Category
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Short filmTranscript
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00:01:53Hello?
00:01:54Hello, is Miss Margaret Reddle there, please?
00:01:56Who is there, please?
00:01:58Hello, Miss Reddle?
00:02:01This will be your last quiet night on Earth.
00:02:04What's this all about?
00:02:06Miss Reddle, you can't change it.
00:02:08Listen, tomorrow, the day after tomorrow...
00:02:13Tell me who you are.
00:02:14You'll see. Or maybe you won't.
00:02:18What did he mean?
00:02:21Who was it?
00:02:23Some man who knows my name.
00:02:25What do you think he's after?
00:02:27Oh, he's probably some nut who calls women at night in order to scare them.
00:02:57♪
00:03:08Margaret, breakfast is ready.
00:03:10♪
00:03:19Special delivery for you. Shall I open it?
00:03:21No, let me see. I think it's from the Countess.
00:03:24♪
00:03:29She waits to inform me that she will be more than pleased to accept me as her private secretary.
00:03:34And she will be happy to welcome me on the 17th of the month.
00:03:38Et cetera, et cetera, et cetera.
00:03:41Ah, I'm so happy.
00:03:43And I suppose that means I'll have to look for a new roommate.
00:03:46Anyway, the last one I had used to snore.
00:03:49I'll leave you with your problems.
00:03:51Oh, Margaret, I envy you.
00:03:53Just think of all the important people that you'll come in contact with.
00:03:56Maybe you'll even marry one of them.
00:03:58Just think, prince marries model, lord marries secretary, and I'll be able to say I know you.
00:04:05Oh, let it ring.
00:04:10Maybe it's important.
00:04:15Yes, hello?
00:04:17Well, finally.
00:04:20It's the same voice, the same man.
00:04:24Hello? Listen.
00:04:27Why don't you answer, Miss Reddell?
00:04:30Your time is almost...
00:04:33What does that guy want from me?
00:04:35He's a lunatic.
00:04:37Don't pay any attention to it.
00:04:40Hello, Miss Reddell?
00:04:42Did you understand?
00:04:44You're lost.
00:04:46Lost.
00:04:48Very soon.
00:04:50Maybe today.
00:05:02He's starting to get on my nerves.
00:05:04Don't get excited, Margaret. Forget it.
00:05:10Don't answer it.
00:05:12What did he say? I won't live much longer?
00:05:14You'll live in a castle while I stay here and slave away in that old tea room.
00:05:18Yes, well...
00:05:20So long till tonight. Bye, Margaret.
00:05:44Look out!
00:06:03The old crazy here!
00:06:05Someone must have loosened the rope.
00:06:07What's the matter up there?
00:06:15Well, now.
00:06:17That was too close.
00:06:19Yes, thank you.
00:06:21Is there anything that I can do for you?
00:06:23My name is Dorn, Michael Dorn. Let's go.
00:06:27Good morning.
00:06:29Morning.
00:06:31Mr. Shaddle asked for you.
00:06:35Come in.
00:06:37I'm sorry for being late, Mr. Shaddle.
00:06:39Oh, it's all right.
00:06:42And now, Miss Reddle, I want you to go to Telsbury for me.
00:06:48Yes, Shaddle?
00:06:50At four o'clock?
00:06:52One moment.
00:06:54Yes, that'll do.
00:06:56That'll be fine.
00:06:58What's the matter? Don't you feel well?
00:07:01I'm all right, Mr. Shaddle.
00:07:03Please sit down.
00:07:05No, no thanks. I'm all right.
00:07:07But if you don't feel well...
00:07:09No, no. I'm sure I can drive.
00:07:11Take the car and contact the administration of the prison.
00:07:16This concerns the convict Mary Pinder.
00:07:19Have her sign this statement, please.
00:07:22Oh, another thing, Miss Reddle.
00:07:27You are leaving on Monday.
00:07:29Yes.
00:07:31If I paid the same salary you'll be getting from the Countess,
00:07:36would you consent to stay on as my secretary?
00:07:43Mr. Shaddle...
00:07:45Then you've made up your mind.
00:07:47Yes. I arrive on the 17th.
00:07:49I was just asking.
00:07:52Thank you. Good luck.
00:07:57This will be your last job for us.
00:08:00This will be your last job for us.
00:08:18I imagine you won't want to accompany me this time.
00:08:21I'm going to a prison.
00:08:23A prison? Well, I don't know.
00:08:25Which one?
00:08:27Telsbury Women's Prison.
00:08:29Telsbury? Yes.
00:08:33Miss Reddle, get out of the car, quick!
00:08:35What do you mean? Let's get out of here!
00:08:51Miss Reddle!
00:08:54Miss Reddle, what in heaven's name happened?
00:08:57Are you hurt? No.
00:09:00I think you should call the police, Mr. Shaddle.
00:09:03The police?
00:09:05But the scandal...
00:09:07And Miss Reddle wasn't injured.
00:09:10Take your hands off me!
00:09:15I can walk by myself!
00:09:18I'll teach you to run away!
00:09:20I'll teach you to run away!
00:09:22I'm in trouble with Dr. Tappet because of you!
00:09:27Oh, doctor! Doctor, I made it!
00:09:30I blew her out! Lock him in his room until he calms down.
00:09:33No! No! Don't lock me in!
00:09:36The doctor has to dismiss me!
00:09:38I proved... I proved I'm sane!
00:09:41I'm sane!
00:09:45Doctor! Doctor!
00:09:50Doctor, I'm sane!
00:09:56Doctor, I'm sane!
00:09:58I know! I had to prove I'm sane!
00:10:01I had to prove I'm sane. I had to.
00:10:04I had to.
00:10:06I had to do it. I had to.
00:10:20I must find out.
00:10:22I must.
00:10:24She's...
00:10:26She's dead.
00:10:28I must find out if she's dead.
00:10:31She must be.
00:10:33Must be.
00:10:35I must...
00:10:42I must...
00:10:44I must...
00:10:46I must...
00:10:49I must...
00:10:59Leave me alone with him.
00:11:07Pender?
00:11:11The director wants you.
00:11:14I have the impression you dislike coming here.
00:11:18Yes, but today is the last time.
00:11:21I'm leaving my job at Mr. Shaddell's office.
00:11:28Mrs. Pender, may I introduce Miss Reddell,
00:11:31secretary to Mr. Shaddell.
00:11:33She is here with the documents needed to release you.
00:11:38Pardon?
00:11:40What was your name?
00:11:42Reddell. Margaret Reddell.
00:11:45Margaret... Lois Reddell?
00:11:50Yes.
00:11:52But how do you know my name?
00:11:55Mr. Shaddell mentioned your name.
00:11:58He told me you'd come with the papers.
00:12:06Please.
00:12:13Here, please.
00:12:29Thank you.
00:12:32I hope we'll meet again.
00:12:34Well, Mrs. Pender,
00:12:36this means that you are free to leave at any time.
00:12:39Come along.
00:12:43Goodbye, Miss Reddell.
00:12:47Goodbye.
00:12:55Why is that woman here?
00:12:57Mary Pender is a poisoner.
00:13:00A poisoner?
00:13:03Incredible.
00:13:05Yes, incredible.
00:13:07She had even been sentenced to death.
00:13:10However, it was discovered she was pregnant
00:13:13and therefore could not be hanged.
00:13:18She doesn't look like a poisoner.
00:13:21If you're interested in the case,
00:13:23Mr. Shaddell still has all the documents.
00:13:26He defended her.
00:13:28Thank you.
00:13:39Something wrong?
00:13:41Yes and no. That woman gave the impression she felt sorry for me.
00:13:51Home?
00:13:53Please, Mr. Dorn.
00:13:55Call me Mike.
00:13:57My friends call me.
00:14:00Yes, Mike.
00:14:16Well, good night, Margaret.
00:14:19May I see you again?
00:14:21Why, of course.
00:14:24Then I'll call you.
00:14:27Good night.
00:14:44Who was that handsome creature?
00:14:46Where did you meet him?
00:14:49What's wrong?
00:14:51It's been a terrible day.
00:14:53I just want to forget all about it.
00:14:56What's that? Candy?
00:14:58All it says is,
00:15:00for Miss Reddell from an ardent admirer.
00:15:02But how did it get here?
00:15:04No idea. I found it when I came in.
00:15:06Somebody probably threw it through the window.
00:15:12Hello?
00:15:14Is that you, Miss Reddell?
00:15:16That man again?
00:15:18No, it was a wrong number.
00:15:20It was him. I heard his voice.
00:15:22Don't get so excited. It's probably a practical joke.
00:15:26I have to know if Miss Reddell is alive.
00:15:28Hello? Can you hear me? It's me.
00:15:30The voice.
00:15:32Is she... Is she dead?
00:15:35I have to know! I have to!
00:15:39I have to know!
00:15:41I'll show you. You're trying to escape, eh?
00:15:44Well, not with me.
00:15:47I can't bear it.
00:15:49Something terrible is going to happen to me.
00:15:52I can feel it coming.
00:15:54By Friday morning, you'll be at Caterfield Castle,
00:15:56safe and sound, Margaret.
00:15:58Yes, perhaps you're right.
00:16:00Of course! And I'll have the telephone tapped,
00:16:02and if I get hold of him,
00:16:04I'll personally wring his neck!
00:16:54Ah!
00:17:01Ah!
00:17:05What's the matter, Margaret?
00:17:07Somebody was here.
00:17:09Don't be foolish. A man, right next to my bed.
00:17:12I wasn't dreaming. Listen!
00:17:19Who could it have been?
00:17:21It is Mike Dorn. I'm sure of it.
00:17:24Who is Mike Dorn?
00:17:26Well, it's Mike Dorn, the man who brought me home tonight.
00:17:28I saw his face only for a moment,
00:17:30then he disappeared.
00:17:32Come on, Margaret. You're so worked up and nervous,
00:17:34you're starting to imagine things.
00:17:36But it was him!
00:17:38If only I knew what it all meant.
00:17:40Now think about it. He sent you candy,
00:17:42and then in the middle of the night, he sneaks in here?
00:17:45Lizzie!
00:17:47What?
00:17:49The candies are gone.
00:17:51Where did you leave them?
00:17:53Right there!
00:17:58Prussic acid, cyanogen compound,
00:18:00enough to poison ten people.
00:18:04Thank you.
00:18:06I don't envy you at all, Mike.
00:18:19Mike!
00:18:46Good morning, Mr. Shaddle.
00:18:49Selwyn, come down here.
00:18:51You can hardly expect to meet our guests
00:18:54when you are suspended in midair.
00:18:57Miss Reddle? Yes?
00:18:59Good morning, my child. Good morning.
00:19:01Countess Moran.
00:19:03This is my son Selwyn behind you.
00:19:05Miss Reddle. Very pleased to meet you.
00:19:07My mother has good taste when it comes to her staff.
00:19:10Oh, my hands! Adam, bring the drinks.
00:19:12How do you do?
00:19:14Mr. Chesney Prey, Miss Reddle,
00:19:16my new secretary, who is beginning today.
00:19:19Mr. Prey is my financial advisor
00:19:21and Mr. Shaddle takes care of all my legal problems.
00:19:24Take the ladder away.
00:19:26Okay. Please sit down.
00:19:32Oh, that boy!
00:19:34But then, after all, he is very clever.
00:19:36He wants to be an electrician,
00:19:38experimenting all day long.
00:19:40And when will you start to work, Miss Reddle?
00:19:42On next Friday morning.
00:19:44We only came over today for a visit.
00:19:47What's the matter, Selwyn? Please sit down.
00:19:49Thank you, Mother. Were you an actress?
00:19:51No.
00:19:53I thought you were, with your manner and your beautiful voice.
00:19:56Miss Reddle has said that she is not an actress.
00:19:58But I'd like to be an actor, Mother.
00:20:01In such a night as this,
00:20:03when the sweet wind did gently kiss the trees,
00:20:06and they did make no noise,
00:20:08in such a night...
00:20:10Oh, Selwyn,
00:20:12Miss Reddle will get a bad impression of us.
00:20:14You know very well you'll never go on the stage.
00:20:17Lorenzo doesn't suit you very well.
00:20:19My grandfather used to say...
00:20:24Adams, my butler.
00:20:26He has been with me for a great many years.
00:20:28A very faithful servant.
00:20:32And now, Adams,
00:20:34will you please show Miss Reddle where her room is?
00:20:37Very well, my lady.
00:20:39Come this way.
00:20:41Just imagine, Chesney,
00:20:43my friend Shaddle tried to convince Miss Reddle
00:20:45at the last moment not to come.
00:20:47And I've always considered him a gentleman.
00:20:50But that's something I've never had occasion to think about you, pray.
00:20:53Oh, everybody's so very complimentary.
00:21:02Please.
00:21:14Here you are.
00:21:16Hello.
00:21:18My name is Margaret Reddle.
00:21:20And I'm Felicitas.
00:21:22But she calls me Mary.
00:21:24Don't know why.
00:21:26A quirk of hers, I guess.
00:21:28Have you met the butler yet?
00:21:30The butler? Yes.
00:21:32How do you like him?
00:21:34He's a fine man.
00:21:36He's a fine man.
00:21:38He's a fine man.
00:21:40He's a fine man.
00:21:42How do you like him?
00:21:44I don't know yet.
00:21:46Sticks his nose into everything, spying on everyone.
00:21:48I don't understand how the countess could hire such an ugly person.
00:21:51Have you noticed his hands yet?
00:21:53No.
00:21:55The countess is president of an organization
00:21:57that supports ex-convicts.
00:22:00Do you mean to say that he's an ex-convict?
00:22:02Naturally, he is.
00:22:04You can tell the type.
00:22:06Here, Mr. Shaddle, have a chocolate.
00:22:08In the meantime, I'll go out and buy you a nice wreath.
00:22:10A bad joke.
00:22:12Joke? These were meant to cause Miss Reddell's instant death by poison tonight.
00:22:15Quiet. She's in the next room.
00:22:19Did you say that these were poisoned?
00:22:22Yes.
00:22:23Impossible. True.
00:22:25Who?
00:22:26Who, who? I thought you'd tell me that.
00:22:28Me?
00:22:29Yes, you.
00:22:31But why?
00:22:32Mr. Shaddle, in the last 24 hours,
00:22:34there have been three attempts at murdering Miss Reddell.
00:22:37I won't be able to guarantee your safety any longer
00:22:39unless you tell me all you know.
00:22:41But I have no further information.
00:22:43After all, you were the one who ordered me to protect this girl,
00:22:46which means that you know she's in great danger.
00:22:49But you've not told me of one person who's threatened her.
00:22:52If I knew, I wouldn't have hired you, Mr. Dorn.
00:22:56Mr. Shaddle, why did you dismiss Miss Reddell?
00:22:59She wanted to work for Countess Moran, you see,
00:23:01and so the countess employed her.
00:23:03Well, I hope she gets a chance to work for her.
00:23:09Thank you.
00:23:40The only witness to appear on behalf of the accused, Mary Pinder,
00:23:45was a neighbour, Mrs. Reddell.
00:23:48My mother, a witness for the defence?
00:23:52Evening, Miss Reddell.
00:23:54Still hard at work?
00:24:00Mike, I want you to explain something.
00:24:04What were you doing in my room last night?
00:24:06Me?
00:24:07What do you mean?
00:24:08Mike, I know it was you.
00:24:10I'm very grateful for all you've done for me,
00:24:13but I simply don't understand it.
00:24:15Who knows?
00:24:17Maybe it will happen again sometime.
00:24:19Mike, let's be serious.
00:24:21Why did you take that box of chocolates?
00:24:24Margaret, I can't explain now, but please trust in me
00:24:28and promise to lock all your doors and windows
00:24:30before you go to bed.
00:24:32Lock them?
00:24:33Yes, wherever you are.
00:24:35By the way, when are you going to move over to Countess Moran's?
00:24:39On Friday.
00:24:44Thank you, Margaret. Goodbye.
00:24:47I don't understand.
00:25:05Who is it?
00:25:07Is there anyone there?
00:25:10Who is it? What do you want?
00:25:12Hello, Miss Reddell.
00:25:14I must speak to you at once.
00:25:16It is very important.
00:25:18Very urgent, but I have to see you in person as soon as possible.
00:25:22Yes, but I can't go out at midnight.
00:25:24I just can't.
00:25:26But, Miss Reddell, at once it's urgent. Tomorrow it might be too late.
00:25:29Listen, you joker, why don't you come over here if it's that important?
00:25:32Do you think I'm some kind of a fool?
00:25:35You insult me.
00:25:36Why?
00:25:37Because you don't trust me.
00:25:39No one should see us together.
00:25:43Where are you?
00:25:45I'm not far from your house in Jefferson Park.
00:25:48I'll be waiting at the sundial.
00:26:02Thank you.
00:26:32Thank you.
00:27:02Thank you.
00:27:04Thank you.
00:27:09Thank you.
00:27:32Thank you.
00:28:02Thank you.
00:28:04Thank you.
00:28:06Thank you.
00:28:30Oh, Lizzie.
00:28:32Thank God it's you.
00:28:34You frightened me half to death.
00:28:36And what's happened to your clothes?
00:28:39I was almost run down by a car.
00:28:41Who was it?
00:28:42I don't know.
00:28:44Listen, I saw him.
00:28:46You saw the driver?
00:28:47No, the man on the telephone.
00:29:05I can't stand it.
00:29:08I can't stand it any longer.
00:29:12I've got to get out of here.
00:29:16Tomorrow I'm going to move over to the countess's.
00:29:20That's reasonable, Margaret.
00:29:22Yes, I think it's a very good idea.
00:29:24Why must this happen to me?
00:29:26Lizzie, tell me why.
00:29:29I haven't done any harm to anyone.
00:29:33I haven't done any harm to anyone.
00:29:43File on Mary Pinder.
00:29:45Oh.
00:29:48Wait, here's something.
00:29:54Listen, sentence imposed upon Mary Pinder
00:29:58that she be hanged by the neck until she is dead
00:30:02and reduced because she is found to be pregnant.
00:30:06The baby...
00:30:11The baby, Margaret Lois,
00:30:15has been adopted by the witness, Mrs. Reddell.
00:30:18Mrs. Reddell?
00:30:20But she's your mother, isn't she?
00:30:22Of course, don't you see?
00:30:24Margaret Lois.
00:30:29That's me.
00:30:35My mother is Mary Pinder.
00:30:39Mrs. Reddell only adopted me.
00:30:42The daughter of a murderess?
00:30:44How awful.
00:30:47No, I can't believe it.
00:30:50No, I won't believe it.
00:30:55Chesney Prey, British citizen,
00:30:59born June 10th, 1908, Southampton.
00:31:03Fraud, sentenced to 11 months in prison.
00:31:07Repeater falsification of documents.
00:31:10Four years at hard labor for bigamy.
00:31:13Hm.
00:31:15And this isn't all, in my opinion.
00:31:18What does he do?
00:31:20I'd like to know that, too, Inspector.
00:31:23Frequents, Carterfield Castle.
00:31:25It's very strange.
00:31:44The mail, milady.
00:31:46Will you sign them, please?
00:31:48Certainly.
00:31:54Thank you.
00:32:08Oh, I wish to dictate another letter now.
00:32:11Yes, of course.
00:32:13To be addressed to...
00:32:16the director of the women's prison at Telsbury.
00:32:21Dear Director Duffin, D-U-F-F-O-N,
00:32:25I have today received the list of candidates
00:32:27for whom you wish me to find position
00:32:29through my organization.
00:32:33During the first few weeks,
00:32:35these women will be amply provided for by us
00:32:39and will be given food and clothing
00:32:41by our organization, Humanitas,
00:32:43which has their welfare at heart.
00:32:46The names of the four women to be released
00:32:49are the following.
00:32:51Audrey Miller, Anne Hurley.
00:32:55Why don't you go on writing?
00:32:57Oh, I'm sorry.
00:32:58Audrey Miller, Anne Hurley.
00:33:00Hurley is spelled H-U-R-L-E-Y.
00:33:04Elizabeth Wright and Mary Pinder.
00:33:08We will be expecting to hear from you.
00:33:12Don't you feel well?
00:33:14Pardon me, milady.
00:33:16Your last name?
00:33:19Mary Pinder.
00:33:22What is it, my dear?
00:33:25You can always tell me.
00:33:29It's all right. Thank you.
00:33:31Then we'll continue.
00:33:33As far as Mary Pinder is concerned,
00:33:36I'd like to do something special
00:33:38because of her excellent record there.
00:33:40I am willing, oh, comma,
00:33:43as I have done with Adams,
00:33:45who is my butler, comma there,
00:33:47to offer her a position here
00:33:49as my housekeeper.
00:33:51Paragraph.
00:33:55Selwyn, where are you off to now?
00:33:58The theatre, mother. Hamlet.
00:34:00Without my permission? Really, Selwyn?
00:34:02To be or not to be, that is the question.
00:34:04Whether it is noble in the mind
00:34:06to suffer the slings and arrows of outrageous fortune.
00:34:08Now stop that, Selwyn.
00:34:10Don't you remember what Dr. Tappert told you?
00:34:12That you should take good care of your health?
00:34:14And he also told you...
00:34:16He's no more of a medical doctor than I am.
00:34:18Besides, he's a crazy drunken fool.
00:34:21You are, my dear, obedient son, aren't you, Selwyn?
00:34:24Go up to your room and play with your experiments.
00:34:28Excuse me, Miss Reddell.
00:34:31I'm sorry you had to witness this scene.
00:34:33But as soon as he starts to talk about theatre, he...
00:34:36You shouldn't talk like that, mother.
00:34:38Even grandfather.
00:34:40Thank you, milady.
00:34:43I can't fulfil all of your wishes, Selwyn.
00:34:46I'm only trying to follow Dr. Tappert's directions
00:34:50concerning your health.
00:34:54Selwyn!
00:34:55Not now, Chesney. I've sent him to his room.
00:34:58You look marvellous tonight. Charming.
00:35:01Please, no compliments. Nevertheless, thank you.
00:35:05Adams, I hope I can rely on you.
00:35:08I don't want my son to leave the house tonight.
00:35:12Very well, milady.
00:35:23Lizzie!
00:35:25How sweet of you to come.
00:35:27Let's go up to my room. I have a lot to tell you.
00:35:30So far, it's been very nice. I think I'm going to like it here.
00:35:33It's very kind of the Countess to let me visit you on your first night.
00:35:48A beautiful evening and two beautiful women.
00:35:51May I introduce you, Lord Moran?
00:35:53My friend, Lizzie Smith.
00:35:55Glad to welcome you to Carterfield.
00:35:57May I show the ladies the gallery of my ancestors?
00:35:59No, thank you.
00:36:01Pardon me, I don't know how to address you.
00:36:04Should I call you Your Lordship, or Your Majesty, or...
00:36:07Oh, charming. Just Selly.
00:36:09Selly?
00:36:10Yes, that's what my friends call me.
00:36:12You're very kind, but...
00:36:14I'd appreciate it, really. Shall we go?
00:36:17The history of the Moran family dates back to the 14th century.
00:36:20Here you see the Russian princess Dashkal, who married my grandfather.
00:36:25My grandfather used to say that.
00:36:27But then, that's not for the ears of young ladies.
00:36:30This is the Earl of Moran, my father.
00:36:33He died in India.
00:36:35What a handsome man.
00:36:37Do you really think so?
00:36:38Yes.
00:36:39It's William, my father's uncle.
00:36:41If the ladies would like to examine our collection of weapons...
00:36:43We'd like to. Lizzie and I have much to talk about.
00:36:46Yes, yes, I understand.
00:36:48Now, perhaps some other time we can have another tour.
00:36:50Yes.
00:36:51A pleasant evening, then, to both of you.
00:36:53Thank you.
00:36:54Good night.
00:36:55Good night.
00:36:56When shall we three meet again?
00:36:58In thunder, lightning, or in rain?
00:37:00Macbeth, act one.
00:37:09Here we are.
00:37:12Aha! It's beautiful, Margaret.
00:37:14I'm so happy for you.
00:37:17What was that?
00:37:18Just the door.
00:37:19Come, sit down.
00:37:20Let's hear it.
00:37:22Well, guess what?
00:37:24You won't believe it.
00:37:26The Countess is hiring my mother as housekeeper.
00:37:29I can't believe it.
00:37:31My mother and I are here in the same house, and I don't even know her?
00:37:34Can you imagine how I feel?
00:37:36Yes, but does the Countess know that your mother's...
00:37:39I haven't told her yet that she's my mother.
00:37:42I don't believe my mother's a murderer.
00:37:45You should see her.
00:37:53What was that?
00:37:55Did that man phone again?
00:37:57It's funny, but since you went away, there have been no more telephone calls.
00:38:01Oh, I'm so glad it's all over.
00:38:04Of course it's over.
00:38:06And you can forget all about him.
00:38:08This is what I've always dreamed about,
00:38:10living in a beautiful castle just like a fairy princess.
00:38:14It's all so romantic.
00:38:16Oh, what a beautiful night!
00:38:18Ah!
00:38:20Oh!
00:38:21Ah!
00:38:22Ah!
00:38:23Oh!
00:38:24I...
00:38:25Lizzy, help me!
00:38:28Ah!
00:38:29Hang on!
00:38:30Hang on, Mama!
00:38:32Ah!
00:38:33I can't!
00:38:34Oh!
00:38:35I can't!
00:38:36I can't!
00:38:37Oh!
00:38:38Ah!
00:38:39Oh!
00:38:40Oh!
00:38:41Oh!
00:38:42Oh!
00:38:43Oh!
00:38:44Oh!
00:38:45Oh!
00:38:46Oh!
00:38:47Oh!
00:38:48Ah!
00:38:49Oh!
00:39:07Margaret!
00:39:08Margaret!
00:39:09The balcony collapsed underneath her.
00:39:14What's wrong?
00:39:16Miss Reddell almost went down with the balcony.
00:39:18What?
00:39:22Someone should have warned her.
00:39:24It wasn't safe out there.
00:39:26She was able to hang on by her hands until the butler was able to pull her up.
00:39:34Oh, this is terrible.
00:39:37My poor child.
00:39:39I can't understand how this could have happened.
00:39:42The balcony was unsafe, milady.
00:39:44Of course it was unsafe.
00:39:46That's why I had the door kept locked and had the key put safely away.
00:39:50Someone put the key back.
00:39:53I wonder who it was.
00:39:56Who are you?
00:39:58Miss Smith, a friend of Miss Reddell's who came to see her.
00:40:01Where were you at the time of the accident?
00:40:03In my room, mother.
00:40:05I heard the noise and ran upstairs.
00:40:07Someone put that key back in the door and I want to know who it was and why.
00:40:11Who?
00:40:13You, Mary?
00:40:15Adams?
00:40:17Adams?
00:40:19He came to my rescue just in time, milady.
00:40:25And what were you doing up on this floor at this time of night?
00:40:29If it hadn't been for him, I would have been killed, milady.
00:40:32Yes, that's true.
00:40:33It is probably through his doing that you were in danger, my dear.
00:40:38Adams, did you put that key back in the lock?
00:40:43No, milady.
00:40:46There is more to this than meets the eye.
00:40:49Miss Reddell, I don't want you to spend the night in this room.
00:40:52Selwyn.
00:40:53Mother.
00:40:54You will be kind enough to give Miss Reddell your room for at least tonight.
00:40:58My...
00:41:01Yes, of course.
00:41:03Your friend can stay the night if she likes.
00:41:06And you will probably be glad of the company.
00:41:08I? Well, I don't know.
00:41:10But if Margaret wants me to...
00:41:13Leave.
00:41:15I'd like to point out...
00:41:17What?
00:41:19Oh, nothing.
00:41:23Miss Reddell, I can't tell you how sorry I am.
00:41:27It's all very frightening for me.
00:41:31There is no one in this house whom I can trust.
00:41:36You must stay with me.
00:41:38Listen.
00:41:40I'm afraid.
00:41:42Afraid.
00:41:43Afraid.
00:41:45Afraid.
00:42:02Promise me you'll lock all the doors and windows.
00:42:06Wherever you may be.
00:42:09What did you say?
00:42:12That's what Mike Dorn said to me yesterday at Shaddoll's.
00:42:18Help me.
00:42:19In front of the door?
00:42:20Yes.
00:42:24I'm afraid.
00:42:26I'm afraid.
00:42:28I'm afraid.
00:42:31Yes?
00:42:32Were you asleep?
00:42:34Who's there?
00:42:36It's me. Please open up.
00:42:38I'm sorry, but I forgot something.
00:42:40It's the young lord.
00:42:43What have you forgotten?
00:42:45Can't I come in?
00:42:47We were just going to bed.
00:42:50If you tell me what you want, maybe we can find it.
00:42:54No, it's all right. And don't worry if I seem to behave strangely.
00:42:58And above all, don't tell the countess.
00:43:01Good night.
00:43:03Good night.
00:43:05What did he want?
00:43:07I don't know.
00:43:15Is there something I can do?
00:43:17No, no. Thank you. Thank you so much.
00:43:19Thank you.
00:43:28Thank you.
00:43:59Come over here.
00:44:01Sit next to me.
00:44:03I'm nervous and scared.
00:44:06But, Leonore, you can trust me.
00:44:09Yes, I know.
00:44:11But Selwyn...
00:44:13Don't worry about Selwyn.
00:44:15We have to.
00:44:17He knows more than...
00:44:19What was that? A shot?
00:44:21Some more champagne.
00:44:23Please.
00:44:24Did you hear that?
00:44:26What? This is a weird place.
00:44:29Jessie Frey is here.
00:44:31And Miss Reddell?
00:44:32She's sleeping.
00:44:33I have to talk to her.
00:44:35Follow me.
00:44:37Lizzie.
00:44:38Do you know whose voice that is?
00:44:40Whose?
00:44:41Mike Dawn's.
00:44:42Mike here in the middle of the night?
00:44:43Margaret, you're too nervous.
00:44:45He's here and he wants to talk to me.
00:44:49A loudspeaker.
00:44:52That's why Lord Selwyn was so anxious to get in here.
00:44:55He forgot to turn it off before he moved out.
00:44:58Help me.
00:45:00What are you going to do?
00:45:01I have to see Mike Dawn.
00:45:08Please come with me.
00:45:09No, I'll stay here and guard the room.
00:45:26Hush, no noise.
00:45:35I'm so glad that you're here, Mike.
00:45:37I didn't think there could be that many accidents,
00:45:40and especially after the poisoned candies.
00:45:42Poisoned?
00:45:43Yes, that is why I searched your room.
00:45:45Miss Reddell, you must leave this castle immediately.
00:45:47Yes, but I've already promised the Countess I would stay, Mike.
00:45:51And she intends to look after my mother.
00:45:53Your mother?
00:45:58I'll tell you a secret, Leonore.
00:46:00It will help to calm you down.
00:46:03The doctor has developed a method.
00:46:05I've never thought that that drunkard would be able to...
00:46:08Well, what is it?
00:46:10Well, tomorrow we'll see.
00:46:24In spite of that, you have to leave this place, Margaret.
00:46:27What would your mother do with a dead girl?
00:46:29Who wants to see me dead?
00:46:31And why, Mike?
00:46:32If I knew.
00:46:46What are you doing, my dear?
00:46:48Why don't you put a light on?
00:46:51I thought I heard voices.
00:46:54Voices?
00:46:55Yes.
00:46:56You're overwrought.
00:46:58What's the matter?
00:46:59Don't you feel well?
00:47:01Your hands are trembling.
00:47:04Perhaps you should see the doctor.
00:47:07Shall I call him?
00:47:09No, thank you.
00:47:10I...
00:47:11It's all right.
00:47:12I'm sort of confused.
00:47:14I don't know what to do.
00:47:17It's all right.
00:47:18I'm sort of confused.
00:47:20Of course, I understand.
00:47:22Go back to your room and get some sleep.
00:47:25Oh, my dear, you'll feel much better in the morning.
00:47:29Good night.
00:47:30Good night.
00:47:45Good, you're back.
00:47:46I spoke to Mike just now and he wants me to leave immediately.
00:47:49That's a good idea.
00:47:50I was just listening to the voices and then all of a sudden, nothing.
00:48:00Good night.
00:48:01Good night.
00:48:30Good night.
00:48:46Who can that be?
00:48:50Hello?
00:48:51Miss Riddle?
00:48:52How are you?
00:48:53Do you like it at Caterfield Castle?
00:48:55You're very fortunate.
00:48:57Congratulations.
00:48:58You should be very happy there.
00:49:03At least you will be for a while.
00:49:04Hello?
00:49:05Why don't you answer?
00:49:07You can't escape me this time.
00:49:09I'll find you wherever you are.
00:49:14I can't take any more of this.
00:49:20I just can't stand it.
00:49:24I can't.
00:49:25Margaret.
00:49:27I can't.
00:49:29I can't.
00:49:38Another glass?
00:49:39No, no.
00:49:42Yes?
00:49:44What's the matter?
00:49:45Milady, Margaret is having hysterics.
00:49:48What has happened to her?
00:49:49A nervous breakdown.
00:49:50Shouldn't we call a doctor?
00:49:52I've already done that.
00:49:53I'll come with you.
00:49:56Thank you.
00:50:13Mr. Prey, where is the patient?
00:50:15Upstairs.
00:50:16Thank you.
00:50:17I hope you can help her.
00:50:18She is very ill.
00:50:21Doctor, come quickly, please.
00:50:26Now, now, now.
00:50:27What is it?
00:50:28She almost fell off the balcony.
00:50:30She says she heard voices.
00:50:32Voices?
00:50:33Are you sure?
00:50:35Are you sure you heard human voices?
00:50:37Think carefully.
00:50:38Human voices.
00:50:40I told her it was nothing but her fancy.
00:50:43Interesting.
00:50:45And I'm told you also tried to jump off the balcony.
00:50:48No, she just walked out onto the balcony.
00:50:51And these voices, did they order you to jump?
00:50:54There, there.
00:50:56The most important thing to do is sleep.
00:51:01Sleep and rest.
00:51:04And try to forget those voices.
00:51:09You'll stay the night, doctor, won't you?
00:51:14I will stay here.
00:51:20Morning.
00:51:21Morning.
00:51:24Mr. Shaddle does not wish to be disturbed, sir.
00:51:30Mr. Shaddle?
00:51:31Yes?
00:51:32Miss Shaddle almost fell off a balcony last night.
00:51:34On one of the upper floors of that blasted castle.
00:51:37And this was no coincidence, it was attempted murder.
00:51:42Mr. Shaddle, I've made some very interesting discoveries about the Moran family.
00:51:47The family has no secrets from me, Mike.
00:51:49I am their lawyer.
00:51:50Well, now, is that true, Mr. Shaddle?
00:51:53I've made a most interesting discovery.
00:51:56I was very surprised to learn that the fortune of the Morans is in Lord Selwyn's name.
00:52:02Yes, I know.
00:52:03Well, did you also know that the legitimate heir was his uncle William then?
00:52:06Who disappeared several years ago and is presumed dead?
00:52:11I have no idea what this is all about.
00:52:14I have been the family's lawyer for over 30 years.
00:52:18I can say that I know the Morans very well by now.
00:52:23Anyway, I've told Miss Shaddle to leave Carterfield immediately.
00:52:26She's not safe there.
00:52:28I can understand your desire to look out for her, but your personal feelings are showing.
00:52:39Mr. Shaddle.
00:52:43Why don't you tell me the truth?
00:52:45You're going to leave?
00:52:46Then pack your things and go over to my room.
00:52:48Yes, I'll go and tell the Countess.
00:52:49You intend to leave?
00:52:51Yes, I'm not staying another night in this house.
00:52:53I'd rather sleep in a graveyard.
00:52:55It is a mysterious house.
00:52:56One could say it was haunted.
00:52:58My grandfather used to say that Carterfield...
00:53:00Oh, I'm sorry, Miss Shaddle, forgive me.
00:53:02How are you feeling?
00:53:03Better this morning.
00:53:04Yes, I understand, I understand.
00:53:05By the way, were you able to sleep well in my room?
00:53:08Or did something disturb you?
00:53:10Disturb us?
00:53:11No, nothing disturbed us.
00:53:12Glad to hear it.
00:53:14You don't mind if I see you to the door, do you?
00:53:16Thank you.
00:53:21Come in.
00:53:26Oh, Miss Shaddle, how nice.
00:53:29How do you feel, my child?
00:53:31Let me look at you.
00:53:34Sit down, my dear.
00:53:36Thank you.
00:53:38Milady, I wish to be relieved of my position as your secretary.
00:53:44Do you want to leave?
00:53:46Yes, I'd like to leave today.
00:53:48But you must not go.
00:53:50I have to have a person here I can trust.
00:53:53That's why I want you here.
00:53:55Don't you see I need you very much?
00:53:57Please stay.
00:53:59You're very kind, Milady.
00:54:01I did look forward to staying on.
00:54:04Then please stay.
00:54:05You can't leave me all alone here right now.
00:54:08All these people around me and there's no one I can trust.
00:54:11Not even my own son.
00:54:13Yes, that is true.
00:54:15I can't even trust Selwyn.
00:54:17Oh, please, you mustn't leave me here all alone.
00:54:21We must stay together.
00:54:24You will stay, won't you, my dear?
00:54:30You are a dear, sweet, thoughtful girl.
00:54:35I love you.
00:55:00What's wrong with him?
00:55:03He's dead.
00:55:08Selwyn, get out.
00:55:10I don't want you to see this.
00:55:12What was Adams doing in here?
00:55:15Oh.
00:55:26Nigels.
00:55:28Very tempting.
00:55:30What if the police show up?
00:55:32What about the police?
00:55:34I'll sign the death certificate.
00:56:01Mr. Spender, I was sent to pick you up by Mr. Shallow.
00:56:04This way.
00:56:17Margaret, what's the matter?
00:56:19The butler's dead.
00:56:21Dead?
00:56:22I think the experiments Lord Selwyn was making had some effect on him.
00:56:26I had to get away.
00:56:28Don't forget, we're busy.
00:56:30Yes, I'll be with you in a minute.
00:56:32Go and sit down over there.
00:56:56There you are.
00:57:27Margaret, tell me all that happened.
00:57:29Lizzie.
00:57:31Oh, excuse me for a moment.
00:57:34Lizzie, Lizzie.
00:57:37You are Miss Reddall?
00:57:39Would you come with me, please?
00:57:41Please.
00:57:42What?
00:57:43Just come with me.
00:57:48What?
00:57:50Come with me.
00:58:01There must be a mistake.
00:58:03No, there is no mistake.
00:58:05I accuse you of the attempted murder of John Adams.
00:58:09You accuse me of what?
00:58:14You must be out of your mind.
00:58:17Oh?
00:58:18Do you think so?
00:58:40What's that?
00:58:41Are you sure?
00:58:43Is she here?
00:58:44Just a minute.
00:58:46I said, come back immediately.
00:58:49No, you're not allowed to leave the building.
00:58:51Come back or you'll be sorry.
00:58:57The doctor is busy at the moment.
00:58:59Which doctor?
00:59:00He'll be back in a minute.
00:59:01Please wait in here.
00:59:16Hello, Inspector.
00:59:17I have to talk to Miss Reddall.
00:59:19It's all right with me.
00:59:20Well, then, can I see her?
00:59:22If you like.
00:59:23If I like?
00:59:24Where is she?
00:59:25No idea.
00:59:27We released her nearly an hour ago.
00:59:29Released her?
00:59:30Just a moment, Mike.
00:59:35She's not here.
00:59:36Where is she?
00:59:37I don't know.
00:59:38She's not here.
00:59:39Where is she?
00:59:40I don't know.
00:59:41I don't know.
00:59:42I don't know.
00:59:43I don't know.
00:59:44I don't know.
00:59:46You're on a special assignment.
00:59:48Well, all right.
00:59:49That's fine.
00:59:51But why did you arrest Miss Reddall?
00:59:53You know she had nothing to do with the butler's death.
00:59:57The butler was trying to steal the countess's jewels from that booby trap in the library.
01:00:01So far, so good, Inspector.
01:00:02But do you know who the butler was?
01:00:04Who?
01:00:05Oliver Frank, police officer.
01:00:07One of my best men.
01:00:08I got him the job at the countess's.
01:00:11I have a strong suspicion.
01:00:12A suspicion that those jewels are the same ones that disappeared 20 years ago during the Pinto murder case.
01:00:20Chelsea Police Station.
01:00:21Chief Inspector Lighton.
01:00:22This is Countess Moran.
01:00:24Countess Moran?
01:00:25No, milady.
01:00:26Miss Reddall left on her way to see you some time ago.
01:00:28She should have been here long before this.
01:00:31And I'm worried.
01:00:33But I guarantee that you will pay for what you have done to her.
01:00:43What do you want?
01:00:45Let me go!
01:00:46Why were they brought here anyway?
01:00:48This is a madhouse, an insane asylum.
01:00:51Get away!
01:00:53Let me out!
01:00:55Let me out!
01:00:57Police!
01:00:59Help!
01:01:01Let me out!
01:01:03Let me out!
01:01:05Let me out!
01:01:07Let me out!
01:01:09Let me out!
01:01:11Help!
01:01:13Please help me!
01:01:15What was that?
01:01:16Pardon?
01:01:17Didn't you hear it?
01:01:18There was nothing that I could hear.
01:01:20Come, my dear.
01:01:23Who lives here?
01:01:24A good friend of the countess's.
01:01:26Don't you worry.
01:01:27You'll be safe.
01:01:28Come.
01:01:42One moment, Miss Reddall.
01:01:50Please, where am I?
01:01:54Wake up.
01:01:56What is it?
01:01:57You fool, Miss Reddall is here.
01:01:59Oh, my head.
01:02:01Please come in, Miss Reddall.
01:02:03Hello, my dear child.
01:02:04How are you?
01:02:06You're much more relaxed, I hope.
01:02:09Doctor, the countess wishes you to look after Miss Reddall for a few days.
01:02:12Me here?
01:02:13She didn't say anything to me about it.
01:02:15Well, just for a few days.
01:02:17The countess is worried about you and wants Doctor to help her.
01:02:20Yes, and we'll take very good care of you, my dear.
01:02:22No, no, I'm all right.
01:02:24Just relax.
01:02:26You'll have a lovely room.
01:02:28Plenty of sleep.
01:02:30Deep, healthy sleep.
01:02:33Unbutton your blouse, please.
01:02:37Unbutton your blouse, please.
01:02:51Mrs. Rookes, show Miss Reddall to number four and she is not to be disturbed.
01:02:56Come with me.
01:02:58I wish you a speedy recovery.
01:03:03What do you want from me?
01:03:05You want to kill me!
01:03:06You want to kill me!
01:03:13Where's Mrs. Pinder?
01:03:15Oh, she's been separated.
01:03:16We put her in the violent ward.
01:03:18The two women are not to meet.
01:03:20Don't worry, they won't meet.
01:03:21And if something goes wrong?
01:03:23What could go wrong?
01:03:24Well, if something does go wrong, your sanatorium is going to be in trouble.
01:03:28Do I make myself clear?
01:03:30No?
01:03:35Oh.
01:03:40Help!
01:03:42Open the door!
01:03:44Open the door!
01:03:47They're driving me crazy with their noise.
01:03:56The count has asked you to come up.
01:03:58Excuse me.
01:04:06What a surprise.
01:04:08As my grandfather used to say, I...
01:04:10Pardon, my lord, where's Margaret?
01:04:12Miss Reddall?
01:04:13Yes.
01:04:14Well, she just ran away.
01:04:15I have no idea where she is.
01:04:17I'm afraid something horrible has happened.
01:04:20Oh, Mr. Dorn, I'm so glad to see you.
01:04:23Please come in and sit down.
01:04:25No thanks, I'd like to talk to Miss Reddall.
01:04:27Really, Mr. Dorn, you should apologize for calling at my home so late.
01:04:31But I will only look at it in consideration of our mutual concern.
01:04:36Where is she?
01:04:37I'm afraid she isn't too well, poor child.
01:04:40I'm really worried.
01:04:42But you are going to help her, aren't you, Mr. Dorn?
01:04:45Yes, I intend to.
01:04:47I'm so glad.
01:04:48Miss Reddall told me such wonderful things about you.
01:04:52It pleases me to know that you will be protecting this lonely child.
01:04:57You will have a seat, won't you?
01:05:00Milady, are you sure you have no idea where Miss Reddall might be located at this moment?
01:05:05I'm sorry, no.
01:05:06The poor little darling.
01:05:08She was so happy, too.
01:05:10She was so sweet to have here.
01:05:12A charming girl and one I could trust completely.
01:05:15I would be absolutely desolated if something happened to her.
01:05:19Mr. Dorn, please find her, whatever the cost.
01:05:23Bring her safely to me.
01:05:25Bring her safely to me.
01:05:28That's exactly what I do not intend to do, Milady.
01:05:33But I don't understand.
01:05:35But I think you do understand perfectly, and I don't believe a word you've said.
01:05:41Mr. Dorn.
01:05:44I'll find where she's hidden with or without your help.
01:05:48You have your nerve to speak to me in such a manner.
01:05:52There are many things I'll do, Milady.
01:05:54In order to get Miss Reddall back safe and sound.
01:05:58What gives you the right to come into my home and make these insinuations?
01:06:03Insinuations?
01:06:06What do you mean, Milady?
01:06:09I have nothing else to say.
01:06:12Would you leave my house, please?
01:06:19Yes, hello?
01:06:21Oh, Dr. Taffert, is that you?
01:06:25Milady, I just wanted to tell you that the girl is here and everything is fine.
01:06:30Oh, I'm so glad you called, Doctor.
01:06:33I was terribly worried about the girl.
01:06:36Thank you.
01:06:52This is Lord Selwyn. He wants to help us find Margaret, if we can.
01:06:56Did the countess give you any information?
01:06:58No, but I know that she's at a certain Dr. Taffert's.
01:07:00The gallows sanatorium? Let me come with you, I know where it is.
01:07:03Thank you, I'll find it myself. But you can do something else for me.
01:07:06Don't let anyone phone from the castle tonight.
01:07:08Yes, I'll do it, of course, yes.
01:07:09Thanks. Lizzy, in case I'm not back before midnight, please call Chief Inspector Lighton.
01:07:13Yes.
01:07:15You don't trust me?
01:07:17Oh, Mike, he's honest.
01:07:18My grandfather would have said in a case like this that...
01:07:20See you later.
01:07:21See you later.
01:07:49I wish to speak to the doctor.
01:08:16He isn't here.
01:08:19And if you want my advice, keep your mouth shut.
01:08:22Why are you locking me in?
01:08:23For your own protection.
01:08:49How do I get to the Gallo sanatorium?
01:08:51Straight ahead, then turn left.
01:08:53Pretty bad road.
01:08:55Thanks.
01:09:05Who?
01:09:06With a London license plate?
01:09:08Here?
01:09:09Thanks very much, Sammy.
01:09:10Who is that, next door?
01:09:12Mrs. Brooks.
01:09:13I recognized her. It's her.
01:09:15Let me go in to see her.
01:09:16This is the moment I've been waiting for.
01:09:18You told me if I kill her, I'd be released.
01:09:20McKenzie...
01:09:21Please let me go to see her.
01:09:22You always told me, do it and you'll feel better.
01:09:24Do it and you'll feel better.
01:09:26That's what you said, Dr. Tefft.
01:09:28You promised to let me out of here if I was to go and kill her.
01:09:32That's enough.
01:09:34Later.
01:09:35Downstairs.
01:09:41You're going downstairs.
01:09:43I've had enough of you.
01:09:45Please let me go.
01:09:46Get downstairs and not another word.
01:09:48Please, I have to see her.
01:09:49I have to see her.
01:09:56Well, and how are you now, my dear?
01:09:58What?
01:09:59Have you no appetite?
01:10:01Doctor, why did that woman lock me in?
01:10:03Did she?
01:10:04She was probably afraid for you.
01:10:06And who was that man who was watching me?
01:10:09What man?
01:10:10I've seen that terrible face somewhere before.
01:10:14Oh, what are you talking about?
01:10:16Did you hear some more voices?
01:10:18Or maybe you think you fell off another balcony, perhaps?
01:10:21Let me out of this place, please.
01:10:23Please let me out.
01:10:24Let me out.
01:10:25Let me out.
01:10:27Come with me.
01:10:30Let's go downstairs.
01:10:34No, no.
01:10:37Down there.
01:10:38Down those stairs.
01:10:41You'd better do what I say, Miss Reddow.
01:10:49Come on.
01:10:55Come on.
01:11:01Come on now.
01:11:08Come on.
01:11:11Come on.
01:11:20Oh, no, you don't.
01:11:21Poisoner.
01:11:28Get down there.
01:11:34Now.
01:11:36Get in there.
01:11:37Quiet.
01:11:39You stay here.
01:11:40No noise.
01:11:41I'll see to our visitor.
01:12:07I knew you'd be coming back.
01:12:11How beautiful.
01:12:14You can sleep in my little bed, my dear.
01:12:37Come on.
01:13:07Put your hands up.
01:13:10Good evening.
01:13:11What do you want?
01:13:13Where is Miss Reddow?
01:13:14Miss Reddow?
01:13:16Who is that?
01:13:17She's our guest.
01:13:18Who's she?
01:13:19Miss Reddow.
01:13:20I have a question.
01:13:21Can you tell me?
01:13:22I'm a guest.
01:13:24I can't help you.
01:13:25But I'm a guest.
01:13:26I'm a guest.
01:13:27I know.
01:13:28I'm a guest.
01:13:29I'm a guest.
01:13:30I'm a guest.
01:13:31I'm a guest.
01:13:32I know.
01:13:33I can't help you.
01:13:34I'm a guest.
01:13:35I'm a guest.
01:13:36I'm a guest.
01:13:37Let's go into your office and talk.
01:13:39I'm Michael Dorn, Inspector Dorn.
01:13:41Is that so?
01:13:47Go in. After you.
01:13:50As you wish.
01:13:54I'm looking for Miss Rattle and her mother.
01:13:56In my sanatorium?
01:13:58Yes.
01:13:59But I swear to you, I have no idea who these two women might be.
01:14:02There must be some mistake, Inspector.
01:14:04By the way, do you have a search warrant?
01:14:07I'm on a special mission from Scotland Yard.
01:14:10Well, go ahead and look.
01:14:13Maybe I'm hiding somebody.
01:14:15Here, or there.
01:14:18What's out there?
01:14:20All right.
01:14:35At the present time, I don't have one patient.
01:14:48You'll have to look for your women someplace else.
01:14:53I'll stay around, if you don't mind.
01:14:55If you wish.
01:14:58I'll stay around, if you don't mind.
01:15:00If you wish.
01:15:08Make yourself comfortable.
01:15:10Whiskey?
01:15:12Thank you.
01:15:19Chin up.
01:15:21Oh, I see.
01:15:23Cheers.
01:15:25Cheers.
01:15:26Cheers.
01:15:32I may be your guest for some time, Doctor,
01:15:34or at least until you produce these two women.
01:15:38I give you my word, my friend.
01:15:49You're very distrustful, Inspector.
01:15:53Do you, for example,
01:15:56suspect me of having put something in your drink?
01:15:59Yes, I suspect.
01:16:02Cheers.
01:16:05Cheers.
01:16:07You can't fool me, Doctor Tappert.
01:16:10You were told I was coming, so you had the women hidden.
01:16:14Pure fantasy, Inspector.
01:16:16Pure fantasy.
01:16:18Out in the yard is the car with which you tried to kill Mrs. Pinder.
01:16:23And Miss Rattle, the other evening.
01:16:26Can you prove it?
01:16:29It's the same car which
01:16:31picked Mrs. Pinder up at the jail the other day.
01:16:34Pardon?
01:16:37What was that you said just now?
01:16:42Repeat it.
01:16:45Repeat it one more time, if you can.
01:16:51Repeat it.
01:17:15I wonder if Inspector Dorn has found her.
01:17:27In my case, they used another very dirty trick.
01:17:31My family wanted to get hold of my apartment houses,
01:17:35and so they placed me under a guardian.
01:17:38Do you know why?
01:17:41Do you understand?
01:17:43Just on the evidence of this doctor.
01:17:46I am sane. Believe me.
01:17:48Completely normal.
01:18:10Pure fantasy.
01:18:41What? Inspector Dorn was here?
01:18:43Do you think he'll come back?
01:18:45Oh, he hasn't left.
01:18:47What do you mean?
01:18:49Well, he's in cell number four with a bad headache.
01:18:52What's this all about? And what do you intend to do?
01:18:55His car is parked outside.
01:18:57We'll put him in it and drive him to the quarry.
01:19:00An axel.
01:19:02An axel?
01:19:04Yes.
01:19:07We'll put him in it and drive him to the quarry.
01:19:10An axel.
01:19:12It's easy to miss a sharp turn at night.
01:19:15That's entirely your affair.
01:19:17But I want to take Miss Reddle away with me tonight.
01:19:20Where?
01:19:22I don't know yet. Go and get her.
01:19:24Do you want her up here?
01:19:26Yes, of course. Right away.
01:19:28All right.
01:19:36Wow.
01:20:06Wow.
01:20:36Ow!
01:20:41Just keep calm.
01:21:06Miss Reddle, I want to...
01:21:08I will see to my patients downstairs.
01:21:11Please sit down.
01:21:13Please take me away from here.
01:21:15Please.
01:21:17That's why I'm here.
01:21:19Oh.
01:21:21Under certain conditions, of course.
01:21:23Conditions?
01:21:25Yes.
01:21:27What conditions?
01:21:29Conditions of what?
01:21:31Conditions of what?
01:21:33Yes.
01:21:35What conditions?
01:21:37Now, listen, my dear.
01:21:39I can get you out of here.
01:21:41And your mother, too.
01:21:43My mother? Where is my mother?
01:21:45Here.
01:21:46She's here?
01:21:47Yes.
01:21:49You and your mother will be freed at once.
01:21:52If you marry me.
01:21:54Marry?
01:21:56You?
01:21:57Everything is ready, except for a few details.
01:22:00You will be a rich woman, and so will your mother.
01:22:03Please believe me, Miss Reddle.
01:22:05I had nothing to do with the terrible things which happened to you while you were here.
01:22:12No.
01:22:13I don't believe you.
01:22:15My mother isn't here.
01:22:17Oh?
01:22:18One moment.
01:22:23Bring Mrs. Pinder here.
01:22:26I will explain all this when you have become my wife.
01:22:29I can't marry you, Mr. Prey.
01:22:31Well, in that case, I'm sorry, Miss Reddle.
01:22:34You will not live to see the morning.
01:22:52Margaret!
01:22:53Margaret!
01:22:54Mother.
01:22:59My name is Chesney Prey.
01:23:01I'm a friend of your daughter's, Mrs. Pinder.
01:23:03And I hope to be yours, too.
01:23:06Can you help us?
01:23:07Yes, as soon as your daughter has agreed to my terms.
01:23:10Please leave us alone now, will you?
01:23:15Just for a few moments, please, Mrs. Pinder.
01:23:24Well, have I been speaking the truth?
01:23:26Let me speak to my mother.
01:23:28Let me see her.
01:23:30Will you grant my wishes in this matter?
01:23:37I have to think.
01:23:38All you have to do is to sign this document.
01:23:40That's all.
01:23:53Come on.
01:24:09I don't want to.
01:24:10Then you'd rather have you and your mother die instead?
01:24:13Is that right? Is that what you want?
01:24:16Perhaps you should listen to reason.
01:24:18It's up to you, but also to me.
01:24:20Wrong, Mr. Prey. Put your hands up.
01:24:22All right.
01:24:24But I think you're making a mistake, Inspector.
01:24:26Let me explain.
01:24:27You'll have your chance to talk later, Mr. Prey.
01:24:30Keep your hands up.
01:24:35Believe me, I've nothing to do with what's going on here.
01:24:37Really?
01:24:38And who else was interested in getting rid of Miss Redlin and killing her mother? Who?
01:24:42I'll tell you.
01:24:53Who?
01:24:54Tell me!
01:24:56It's...
01:24:57Tell me!
01:25:13Wait here. I'll be back.
01:25:22At last.
01:25:52No, no, no.
01:26:22Come on.
01:26:50Come with me. Hurry.
01:26:51She's in Tappet's car.
01:27:03Hurry up and let those poor devils out of the cellar. Come on.
01:27:22Mary Pinder, it's you.
01:27:25You are indeed welcome to Carterfield, but you look confused.
01:27:30But then tomorrow, when everything has been explained to you, you will understand.
01:27:37Who are you?
01:27:39Leonore Moran. You know me. I can tell.
01:27:45You know who I am.
01:27:47And the name also, very well, don't you?
01:27:53You were married to my brother William, weren't you?
01:27:57Secretly, in Gretna Green, without my family's permission.
01:28:02You were put in jail, and we both know why.
01:28:08I, however, will do my best to help you.
01:28:13I don't need your help, Countess.
01:28:15You do.
01:28:17A woman who has been convicted, sent to jail, a murderess.
01:28:24They'll point you out wherever you go.
01:28:27Of this, I'm sure.
01:28:30I really want to help you.
01:28:33Please, have a seat.
01:28:36I really want to help you.
01:28:38Please, have a seat.
01:28:43These are the points I want you to note.
01:28:45Mr. Shaddle, let me have those papers, please.
01:28:51Listen, a free voyage to South America.
01:28:54And a pension, and you can put in your own figure.
01:28:57A house, and a beautiful garden.
01:29:01And jewels.
01:29:02Thank you, but I'm not going to South America.
01:29:06You're not going?
01:29:07No.
01:29:09Do you really think you can get rid of me that easily?
01:29:13Just as you had me sent away 20 years ago, to prevent me from talking?
01:29:17No, milady.
01:29:19I'll remain here, together with my daughter.
01:29:23And we will find out who the real murderer was.
01:29:27The real murderer?
01:29:30Yes, the real one, for whom I served innocent 20 years in prison.
01:29:35Yes, innocent!
01:29:38You knew very well that I had nothing at all to do with the murder.
01:29:42Or anything to do with the jewel robbery.
01:29:45But, oh, do you know who the real murderer is?
01:29:49I know her name, if you'd like to hear it.
01:29:51You're confused.
01:29:53You've been alone too much.
01:29:54You don't know what you're talking about.
01:29:56The name is Countess Leonore Moran.
01:29:59You are the guilty one.
01:30:02What are you talking about?
01:30:05You're crazy!
01:30:06Yes, yes, you!
01:30:07You're crazy!
01:30:08And your accomplice was the doctor.
01:30:11And only for the money.
01:30:13And my husband, Lord William, was stabbed with the same poison needle
01:30:17which was used to murder the owner of the jewels.
01:30:22I knew who was guilty.
01:30:25But I had no proof.
01:30:27So I was sent to prison for 20 years.
01:30:32A good way to keep me quiet.
01:30:35But there was still my daughter.
01:30:37And you thought that she might find out.
01:30:40So you tried to silence her.
01:30:42But now it's your turn, Countess, to be sentenced to prison.
01:30:47Prison?
01:30:48Along with him.
01:30:49No, don't interrupt.
01:30:51Wait, wait.
01:30:53Continue, Mrs. Pinder.
01:30:56It's very interesting.
01:31:12If I could take this gun.
01:31:14Stay here and keep out of the way.
01:31:26Come on.
01:31:29Yes, sir.
01:31:54Now get up! Get up!
01:31:56Get up!
01:32:02Hands up!
01:32:07Don't try it!
01:32:09All right?
01:32:10No!
01:32:26Oh!
01:32:34I believe you've killed him.
01:32:39Oh, Miss Red.
01:32:41I'm so glad to see you again.
01:32:44How are you?
01:32:46Why are you all looking at me like that?
01:32:50What's the matter with you?
01:32:53Even you, Selwyn.
01:32:58And you, Miss Reddell.
01:33:00I am disappointed.
01:33:03You tried to kill me.
01:33:05Me, a benefactor of mankind.
01:33:09I've never harmed anyone, never.
01:33:11Never have I hurt a single person.
01:33:13I'm a good woman.
01:33:15May I help you to your room?
01:33:18Please do not touch me.
01:33:20I am the Countess Leonore Moran.
01:33:24Nobody has the right to touch me.
01:33:31Nobody!
01:33:50Nobody!
01:34:20THE END
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