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00:00Since the first moment I saw you in Mr. Fermin's office, so beautiful and so intelligent,
00:23there has been no other person in my life.
00:26I constantly dream of kissing you and hugging you,
00:32and never letting you go from my arms. Never.
00:39I'm completely in love with you.
00:43That's why I can't be a witness to your happiness with Agustín.
00:47No, it's not that I'm not happy.
00:51It's just that my soul is breaking.
00:58Celia...
00:59Yes?
01:01I...
01:03I don't know what to say.
01:08Forgive me, Laura.
01:11I don't know if I should have done it. I'm sorry.
01:13No, no.
01:15You're my soulmate, but...
01:21I'm sorry.
01:22Laura.
01:26Laura, please.
01:44Hello. I'm glad to see you. Have a seat, please.
02:05I know you must have had breakfast, but do you want something to drink?
02:14I'm fine, thanks.
02:19Well, how's it going at Antonia's house? How's Clarita?
02:23We're fine. Clarita told me to remind you that she's still playing at the doll house you gave her.
02:29Do you mind if we go to the store?
02:32I don't know if you're up to date, but the fertilizer business is on the rise.
02:37And I'm about to close a deal with the distributors so they can celebrate another convention here, in La Moderna.
02:46Are you listening to me?
02:48Attentively.
02:51But I don't know what I have to do with the fertilizer business.
02:56What do you think? Would you be interested in taking care of the fertilizer business?
03:02The fertilizer business, of course.
03:05I'm sorry, I don't know what you're thinking. Yes, of course I'm interested.
03:11And as we agreed, we'd be a team.
03:18I've prepared a budget based on the drug dealers' convention.
03:23I need you to review the Madrid-Cabaret part to deliver it.
03:27And could you do it today? I'm in a bit of a hurry.
03:34If you want to suggest a change, now's the time.
03:39Well, yes, there are some changes I want to make. For example, in this first point.
03:45Not having realized the damage I've done to you.
03:48Then there's another second point I'd like to change...
03:50No, please. I didn't come here to talk about us.
03:53Yes, I did.
03:55Because you can't treat me like a simple client you're negotiating a budget with.
03:59Why not? That's what you are now.
04:02And that's why we've met. So please, review this document and we'll finish as soon as possible.
04:06Matilde, I can't forget you. I'm trying, but I can't.
04:11Do you know how much I've suffered? And how lonely you've made me feel?
04:15I'll do everything necessary for you to forgive me, for you to trust me again and hear me.
04:20That's the problem.
04:23I don't know if I can trust you again. Honestly, I don't know.
04:31Tell me if you agree with the budget.
04:35Of course I do.
04:40I'll let you know when it's all closed.
04:54Mine, mine. Mine, mine. Yours, yours. Yours, yours.
04:59Excuse me, Marta. Are you asking me something?
05:01Ah, no, no, no. It's just that, well, I have possessive pronouns and now that I've had them for a while, I wanted to take the opportunity to learn them.
05:07But if I bother you, I'll leave.
05:09No, quite the opposite. I'm glad you're keeping me company.
05:14And I'm also glad to see you so motivated and so disciplined with the studio.
05:19I'm sure you're going to get very far.
05:23Hi.
05:24What?
05:25Do you know the pronouns? Should I ask you now?
05:27Well, wait a minute, Antonia, I want to make sure.
05:32Piedro, I was thinking if you wanted to take a walk around the Retiro later.
05:38If I remember correctly, we can finish the shift at the same time.
05:42We could feed the squirrels.
05:44I'd love to.
05:45We could feed the squirrels.
05:47I'd love to.
05:49We have a bag of pine nuts.
05:51Very good.
05:53So, do we have an appointment?
05:55Yes, yes, I think so.
05:58Good.
06:01I'm going.
06:04That's how I like it, Antonia. You take everything by the horns.
06:08You're smarter than the Retiro squirrels.
06:11Well, I don't know if I'll be ready, Marta, but I'm not going to stay with my arms crossed.
06:16I want to remind that woman that Piedro is my future husband.
06:19That's why I showed up at her house yesterday.
06:21To make it very clear.
06:26At 12 o'clock we have a writing session.
06:28It will be about eight or ten people.
06:31And in the afternoon we have two birthdays in a row.
06:34This is important, Cañete.
06:36You can't overlap one with the other.
06:39Until one doesn't finish...
06:40The other doesn't start. I think I understand, ma'am.
06:43That's it.
06:44Anyway, you talk to Teresa and get organized.
06:47I'm not going to be there this afternoon.
06:49So I don't want anything to go wrong.
06:51You're not going to be there?
06:52No. Why?
06:54Because I've never seen you miss a working day.
06:57Much less when we have this kind of event.
07:00I hope it's nothing serious and you'll allow me to be indiscreet.
07:03I won't allow it.
07:05But no, it's nothing serious.
07:12Did you find out anything?
07:14Yes.
07:16The watchman confirmed that an addict fell into the cauldron.
07:20That's it.
07:21But Teresa, according to the investigation that took place right after,
07:25they took it as an accident.
07:26The result of bad luck.
07:28But you asked if she knew Mrs. Lázara
07:30and if she thinks she was involved in the accident.
07:34Yes, I did know her.
07:36But at all times, she insisted on exhuming her at all costs.
07:42Well, Maria Cristina, the dependent I asked her,
07:45didn't tell me the same thing.
07:46Rather the opposite.
07:47Yes, but I don't think that woman's testimony has much value.
07:51Why wouldn't it have value?
07:53Because since Mrs. Lázara fired her, she has sworn it.
07:57That's what the watchman told me.
07:59And anyone would take that accusation as revenge.
08:03Teresa.
08:05We have to be very cautious with all this information.
08:08And above all, don't rush.
08:11Well, let's see.
08:12That Mrs. Lázara fired her doesn't mean that Mrs. Lázara is not involved.
08:16That's the first thing.
08:17That's true, but for Mrs. Lázara it would be very easy to defend herself.
08:21The watchman heard how she threatened her.
08:23He would have her as a witness.
08:25What I mean, Teresa,
08:27is that if we want to relate her to this alleged accident,
08:30we need more concrete evidence
08:32than the testimony of a despised watchman.
08:35Which, by the way, is just what they can think of us.
08:39Well, let's see.
08:41Mrs. Lázara was responsible when the accident occurred
08:45and the watchman fell into the cauldron.
08:47Yes or no?
08:48Yes. And?
08:49Well, one way or another, she is involved.
08:53And I plan to get to the end.
08:57As you wish.
09:09Can I come in, Trini? Are you alone?
09:12Yes, well, I was, until now.
09:14But what are you doing here? As the vampire sees you ...
09:16Let's see, I wouldn't dare to come in if I didn't have something very important to tell you.
09:20Let's see, since I can't wait, I'll catch you here and I'll kill you here.
09:23Which is a matter that interests both you and me.
09:26Well, I don't know what you and I have in common.
09:29More or less interests.
09:31Unless it's about my mother.
09:33Yes, yes.
09:34And well, and the date we had yesterday, which was wonderful.
09:38Let's see, what date or what date?
09:40As far as I know, you accompanied her for a walk to the center.
09:43And that's not a date.
09:44Watch out, huh? Wait.
09:46A walk on my arm, and specifically this one, huh?
09:50Ah, I can still feel the decay of the touch of her hand, Trini.
09:56Well, let's see, the first thing we did was go to eat some good entresijos on Calle Carretas, which is where you have to do it.
10:01Then we went down to Puerta del Sol and we took a boat.
10:04And then we went to Las Vistillas to see the sunset.
10:08Let's see, if that's not a date ...
10:10Rather, if that's not a romantic date, where is it?
10:13Let's see.
10:15I forbid you, terminally, that in the same sentence you say, romantic date and my mother.
10:21Understood?
10:22Yes, yes, yes.
10:23All I want is to get along with you and get your approval.
10:26Trini, as a future stepfather ...
10:28As a future stepfather.
10:29This is also forbidden.
10:31Let's see, Trini, what a mania, huh?
10:33You can't forbid it as if it were the Inquisition.
10:35I have the right to be happy.
10:37And Leonora, well, your mother too.
10:39Let's see, you're not the only one who's in love here.
10:42The word in love is also forbidden, okay?
10:46Yes, yes.
10:48Yeah, but love is blind, Trini, and you don't understand about age.
10:52If not, look at Antonio and Pietro.
10:55Someone is coming to see you as if you were a vampire.
10:57I swear we're going to have a good time.
10:59Come on, let's go.
11:00Out of here.
11:03Let's see, Trini, with so much prohibition, I forgot what I came to say.
11:07As a sign of my good intentions, I just want to ask you if I can get to know you better.
11:13Denial request.
11:14Oh, so that's what we're dealing with, right?
11:16Well, let me tell you something.
11:17If there is something in life that cannot be stopped, it is true love.
11:21So go looking for a hole in the family, my daughter.
11:24Shut up and get out of here, please.
11:26Get out.
11:27Out.
11:35What were you doing here, Elía?
11:36Well, I wanted to ask about ...
11:39Well, it doesn't matter.
11:40I'm sure it was silly and that's why you don't remember.
11:43I understand it perfectly.
11:45Well, what a laugh there with your mother.
11:48I'm glad of the day.
11:49What a funny woman.
11:50Oh, yes.
11:51And what a coincidence.
11:52It was a non-stop.
11:54Yes.
11:55Well, you don't have to take it very seriously, but is there any coincidence that ...
11:58well, that ...
12:00you have to tell me?
12:14Yes.
12:26Don Fabio.
12:27I didn't want to bother you.
12:28I'm Agustín Comas.
12:30I have rented the movie theater here in the gallery.
12:33I was wondering if you would have a moment to see me.
12:37Yes, of course.
12:38I know who you are.
12:40And certainly, being so close, it is unforgivable that we have not greeted before.
12:46Sit down.
12:47Sit down and tell me, how can I help you?
12:50Vera, I will try to be brief so as not to steal a lot of time.
12:56I signed my first contract with Mr. Jaime Morcuende.
13:00I signed the second with his widow, Mrs. Carla, may she rest in peace.
13:03And in her favor I have to say that I kept the initial conditions.
13:07The point is that, in the face of the rumor of the sale of the gallery,
13:13I am concerned that my contract ends up in the hands of third parties
13:17and that, therefore, the lease is threatened.
13:20I understand perfectly, Mr. Comas.
13:24But I assure you that the contracts will be respected as they were signed in their origin.
13:29We have insisted on that aspect in front of possible buyers.
13:33You can't imagine the joy that gives me that.
13:37I suppose you will be aware that Mrs. Bárbara, your representative,
13:42has rejected our purchase offer.
13:47Just for now.
13:48Just for now.
13:51Are you trying to tell me that your decision can change?
13:55I beg you to take that information with all the prudence in the world.
14:00I will. I will.
14:02But for your own good, I hope that Mrs. Bárbara changes her mind.
14:06Otherwise, the businessmen will be forced to resort to our right to review and retract.
14:11I am aware of that legal issue. Do not worry.
14:14I am very glad.
14:16Because, Mr. Fabio, for us this is not just a legal issue.
14:21It is also a matter of justice.
14:24Or don't you think that selling the premises to the current tenants would be the fairest thing?
14:29At least, considering the time we have used in our business.
14:34Can you imagine what it would be like for us to have to move to another place and start from scratch?
14:41Not to mention the displeasure that would be for the clients.
14:45It cannot be explained better.
14:47But as you know, I only represent Mrs. Bárbara's interests.
14:51I am not qualified to negotiate.
14:53Only to listen.
14:55I understand.
14:57And I must say that you listen very well.
15:02I won't bother you anymore. It has been a real pleasure to meet you.
15:05You have exceeded my expectations.
15:08Don't overestimate me.
15:09Remember that I am only the messenger.
15:13Anyway, you know where to find me.
15:16Thank you very much.
15:27And when he told us that he dropped the trash in Camisón without a key.
15:33And the other time he also happened to stay on the terrace locked up.
15:37In Camisón too.
15:38That woman who lives in Camisón all day.
15:40And the firemen.
15:42The firemen.
15:45What a woman.
15:46What a very funny woman.
15:47And what a mother's luck, right?
15:49Instead of displeasure, she gives you joy.
15:51Although, in this case, you can't say such a thing.
15:55Because you are not very funny.
15:57Well, I tell you from affection.
15:59And I also tell you from affection that maybe you don't know her as I know her.
16:02And by the way, I am very funny.
16:04Oh, won't you be jealous of your mother?
16:06Yes, jealous of my mother. Yes, I hope so.
16:08Well, and now the mess that got into his head.
16:11With the wedding.
16:13It's true.
16:14Well, it shows that Miguel is very fond of her.
16:16Yes, yes.
16:17And that the wedding was going very well.
16:19Remember?
16:20One moment, one moment. What wedding?
16:22I was talking.
16:23That's what we ask her.
16:24Abel, Eleonora.
16:25That, well, she is talking.
16:27If Trini and Miguel have not yet married.
16:29Oh, really.
16:31Are you okay, honey?
16:33You seem dizzy.
16:34Yes.
16:35Have you had breakfast?
16:36Yes, yes.
16:37Sit down.
16:40No.
16:41Continue, Esperanza, please.
16:43Enlighten me.
16:44Tell me.
16:45Did she say anything else about that wedding that has never happened?
16:48Let's see.
16:49It is that with the desperation she has to marry you.
16:51Well, in her head she had already imagined a lot of times your wedding.
16:55Come on, with all the luxury of detail.
16:57The church, the appetizers, the anecdotes.
17:02What anecdotes?
17:03Well, I don't know.
17:04The ones that she invented in her head.
17:06Ah.
17:07But she told them as a joke.
17:08A joke that is that you died of laughter.
17:10Very funny, you know.
17:11It is that I think that since she lived it so intensely.
17:14Yes, yes.
17:15She sometimes forgot that it was happening in her head.
17:18And she thought she had really married you.
17:20That, that.
17:21What a joke.
17:22What a joke.
17:23Oh, well, and the priest.
17:24Oh, the priest.
17:25The priest.
17:26Oh, the priest.
17:27He was dripping with sweat.
17:28Oh, what a joke.
17:29He had a very bad cold.
17:30He had a very bad cold.
17:31What a joke.
17:32What a joke.
17:33I don't remember.
17:39What a joke.
17:57Don't tell me.
17:58You asked me to wear the attire.
18:00Quite the opposite.
18:02not to be at the height of his elegance.
18:04Oh, no.
18:06By the way, I think we had agreed to have a chat.
18:11Yes, but in private.
18:13There are too many people here who can hear us.
18:15That's true.
18:16Would you like to go for a walk one day?
18:17It seems that there are no disturbances in the streets,
18:19although what bothers me the most is taking you in my arms.
18:24Well, well, well.
18:25Are they leaving?
18:26Yes.
18:27Well, I hope they enjoy the show
18:29and that they don't get confused with the actors
18:30because they are spectacular.
18:33You are very kind.
18:35By the way, your uncle has already told me
18:36that he is going to attend a conference of Mrs. Juánez.
18:39Yes, yes, Agustín has located her in Paris.
18:41Well, she has to be very happy
18:43that a specialist of that renown looks at you.
18:46That means that she values you as an artist.
18:48Do you really think so?
18:49Of course.
18:50Come on, I don't doubt it.
18:51And you shouldn't doubt it either.
18:54Well, I'm leaving.
18:56Goodbye.
18:56Goodbye.
18:59We'd better get going,
19:01or they'll take our rock carpet.
19:03Of course.
19:04By the way,
19:06don't think I didn't notice what you're doing with my niece.
19:11What do you mean?
19:12I'm very happy to see you two together.
19:18Well.
19:19Shall we go?
19:20Of course.
19:30Laura.
19:31I didn't tell you,
19:32but Agustín has located Mrs. Juánez in Paris.
19:35What?
19:36My logo.
19:38Don't you remember?
19:39She wants to talk to me about a conference
19:42and I said yes.
19:45You didn't say it with a lot of enthusiasm.
19:48No, because Agustín is taking it very seriously
19:51and he wants to delay the production
19:53until I fully recover.
19:55Well, that's a proof of trust.
19:58Instead of complaining,
19:59you should be happy that I trust you.
20:03Laurita, what's wrong with you?
20:05I know you,
20:06and I know something's wrong with you.
20:08Tell me, come on.
20:14There's someone who's suffering
20:17and I can't do anything.
20:21There's someone who's suffering
20:24and I can't do anything.
20:29Agustín told you no?
20:32What?
20:34No, no.
20:35Then who?
20:36Who's suffering for you and why?
20:40The person who's suffering is Celia.
20:44Because she's in love with someone
20:47who doesn't belong to her.
20:49Who is Celia in love with?
20:51Agustín?
20:52What?
20:53No, no.
20:55Then I don't know who.
20:57I know him, he's a model waiter.
20:59No, Inés, no.
21:00Celia is in love with me.
21:01With me?
21:03And before you ask me how I know,
21:05she told me herself.
21:08But...
21:09But just like that?
21:12We were arguing
21:14about her wanting to go to Berlin
21:17with Estrellita Castro
21:19and I didn't understand
21:20that she would leave me here alone
21:21with the store.
21:23I insisted
21:25and she kissed me.
21:28She kissed you?
21:30Yes.
21:31And she told me
21:33that she was in love with me
21:35but that she didn't dare to tell me.
21:40And what did you tell her?
21:43What am I going to tell her?
21:45I don't know.
21:46I didn't know what to do
21:47and I ran away.
21:49Ah, I see.
21:51And do you think
21:52she was having feelings for you?
21:56I don't know, Inés, no.
21:58I don't know.
22:03I have to go.
22:05See you later.
22:08Bye, Celia.
22:17Celia, I have to...
22:19I have to apologize to you.
22:24That's exactly what I wanted to tell you.
22:28I ran away yesterday
22:29and you don't deserve it.
22:31But why are you apologizing to me?
22:34Because I was selfish.
22:37I had no right to kiss you
22:38and much less to tell you
22:39everything I told you about Sopeto.
22:43I understand perfectly
22:44that you wanted to run away.
22:47I would do anything to go back
22:49and that you could forget everything,
22:51I swear.
22:53But I can't.
22:55I don't want to either.
22:57And I don't want to have to lose you either, Celia.
23:01You are my best friend
23:04and my soul mate.
23:06The person I admire the most
23:08and I need you for me.
23:10You are everything to me and you know it.
23:12Don't die.
23:14You are a woman
23:17and you can't fall in love with me.
23:22I consider your warning important
23:24but don't accuse me of something I didn't do.
23:31Yes, sure.
23:32Long live the Duce.
23:33Long live the Duce.
23:34Damn you and your Duce.
23:37Pietro, what's going on?
23:38Who were you talking to?
23:40To an Italian consulate official.
23:43A guy who...
23:44Sorry, sorry.
23:45A guy who doesn't know anything about life
23:47and much less about us.
23:48What's the problem? What's going on?
23:50The same as always, Antonia.
23:51I can't get married again.
23:53And this now? Why?
23:55Because if I do it because of the Italian law,
23:57I would be committing a crime.
23:58A crime?
23:59But have you told him that you want to get married again?
24:02Of course not.
24:03It wasn't me.
24:04It was Lucia.
24:07This morning she was at the consulate
24:09to sort out her things and...
24:11I see.
24:12And since she doesn't want to do it,
24:14she told him that her husband wants to get married again
24:16in his absence.
24:17Yes.
24:18And that would mean committing a crime of bigamy.
24:22Of course I understand. The robbery.
24:26I knew it.
24:31So that's why you want to leave Berlin.
24:34But since I can't fall in love with you,
24:36I don't have the right to be your friend.
24:38But why do I have to lose you?
24:39Because I can't stay by your side, Laura.
24:42I'm not worth being your friend, don't you understand?
24:45But I don't think it's fair to have to lose you.
24:48And you think it is for me?
24:51Do you think it's easy to have to repress me all the time?
24:54I swear I've tried, Laura, I swear, but I can't.
24:58Every time I see you, I feel like kissing you.
25:01But what about everything we've lived through
25:04and everything we've built?
25:06But have you heard what I'm telling you?
25:11Laurita, I hope I'm convincing Celia
25:16that her trip to Germany isn't a good idea.
25:19Don't you know how cold it is in that country,
25:22how boring its people are and how impossible their language is?
25:24Not to mention the food.
25:26Obviously, it's not a good idea.
25:28What would we do without you?
25:30And above all, Laurita, correct me if I'm wrong.
25:33What Celia decides about her future job is none of our business.
25:38So the only thing we can do is respect her decision.
25:42Although I hope she thinks about it better and doesn't die.
25:46What do you think if we keep discussing this
25:49while we have a drink?
25:51I invite you.
25:52No, no, I can't, I have a lot to do.
25:56Laurita.
25:58It will be a pleasure.
26:12Dona, I understand that it's hard to digest,
26:15but I'm sure that Lucia did it without bad intentions.
26:18I'm sure she left without saying a word,
26:20being there at the consulate, at home...
26:22Pedro, listen to me.
26:24I understand that you'd welcome Lucia.
26:27I understand that you wouldn't want to leave her alone.
26:29I agree.
26:30I can even understand that you live with her.
26:32But I really can't understand that you're still so naive.
26:35What do you mean?
26:37That she's fighting for the same thing as me.
26:39For you.
26:40And she's using all her weapons.
26:42The things she doesn't want you to realize.
26:44But that woman knew very well what she was doing
26:47when the officer told her that.
26:48And I really can understand her.
26:50But there's a difference between her and me.
26:52I'm not going to use a trap to have you.
26:57I'll talk to her today.
26:59Very well.
27:02So I guess the retirement...
27:05Yes, we'll have to leave it for another day.
27:09I think it's better to talk to her today.
27:11Is it worth it?
27:13It's worth it.
27:22Of course, you're incredible.
27:24I can't stop congratulating you
27:26for how punctual you've been lately.
27:28Especially when Marta comes to clean.
27:31How did you manage to be so early?
27:34The secret is in the motivation.
27:36And Marta gives it to me.
27:37I see.
27:38Well, the point is that your father is happy
27:40and that's good for me.
27:42I wish the other part of my life was that good.
27:45What other part of your life?
27:47Is everything okay with Trini?
27:48The other part.
27:49Now my life has three parts.
27:50It's like trying to keep a ball in the air
27:53and it always falls to the ground.
27:55Very interesting.
27:57Look, there's the ball that fell to me now.
28:00What a surprise!
28:02What are you doing here?
28:03What are you talking about?
28:05Go to the library.
28:06The ten-minute break is taking too long.
28:12Hey, Salvita!
28:15Elias.
28:16Tell me.
28:17I'm very disappointed with you.
28:19Trini told me that yesterday you went for a walk
28:21with my future mother-in-law
28:23and this can't be.
28:25Of course it can be, Miguel.
28:27Look, if it can be, it happened.
28:29And since it happened, of course it was.
28:31A man as educated as you
28:33should speak with more propriety.
28:34I mean it can't happen again.
28:36And from this very moment
28:37I terminally prohibit you from courting my future mother-in-law.
28:41Well, because being my friend
28:43you should be happy to see me so happy.
28:45And yes, I want to see you happy,
28:47but with someone your age.
28:49What are you going to do when you get married to her?
28:51Have you ever thought that
28:52breaking the heart of an older woman
28:55is twice as cruel?
28:57Well, what if she gets tired of me, Miguel?
29:00Because she was going to be the one to break my heart
29:02because I was never going to leave her.
29:03When I say never, it's never of the nevers.
29:06I'm sorry, Miguel,
29:07but it's just that Cupid has been in a hurry
29:09to throw the arrows
29:11and he has united our hearts
29:13in the same throbbing.
29:16Stop saying nonsense
29:18and if you appreciate me and especially Trini,
29:21leave Leonora alone
29:22and I assure you that we will not forget her.
29:24And if you appreciate us,
29:26let us be happy.
29:29And eat sweets.
29:33But what has this man seen in her?
29:39Toninho,
29:41you seem to be absorbed in your thoughts.
29:44Yes, yes, and so it was.
29:47And I'm glad you got me out of them.
29:50I'm glad to see you.
29:52Do you want a drink?
29:53Invite the house.
29:54If you don't mind, I'll charge it another day.
29:56I know that you and Don Fermín
29:58have met with Don Fabio del Moral
30:00and that he has transmitted to you
30:02that Mrs. Bárbara refuses to sell the premises.
30:05Indeed.
30:06Why?
30:07Is there any news about it?
30:10This morning I personalized myself in Don Fabio's office.
30:13I had not yet had a deal with him,
30:15but you know that in the face of desperate situations,
30:18desperate measures,
30:20he told me,
30:21I think it's time to meet him.
30:24A man with initiative, that's very good.
30:27I was surprised
30:29that Don Fabio insinuated to me
30:31that despite Mrs. Bárbara's rejection,
30:33his decision was not definitive.
30:35What do you think of that?
30:40I think that Mrs. Bárbara is not to be trusted.
30:42Anything can happen to her,
30:44only if she benefits.
30:46Don Fermín defends that all this is a strategy
30:49to later sell above the market price.
30:52If this is so,
30:54that means that he has been laughing
30:56at all the businessmen in the gallery.
30:58Well, I've already told him that if he wants to get along with that woman,
31:01the best thing is to imagine
31:03the worst of the scenarios.
31:05I will take it into account.
31:07And who tells me that Don Fabio
31:09seems an honest and capable man?
31:11Can we trust him?
31:13Or is it just a person
31:15who follows in the footsteps of his representative?
31:18Well, I would say that one thing does not take away the other.
31:21Don Fabio can be an honest person
31:23and have his hands tied.
31:25He told me himself.
31:26Tied.
31:28I don't know how long an honest man
31:31can have his hands tied
31:33and what he defends is unfair or acts against his principles.
31:36Don Íñigo,
31:38I can only think of one way
31:40to know if all this is true.
31:44That you speak directly to her.
31:50I'm sorry, but
31:52what you're asking for is
31:54simply impossible.
31:56That woman has been upset since she lost her daughter.
31:59Are you telling me that the gallery,
32:01that my company,
32:03depends on an upset woman?
32:06That could be the ruin, Don Íñigo.
32:09Try it, please.
32:19Elias, what are you doing?
32:21Nothing.
32:22I've changed my shift to go out a little earlier.
32:24No, no, no, I mean the flowers.
32:26I've seen you with some stolen ones.
32:28There, in the vase.
32:30Oh my.
32:31You're playing with them today, huh?
32:32Because while you've been in the dressing room
32:34the vampire is going to fall for you.
32:36Yeah.
32:37Why didn't you use a brush?
32:39Trini, I haven't had time to go to the florist
32:42and I can't show up with my hands empty.
32:44Much less in front of a woman's caliber
32:46like Leonora.
32:48And thanks for the brush,
32:49because it's very difficult to be up to her.
32:51No, wait a minute, wait a minute.
32:52Have you been seeing my mother again?
32:54Yes.
32:55Well, and to show that our relationship
32:57is going very well,
32:59we're going for a boat ride to Lake Retío.
33:02I can't imagine anything more romantic.
33:04Yeah, well, I can't imagine anything more horrible
33:06because my mother doesn't know how to swim.
33:08Yeah, but I do, Trini.
33:09Don't worry, I predict.
33:10And if we're unlucky enough to have a storm
33:12and it falls into the water,
33:13don't worry because I'll go straight to save her.
33:15That's even more romantic.
33:17Let's see, Elias.
33:18I thought that after our conversation
33:20in the dressing room,
33:22my position on this matter had become clear
33:24and you had understood it.
33:26And I thought you had understood mine.
33:28For God's sake, please, please, please, Elias.
33:30If you forget about my mother,
33:31I swear I'm going to help you find
33:33the perfect woman for you.
33:35Ah, bandit.
33:37I know what you're doing.
33:38You're checking, aren't you?
33:40Let's see if I'm a trustworthy person.
33:42Well, clever.
33:44Well, I've found the right person, Trini.
33:47And her name is Leonora.
33:49Besides, look,
33:50isn't it my pleasure?
33:51And I'm looking forward to this second date
33:53because, of course,
33:54the first time we went arm in arm.
33:55Maybe now she'll let me hold her hand.
33:57Trini, let's see,
33:58I know you don't like the other one,
33:59but imagine that you still...
34:02I don't want to hear it
34:03and much less I want to imagine it.
34:06Are you okay, Trini?
34:07Yes.
34:08And where are you going dressed like that?
34:09To a baptism?
34:10No, no, no, no, no.
34:11It's just that the little gentleman
34:12has stayed with my mother.
34:13What?
34:14Yes.
34:15No, no, no, no, no.
34:16Don't even talk, Elias.
34:17If you cancel this date,
34:18I'll invite you to whatever.
34:19To a football game,
34:21to a boxing match,
34:22to a race at the racetrack
34:24or to a flamenco table.
34:25And then we'll have a few beers,
34:27ask for what you want most in this life
34:29and it will be granted.
34:30Miguel,
34:31what I want most in this life
34:32has been granted to me.
34:35Good afternoon to both of you.
34:36And thank you very much.
34:37I will not forget the effort you have made
34:39to help me and Leonora.
34:53Bye.
34:55Mamma mia, Pierre.
34:57I had forgotten how much I like to iron your shirts.
35:06How was the day?
35:08With a surprise.
35:10Very unpleasant.
35:12They called me from the Italian consulate
35:14to tell me that if I happened to marry again
35:17by Italian law,
35:19I would be committing a crime.
35:22Very serious.
35:23Of my life.
35:24And how dare they tell you this?
35:26Ah, I don't know.
35:27But if they wanted to worry me, they did.
35:31The consulate?
35:32Yes.
35:37I hate Pietro.
35:38Sorry, it's my fault.
35:40How stupid.
35:41This morning I went to the consulate for my papers
35:44and the official is from Ortona,
35:46from the same town as Don Elisa.
35:48And we started talking and one thing led to another.
35:52That's what I assumed.
35:53But Pietro, I have never wanted to hurt you.
35:57I just wanted to see my papers
36:00and that you saw that I am putting everything on my side.
36:03But when they asked me about my civil status,
36:06I could not help but tell the truth.
36:08How was I going to know that these people
36:10were going to take it so seriously?
36:14Although, seen in another way,
36:16the fact that you have been reminded
36:19that we are still legally married,
36:23it is still a sign.
36:25A sign of what?
36:27That our love is not over yet.
36:32That we still have a long way to go.
36:37Lucia, you forget about Antonia.
36:40You can't ignore her,
36:42like you can't ignore what I feel.
36:44And I don't.
36:45But Antonia is a relative in our life
36:47who understands and accepts
36:48that a man cannot be alone.
36:51But I'm back, Pietro.
36:53I'm back.
36:56And maybe now is the time to resume
36:58what we started on his day.
37:04Why don't we go home
37:06and surprise our son?
37:08I'm sure he would be very happy.
37:11Yes.
37:16Pietro.
37:19Pietro, can you imagine?
37:21Can you imagine the family reunited again?
37:29Lucia, Giancarlo is a man made and right.
37:32He knows and supports
37:34my intentions with Antonia.
37:38You can't imagine what it means for a mother
37:41to have missed the opportunity
37:43to see her son grow up.
37:45I will not be able to recover this.
37:48But I'm convinced that our love is still intact.
37:51That's why I know that if we go home
37:53everything will be easier, Pietro.
37:59You don't understand me.
38:01You don't understand me.
38:05Lucia, Antonia.
38:08It's not a parenthesis for me.
38:11Antonia is the woman of my life.
38:15You don't understand.
38:17Sometimes feelings are confused.
38:20No, no, Lucia, no.
38:22My feelings are very clear.
38:26They are very dear.
38:28I'm sorry.
38:30I will always love you.
38:32And I will always be in your life, but...
38:34Enough.
38:36This helps me to keep fighting.
38:39To fight and to live this little flame
38:41that is still burning in your heart.
38:43Please, Pietro.
38:44No.
38:46We have to make this trip.
38:48Life owes it to us.
38:51Please.
39:02Please.
39:07Well, I totally agree with you, Mr. Fernillo.
39:10The third act was very exciting.
39:12Besides, we were so close
39:14that we could see the actors cry for real.
39:17I really enjoyed the play
39:19and your company, of course.
39:22Mrs. Lázara.
39:23Yes.
39:24Do you want to sit down and have a drink?
39:27Here?
39:29In the gallery?
39:31I don't know what people are going to think.
39:34I don't know, but you're being careless.
39:37What difference does it make
39:39if we sit here or in the office?
39:41Although if you feel more comfortable,
39:43we can talk about work.
39:45The difference is that we came together
39:47to see a play.
39:48And I'm dressed like this.
39:50You are the manager of La Moderna,
39:52and I am the owner.
39:53Do you know what that means?
39:55That no one is going to ask us
39:57what we do or stop doing.
39:59Sit with me.
40:10Mrs. Lázara, Mr. Fermín,
40:12would you like a drink?
40:15A tea.
40:16A coffee for me, thank you.
40:18A tea and a coffee.
40:19We're leaving.
40:23You see?
40:24You don't have to worry.
40:26No one is going to ask us anything.
40:28It's hard for me to separate
40:30the personal side from the professional.
40:34Mr. Fermín, can I ask you a question?
40:36As many as you want.
40:39What exactly are you and me
40:42sitting here?
40:44Or I'll ask you another way.
40:48What have we been going to the theater together?
40:52Two people who get along well
40:55and who want to get to know each other
40:57beyond the professional realm.
40:59Does that answer make sense to you?
41:02It does.
41:03Excellent.
41:04Because my intention is to delve into it.
41:15Celia, are you leaving?
41:18Yes, I feel better now.
41:21Thank you for everything you've done for me,
41:23but I have to go home.
41:25Does Laurita know?
41:27I don't think she'll like it.
41:30Not yet,
41:31but I'm sure she understands.
41:34Celia,
41:35I know what happened between you two.
41:38I saw Laurita very upset
41:40and I told her to tell me,
41:42but she didn't want to.
41:44I promise.
41:47But she did.
41:50Do you know how uncomfortable this situation is for me?
41:53Not to say humiliating, Inés.
41:55But Celia, I appreciate you a lot
41:58and I'm sorry to see you suffer like this.
42:01That's it, right?
42:03You can put a poster in the gallery
42:05saying the photographer likes women.
42:07No, Celia.
42:08You know I'd never judge you for something like this.
42:14Forgive me, Inés.
42:19I know.
42:22But I had no right to tell you.
42:25Not without my permission.
42:28I'm the one who made a fool of myself.
42:31But since when is making a fool of yourself
42:33a sign of your feelings?
42:35You're very brave for doing it.
42:37Brave?
42:38Yes.
42:39But what good would it do me?
42:41I should have kept quiet.
42:43I should have kept it a secret
42:45and not bother anyone with my extravagances.
42:50Celia, falling in love is wonderful.
42:53Even if it's someone of your same sex,
42:55it doesn't matter.
42:56It's not an extravagance.
42:57Yes, it is.
43:00And in this society, even more.
43:03It's a perversion.
43:08If I ever had any hope of being with Laura,
43:12now I'm sure it'll never be like that.
43:18That's why I have to go, Inés.
43:20Not from this house, but from the city, the country.
43:23I need to disappear.
43:26And you think that by moving away from her, you'll stop loving her?
43:29I don't know.
43:30But if I don't, I'll go crazy.
43:35Celia.
43:36Celia, look at me.
43:38Look at me.
43:42Why don't you go to sleep
43:45and we'll keep talking?
43:49About my sorrows?
43:51No, about our hopes.
43:58It hurts so much, Inés.
44:01I know.
44:12Inés.
44:25I can't imagine a future without you.
44:27You're the woman I've loved the most.
44:32So...
44:36Matilde Garcés.
44:39Do you want to spend the rest of your life by my side?
44:45I'm dying to share my life with you.
45:02Matilde!
45:03Matilde!
45:08We were looking for you.
45:10I knew it.
45:12I needed some fresh air.
45:14What about you?
45:16You should be in your pajamas in bed.
45:19You have school tomorrow.
45:21I didn't want to go to bed without knowing where you were.
45:23Well, without...
45:25Without what?
45:27Tell me, Clarita.
45:28Tell me what you just told me.
45:30That you're very sad, Matilde.
45:32Just like now.
45:34It's like you've been crying.
45:38Do you miss Iñigo?
45:40Yes, of course.
45:42I miss him a lot.
45:44Then...
45:46You'd get over it if you went back to him.
45:51It's not that easy.
45:54Because...
45:57Well, because...
45:59Because two people can love each other,
46:01but they can't always be together.
46:04In all couples, there are bad and good moments.
46:07That's right.
46:09And now we're in a bad moment.
46:12I know.
46:14But if two people really love each other,
46:16they can have good and bad moments.
46:18But they don't have to separate.
46:20I'm right.
46:22It's not that easy, my love.
46:25I don't understand why you don't make peace.
46:28I've told everything to my friend Lara.
46:31And she agrees with me.
46:33Her father abandoned her mother.
46:35And she's having a hard time.
46:38She says they didn't fight enough for each other.
46:42Your sister and I want to meet your new friend, Clarita.
46:46Right, Matilde?
46:47Yes. A lot.
46:50When are you going to invite her to the corral?
46:53Not yet.
46:55It's too soon.
46:58It's a little late to be chatting.
47:01Come on, everyone go to sleep.
47:17Are you afraid to dream about Carla again?
47:27No.
47:33You have to start packing.
47:35Here, dear.
47:37Think about what you're going to need.
47:39And make a list so I can buy it.
47:42There are still five days left.
47:44I know.
47:45But it's better to be forewarned.
47:47Let's toast.
47:48Why?
47:50Because after all, we're going to get it.
47:53You're going to start a new wonderful life.
47:57Although I haven't always thought it could be possible.
48:01Anyone would say they're happy to get rid of me.
48:05Well, anyone would say it's you who wants to start a new life.
48:10Far from me.
48:11How can you be so unfair to me after everything I'm doing?
48:15When you leave, you don't know how lonely I'm going to be.
48:19I won't have Fabio.
48:21I've dedicated my relationship to him because of you.
48:23So don't tell me that.
48:25I'd give anything for you not to have to leave.
48:28Anything.
48:30I'm sure you'll be able to move on.
48:33Even that you'll find a new Fabio.
48:36And you know why?
48:38Because surviving is something you do very well.
48:45Are you waiting for someone?
48:47Not at all.
48:49Well, whoever it is, he'll be there soon.
49:02You're going to have to decide.
49:04For one woman or another.
49:06I'm in an impossible situation.
49:08I don't know how to get out of it.
49:10If you want, Antonia, you have to stop pulling the strings.
49:13She's having a hard time.
49:16She has nothing to do. Go wherever she is.
49:19Mrs. Bárbara was alone at home.
49:21She wasn't even at work.
49:23And there were two glasses of wine on top of a table.
49:26I don't want to sound opportunistic, but I told her this would happen.
49:30As I also told her that her debut in the court of the pharaoh will come.
49:35Getting on stage again.
49:38The appearances, everything has disappeared at once.
49:41Do you also think it was Mrs. Bárbara, Carla's mother?
49:44Or another woman with more reasons than her?
49:46I only told you the truth.
49:48You're going to end up singing and winning.
49:50Winning, I don't know.
49:52But singing, maybe very soon.
49:54My speech therapist told me I should do a test with the audience.
49:57We have to talk about your friend and your dates with our friend.
50:03Yes, because this is going too far.
50:05What?
50:06It's going too far that a decent woman and a widow
50:09have fun with a decent and single man.
50:12I don't understand these two.
50:13She has a smile that goes from ear to ear.
50:16Laudita told me she's back home.
50:18And as she told me, I sensed that something had happened between you two.
50:21I couldn't take it anymore.
50:23I think our friendship is over.
50:25Let's see if you hurry up, because at this rate I'm going to marry Leonardo
50:28before you marry Trini.
50:30By the way, we could have a double wedding.
50:33We're talking about Mrs. Lázara being responsible
50:36for one of her employees staying in bed for life.
50:39I'm still trying to make sure that what they're saying is true.
50:42This woman has no scruples.
50:44How was your date with Mrs. Lázara?
50:47What a smell you have.
50:50Because that's exactly what I wanted to talk to you about.
50:54I'm thinking of taking another step in this relationship
50:57and I'd like to know what you think about it.
51:02I don't know what else to do to speed up Carla's trip.
51:05It's all on the way.
51:08Mrs. Lázara and I were having a drink in the living room
51:12and it seems that since then the rumors have spread.
51:17With everything that's happening to us...
51:20What's happening to us?
51:22We never see each other, Antonia.
51:24And we don't talk much.
51:25And when we do, we only talk about bad news.
51:27You're so focused.
51:29The truth is that I'm studying.
51:31How applied.
51:32Well, if you want, I can ask you the lesson,
51:34so you can learn better.
51:36Let her.
51:37She asks me, Antonia, what I do every day,
51:39and she does it very well.
51:40That woman prevented our wedding.
51:42She will continue to do it.
51:43We live in separate houses.
51:44We are all day looking after that woman.
51:46For God's sake.
51:47We are looking after this woman for humanity.
51:49The humanity that we have left.
51:50We are missing her.
51:52It hurts me that you don't cut your nose with Lucía.
51:54But I can't, Antonia.