Category
🎥
Short filmTranscript
00:00:30It had ended so tragically.
00:00:59And yet, it had all been planned down to the minutest detail.
00:01:29And yet, it had all been planned down to the minutest detail.
00:01:59And yet, it had all been planned down to the minutest detail.
00:02:29I met Helen Brown while on a brief holiday, and fell madly in love with her.
00:02:46We got married, and we were both happy.
00:02:56Then, back in London, everything changed.
00:03:03Then, back in London, everything changed.
00:03:25Then, back in London, everything changed.
00:03:40Then, back in London, everything changed.
00:03:50Why do you play this silly music all the time, Helen?
00:03:54I like it.
00:04:01Darling, will you scrub my back?
00:04:04Is there any particular reason Liz should be around all the time?
00:04:33Don't be a bore.
00:04:35Do I ever ask you anything about your secretary?
00:04:39And don't look at me like that.
00:04:41I don't care a damn what you think.
00:04:49Do you want a divorce, Helen?
00:04:52How middle class.
00:04:54Even if my father found out, he couldn't care a damn.
00:04:58He is president of the company, though.
00:05:02Yes, but I own 90% of the shares.
00:05:07Mr. Brown is practically an employee of mine.
00:05:15I thought you knew that.
00:05:16When my mother died, she left me everything.
00:05:19I see. He must have been disappointed.
00:05:21She wanted to insure my future.
00:05:24As I've insured yours.
00:05:27By naming you my sole heir, you'll have no problems.
00:05:44To our future, then.
00:05:59Where are you going?
00:06:02To Liverpool, and then...
00:06:05I don't know.
00:06:06Maybe Scotland.
00:06:11When are you coming back?
00:06:14I haven't given it a thought.
00:06:17I'll write you.
00:06:19Maybe you can join me.
00:06:21I'd like to, but I can't.
00:06:23Because of the theater.
00:06:41So you've made up your mind?
00:06:43Yes.
00:06:44I definitely need this vacation, John.
00:06:50Are you sure you're doing the right thing?
00:06:52Yes, John. Quite.
00:06:56I know it's right, and Liz already understands.
00:06:58You needn't worry.
00:07:00She'll be back.
00:07:08I can't stand him.
00:07:10He seems to like spying on us all the time.
00:07:17It's over.
00:07:35Poor John.
00:07:39I don't understand her.
00:07:44I know she's in love with me.
00:07:45For two years we'd been happily married.
00:07:50Don't think about it.
00:07:51She's just like her mother.
00:07:53Rich, moody, wicked.
00:08:02Perhaps it's my fault.
00:08:05No.
00:08:07You just have to get used to it, like I did with her mother.
00:08:15Get used to it.
00:08:45Get used to it.
00:09:15Get used to it.
00:09:46Ellen, are you ready?
00:09:49We're coming.
00:09:52Suki.
00:09:55Suki.
00:10:05Have you already got your things in the car?
00:10:07Yes.
00:10:09Want me to book a room for you at some hotel?
00:10:11No, it's all right, John. Liz did it.
00:10:14You aren't driving alone, are you?
00:10:16Yes, why?
00:10:18I think John would prefer it if somebody went with you.
00:10:21Well, I think I'm old enough to take care of myself, Father.
00:11:04John, do you mind?
00:11:07No, of course.
00:11:08Thank you.
00:11:32Bye.
00:12:02Bye.
00:12:32Bye.
00:13:02The driver lost control of the motor car,
00:13:05probably due to reckless speed.
00:13:08The gas tank exploded, setting fire to the car with no chance of escape.
00:13:17The husband and the father of the victim.
00:13:25Despite the fact that the body is beyond recognition,
00:13:29it can be stated with certainty that it is that of Helen Alexander.
00:14:00Calling Control Tower.
00:14:02Flight X239 from Liverpool requests landing orders.
00:14:07Flight X239 from Liverpool requests landing orders.
00:14:11Thank you.
00:14:14No, thanks.
00:14:24Thank you.
00:14:39In a few minutes we'll be landing at London Airport.
00:14:59John, why don't you go away for a while?
00:15:01Take a trip.
00:15:04Maybe you're right.
00:15:06I couldn't work anyway.
00:15:37Morning.
00:15:40Gordon.
00:15:44Do you know this man?
00:15:45Yes, it's John Alexander.
00:15:47Only three weeks after his wife died, he's in Central Pape.
00:15:50So what, wasn't it an accident?
00:15:52Yes, I know.
00:15:54There's something in this case I don't like.
00:16:14It's good to see you again, Mr. Alexander.
00:16:16Thank you.
00:16:28Excuse me.
00:16:29Mr. Brown is waiting for you.
00:16:31All right.
00:16:50John, well.
00:16:55Marvelous to see you.
00:16:57I was beginning to think you'd never come back.
00:16:59Perhaps you don't know me well enough.
00:17:00I would never leave the company.
00:17:04Men never get to know each other well enough.
00:17:07But I'm glad you're back.
00:17:09I don't feel so lonely.
00:17:13I can't persuade myself that Helen is no longer alive.
00:17:17I can't believe it.
00:17:21I really can't.
00:17:24I know.
00:17:26I see her everywhere.
00:17:30We should concentrate on business, don't you think?
00:17:33You're right.
00:17:34Listen, you've got to decide if we're to merge with the French company.
00:17:37I thought you had already decided.
00:17:40The company belongs to you now.
00:17:42You've got to make the decision.
00:18:12Mind if I tell you I missed you very much, John?
00:18:23Were you worried about the mail piling on my desk?
00:18:26Why are you nasty to me?
00:18:28Please.
00:18:29I'm not.
00:18:31I'm only a secretary to you.
00:18:33Is that it?
00:18:39What's happened since the...
00:18:41Why don't you try to forget?
00:18:45I will try.
00:18:47By the way, a police inspector asked to see you while you were away.
00:18:52He's out there.
00:18:53He called several times, insisting on seeing you.
00:18:58What does he want?
00:19:00I don't know.
00:19:05Send him in.
00:19:17Good morning.
00:19:18Good morning.
00:19:19I'm Inspector Gordon of Scotland Yard.
00:19:20Yes, I was expecting you.
00:19:22Inspector Stevens from Liverpool.
00:19:24How do you do, sir?
00:19:25Do sit down.
00:19:26No, thanks.
00:19:27We're only here to inform you that the Liverpool police considers the case closed.
00:19:32I didn't know there had been an inquest.
00:19:34There are always inquests in accident cases.
00:19:37It's the law.
00:19:40Did you have a good trip, Mr. Alexander?
00:19:46I went to places where my wife and I had been together.
00:19:50It's not the best way to forget a tragedy, is it?
00:19:53Get these off at once.
00:19:57May I help you with something?
00:19:58I'm very busy at the moment.
00:20:01Mr. Alexander, I can see that.
00:20:03Responsibility for the company now rests entirely upon you.
00:20:06And this is for Mr. Brown.
00:20:08I was sure you'd return today.
00:20:13Professional intuition.
00:20:14Oh, no.
00:20:16Nothing as fancy as that, Mr. Alexander.
00:20:19It wasn't difficult even for a modest inspector like myself to foresee your return for today.
00:20:24Quite simply, because today is your wife's birthday.
00:20:27Mr. Alexander, will you return to the same house?
00:20:36For the moment, I'm staying at the Savoy.
00:20:38Well, thank you, sir.
00:20:57Oh, no.
00:21:27Oh, no.
00:21:58Oh, no.
00:21:59Oh, no.
00:22:00Oh, no.
00:22:01Oh, no.
00:22:02Oh, no.
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00:23:00Oh, no.
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00:24:00Oh, no.
00:24:01Oh, no.
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00:24:23Oh, no.
00:24:25Oh, no.
00:24:26Oh, no.
00:24:28Oh, no.
00:24:36Dry yourself and get out.
00:24:42You are too rude to be anything but the owner of the house, sir.
00:24:46Hurry up and get out!
00:24:48Perhaps you would be so good as to explain
00:24:50why you're in such a rush to throw me out.
00:24:56I understand the usual middle-class husband.
00:24:59You can't be afraid, I'm sure.
00:25:01You don't look the type.
00:25:03Indeed, on the contrary.
00:25:05Oh, you're a brute, and you've got a temper,
00:25:08and a lot of strength.
00:25:12You brought in the light with you.
00:25:15Turn it off, it was nice...
00:25:20You owe me an explanation.
00:25:23Elementary, my dear Watson, elementary.
00:25:26My name is Christine.
00:25:28Eighteen years old,
00:25:30and I'm the daughter of a man
00:25:32who was killed by a man
00:25:34who was killed by a man
00:25:36who was killed by a man
00:25:38who was killed by a man
00:25:41eleven years old without fixed lodgings.
00:25:44Having seen a beautiful big house
00:25:46and very much in need of a perfume bath,
00:25:49I climbed over the fence, and here I am.
00:25:52Beautiful and naked, as God made me.
00:26:05Oh, bloody hell, to think I looked everywhere
00:26:08and it was right under my nose.
00:26:11Hey, you can't drink alone.
00:26:14Please.
00:26:28Drink up and go.
00:26:30Villain, that's what.
00:26:32You're a dangerous man.
00:26:38Why don't you let me sleep here with you tonight?
00:26:41I'll be good and I don't snore.
00:26:44And tomorrow morning we could have a very good...
00:26:51I'm sorry. I'm terrified of storms.
00:26:57I told you to get out.
00:27:00It hurts. I can't walk anymore.
00:27:03I'm sorry, but that's your fault.
00:27:08Okay, tell me where to go. I'll drive you.
00:27:13Come on.
00:27:14Come on.
00:27:38If you want your keys.
00:27:41See you.
00:27:44No!
00:28:14I'm sorry.
00:28:16I'm sorry.
00:28:18I'm sorry.
00:28:20I'm sorry.
00:28:22I'm sorry.
00:28:24I'm sorry.
00:28:26I'm sorry.
00:28:28I'm sorry.
00:28:30I'm sorry.
00:28:32I'm sorry.
00:28:34I'm sorry.
00:28:36I'm sorry.
00:28:38I'm sorry.
00:28:40I'm sorry.
00:28:42I'm sorry.
00:28:44I'm sorry.
00:28:46I'm sorry.
00:28:48I'm sorry.
00:28:50I'm sorry.
00:28:52I'm sorry.
00:28:54I'm sorry.
00:28:56I'm sorry.
00:28:58I'm sorry.
00:29:00I'm sorry.
00:29:02I'm sorry.
00:29:04I'm sorry.
00:29:06I'm sorry.
00:29:08I'm sorry.
00:29:10I'm sorry.
00:29:12I'm sorry.
00:29:14I'm sorry.
00:29:16I'm sorry.
00:29:18I'm sorry.
00:29:20I'm sorry.
00:29:22I'm sorry.
00:29:24I'm sorry.
00:29:26I'm sorry.
00:29:28I'm sorry.
00:29:30I'm sorry.
00:29:32I'm sorry.
00:29:34I'm sorry.
00:29:36I'm sorry.
00:29:38I'm sorry.
00:29:40I'm sorry.
00:29:42I'm sorry.
00:29:44I'm sorry.
00:29:46I'm sorry.
00:29:48I'm sorry.
00:29:50I'm sorry.
00:29:52I'm sorry.
00:29:54I'm sorry.
00:29:56I'm sorry.
00:29:58I'm sorry.
00:30:00I'm sorry.
00:30:02I'm sorry.
00:30:04I'm sorry.
00:30:06I'm sorry.
00:30:08I'm sorry.
00:30:10I'm sorry.
00:30:12I'm sorry.
00:30:14I'm sorry.
00:30:16I'm sorry.
00:30:18I'm sorry.
00:30:20I'm sorry.
00:30:22I'm sorry.
00:30:24I'm sorry.
00:30:26I'm sorry.
00:30:28I'm sorry.
00:30:30I'm sorry.
00:30:32I'm sorry.
00:30:34I'm sorry.
00:30:36I'm sorry.
00:30:38I'm sorry.
00:30:40I'm sorry.
00:30:42I'm sorry.
00:30:44I'm sorry.
00:30:46I'm sorry.
00:30:48I'm sorry.
00:30:50I'm sorry.
00:30:52I'm sorry.
00:30:54I'm sorry.
00:30:56I'm sorry.
00:30:58I'm sorry.
00:31:00I'm sorry.
00:31:02I'm sorry.
00:31:04I'm sorry.
00:31:06I'm sorry.
00:31:08I'm sorry.
00:31:10I'm sorry.
00:31:12I'm sorry.
00:31:14I'm sorry.
00:31:19Listen, darling, how about showing you that film of mine tonight?
00:31:23He's going to show my film.
00:31:38Well, you still don't know Peter.
00:31:40You always say he's the best of the last.
00:31:41We'll try a little patience. You won't regret it.
00:32:42Oh, wait a minute!
00:32:53Oh, look at that thing! I didn't see that.
00:32:57Come on!
00:32:58Come on, Frankie! Hurry it up!
00:33:08Take it off!
00:33:11Oh, come on!
00:33:27Oh, look at that!
00:33:41Oh, look at that!
00:33:46Oh, look at that!
00:33:49Nice sail!
00:33:57Nice!
00:34:06We're having trouble here.
00:34:11Oh, look at that!
00:34:15Take it deeper in.
00:34:17Oh, look at that!
00:34:29Nice!
00:34:37Look at that!
00:34:38Oh, look at that!
00:35:06When did you make this film?
00:35:07Well, don't shout. I think it was last Friday.
00:35:10Oh, tell me, what are you so upset about?
00:35:12I want to speak to Peter.
00:35:13Oh, but don't let him know I told you anything.
00:35:15I want that film.
00:35:16Things like that are very expensive.
00:35:18Take me to him, then.
00:35:19Oh, no, no. Wait for me here. I'll be right back, huh? Okay?
00:35:37Oh, look at that!
00:36:07Oh, look at that!
00:36:19Where's the projectionist?
00:36:20Oh, if you really want to dig him up, try the art studio at the port.
00:36:26Maybe you'll have...
00:36:38Sooner or later, Christine will get into trouble,
00:36:42taking up where the first bastard she meets.
00:36:46And you, Golden Lips, ought to learn to keep your mouth shut!
00:36:50Got me?
00:37:07Oh, yeah.
00:37:37Oh, yeah.
00:38:07Oh, yeah.
00:38:37Oh, yeah.
00:39:08What do you want?
00:39:14What are you looking for?
00:39:20You better talk.
00:39:37What?
00:40:07You better talk.
00:40:37You better talk.
00:41:07You better talk.
00:41:38Put it back.
00:41:50Oh.
00:41:53I like you better this way.
00:41:57Tough, but still alive.
00:41:59You've been sleeping for 12 hours.
00:42:02Where were you hiding?
00:42:03We're just talking.
00:42:05Where were you hiding?
00:42:06Where do you think I was?
00:42:08At the house, looking for Peter.
00:42:11These things take time, you know.
00:42:13I got there just in time to get away from them,
00:42:15and I convinced them that you weren't a flatfoot,
00:42:17but just a pervert looking for the film.
00:42:35Where's the film, hmm?
00:42:38Peter promised to give it to me.
00:42:41Where's Peter bringing it?
00:42:44I've got a small room in a hotel near the port of London.
00:42:47If you want to know, my window overlooks the studio courtyard.
00:42:50What's the name of that woman?
00:42:53Don't ask me to tell you.
00:42:56Tell me.
00:42:57All I know is they call to the countess.
00:43:00Who is she?
00:43:01I asked Peter to get the film.
00:43:03He told me he wouldn't be involved in...
00:43:05where she's concerned.
00:43:07That she's dangerous.
00:43:31Come on.
00:43:56A lot of people go off at full speed.
00:43:58I like to warm the motor first.
00:44:01I like to warm the motor first.
00:44:31I like to warm the motor first.
00:45:01I like to warm the motor first.
00:45:03I like to warm the motor first.
00:45:31I like to warm the motor first.
00:45:33I like to warm the motor first.
00:46:01I like to warm the motor first.
00:46:03I like to warm the motor first.
00:46:23If you look into my eyes.
00:46:26If you read inside me.
00:46:28Allora certo capirei tutto il male che hai fatto a me Allora certo capirei tutto il male che hai fatto a me
00:46:44E' rime una bugia, non voglio creder più E' rime una bugia, non voglio creder più
00:46:51Il gioco è ormai finito, lo vedi, hai vinto tu Il gioco è ormai finito, lo vedi, hai vinto tu
00:47:05Esco dalla tua vita, così come vuoi tu Esco dalla tua vita, così come vuoi tu
00:47:13Finita è la partita, non giocherò mai più Finita è la partita, non giocherò mai più
00:47:21Finita è la partita, non giocherò mai più Finita è la partita, non giocherò mai più
00:47:27Dimmi la verità , ormai non m'ami più Pristine, pristine
00:47:34Pristine, pristine
00:47:51♪♪
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00:53:16Do you want to count it?
00:53:18Among gentlemen.
00:53:22Where did you find the woman wearing the veil?
00:53:24You see, sir, as you can well imagine, this is a very risky business.
00:53:32It is not our custom to reveal the identity of our actresses.
00:53:37Maybe I can help you.
00:53:39A friend of mine brought her around and I...
00:53:41What's her name?
00:53:43Tell me.
00:53:45Why such a hurry?
00:53:47You ought to know. It's your business.
00:53:51Always at your disposition.
00:53:54Don't worry. You'll be seeing me again.
00:53:56Come in.
00:54:14You know, I was afraid there for a moment.
00:54:18What for?
00:54:20Among gentlemen.
00:54:27Now talk, if you want to save that face of yours.
00:54:30I've told you everything I know.
00:54:32I've told you already.
00:54:34I don't know anything else.
00:54:36I don't know. I swear.
00:54:42Yes, you do, you little bitch.
00:54:46Why did you come to my house that night?
00:54:48Why did you give me that pill?
00:54:50I want the next one.
00:54:52Why did you come to my house that night?
00:54:54Why did you give me that pill?
00:54:56I want the name of the woman in this disgusting picture with you.
00:54:58You know I can't tell you.
00:55:00These people are not playing around.
00:55:02You know that they're a dangerous crowd.
00:55:04The woman. The name of that woman.
00:55:06The Countess.
00:55:08I want to know the name. The name!
00:55:10Peter always went after her.
00:55:12Brought her to the studio and took her back.
00:55:14The way he treated her, you could see she wasn't one of us.
00:55:18That's why we named her the Countess.
00:55:20But she had a name.
00:55:22One day while filming one of these scenes,
00:55:25the Countess always performed with such warmth and realism,
00:55:29she suddenly bit me on the neck and whispered softly,
00:55:32always called me Helen.
00:55:34And then she kissed me almost with anger.
00:55:36I didn't know what was happening.
00:55:40Did she say anything else?
00:55:42No.
00:55:44Later on I went back to Peter's office
00:55:46and he told me that she was the wife
00:55:48of some very important industrialist
00:55:50and had survived a bad car accident.
00:55:53And she was a little insane now.
00:55:56He told me not to talk about it to anyone else
00:55:59and sent me out of the office.
00:56:11You said this picture was made five days ago.
00:56:14Six to be exact.
00:56:16Listen, why does this woman interest you so much?
00:56:19Let's say that mine is the curiosity of an industrialist.
00:56:31If you're lying,
00:56:33you'll regret it.
00:57:16This is Alexander speaking.
00:57:18May I talk to Mr. Brown, please?
00:57:20It's urgent.
00:57:26Mr. Brown?
00:57:28Mr. Brown?
00:57:30Mr. Brown?
00:57:32Mr. Brown?
00:57:34Mr. Brown?
00:57:36Mr. Brown?
00:57:38Mr. Brown?
00:57:40Mr. Brown?
00:57:42Mr. Brown?
00:57:44Yes?
00:57:49Yes, all right. I'll call him later.
00:58:14John, do you know what you're saying?
00:58:16It's Helen, there can be no doubt.
00:58:18When I saw the picture the first time,
00:58:20I couldn't believe my eyes.
00:58:22When they were lying there,
00:58:24I repeated the same phrase over and over.
00:58:26I know she's dead.
00:58:28She's dead. Helen's dead.
00:58:30But the film, you'll have to see the film.
00:58:33You told me yourself the woman's face was veiled.
00:58:36It was, but the scar on her neck, the pulse,
00:58:39the wrinkles on her face,
00:58:41but the scar on her neck, the pulse,
00:58:43the ring, it's Helen's ring.
00:58:45But why has she remained silent if she's really alive?
00:58:47Perhaps she did try to contact us,
00:58:49but wasn't able to.
00:58:51But for what reason, for God's sake?
00:58:53She may be in the hands of someone
00:58:55who's blackmailing her.
00:58:57All right, it could be possible,
00:59:00but I just don't believe it.
00:59:02She tried to contact us.
00:59:06Please, please come along.
00:59:08You'll have to see the film immediately.
00:59:10All right, as soon as possible.
00:59:12I know there's an explanation.
00:59:40Poor John.
00:59:42He actually thought that he saw her alive.
00:59:44He's in a state of shock.
00:59:46He might do something foolish.
00:59:48He's not the type, Mr. Brown.
00:59:50In fact, we have come here to inform you
00:59:52that we have received anonymous letters
00:59:54in which it is stated that your daughter
00:59:56has been killed by a blackmailer.
00:59:58That's not true.
01:00:00It's not true.
01:00:02It's not true.
01:00:04It's not true.
01:00:06It's not true.
01:00:08In which it is stated that your daughter, Helen,
01:00:10was the victim of murder.
01:00:12It's ridiculous. What an idea.
01:00:14I'm not so sure.
01:00:16But tell me frankly,
01:00:18do you think that John Alexander
01:00:20could have killed your daughter?
01:00:22Of course not.
01:00:24Nobody would ever make me believe that.
01:00:28Wasn't he the sole heir?
01:00:30Yes, but he never knew it.
01:00:32Nobody knew it, not even me,
01:00:34until the accident,
01:00:36and the police said it was an accident.
01:00:39See if you can remove that bit for me.
01:00:55Gordon, listen.
01:00:59The explosion could have been caused
01:01:01by a device that was self-destroying.
01:01:06I might have found the reason why
01:01:08I could find no trace
01:01:10during the preliminary routine investigation
01:01:12at Liverpool.
01:01:14Yes. It's a matter for the lab.
01:01:20Better pass it to them at once.
01:01:22Here. Right away.
01:01:36Now you'll see the ring.
01:02:03I see a lot of precious things.
01:02:06But I don't see Helen's ring.
01:02:26Now, watch this.
01:02:33Will you run that part of the film again?
01:02:36Yes.
01:02:57So this is the famous film, eh?
01:03:06Hmm.
01:03:08I don't understand it.
01:03:19I'll be going.
01:03:22I swear I couldn't have dreamed it.
01:03:26No, you're not dreaming now.
01:03:28But you were dreaming last night.
01:03:30But it wasn't only last night.
01:03:32I also saw it at that place.
01:03:34You talked yourself into something that doesn't exist.
01:03:36But that you could reach a point
01:03:38where you think that Helen would ever participate
01:03:40in a disgusting film like that?
01:03:42Well, that doesn't make sense.
01:03:45So you think I'm insane.
01:03:48Well, I'm not.
01:03:50And I know that what I've told you is true.
01:03:52Even if I can't find any reasonable
01:03:54explanation at the moment
01:03:56why the film turned out to be so different.
01:03:59I'm certain.
01:04:01I didn't dream it.
01:04:03I don't know why the picture's different now.
01:04:05And there's not much hope of discovering
01:04:07the truth behind it all, but I won't give up.
01:04:09You know what I'll do?
01:04:11I'll go to the police and ask them to reopen the investigation.
01:04:13That's what I'll do.
01:04:15John, you can do what you want.
01:04:18You know what will happen if you ask them to reopen the inquest?
01:04:22You know what will happen?
01:04:24It'll be a scandal.
01:04:26Every newspaper in London will carry the story.
01:04:28And our business, which was built on respectability
01:04:30and trust, we could be ruined.
01:04:32Now we've got to keep this thing out of the limelight.
01:04:40I'm sorry, John.
01:04:43You know I'm on your side.
01:04:45Maybe we should go to the police. I don't know.
01:04:50Let me think about it.
01:05:02Come on.
01:05:24Do you mind?
01:05:26No.
01:05:32Was that Brown who just left,
01:05:34or am I mistaken?
01:05:38An inspector of Scotland Yard never makes a mistake.
01:05:42A legend, my friend, a legend.
01:05:44We have been responsible
01:05:46for arresting innocent men like Evans.
01:05:49Besides, criminals have become so clever
01:05:52that our profession has become very difficult.
01:05:55Do you want a drink?
01:05:58I'd prefer a glass of milk, actually.
01:06:00Do you really want it,
01:06:02or do you just want me out of this room?
01:06:05You're as suspicious as a policeman.
01:06:07Don't bother if that's what you think.
01:06:11Lovely house you have.
01:06:14Ah.
01:06:16I see you're very much the home movie fan.
01:06:19Mickey Mouse amuses me.
01:06:24Yet you destroy the films after seeing them.
01:06:26Listen, Inspector,
01:06:28wouldn't it be better if you spoke frankly?
01:06:30Mr. Alexander, I will,
01:06:32but allow me first to say this.
01:06:34You're not obliged to reply at all.
01:06:36Think of me as your friend
01:06:38rather than a policeman.
01:06:40I must try to see you that way.
01:06:43I don't ask for blind faith.
01:06:50I'm sorry.
01:06:52I imagine you loved your wife.
01:07:04Yes.
01:07:22They're beautiful.
01:07:37A magnificent collection.
01:07:52Amazing. Do they all work?
01:07:55Yes, I...
01:07:57wind them myself.
01:07:59My compliments.
01:08:02I'm afraid I'm boring you. I'd better be going.
01:08:16Do you play chess?
01:08:18No.
01:08:20I hate the game.
01:08:23I would have sworn to the contrary.
01:08:25As you see,
01:08:27the days of Sherlock Holmes are over.
01:08:41The garage is back there
01:08:43at the bottom of the garden.
01:08:45Yes.
01:08:47I must say you're lucky
01:08:49having it so far away.
01:08:51No possibility of being disturbed by motors.
01:08:54Did your wife keep the Jaguar in the garage?
01:08:57Yes.
01:08:59I see.
01:09:03Talking of the Jaguar, Inspector,
01:09:05I forgot to tell you that my wife's car
01:09:07had the only clock I wasn't able to regulate.
01:09:11It was always an hour fast.
01:09:13Surprising.
01:09:43Hello?
01:09:59Hello?
01:10:13Hello?
01:10:15I want the Alexander file.
01:10:45Here it is, sir.
01:10:48Thank you.
01:10:49You can go now.
01:10:56We arrived on the scene at six o'clock.
01:10:59The accident had occurred an hour before.
01:11:02The accident had occurred an hour before.
01:11:05The accident had occurred an hour before.
01:11:08The accident has occurred an hour before.
01:11:11It happened to no one,
01:11:13The accident had occurred an hour before.
01:11:41Where are you going?
01:11:43She isn't there.
01:11:45That man Peter came round an hour ago and they left together.
01:11:49When will they be back?
01:11:51I don't know. Maybe tomorrow, maybe never.
01:12:14Surprised?
01:12:16Yes, I have to say yes, considering our former relationship.
01:12:21Would you like a drink?
01:12:23When did Helen last call you up?
01:12:25I don't understand.
01:12:27When did Helen last call you up?
01:12:29Before the accident.
01:12:31After!
01:12:33Then you know. You know too.
01:12:36That's why you're here.
01:12:38I don't know anything. That's why I'm here.
01:12:42I've been living in a nightmare for days.
01:12:44I'm almost glad you found out.
01:12:46Helen wasn't alone on that trip.
01:12:48She called me from Crosswell.
01:12:50She was unhappy.
01:12:52She told me she had been able to persuade her friend Judith to go along with her.
01:12:55Tell me all the facts.
01:12:57The other night, I received a phone call.
01:12:59A woman who claimed she was Helen.
01:13:02But the voice, the voice wasn't hers.
01:13:05She told me she was saved by a miracle.
01:13:08At the last moment.
01:13:10Just before the gas tank exploded,
01:13:12she was thrown out of the car,
01:13:14while her friend Judith was trapped in the wreckage.
01:13:16Helen said she got away from the car before the explosion.
01:13:20She ran and kept on running.
01:13:24The body that burned in the car was Judith's.
01:13:27I begged her and pleaded with her to come and see me.
01:13:31But she, with that terrible weeping voice,
01:13:35she told me she couldn't come.
01:13:37From that moment on,
01:13:39I thought the call was interrupted.
01:13:41But then I heard her repeat over and over again
01:13:43that she didn't want to see you,
01:13:45that she didn't want to see anyone.
01:13:47Did you speak to her father?
01:13:49No.
01:13:50He would only tell me I was imagining everything.
01:13:54Would you like a drink now?
01:14:37No.
01:15:08It's you.
01:15:13Will you tell me what you're doing here at this time of night?
01:15:16Why, what time is it?
01:15:222.30.
01:15:23My God, it's late.
01:15:27You still haven't answered my question.
01:15:29Easy. I haven't seen you all day.
01:15:32Then I realized that I might find you at home,
01:15:35and so I used my key.
01:15:39Is there anything wrong, dear?
01:15:45No. Now you're here, it's all right.
01:15:50I did want to see you.
01:15:52But then I fell asleep like mischievous children do.
01:16:06Alice.
01:16:31I'd like to ask you a question.
01:16:33What did that police inspector want from Mr. Brown the other day in the office?
01:16:40I didn't think it would be of any interest to you.
01:16:43What were they talking about?
01:16:45I'm not in the habit of eavesdropping behind doors.
01:16:51Sometimes I remember you did.
01:16:55Careful.
01:16:57I'm tired of evasions, mysteries and half-truths.
01:17:01Better tell me all.
01:17:03I love you, John.
01:17:05I didn't want to hurt you, so I said nothing.
01:17:08You acted so strange, so worried.
01:17:11Yes, it's true. Brown did speak about you.
01:17:14He said that Gordon suspected you had murdered Helen,
01:17:17and he tried to defend you,
01:17:19although you seemed to be completely mad.
01:17:24And?
01:17:25And he also suspects you, because now your mind isn't normal.
01:17:30Are you sure?
01:17:31I'm not a liar.
01:17:34John.
01:17:37Tell me the truth.
01:17:39What they say isn't true.
01:17:41You didn't kill your wife.
01:17:54You idiot.
01:18:00I love you.
01:18:30If you want a cigarette, it's in my coat pocket.
01:19:01By the way, John,
01:19:03how silly, I almost forgot a telephone call today,
01:19:07saying that the Countess had...
01:19:09What do you know about the Countess?
01:19:11Nothing.
01:19:12Anyway, the gentleman left a message
01:19:14saying the Countess had gone back to the old family house.
01:19:30Thank you.
01:20:00Thank you.
01:20:30I love you.
01:21:00I love you.
01:21:30I love you.
01:22:00I love you.
01:22:30© BF-WATCH TV 2021
01:23:00© BF-WATCH TV 2021
01:23:30© BF-WATCH TV 2021
01:24:01© BF-WATCH TV 2021
01:24:11Hello?
01:24:13Hello?
01:24:15Who?
01:24:17He's at the bar now. Tell him Liz called,
01:24:20and that Helen is waiting for him at Sudan's Cathedral.
01:24:23Sudan's Cathedral.
01:24:25Uh-huh. Okay.
01:24:27Don't worry, I've got the message straight.
01:24:29Helen is waiting for him at Sudan's Cathedral.
01:24:32© BF-WATCH TV 2021
01:24:58Here I am.
01:25:02© BF-WATCH TV 2021
01:25:20It's impossible.
01:25:26Why didn't you wait for me at the house?
01:25:29Because I couldn't find the courage.
01:25:33I'll tell you why.
01:25:36Because you're not Helen.
01:25:38No, my wife died in the accident.
01:25:41No one knows that better than I.
01:25:48My face is your work.
01:25:51I was a beautiful woman.
01:25:53Now I'm a monster.
01:25:56But how did you survive?
01:25:58Even my voice is destroyed.
01:26:00I'm alive only by a miracle.
01:26:03I almost envy that poor girl who died in my place.
01:26:08Oh, Helen, my poor Helen.
01:26:11I don't want your pity.
01:26:17Kill me.
01:26:19I can't go on living like this.
01:26:23Kill me.
01:26:30© BF-WATCH TV 2021
01:26:49I knew it was you.
01:26:51Bitch, you ruined my life.
01:26:55Miss Alexander, I wouldn't do that if I were you.
01:27:01© BF-WATCH TV 2021
01:27:12If you hadn't stopped him, he would have killed again.
01:27:18What are you waiting for? Arrest the murderer.
01:27:22I'm not a murderer.
01:27:24Don't talk like that.
01:27:27I loved Helen, I always loved her.
01:27:31© BF-WATCH TV 2021
01:27:55But this is insane, it's absurd.
01:27:57You can't arrest me.
01:27:58You have no proof.
01:28:00I recorded your phone calls with Liz.
01:28:02They prove beyond a shadow of a doubt that you killed your daughter.
01:28:05You tried to make Mr. Alexander
01:28:07behave like a criminal to make him look like a suspect.
01:28:10You'd better be careful what you say.
01:28:12There's ample proof against you.
01:28:14I knew your plan wouldn't work.
01:28:16You son of a bitch.
01:28:17If it wasn't for the inspector, he would have killed me.
01:28:20And all because you wanted to grab your stepdaughter's money
01:28:23and become the real head of the company.
01:28:25Damn you. I told you you couldn't make this work.
01:28:28You son of a bitch.
01:28:30I knew I couldn't trust you.
01:28:35Let me go!
01:28:37Let me go!
01:28:59I always suspected, Brown.
01:29:01But after the arrest of Peter and Christine,
01:29:04who confessed they had manipulated the film,
01:29:06and after you told me the clock on the Jaguar went an hour ahead,
01:29:09my doubts turned to certainty.
01:29:11The explosion had not occurred at 6 o'clock,
01:29:14as the clock indicated, but at 5,
01:29:16as Brown had always maintained.
01:29:18Only the murderer could have known the exact hour.
01:29:21In other words, Brown.
01:29:28No!
01:29:59Mr. Brown has done you a favor.
01:30:04Otherwise, you would have killed him.
01:30:28I will never play again.
01:30:37I leave your life,
01:30:41as you wish.
01:30:45The game is over.
01:30:49I will never play again.
01:30:59Tell me the truth.
01:31:03Now you don't love me anymore.
01:31:07I say it with your eyes.
01:31:11You must say it.