A Candle for the Devil (lit. Spanish: Una vela para el diablo), also released as It Happened at Nightmare Inn. Is a 1973 Spanish horror film directed by Eugenio Martín and starring Aurora Bautista and Judy Geeson. Its plot follows two sisters in Spain, both suffering from extreme repression and religious paranoia, who murder a British guest at their inn just before her sister arrives to meet with her.
Source: Wikipedia
Source: Wikipedia
Category
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Short filmTranscript
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00:02:29This lamb isn't from the valley. It smells different.
00:02:31Nobody can tell better than you.
00:02:34Grandmother brought only lamb from the valley.
00:02:37But times were different then.
00:02:41The old convent could have known it was suddenly going to be filled every day with half-naked tourists.
00:02:45The walls would have fallen down.
00:02:46Because the museum was opened.
00:02:48We've never served so many meals.
00:02:50Nor has the house been so full before.
00:02:54I'm not interested in making more money if we have to have the devil live in our midst.
00:02:58Aren't we supposed to call that girl?
00:03:00Last night she didn't ask for a call.
00:03:03It's ten o'clock.
00:03:04Let her sleep.
00:03:06Nobody's expecting her.
00:03:07She came alone.
00:03:08Well, at least.
00:03:09She's sleeping.
00:03:10She's not prancing about.
00:03:11She'll know parts of her body that should be covered up.
00:03:17What's that?
00:03:18I've no idea.
00:03:20Something happening on the terrace.
00:03:27Oh, she's very beautiful.
00:03:30Oh, she's lovely.
00:03:32Oh, come on, little baby.
00:03:34Come on, little blonde beauty.
00:03:37Oh, sweetheart.
00:03:39What's your name?
00:03:45Oh, what a doll.
00:03:46She must be English.
00:03:49Why not stand up so we can see you?
00:03:52Come on.
00:03:53English.
00:03:55Why not stand up so we can see you better?
00:03:58Why not sunbathe at my place?
00:04:11Shameless hutsy in my house.
00:04:14What's wrong?
00:04:16You have the cheek to ask?
00:04:17Get up.
00:04:18Give me that.
00:04:20Get out of here.
00:04:21This isn't a whorehouse.
00:04:25Oh, it's just sunbathing.
00:04:26I don't think that's bad.
00:04:29Just the way God brought you into the world, eh?
00:04:31And scandalizing a whole village.
00:04:33What the hell are you talking about?
00:04:34Are you crazy?
00:04:35Listen, if you think I'm going to let you leave like this,
00:04:37you're very wrong.
00:04:39If you were my daughter, I'd teach you some decency.
00:04:41Let me go.
00:04:42Don't push me.
00:04:43Let me.
00:04:44Stop pushing me.
00:04:45I don't want you a minute longer in my house.
00:04:52Mother.
00:04:54I didn't do it.
00:05:13She's dead.
00:05:22It was providence.
00:05:24A divine punishment.
00:05:26Don't say that.
00:05:28It was an accident.
00:05:30Look.
00:05:36That's sacrilege.
00:05:52She killed herself.
00:05:54She has been punished by God.
00:05:56We were his hand of justice.
00:06:01I'll go call the police.
00:06:04No.
00:06:06Why not?
00:06:07Because it wasn't an accident.
00:06:08I'm sure of it.
00:06:15Open the door.
00:06:17I'll hide the body.
00:06:18No one must find out what happened.
00:06:21I don't understand you.
00:06:23Go down.
00:06:25And don't say a thing to anybody about this.
00:06:46Good morning.
00:06:48Oh, I'm sorry.
00:06:50The door was open.
00:06:52Good morning.
00:06:53I'm Laura Barkley.
00:06:54I've come to join my sister.
00:06:56May Barkley.
00:06:57She's staying here.
00:06:59Yes.
00:07:00I mean, she was staying here, but she left this morning.
00:07:06Well, did she leave any message?
00:07:08You see, we arranged to meet here.
00:07:12Are you sure she didn't leave any message?
00:07:14No.
00:07:15She didn't.
00:07:17Oh, well.
00:07:18She'll probably be back tonight.
00:07:19Oh, no.
00:07:20I don't think she's coming back.
00:07:23She paid her bill and took away her things.
00:07:27She must have had to go and pick up some extra shots.
00:07:30I'll wait for her here.
00:07:33You have a room for me?
00:07:34No.
00:07:36Let her in, Veronica.
00:07:39We'll do everything we can so that you and your sister can stay together.
00:07:42My name is Marta.
00:07:43My sister is Veronica.
00:07:48Veronica, why don't you show the young lady to her room?
00:07:51I've just finished tidying it.
00:07:53Tidiness is the motto in our house.
00:07:56Will you come this way, please?
00:08:14Please.
00:09:15We couldn't let her go away.
00:09:17She might have become suspicious.
00:09:18What are we going to do?
00:09:20Where's her sister?
00:09:22She said she was going to look around.
00:09:24She's coming down now.
00:09:29I'm just going out for a while.
00:09:31If May should come back, will you tell her I'm here?
00:09:34Yes, of course.
00:09:44Close the doors.
00:10:15May Barclay
00:10:32Was there a girl called May Barclay on your bus this morning?
00:10:35Just a moment.
00:10:36I'll look through the list.
00:10:37If she was on it, it would be here.
00:10:40Barclay, Barclay, Barclay, Barclay, Barclay, Barclay, Barclay.
00:10:45No, her name is not here.
00:10:46Are there any other buses?
00:10:48Oh, but she may have taken a taxi.
00:10:50There are two in the village.
00:11:09May Barclay
00:11:39May Barclay
00:12:09May Barclay
00:12:39May Barclay
00:13:04Veronica, anything wrong?
00:13:07No, Martha.
00:13:09It's nothing.
00:13:11You're still awake.
00:13:15It's very late.
00:13:16Go to sleep.
00:13:18Don't you think we should have called the police?
00:13:20It was her own fault.
00:13:21She slipped.
00:13:22It was an accident.
00:13:24Martha?
00:13:26Martha!
00:13:27Be quiet.
00:13:30Years ago, that shameless girl
00:13:33would have been burned alive
00:13:35in the public square.
00:13:39But she didn't.
00:13:55You see?
00:13:57I'm her sister.
00:13:58Are you sure you don't remember seeing her?
00:14:01I think I know who you mean.
00:14:02She came nearly every day.
00:14:05I'm sorry.
00:14:06There are so many photographers.
00:14:08Perhaps ask the attendant in the cloister.
00:14:16I'm sorry.
00:14:17I'm sorry.
00:14:18I'm sorry.
00:14:19I'm sorry.
00:14:20I'm sorry.
00:14:21I'm sorry.
00:14:22I'm sorry.
00:14:23I'm sorry.
00:14:25The other attendant told me you might have seen her.
00:14:28I know her.
00:14:29Her name's May.
00:14:30And she's taking photographs of these paintings
00:14:32for an English company.
00:14:33Is that right?
00:14:35Yes.
00:14:36You know her?
00:14:37Yes.
00:14:38We were going to have lunch together.
00:14:39She said she was bringing along her sister.
00:14:41You?
00:14:42Yes, that's right.
00:14:43When did you last see her?
00:14:44A couple of days ago.
00:14:46Well, when I arrived,
00:14:47I was told that May had just left.
00:14:49But no one seems to know where she's gone.
00:14:51Did she say anything?
00:14:52No, she didn't.
00:14:53I expected to meet her here.
00:14:55Is anything wrong?
00:14:57No.
00:14:58No, it's nothing.
00:14:59She'll probably turn up later.
00:15:00But thanks anyway.
00:15:01That's okay.
00:15:03Enjoy your lunch, Beatrice.
00:15:05Oh, beautiful, Marta.
00:15:07Really delicious.
00:15:08Wasn't it, Pablo?
00:15:10Marta, you haven't told us anything about your lady,
00:15:13have you?
00:15:14I haven't.
00:15:15But there's been a lot of talk about her.
00:15:16You haven't told us anything?
00:15:17I haven't told you anything.
00:15:18I haven't told you anything either.
00:15:19Well, it's good news.
00:15:20It's good news.
00:15:22You've got a son.
00:15:23Well, I have.
00:15:24He's a good boy.
00:15:25He's a good boy.
00:15:26You have a son?
00:15:28Yes.
00:15:29He's a good boy.
00:15:30He's a good boy.
00:15:31What can I tell you, Beatrice? You know all about it.
00:15:34I don't know how I put up with it. One must earn a living.
00:15:42Serve more wine.
00:15:44Mother, what were you talking about?
00:15:46Everything's going perfectly.
00:15:48Is she coming down for lunch?
00:15:50No.
00:16:01Take this up to the young lady.
00:16:28Straight away.
00:16:31Come in.
00:16:49Your lunch.
00:16:57Oh, I'm sorry.
00:16:58Thank you, but I'm not hungry.
00:17:02Did you know my sister May, the girl who left yesterday?
00:17:05I didn't really know her, but I saw her several times.
00:17:08She's very pretty.
00:17:11Did she mention anything to you about where she was going before she left?
00:17:15I wasn't here.
00:17:16She was sunbathing on the terrace yesterday.
00:17:18Some friends of mine told me, but I didn't see her.
00:17:21She was sunbathing?
00:17:23Then she packed her things and left.
00:17:27That must have been just before I arrived.
00:17:29I've got work to do. Excuse me, senorita.
00:17:38Watch out!
00:17:40Why were you so long with her?
00:17:42It's just that she kept on talking.
00:17:44I don't want you ever to enter her room.
00:17:49Now don't pick up from the grocer.
00:17:51I'll go myself. That way I can get out of the house.
00:17:55Wait for me.
00:17:58What are you doing here? Take that back to the kitchen.
00:18:55The owner? You?
00:19:18My name's Helen Miller.
00:19:19I called from Madrid to reserve a room for three days.
00:19:22I'll just leave my things and my passport here.
00:19:24I'm going to the swimming pool.
00:19:26It's at the Parador, isn't it? See you.
00:19:29Wait a minute, please.
00:19:31We've got nothing vacant.
00:19:33Wait. Please, wait a minute.
00:19:47What else can you do?
00:19:48You can't always say no.
00:19:50After all, you're running a guest house.
00:20:02What are you looking for?
00:20:04Some more table napkins.
00:20:05You know they're not kept in there.
00:20:07But the cash box is.
00:20:08There were 200 pesetas missing yesterday.
00:20:11I never touched that cash box.
00:20:13Then who did it? That boy?
00:20:15We'll have to call the police.
00:20:17He wouldn't do it.
00:20:18Why do you always defend him?
00:20:20He doesn't even know where you keep the money.
00:20:22You're very certain of what he knows and what he doesn't know.
00:21:48I don't know.
00:22:17Hello.
00:22:18You've taken a long time getting here.
00:22:32Wait.
00:22:36But don't look.
00:22:39I won't look.
00:22:42But don't look.
00:22:44I won't look.
00:22:47Turn your back.
00:22:48I want to look.
00:22:57It's not right.
00:23:13But I like to look at you.
00:23:15I like you as you are.
00:23:26Take everything off.
00:23:27That's an even greater sin.
00:23:29Why?
00:23:30I don't know.
00:23:32Even married couples don't do it.
00:23:34Then I will take it off.
00:23:36Wait.
00:23:37Wait.
00:24:06What's wrong?
00:24:35Luis, I'm afraid.
00:24:39My sister found out the money was missing.
00:24:42The money I gave you.
00:24:44I told you I didn't want the money.
00:24:46Every time I come here, I'm afraid I might be followed.
00:24:51If she found out about us, I think she'd kill me.
00:25:03Veronica?
00:25:09Veronica?
00:25:15Veronica?
00:25:21Veronica?
00:25:27Veronica?
00:25:39Luis?
00:25:50Luis?
00:26:00Luis?
00:26:10Luis?
00:26:39Luis?
00:26:49Luis?
00:26:59Luis?
00:27:07Luis?
00:27:17Luis?
00:27:27Luis?
00:27:35Luis?
00:27:45Luis?
00:27:55Luis?
00:28:03Luis?
00:28:09Luis?
00:28:15Luis?
00:28:23Luis?
00:28:29Luis?
00:28:39Luis?
00:28:49Luis?
00:28:59Luis?
00:29:09Luis?
00:29:39Veronica?
00:29:49Veronica?
00:29:59Veronica?
00:30:19Veronica?
00:30:39Veronica?
00:30:59Veronica?
00:31:19Veronica?
00:31:45You'll have to give me some money, Marta.
00:31:47I have to go to the market tomorrow.
00:31:53Why are you doing that?
00:31:56Why not?
00:31:58I wore it for the first time at Beatrice's wedding.
00:32:01That is the dress that man gave to you.
00:32:04And you shouldn't wear it.
00:32:06Why?
00:32:08I don't know.
00:32:10I just don't think it's right.
00:32:12It's not right, is it?
00:32:14But it's all right.
00:32:16When you get all excited at seeing Luis in the courtyard.
00:32:20Twenty years younger than you.
00:32:23And it's all right to steal money from your sister.
00:32:26Why do you do it, Veronica?
00:32:28Do not speak so loud.
00:32:30You'll wake up that girl.
00:32:32I don't care.
00:32:33I have nothing to hide.
00:33:03Hi.
00:33:14I finally got here.
00:33:17Miss?
00:33:19I must tell you something.
00:33:21Well.
00:33:23That's quite a change.
00:33:25I didn't notice.
00:33:27You look much prettier.
00:33:28Don't touch me.
00:33:31Do you have a lover?
00:33:34I was decent when I was young.
00:33:36As I am now.
00:33:38My house is a respectable house.
00:33:40I don't like young ladies coming in late.
00:33:44And what about you?
00:33:46All right, all right.
00:33:47Don't be upset.
00:33:52Really.
00:33:53You look forty years younger.
00:33:56Hi.
00:34:02You hear me, Veronica?
00:34:04Lock the door at eleven o'clock tomorrow night.
00:34:15Veronica, look.
00:34:19Scandalizing the whole village.
00:34:47Doesn't it seem strange to you, Veronica,
00:34:50that a woman like that has taken a room in our house?
00:34:53What are you thinking about, Marta?
00:34:55About what happened to that shameless Hudson.
00:34:58You know, it wasn't an accident.
00:35:01She deserves it.
00:35:03You mean that girl's the same?
00:35:05Or worse.
00:35:07Marta, you shouldn't speak as if you knew the will of our lord.
00:35:11God has mercy for all his creatures.
00:35:14Not for all of them, Veronica.
00:35:16Not for all of them.
00:35:22The knife sharpener.
00:35:23Take the knives to him.
00:35:24And these as well.
00:35:54I'm very worried about not hearing anything from my sister.
00:35:58Are you sure that you haven't received a telegram or a telephone call?
00:36:03No, not a thing.
00:36:06Well, don't you remember if she mentioned where she was going before she left?
00:36:11She said nothing.
00:36:13She left and that's all there is to it.
00:36:15And furthermore, I'm glad she's no longer here.
00:36:18What do you mean by that?
00:36:19I mean nothing.
00:36:21But have you seen how that Helen Miller dresses?
00:36:23So provocative and indecent.
00:36:25Yes, I've seen her.
00:36:27They think it's the modern style, but it's pure indecency.
00:36:30You are also a foreigner, but your dress is normal.
00:36:33It's elegant.
00:36:35Sometimes people wear other clothes to be more comfortable.
00:36:39Comfortable?
00:36:40Yes.
00:36:41You know, it's a bit strange.
00:36:44Sometimes people wear other clothes to be more comfortable.
00:36:48Comfort's no excuse.
00:36:49I would never dream to walk about the house in my underwear to be more comfortable.
00:36:53Will you have breakfast?
00:36:56No, thank you.
00:36:58Hi.
00:36:59Any news from your sister?
00:37:01No, not yet.
00:37:03What do you think of this?
00:37:05I bought it from an old woman in the village.
00:37:09You'd have to travel a long way before you'd find anything half as good as this.
00:37:13Oh, it's beautiful.
00:37:18Who is she?
00:37:19Her name's Helen.
00:37:20She's staying at the same pension.
00:37:22She'll be back in a minute.
00:37:23Do you want to meet her?
00:37:24Of course.
00:37:26She looks the kind that is looking for sun and adventures to last them the rest of the year.
00:37:31Don't you approve of that?
00:37:33Who, me?
00:37:34Naturally.
00:37:35They don't do anybody any harm.
00:37:37Why don't you explain that to the owners of the pension?
00:37:40According to them, unless you're dressed from head to foot,
00:37:43you should be burning in hell, and the sooner the better.
00:39:07He-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he-he
00:39:37Go knock them soft.
00:39:41Harsh.
00:39:45Don't you feel romantic tonight?
00:39:49Go to bed now. Now, go.
00:39:53They called us.
00:39:57I see you.
00:40:01Buenas noches, senora.
00:40:05To bed, he says, and walks away,
00:40:09leaving me alone.
00:40:13Leaving me!
00:40:17Be quiet! There are people sleeping.
00:40:21What's the matter? What are you staring at?
00:40:25You are drunk. Go to bed.
00:40:29Tomorrow, pack up your things and leave.
00:40:33I'll leave, but first, I'd like to know
00:40:37what you've got under all those clothes
00:40:41that makes you so different from me, from other women.
00:40:45Let's see. What are you doing?
00:40:49You're waking up all your guests. What have you got hidden under there?
00:40:53Come on, tell me. I won't tell anybody.
00:40:57You're mad. You must have the same thing as everyone else.
00:41:01Or don't you? You're crazy.
00:41:05Even bigger than mine.
00:41:09Now, let's see what you've got down...
00:41:15Let me see it.
00:41:19Let me see it. I won't tell anybody.
00:41:23I promise.
00:41:31Let me see it.
00:42:01The other girl.
00:42:31She's sleeping.
00:42:35She didn't hear anything.
00:42:39She's only pretending. She heard everything.
00:42:43Veronica, we must...
00:42:47Murder!
00:43:01Don't do it.
00:43:05No, no. She's only pretending, Veronica.
00:43:09Pretending. Don't you see?
00:43:25Murder.
00:43:29Murder.
00:43:59We'll do the same with her as with the other one.
00:44:03Don't be afraid. Nobody will ever find out.
00:44:11You defended me, Veronica. You defended your sister.
00:44:15That was good. That was good.
00:44:19Help me.
00:44:29La verga señorita es una verga
00:44:33Abriendo de este modo es una verga
00:44:37Abriendo de este modo es una verga
00:44:41La verga señorita es una verga
00:44:45La verga señorita es una verga
00:44:49Abriendo de este modo es una verga
00:44:53Abriendo de este modo es una verga
00:44:58Good morning. Do you have a vacant room?
00:45:02Of course, my dear. Why do you carry the baby like that?
00:45:06Is it safe?
00:45:10Yes, I assure you it's quite safe.
00:45:14Come in.
00:45:18What a beautiful baby. Her mother is very pretty.
00:45:22Don't you think she looks a little sad?
00:45:26I can't see how I can let them travel alone.
00:45:28And with an eight-month-old baby, and the way she carries him.
00:45:31I hope she stays with us for a while.
00:45:33It must be wonderful to have a baby like that.
00:45:35Yes, it's more work, but I don't mind.
00:45:38The mother seems to be a nice girl.
00:45:41You only have to look at her face.
00:45:43Helen!
00:45:45Oh, I was looking for Helen.
00:45:47She went early this morning.
00:45:49Did she say when she was coming back?
00:45:51You misunderstood.
00:45:53The young lady who occupied this room
00:45:55left the village this morning.
00:45:57But that's impossible.
00:45:59Well, that's what happened.
00:46:01She got up almost as early as we did,
00:46:03and paid her bill.
00:46:05Did anyone call her?
00:46:07We don't keep a check on all the phone calls
00:46:09our guests may make or receive.
00:46:11And her departure is no great loss to us.
00:46:13The friendship of that girl
00:46:15would never be good for you.
00:46:17I think you're being very unfair.
00:46:19And I don't like the way you're always criticizing people.
00:46:21The truth always hurts.
00:46:24Prepare my bill.
00:46:26I'm leaving.
00:46:28Did I offend her?
00:46:30You shouldn't have spoken to her like that.
00:46:32Laura is a good girl.
00:46:34I told her for her own good.
00:46:36Well, that's up to her.
00:46:38Make up her bill. Let her go.
00:46:54Excuse me.
00:46:56Are you staying here?
00:46:58Yes, I arrived this morning.
00:47:00Are you staying here, too?
00:47:02Yes, I was.
00:47:04It's a lovely baby.
00:47:06Bye-bye.
00:47:08Bye.
00:47:20Will you be staying here for a while?
00:47:22I don't really know.
00:47:24I think so.
00:47:26If you need anything, anything at all,
00:47:28will you call me?
00:47:30My name's Laura.
00:47:32You can find me anytime at the museum or at the inn.
00:47:34What? Oh, I see.
00:47:36Do you mean because of the baby?
00:47:38Don't worry. I can manage myself.
00:47:40But thank you very much anyway.
00:47:42Your room is ready.
00:47:44You can go up whenever you wish.
00:47:48I'll take it.
00:47:52Follow me, please.
00:48:03Hello there. Coming to stay here?
00:48:05Hello.
00:48:07Yes, but only for a couple of days.
00:48:09By the way,
00:48:11how is Helen this morning?
00:48:13What do you mean?
00:48:15I had to see her home last night.
00:48:17She had one too many.
00:48:19You took her home?
00:48:22What is this to say?
00:48:24Nothing.
00:48:26V told me that Helen had left the village this morning.
00:48:28Doesn't that seem strange to you?
00:48:30No.
00:48:32She was a little lonely and bored.
00:48:34She hadn't found that adventure
00:48:36to last her the rest of the year.
00:48:38Eduardo, are there any police in this village?
00:48:40Police?
00:48:42What on earth do you want a policeman for?
00:48:44I don't know.
00:48:46But are there?
00:48:48In a tiny village like this, I don't think so.
00:48:50The nearest to the police would be the mayor.
00:48:52But why?
00:48:56You say she has disappeared.
00:48:58And the other girl as well.
00:49:00But those girls travel around a lot.
00:49:02Nobody can control them.
00:49:04I'll be with you in a minute.
00:49:06We've no way of knowing whether they just left or...
00:49:08Do you know the sisters well?
00:49:10If you mean I'm one of their regular customers, no.
00:49:12They belong to another generation.
00:49:14There's something about them.
00:49:16I'm worried.
00:49:18Several years ago, Doña Marta was about to marry
00:49:20but her fiancé disappeared on her wedding day.
00:49:24He had a lope with a younger, more modern girl.
00:49:28Doña Marta was ill for some time.
00:49:30In town, they say she is crazy.
00:49:34Now there's another foreign girl staying there.
00:49:36What do you want me to do?
00:49:38You want me to speak to Doña Marta?
00:49:40No.
00:49:42It would be useless.
00:49:44I'm very happy today.
00:49:47You are not on other days?
00:49:49Don't you like our new guest?
00:49:51I like you more.
00:49:53The baby is so nice.
00:49:55Never cries.
00:49:57I do hope they stay for a while.
00:49:59Why don't you sit down here?
00:50:01I haven't seen my sister so good-tempered for a long time.
00:50:03She doesn't spy on me.
00:50:05She doesn't even watch the money.
00:50:07Stay.
00:50:09No, Luis.
00:50:11Don't you understand?
00:50:13The baby might need something.
00:50:15I'm alone.
00:50:17I must get back to him right away.
00:50:45Going for a walk?
00:50:47Yes, I want to do some shopping.
00:50:49We bought something for you.
00:50:51A present for both of you.
00:50:53Are you going to stay here long?
00:50:55A few days.
00:50:57See you later.
00:51:03A beautiful baby.
00:51:05Boy or girl?
00:51:07A boy.
00:51:09Isn't he uncomfortable like that?
00:51:11No, on the contrary.
00:51:14Very comfortable.
00:51:16Oh, yes, the incus.
00:51:18How much is it?
00:51:20Twenty percent.
00:51:22His father will be very pleased to receive such nice postcards.
00:51:24His father?
00:51:26Who knows where he might be?
00:51:28If you can find one for me, let me know.
00:51:30Good afternoon, Martha.
00:51:32Hello, Veronica.
00:51:34Good afternoon, Beatriz.
00:51:36You want something, Beatriz?
00:51:38No, nothing at all.
00:51:40I was just passing by.
00:51:42Listen.
00:51:44We have been friends all our lives.
00:51:46Haven't we?
00:51:48Why do you say that?
00:51:50I want you to know that.
00:51:52I don't want you to know that.
00:51:54I don't want you to know that.
00:51:56I don't want you to know that.
00:51:58Why do you say that?
00:52:00I want you to know that I am telling you for your own good.
00:52:02It is about that girl who just arrived.
00:52:04The one with the baby.
00:52:06What about her?
00:52:08Oh, nothing really.
00:52:10After all, business is business.
00:52:12You can't refuse to rent her a room
00:52:14just because of that.
00:52:16And maybe
00:52:18you don't even know.
00:52:20Know what?
00:52:22Speak up, Beatriz.
00:52:24What are you talking about?
00:52:27And she's got a baby.
00:52:29But she told us that...
00:52:31And don't believe that it's just gossip.
00:52:33She had the effrontery to say in the tobacconist
00:52:35that she didn't know
00:52:37who the father was.
00:52:39Poor little baby.
00:52:41Girls nowadays
00:52:43are just tramps.
00:52:45You know who I was thinking of.
00:52:47That shameless wench
00:52:49that fooled your fiancé
00:52:51and ran away with him.
00:52:53Just like her.
00:52:55And we heard she had had a baby.
00:53:22Excuse me.
00:53:25Yes, señorita?
00:53:27Can you take a message for me, please?
00:53:46She deceived us, Veronica.
00:53:48She's not married.
00:53:50And a poor little baby.
00:53:55She deceived us.
00:53:57I got your message.
00:53:59What did you want to talk to me about?
00:54:01I don't really know how to begin.
00:54:03Until a few days ago,
00:54:05my sister was staying at the Poncio.
00:54:07We'd arranged to meet there.
00:54:09When I arrived,
00:54:11the owners told me that she'd left
00:54:13without saying where she was going.
00:54:15I don't understand.
00:54:17I just can't find her.
00:54:21Well, then a Dutch girl arrived.
00:54:23She was staying at the same Poncio.
00:54:25This morning she disappeared as well.
00:54:27Disappeared?
00:54:29You mean she left?
00:54:31No, she didn't leave by bus.
00:54:33I checked that.
00:54:35She might have taken a taxi.
00:54:37No.
00:54:39Don't you think you're worrying too much?
00:54:41Maybe I am.
00:54:43But I'm afraid.
00:54:45Of what?
00:54:49I don't know.
00:54:51Perhaps it's all just my imagination.
00:54:55When are you thinking of leaving?
00:54:57I haven't made up my mind yet.
00:54:59We're in a few days or so.
00:55:01Will you promise me something?
00:55:03When you do leave,
00:55:05will you let me know?
00:55:07I want to be certain nothing happens to you.
00:55:21He must be upset. That's why he's crying.
00:55:23Bring me the basin. It's necessary to change him.
00:55:25Poor little thing. If it weren't for us,
00:55:27a lot of attention his mother pays to him.
00:55:29How could I have been so wrong about her?
00:55:31It's so clear to see that she's a sinner.
00:55:33Give me one of those new towels over there
00:55:35and see if his mother has any talcum powder.
00:55:37There's absolutely nothing here.
00:55:39Do you think she cares if he cries or gets sick?
00:55:41Or if the baby needs something?
00:55:43All she thinks about
00:55:45and wants
00:55:47is what she looks for every night.
00:55:50He is a pretty child, isn't he?
00:55:56He should never grow up like that.
00:56:00They are so innocent, so pure.
00:56:20If only he were ours.
00:56:22Veronica, we're both unmarried.
00:56:24And if we suddenly appeared with a baby...
00:56:26Then what?
00:56:28If only he were ours.
00:56:30Veronica!
00:56:42Veronica!
00:56:44Veronica!
00:56:46Veronica!
00:56:48Of course, there are places where he could grow up
00:56:52and see good examples around and be a man.
00:56:56No, not there.
00:56:58Later, we could take him away, and then nobody would think badly of us.
00:57:01No.
00:57:02It's better than not having a father
00:57:04and a mother who walks the street alone at night like a whore.
00:57:18No.
00:57:48No!
00:58:19Why have you put my suitcase outside?
00:58:23We want you to leave.
00:58:25He was crying.
00:58:27That's nothing to worry about.
00:58:29It wasn't difficult to have this child, was it?
00:58:32No, of course it wasn't.
00:58:34Any bitch can do it.
00:58:36The important thing comes afterwards,
00:58:38when you have to make sacrifices for the child.
00:58:41What do you know about it to talk like that?
00:58:43I know enough that you are not married
00:58:46and that you have deceived us all.
00:58:49If you abandon him now to walk the streets at night,
00:58:52what will you do when he's a little older?
00:58:54Listen, don't try to tell me what I should or shouldn't be doing,
00:58:57and get out of my way.
00:58:59What do you think you're doing?
00:59:00Give me my child.
00:59:02Don't touch him.
00:59:03Your child.
00:59:05If he were ours, we could give him a good home.
00:59:08Security is what he needs.
00:59:10What on earth are you talking about?
00:59:12You heard her.
00:59:13A child needs good examples to follow,
00:59:15and you couldn't even give him a father.
00:59:18You're both mad.
00:59:20Get out of the way.
00:59:21Give me my child.
00:59:23Give me.
00:59:24Give me.
00:59:25Give me.
00:59:26Give me.
00:59:27Oh.
00:59:28Oh.
00:59:29Oh.
00:59:30Hey.
00:59:31Hey.
00:59:32Hey.
00:59:33Oh.
00:59:34Oh.
00:59:35Oh.
00:59:36Oh.
00:59:37Oh.
00:59:38Oh.
00:59:39Oh.
00:59:40Oh.
00:59:41Oh.
00:59:42Oh.
00:59:43Oh.
00:59:44Oh.
00:59:45Oh.
00:59:46Oh.
00:59:47Oh.
00:59:48Oh.
00:59:49Oh.
00:59:50Oh.
00:59:51Oh.
00:59:52Oh.
00:59:53Oh.
00:59:54Oh.
00:59:55Oh.
00:59:56Oh.
00:59:57Oh.
00:59:58Oh.
00:59:59Oh.
01:00:00Oh.
01:00:01Oh.
01:00:02Oh.
01:00:03Oh.
01:00:04Oh.
01:00:05Oh.
01:00:06Oh.
01:00:07Oh.
01:00:08Oh.
01:00:09Oh.
01:00:10Oh.
01:00:11Oh.
01:00:16Veronica.
01:00:17Where are you?
01:00:40What are you doing?
01:00:58This was in her bag.
01:01:00Darling, I received your letter.
01:01:06I cannot believe you want to go to London to get a divorce.
01:01:10I admit I've left you very much on your own for several months.
01:01:14And that there is nothing sadder than loneliness.
01:01:19But I love you both too much.
01:01:23You and the baby.
01:01:28She was married.
01:01:30She told the truth.
01:01:32Married?
01:01:41One of those marriages which isn't really a marriage at all.
01:01:45She wanted a divorce.
01:01:48Mark.
01:01:50That's not marriage.
01:01:53That's not marriage.
01:02:01Everything we do has a reason, Veronica.
01:02:06I'm certain.
01:02:09There has to be a reason.
01:02:15Put more wood on the fire.
01:02:53I love you.
01:03:14Ponce on dose her manners, please.
01:03:17Hello.
01:03:18Hello. May I speak to Norma, please?
01:03:20She doesn't live here anymore. She left this morning.
01:03:23What? Are you certain?
01:03:26Of course. She left this morning.
01:03:28Who's calling, please?
01:03:30Hello? Hello? Hello?
01:03:33Hello?
01:03:51Yes?
01:03:53It's Laura. May I come in?
01:03:55Yes, of course.
01:04:05What's the matter?
01:04:09Norma's gone. I just phoned the hotel and they told me she left.
01:04:13Laura, who is Norma?
01:04:15She's the other girl at the hotel.
01:04:17She promised to tell me when she was leaving.
01:04:20Eduardo, I know something's wrong.
01:04:23Just a minute. What do you think is wrong?
01:04:26Don't you understand?
01:04:28First May, then Helen, and now Norma.
01:04:31What are you thinking?
01:04:33We must report them to the police.
01:04:35Hold on. Hold on.
01:04:37Now go to the bar and wait.
01:04:39I'll be with you in a minute and we'll talk it over.
01:04:41You can't go to the police without proof.
01:04:43I'll find proof.
01:04:45I'll find proof.
01:04:47I'll find something.
01:05:15Shh.
01:05:45Shhh.
01:06:15Shhh.
01:06:45Shhh.
01:07:15Shhh.
01:07:45Shhh.
01:08:15Shhh.
01:08:45Shhh.
01:09:15Shhh.
01:09:46Shhh.
01:10:07Marta.
01:10:10What's wrong, Marta?
01:10:16What are you doing?
01:10:18Somebody was in the kitchen.
01:10:20Who?
01:10:22I don't know. I didn't see him.
01:10:24A thief?
01:10:26I heard footsteps.
01:10:28Sure.
01:10:30Give me this.
01:10:32Come on. Let's go inside.
01:10:45Did you leave the key in the lock?
01:10:47Answer me.
01:10:50Try to remember.
01:10:52I told you the key was always to be kept in the bedroom.
01:10:55What is he doing here?
01:10:57I don't know, Marta.
01:10:59Perhaps I forgot and left it in the kitchen.
01:11:02I don't know.
01:11:04I don't know.
01:11:06I don't know.
01:11:08I don't know.
01:11:10I don't know.
01:11:12I don't know.
01:11:14I don't know.
01:11:30A thief?
01:11:32I don't know, Marta.
01:11:44Did you leave it there?
01:11:46You did leave it there.
01:11:50I told you never to take the wine from this jar.
01:11:53I've always taken wine from the others.
01:11:56This is the wine we always used to make the roast.
01:12:00Have you forgotten?
01:12:01Maybe I made a mistake.
01:12:03I could make a mistake once.
01:12:05But I don't think it's possible.
01:12:06You made a mistake.
01:12:08Or did you do it on purpose?
01:12:10Did you also make a mistake when you forgot the key of the cellar door?
01:12:14Did you make a mistake, Veronica?
01:12:16Or did you have another reason?
01:12:18No.
01:12:19No.
01:12:20I'm afraid, Marta.
01:12:22They'll find out about us.
01:12:26What we've done is horrible.
01:12:30It's the worst sin against God!
01:12:35Never say that again!
01:12:36I'll leave you!
01:12:38You can leave right now if you like.
01:12:40I don't need you.
01:12:44But...
01:12:46We're murderers!
01:12:50We've killed them!
01:12:52We killed!
01:12:54My conscience was never more clear.
01:13:01Keep calm, Veronica.
01:13:03Your sister has always known what is best for you.
01:13:06Always.
01:13:07Remember that.
01:13:09Let's go.
01:13:12They'll find out!
01:13:14If it was an act of evil, they'll find out.
01:13:17If it was an act for God's justice, it will never be discovered.
01:13:21He will know what he must do.
01:13:24So, what are you worried about?
01:13:37Hello.
01:13:38It's been so long since you've come here.
01:13:53Look what I bought you.
01:13:56Put them on.
01:13:59They'll suit you.
01:14:07Luis.
01:14:08Yes?
01:14:10I've come to bring you this.
01:14:15It's for you.
01:14:19Yes?
01:14:21I've come to bring you this.
01:14:25I don't want it.
01:14:27You are very pretty.
01:14:32This money is for you.
01:14:34So that you can leave the village.
01:14:37A place far away. To Madrid.
01:14:39Why?
01:14:41I don't want you to be here when...
01:14:44When everything happens.
01:14:46What is going to happen?
01:14:49You will promise.
01:14:51Will you go away?
01:14:53I want to go and see you.
01:14:57I want you to go!
01:14:59I don't want to see you again!
01:15:02Leave the village! Go away!
01:15:19What's the matter?
01:15:21High blood pressure. It must be high blood pressure.
01:15:48I don't want to see you.
01:15:50I don't want to see you.
01:15:52I don't want to see you.
01:15:54I don't want to see you.
01:15:56I don't want to see you.
01:15:58I don't want to see you.
01:16:05Quiet.
01:16:06Laura, the sister of that Harold.
01:16:09Who can that man be? Her husband?
01:16:12I think I've seen him somewhere before.
01:16:16But I'm not sure.
01:16:20They're coming here. Surely she doesn't want the room again.
01:16:24Mother, maybe it was she who was in the house the other night.
01:16:28They're running a boarding house.
01:16:30And we admit guests, don't we?
01:16:32Yes.
01:16:36Don't open it.
01:16:39Hello. My husband's just arrived.
01:16:42And we'd like to stay here for a few days.
01:16:45Of course. Come in.
01:17:00Did you hear from your sister?
01:17:02No. But she's probably back in the house.
01:17:05I hope you'll be comfortable.
01:17:09If you need anything, please call us.
01:17:12No, we won't need anything.
01:17:14We'll be fine.
01:17:16We'll be fine.
01:17:18Everything will be fine.
01:17:20We'll be fine.
01:17:22We'll be fine.
01:17:24We'll be fine.
01:17:26We'll be fine.
01:17:28We'll be fine.
01:17:30We'll be fine.
01:17:32Please call us. No, we won't need anything. Thanks
01:17:43That man, I think I've seen him before
01:17:46But he's just arrived in the village. So it would seem but I never forget the face
01:17:55Don't you think it's strange that girl has come back here
01:18:02I
01:18:09There's nothing to worry about a simple infection which we've caught in time
01:18:13There's always some danger with her heart, which is not strong
01:18:17But everything will be alright. I know she's alright doctor, but I'm worried about the other thing
01:18:24The one I found on the plate
01:18:27What shall we do with that
01:18:33I'll examine it carefully. I want to be certain
01:18:48They're bound to be all asleep
01:18:55I'll be back. Don't you leave this room? I'll be back as soon as I can
01:19:02I
01:19:32I
01:20:02I
01:20:32I
01:21:02I
01:21:12Is it true yes when my wife fainted I picked it up on the plate without anyone seeing me
01:21:18It has been saturated in alcohol for some time by the color of it red wine
01:21:24The eye of a woman
01:21:32I
01:22:02I
01:22:32I
01:22:49That man was not your husband was he
01:22:52My sister doesn't want to hurt you Laura, but who was this man? Are you going to tell us?
01:23:03I
01:23:09Am afraid it's useless Veronica
01:23:32I
01:24:02I
01:24:32I
01:25:02I
01:25:32I
01:26:02I
01:26:32You