La promesa - Temporada 3 - Ep 412
Transcript
00:01It's about my guest.
00:04But have you all lost your minds? Alonso?
00:07What kind of guest is the old fiancé of your daughter?
00:10That's something they have to decide.
00:13What have you brought him for?
00:15The Count of Añil and I are considering resuming our relationship.
00:19So you don't even have any dignity left?
00:21Cruz.
00:23How dare you talk about dignity
00:25when you've been in charge of airing the family's dirty rags against Pelayo and me?
00:29Again with that?
00:30Because it was very serious.
00:31Look, one thing is clear.
00:33If there are dirty rags to air, it's thanks to you.
00:36You dragged Lujan's last name through the mud
00:38and you're willing to do it again.
00:41And you, Alonso?
00:43What's the matter? Have you already forgotten what the Count of Añil did to us?
00:45No.
00:47But it seems regrettable, or so I want to believe.
00:49No, this is incredible.
00:51If my daughter thinks she deserves another chance, it's her decision.
01:00You'd better not be wrong.
01:06Mr. Baeza, have the Count of Añil's belongings taken away and a dormitory prepared for him.
01:10Thank you, Marques.
01:16Thank you, Father.
01:20I hope I'm doing the right thing.
01:23Mother, I don't know why he's back, but he can leave now.
01:27And if what you want is for him to come back to you, I'm telling you it won't happen.
01:30I think the last time I spoke to you, I was clear enough to tell you again.
01:34I'm not going back.
01:37I'm very happy here and I already told you the last time.
01:40Being the daughter of a Marquis, please.
01:42I don't want him to understand, I just want him to respect it.
01:45Open your eyes, this is not your place.
01:48Open your eyes, this is not your place.
01:51You are my daughter, you are the daughter of a Duke Mercedes.
01:54Don't call me that again.
01:56My name is Vera, here and everywhere, because this is my place.
02:01Honey, I understand perfectly the reasons that led you to take refuge in the promise.
02:07But things have changed a lot since you left.
02:10Your father, although it is difficult for him to recognize it, misses you.
02:13You know that's impossible.
02:14He has given orders that no one touch your room,
02:17that you are always prepared for when you return, because he doesn't want to lose hope.
02:21But every day that passes and this doesn't happen, it goes away.
02:25And the same goes for your brothers, honey.
02:27You have to come back.
02:29I don't understand how he can ask me something like that.
02:31He knows perfectly well why I left.
02:33I'm sure he would be willing to forgive you.
02:36My father is a monster.
02:38And you know it perfectly well.
02:41When I denounced him, I exposed all the abuses he had committed for so many years.
02:45God knows how much money and how many due favors got him out of prison.
02:50But his name is already stained and that won't forgive me.
02:54I know. I know it's very difficult.
02:57But if you showed regret, I'm convinced that he would forgive you.
03:01And I, I could protect you.
03:04I don't regret anything, mother.
03:07And I'm sorry to tell you, but your protection comes too late.
03:13Mercedes.
03:14I don't insist.
03:16Just do me the favor of not coming back.
03:19It's not good for either of us.
03:23So there's nothing I can do for you to change your mind?
03:28You know it perfectly well.
04:07I'm sorry to interrupt you, ma'am, but I bring you your correspondence.
04:12Do you want me to order you to upload something of Pepe?
04:15Is it too soon for a cognac?
04:18No, better a glass of Laudano.
04:20Even the cicuta of Ayala would not disgust him right now.
04:27María Teresa Sánchez de García, this is for you.
04:31Baronesa de Cienfuegos, this one too.
04:34Baronesa de Cienfuegos, this one too.
04:36And what should I answer, ma'am?
04:38Well, tell them whatever you want.
04:39Because in the end, they are going to come up with something much worse against us and they will apologize for all the liars.
04:45But this, read it to me.
04:48It's from the Duchess of Cerezuelos.
04:50I want to know what she takes into account in everything.
04:53Of her feast of coestation.
04:56Dear Marquesa, the reason for these letters is nothing more than the deep ...
05:00To the point, Petra. To the point.
05:03Well, actually, what it is to thank and comment on the good deed of Miss Martina during the evening.
05:11And she is also interested in the state of health of her stepdaughter.
05:14I knew it.
05:15What else does she say?
05:17Well, that she wants her to feel better.
05:20And what else does she say?
05:22Well, that she wants her to feel better.
05:25And that when this is the case, she wants to invite you to a pisco lavis in her gardens.
05:29Will it be gossipy?
05:31Do you want to know about Catalina?
05:33Well, Catalina will know.
05:34Answer her. Answer her.
05:35Tell her that Catalina is not as sick as she assumes.
05:38But that she has been backbiting with the Count.
05:43That is the reason for your anger, isn't it, ma'am?
05:46Not at all.
05:47They can turn against me.
05:49What bothers me is that they have come to make the promise.
05:52It is that Miss Catalina has returned.
05:55You are in deep trouble, Petra.
05:56You should be aware of these things.
05:58You forgive me.
05:59But yes.
06:00She has returned.
06:01And from the hand of that incompetent, relentless pussy.
06:05If you think I can do something to alleviate your anguish ...
06:08Yes, you can. Yes.
06:09Leave me alone.
06:18Can we talk?
06:21About what?
06:24About the scene you set in the living room in front of Pelayo.
06:28And what? Do you think it was wrong?
06:30What should I have done?
06:31Receive him with open arms as if he were another son?
06:33I don't agree with his return either.
06:35No, of course.
06:36That's why his luggage is in one of the balconies.
06:39I do everything for my daughter.
06:41If you want to do something for your daughter, Alonso,
06:43you should force her to marry you.
06:45What are you saying?
06:47Well, those two have been living together in the Count's palace without a carabiner.
06:50Do you need me to explain it to you more clearly?
06:52I do not allow you to doubt the virtue of my daughter.
06:55They have said that not even their relationship is firm.
06:57And what did you expect?
06:58That I would explain to you who they have been playing?
07:02If you want to do things right, Alonso,
07:04you should fix the wedding now and then leave.
07:08Or you will have to assume the consequences.
07:10Yes?
07:15How are you?
07:16I'm fine.
07:17Just got here.
07:20Sorry for the wait.
07:21I'm in the middle of something.
07:22Yes, of course.
07:23I go right now?
07:24No, wait a minute.
07:26I'm sorry.
07:27Sorry.
07:29You were right.
07:30It's hard.
07:31I don't have much time.
07:32I have to go.
07:34I have to go too.
07:35What?
07:36The problem is that your daughter, Alonso,
07:38How are you?
07:40In a very big problem.
07:44What happened?
07:47I lost one of the earrings my mother lent me.
07:51Your grandmother's?
07:52Yes.
07:53And I don't know how it happened.
07:55I had them, they bothered me, I put them in my bag,
07:58and when I was coming back from the house of the Duchess of Cerezoles,
08:00I realized that one of them had disappeared.
08:02But did you look well in the bag?
08:04Of course I looked well in the bag.
08:08I don't know.
08:09Well, look at it on the bright side.
08:11What? What bright side?
08:13That you still have one.
08:15Enough to honor your grandmother's memory.
08:17Yeah, it's just that a pendant alone is useless
08:19because there are things that make no sense without its partner.
08:22Yeah.
08:23But in the meantime, you have to take care of this one.
08:26Until your partner appears.
08:31And what if he never appears?
08:33I have hope.
08:36It's not about hope, it's about reality.
08:39And the reality is that recovering something that has been lost is ...
08:43It's very difficult.
08:45But I think that with time and patience, anything is possible.
08:52Well, I'm afraid that patience will take too long.
08:57And it will be impossible to recover what has been lost.
08:59No, that won't happen.
09:01No?
09:02No.
09:03No if you keep the most important thing.
09:06The will.
09:09I don't lack that.
09:12Neither do I.
09:16Can we ...
09:18speak clearly?
09:22Well, that has never been our strength.
09:34I love you.
09:38And you love me.
09:41True.
09:45But whenever we have tried to formalize it,
09:48even if it has been between us, well ...
09:51it has not gone badly.
09:56Well, maybe ...
09:58we should ...
10:00not give our love a name.
10:06Yes. Yes, yes.
10:08Okay.
10:10Let's go step by step.
10:12And enjoying what comes.
10:14Whatever it is.
10:22All good?
10:25Uh ...
10:29What's going on here, Martina?
10:34I lost one of the pendants I borrow.
10:49Thank you very much for receiving me, Mr. Baeza.
10:52Of course, Miss ...
10:54Miss Villamil.
10:57How can I help you?
11:01Look, yesterday ...
11:03I told some colleagues that I was on the promise, just in passing.
11:07I see. But what you need is a job.
11:11The devil knows more about the old man than the devil.
11:15I wouldn't want to put you on a commitment, Mr. Baeza.
11:17You can't put me on any commitment.
11:19Yesterday, as soon as I found out about your visit,
11:22I started doing the relevant management.
11:25Really? So I could go back to work on the promise?
11:30He left a few months ago, but do you remember Mrs. Carranza?
11:34Yes, of course. Virtudes, Mrs. Simona's daughter.
11:37Well, a few days ago she left her job as a maid.
11:40I don't mean to say that it will degrade her, no.
11:42You left the house as a maid and as such you would return to the service.
11:49I don't know how to thank you, Mr. Baeza.
11:51Don't do it yet. I still have to talk to Mrs. Arcos.
11:54After all, she is responsible for the female staff.
11:57Of course, of course. I understand, Mr. Baeza.
12:00In fact, I don't understand how I didn't get your request through her.
12:05Because I understand that your relationship in the past was very good.
12:10Yes. In fact, my first intention was to talk to her, but ...
12:14Let's say that her reception was rather cold.
12:17And I suspect that my husband's presence had something to do with it.
12:21Leave it in my hand.
12:23I know how to convince Mrs. Arcos to accept your reincorporation.
12:30As soon as I have news, I will let you know.
12:35Thank you very much, Mr. Baeza.
12:40There is one more thing I would like to ask you.
12:43You tell me.
12:45Vera, it's about my husband.
12:48He also had to resign from his job after our wedding.
12:51I had to say goodbye to the palace of the Duchess and ...
12:54He resigned from his job at the town hall. And he did it for me.
12:58I understand. I'm sorry to tell you that right now I have nothing to offer you.
13:02But anyway, tell me what your experience is.
13:06And as far as I can, I will help you find a place.
13:10Really?
13:11Yes. Well, if he was in charge of the stock, I suppose he will have accounting options.
13:17No. He worked as a waiter.
13:19And has he served before in a renowned house?
13:23He has always worked in the field, in very simple jobs.
13:26But he is a good man and he is always willing to learn.
13:29Well, we'll see what can be done.
13:31Thank you very much, Mr. Baeza.
13:33As soon as I have news of Mrs. Arcos, I will let you know.
13:57Come on. Come on.
14:12What is this?
14:29Well, what do you think?
14:34It seems to me that you have advanced a lot in such a short time.
14:38If my calculations are correct, he will not only have greater autonomy than Gleriot,
14:41but he will also surpass Potencia in power.
14:46And that means what?
14:49That we could reach our beach in a moment.
14:54Although soon we will have to escape to be able to be together.
15:05How are things in the service area?
15:07I have heard that Simona's daughter has left La Promesa.
15:11Yes, she had to go to take care of her son.
15:15And how is Simona?
15:16Well, with a broken heart.
15:19Because on the one hand she knows that it is best for virtues and also for her grandson.
15:23But on the other hand, she has been separated for a long time and it hurts her to leave.
15:28Of course.
15:30And why does she have to leave?
15:32Can't she take care of her son here, in La Promesa?
15:36Well, look at that, if you could ask your mother,
15:38who is the one who doesn't want the Frilladas to have children here.
15:43I understand.
15:45In any case, we thought that Virtudes could stay at least in Lujan
15:50and in fact she got a fantastic job, but everything went wrong.
15:54Why?
15:56Well, because she was going to work taking care of the parish,
16:00but you know that Don Fermín left Lujan.
16:03If I'm honest with you, lately I've been doing very little with the church.
16:08But in any case, the new priest will have arrived, why doesn't he work for him?
16:11That's what we all think, but it turns out that the priest who replaces Don Fermín is a young priest
16:18and he wants to do things his way.
16:20And what does that mean?
16:21That he doesn't want to have anyone at his service.
16:25And then who is going to cook or do the laundry for him?
16:28Excuse me, but I find it hard to believe a man with a sotana in front of the stoves.
16:31Yeah, and cleaning a stain from his clothes.
16:37He will soon change his mind, you will see.
16:40Are you sure?
16:42I am.
16:44I know he will have arrived with great desire, I don't argue with that,
16:46but I assure you that he will soon get rid of them.
16:49The moment he meets his new faithful Beatones,
16:52he will have so many gossip and criticism that he won't even have time to fry an egg.
16:57Cheer up.
16:59You will see how soon Simona is back with her daughter and grandson.
17:04Yeah.
17:06I'm not like that for that, I'm like that because ...
17:09when talking about ours, our wedding, the beach ...
17:14I have remembered that Don Romulo knows about us.
17:19We have already talked about it.
17:21There is nothing to worry about.
17:23I'm not worried, Manuel.
17:25Manuel, it's just ...
17:27I'm ashamed.
17:29Ashamed of what?
17:32Well, because I lied to him and because now I have to cross him through the corridors and I don't even know what face to put on.
17:39My love.
17:41Those ghosts are only in your head, I assure you.
17:45Do you think that I have never thought that ...
17:48I don't know, I would have liked this story to be different.
17:51And do you know what I do when that happens?
17:54He immediately discarded that idea.
17:58Wouldn't you have liked ours to be a little easier?
18:04No.
18:07Because our story, as it is with its difficulties,
18:12is what has made us get here.
18:15And I wouldn't change that for anything in the world.
18:20Come.
18:24Manuel, what's going to happen to someone?
18:29Why don't we meet this afternoon?
18:33No, I can't.
18:35This afternoon I have stayed with my mother to go to the theater.
18:39Don't make that face.
18:41You know I would stay with you all afternoon.
18:44But I owe it to you.
18:46I know, silly, that you don't have to make excuses for me to go see your mother.
18:50Now I have to be with her more than ever.
18:54Because ...
18:56I'm sure that when we get married,
18:59something will break between her and me.
19:04I'm very sorry, Manuel.
19:07You don't have to apologize.
19:10I have already assumed it.
19:12And now my mother will have to assume that there is nothing I say or do that changes a bit the love I feel for you.
19:20I love you.
19:23And I love you.
19:29Run to the air, Manuel.
19:32Sorry, I can't right now.
19:49Damn my prints!
19:51Don't curse me, Candela.
19:53It's just that a piece of cloth has been cut off.
19:55I already told you that it was not a good idea for me to prepare the mayonnaise.
19:59And why? You have done it a thousand times.
20:01Because I'm with those days.
20:03You know, with Juana Menesera, who visits you every month.
20:07But are you still in those?
20:10What happens? Do you think it's weird?
20:13It will be better if you make the mayonnaise.
20:16Come on, don't say nonsense.
20:18It has nothing to do with one thing or another.
20:20They are old monsters.
20:21Here it is.
20:23Did you add the apoc.cox oil?
20:25No.
20:27You mix it as if it were tomorrow.
20:29Look, you're stupid.
20:31What surprises me is that it has ever worked out for you.
20:33Listen to me, you have to add the oil little by little.
20:36Where are you going?
20:38To throw it away.
20:40That's why I added the apoc.cox oil.
20:42No, no more oil. Water.
20:44Water?
20:46Yes, a splash of hot water.
20:48You add it and start to beat well until it binds.
20:49It's the first time I've heard of water.
20:51Listen to me.
20:56Good afternoon, Mrs. Petra.
20:58What can I do for you?
21:00I just came to tell you that tonight two more commissars will have dinner with two gentlemen.
21:04Ah, and that?
21:06Do we have guests at home?
21:08No guests. It's about Miss Catalina.
21:10Ah, that's great. You're back.
21:12And Count de Añil too.
21:14What?
21:16And how did that man become La Promesa?
21:17He must have a lot of courage to set foot here again.
21:21Or a little.
21:23Well, it's better if you get used to it.
21:26Because he probably spent a good season here.
21:29Since he came.
21:31How did Mr. Marqués allow it?
21:33Well, enough nonsense. I've already told you what you needed to know.
21:36So now get to work.
21:38Have you heard the same thing I've heard?
21:40I'm shorter than La Mayonesa.
21:42Now, up there, he must be getting a good one.
21:45Yes, as a father, he's very much like me.
21:47And why did that scoundrel come?
21:50Now that he's the Marimandrao, he hasn't given up, has he?
21:53Because he doesn't know anything about mass.
21:55There is a person who does know.
21:57And it's Catalina.
21:59Josefa!
22:01Josefa!
22:03Josefa!
22:04There is a person who does know.
22:06And it's Catalina.
22:08Josefa, bring the water closer.
22:10Yes.
22:12Little by little?
22:14No, just a little.
22:16A little?
22:18Yes.
22:20It's not the first time I've done it.
22:23I'm very glad to have you back, sister.
22:26Thank you for doing me the favor of telling me where I had gone.
22:32They don't deserve it.
22:34I'm sure I made a mess after I left.
22:37And, above all, because I had left.
22:39It's normal.
22:41My mother screamed in heaven and my father didn't like it.
22:44I'm so sorry.
22:46But if I had spoken to them, they would never have let me go.
22:50I know.
22:52And I also know the real reasons for your departure.
22:56Pelayo smuggled weapons.
23:01Have they told you?
23:04I'm sorry I told you at the time, Manuel, but I didn't want to worry you.
23:08Catalina, you don't have to justify yourself, I'm not judging you.
23:10If you didn't tell me at the time, you would be right.
23:13But I already told you, be very careful.
23:19Besides, this is not going to come out for free.
23:22When the time comes, I'm going to ask for your understanding back.
23:26Is this a joke or are you serious?
23:28I've never spoken more seriously.
23:30And what do you want?
23:31Do you understand me?
23:33All his due time.
23:35Why don't you keep talking to me about Pelayo?
23:38Have you managed to put your feelings in order?
23:41Well, the truth is not.
23:43But we have made something clear to both of us.
23:47Thank goodness.
23:49Hey, don't make fun of me.
23:51Those days we've been together have helped us realize that there is still something alive between us.
23:58And we can't let the past stain it.
24:01So you're going to give him a new chance?
24:04Yes. I don't know where this is going to take us, but ...
24:09But I'm listening to what you told me.
24:11I'm giving myself the luxury of doing something that doesn't make much sense.
24:16What I don't understand is how you're going to do it, being here and him in his palace.
24:20No, he's in La Promesa.
24:23In La Promesa?
24:25Well, it's clear that I spend too much time in my study with my sketches.
24:29I don't even know what's going on in the real world.
24:31Well, I thought your mother's screams had been heard all over the palace.
24:37And what did Father say?
24:41Well, at first it was hard for him, but he ended up agreeing.
24:47So you can say later that you're not his favorite.
24:50Are you jealous?
24:51Are you jealous?
24:53You know, a little bit, yes.
24:57And even more now.
24:59Because I've known you for a long time and I haven't seen you so happy, sister.
25:05Although you wouldn't have made the imprudence of leaving us alone in there, would you?
25:08No, no, no. He's resting in his room.
25:11And I trust they'll leave him alone there.
25:14But why don't the three of us have a snack together?
25:18A snack?
25:20Do you want some?
25:23Sister, I can't. I'm meeting my mother to go to the theater.
25:27And she's probably been waiting for me for a long time.
25:31See you later.
25:33Yes, yes.
25:41Going to the theater with the Marquise.
25:50Mr. Arcos is about to arrive.
25:54Well, while he arrives, I wanted to talk to you about a private matter.
25:59Your son?
26:01No, no, no. It's not that. No, thank God, no.
26:04The reason is very different.
26:07This morning, the Duchess of Carril has appeared in the palace.
26:11Without warning.
26:13And she wasn't looking for the Marquise, or the Marquis, or Mrs. Margarita.
26:20And hold on.
26:22She accessed through the service door.
26:25Well, start telling me that nonsense, because what you're telling me has no head or feet.
26:30Well, I'm afraid that no matter how much I tell you, this will continue to be like this.
26:33Who was she looking for, then?
26:35Well, in her own words, the cooks.
26:38She needed the recipe for the cakes that were served at that snack.
26:42It was enough to have sent a note, if she had answered with the recipe, back.
26:47Well, that's what I told her.
26:49Yes, but she excused herself by saying that, curiously, she was close to the promise,
26:53and she decided to make the message in person, so as not to bother.
26:56That's what she told you?
26:58Yes, word for word.
27:00And did she get the recipe?
27:02Well, I hope so.
27:04Don't you know?
27:06No. No, because in the end she didn't talk to Simona or Lope.
27:09She talked to Vera.
27:10Well, the Duchess saw her, recognized her from the snack, and asked her to be the one to serve her.
27:17Yes, and Miss González has no idea about pastry.
27:21Well, apparently she knows the recipe for the happy cakes.
27:25At that moment, the only thing that occurred to me was to give them the office,
27:28so that they were away from indiscreet glances.
27:30You did very well.
27:32The presence of a duchess in the service area has been, at least, irregular.
27:35Did anyone else see her, apart from Miss González and you?
27:38As far as I know, no.
27:40It's still like that.
27:42Such a strambotic matter should not reach the ears of the Marquis, much less of the Marquise.
27:48Well, Mrs. Alcos, you're late.
27:51Do you want me to go get her?
27:53No, look, we'd better take the opportunity to update you on the matter we're going to talk about, which is quite tricky.
28:00Isn't it about the substitute of virtues?
28:03That's right. My proposal is a young lady you already know, because she was here until recently.
28:07Yes, Miss Villamil.
28:10Yes, you already know the palace, which has that of Pelegudo.
28:14Well, that girl was the fiancée of the late son of Mrs. Alcos.
28:20And she's no longer a young lady, because she's married again.
28:26And you already know this, Mrs. Petra.
28:28What do I have to know?
28:58Are you thinking about the mosquitos?
29:01Yes.
29:03Look, a tree can fall on you.
29:06No.
29:08No, I was thinking about my things.
29:11I've been looking for you all day, and we haven't been able to meet for lunch.
29:16It's just that it's been a complicated day.
29:19I see.
29:21Are you worried about me?
29:24No.
29:26Are you worried about the position of first lacayo? Of the count of Matesán, right?
29:36And have you already thought of an answer?
29:40Are you going to leave or are you going to stay?
29:43I just don't want anything you don't want, Maria.
29:46Salvador, please stop calling me dead. We're talking about you, not me.
29:50Okay, okay. I know it's my chance.
29:52And I also feel prepared to be first lacayo, and I know I'm not going to get it here.
29:57Look, I know it's your dream.
29:59No, Maria. That's not my dream.
30:03I don't want to be lacayo or mayor, or anything.
30:11All I want is to save money to finally be free.
30:16My dream is to be with you.
30:20That's my dream.
30:22And tomorrow, well, to be able to have a house together.
30:27With a garden, with animals.
30:31To be able to have all the children we want.
30:34But without mandates.
30:37To be free. It's just that I don't want more.
30:40And that would make me completely happy.
30:46Well, then ...
30:50Then go.
30:53But Maria, you're first.
30:59That's precisely why, Salvador.
31:02Because your dreams are my dreams.
31:06And if we're going to get it, we have to be separated for a while.
31:11Or whatever.
31:16Really?
31:22Yes.
31:35I promise you that as soon as it's enough, we'll both leave together.
31:42I'm going to miss you so much.
31:46And I'll miss you, Maria.
31:49Every second of my life.
31:52Don't exaggerate.
31:54I'm not exaggerating.
31:56I love you with all my soul, Maria.
32:00And forget yourself.
32:02You're so beautiful.
32:23Mrs. Villamil's request arrives at the best time possible.
32:27Since after Mrs. Carranza's departure, we have run out of female staff.
32:32But I didn't want to take the step before consulting with you.
32:36Undoubtedly, it is our best option.
32:38And why is that?
32:40Well, because she knows the palace.
32:43She was working here in the past, as a maid.
32:46You said it, as a maid.
32:48And virtue of being a simple maid.
32:50Do you intend to degrade her?
32:53No, if you're right, you're right.
32:55Mrs. Carranza was a simple maid, but the reason was that she did not know the functions of a maid.
33:01But Mrs. Adarre always had the intention, from the first moment,
33:05to promote her as soon as she was ready.
33:08So we are willing to hire her as a maid, if that's what worries you.
33:17Okay.
33:20Are you willing to accept
33:23that we hire her?
33:25Are you so surprised, Mr. Baeza?
33:27I thought you would deny me because I've seen you arrive with your husband.
33:32I have to confess that
33:34it has hurt me a lot to see that
33:37he forgot about my son so soon.
33:39But here we are judging whether she is suitable or not to cover Don Tello's position.
33:44And indeed, she is the best for it.
33:46So you have to get involved as soon as possible.
33:49There is a lot of work to do.
33:59Well, in the end it was not so difficult.
34:02To see, to believe.
34:04Now, I hope this doesn't bring a tail.
34:07But I'm afraid it will.
34:17Don't turn around, Margarita.
34:20We will go to a jewelry store that I know in Seville
34:23and you will be able to choose the earrings you prefer.
34:26Look, Ignacio, I thank you for the effort you make to cheer me up, but
34:31no matter how much I appreciate your gift, it will not be able to replace that earring.
34:35Are they so important to you?
34:38Well, they are the gift of request from my late husband.
34:43I understand.
34:46Well then, I propose something else.
34:50This jeweler I know is a true artist.
34:53We will take the earring and ask him to make another jewel.
34:57I don't know, a ring, a gargantilla, whatever you prefer.
35:00So you can always carry the earring with you. What do you think?
35:04Well, I think it's very good.
35:06Thank you very much, Ignacio.
35:08I don't know what I would do without you.
35:10Fortunately, there is no need to discover it.
35:16Sorry, I interrupted you.
35:20No, no, not at all. I was leaving. I have to discuss some matters with Lorenzo before dinner.
35:33I'm sorry.
35:35I really know ... I know you are angry with me because the earrings of the grandmother were very important to you
35:41and I really understand it, but ...
35:43I'm really sorry, Martina.
35:46Don't worry.
35:48I know it was ... it was a mistake.
35:51Don't get it wrong because I'm not angry.
35:54What I am is ... is sad.
35:58I still remember the first night I put them on.
36:03The night your father gave them to me.
36:06We were having a party at your grandfather's ranch and I remember it was ... it was ...
36:10a warm night and everything was soaked in the sweet smell of orange.
36:15And your aunts were making burberries.
36:18Mr. Tantalus, they called him.
36:21But well, that didn't last long.
36:23It didn't last long because right away everyone's heart was won.
36:26Especially mine.
36:29He was so handsome.
36:31My daughter, so handsome.
36:33With that martial jacket.
36:35With that beard.
36:37That I felt ...
36:39I felt the happiest woman in all of Spain.
36:42And besides, his earrings matched my dress perfectly.
36:46Or I found out they were his mother's.
36:51But what I remember the most is ...
36:55that when I was dancing with him,
36:58hugging your father,
37:04I felt I was capable of everything, Martina.
37:08As long as I was by your side.
37:12Well, I guess I've always tied that memory to those earrings.
37:17Don't cry, daughter.
37:19Don't cry because Ignacio is right.
37:23Look at me.
37:25That memory is not in those earrings, Martina.
37:29Because that memory is here.
37:35And now it's also here.
37:42It's here.
37:52Treat them more carefully.
37:54Don't you see that if you wrinkle them ...
38:07Do you want me to help you, ma'am?
38:11No, thank you.
38:13And I'm not going down for dinner, so you can pick up all those dresses.
38:17How about the theater function?
38:20A little bit.
38:22They intend to make it look intellectual, something that is nothing more than a loaded pomposity.
38:27I'm sorry it wasn't to your liking.
38:29In the end, it's better this way.
38:32Because Manuel was also looking like a horror.
38:34So we left in the middle of the night
38:37and we took the opportunity to take a walk in the cool of the afternoon.
38:39I'm glad you were able to enjoy it with your son.
38:45Teresa Villamil has returned.
38:48That's right.
38:50Tomorrow she will be reinstated in her position as maid.
38:53Yes, Mr. Pellicer has already told me.
38:55Otherwise, they won't give you back.
38:57What I don't understand is why you didn't tell me.
39:00The mayors arranged it that way, ma'am.
39:04And since when has it been an impediment for you to advance?
39:07You warned him that it was not necessary.
39:11You are uncomfortable with his return, right?
39:14I thought you had a good relationship with her.
39:18It was your son's promise, right?
39:21That's how it was.
39:24Well, then stop being mysterious and tell me what's going on.
39:32Retire.
39:36Retire.
39:43She's back with ...
39:46with a husband.
39:48What?
39:52Well, she's in a hurry, isn't she?
39:55What do they call him?
39:59And why didn't you tell me at first?
40:01You know as well as I do that we don't talk as much as we used to, ma'am.
40:05I just considered that ...
40:07I didn't deserve his interest.
40:09It is true that our communication is less fluid than before.
40:14As it is also true that your performance in the tasks leaves much to be desired.
40:20I put all my dedication and effort into it, ma'am.
40:23Don't justify yourself, Petra.
40:26I need you to find me a personal maid now.
40:29I only see useless people in my bedroom.
40:32It's not an easy task, ma'am.
40:34But if you allow me to combine my functions as a key master ...
40:38No, I need someone who doesn't have as many other important functions as you.
40:42Okay, ma'am.
40:44As you say, you have your tasks as a key master.
40:49You know, I want Teresa as a personal maid.
40:54Let's see what I've learned with that Duchess.
40:57And wouldn't you prefer to try with another one?
40:59Vera, for example.
41:01I said Teresa.
41:04As you wish, ma'am.
41:06Tonight I'll have dinner here in my bedroom.
41:11As you wish, ma'am.
41:29As you wish, ma'am.
41:48Is there no one available to lend a hand, Mr. Romea?
41:51No, I offered myself to Mr. Pellicer to do it alone.
41:54Don't worry, I'll be in a moment.
41:56For dinner?
41:57Yes.
41:59No, but it's not necessary, sir.
42:01No, that way we'll be more at ease, you and me.
42:04Besides, I'm not going to drop the rings.
42:07The more responsibilities of service you acquire, the more humble you must be.
42:12The important thing is to get the job done, not who does it.
42:16That's good advice.
42:18That I'm sure you will apply in the future.
42:24Have I said anything wrong?
42:27Don't you want to be the first one to shut up?
42:30That's exactly what I wanted to talk to you about, sir.
42:34Yes, but it's for now.
42:36Right now, in La Promesa, we don't need to cover that position.
42:40It's not in La Promesa.
42:42Have you received a job offer from any other company?
42:47In the Palace of the Counts of Mathesa, sir.
42:50I see. And do you have any doubts about whether to accept or not?
42:54And that's what you want to talk about.
42:55Actually, the decision has already been made.
42:58And I'm going to accept that job.
43:00But I hope it has nothing to do with the old rings.
43:03For my part, it's all in the past.
43:05And for mine too, sir. It's all forgotten.
43:08Well, in that case, I have no choice but to congratulate you.
43:15You have not chosen a bad fate.
43:18I am convinced that you will leave the name of La Promesa very high in that house.
43:22I trust that, sir.
43:23And if I do it well, it will be all thanks to you,
43:26who is the best teacher you can have.
43:28Well, well.
43:30Don't give me the cold shoulder, because it won't help you at all
43:34if you don't work in this house.
43:36Thank you very much, Mr. Noel.
43:54A few days later.
44:00As far as I know, there is no intention of opening a trade route
44:04until the situation in the Atlantic calms down.
44:06Well, I hope it's soon.
44:08With half of Europe at war and America blocked,
44:11I'm going to lose my harvests and with them my savings.
44:14You should have chosen a more lucrative business.
44:16Like the arms business.
44:18Yes, I've read it.
44:201,500 million dollars for the Yankee arcs.
44:21And that counting the legal sales to the gang.
44:25Good evening.
44:27Good evening.
44:28Cruz and Alonso have not arrived yet?
44:30Cruz will not have dinner with us tonight.
44:32She is tired after the theatrical performance
44:34and has asked me to excuse her.
44:36The play was so bad.
44:38Terrible.
44:40We can't wait to see the whole play in the interact.
44:43We go out with our feet in the dust.
44:46When you go to a town theater, you have to go with low expectations.
44:49I don't agree.
44:51I've seen works in Lujan and Tenerantes that were pretty good.
44:55Can I know why there are two extra seats?
45:01Good evening.
45:03Good evening.
45:05Good evening.
45:07Sorry for the inconvenience.
45:09We have gone for a walk and Urixo has thrown us in time.
45:14I think I owe you all an apology.
45:17It is not necessary, Pelayo.
45:19Even so, if you allow me, Marquis.
45:27I know that my departure from this palace was hasty
45:30and I am aware that it was not in the best circumstances.
45:33To put it mildly.
45:35Although I want to add that I am not guilty of the accusations that were later poured on me.
45:41And maybe I don't deserve it, but ...
45:43Even so, I want to take the risk of asking you to give me another chance, just like Catalina has done.
45:51It is an immense pleasure for me to welcome you back to the palace, Mr. Count.
45:57Thank you, Manuel.
45:59Welcome, Pelayo.
46:03I was very happy when your sister told me that you had returned from the front safe and sound.
46:08I'm happier, I assure you.
46:11It had to be a pride to fight for good and democracy.
46:15Don't say it with such admiration, Mr. Count.
46:18You have also played a relevant role in that war.
46:23And what is it, if I may know?
46:26Margarita, let's not spoil the dinner by talking about the war.
46:31I think I understand the indisposition of the Marquise much better now.
46:35Ignacio!
46:37What?
46:39You have taken my place. The least you can allow me to do is make a joke.
46:43Your place? I didn't know.
46:45Leave him alone, Ayala.
46:47I will not allow you to continue to bother my guest.
46:50If I have bothered you, why didn't you tell me yourself, Mr. Pelayo?
46:54I have already listened to my sister, Mr. Count.
46:57Let him be.
46:59He is our guest.
47:01Of all.
47:03Of the family.
47:04What do you want?
47:06For this to become a school fight?
47:11You excuse this totally unjustifiable lack of decorum.
47:16The Count is a guest of my daughter Catalina.
47:19He will stay in Paracio as long as the two of them agree.
47:22And I don't want a single more insidious comment.
47:34No!
48:05Were you looking for Mr. Manuel, Miss Expósito?
48:09No, no, no. I only came to clean.
48:12At this time of night?
48:14Well, I wanted to take advantage of the fact that Mr. Manuel had gone to the theater with his mother so as not to bother.
48:19You should go down immediately to the service area. Mrs. Arcos is looking for you.
48:23Right away.
48:25One second.
48:27Our key lady can wait a moment.
48:30Do you need anything from me?
48:31We have a conversation pending.
48:36You and I have to speak clearly.
49:01Good evening.
49:06You did well to retire so soon.
49:10Ayala and Lorenzo's veins have not taken a minute to jump to Pelayo's neck.
49:15He deserves it.
49:18And how about this afternoon with Manuel?
49:21He has already told us that the theater was a tragedy, although he did not intend to be.
49:26If he has already told you, why do you ask me?
49:31Cruz, I know you're mad at me.
49:34But at least tell me why.
49:38Whatever it is, I'm sorry.
49:40All I want is for both of us to be fine.
49:43You don't have to be brave to come to me now with that.
49:47My apologies are sincere. Tell me what I have failed you and I will do everything I can to fix it.
49:51There are things that once broken can no longer be reassembled.
49:56Well, then I will fulfill my penance.
49:59But at least tell me what my fault is.
50:00What for? If you know it perfectly.
50:03If I knew it, I wouldn't insist, Cruz.
50:05Don't make me tell you out loud.
50:07That's what I'm asking you.
50:09I'm not going to go through that humiliation.
50:11I won't leave until you tell me.
50:13I know what happened to Maria Antonia.
50:15You were unfaithful to me with my best friend and in my own house.
50:19Is that what you wanted to hear?
50:21Since you stepped foot in the palace, the life of the Lujan has only become more complicated.
50:25And what else do you care about the life of the Lujan?
50:27He's nothing more than a guest.
50:29For a very long time, by the way.
50:32I'm not saying anything.
50:34But you have to have little dignity to show up here after what happened.
50:37Well, that's enough.
50:39He's going to accept the job of First Lacayo.
50:41So he's leaving.
50:43Yes, but our wedding is still going on.
50:45I don't care.
50:46So he's leaving.
50:48Yes, but our wedding is still going on.
50:50And our time will come.
50:52Because it will come, right?
50:54I'm going to try, really.
50:56It's not enough to try. I also need to work.
50:58It's too much work. You should have insisted more.
51:01Talk to whoever you have to talk to and convince them.
51:03Let's not go back to that.
51:05I thought it was over.
51:07Yes, and for my part it is.
51:09But there are people here who seem to not want to forget it.
51:11It's just that you're back with the cause of everything.
51:13He understands that we need time.
51:14I met Marcelo as soon as I arrived at the palace of the Duchess
51:17and two weeks later we were already dating.
51:19You had to like it, huh?
51:21To date in such a short time.
51:23Some people forget soon, right?
51:28And then it's Petra, the one who messes with Teresa.
51:30Come on, leave her alone.
51:32I don't mess with anyone, huh?
51:34I only eat what I see.
51:38The earring I lost at the snack, mother.
51:41I knew it was yours.
51:42But where did you find it?
51:44At the exit of the Duchess's house.
51:46Inside I had looked at her earrings because I thought they were beautiful.
51:50Vera, listen to me.
51:52It's very bad for me not to be able to help you with all this, really.
51:54I know you help me.
51:57The simple fact of talking to you already calms me down.
52:01You can only do it the times you need it.
52:03Well, I hope there aren't many.
52:05That if my mother continues to appear around here,
52:08in the end they will discover who I really am.
52:09I'm Curro.
52:11Nice to meet you.
52:13Curro from Francisco?
52:15Yes, Francisco de la Mata.
52:17To serve you.
52:19Okay.
52:21Julia!
52:23Julia!
52:25Let's sit her down.