فيلم البلياتشو هيثم احمد زكى و هيدى كرم
فيلم,فيلم نادر,نادر,فيلم عربي,فيلم جديد,نادية الجندى,افلام نادرة,فيلم قديم,ملخص فيلم,مراجعة فيلم,فيديو نادر,فيلم المنتقم,فيلم رعب,نادر جدا,فيديو نادر جدا,قناة فيلم جديد,فيلم مصري,فيلم ملخص,فيدوهات نادره,فيلم الوان,فيلم ثقافى,فيلم حق ميت,تلخيص فيلم,نادر عباسي,أندر فيلم سينمائي,فيلم لم يعرض من قبل,فيلم نهاية العالم,موسيقي فيلم,فيلم الهروب,فيلم لم يشاهد من قبل,موسيقي فيلم ,فيلم امهات فى المنفى,فيلم عربي قديم,فيلم عربي جديد
فيلم سعودي,فيلم,أول فيلم سعودي,ثانوية الروابى,فلم سعودي,فيلم كومدي سعودي,جان فيلم رعب سعودي,سعودي,سعودى,فيلم ناقة السعودي,فيلم ناقه السعودي,اسماء جلال,الفيلم السعودي ناقة,فيلم كرك,الفيلم,سعودية,فيلم وجدة,الفيلم السعودي راس براس,أفلام سعوديه,افلام سعوديه,فيلم مناحي,فيلم كوميدي,فيلم النونو,نور الغندور,ثانويةالنسيم,هل فيلم the goat life بيسيئ للسعوديه,فيلم عربي تركي
فيلم خليجي,فيلم,اسوء فيلم خليجي,خليجي,شوفو اول فيلم خليجي,فيلم إنجليزي,فيلم كامل,فيلم اكشن,دعاية فيلم,فيلم أجنبي,دعاية فيلم أجنبي,فيلم سوريج,مسلسلات خليجية,خليجيه,الفيلم,فيلم هندي,فيلم قصير,فيلم كويتي,فيلم سعودي,فيلم بحريني,فيلم هندي قصير,فيلم حياه الماعز و استعباد الهنود في الخليج,شرح فيلم حياه الماعز,صلاح,الهلال,نورالغندور,رونالدو,السعودية,شرح فيلم the goat life,مراجعه فيلم the goat life,مقاطع مسلسلات خليجية
فيلم سعودي,فيلم,أول فيلم سعودي,ثانوية الروابى,فلم سعودي,فيلم كومدي سعودي,جان فيلم رعب سعودي,سعودي,سعودى,فيلم ناقة السعودي,فيلم ناقه السعودي,اسماء جلال,الفيلم السعودي ناقة,فيلم كرك,الفيلم,سعودية,فيلم وجدة,الفيلم السعودي راس براس,أفلام سعوديه,افلام سعوديه,فيلم مناحي,فيلم كوميدي,فيلم النونو,نور الغندور,ثانويةالنسيم,هل فيلم the goat life بيسيئ للسعوديه,فيلم عربي تركي
فيلم خليجي,فيلم,اسوء فيلم خليجي,خليجي,شوفو اول فيلم خليجي,فيلم إنجليزي,فيلم كامل,فيلم اكشن,دعاية فيلم,فيلم أجنبي,دعاية فيلم أجنبي,فيلم سوريج,مسلسلات خليجية,خليجيه,الفيلم,فيلم هندي,فيلم قصير,فيلم كويتي,فيلم سعودي,فيلم بحريني,فيلم هندي قصير,فيلم حياه الماعز و استعباد الهنود في الخليج,شرح فيلم حياه الماعز,صلاح,الهلال,نورالغندور,رونالدو,السعودية,شرح فيلم the goat life,مراجعه فيلم the goat life,مقاطع مسلسلات خليجية
Category
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FunTranscript
00:00:00LSp4 2.70 (-0.65)]
00:01:00What are you doing?
00:01:02Karim Gozza will kill you if he sees you.
00:01:04Who is he going to kill?
00:01:06He's just a beggar.
00:01:08Sit down.
00:01:10I went to her from the beginning.
00:01:12I meant Sharif.
00:01:14She did this to me.
00:01:16I ran to her mercy.
00:01:18I'm telling you.
00:01:20Forget about Fatima and Gozza.
00:01:22Listen to me.
00:01:24We're going to the temple tonight.
00:01:26Leave her for another day.
00:01:28She's sick.
00:01:30She needs to rest.
00:01:32What's wrong with her?
00:01:34She won't get better.
00:01:36What's her blood type?
00:01:38German.
00:01:401960.
00:01:42You're going to be in big trouble.
00:01:44You're going to be a big boss.
00:01:48It's an honor.
00:01:50Calm down.
00:01:52What's up, guys?
00:01:54What's up, man?
00:01:56What's up, man?
00:02:00What's up, man?
00:02:02What are you going to sing for us?
00:02:04What's your name?
00:02:06Lola Malama.
00:02:08Lola Malama.
00:02:24My eyes are tired
00:02:26My eyes are tired
00:02:28My eyes are tired
00:02:30My eyes are tired
00:02:32My eyes are tired
00:02:34My eyes are tired
00:02:36My eyes are tired
00:02:38My eyes are tired
00:02:40My eyes are tired
00:02:42My eyes are tired
00:02:44My eyes are tired
00:02:46My eyes are tired
00:02:48My eyes are tired
00:02:50My eyes are tired
00:02:52We love people
00:02:54We lie to them
00:02:56And say we don't love them
00:03:00We love people
00:03:02And no one
00:03:04In this world
00:03:06Doesn't love
00:03:08And this world
00:03:10Without fear
00:03:12Doesn't love
00:03:14Without fear
00:03:16Doesn't love
00:03:18Doesn't love
00:03:20Doesn't love
00:03:22Even the night
00:03:24Like we love
00:03:26But I'm afraid
00:03:28I'm afraid
00:03:30I'm afraid
00:03:32Dad, dad, don't go to work at night. You're tired.
00:03:36Son, they're a little bit of a mess.
00:03:38I poured some dry tea and it's good.
00:03:42Dad, what will the dry tea do?
00:03:44You have to go to the doctor to know why this pain exactly.
00:03:48Dad, look at your hand.
00:03:50Don't go to work at night. It's dangerous for you.
00:03:54Don't worry about my uncle, Ali.
00:03:56Relax, Mashal.
00:03:58Relax, just because of your wife.
00:04:04Listen, uncle,
00:04:06Take some of this
00:04:08And pour it over the tea.
00:04:12You're not good. You'll be like a horse.
00:04:16Do you want to scare us?
00:04:22Goodbye, uncle.
00:04:24Relax, just because of your wife.
00:04:46Relax, just because of your wife.
00:05:16Relax, just because of your wife.
00:05:46Relax, just because of your wife.
00:06:16Relax, just because of your wife.
00:06:30I don't have anything.
00:06:32I'm broke.
00:06:34I'm broke.
00:06:46I think the last place to steal money is the safe of the house, boss.
00:06:52This paper has some information.
00:06:54It's worth gold.
00:06:56It's worth gold.
00:06:58But the money...
00:07:16But the money...
00:07:30Hello.
00:07:32Where are you going?
00:07:36I'm going to see Maher.
00:07:38Who is he?
00:07:40Ali Rady.
00:07:42He's not here.
00:07:44Ali Rady is here.
00:07:46He has an appointment with Maher Beja.
00:07:48Let him in.
00:07:50Come in, sir.
00:08:08Mr. Ali and Maher Beja are with you.
00:08:14Come in.
00:08:44Come on!
00:08:54Ali Rady.
00:08:56Ali Rady.
00:08:58Ali Rady.
00:09:04Ali Rady.
00:09:06Ali Rady.
00:09:08Have a seat.
00:09:10Sit down.
00:09:12We haven't seen each other in a long time.
00:09:14About three years.
00:09:15Three years, man. That's five years.
00:09:17Yeah, yeah, right.
00:09:21Your apartment is nice, man.
00:09:23In the name of God.
00:09:26But if you saw the palace of Muqattam, what would you say?
00:09:29Not if you had heard what I said, you stubborn.
00:09:33Didn't you have a palace like this in your time?
00:09:37And what about the palace?
00:09:39What about the palace, man?
00:09:52Tell me...
00:09:55I heard you're sick.
00:09:58Yeah.
00:09:59Did you get the medicine or not?
00:10:02Shut up, Meher.
00:10:03The medicine is 70,000 pounds.
00:10:05And I don't have 70 pounds left in my pocket.
00:10:10It's none of your business.
00:10:12It's none of your business, man.
00:10:30You're no longer rich, Uncle Meher.
00:10:32Why do you keep your money in the house's safe?
00:10:34And this is also my money, Ali.
00:10:43Welcome, welcome. Sit down, my dear. Sit down.
00:10:47Listen, Ali.
00:10:48These are 70,000 pounds. Take them.
00:10:50And if you need more, you know what to do.
00:10:55Thank you, Meher.
00:10:56Keep your money with you.
00:10:58I'll leave it with you for now.
00:11:00What do you want more than what we have?
00:11:03Do you want me to tell you something?
00:11:05Consider it a deal.
00:11:07And pay it back less than what you have.
00:11:09I'll pay 70,000 pounds, Meher.
00:11:11You're kidding.
00:11:12I've been waiting for you for days.
00:11:14And I'm begging you to come work with me.
00:11:16And you don't want to.
00:11:17I'll work with you, Meher.
00:11:19It's a sin.
00:11:21But instead of being a small sin, it'll be a big sin.
00:11:26And we weren't in a hurry to spend more time together.
00:11:29We were in a hurry, Meher.
00:11:31We were in a hurry.
00:11:33But we were in a hurry.
00:11:35Well, I'm in a hurry.
00:11:37How can you be in a hurry when you're in a hurry?
00:11:39Because when you're in a hurry, you're in a hurry.
00:11:42Or what?
00:11:43Listen, Ali.
00:11:46Consider this money...
00:11:50Consider it a reward.
00:11:53I want you to do me a favor.
00:11:55I respected you, Meher, without a doubt.
00:11:57And you knew it well.
00:11:58What is it?
00:11:59No one can do this job except you, Ali.
00:12:04I'm tired of it, Ali.
00:12:07I have a much more dangerous virus than I've ever had before.
00:12:10This virus is called Naja Aziz.
00:12:12Naja Aziz?
00:12:14Isn't he the guy who works at the football club in the North Coast?
00:12:17The guy who raped me and put me in his blood for a long time.
00:12:20He's got people following him.
00:12:22What does he want to do with you, Meher?
00:12:24He wants to compete for land in the North Coast.
00:12:27Can I help you with something like this?
00:12:29No.
00:12:31You can do a lot.
00:12:35You can untie the rope that tied this animal around my neck.
00:12:40The documents that threaten me, I carry them in a safe in the apartment where I live.
00:12:44A safe?
00:12:45Tell me about it, Ammar.
00:12:47I can't trust anyone but you, Ali.
00:12:49Those kids around me are all dogs.
00:12:51They sell their mother to pay extra money.
00:12:53Besides, it's an easy job, Ali. I can secure everything.
00:12:56And everything is done 24 hours a day.
00:13:05Listen, Meher.
00:13:06I want you to have the papers tonight.
00:13:09We're friends, brothers, and we eat on the same plate.
00:13:12And I don't want to see you fighting.
00:13:14Okay?
00:13:26Okay.
00:13:56I don't want to see you fighting.
00:13:57Okay?
00:13:58Okay.
00:14:26Okay.
00:14:56Okay.
00:14:59Here you go, dear.
00:15:02I'm sorry, dear.
00:15:03I can't marry my husband.
00:15:16Come on, dear.
00:15:17You're the best.
00:15:19You too.
00:15:26Come on.
00:15:52You need help?
00:15:54Welcome, sir.
00:15:57How are you, ma'am?
00:15:59Come in.
00:16:00Come in, Kamali Khan.
00:16:01Your husband is outside.
00:16:03How did you know about this apartment?
00:16:04I found out.
00:16:05Ma'am.
00:16:08I don't trust you.
00:16:10You've been lying to me all this time.
00:16:12Sir, you're mistaken.
00:16:14Nothing happened between us.
00:16:15Ma'am.
00:16:18He's a man, and he's a real man.
00:16:20Why did you kill him?
00:16:21Did you kill him to defend your honor?
00:16:23Did you kill him to make me your lover?
00:16:26What's the meaning of this?
00:16:27When you're so strong,
00:16:29why did you leave your sister alone with her kids?
00:16:32Safwat.
00:16:35Tell me, Safwat.
00:16:36Not now.
00:16:38Safwat.
00:16:40Leave her, Safwat.
00:16:44Why did you do this?
00:16:46Why didn't you let me end this life?
00:16:50If she finds her body next to this dog,
00:16:52she'll realize that she loved him.
00:16:54Let's take our rights from her now
00:16:56and give her the rightful place.
00:16:59I feel like I'm going to die.
00:17:01Do whatever you want with me.
00:17:04My aunt,
00:17:05when I come back,
00:17:07I don't want to see her face.
00:17:10Travel safely, my love.
00:17:13I have a black dress.
00:17:15It's a gem.
00:17:16I didn't wear it at all.
00:17:20Even if it means losing that city.
00:17:34I'm telling you, Ali.
00:17:36If you leave me,
00:17:38it's as if you've seen something.
00:17:40We don't play with these things.
00:17:44We don't play.
00:17:47We say...
00:17:50We say...
00:17:54I'm telling you, Nasser,
00:17:56this is a chance to...
00:17:59A chance to...
00:18:01have a little fun.
00:18:04I mean,
00:18:05to know what's going on
00:18:07away from the work and the troubles
00:18:09that are coming our way.
00:18:20Come on.
00:18:27Come on, guys.
00:18:47Welcome.
00:18:49Ali!
00:19:14Hi.
00:19:18And this is Shams.
00:19:19She works as a secretary
00:19:21in my most competitive office.
00:19:25God bless him.
00:19:28This is Aziz.
00:19:33And this is Fatin, Ali.
00:19:36Fatin.
00:19:40I'm glad you remember her.
00:19:46How are you, Ali?
00:19:47God bless you, Fatin.
00:19:50You're all here,
00:19:51and I'm the only stranger?
00:19:53Yeah, man.
00:19:54You're the only stranger
00:19:55with your old shoes.
00:19:56You're the only stranger
00:19:57for the winter.
00:19:59Come on, guys.
00:20:00Come on.
00:20:01Come have dinner with us.
00:20:02We're hungry.
00:20:04I didn't know you still saw Fatin.
00:20:06When was the last time you saw him?
00:20:08Oh, a long time ago.
00:20:10After you left the circus
00:20:11a year or two ago
00:20:12and his wife disappeared.
00:20:13I asked them,
00:20:14but no one knew anything.
00:20:16Kareem went crazy
00:20:17and bought a cassette.
00:20:19And then
00:20:21he opened a recording studio.
00:20:24After a while,
00:20:25he drowned in debt.
00:20:26He committed suicide.
00:20:28What?
00:20:29Suicide?
00:20:30Yeah, suicide.
00:20:34Suicide, Ali.
00:20:38And one day, Fatin's wife
00:20:40came to his house
00:20:41and she couldn't find Lada.
00:20:42She wanted to work.
00:20:46Ah!
00:20:47She worked.
00:20:52Until she became
00:20:53the biggest model in the whole country.
00:20:57She drew on me
00:20:58and the Arab movies
00:20:59that she made.
00:21:00But on whom?
00:21:03She realized
00:21:04that I'm not getting married.
00:21:05I'm just a friend.
00:21:08She was so happy
00:21:09and still is,
00:21:10as you can see.
00:21:12Isn't this the girl
00:21:13you wanted to marry, Amir?
00:21:16Ali, they're all the same.
00:21:17Believe me.
00:21:19They sell their fathers
00:21:20for the money,
00:21:21not their honor.
00:21:22Their fathers,
00:21:23I don't care,
00:21:24they sell for the money.
00:21:25What is this?
00:21:26You brought us here
00:21:27so you could talk.
00:21:29And we're here to cook for you?
00:21:31We're not housewives,
00:21:32Uncle Amour, you and him.
00:21:33Come on,
00:21:34tell us the truth,
00:21:35beautiful white cheek.
00:21:37What are you looking for?
00:21:38Throw it next to her, girl.
00:21:42Tell you what,
00:21:43you know,
00:21:44I've never been with you.
00:21:46I've never been with you.
00:21:47Why are you so quiet?
00:21:50Because you're black.
00:21:52And to be honest,
00:21:54all the trouble
00:21:55I've had in my life
00:21:57is because of black people.
00:21:58And what did they do to you?
00:22:03What did they do to me?
00:22:07They did a lot to me.
00:22:09Yes.
00:22:11They're the ones who lost me.
00:22:12And it looks like
00:22:13you're going to lose me, too,
00:22:14in this mess.
00:22:16Oh, God,
00:22:17how beautiful he is.
00:22:18Shut up, girl.
00:22:20You look like you like the dark.
00:22:23Ali.
00:22:25Ali.
00:22:26Wake up, Ali.
00:22:27Ali.
00:22:29Look, I have to go.
00:22:31I'll tell you what,
00:22:32you sleep here
00:22:33and I'll call you in the morning
00:22:34and we'll go to Ammarad together.
00:22:43Good night, Ali.
00:22:45Good night, Fatima.
00:23:12Good night.
00:23:38Yes, Ameen.
00:23:39I'm Fatima, Ali.
00:23:40Listen to me carefully.
00:23:41What is it, Fatima?
00:23:42Don't interrupt me.
00:23:43I know how to get a phone number.
00:23:44Just leave the numbers
00:23:45anywhere Maher doesn't know.
00:23:47Maher sent you a message,
00:23:48tell him.
00:23:49I'm listening to him,
00:23:50and he's giving me the numbers.
00:23:51It's the end of the revolution,
00:23:52there's no time, Ali.
00:23:53Remember this number,
00:23:54and call me
00:23:55as soon as you're safe.
00:24:10Come on, Maher.
00:24:40Go.
00:25:10Go, go, go.
00:25:40Go, go, go.
00:25:48Go, go, go.
00:26:00Go, go, go.
00:26:10Go, go, go.
00:26:40Go, go, go.
00:26:41Go, go, go.
00:26:42Go, go, go.
00:26:43Go, go, go.
00:26:44Go, go, go.
00:26:45Go, go, go.
00:26:46Go, go, go.
00:26:47Go, go, go.
00:26:48Go, go, go.
00:26:49Go, go, go.
00:26:50Go, go, go.
00:26:51Go, go, go.
00:26:52Go, go, go.
00:26:53Go, go, go.
00:26:54Go, go, go.
00:26:55Go, go, go.
00:26:56Go, go, go.
00:26:57Go, go, go.
00:26:58Go, go, go.
00:26:59Go, go, go.
00:27:00Go, go, go.
00:27:01Go, go, go.
00:27:02Go, go, go.
00:27:03Go, go, go.
00:27:04Go, go, go.
00:27:05Go, go, go.
00:27:06Go, go, go.
00:27:07Go, go, go.
00:27:08Go, go, go.
00:27:09Go, go, go.
00:27:10Go, go, go.
00:27:11Go, go, go.
00:27:12Go, go, go.
00:27:13Go, go, go.
00:27:14Go, go, go.
00:27:15Go, go, go.
00:27:16Go, go, go.
00:27:17Go, go, go.
00:27:18Go, go, go.
00:27:19Go, go, go.
00:27:20Go, go, go.
00:27:21Go, go, go.
00:27:22Go, go, go.
00:27:23Go, go, go.
00:27:24Go, go, go.
00:27:25Go, go, go.
00:27:26Go, go, go.
00:27:27Go, go, go.
00:27:28Go, go, go.
00:27:29Go, go, go.
00:27:30Go, go, go.
00:27:31Go, go, go.
00:27:32Go, go, go.
00:27:33Go, go, go.
00:27:35Go, go, go.
00:27:36Go, go, go.
00:27:39Go, go, go.
00:27:40off Gk
00:27:45No, no, no, I don't have a card.
00:27:47You can order me, you can order me.
00:27:49Goodbye.
00:27:51Open it.
00:27:52Write down the date of the arrest,
00:27:53and the time of the arrest.
00:27:54And make your decision
00:27:55that you are going to serve the prosecution.
00:27:56Okay, sir.
00:28:03Son, this is how you receive the blessing of the bite
00:28:05that is in your mouth.
00:28:06The mouth reads and you eat.
00:28:10I tell you, Hajji,
00:28:11tomorrow I want to go to Tripoli.
00:28:13I'm learning to fly a plane.
00:28:14Don't, Ali.
00:28:16Ali is like you.
00:28:19Play by yourself, Ali.
00:28:21Play by yourself.
00:28:23Play by yourself.
00:28:43Are you Ali Rady, the young man?
00:28:46What did you do, Ali?
00:28:48I swear to God,
00:28:49when I came here, I was oppressed.
00:28:50I didn't kill anyone.
00:28:52We'll see about that now.
00:28:54Open the case, Rabih.
00:28:58Your name is Al-Sulasi,
00:28:59your age, and your address.
00:29:01Ali Rady, the young man.
00:29:03I'm 26 years old.
00:29:05I'm 21 years old.
00:29:07What do you have to say
00:29:08about the charge of killing
00:29:09the master,
00:29:11Naji Aziz Suleiman,
00:29:12about the surprise he gave you
00:29:13in his apartment
00:29:14while you were stealing the safe?
00:29:16I swear to God,
00:29:18I swear to God,
00:29:20I didn't kill Naji,
00:29:21and I never killed anyone
00:29:22in my life.
00:29:24Look,
00:29:26I'm going to tell you
00:29:27I helped you with everything,
00:29:28and I'm not going to hide
00:29:29anything from you.
00:29:37I don't know why,
00:29:38but I have a bad feeling
00:29:39about this case.
00:29:41I don't know what to do.
00:29:43Don't worry,
00:29:44I'm going to get you
00:29:45some pills from the pharmacy.
00:29:47I'm going to get rid of
00:29:48this case for you.
00:29:49Excuse me.
00:29:51Excuse me.
00:30:02What are you saying, man?
00:30:04You've messed up
00:30:05the whole world.
00:30:07You brought the Shami,
00:30:08the Moroccan,
00:30:09the business,
00:30:10the betrayal.
00:30:11What is this, Ali?
00:30:13Ali,
00:30:14say something that can
00:30:15convince him
00:30:16to take your position
00:30:17on the case.
00:30:18Because the case
00:30:19is a mess.
00:30:20What do you mean, man?
00:30:22Look, Ali.
00:30:25While we were looking
00:30:26at the crime scene,
00:30:27we found your ID
00:30:28next to the body
00:30:29of the prisoner, Ali.
00:30:31And we found it
00:30:32in the office,
00:30:33not in the hall,
00:30:34as you say.
00:30:35And it was clear
00:30:36that the prisoner's
00:30:37remains were yours.
00:30:38And with your confession
00:30:39that you're still
00:30:40in the process
00:30:41of stealing the safe,
00:30:42the case is a mess.
00:30:44Will you confess
00:30:45and take advantage
00:30:46of your confession
00:30:47by reducing the sentence?
00:30:48Or what do you think?
00:30:49Mr. Saad,
00:30:50Mr. Saad,
00:30:51I accused Mr. Safwat
00:30:52in front of you
00:30:53in the investigation
00:30:54that he killed Naji.
00:30:55Does that mean
00:30:56I have to be considered
00:30:57a witness
00:30:58and send Mr. Joub Safwat?
00:30:59You're not the one
00:31:00who's going to teach me
00:31:01what I'm supposed to do,
00:31:02Mr. Ali.
00:31:03Your accusation
00:31:04of Mr. Safwat
00:31:05can't be considered
00:31:06a serious accusation.
00:31:07Otherwise, anyone
00:31:08can accuse anyone
00:31:09and turn it
00:31:10into a satellite channel,
00:31:11not the prosecution.
00:31:13Why don't you
00:31:14consider the accusation
00:31:15of Safwat
00:31:16a real accusation?
00:31:17Because it's simple,
00:31:18Safwat Abul Magdi
00:31:19is now in Beirut
00:31:20leading a group
00:31:21of Egyptian businessmen
00:31:22to rebuild Lebanon.
00:31:26So, if you risked your life
00:31:27and worked hard
00:31:28and read the papers,
00:31:30you'd find
00:31:31someone else
00:31:32to take on the case.
00:31:34And maybe then
00:31:35we'd think
00:31:36about what you're saying.
00:31:38Ali,
00:31:39do you have
00:31:40any other questions?
00:31:41Yes, sir.
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00:48:01Good morning.
00:48:03Good morning, Foul, Jamal and Yasmin.
00:48:06What's all this?
00:48:07Yesterday dinner and today breakfast?
00:48:09You'll get used to it.
00:48:10Go wash your face quickly.
00:48:12I made you the best tomato Foul
00:48:14I've made in Giza in three years.
00:48:26You're still the same.
00:48:28What?
00:48:29You swallow water after every bite.
00:48:31If I didn't do that,
00:48:32I'd feel like the food was standing in front of me.
00:48:37You know,
00:48:38I haven't had this tomato Foul
00:48:39since Uncle Rady made it for us
00:48:40at the circus.
00:48:41We'd gather around him
00:48:42and forget about him in a minute.
00:48:44It looks like that's the only thing
00:48:45you've learned from him.
00:48:47Yes, I forgot to tell you.
00:48:49Maher called me last night.
00:48:51What did he want from you?
00:48:52He had a dance party
00:48:53at his palace in Muqatta.
00:48:55He wanted me to go to his friend,
00:48:56Madels,
00:48:57so I could show up
00:48:58and shed a little blood.
00:48:59A Korean dance party?
00:49:02What's the occasion?
00:49:03Yesterday, he said
00:49:04he had a big party
00:49:05in the North Coast
00:49:06and invited all the important
00:49:07elders in the country.
00:49:08That's a good idea.
00:49:13A Korean dance party
00:49:14so everyone can relax
00:49:16and have fun.
00:49:22You know,
00:49:23you're the first man
00:49:24to come into this house
00:49:26and you won't believe me.
00:49:28Right?
00:49:29I've never lied to you, Fatima.
00:49:32No one has ever come into this house
00:49:34before,
00:49:36not even Maher.
00:49:43I had to have a place in my life.
00:49:46When I went there,
00:49:49I took away all the dirt
00:49:50I'd been living in
00:49:52and went back to the old Fatima.
00:49:56This apartment
00:50:00is the only place
00:50:03where I can go out
00:50:04and be myself.
00:50:07It was my dream
00:50:08to take an apartment like this
00:50:10and make it the way we wanted.
00:50:16I couldn't make that dream come true
00:50:19until after I died.
00:50:21I wanted to ask you a question,
00:50:22but I was in a hurry.
00:50:26Is it true that Kareem committed suicide?
00:50:29Of course it's true.
00:50:31The dog.
00:50:32The dirt.
00:50:36Kareem didn't commit suicide, Ali.
00:50:39Kareem was killed.
00:50:41Maher killed him right in front of him.
00:50:43He kept trying to trick Kareem
00:50:45into opening a recording studio
00:50:46and be a part of it.
00:50:47And he really did.
00:50:49He put the files on the floor
00:50:50without a receipt
00:50:51because Kareem didn't know
00:50:52what he was talking about.
00:50:53Kareem didn't know
00:50:54what he was talking about.
00:50:56Maher insisted
00:50:57that I take this apartment
00:50:58as a part of Kareem's.
00:51:00The studio was about to open,
00:51:04but it closed after a few months.
00:51:06Anyway,
00:51:08Maher came one day
00:51:09and started to complain.
00:51:12He wanted his money.
00:51:17Kareem can't take it anymore.
00:51:20He complains about his father,
00:51:21his mother at home,
00:51:22and his wife in front of him.
00:51:24It's hard for him.
00:51:28He goes into his room.
00:51:31He locks himself in there
00:51:32for a week and doesn't come out.
00:51:34Until his heart stops beating
00:51:36and he dies.
00:51:38And you're watching him
00:51:39and you know he wants to die
00:51:40and you can't do anything for him.
00:51:46Maher, the dirt.
00:51:47Jalil, the honor.
00:51:48I'm sorry.
00:51:50I'm sorry for his country.
00:51:54He's my friend.
00:51:56He's the head of the police force.
00:52:01I was alone.
00:52:04There was no one by my side.
00:52:08I couldn't even go back to him.
00:52:13After I ran away from him,
00:52:14Kareem and I.
00:52:19I told him I don't want to.
00:52:20I don't want to tell anybody.
00:52:22I'm getting ready to leave.
00:52:24Now I know I got to be twice as happy.
00:52:27Is Maher still on the streets?
00:52:29No, the police force did this to him yesterday.
00:52:31They've planned a raid
00:52:32and they're paying the cars now.
00:52:34To gather the cars
00:52:35and pay the people on the streets.
00:52:37At the end,
00:52:38they won't pay a single cent.
00:52:40We wouldn't have taken this
00:52:41if it weren't for the police force.
00:52:42No, it's a game
00:52:44with many challenges.
00:52:45If we thought
00:52:46this was a job for the rich,
00:52:47This is their job. We used to be honored with your friend, Naji Aziz Fouk.
00:52:51Maher, how can you do this to me?
00:52:53I've been wandering the streets for years.
00:52:56Oh my God.
00:52:57Leave Maher and look at what's inside.
00:52:59Yes. Is this the prison or what?
00:53:02Aren't you going to tell the naked girls that Maher brought you?
00:53:05Wait a minute. Don't be ridiculous.
00:53:07We don't know who the bastard with her is.
00:53:09And if it's the prison, Mr. Ahed,
00:53:11the whole prison is inside the door for you now.
00:53:14Magida?
00:53:15No, no, no, please. Get us away from this Magida.
00:53:18I'm not her husband, and I'm not flirting with her.
00:53:20You're right.
00:53:21But what's with this nonsense?
00:53:23The party is coming, and you're holding a gun in your hand.
00:53:27Aren't you afraid that someone will tell her husband or flirt with her?
00:53:31Who's the bastard with her?
00:53:34Have you seen the movie, Lost Hassan?
00:53:36This is Lost Hassan.
00:53:38I mean, Lost Raja.
00:53:40I don't understand how Magida has the right to mess with someone like this.
00:53:43If she's not afraid of her reputation, at least she should be afraid of her husband.
00:53:46If she hears about this, she'll break her bones and her brother's back.
00:53:49This is her back because her husband doesn't know about her business,
00:53:52and she doesn't learn either.
00:53:54What's strange is that her husband hasn't heard about this business yet,
00:53:57even though half of the people here know that she died outside her villa.
00:54:01She's going to her mother's apartment, and now she's going to her mother's house.
00:54:04I'm telling you, let's get away from here.
00:54:06I feel like we're standing in front of a coffin
00:54:08as long as the Gorgon Valley is around.
00:54:13Come on, Magida.
00:54:21Here you go, Amour.
00:54:23He only drinks wine.
00:54:25Leave me a little, Magida.
00:54:27Leave you a minute, dear.
00:54:29You have to forget about the past.
00:54:31You know, you disappear like the day before.
00:54:34Guys!
00:54:36Guys, I thank you for your honor today.
00:54:39And I thank you for your trust in us.
00:54:42And in our new project.
00:54:44A project, a production,
00:54:46and a movie.
00:54:48The Gorgon Valley.
00:54:50There's no Hussain.
00:54:52There's no Navarish.
00:54:54No way.
00:54:56I promise you that it will only be for the Gorgon Valley.
00:54:59Isolated.
00:55:01Very special.
00:55:03Very.
00:55:04Come on, guys.
00:55:05The door is open.
00:55:07Come on, guys.
00:55:08Come on, hurry up.
00:55:09Come on.
00:55:10Come on, hurry up.
00:55:12That's it.
00:55:24Come on, don't be shy.
00:55:27This is just the beginning of the party.
00:55:29Once the party is over, you'll do this.
00:55:31This.
00:55:32Yes, this.
00:55:33Come on.
00:55:34Should I go to the side?
00:55:35Yes, so he could get in.
00:55:36Come on, girls.
00:55:37We have a lot of work to do tonight.
00:55:39Come on, come on, come on.
00:55:41Come on, come on.
00:55:49Who are you?
00:55:51How did you get in here and what do you want?
00:55:57Please, get out.
00:55:59Get out because this is a private place.
00:56:01There are no guests here. Get out.
00:56:05Calm down, Mr. Nair.
00:56:09Okay, I'll get out.
00:56:11I just wanted to congratulate you.
00:56:13We're friends and brothers.
00:56:15And we're 20 years old.
00:56:17Isn't that right?
00:56:19You...
00:56:21What brought you here to Ladi Ali?
00:56:25The villa outside is full of important people like you, Ali.
00:56:27And the entrance is secured from the outside and from the inside.
00:56:29But I wanted to know...
00:56:33How could you enter the villa without going through security, Ali?
00:56:39That's the secret of the business, my friend.
00:56:41You forgot that I'm from Aleppo and I pray.
00:56:45What do you want, Ali?
00:56:47Get lost. I'm not your friend.
00:56:49I want to know, Nair,
00:56:51why did you send your men to kill me
00:56:53even though I brought you what you wanted?
00:56:55Why did I send my men to kill you?
00:56:57Why would I do that?
00:56:59They're not going to fly out of the sky.
00:57:01Why, Nair?
00:57:03Why?
00:57:05I don't know who put this nonsense in your head.
00:57:09I don't know.
00:57:13Who, Ali?
00:57:21You're Fatima, aren't you?
00:57:25Momis.
00:57:27You still believe Momis
00:57:29and you're lying to your friend, Ali.
00:57:31Shame on you.
00:57:33Shame on you.
00:57:35Shame on you.
00:57:37Shame on you.
00:57:39If I really wanted to kill you,
00:57:43would I have brought you closer to the prosecutor, Ali?
00:57:45Or did you feel lucky
00:57:47that he was the one who let Saul enter the water
00:57:49because...
00:57:51It's normal.
00:57:53Ali, you should know that I didn't keep an eye on you
00:57:55until the last minute.
00:57:57I tried to help you as much as I could.
00:57:59You're the one who got away from the prosecutor.
00:58:01You got away from the prosecutor
00:58:03because the charges were brought against me.
00:58:07Shame on you, Nair.
00:58:09Mind your language, you animal.
00:58:11Who do you think you're talking to?
00:58:13This animal wants the complaints
00:58:15that Fatima filed against him.
00:58:17So what?
00:58:19Do you have the money for the complaints?
00:58:21I do.
00:58:23But I have the copy of the papers
00:58:25that he stole.
00:58:27What are you going to say?
00:58:29He's an animal and he treats his friends like animals.
00:58:31When I got out of the hospital,
00:58:33I took a copy of the file because of the circumstances.
00:58:35But I know you.
00:58:37You're an idiot.
00:58:39You said you might need the papers.
00:58:51Are you still putting your money in the safe?
00:58:53Good God,
00:58:55I hope you end up in a safe.
00:59:01I hope you end up in a safe.
00:59:09Give me the file.
00:59:11Give me the file, Ali.
00:59:13Is there anything else?
00:59:15Give me the file!
00:59:21Give me the file!
00:59:31Give me the file!
01:00:01Give me the file!
01:00:07Give me the file!
01:00:21Give me the file!
01:00:31Give me the file!
01:01:01Give me the file!
01:01:03Give me the file!
01:01:05Give me the file!
01:01:07Give me the file!
01:01:09Give me the file!
01:01:11Give me the file!
01:01:13Give me the file!
01:01:15Give me the file!
01:01:17Give me the file!
01:01:19Give me the file!
01:01:21Give me the file!
01:01:23Give me the file!
01:01:25Give me the file!
01:01:27Give me the file!
01:01:29Give me the file!
01:01:31Give me the file!
01:01:33Give me the file!
01:01:35Give me the file!
01:01:37Give me the file!
01:01:39Give me the file!
01:01:41Give me the file!
01:01:43Give me the file!
01:01:45Give me the file!
01:01:47Give me the file!
01:01:49Give me the file!
01:01:51Give me the file!
01:01:53Give me the file!
01:01:55Give me the file!
01:01:57Give me the file!
01:01:59Give me the file!
01:02:01Give me the file!
01:02:03Give me the file!
01:02:05Give me the file!
01:02:07Give me the file!
01:02:09Give me the file!
01:02:11Give me the file!
01:02:13Give me the file!
01:02:15Give me the file!
01:02:17Give me the file!
01:02:19Give me the file!
01:02:21Give me the file!
01:02:23Give me the file!
01:02:25Give me the file!
01:02:27Give me the file!
01:02:44Get out of the house!
01:02:55You're not a pro?
01:03:08That's enough.
01:03:13Ali Razi.
01:03:14Uncle Salem.
01:03:16How are you, dear?
01:03:17Good.
01:03:21Tell them who killed your uncle Salem first.
01:03:25How are you, Mrs. Fatima?
01:03:27We missed you so much.
01:03:29It's like you don't belong to us anymore.
01:03:31It's like I don't belong to you at all.
01:03:38We're here to take care of the family, Uncle Salem.
01:03:41That's great.
01:03:42As you wish, Ali.
01:03:43Luck is always on your side.
01:03:46But you have a lot of land.
01:03:48It's been a long time since you've been able to open it.
01:03:50No problem, Uncle Salem.
01:03:51We'll clean it up and take it easy.
01:03:53Don't worry about it.
01:03:56Bazaza!
01:03:58Bazaza!
01:04:01Take Mrs. Fatima's car and leave it with the Italians.
01:04:04And take good care of it.
01:04:05What about me, Uncle Salem?
01:04:07No one wants to see the car.
01:04:11Welcome, welcome.
01:04:14Please come in.
01:04:15Believe me, Ali.
01:04:17I was waiting for you to come
01:04:19ever since I saw you at the circus.
01:04:22Welcome.
01:04:24Barta!
01:04:25Barta!
01:04:26Yes, Uncle Salem?
01:04:27Come here.
01:04:28Your uncle's farm,
01:04:30the one next to your uncle's farm,
01:04:32I want you to clean it up and make it look like a farm.
01:04:35But before you go to my farm
01:04:37and take a clean carpet,
01:04:39I want the farm to look like a farm
01:04:41in a matter of hours.
01:04:43Yes, Uncle Salem.
01:04:44Who's Uncle Salem?
01:04:45Isn't that Fatima's daughter, Aunt Hassan?
01:04:47Yes, that's her.
01:04:48She's very arrogant.
01:04:54God have mercy on him and forgive him.
01:04:56How many years ago did you go to his office?
01:04:59He wanted to work, but he refused.
01:05:02He's been a coward all his life.
01:05:04Even your uncle, Sisi, said
01:05:06he took a big beating
01:05:08at the 6th of October funeral.
01:05:10God have mercy on him.
01:05:12He knew about us.
01:05:14He didn't want anything to think about us
01:05:16even when he was dead.
01:05:18God have mercy on him.
01:05:20God have mercy on him.
01:05:22God have mercy on him.
01:05:24But why did you go to his office?
01:05:29I wanted to know who Uncle Salem was.
01:05:31If I don't find the answer, I'll be in trouble.
01:05:34I'll tell you.
01:05:42Maher,
01:05:43a partner of Safwat Abu Al-Majd
01:05:45in the deal of the land in the desert.
01:05:48Maher told Safwat
01:05:50that you happened to be in the apartment
01:05:53when the crime happened
01:05:55and you saw him kill Naji Aziz.
01:05:58Safwat asked Maher
01:06:00to get rid of him
01:06:02because you're the only witness to his crime.
01:06:06That's the whole story.
01:06:10How did you know that, Uncle Salem?
01:06:12There's nothing that's hidden in this country, Ali.
01:06:16I'm not the only one who knows the truth.
01:06:19A lot of people know it.
01:06:21They know who killed Naji Aziz.
01:06:25And the authorities know that?
01:06:27They can be suspicious, sensitive, they know.
01:06:31But they need evidence and material evidence.
01:06:35That's what the law says.
01:06:37God.
01:06:38And the law says that I went to Tis
01:06:40because I didn't commit a crime?
01:06:42Or because I wanted to clear their names?
01:06:45We found a way to get you out of there, Ali.
01:06:49But you're like a lemon.
01:06:51The world is upside down.
01:06:53And it will be more upside down after you die.
01:06:56Safwat Abu Al-Majd is definitely suspicious of you.
01:06:59And he won't let you get away with it.
01:07:02Ask me about these people, Ali.
01:07:05I know them better than you do.
01:07:08Okay, Uncle Salem.
01:07:10This car is from Uncle Talyani.
01:07:12I'm tired and I'm going to sleep.
01:07:14And I found him in a car.
01:07:16I'm telling you, Bazaza.
01:07:18You need to stay with your uncle, Ali.
01:07:20See his demands and stay under cover.
01:07:22Okay.
01:07:24Whose son is this, Uncle Salem?
01:07:26This is your aunt's son, Uncle Saber.
01:07:28Aunt Saber?
01:07:29And where is she?
01:07:30I don't see her, I don't hear her, I don't see her voice.
01:07:33God have mercy on her, Ali.
01:07:35Her three children died while she was passing them on the highway.
01:07:39They all died.
01:07:40Only the man you see remains.
01:07:43He used to leave her a piece of red meat in the evening.
01:07:46He was happy.
01:07:47We used to get him powdered milk from the dairy
01:07:50and feed him to Bazaza.
01:07:53She and her children were buried in the soil over there,
01:07:56before the wall.
01:07:57The wall that separates the living people from the dead.
01:08:04Peace be upon you.
01:08:05Peace be upon you.
01:08:06Welcome, Uncle Salem.
01:08:08Enjoy your tea.
01:08:10Come on, Bazaza.
01:08:14Welcome, Bazaza.
01:08:15Welcome, Uncle Salem.
01:08:16Come on, come on.
01:08:17There's so much to eat.
01:08:18A bit of fish, a bit of fish, a bit of fava beans,
01:08:21two olives, I mean.
01:08:22Don't complain, Uncle Salem.
01:08:23We were really hungry.
01:08:24Don't eat with us, Uncle Salem.
01:08:26We haven't eaten together for a long time.
01:08:27Thank you very much, Mrs. Fatim.
01:08:29Don't worry, we have tea.
01:08:30Next time, God willing.
01:08:31Peace be upon you.
01:08:32Peace be upon you.
01:08:33Peace be upon you.
01:08:34Peace be upon you, Uncle Salem.
01:08:35Peace be upon you, Ali.
01:08:37Bazaza.
01:08:38Come on in.
01:08:44Come on.
01:09:05Hey.
01:09:06Eat Rayak.
01:09:13How about that?
01:09:16That's yours from now on.
01:09:22Take good care of it.
01:09:31Who are you going to talk to?
01:09:37I just want to talk to my dad at the neighbor's to make sure he's okay.
01:09:44Hello? Uncle Gergis?
01:09:47How are you? What's up?
01:09:49I'm Ali, Uncle Gergis.
01:09:51I'm sorry, but if you want to talk to me,
01:09:53can you just call my dad to make sure he's okay?
01:09:58What?
01:09:59Go downstairs.
01:10:03How much is it?
01:10:05Okay, how much?
01:10:15Thanks, Uncle Gergis.
01:10:16Uncle Gergis, don't you know who I'm talking to?
01:10:21What?
01:10:23Who are you talking to?
01:10:25Nelly?
01:10:28Are you talking to someone named Nelly?
01:10:36What, Ali?
01:10:37What happened? Tell me.
01:10:41Safa and his aunt kidnapped my dad.
01:10:44They gave me the phone number to call them.
01:10:47Bastards.
01:10:49Bastards.
01:10:51You think you can trick my dad?
01:10:54I'm going to kill him.
01:10:56I'm going to kill him.
01:10:58I'm going to kill him.
01:10:59I'm going to kill him and I'm going to kill any son of a bitch who tries to touch him.
01:11:02I'm going to tear his teeth out.
01:11:03I'm going to tear his teeth out.
01:11:06I'm going to tear his teeth out.
01:11:08I'm going to tear his teeth out.
01:11:10I'm going to tear his teeth out.
01:11:12I'm going to tear his teeth out.
01:11:14I'm going to tear his teeth out.
01:11:33I'm going to tear his teeth out.
01:12:03I'm going to tear his teeth out.
01:12:10Yes, Feth.
01:12:11Get ready to take him out as soon as possible.
01:12:33Get ready to take him out.
01:13:03Get ready to take him out.
01:13:33I'm going to tear his teeth out.
01:13:38Let's go.
01:13:40No, wait a minute.
01:13:47Open the door.
01:13:52Open the door, you bastard.
01:13:53I'm going to break your door and pull your hair out.
01:13:59What?
01:14:00What is it?
01:14:01What do you want?
01:14:02What do you want from me?
01:14:05Raja!
01:14:08Who are you?
01:14:17Put your jacket over the hijab she's wearing.
01:14:21Hello, this is Ali.
01:14:24I received the message.
01:14:28Lana is under your command.
01:14:32We'll meet at the place he likes, but I need to make sure of my father first.
01:14:36By the way, you should know that there are many people behind me who are helping us.
01:14:42Okay.
01:14:44Give me the address.
01:14:47It's a deal.
01:14:4910.30 p.m. in Mansouria.
01:14:51But I'm telling you,
01:14:53my father will be back in 24 hours,
01:14:56and if not, my mother's mercy will pay for your expenses.
01:15:00Okay.
01:15:02I'll finish everything once and for all.
01:15:06I don't understand.
01:15:08Why did you agree to meet him at the place he likes?
01:15:11He likes the place he chooses,
01:15:14and I'll go to the place I choose.
01:15:18I'm in the best position right now.
01:15:32I love you.
01:16:33Good evening.
01:16:36Is there any news from your family?
01:16:39Not yet, sir.
01:16:41That's why I'm still looking for the best man in the world.
01:16:44And God willing, I'll be back before noon, sir.
01:16:55Let me show you my sword.
01:17:03In the name of God, the Most Gracious, the Most Merciful.
01:17:06The initiative initiated by our group
01:17:09is to organize an annual charity party for our orphan children.
01:17:13We are holding this party today
01:17:16in faith in the importance of social cohesion
01:17:19and the care of the deprived groups in our society.
01:17:22The group is also pleased to announce that
01:17:25we will donate a million cans of milk to the children of Palestine.
01:17:30We ask God to lift the burden of the crisis
01:17:34and the oppression of colonization from them.
01:17:37God willing.
01:17:46Your sister sends her regards.
01:18:01Where is she now?
01:18:03With some people I don't know.
01:18:05At her mother's place.
01:18:07Where did you take her from?
01:18:09From her home in Sakkakini.
01:18:11That son of a bitch named Rajab.
01:18:14I'll never leave him.
01:18:21And what did you ask for, brother Ali?
01:18:25Two things.
01:18:27Two things.
01:18:29First, for my father to return home in dignity.
01:18:33And second,
01:18:35for the prosecutor to admit that you killed Naji Aziz.
01:18:38Are you crazy or joking?
01:18:41Crazy.
01:18:43But I'm not joking.
01:18:51Look, brother Ali.
01:18:52The fact that your father is returning home now is not a problem at all.
01:18:57I personally don't like the idea of kidnapping.
01:19:00I'm not a gang leader.
01:19:02I'm sure that the one who asked you to do it
01:19:05had to invite your father to come and talk to you
01:19:08and settle the scores between us.
01:19:11Especially after you killed Maher.
01:19:13I didn't kill Maher.
01:19:15I met him who tried to kill me.
01:19:18I can believe you, brother Ali.
01:19:19But the story of me admitting that I killed Naji, forget it.
01:19:23It doesn't work.
01:19:25You don't want to get out of it, do you?
01:19:28I'll get you out. How?
01:19:30It's none of your business.
01:19:32Do you want to eat the grapes
01:19:34or do you want to kill the prosecutor?
01:19:36So your sister will stay with us in dignity
01:19:40until this is over.
01:19:42And I'll eat the grapes without killing the prosecutor.
01:19:45Listen to me carefully.
01:19:47Elhanim will come back.
01:19:50I don't want to follow you.
01:19:53Hello.
01:19:55Yes, what do you want?
01:19:59What?
01:20:04When did this happen?
01:20:08Yes.
01:20:10Okay.
01:20:12Stay with her in the barn and I'll talk to you later.
01:20:16Okay.
01:20:46You won't be able to imagine
01:20:49the world you're living in.
01:20:52And that means
01:20:54you're handing yourself over to the police in complete silence.
01:20:58And I still have a part before I kill you.
01:21:01I'll help you
01:21:03and I'll help your family as much as I can.
01:21:06But of course you have to forget the story
01:21:09so I can get you out of this story
01:21:11of eating the grapes and the empty talk you want to say.
01:21:14By the way, I don't understand.
01:21:16I don't understand why someone like you
01:21:19would leave the circus he was good at
01:21:22and go play in a place
01:21:27where he doesn't know the rules of the game.
01:21:32I really don't understand.
01:21:40Someone who doesn't understand like you
01:21:42would be in a weak position.
01:21:47And I'm in a strong position
01:21:50because I understand.
01:22:16I'm sorry.
01:23:16Come on, guys, let's go.
01:23:46Bazzazza, stop reading while you're eating.
01:23:52Leave Bazzazza alone, Ali.
01:23:55I'm not talking about Bazzazza.
01:23:57It looks like he's happy with you in the end, Ali.
01:24:00That's right.
01:24:02And he's happy with you too, Ali.