2001 Touched By A Killer UNCUT HOT MOVIE Isabella Hofmann James Wilder Louise Fletcher
2001 Touched By A Killer UNCUT HOT MOVIE Isabella Hofmann James Wilder Louise Fletcher
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Short filmTranscript
00:00:30I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:00:53I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:00:55Thou preparest a table before me in the presence of mine enemies.
00:00:56Thou anointest my head with oil, my cup runneth over.
00:00:57Surely goodness and mercy shall follow me all the days of my life, and I will dwell
00:00:58in the house of the Lord forever.
00:00:59The Lord is my shepherd, I shall not want.
00:01:00I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:01I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:02I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:03I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:04I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:05I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:07I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:08I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:09I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:10I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:11I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:12I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:13I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:14I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:15I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:16I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:18I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:19I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:20I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:21I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:22I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:23I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:24I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:25I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:26I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:27I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:29I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:30I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:31I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:32I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:33I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:34I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:35I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:36I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:37I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:38I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:40I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:41I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:42I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:43I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:44I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:45I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:46I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:47I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:48I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:49I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:51I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:52I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:53I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:54I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:55I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:56I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:57I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:58I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:59I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:00I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:02I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:03I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:04I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:05I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:06I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:07I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:08I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:09I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:10I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:11I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:13I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:14I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:15I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:16I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:17I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:18I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:19I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:20I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:21I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:22I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:24I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:25I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:26I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:27I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:28I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:29I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:30I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:31I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:32I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:33I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:35I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:36I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:37I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:38I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:39I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:40I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:41I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:42I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:43I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:44I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:46I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:47I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:48I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:49I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:50I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:51I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:52I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:53I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:54I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:55I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:56I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:57I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:58I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:59I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:00I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:01I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:02I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:03I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:04I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:05I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:06I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:17I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:18I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:19I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:20I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:21I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:22I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:23I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:24I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:25I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:26I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:27I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:28I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:29I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:30I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:31I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:32I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:33I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:34I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:35I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:36I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:47I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:59I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:04:00I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:04:01I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:04:02I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:04:03I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:04:04I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:04:05I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:04:06I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:04:07I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:04:08I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:04:09Bine by me, as long as I get the snakes.
00:04:11Hey, sorry I am late.
00:04:12I overslept.
00:04:13We'll talk about it later.
00:04:15Let's catch him before he gets away.
00:04:22B**ch!
00:04:23Ernie old dog, what are you doing here?
00:04:24Oh yo got a big case coming up.
00:04:25One down, two to go.
00:04:27And just in time for the election.
00:04:28It's got nothing to do with that.
00:04:30That's not what your campaign manager told you.
00:04:33Just kidding me!
00:04:35Ar har.
00:04:36This is my niece, Nikki Barrington.
00:04:37Good, Nikki Barrington.
00:04:38This is Mitchell Clark, our district attorney and local mongoose.
00:04:41How do you do?
00:04:42Nice to meet you.
00:04:43Nikki grew up around here.
00:04:45She'd just come home from New York City.
00:04:48Welcome back to Marshall Falls.
00:04:49We could use some new blood around here to liven up Bernie's stodgy old paper.
00:04:53So what do you think?
00:04:56Well, Bernie's stodgy old paper doesn't endorse politicians.
00:05:00You know, Bernie, that's what I like about you.
00:05:02You are one of the few truly righteous people left in the world.
00:05:09He doesn't know how right he is.
00:05:10Mr. Penn, the people don't agree with this.
00:05:11Mr. Penn, the people don't agree with this.
00:05:35Can I come in?
00:05:55Yeah, sure, come on in.
00:06:02What is it?
00:06:03R.J. sent me a package last night and wants me to cover a story for him.
00:06:08How's he doing?
00:06:09Not good.
00:06:10Well, that's too bad.
00:06:11Yeah.
00:06:12What's the story?
00:06:13There's this guy over at Mid-Valley who's scheduled to be executed next month.
00:06:19Tyler Nash?
00:06:20R.J. doesn't want you to cover the execution, does he?
00:06:23He's convinced that the guy is innocent.
00:06:26Okay.
00:06:27You go ahead and just make sure it doesn't interfere with your work on this paper.
00:06:30Thank you.
00:06:41Vicki!
00:06:42Vicki!
00:06:45Hey, open the damn door!
00:06:47It's cold out here!
00:06:50Coming!
00:06:56What the hell are you doing out here?
00:06:57Well, I've been knocking at the front door forever.
00:07:01Sorry.
00:07:02Oh, this is totally unacceptable.
00:07:07I think I look stunning.
00:07:09Really?
00:07:11Whoa, so what happened here last night, huh?
00:07:14Wild research party, very exciting.
00:07:16Yeah?
00:07:17Well, you forgot to sign off on the net and I've been trying to call you all morning.
00:07:21Oh, sorry.
00:07:22Did you forget our seminar this morning?
00:07:24I did, but I've got to go to Mid-Valley Penitentiary today.
00:07:27Oh, Nicky, they finally busted you.
00:07:29You're very funny in the mornings.
00:07:32Ooh, now this is worth working late for.
00:07:37That is my Mid-Valley lunch date.
00:07:39What?
00:07:40R.J. asked me to interview him, do a story.
00:07:44Huh.
00:07:50Having trouble sleeping lately.
00:07:53You should try a glass of warm milk, anything but those.
00:07:56My doctor prescribed them.
00:07:58The dreams again.
00:07:59Yeah, since I moved back.
00:08:01So move, sell the place.
00:08:02I like the place.
00:08:03Yeah, but too many bad memories.
00:08:05Oh, come on, Liza, I'll get over it.
00:08:07Yeah, before or after you get addicted to those.
00:08:09Honey, how long have you known me?
00:08:11Oh, ever since second grade when Jimmy Lane stole your notebook and I had to beat him up to get it back.
00:08:16So?
00:08:17Still worried?
00:08:18As a matter of fact.
00:08:20This is so annoying.
00:08:21Please make me some coffee.
00:08:22I'm taking a shower.
00:08:23I love you, too.
00:08:33So Wayne wants to ask you out.
00:08:36Oh, please.
00:08:38He's a nice guy.
00:08:40I know.
00:08:41He's so nice, why don't you go out with him?
00:08:43Well, because I'm not the step-mom type, and besides, he likes you.
00:08:47Liza, you know something?
00:08:48You're obsessed.
00:08:49I mean, why are you so compelled to set me up all the time?
00:08:53I just want my best friend happy.
00:08:56I don't need a man to be happy.
00:08:58I like my independence, and I like having control of my life.
00:09:02Oh, I'd like to be out of control just one last time before I start getting hot flashes.
00:09:08Thanks for the coffee, by the way.
00:09:11You are a goddess.
00:09:19Debbie, you know who I am if you remember this poem.
00:09:22Passions drift amongst the silken flesh.
00:09:25Beads of sweat drip slowly down sunken and surrendered crevices,
00:09:31giving breath to conscious rapture.
00:09:34Nicky.
00:09:36It's the mid-valley guy again.
00:09:38So what's he in for?
00:09:40Bad poetry?
00:09:41No, murder.
00:09:43Oh.
00:09:45Well, for someone who likes to be in control, I think you picked an interesting person to interview.
00:09:50I didn't pick him.
00:09:52R.J. did, okay?
00:09:53Mm-hmm.
00:10:10Mm-hmm.
00:10:40Sit over there, please.
00:11:23Where's Mr. Malone?
00:11:26He asked me to come in his place.
00:11:30Who are you?
00:11:32I'm Nicky Barrington.
00:11:35I'm also a journalist.
00:11:37He said he'd help me.
00:11:39He said he would write a story.
00:11:42I'm Nicky Barrington.
00:11:44I'm also a journalist.
00:11:46He said he'd help me.
00:11:48He said he would write a story.
00:11:50What does that mean?
00:11:51It means I'm going to get to know you over the next few weeks.
00:11:54What do you get out of it?
00:11:59The chance to write a piece that might convince the state to change its views on capital punishment.
00:12:06So it doesn't matter whether I'm innocent or not?
00:12:09I'm not here to pass judgment.
00:12:11So what do I get out of it?
00:12:13I mean, you don't have a story unless I'm executed, am I right?
00:12:19Okay.
00:12:24So who exactly is this Debbie?
00:12:27She's my missing witness.
00:12:29No, I don't know her last name, and if she comes forward, I would get an appeal.
00:12:35Well, this was front-page news.
00:12:38If she exists, why didn't she just come forward?
00:12:41Well, she exists.
00:12:43Maybe she's scared.
00:12:45Maybe she moved.
00:12:47Maybe she doesn't care.
00:12:49The D.A. convinced the jury you lied about her.
00:12:58You're beautiful.
00:13:01Let's just stick to business, all right?
00:13:03Hey, I just meant it as a compliment.
00:13:07Tell me about your lawyer.
00:13:09Nothing to say.
00:13:11Look, I don't have time to go a hundred miles to get answers like that, all right?
00:13:15What are you getting mad at all?
00:13:17I'm not getting mad.
00:13:18I just, I, I, I don't have time to play games.
00:13:21I'm not playing games.
00:13:23My attorney was court-appointed.
00:13:25He told me I should throw myself at the mercy of the court.
00:13:28I did.
00:13:30Here I am.
00:13:38A full moon kindled the white beach in front of the local bar in Marshall Falls
00:13:42the night Cecilia Flowers decided to take a peaceful midnight stroll.
00:13:47But she was not alone.
00:13:49Someone had followed her out of the blue moon,
00:13:52stalked her and waited for the perfect moment to attack.
00:13:56The moment she was most vulnerable.
00:13:59The moment she was totally alone.
00:14:03Her killer sprang upon his prey like a black cat.
00:14:07He took her young life with the slash of his blade against the soft flesh of her neck.
00:14:12Cruel, cold-blooded, no sympathy.
00:14:15The animal drank her fear like wine.
00:14:18What happened to Cecilia Flowers that night was inhuman.
00:14:22No one should have to submit to that kind of terror.
00:14:25Marshall Falls, beware.
00:14:27There's a boogeyman out there.
00:14:30Beware. There's a boogeyman out there.
00:14:33This meeting is pre-dated and filed now.
00:14:44I filed the appellate brief, but I'm still looking to get a plea bargain.
00:14:48All the other plea bargains are going to give you a mask loan or mandatory aid.
00:14:51I don't think that's true. I think so.
00:14:54Well, we'll see.
00:14:57So you raced cars?
00:14:59Stock cars.
00:15:00Win much?
00:15:01I won my share.
00:15:04Okay, I'm sure this is the last thing you want to do again, but...
00:15:07you want to tell me what happened?
00:15:11I was passing through Marshall Falls.
00:15:13I had a couple of days before a race near Portland.
00:15:16It got cancelled, so I decided to stay on.
00:15:20Several people at the Blue Moon saw you there with Cecilia Flowers.
00:15:23That's right.
00:15:25She was sitting at the bar, so was I.
00:15:27We had a couple of drinks.
00:15:29That's all.
00:15:31We left at the same time, but we both went our separate ways.
00:15:35And then you went to this other bar where you picked up this Debbie?
00:15:39Yes. Deeks.
00:15:42Deeks.
00:15:44Okay, so how come no one at Deeks remembered seeing you there?
00:15:48I don't know.
00:15:50I guess we got out of there pretty quick, then we drove to the beach.
00:15:54Did you sleep with her?
00:15:56No.
00:15:58We talked for about two or three hours.
00:16:01Then what happened?
00:16:03Then I took her back to Deeks, where she picked up her car, and...
00:16:06that's the last I ever saw of her.
00:16:13Tyler, why did you run when you knew the police were after you?
00:16:19I honestly don't know.
00:16:23Today, Mitchell Clark, county prosecutor,
00:16:26makes his closing arguments in the Tyler Nash trial.
00:16:29He will most likely focus on the fact that Nash had no alibi
00:16:34and remind the jury that an eyewitness placed Nash
00:16:37at the scene of the murder of Cecilia Flowers,
00:16:41a young Marshall Falls resident.
00:16:44Jury deliberations are expected to be short.
00:16:47We'll continue coverage of this story
00:16:49once the jury has reached its verdict.
00:16:52And now, back to our newsroom.
00:16:54Ted?
00:16:56Dr. Henry, please report to ICU.
00:16:59Dr. Henry, please report to ICU.
00:17:05Dr. Bowers?
00:17:07Yes.
00:17:09Hi, I'm Nikki Barrington from the Democrat and Sentinel.
00:17:11Ah, yes, that is important, ICU.
00:17:13Yes, yes, it is.
00:17:15Thank you so much for taking the time.
00:17:17Doctor, five years ago, you performed an autopsy
00:17:20on Cecilia Flowers, a murder victim.
00:17:22Flowers. Flowers, yes.
00:17:25You might recall that Tyler Nash was convicted of that crime.
00:17:28Now, in your testimony, you concluded that Miss Flowers' throat
00:17:31was slashed from right to left.
00:17:33You asked me to recall a murder case that took place over five years ago?
00:17:36I read the court transcripts, Doctor.
00:17:38You stated that the killer slashed Miss Flowers from behind
00:17:42using a right-to-left motion, and because of that,
00:17:45he had to be left-handed.
00:17:47Yes, so?
00:17:49All right, well, isn't it possible that the killer could have slashed her from the front?
00:17:52I don't know. Possible.
00:17:54Well, if the murderer killed her from the front, using your logic,
00:17:57he'd be right-handed, isn't that so?
00:17:59Now, why wasn't that mentioned in your testimony?
00:18:01What is your point, Miss Barrington?
00:18:03Tyler Nash is scheduled to be executed next month.
00:18:06He might be innocent.
00:18:08All I did was give my professional opinion and answer the questions asked of me.
00:18:11Now, you'll have to excuse me.
00:18:13I'm late and I've got a lot of work to do.
00:18:15Yes, of course. Thank you for your time.
00:18:18Now, why didn't your attorney challenge the Flowers' autopsy report?
00:18:23Tyler, you're left-handed.
00:18:25What if the murderer slashed the Flowers girl from the front?
00:18:30My new attorney used that argument as part of an appeal for my retrial.
00:18:35All right.
00:18:37Okay, another witness for the prosecution.
00:18:40Roger Walker said that he saw you with the victim in your truck at the Blue Moon
00:18:45just before she was killed.
00:18:47He lied.
00:18:49Okay, why do you say that?
00:18:51Because it didn't happen, that's why.
00:18:53How could he see something that didn't happen?
00:18:56Sometimes witnesses have completely different accounts of the same event.
00:19:01Do you always do that?
00:19:03Do what?
00:19:05That little thing with your hair.
00:19:11How can you be so cavalier?
00:19:18I'm not.
00:19:21I just miss the simple things.
00:19:24Like that little thing with your hair.
00:19:40Good afternoon, Teckley Corporation.
00:19:42Yes, Roger Walker, please.
00:19:44Mr. Walker is in Houston on business.
00:19:46When is he expected back?
00:19:48The end of next week. Is there someone else that can help you?
00:19:50Is there a number where I can reach him?
00:19:52I'm sorry, we're not permitted to give out that information,
00:19:54but if you leave your name and number, I'll relay the message.
00:19:57No, thanks, I'll just call back.
00:19:59I'm sorry, I'm not permitted to give out that information,
00:20:02but if you leave your name and number, I'll relay the message.
00:20:04I'm sorry, I'm not permitted to give out that information,
00:20:06but if you leave your name and number, I'll relay the message.
00:20:08I'll just call back.
00:20:11Nikki, you got a minute?
00:20:13Sure.
00:20:18What's up?
00:20:19I want you to go to Olympia and cover the state congressional runoff.
00:20:23What?
00:20:26Well, uh, can't Wayne or Liza do it?
00:20:29Why?
00:20:30I'm not up on my state politics.
00:20:33What's going on, Nikki?
00:20:36What's that thing I'm doing for R.J.?
00:20:38Well, that thing wasn't supposed to interfere with your work on the paper.
00:20:41I know.
00:20:44Uh, you better sit down, Nikki.
00:20:48This came in on the wire this morning,
00:20:50and I wasn't going to give it to you until after work, but, uh...
00:20:57Newsman R.J. Malone died early this morning.
00:21:01Oh, my God.
00:21:03You okay?
00:21:06Yeah.
00:21:08Oh, heck, Wayne is probably tired of working on that fast food toy scandal anyway.
00:21:12I heard his kids are giving him hell about it.
00:21:16Thanks.
00:21:22You seem tense.
00:21:24Oh, well, um, I've just had a bad couple of days.
00:21:28You know, I haven't slept well.
00:21:30What's going on?
00:21:33Hey, come on.
00:21:35I've been honest with you from the beginning.
00:21:37You've got to be honest with me.
00:21:42R.J. Malone died.
00:21:45Oh, man.
00:21:50How?
00:21:52Cancer.
00:21:54You two were close, huh?
00:21:56Hey, did this Debbie ever tell you where she lived?
00:22:03No.
00:22:05Did you ever ask her?
00:22:07No.
00:22:09Nikki?
00:22:11What's going on?
00:22:13Come on, you're in agony here.
00:22:15What's happening?
00:22:18Come on, you're in agony here.
00:22:20What's happening?
00:22:27I'd worked with R.J. for ten years, you know?
00:22:31I mean, I knew it was coming, but...
00:22:35He was like a...
00:22:37He was like a father to me.
00:22:41I'm sorry.
00:22:44What was your father like?
00:22:46My...
00:22:48My dad, uh...
00:22:51He spent most of his life
00:22:54beating the hell out of me and my mom.
00:22:57Is your mother living?
00:22:59No.
00:23:01Yours?
00:23:03No.
00:23:05You know, when my mom died,
00:23:07I truly knew that, uh...
00:23:10I was alone in the world.
00:23:13Things wouldn't come easy.
00:23:15Yeah, I guess I know what that feels like.
00:23:21I got something for you.
00:23:41Drop a pebble in the lake
00:23:43and watch the waters part
00:23:45until the rings reach every shore
00:23:48and touch some other's heart.
00:23:51I stand near the water's edge
00:23:53praying for a sign that somewhere
00:23:55across the mist of time
00:23:57there awaits a heart like mine.
00:24:02And you wrote this for me?
00:24:04Uh-huh.
00:24:06I like it.
00:24:25In case I'm not here
00:24:27and you want somebody to talk to...
00:24:30In case I'm not here
00:24:32and you want somebody to talk to...
00:25:01Aah!
00:25:03Aah!
00:25:05Aah!
00:25:31There were no traces of blood, hair, or fiber
00:25:34from the victim found in his truck,
00:25:36on his clothes, or in his motel room.
00:25:38And there was only one eyewitness, Roger Walker,
00:25:40and his testimony was circumstantial.
00:25:42Why? Because Tyler Nash said so?
00:25:44Oh, please.
00:25:45How about this?
00:25:46You cannot condemn a man to death
00:25:48no matter what he did.
00:25:49It's barbaric.
00:25:50You cannot condemn a man to death
00:25:52no matter what he did.
00:25:53It's barbaric.
00:25:54You cannot condemn a man to death
00:25:56no matter what he did.
00:25:58It's barbaric.
00:26:00Are you falling for this guy?
00:26:02No.
00:26:03Good, because I wouldn't want to have to identify your body
00:26:05just because this guy turns you on.
00:26:07Liza!
00:26:08Well, why can't you admit that you have hormones
00:26:10just like the rest of us?
00:26:11Okay, you've hurt me enough.
00:26:12I'm going to go solo.
00:26:14And besides, I don't believe his story
00:26:16about the missing witness.
00:26:17I mean, anyone can be found.
00:26:19Only if they want to be.
00:26:20Yeah, but what if he killed this Debbie, too?
00:26:22Okay, and what if this Debbie was in on it?
00:26:25What if the whole thing was his setup?
00:26:27It's starting to sound like a soap opera to me.
00:26:30Liza, be serious for one minute.
00:26:32What if he's innocent?
00:26:33Everyone on death row is innocent.
00:26:35Hasn't anyone ever told you?
00:26:38I am so sorry.
00:26:40I... I...
00:26:41Oh, please.
00:26:43Forgive me, Nicky.
00:26:44Liza, I'm sorry, honey.
00:26:47Sometimes I say the stupidest things.
00:26:51Hello?
00:26:53Hello?
00:26:55Hey, it's Tyler.
00:26:58Hi.
00:27:00Look, I hope you don't mind me calling.
00:27:03No, no, I told you to.
00:27:07Look, we've got five minutes
00:27:09before you get back to work.
00:27:11I'm sorry.
00:27:12I'm sorry.
00:27:13I'm sorry.
00:27:14I'm sorry.
00:27:15I'm sorry.
00:27:16I'm sorry.
00:27:18Look, we've got five minutes
00:27:20before they pull the plug here.
00:27:22Well, that doesn't seem fair.
00:27:25I hear music.
00:27:28Yes.
00:27:29Huh.
00:27:31That sounds nice.
00:27:33Tell me about your home.
00:27:35You have five minutes,
00:27:36and you want to make small talk?
00:27:38You know what?
00:27:40Actually, that's exactly what I'd like.
00:27:43Okay, um...
00:27:48I live just outside of Marshall Falls,
00:27:51about 100 miles north of you.
00:27:54I'm surrounded by trees
00:27:56in the middle of nowhere.
00:27:59That's nice.
00:28:01Tell me, um,
00:28:03what's inside your home?
00:28:06A lot of knickknacks, you know.
00:28:09It's woodsy, cozy,
00:28:12big fireplace.
00:28:14Wow.
00:28:16So tell me about you.
00:28:20Not much to say.
00:28:22Oh, sure there is.
00:28:24What do you want to know?
00:28:26I want to know everything.
00:28:28I want to know everything in five minutes.
00:28:30Yeah, that's, uh, it's a start.
00:28:34I used to live in New York.
00:28:37So, uh, why did you move back?
00:28:40At least, uh, in Marshall Falls,
00:28:44everybody knows who you are.
00:28:46Oh, boy.
00:28:48That is not always a good thing.
00:28:51Anyway, R.J. used to say that...
00:28:58writing doesn't come from big cities.
00:29:00Writing comes from the heart.
00:29:03Like love.
00:29:07Tyler.
00:29:15I can see you.
00:29:20What do you see?
00:29:24I see your loneliness.
00:29:30I want to see you.
00:29:33Tyler?
00:29:35Tyler?
00:29:45Ugh.
00:30:02Wow.
00:30:04You look beautiful.
00:30:15What's that?
00:30:17It's nice, Sarah.
00:30:19I drew this for you.
00:30:30You really did this?
00:30:32Yeah.
00:30:35Does it look like your place?
00:30:39Yeah.
00:30:42Yeah, that's amazing.
00:30:46Is there anything you can't do?
00:30:48Yeah.
00:30:50Touch you.
00:30:54Hold you close.
00:31:12I'm gonna die.
00:31:16I'm gonna die in two weeks.
00:31:41I love you.
00:32:01Nikki!
00:32:03Tyler!
00:32:11No!
00:32:41No!
00:33:12You just happened to be in town on the night of the murder?
00:33:16I saw you on that trip, too, remember?
00:33:20Nick, you don't know anything about this guy.
00:33:23He is not a killer.
00:33:25Believe me, I know this trial inside and out.
00:33:27Clark... Clark went after Tyler like a...
00:33:30Like a mongoose after a snake?
00:33:32Nick, you're putting me as well as yourself
00:33:34in a very compromising legal position.
00:33:37I know you're about to commit perjury.
00:33:39That makes me an accessory.
00:33:41We could both face serious jail time.
00:33:44Liza, no one will ever know that you know you have my word.
00:33:50Oh, that's great. Just great.
00:33:52I thought you were my friend.
00:33:54Don't do this. I am your friend.
00:33:56I am your best friend, which is why I'm trying to talk some sense into you.
00:33:59This makes perfect sense to me.
00:34:01I have never been so sure of you.
00:34:03I don't know.
00:34:06Okay, Liza.
00:34:08This conversation never took place.
00:34:11Now, it's either that or you turn me in.
00:34:20Judge Robertson just ordered a stay of execution for Tyler Nash.
00:34:24For what reason?
00:34:26Seems his missing limbs were found.
00:34:28I don't know.
00:34:30Tyler Nash. For what reason?
00:34:33Seems his missing witness finally showed up.
00:34:35Motion for a new trial has been granted.
00:34:37Scheduled for the 11th.
00:34:39Nicky Barrington.
00:34:41Works at the Democrat and Sentinel.
00:34:43Bernie's niece.
00:34:45Give me everything you can find on her.
00:34:47School, friends, sex life, addictions.
00:34:51Gotcha.
00:34:53Tyler, I can do this. I can.
00:34:56I know every aspect of your trial.
00:34:59I was in town visiting my mother when the murder took place,
00:35:02and there is nothing about this temmie that couldn't apply to me.
00:35:05It's perfect.
00:35:06I don't buy it, okay?
00:35:07You don't know what you're getting yourself into.
00:35:09I can't let you in.
00:35:10No, no, no. Look.
00:35:11All right, there is no law against my visiting you.
00:35:13All of our conversations have been private.
00:35:15And besides that, Tanaki already deposed me
00:35:18and filed another motion to retry,
00:35:20so I'm sorry, but there is no turning back.
00:35:24Ms. Barrington.
00:35:26How did you come to meet Tyler Nash?
00:35:29I was living in New York.
00:35:31Every year during August,
00:35:33I came back home to Marshall Falls to see my mother.
00:35:37I heard about this place called Deeks.
00:35:40I was there that night.
00:35:41What happened at Deeks?
00:35:43Shortly after the band started,
00:35:45Tyler Nash offered to buy me a drink.
00:35:47Now, have you ever met the man before?
00:35:49No.
00:35:50He told you his name at this time?
00:35:52Yes.
00:35:54What did you tell him your name was?
00:35:57Debbie.
00:35:58Debbie?
00:36:00Why did you do that?
00:36:02I didn't want to give out my real name to a total stranger.
00:36:06I understand.
00:36:07Please, go on.
00:36:09It was pretty crowded there.
00:36:11Mr. Nash couldn't get a waitress.
00:36:14So then he suggested we leave and go back to his hotel room.
00:36:17And did you go?
00:36:18Of course not.
00:36:19Not with a man I just met.
00:36:21What did you do then?
00:36:22I went to the beach and talked.
00:36:24For how long?
00:36:25A couple of hours.
00:36:26Now, during the time that you were parked,
00:36:28did you see anyone?
00:36:30Just a few people coming and going from the bar across the way.
00:36:33The Blue Moon?
00:36:34Yeah.
00:36:35What happened when you finished talking?
00:36:37He drove me back to Deeks.
00:36:39I got in my car and I drove home.
00:36:41Miss Barrington, these events took place over five years ago.
00:36:45Why have you not come forward until now?
00:36:49Well, like I said, I didn't live here at the time.
00:36:53I returned to New York never having heard about the murder case
00:36:57or Mr. Nash's indictment.
00:36:59And what made you come forward at this time?
00:37:01My mother recently passed away.
00:37:03I was packing some of her things for storage with old newspaper
00:37:08and I came across one of Mr. Nash's personal ads.
00:37:11And it was then that I realized he was looking for me.
00:37:15Now, the murder took place between 9 p.m. and 11 p.m.
00:37:19on the night of the 20th.
00:37:21Can you confirm to this court that you were in fact with Tyler Nash
00:37:25during that time?
00:37:27Yes.
00:37:28Yes, I can.
00:37:30I have no further questions, Your Honor.
00:37:33Mr. Clark.
00:37:35Thank you, Your Honor.
00:37:37You're a journalist, is that correct?
00:37:39Yes.
00:37:41Therefore, one can assume that you are street smart,
00:37:43that you understand the ways of the world?
00:37:45I suppose.
00:37:47So can you explain why it is that you refused to give your real name
00:37:52but you agreed to park on an isolated beach with, in your own words,
00:37:57a total stranger?
00:38:02I don't know.
00:38:04I suppose it's not the smartest thing I've ever done.
00:38:07When exactly were you parked, Ms. Barrington?
00:38:09Was it 9.30 to 11.30, 10.30 to 12.30?
00:38:13When was it?
00:38:14I believe it was 10 to midnight.
00:38:16Two hours.
00:38:17That's a long time.
00:38:19Did you have sex with him?
00:38:20No.
00:38:21Objection, Your Honor.
00:38:22Irrelevant.
00:38:23Sustained.
00:38:24The jury will disregard the question and the answer.
00:38:28What did you do all that time?
00:38:30We talked.
00:38:31About what?
00:38:33Poetry, art, music, life.
00:38:40Do you recognize this girl?
00:38:45The mutilated body of Cecilia Flowers.
00:38:49Pretty gruesome, I agree.
00:38:53Have you seen her before?
00:38:55No.
00:38:56She was 21 years old.
00:38:59Objection.
00:39:00There is no connection between the victim and Ms. Barrington.
00:39:03Your Honor, there most certainly is a connection.
00:39:05Ms. Barrington is trying to prove her innocence.
00:39:08Objection.
00:39:09Ms. Barrington is trying to undo the conviction of a killer.
00:39:12Objection, Your Honor.
00:39:14Objection sustained.
00:39:16Mr. Clark, stick to straightforward and relevant questions.
00:39:20Ms. Barrington, I'm a little puzzled by something.
00:39:24We asked for a sample of your hair.
00:39:26We checked it against the trace hairs we found in Mr. Nash's truck
00:39:30and on his clothes, and it was conclusive.
00:39:33Your hair did not match.
00:39:34Objection.
00:39:35The victim's hair did not match either.
00:39:37Objection sustained.
00:39:38The jury will disregard the prosecution's last statement.
00:39:43And there's the matter of your father.
00:39:45Isn't it true that he, like Mr. Nash, was on death row?
00:39:50That he, in fact, was executed at Mid-Valley State Penitentiary in 1967
00:39:55for the murder of one J. Hollis Meyer?
00:39:57Objection, Your Honor.
00:39:58This is completely irrelevant.
00:40:00Your Honor, it is directly relevant.
00:40:02It speaks to Ms. Barrington's motive,
00:40:04a terrible motive, for wanting to get back at the justice system
00:40:07for taking her father's life.
00:40:09Awe!
00:40:10Awe!
00:40:11Awe!
00:40:12Awe!
00:40:13Awe!
00:40:14Awe!
00:40:15Awe!
00:40:16Awe!
00:40:17Awe!
00:40:18Awe!
00:40:19Awe!
00:40:20Awe!
00:40:21Awe!
00:40:22Awe!
00:40:23Awe!
00:40:24Awe!
00:40:25Awe!
00:40:26Awe!
00:40:27Awe!
00:40:28Awe!
00:40:29Awe!
00:40:30Awe!
00:40:31Awe!
00:40:32Awe!
00:40:33to make myself an egg salad sandwich.
00:40:35You want one?
00:40:36Not unless you want to watch me skywrite
00:40:37all over your ceiling.
00:40:38What?
00:40:39Gas.
00:40:42Oh.
00:40:44You haven't really changed this place very much, have you?
00:40:47No, it's still Mom's place.
00:40:49You ever get the feeling that she's still with us?
00:40:52Always.
00:40:54Well, then she must be feeling like I am right now.
00:40:57Confused.
00:41:00Confused?
00:41:02Why are you doing this, Nikki?
00:41:05You weren't in Marshall Falls
00:41:07when the Flowers murder happened.
00:41:10That's when you drove your mom to Portland
00:41:11to start her breast cancer treatments.
00:41:14You called me every day, remember?
00:41:17So, why are you putting yourself in this position?
00:41:22What position?
00:41:24Perjury.
00:41:25I'm not.
00:41:27Nikki.
00:41:29Don't insult my intelligence.
00:41:31This is not your concern.
00:41:33Yes, it is.
00:41:34One, I am your uncle.
00:41:35Two, it implicates the paper.
00:41:37There is nothing that ties you
00:41:40or the paper or the staff to this.
00:41:42I know what you're doing.
00:41:45How can I claim to have any integrity
00:41:46and not expose that?
00:41:48Can't you see what they're doing to him?
00:41:50It's just like what happened to my father.
00:41:52Your father was found guilty.
00:41:53And he was innocent.
00:41:54Dammit, Nikki, no, he wasn't.
00:41:57How can you say that?
00:41:59Have you ever bothered to investigate
00:42:01the facts surrounding your father's case?
00:42:05Or are you afraid to find out something?
00:42:11You gotta grow up, Nikki.
00:42:13He was guilty.
00:42:15I knew it.
00:42:17Your mother knew it.
00:42:18I knew it.
00:42:19I knew it.
00:42:20I knew it.
00:42:21I knew it.
00:42:22I knew it.
00:42:23I knew it.
00:42:23I knew it.
00:42:24I knew it.
00:42:25Your mother knew it.
00:42:27She just didn't have the heart to tell you about it.
00:42:31Your father had a temper.
00:42:33And one day he just snapped
00:42:35and he killed his boss in cold blood.
00:42:37No, he didn't.
00:42:44Please, don't throw your life away for this guy.
00:42:50We talked to Mitch.
00:42:52We told him Miss Nash coerced you into lying for him.
00:43:00I can't.
00:43:08You mean you won't?
00:43:13I believe him.
00:43:16Oh.
00:43:20I'm sorry.
00:43:29Nikki,
00:43:34I've got a responsibility to the people in this community.
00:43:38To the people that work for me.
00:43:41If you proceed with this charade tomorrow,
00:43:47you can't come back to the paper.
00:43:49I promised your mother that I would take care of you.
00:44:19Archer Walker, do you solemnly swear to tell the whole truth and nothing but the truth
00:44:32before this court?
00:44:33I do.
00:44:37Mr. Walker, in the previous trial of Tyler Nash, you testified that you were at the Blue
00:44:43Moon on the night of August the 20th?
00:44:45That is correct.
00:44:46You said that at approximately 10.30 p.m. you left the bar and you saw a man and a woman
00:44:51seated in a parked pickup truck.
00:44:53Is that correct?
00:44:54Yes, sir.
00:44:55You went on to identify the man in that truck as the defendant, Tyler Nash?
00:45:00That is correct.
00:45:01Now, I'm going to show you a photograph, Mr. Walker.
00:45:06I want you to examine it very carefully.
00:45:12Was that the woman that you saw seated next to Tyler Nash in that pickup truck on the
00:45:17night of August 20th?
00:45:18No, sir.
00:45:19It is not.
00:45:20Are you sure?
00:45:21Positive.
00:45:22I've just shown Mr. Walker a photo of Nicky Barrington.
00:45:33Mr. Walker, is this the woman that you saw seated in the pickup next to Mr. Nash?
00:45:38Objection, Your Honor.
00:45:39I'm leading the witness.
00:45:40If you're not disdained, rephrase the question, Counselor.
00:45:44Do you recognize this woman?
00:45:45Yes, sir.
00:45:46This is the woman that was seated in the truck.
00:45:49Let the record show that Mr. Walker has clearly identified Cecilia Flowers as the woman who
00:45:54was sitting in Tyler Nash's truck on the night of the murder.
00:45:59I have no further questions, Your Honor.
00:46:02Your witness.
00:46:06Mr. Walker, what do you do for a living, sir?
00:46:09I'm a computer programmer.
00:46:10I create networks, websites, things of that nature.
00:46:14Would you consider your powers of observation to be above average?
00:46:19Yes, I would say above average.
00:46:21Now, we're supposed to accept your testimony.
00:46:25Testimony that has to be based not only on your powers of observation, but on your memory
00:46:29as well.
00:46:30I'm sure you'll agree it is very important to be certain.
00:46:33Yes, I understand.
00:46:35Good.
00:46:37Now, where was the pickup truck parked?
00:46:41It was in the parking lot next to the bar.
00:46:43But was it parked, let's say, under a streetlamp against a building under a tree?
00:46:48Uh, it was just parked in the lot.
00:46:55Quite a few cars there.
00:46:58Mr. Walker, you don't sound terribly convincing.
00:47:01Does that mean you're not sure?
00:47:03I remember it was quite cloudy that night.
00:47:11Let the record show that the night of August 20th was clear and with a full moon.
00:47:18Mr. Walker, did you stop and look into the pickup truck as you passed by?
00:47:26I looked in and I...
00:47:27Did you stop, sir?
00:47:28I don't remember if I stopped.
00:47:30But I did get a good look.
00:47:34Your Honor, I ask permission to bring Nicky Barrington before this witness.
00:47:38Objection, Your Honor.
00:47:39On what grounds, Counselor?
00:47:41Mr. Walker has already clearly established that Nicky Barrington was not in Tyler Nash's
00:47:45truck that night.
00:47:47Your Honor, is the prosecution now going to try my case as well?
00:47:51Your objection is overruled, Mr. Clark.
00:47:54You may continue, Mr. Tanaki, but this better be leading somewhere.
00:47:58Thank you, Your Honor.
00:47:59It will.
00:48:00The court calls Nicky Barrington.
00:48:02Ms. Barrington, would you kindly step forward and stand before the jury and witness?
00:48:17Auburn hair, shoulder length.
00:48:20Brown eyes, five feet, seven inches tall, approximately 125 pounds.
00:48:26Mr. Walker, was I just describing Cecilia Flowers or Nicky Barrington?
00:48:36Well, I don't know.
00:48:46Why?
00:48:48What happened to your above average powers of observation?
00:48:54Could it be, sir, that you don't know, because I am describing both Cecilia Flowers and Nicky
00:48:59Barrington?
00:49:01Mr. Walker, your testimony convinced a jury beyond a reasonable doubt to convict my client,
00:49:09Tyler Nash, to be sentenced to death at the hands of the state.
00:49:12Has the jury reached a verdict?
00:49:39We have, Your Honor.
00:49:40How do you find?
00:49:42In the matter of the people versus Tyler Nash, we find the defendant not guilty.
00:49:49The court is gratified that justice has ultimately been done in this case.
00:49:54Mr. Nash, you are released from custody.
00:49:58Ladies and gentlemen of the jury, thank you very much.
00:50:01This court is adjourned.
00:50:02Thanks.
00:50:03Wait up.
00:50:04Wait up.
00:50:05Congratulations.
00:50:06How was that?
00:50:07Free man.
00:50:08There's just some papers you have to sign before you leave, if you'd go with the bailiff.
00:50:17Yeah.
00:50:18Okay.
00:50:19Thanks, Counselor.
00:50:20Thank you.
00:50:21Oh, come on, Steve.
00:50:22You were great.
00:50:23You freed an innocent man today.
00:50:24Thank you.
00:50:25Thank you.
00:50:26Thank you.
00:50:27Thank you.
00:50:28Thank you.
00:50:29Thank you.
00:50:30Thank you.
00:50:31Thank you.
00:50:32Thank you.
00:50:33Thank you.
00:50:34I hope you're right.
00:50:39Excuse me.
00:51:04♪♪
00:51:14♪♪
00:51:23This is it.
00:51:24This is great.
00:51:26♪♪
00:51:34This is really nice.
00:51:36♪♪
00:51:46♪♪
00:51:56♪♪
00:52:04Look at that. Isn't that pretty?
00:52:06Yeah, it is.
00:52:08♪♪
00:52:18♪♪
00:52:28♪♪
00:52:38♪♪
00:52:48♪♪
00:52:58♪♪
00:53:08♪♪
00:53:18You okay?
00:53:23I forgot what it was like.
00:53:26What?
00:53:28To be free.
00:53:33You know something?
00:53:35You're safe now.
00:53:39♪♪
00:53:44♪ Was the truth left behind?
00:53:49Was your heart really all in my mind?
00:53:54Turn around, please don't leave
00:53:59I have found, found someone to believe
00:54:05Isn't love hard to know?
00:54:10Even fools can tell when to let go
00:54:15I have drowned every year
00:54:20But I've found, found someone to believe
00:54:26With every setting sun I had begun to wonder
00:54:30If there's anyone who feels the way you do
00:54:35I lied, I alibied that I was only passing by
00:54:41Deep inside I always searched for you
00:54:46You don't know who to trust
00:54:50What will last, what is only stardust
00:54:57Turn around, please don't leave
00:55:02I have found, found someone to believe
00:55:07You and I have found someone to believe
00:55:13♪♪
00:55:16Guess what?
00:55:19There's a job opening for a mechanic down on 7th.
00:55:23Oh, yeah?
00:55:24It ain't driving, but it's a start.
00:55:28You're thinking about going back to racing, aren't you?
00:55:31It's the only thing I know how to do.
00:55:35It's pretty remote out here, you know.
00:55:40It's a good idea.
00:55:44It's pretty remote out here, you know.
00:55:49It's a good idea.
00:55:54It's pretty remote out here, you know.
00:55:59It's a good idea.
00:56:12What do you want?
00:56:13Five minutes of your time.
00:56:15Sorry.
00:56:16You're racing down a dark stretch of highway with no lights on.
00:56:20Nice metaphor.
00:56:22You're in my way.
00:56:26That's one hell of an act you and Tanaki put on.
00:56:28Isn't this called harassment?
00:56:30No, I'm just having a conversation.
00:56:33It's a free country last I checked.
00:56:35In fact, anyone can say anything you should know.
00:56:38I'm afraid I don't know what you're talking about.
00:56:40Oh, I think you do.
00:56:42May I go now?
00:56:43Nobody's stopping you.
00:56:46I'm sorry.
00:57:05Now, don't tucker yourself out, darling.
00:57:07Save some energy for me.
00:57:13Watch it!
00:57:16God, you scared me.
00:57:21¶¶
00:57:38¶ Stand by me now as I walk down the fiery forest. ¶
00:57:44¶ Stand by me now. ¶
00:57:47I'm sorry.
00:57:48I'm, uh, writing a tune.
00:57:52How do you like that guitar?
00:57:54Man.
00:57:57This is an absolute beauty.
00:57:59Where did you get it?
00:58:00It belonged to my father.
00:58:02Oh, my God, I'm so sorry.
00:58:04No, no, no.
00:58:05It's okay.
00:58:06Are you sure?
00:58:07Yeah.
00:58:08Play.
00:58:09Thanks.
00:58:10Okay.
00:58:15What the hell?
00:58:19You're playing right-handed.
00:58:21Yeah, that's, uh, that's how I learned.
00:58:25¶ Walk with me now as I find... ¶
00:58:28¶ Walk with me now as I walk down the fiery furnace. ¶
00:58:34You got Nash's racing itinerary for Florida?
00:58:37Right there.
00:58:39He was there approximately three months before he was arrested.
00:58:42Why are we looking into this?
00:58:44There's an unresolved murder down there similar to the Flowers case.
00:58:47Mitch, that case is over.
00:58:49No, it's not.
00:58:51At the time of the Florida murder,
00:58:53Nash just happened to be racing at Daytona Beach.
00:58:56Mitch, that's got to be a couple hundred miles from where the murder took place.
00:59:00I need to know if the race was before or after the murder.
00:59:13I agree.
00:59:15I just think we should crop it about here.
00:59:18Unless you run it vertically.
00:59:20Ah, you're right.
00:59:22Shows more of his character.
00:59:24That's a scratch on the negative.
00:59:26He's a slumlord.
00:59:27Remember, he doesn't have any character.
00:59:32It's an unresolved murder near Tallahassee, Florida.
00:59:35Happened before Nash came to Marshall Falls.
00:59:37So?
00:59:39So he just happened to be there around the same time.
00:59:43Shouldn't you be out campaigning?
00:59:45I hear boats are scarce around here.
00:59:49Bernie, your niece is playing with fire.
00:59:51If that were true,
00:59:53what do you suppose that I could do about it?
00:59:55Convince her to come and see me.
00:59:57I've got some new information that might change her opinion about Mr. Nash.
01:00:03This one's on me.
01:00:05Our tax dollars at work.
01:00:35Are you okay?
01:00:40Yeah.
01:00:42I just didn't hear you sneak up on me.
01:00:45I didn't sneak up on you.
01:00:47I just came to ask if you wanted to go to town for lunch.
01:00:49Yeah.
01:00:51Sure, just give me a minute, okay?
01:00:54Okay.
01:01:02Ever been to Florida?
01:01:05Every winter.
01:01:07Why?
01:01:09Daytona Beach?
01:01:11Sure. Racing season.
01:01:15Mitchell Clark spoke to Liza and my uncle.
01:01:17He's trying to tie you to a murder there.
01:01:20God, why doesn't that surprise me?
01:01:24Is he getting to you?
01:01:26No.
01:01:28Are you sure?
01:01:31Hi. Do you guys know what you want?
01:01:33Yeah, I'll have the pasta special, please.
01:01:36I'm gonna have a cheeseburger and fries.
01:01:38Nice.
01:01:45They took five years of my life.
01:01:47What more do they want?
01:01:49I mean, I...
01:01:52I...
01:01:54Hon, you can't keep blaming the world for what happened to you.
01:01:57You're right.
01:01:59It's just...
01:02:02I wish it was that easy.
01:02:06I haven't held anything back.
01:02:08I've never done that before.
01:02:10Nikki...
01:02:13I would never, ever hurt you.
01:02:20You two got a lot of nerve showing up here.
01:02:23Cecilia Flowers was a friend of mine.
01:02:25You know what?
01:02:27Let's just get out of here.
01:02:41Stop it! Stop it!
01:02:43You're gonna kill him!
01:02:55Stop it!
01:03:11We've been here for almost three hours.
01:03:13If you want to hold us any longer, I'd like to call my lawyer.
01:03:16Otherwise, let us go now.
01:03:19Your boyfriend put those guys in the hospital.
01:03:23Those guys started it,
01:03:26and there's a room full of witnesses who'll testify to that.
01:03:29Testify?
01:03:31You'd know all about that, wouldn't you?
01:03:33My phone call?
01:03:42Follow me.
01:03:44There you go.
01:04:14I'm sorry.
01:04:45I'm sorry.
01:05:02Hello?
01:05:04Nikki? Mitchell Clark.
01:05:06I'm hanging up.
01:05:08Does the name Peg O'Neil mean anything to you?
01:05:10No.
01:05:12I told you this woman claims to have been Tyler's girlfriend
01:05:15at the same time as you were visiting him in prison.
01:05:18If you want more, meet me at Largo 3 o'clock this afternoon.
01:05:26Who's that on the phone?
01:05:28Um, the...
01:05:30the paper.
01:05:32They want me to clean out my desk.
01:05:35So, Nash was charming other women
01:05:38at the same time as he was charming you,
01:05:41as you can see by this.
01:05:43The guy's a regular Shakespeare.
01:05:46He worked on Peg O'Neil.
01:05:48Drop a pebble in the lake
01:05:50and watch the waters part
01:05:52until the rings reach every shore
01:05:54and touch some other's heart.
01:05:56I stand near the water's edge
01:05:58praying for a sign that says
01:06:01You wrote this for me?
01:06:08So you dig through other people's garbage.
01:06:12Nash used you, Nikki.
01:06:14He's still using you.
01:06:18Do you love anyone?
01:06:20I love you.
01:06:22I love you.
01:06:24I love you.
01:06:26I love you.
01:06:28Do you love anyone?
01:06:30What?
01:06:34Do you love anyone?
01:06:38Is there anything in your life
01:06:40that you care about more than your career?
01:06:44I care about justice.
01:06:47I care about truth.
01:06:49No, you don't.
01:06:51You care about winning.
01:06:53That's your truth.
01:06:58Come on.
01:07:16They called your work.
01:07:18They said you weren't there today.
01:07:23Yeah, I had some thinking to do.
01:07:26Thinking about what?
01:07:30Peg O'Neil.
01:07:32Peg O'Neil?
01:07:36Peg O'Neil responded to an ad
01:07:38a couple of months prior to you and I
01:07:40ever becoming involved.
01:07:42And we wrote to each other a few times.
01:07:46Nikki, you can't believe
01:07:49that you were the only one
01:07:51that I communicated with.
01:07:53I can't believe that I was the only one.
01:07:55Am I a mind reader, Tyler?
01:07:58You know that Clark
01:08:00had a file full of that stuff
01:08:02that you sent to Peg O'Neil,
01:08:04including that sweet poem
01:08:06that you wrote to me.
01:08:08You led me to believe
01:08:10that that poem was written for me.
01:08:12And you even tried to get her
01:08:14to be your alibi,
01:08:16but she wouldn't do it.
01:08:18She refused. And what did I do?
01:08:20I believed you.
01:08:22I lied for you.
01:08:24I stood up in front of all those people
01:08:26in the courtroom and I risked
01:08:28everything for you.
01:08:54♪♪
01:08:56♪♪
01:08:58♪♪
01:09:03♪♪
01:09:21-♪♪
01:09:23Come on, come on, Liza.
01:09:29Hey, it's Liza.
01:09:31You know the drill.
01:09:31Leave a message, and I'll call you back.
01:09:33OK.
01:09:53Hm.
01:10:03I'll be right back.
01:10:33I'll be right back.
01:10:59Were you here all night?
01:11:03No.
01:11:14I lied to you.
01:11:17With Peg O'Neil, I know you feel like I... I used you.
01:11:25I'm sorry for that.
01:11:28I've never had anyone in my life care for me the way you do.
01:11:34And I'm trying to learn how to deal with that.
01:11:39I love you, Nicky.
01:11:41I love you with all my heart, and I want to show you in a way that you know and that you can understand.
01:11:47It's just...
01:11:50It's just I need a little help...
01:11:53It's just I need a little help to learn how.
01:12:06Want some?
01:12:07No.
01:12:17I'm gonna take a bath.
01:12:23Okay.
01:12:53Okay.
01:13:23Don't leave me.
01:13:53Coming!
01:13:58Just a minute.
01:14:01Good morning.
01:14:05Spread them. Spread them down here.
01:14:07What the hell is going on here? You have no right.
01:14:09This little piece of paper gives us every right. It's a search warrant.
01:14:17Why?
01:14:19A young girl was murdered last night on a beach near Canaan Point.
01:14:22Canaan Point is three hours away.
01:14:24I told them I was here last night.
01:14:26Oh, but of course you were.
01:14:28Look what I found.
01:14:32I have a permit for that.
01:14:34Check it out.
01:14:37How many more women are gonna die because of him, huh?
01:14:40Because of you?
01:14:42What is it, anyway? What's he got over you?
01:14:46Mitch.
01:14:47The minute, Sam.
01:14:48I really need to speak with you.
01:14:52Okay.
01:14:58Let him go.
01:15:03You should put this where your boyfriend can't find it.
01:15:06Don't leave town, Nash.
01:15:22I love you.
01:15:53Tyler.
01:15:57What are you doing?
01:16:00Where were you last night?
01:16:01I was out driving.
01:16:03Clark thinks that I killed that girl. Apparently, you do, too.
01:16:07Running away isn't going to solve anything.
01:16:09It's just gonna make matters worse.
01:16:11I'm not going back to jail.
01:16:13This is exactly what they want you to do.
01:16:15I'm not going back to jail.
01:16:17I'm not going back to jail.
01:16:19I'm not going back to jail.
01:16:21This is exactly what they want you to do.
01:16:23Don't do this.
01:16:24Can't you see that I have no choice?
01:16:28Nikki, come with me.
01:16:29What?
01:16:30If we leave now, we can be in Canada in less than two hours.
01:16:33Come on.
01:16:34This is crazy.
01:16:35God, every time there's a crime within 100 miles of here,
01:16:38Clark is gonna be all over me.
01:16:40I have no intention of waiting for him to come back,
01:16:42and he will come back.
01:16:43But he's got nothing on you.
01:16:45That didn't stop him last time.
01:16:47If you run now, everyone's going to be convinced that you're guilty.
01:16:50Are you coming or not?
01:16:55No.
01:16:56No, not like this.
01:17:06Ty, I really wish you wouldn't do this.
01:17:09Come on. Pack your stuff.
01:17:11What?
01:17:12Pack!
01:17:16Who the hell do you think you're talking to?
01:17:20I said pack.
01:17:26Yeah, hey, it's Nikki for Liza.
01:17:29All right, then let me speak to my uncle.
01:17:31Yes, it's urgent.
01:17:33Come on, come on.
01:17:36All right, okay, would you just tell him that...
01:17:38What are you doing?
01:17:40I'm not going with you.
01:17:42Oh, I get it.
01:17:44The second I'm out of here, you're on the phone to Clark.
01:17:51No!
01:17:59Come on, stop it.
01:18:00Hey!
01:18:07Tyler, that's enough.
01:18:08Hey!
01:18:09Let me out!
01:18:10Leave me alone!
01:18:21Come on.
01:18:28Shit.
01:18:30Mm-hmm.
01:18:47I still think you should call the cops.
01:18:49I can't.
01:18:52Yeah, yeah.
01:18:55I know.
01:18:56Liza, what is wrong with me?
01:18:59Hey, you fell in love.
01:19:01I mean, I'm a reasonably intelligent woman.
01:19:03How could I be so stupid?
01:19:05No, no, naive is more like it.
01:19:10Will you ever forgive me for what I put you through?
01:19:15Are you kidding?
01:19:17You've always been there for me.
01:19:19Always.
01:19:22Just my turn, that's all.
01:19:24Thanks.
01:19:27You know, with our luck, maybe we should just give up on men.
01:19:32Okay.
01:19:33Bad suggestion.
01:19:35I really appreciate you letting me stay at your place for a while.
01:19:38Are you kidding?
01:19:39It's going to be like old times.
01:19:41You know, sleepovers, summer camp.
01:19:43Cheap white wine.
01:19:45Oh, no.
01:19:46What?
01:19:47I left my purse at the house.
01:19:49My credit cards, my driver's license.
01:19:51Everything is in that purse.
01:19:52It's all right, we'll get it in the morning.
01:19:54I don't want to go back.
01:19:55Hey, don't worry, all right?
01:19:59No one's going to mess with me.
01:20:02No one's going to mess with me.
01:20:27I don't feel good about this.
01:20:28Let's just make it quick, okay?
01:20:30Oh, don't worry about it.
01:20:41Oh, my God.
01:20:44You know, I don't know if this was such a good idea.
01:20:46Maybe we should just go.
01:20:47Oh, we'll be fine.
01:20:49All right, help me find my bag.
01:20:51Sure.
01:20:56Ah, here it is.
01:20:59Great, let's just go.
01:21:01Sure.
01:21:18Hey, look, I know you think I'm paranoid, okay?
01:21:24What?
01:21:25Won't start.
01:21:29My cell phone is gone.
01:21:31Oh, you probably left it in the house.
01:21:33No, it was right here, I know it.
01:21:36Where are you going?
01:21:38We'll call from the house.
01:21:39Liza!
01:21:41Liza!
01:21:46I tell you what, you make the call, I gotta pee.
01:21:49Can't you just hold it?
01:21:51How long have you known me?
01:21:53Enough.
01:21:59Oh, great, great.
01:22:01There's something wrong with the phone.
01:22:04Hey, Liza, listen.
01:22:05We're gonna have to go to my neighbor's house, okay?
01:22:07But it's only about a quarter of a mile down the road.
01:22:11We can use the phone there.
01:22:15Liza.
01:22:20Liza, come on.
01:22:21I really want to get out of here, okay?
01:22:23Liza, come on.
01:22:24I really want to get out of here, okay?
01:22:28Not funny.
01:22:40Liza?
01:22:53Oh, shit.
01:23:19No, don't come in!
01:23:23I swear to God!
01:23:24Stop it.
01:23:25Don't come any closer!
01:23:26I swear to God, I'll shoot you!
01:23:28Give me the gun!
01:23:29I'll shoot you!
01:23:30Don't take it!
01:23:31Give me the gun!
01:23:32Nikki, stop it!
01:23:35It's all right, Nikki!
01:23:49Why did you do that?
01:23:54Who?
01:23:57Oh, what a tangled web we weave.
01:24:07I knew you weren't there that night.
01:24:10Oh, God.
01:24:14Oh, dear God.
01:24:16Oh, please.
01:24:19Because I took care of the real witness.
01:24:21Get out of here.
01:24:23Go to the car.
01:24:24And get out of here.
01:24:27Don't do...
01:24:28Don't...
01:24:29Don't do this.
01:24:30Oh, but I want to.
01:24:32Don't worry, I'm not going to leave you.
01:24:34I said go.
01:24:43Besides, they already know who I am.
01:24:46You see, I kind of slipped up the other night at Canaan Point.
01:24:51Oh, my God.
01:24:57Don't.
01:25:00I'm going to enjoy you.
01:25:11You like this?
01:25:13Tyler!
01:25:17Come on!
01:25:21Come on!
01:25:51Come on!
01:26:21Come on!
01:26:23Come on!
01:26:52Tyler.
01:26:59Tyler.
01:27:09Don't die.
01:27:14Honey, please don't go.
01:27:18I'm so sorry.
01:27:22Come on, stay with me.
01:27:25I love you.
01:27:51Goodbye, Liza.
01:27:52I love you.
01:27:55I love you.
01:28:25I love you.
01:28:55I love you.
01:28:56I love you.
01:28:57I love you.
01:28:58I love you.
01:28:59I love you.
01:29:00I love you.
01:29:01I love you.
01:29:02I love you.
01:29:03I love you.
01:29:04I love you.
01:29:05I love you.
01:29:06I love you.
01:29:07I love you.
01:29:08I love you.
01:29:09I love you.
01:29:10I love you.
01:29:11I love you.
01:29:12I love you.
01:29:13I love you.
01:29:14I love you.
01:29:15I love you.
01:29:16I love you.
01:29:17I love you.
01:29:18I love you.
01:29:19I love you.
01:29:20I love you.
01:29:21I love you.
01:29:22I love you.
01:29:23I love you.
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