:32unless you go to bed.
00:54:36Good night.
00:54:38Good night.
00:54:40Good night.
00:55:02Excuse me.
00:55:04Yes?
00:55:06No, no, no.
00:55:08It's a mistake.
00:55:10It's Blaseis 3537.
00:55:12Yes, it is.
00:55:14Here you are.
00:55:16Who rang?
00:55:18Dini!
00:55:20Please go to bed.
00:55:22Did you kill Dini?
00:55:24Go to bed!
00:55:26Dini!
00:55:28Dini!
00:55:30Did you kill Dini?
00:55:32Go to bed!
00:55:36Inspector Bright
00:55:38wanted to know
00:55:40if you came home safely.
00:55:44Now Ruga
00:55:46calls
00:55:48and says
00:55:50he's been wrongly connected.
00:55:52I tell him to dial
00:55:54Blaseis
00:55:563527.
00:56:00Then
00:56:02the phone
00:56:04rings again.
00:56:06But this time
00:56:08no one
00:56:10picks up
00:56:12the phone.
00:56:22No answer.
00:56:26Now we come to an interesting moment.
00:56:28The caller says
00:56:30Inspector,
00:56:32unfortunately,
00:56:34the number doesn't answer.
00:56:36I think Mrs. Polton
00:56:38went to bed.
00:56:40Now there are two solutions.
00:56:42Either
00:56:44the inspector says
00:56:46call
00:56:48until you get the answer
00:56:50and then
00:56:52the phone rings again.
00:56:54Or
00:56:56he says
00:56:58calm down,
00:57:00wait until morning
00:57:02and then
00:57:04the phone
00:57:06won't ring.
00:57:08Won't ring.
00:57:20The inspector thinks
00:57:22we can wait.
00:57:26It's morning.
00:57:28Mrs. Polton,
00:57:32you are not
00:57:34the murderer's wife.
00:57:46Do you want to die?
00:57:48I knew
00:57:50Tom was innocent.
00:57:52Yes.
00:57:54He was right.
00:57:56But unfortunately,
00:57:58there was no evidence.
00:58:00Are you sure?
00:58:02Absolutely.
00:58:04If it was about something
00:58:06that could cause a scandal,
00:58:08someone had to know.
00:58:10Now no one knows.
00:58:12Will the police find out?
00:58:14The police already has their murderer.
00:58:16Who would they suspect?
00:58:18Me?
00:58:20You came here tonight.
00:58:22Please.
00:58:24You won't run away.
00:58:26The police is on the street.
00:58:28You came here with me.
00:58:30You came here yourself.
00:58:36You told me
00:58:38to run away.
00:58:40Unfortunately,
00:58:42you won't run away.
00:58:44What do you want to do?
00:58:46You know
00:58:48first I killed Marion,
00:58:50then Tina,
00:58:52and then...
00:58:54Me?
00:58:56And what do you get?
00:58:58An additional guarantee
00:59:00that you'll end up on the gallows.
00:59:02No.
00:59:04This is my last chance.
00:59:06I don't want to kill you.
00:59:08I just have to save myself.
00:59:10And blame someone else?
00:59:12No.
00:59:14You can't do that.
00:59:16You can't kill me.
00:59:18Police!
00:59:20Call the police!
00:59:24When you call the police,
00:59:26you have to
00:59:28dial
00:59:30the right number.
00:59:38Inspector?
00:59:40Oh,
00:59:42Carlis.
00:59:44What are you doing here?
00:59:48Sir,
00:59:50I'm glad to see you.
00:59:52I had to keep an eye on her.
00:59:54That man was arrested.
00:59:56But I decided
00:59:58to confront you again.
01:00:00I don't understand.
01:00:02Why did you come here, Carlis?
01:00:06You caught her
01:00:08in the act.
01:00:10She killed a servant.
01:00:12That's not true!
01:00:18I didn't expect that.
01:00:24Lily
01:00:26is dead.
01:00:28I came too late.
01:00:30I was about to call you.
01:00:32She must have known
01:00:34what Polton was accused of.
01:00:36She was supposed to come
01:00:38to you tomorrow.
01:00:40Inspector,
01:00:42think about it.
01:00:44I'll explain everything.
01:00:46Why did you kill her?
01:00:48Why did you send me
01:00:50to kill Carlis?
01:00:52Let me ask him.
01:00:54You told
01:00:56one lie too many.
01:00:58You didn't have to do that.
01:01:00A lie?
01:01:02Yes.
01:01:04If you had
01:01:06just said
01:01:08a mistake, you'd be fine.
01:01:10You see,
01:01:12the number you gave me
01:01:14Belsize
01:01:163537
01:01:18doesn't exist at all.
01:01:44BELSIZE
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01:03:32ThePirateKings.com