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00:06:41I reserved a table for the first sitting for dinner.
00:06:44First sitting, so you can get to bed early.
00:06:46Excuse me, please.
00:06:48That's my compartment.
00:06:50Here we are.
00:06:52God in his infinite wisdom made us a certain agreeable size,
00:06:56but the architect of this train was clearly an atheist.
00:07:07After dinner, take a sleeping pill.
00:07:09Then, tomorrow morning, when you wake up, you'll be in the country.
00:07:12Country, I'll do you good.
00:07:15Helen.
00:07:18I love you.
00:07:20All right, Glenda.
00:07:22Have a nice time.
00:07:29Yes, I have some.
00:07:31Yes, I have some.
00:07:34Oh!
00:07:40Get off.
00:07:42Come here.
00:07:46Breathe in.
00:07:51Helen, there'll be somebody else for you.
00:07:53Other chances.
00:07:54Excuse me, miss.
00:07:55Half any minute, sir.
00:07:56Oh, thank you.
00:07:57Look, I'll be down at the weekend.
00:07:59Perhaps we could go riding.
00:08:01You like to ride?
00:08:03The most important thing is that you should relax.
00:08:06Don't think about...
00:08:08Don't think about anything.
00:08:11Bye-bye.
00:08:23My daughter's in D6.
00:08:25Helen Morrow, I'd like you to look after her for me.
00:08:28We look after all the passengers, sir.
00:08:30Medical service.
00:08:31My daughter's just out of hospital.
00:08:33A nervous breakdown, so if she needs anything...
00:08:36Don't you worry, sir.
00:08:37Thanks.
00:08:38I'll look after her, sir.
00:08:42Hold it.
00:08:44Just made it, sir.
00:08:45Yes.
00:08:56D13.
00:08:57This way, sir.
00:09:16First or second city for dinner, sir?
00:09:19Oh, neither.
00:09:21I'm slimming.
00:09:23You ought to be disturbed.
00:09:25Right.
00:09:31Oh.
00:09:33Excuse me.
00:09:35Dinner will be ready in about half an hour, sir.
00:09:38First or second city.
00:09:42We'll think about it.
00:09:44Right.
00:09:49Won't see them again.
00:09:52Won't see them again.
00:09:58I, uh... I guess the bar is open.
00:10:01Yes, sir, but it's that way, sir.
00:10:03We're going away, Patrick.
00:10:05Well, homing instincts must be slipping.
00:10:07Thanks.
00:10:45First or second city for dinner?
00:10:47Second, please.
00:11:08It's Marlo.
00:11:21Yes?
00:11:22First or second city, sir?
00:11:24Sitting? Sitting?
00:11:26Sounds like some ghastly student demonstration.
00:11:29No, sir. Dinner, sir.
00:11:31No doubt that'll be a ghastly event, too.
00:11:34The potatoes pulverized by the perambulations of the train,
00:11:37the melon mangled,
00:11:39and the wine shaken to its very sediments.
00:11:42Second city.
00:11:44Hilary!
00:11:45Hilary Vance!
00:11:47Maram.
00:11:49Oh, I've forgotten.
00:11:51I know it must be nearly 20 years,
00:11:53but I think it was most ungallant.
00:11:55Don't you forget that.
00:11:57Vance! The Georges Sark, my Pomeranian, Edith.
00:12:01Of course, my dear.
00:12:03Edith, how are you?
00:12:05Edith was the Pomeranian.
00:12:07You have forgotten.
00:12:09No, no, no, no, no, no, no, no.
00:12:12I've been accused of many things in my time,
00:12:14but never of ungallantry.
00:12:16Penelope?
00:12:17Winston Smythe.
00:12:19There, you see?
00:12:21Well, well, well, well, well.
00:12:24Extraordinary to find you here.
00:12:27And how pleasant, too.
00:12:29No need to ask you how you are.
00:12:31You're looking très elegant.
00:12:33And how is poor little Maud?
00:12:35Edith? I had her stuffed.
00:12:37And now she's sitting on an anthill.
00:12:40It was a very long time ago.
00:12:42Oh, longer than I care to remember.
00:12:44You haven't changed at all.
00:12:47A little older?
00:12:48Considerably older.
00:12:51The manner, the voice,
00:12:53impudence to time.
00:12:56I, um, I would invite you in,
00:12:58but two in this place would render it more horrendous
00:13:01than the black hole of Calcutta.
00:13:03Perhaps later at dinner.
00:13:05Perhaps.
00:13:07I still think you've forgotten.
00:13:08No, no, no, no, no.
00:13:09I remembered your name.
00:13:10My name, perhaps.
00:13:12But do you remember how I talked?
00:13:15Vividly.
00:13:16And what you said to me?
00:13:18How did you know?
00:13:20I shall never forget it.
00:13:22Then tell me.
00:13:25Yes, you have forgotten.
00:13:28I shall give you time to think about it
00:13:30and ask you again later.
00:13:39It really is the most ghastly way
00:13:41to travel from A to B.
00:13:43You should probably write something better than what you've written to me.
00:14:44What is it now?
00:14:57Barclay, D13.
00:15:00D13?
00:15:01Across or down?
00:15:03You sound like the crossword puzzle.
00:15:06Oh, no, sir.
00:15:07D13, compartment D13.
00:15:10Yes, sir.
00:15:11D13, compartment D13.
00:15:13That's where I am if I'm needed.
00:15:16That, I suppose, is for starting a sprint event.
00:15:18Oh, no, sir.
00:15:19It's just in case.
00:15:20In case of what?
00:15:21Trouble, sir.
00:15:23Trouble.
00:15:25You may not have noticed, D13,
00:15:28or whatever your name is,
00:15:29but you already have very big trouble.
00:15:32In what way, sir?
00:15:33In my way.
00:15:34And that can be trouble on a grand and ghastly scale.
00:15:37You may have gathered I am unhappy.
00:15:39I am uncomfortable,
00:15:41and I am acutely aware of feeling more than slightly ridiculous.
00:15:45This whole affair is tinged with ridicule.
00:15:48It has an air of imminent disaster.
00:15:50I just popped in to see if everything was all right, sir.
00:15:54You clearly only understand the lesser Cantonese dialects of China.
00:15:58Sir?
00:15:59Well, clearly and manifestly, you do not understand the English language.
00:16:02You popped in to see if everything were all right,
00:16:06and I have told you, no, it is not all right.
00:16:09It is far from right.
00:16:10It is very wrong, not slightly or in several ways,
00:16:13but totally wrong.
00:16:15This place is cramped to the point of claustrophobia.
00:16:19I'm not used to being cramped.
00:16:21I am a man with a love of open space,
00:16:24inordinately fond of it,
00:16:25to the point of fetishes and open space
00:16:27and deep luxury and warmth and haute cuisine and scintillating company.
00:16:33Are you witty?
00:16:35Well, sir, I...
00:16:36Certainly, if you are scintillating,
00:16:38then your scintillator is badly in need of repair.
00:16:42You popped in to see if everything were all right.
00:16:45I have told you, no, it is not all right.
00:16:47So you can pop out again.
00:16:50Go on, then, off you go.
00:16:52Won't be for long, sir.
00:16:53Time is relative,
00:16:54and I've already spent several decades in this alien environment.
00:16:57Just a few hours.
00:16:59Just a few hours.
00:17:00You won't have to write any more rude letters.
00:17:02D-13.
00:17:07Rude letters?
00:17:11You don't even know how to read.
00:17:17Darling.
00:17:29Darling.
00:17:59Darling.
00:18:25Miss Marlowe, dinner's now being served.
00:18:30Miss Marlowe!
00:18:42Dinner's being served, miss.
00:18:44The dining car's that way.
00:18:48Can I help you, miss?
00:18:51No, I'll be alone directly.
00:18:54Yes, miss.
00:19:49Good evening, miss.
00:19:51Marlowe. Helen Marlowe.
00:19:54Number four, miss.
00:19:56Number four?
00:20:00Looks as though I'm the lucky one.
00:20:19Name's Mallory.
00:20:21Bob Mallory.
00:20:54I can usually judge when a person needs to be left alone,
00:20:57but you think a drink might help?
00:21:02I'm not trying your sorrow,
00:21:04wake up tomorrow feeling like hell sort of drink,
00:21:06just a socially warming glass of wine.
00:21:12I'm sorry.
00:21:14I'm sorry.
00:21:17There's no need to be.
00:21:19Here.
00:21:22No.
00:21:25They say that tears are supposed to be good for the eyes.
00:21:29It cleans and refreshes them.
00:21:31Makes them more sparkling and beautiful than ever before.
00:21:37You must cry a lot.
00:21:40You're strange.
00:21:42I knew I shouldn't have packed that kangaroo.
00:21:47What about some wine?
00:21:53I think you'll find that this is a patient little wine.
00:21:58It's been sitting around quietly here in its bottle since 1968,
00:22:03just waiting for the right girl to come along.
00:22:07Speaking only for the wine, you'll understand.
00:22:09I'd say that patience is a virtue.
00:22:37And furthermore, I can say that each and every one of you...
00:22:47Oh. Yes?
00:22:49Sorry, I thought I heard...
00:22:53Sorry, wrong compartment.
00:23:08Who is it?
00:23:10It's me, Barclay, Mr Banks.
00:23:13What do you want?
00:23:15I'm just checking you're all right.
00:23:17I've told you before, I am not all right.
00:23:21I have very, very jungle fever and the creeping black death.
00:23:26What was that?
00:23:27I am very contagious and I wish to be left alone.
00:23:30I see. Right.
00:23:43We were going to be married that week.
00:23:46He died instantly.
00:23:49How long ago was that?
00:23:51A year ago.
00:23:54Since then, I've been in and out of hospital.
00:23:58I break down.
00:24:01I keep seeing his face.
00:24:04I don't know what to do.
00:24:06I don't know what to do.
00:24:08I don't know what to do.
00:24:10I keep seeing his face.
00:24:13Dead.
00:24:17I'll always see it.
00:24:22I'm no psychiatrist, but...
00:24:25I would have thought a year.
00:24:27No matter how much you loved him, it should be healing by now.
00:24:34You don't understand.
00:24:37I was driving the car.
00:24:39I killed him.
00:24:46I don't know why I told you all this, Mr Mallory.
00:24:49Bob, you needed to talk.
00:24:51Yes, and they'll be needing this table.
00:24:54The people have to eat.
00:24:56It was very nice meeting you.
00:24:58Good night.
00:24:59Well, I'll see you tomorrow, perhaps.
00:25:04I wasn't making polite noises.
00:25:07It was really nice talking to you.
00:25:09Good night.
00:25:10Good night.
00:25:23Right.
00:25:37Right.
00:26:00Yes?
00:26:01Second sitting for dinner.
00:26:03All right, thank you.
00:26:07I don't know why I should thank anyone
00:26:09for their promises to be an indigestible event.
00:26:12I really don't know.
00:26:17What could one say in a world of noise?
00:26:21The sun shining through the trees?
00:26:25Or was it the moon?
00:26:29Was it day or night?
00:26:37I don't know.
00:27:08Miss Marlow! Miss Marlow!
00:27:11What is it, Miss? What's happened?
00:27:13Miss Marlow!
00:27:15It's all right.
00:27:17Miss Marlow!
00:27:19What's wrong? Helen?
00:27:21Helen?
00:27:26He's dead.
00:27:28He's just lying there.
00:27:30I think someone's killed him.
00:27:33He's in the compartment next to mine.
00:27:37Take it easy.
00:27:39All right, all right. Now just calm down.
00:27:41Calm down.
00:27:43All right?
00:27:45Let's take a look, shall we?
00:27:47Come on.
00:28:06Come on.
00:28:37What on earth is this, a deputation?
00:28:40Mr. Vance.
00:28:42Yes, I know who I am and you too, but who are these other people?
00:28:45I'm sorry, sir, but are we not, sir?
00:28:47Well, I was dozing.
00:28:49I'm entitled to doze, I would think.
00:28:52I'm terribly sorry, sir, but I had to make sure.
00:28:55Make sure of what?
00:28:57That you were alive.
00:28:59This lady, she said that, sir, you were dead.
00:29:03Indeed.
00:29:05Well, madam, some of my jealous and inferior colleagues may well wish it,
00:29:10but I can assure you I am very far from moribund.
00:29:14But he was dead.
00:29:18There was blood.
00:29:21I didn't imagine it.
00:29:24He was dead.
00:29:26I saw him.
00:29:29I saw him.
00:29:34I saw him.
00:29:36We saw his face.
00:29:38He was dead.
00:29:50It's best that you just lie down and try and get some sleep.
00:29:55I saw him.
00:29:58We saw him.
00:30:00Come on.
00:30:02Sorry to disturb you, sir.
00:30:04Very sorry.
00:30:06Nothing surprises me. Nothing.
00:30:09What's going on?
00:30:11Nothing for you to concern yourself about, Barclay.
00:30:13Just some nonsense.
00:30:15I'm going in for dinner.
00:30:17I'll see you tomorrow.
00:30:19Now, if you need me, I'll be in the next carriage.
00:30:22E-11.
00:30:26Good night.
00:30:34What's been going on?
00:30:36Nothing.
00:30:38Nothing.
00:30:40Nothing.
00:30:42Nothing.
00:30:44Nothing.
00:30:46What's been happening?
00:30:48She's reported him dead.
00:30:50Her.
00:30:51Said she saw Mr. Vance dead.
00:30:53What? Murdered.
00:30:54She wouldn't get into a sweat about it.
00:30:56Her father told me.
00:30:58She hasn't been quite herself.
00:31:00You know what I mean?
00:31:02Is that right?
00:31:04Here.
00:31:06You're free, sir.
00:31:28I shall follow the potage du jour
00:31:30with the most adjustable fillet of meat
00:31:32you can find in your kitchen.
00:31:34I shall require it to be lightly dusted with black pepper
00:31:38and a soupçon of salt
00:31:40and then grilled.
00:31:42Grilled, not fried, my friend.
00:31:44For 45 seconds
00:31:46on each of its flatter surfaces.
00:31:48Not 44,
00:31:50not 46,
00:31:52but 45, precisely.
00:31:54Hmm?
00:31:58You may bring with it such vegetables
00:32:00you may have stewing.
00:32:04I doubt if I shall eat them,
00:32:06but the mere sight of them, sad and soggy
00:32:08in their respective dishes,
00:32:10may make the meat taste, by comparison,
00:32:12not better,
00:32:14because the word better implies an optimism
00:32:16I do not truly feel,
00:32:18but it may make it taste
00:32:20edible.
00:32:22Yes, sir.
00:32:28And the bottle of the mackerel.
00:32:30Try not to handle it excessively
00:32:32before you bring it to the table.
00:32:34I like my wine at room temperature,
00:32:36not body heat.
00:32:38Yes, sir.
00:32:40Have you eaten, sir?
00:32:42No, I've eaten, thank you.
00:32:44Ah, my bloodhound, Barclay.
00:32:46May I call you D13?
00:32:48You may join me for a glass of sherry
00:32:50if you wish, but not for dinner.
00:32:52I prefer to dine alone,
00:32:54particularly as you have the expression
00:32:56on your face of a man
00:32:58who has just had a war.
00:33:00I was wondering, sir.
00:33:02Encouraging.
00:33:04To wonder is to question,
00:33:06and to question is the first sign
00:33:08of that kerfuffle with the American girl.
00:33:10Kerfuffle.
00:33:12Kerfuffle is a word
00:33:14I do not recognize.
00:33:16It sounds like a dance
00:33:18for two persons,
00:33:20probably at its most popular
00:33:22at the end of the late twenties.
00:33:24But if you were to substitute
00:33:26mêlée, contretemps, or even misunderstanding.
00:33:28Misunderstanding, sir?
00:33:30Well, of course that's what it was.
00:33:32That poor, deluded girl imagined me dead,
00:33:34and even you can see, Barclay,
00:33:36mind you,
00:33:38I have not yet eaten the dinner.
00:33:40It's funny, though.
00:33:42If you find it funny, Barclay,
00:33:44then your particular sense of humor
00:33:46eludes me completely.
00:33:48Yes, sir.
00:33:50Delirious.
00:33:52Have you remembered it yet?
00:33:54Remembered?
00:33:56I'm terribly sorry, madam.
00:33:58This madam again, is it?
00:34:00Oh, you have changed.
00:34:02You're not the same man at all.
00:34:05I should like to carry you up
00:34:07to the Baluchistan.
00:34:09That's what you said to me
00:34:11in the Bois de Boulogne.
00:34:20Baluchistan
00:34:22used to be the place.
00:34:35Miss?
00:34:37Miss?
00:34:39Could I talk to you a moment, Miss?
00:34:41My name's Barclay.
00:34:43Peter Barclay.
00:34:45It's about what you saw,
00:34:47or thought you saw.
00:34:49I saw it.
00:34:51I saw it.
00:34:53I saw it.
00:34:55I saw it.
00:34:57I saw it.
00:34:59I saw it.
00:35:01I saw it.
00:35:04Perhaps you're right, Miss, about things.
00:35:06Perhaps you did see it there.
00:35:08I'd like to talk to you about it.
00:35:12I know you're upset.
00:35:14That's understandable.
00:35:16But I would like to talk it over.
00:35:24Look, if you change your mind,
00:35:26I'm in D13.
00:35:30Barclay, D13.
00:35:33D13.
00:35:49Oh, beg your pardon.
00:35:51I thought this was D13.
00:36:00Please come in, Mr. Barclay,
00:36:02it's the door.
00:36:09Perhaps you did see him dead.
00:36:12I'd like to talk it over.
00:36:15Barclay,
00:36:17D13.
00:36:32D13.
00:37:03Mr. Barclay?
00:37:09Mr. Barclay?
00:37:32Mr. Barclay?
00:38:03Everything to your liking, Mr. Vance.
00:38:06I should prefer to be on the Ile-de-France,
00:38:09toying with some grenouille provinciale
00:38:11washed down with a premier cru
00:38:13huillé fumé in 1965.
00:38:16But the soup was
00:38:18just this side of mediocre.
00:38:23You may quote.
00:38:25Yes, sir.
00:38:32Yes, sir.
00:38:50No!
00:39:02No!
00:39:14Pop!
00:39:16Ella!
00:39:18Pop?
00:39:20You think I'm mad?
00:39:22You don't think I'm mad, do you?
00:39:24No, no, no, of course not.
00:39:26Pop, that man there,
00:39:28his body's in my compartment.
00:39:30He's dead, Pop!
00:39:32I told you! I told you!
00:39:34Shh, hey.
00:39:36Take it easy, take it easy.
00:39:38Your compartment.
00:39:40Yes.
00:39:46Is it customary in this establishment
00:39:48to offer compliments to the chef?
00:39:50Well, sir, it doesn't happen often.
00:39:52Oh, you surprise me.
00:39:54Sir?
00:39:55That it happens at all.
00:39:58Something wrong with the meal, sir?
00:40:00If you asked me if there was something right with the meal,
00:40:03then my reply would be shorter. That I could summarize.
00:40:06The plates upon which it was served
00:40:08were, to the casual scrutiny,
00:40:10clean and of reasonably robust porcelain,
00:40:12and the knife was sharp,
00:40:15but quite unfairly matched against the steak.
00:40:20You may unwittingly have stumbled upon
00:40:23the greatest discovery since penicillin,
00:40:25the substitute for plastic.
00:40:29I don't suppose you have a cigar
00:40:31that couldn't be classified as disgusting than mustard?
00:40:55No.
00:41:13Helen.
00:41:14No.
00:41:15Helen, it's all part of your delusion, your breakdown.
00:41:18No.
00:41:21You tell yourself you keep seeing his face.
00:41:24Now, your mind can't bear the guilt anymore,
00:41:26so you've substituted another face.
00:41:29No.
00:41:33No, his...
00:41:34His body was there.
00:41:38No.
00:41:39It was there.
00:41:40The man who's sitting eating dinner right now.
00:41:45Come on, I'll show you.
00:41:46Then maybe you'll realize I'm right.
00:41:48Come on.
00:41:49Sit here, sir.
00:41:55There.
00:42:13There.
00:42:14See?
00:42:18That's better.
00:42:20The poets may wax idyllic about the balmy night air,
00:42:24but as far as I'm concerned, it's good for one thing only.
00:42:27Pneumonia.
00:42:34Ah, my morbid friend.
00:42:36You are not, I trust, representing a company of undertakers.
00:42:40You will drum up no business here.
00:42:43Longevity is on my side.
00:42:45My father lived until he was 110,
00:42:48and even then we had to finally shoot him.
00:42:53A joke.
00:42:54Note it, I seldom make jokes.
00:43:14You've got some sticking points.
00:43:19Take one, forget all about it.
00:43:24Helen, I'm an engineer, and I build bridges,
00:43:28so I understand stresses and strains.
00:43:33Too many.
00:43:35And the bridge falls down.
00:43:41I guess I'll see you later.
00:43:48Bye-bye.
00:44:19DOOR KNOCKS
00:44:24Daddy.
00:44:48DOOR KNOCKS
00:45:19DOOR KNOCKS
00:45:25DOOR KNOCKS
00:45:44Oh, Miss Marlow.
00:45:46Are you all right, Miss?
00:45:48Oh, yes, I'm fine, thank you.
00:45:51I just wondered if I could borrow a paper or a magazine.
00:45:56Yes, of course, you can have this one.
00:45:59Oh, I'd rather have a magazine, if you don't mind.
00:46:03I've got a few over here.
00:46:17This one do, Miss?
00:46:18Oh, yes, that's fine, thank you.
00:46:20You should have rung, Miss, that's what I'm here for.
00:46:23You OK now, are you?
00:46:24Yes, I'm fine, thank you.
00:46:25Night.
00:46:26Night.
00:46:46DOOR KNOCKS
00:47:10Yes, the chef could do.
00:47:11Oh, thank you, that'll be fine.
00:47:13We just didn't feel like a property.
00:47:15I understand, Miss.
00:47:41Oh!
00:47:42I'm so sorry.
00:47:43Here, thank you.
00:47:44Let me pick that up for you.
00:47:46It's nice to know some courtesy still exists.
00:47:53My brief and incredibly unhappy years as cultural attaché
00:47:57were full of non-incidents, of anticlimaxes and ennui.
00:48:13DOOR OPENS
00:48:43Helen?
00:48:44I found her lying in here.
00:48:46She must have collapsed, Pete.
00:48:47What?
00:48:51The mental compartment?
00:48:52No, she's passed out.
00:49:14Helen, what happened?
00:49:19I don't remember.
00:49:22What were you doing down at that end of the corridor?
00:49:27I went to borrow a magazine.
00:49:30That's right, sir, she did.
00:49:33And then?
00:49:36I don't remember.
00:49:38I keep having these...
00:49:39These terrible dreams.
00:49:43Oh, how can I help that?
00:49:46Come on.
00:49:55OK, I'll take care of her.
00:49:59If that is what you want,
00:50:00just let me stay with you for a while, OK?
00:50:02Yeah.
00:50:04Women.
00:50:05Particularly disturbed and deluded women who imagine things.
00:50:09I'm afraid you're right, sir.
00:50:10My father did warn me.
00:50:13Very sad.
00:50:14Good night, sir.
00:50:15Good night.
00:50:34Vance is dead.
00:50:37I'm not mad, Pop.
00:50:44Helen, you can't do this.
00:50:45They're on honeymoon.
00:50:46How would you like it?
00:50:51Men have been killed for this.
00:50:56I'm not mad, Pop.
00:50:57I'm not mad.
00:50:59I'm not mad.
00:51:00I'm not mad.
00:51:01I'm not mad.
00:51:02I'm not mad.
00:51:07I've got it.
00:51:11There you go, Helen.
00:51:12You can't do this.
00:51:13It's like lasting on the highway road or something.
00:51:15Yes, sir.
00:51:16Caviar and vodka may all be very well,
00:51:18but after a little while,
00:51:20one pines for the simple things in life.
00:51:23The caillé oeuf en aspic.
00:51:26The pâté en truffe en gelée.
00:51:28The occasional Chateau Rostral.
00:51:311826, of course.
00:51:35All right.
00:51:36That is Vance.
00:51:37I told you.
00:51:38It doesn't mean anything.
00:51:39Maybe they know him or something.
00:51:41They behaved as though they know him.
00:51:43Oh, Helen.
00:51:45Pop, someone hit me.
00:51:47You say?
00:51:48Yes.
00:51:50And everything I say is suspect, isn't it?
00:51:56So, even if they do know him,
00:51:58why keep it safe like that?
00:52:00There I am ahead of you.
00:52:02Now, look.
00:52:04If Vance is dead,
00:52:06and if Vance is alive,
00:52:08then there has to be two of them.
00:52:11The real one, I think, is dead,
00:52:13and the other one is an imposter.
00:52:15Now, if you were going to impersonate someone
00:52:17as acid and erudite as Vance,
00:52:19where would you begin?
00:52:22With that voice.
00:52:24And to do that,
00:52:25you'd need to study recordings, wouldn't you?
00:52:30If there was a body,
00:52:32they must have tossed it from the train.
00:52:34No.
00:52:35Part of that.
00:52:37No, there is a body,
00:52:38and it's still on this train.
00:52:42Look.
00:52:43Throw a body from a train, and what happens?
00:52:46Somebody finds the body.
00:52:48The train stops, and there's an investigation.
00:52:50Now, that's something they can't afford.
00:52:52I was presuming, Helen, there was a they.
00:52:55Pop, someone hit me.
00:53:01Where would you hide a body on this train?
00:53:04One of the other compartments.
00:53:06No, it would have to be somewhere...
00:53:08somewhere quiet and empty.
00:53:12Somewhere nobody goes.
00:53:15The luggage bin.
00:53:31Oh, boy.
00:53:36Bob?
00:53:37Mm-hmm?
00:53:38What's this one?
00:53:42Watch the door.
00:54:00Come on.
00:54:17For a while there,
00:54:18you almost had me believing we would find something.
00:54:21It's crazy, Helen.
00:54:23Yes.
00:54:25Well, I am.
00:54:27Come on.
00:54:57Ooh.
00:55:28Come on.
00:55:41Arriving in 30 minutes.
00:55:46Arriving in 20 minutes.
00:55:49Arriving in 20 minutes, miss.
00:55:51Yes, thank you.
00:55:53Mr. Barclay.
00:55:55Maybe sleeper.
00:55:56Oh, no, he was up and about earlier, hadn't he?
00:55:59He probably went to pry some coffee out of the shelf.
00:56:02Oh, thanks, miss.
00:56:07Arriving in 20 minutes.
00:56:12Miss Marlow, we'll be pulling in soon.
00:56:21Mr. Vance, pulling in soon.
00:56:23Right.
00:56:25Right.
00:56:32Right.
00:56:45Pulling in soon, 20 minutes.
00:56:48OK.
00:56:56Well, which one of them is now left?
00:56:59Your guess is as good as mine, General.
00:57:04Hmm.
00:57:05I gave him my word, General.
00:57:07My word.
00:57:10Train should be coming in any minute now.
00:57:26Trust you had an enjoyable trip, sir?
00:57:28If you trust that, then you must have implicit faith in miracles.
00:57:56It's here.
00:57:57Why can't we...?
00:57:58Because I gave him my word.
00:58:00And because one false move and you'll scare him off.
00:58:02Marlow will run.
00:58:04He made it perfectly clear, General.
00:58:06He saw Hillary Vance lecture in his own country.
00:58:08Vance is unmistakable.
00:58:10And he is the only man Marlow will hand himself over to.
00:58:15I'm afraid I can't do it, General.
00:58:17I'm afraid I can't do it.
00:58:19I'm afraid I can't do it.
00:58:21I'm afraid I can't do it.
00:58:23I'm afraid I can't do it, sir.
00:58:27Anyway, Barkley will be tailing them.
00:58:53Yes.
00:59:13Who ever heard of a bride without a husband?
00:59:15Never mind about that.
00:59:16The trunk.
00:59:17What?
00:59:18Vance's trunk. It's in the guard's van, right?
00:59:19Yeah.
00:59:20Well, it's been nagging away at me all night
00:59:21I told this train right behind Vance
00:59:22and I'll swear he didn't have any trunk then.
00:59:24Then someone else must have brought it on.
00:59:26Exactly, because they knew they had a purpose for it.
00:59:28Come on.
00:59:51Hold it!
01:00:11He's on his way out.
01:00:22Mr. Vance.
01:00:33Excuse me.
01:00:34Excuse me.
01:00:35Hey, let me get that.
01:00:36Let's take it, Dr. Keane.
01:01:22Mr. Vance, I'm sorry to put you to this inconvenience,
01:01:26but I attended one of your lectures once
01:01:29and you are a very unusual man.
01:01:31I stand out like a sore thumb,
01:01:33or the last arbiter of good taste in an age of mediocrity.
01:01:38You have the papers with you?
01:01:39They promised me asylum, protection.
01:01:42Yes, yes, and you shall have it,
01:01:43but first I must know if you have the papers.
01:01:47They are here.
01:01:52You will understand my anxiety, I'm sure.
01:01:55You understand I'm a target for them.
01:01:58It was necessary that I...
01:02:09No, please.
01:02:21No!
01:02:51No!
01:03:12I'd let her go if I were you.
01:03:14You know what they'll say if you strangle her.
01:03:17Yes.
01:03:20But I'm mad.
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