Il resto con i miei occhi : A feature film by Massimiliano Amato. THE REST WITH MY EYES is the final chapter of a trilogy: three perfectly independent feature films linked by the guiding thread of feelings as that which lies at the root of human actions.
Category
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Short filmTranscript
00:01:00Matteo...
00:01:04Matteo, come up.
00:01:08Come up.
00:01:10The client of 7...
00:01:16is dead.
00:01:21Ok, thank you. We're done.
00:01:30Ok.
00:01:38I wanted to ask you something about the character.
00:01:40Sure, tell me.
00:01:44Are there any jokes?
00:01:46Yes, of course. The male protagonist of the film.
00:01:49Isn't that enough humor?
00:01:51No.
00:01:52It's just that at the moment I can't give you more precise explanations.
00:01:57And when will it start shooting?
00:01:59I don't know yet.
00:02:01I haven't decided the cast and it's a difficult project.
00:02:05Anyway, thank you for your time.
00:02:08Bye.
00:02:29Hey.
00:02:37Stop. Thank you.
00:02:41Examine her.
00:05:59I love you.
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00:11:14I love you.
00:11:15I love you.
00:11:16I love you.
00:11:1730 years of hard work,
00:11:19no one has ever offered me a role as a protagonist for the cinema.
00:11:24I'm happy to be me.
00:11:27I have to stay a few days to do the overhaul
00:11:29and I thought it was a good opportunity to see you here.
00:11:47I have to stay a few days to do the overhaul
00:11:49and I thought it was a good opportunity to see you here.
00:12:17I have to stay a few days to do the overhaul
00:12:19and I thought it was a good opportunity to see you here.
00:12:40Come closer to the window.
00:12:43Come closer to the window.
00:12:46And look outside.
00:12:49As if it were the first time you are in this city.
00:12:58Now you have to do the same, taking your ID
00:13:04and looking at that picture without recognizing your face.
00:13:08Asking yourself who you really are.
00:13:19Now take that notebook on the bedside table
00:13:23and unfold it.
00:13:25There are some pages torn inside,
00:13:27but others are full of notes.
00:13:29Read it like a real copy of your life.
00:13:37Read it like a real copy of your life.
00:13:58Thank you, that's enough for me.
00:14:01You're welcome.
00:14:03I hope it will be useful for your work.
00:14:05Of course it is, otherwise I wouldn't do it.
00:14:09Even if I understand that it may seem unprofessional.
00:14:13I'm used to everything.
00:14:15I did the last rehearsal with my cell phone.
00:14:19The director was already on the set
00:14:21and the casting had to send the actors' videos immediately.
00:14:24No, I'm not that good.
00:14:26But I need the camera to see things
00:14:28that my eyes can't always see.
00:14:32I'm sorry.
00:14:36See you later.
00:16:01Yes, hello, yes.
00:16:04Yes, it's done, it's over.
00:16:09No, don't worry, I'll be there on set tomorrow.
00:16:13My first flight, yes.
00:16:16I don't know if it was a good idea to come here or not.
00:16:20She asked me to come,
00:16:22but I don't know what to do.
00:16:24I don't know what to do.
00:16:27I don't know what to do.
00:16:30She doesn't have a producer or a distributor.
00:16:33It's a bit crazy.
00:16:35I'm not sure her film will ever exist.
00:16:38I promised her to read it and give her an answer.
00:16:42Yes, of course.
00:16:43It's still the first role.
00:16:50Isabelle, I don't want to work with this production
00:16:53because I'm not interested in what they offer.
00:16:57Yes, everyone has already refused it.
00:16:59You pay badly.
00:17:00It's always long and complicated to get a...
00:17:04You say I'm abroad, that's all.
00:17:06Or if you dare, you can send them to hell.
00:17:09I'm fine with that too.
00:17:11No, it's a joke, Isabelle.
00:17:13You say I'm busy.
00:17:18Yes, I'll call you when I'm back.
00:17:21OK, see you soon.
00:17:26Bye.
00:17:56I'm sorry.
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00:28:00I'm sorry.
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00:28:03I'm sorry.
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00:28:21I'm sorry.
00:28:22I'm sorry.
00:28:23I'm sorry.
00:28:24I'm sorry.
00:28:25I'm sorry.
00:28:26I'm sorry.
00:28:27I'm sorry.
00:28:28I'm sorry.
00:28:29I'm sorry.
00:28:30I'm sorry.
00:28:31I'm sorry.
00:28:32I'm sorry.
00:28:33I'm sorry.
00:28:34Action.
00:28:44Action.
00:28:46I wouldn't want to die
00:28:49before having met the black dogs of Mexico
00:28:51who sleep without dreaming.
00:28:54If the sun is cold.
00:28:56If the four seasons are really only four
00:28:59without trying to wear a dress on the big boulevards.
00:29:03Without having looked in a look
00:29:06of disgust.
00:29:08Without having put my robe
00:29:11in weird corners.
00:29:15There is also everything I know
00:29:18everything I appreciate
00:29:19everything I know I like.
00:29:22The green bottom of the sea
00:29:24where the grains of algae waltz on the wavy sand.
00:29:28The burnt grass of June
00:29:30the cracking earth
00:29:31the smell of conifers
00:29:33and the kisses of those
00:29:35that this, that this
00:29:38the beautiful that this
00:29:41my name is
00:29:43Ursula.
00:29:45Cut.
00:29:49Very good.
00:29:52Keep the fourth and put the first at random.
00:29:57How old are you?
00:29:5824.
00:30:02You have a beautiful face.
00:30:07But you know you won't stay young forever.
00:30:10Of course.
00:30:13Doesn't it scare you?
00:30:15I don't think about these things.
00:30:23Life is a deadly disease.
00:30:27One day you will understand.
00:30:30Probably.
00:30:46But...
00:30:48Leave me alone.
00:30:53Leave me alone!
00:30:54Leave me alone!
00:30:58Is that what you want? You want to fight?
00:30:59Yes.
00:31:24Come on.
00:32:59How did it go with the French doctor?
00:33:01He'll let us know as soon as he's finished reading the script.
00:33:04Did you call Nick too?
00:33:05Yes, of course. He's already here.
00:33:06OK.
00:33:07Let him in.
00:33:08All right, I'm going.
00:33:10I'm going.
00:33:11I'm going.
00:33:12I'm going.
00:33:13I'm going.
00:33:14I'm going.
00:33:15I'm going.
00:33:16I'm going.
00:33:17I'm going.
00:33:18I'm going.
00:33:19I'm going.
00:33:20I'm going.
00:33:21I'm going.
00:33:22I'm going.
00:33:24Imagine you're in a hotel room,
00:33:27but you don't remember why you're there.
00:33:31There's a window to your right.
00:33:34Take a look outside.
00:33:53Take a look outside.
00:34:13I'm sorry, Claudia. I don't understand. What's the problem?
00:34:16I'm not well.
00:34:18I just had a test, Nick.
00:34:20Yes, I understand.
00:34:22But we made two films together.
00:34:23A lot of other jobs.
00:34:25We've known each other for ten years.
00:34:26Maybe even more.
00:34:28What are all these problems with me?
00:34:29You don't know me.
00:34:37All right.
00:34:40Let's do this. Let me know.
00:34:51Fuck.
00:34:54Hello.
00:34:59May I?
00:35:00Yes, of course.
00:35:02Maybe you don't remember me,
00:35:03but we worked and studied together a few centuries ago.
00:35:07I can't believe it.
00:35:14My agent told me you were looking for an actor
00:35:16who was talented, experienced, terribly sexy,
00:35:19and of an international calibre.
00:35:21Mature, intelligent.
00:35:24What a surprise, Alessandro.
00:35:26What are you up to?
00:35:28You didn't know?
00:35:31I've become a porn star.
00:35:34Anglo-Saxon, yes.
00:35:36Even though I like to go back to doing the classics in the theatre.
00:35:40And some good films, if I can.
00:35:43My fans are asking me to do it.
00:35:46How long ago?
00:35:48It was 1995.
00:35:51How many years ago?
00:35:53But as you can see,
00:35:54even though I weigh a few pounds more,
00:35:56you wouldn't find anything better on the market.
00:35:59I have no doubt.
00:36:01I have no doubt either.
00:36:02But do you know how many women have said no
00:36:04to their husbands every time they met me?
00:36:08Dozens and dozens and dozens.
00:36:11You know what I mean, don't you?
00:36:18Listen.
00:36:21Tomorrow I have to shoot a scene in a very difficult film.
00:36:25And then I have to leave immediately because
00:36:28my father is very ill.
00:36:31I don't know what you're looking for, but
00:36:34I wanted to show you something I've been working on for a while.
00:36:37Sure, sure.
00:36:38Let me see.
00:36:40Sure.
00:36:50It seems.
00:36:53No.
00:36:55It is.
00:37:01I don't know, it seems.
00:37:05But what is this something inside that I feel?
00:37:11Beyond all this appearance.
00:37:18Oh my God, oh my God,
00:37:20how sterile, fluffy, flat, useless
00:37:22the uses of this world seem to me.
00:37:24Disgusting.
00:37:25Disgusting on everything.
00:37:28It's an uncultivated garden that goes together.
00:37:30Vulgar fetishes possess it completely.
00:37:37Oh, if this is too much for me.
00:37:40Too solid flesh could melt.
00:37:45Dissolve and become rust.
00:37:49Or if the Eternal had not fixed its law against suicide.
00:37:58Alone.
00:38:01I'm alone.
00:38:05To be
00:38:07or not to be.
00:38:09This is the problem.
00:38:12If you are nobler to bear in your soul
00:38:14the frustrations of a lost fortune,
00:38:17or to take up arms against a sea of trouble
00:38:21and fight to disperse them,
00:38:24to die,
00:38:25to sleep,
00:38:26nothing else but to say that we abandon the pain
00:38:29and the thousand natural offenses
00:38:31that are the heritage of flesh.
00:38:34Now it would be easy to give up.
00:38:38To kill yourself.
00:38:41Not to face the conflict.
00:38:46But instead it is necessary
00:38:48to face it, to fight it.
00:38:52Because who would bear
00:38:53the misdeeds and the outrages of time,
00:38:56the insults of pride,
00:38:59the spasms of despised love,
00:39:00the indulgence of law,
00:39:01the arrogance of power,
00:39:04the mockery that the merit of a patient
00:39:05receives from the mediocre
00:39:06when he could, with his own hand,
00:39:08give himself peace with the influence of a dagger.
00:39:11Who would want to load himself with slingshots,
00:39:14moan and sweat under the weight of a painful life
00:39:16if the terror of something after death,
00:39:19the unexplored country
00:39:20from which no traveller returns,
00:39:23did not discourage the will
00:39:24and made us bear the evils we have,
00:39:27rather than fly to others
00:39:29of whom we know nothing.
00:39:31To be.
00:39:33To be is the same as
00:39:35to bear in the soul
00:39:37the whips and the darts
00:39:38of an adverse fortune.
00:39:40Not to be.
00:39:43To take up arms
00:39:45against a sea of trouble
00:39:47and fight to dispel it.
00:39:58How to really change things
00:40:00if nothing changes in substance.
00:40:03Vengeance.
00:40:05Vengeance does not solve anything.
00:40:09Even not acting does not solve anything.
00:40:14And how to face
00:40:16this conflict?
00:40:19This insane conflict
00:40:21between being and non-being.
00:40:24To be truly great
00:40:27does not mean to fight
00:40:29without a great reason.
00:40:33But to face the fight
00:40:36with courage.
00:40:39Even for a son of a bitch
00:40:42when he is in the game.
00:40:46Well, now I have to go.
00:40:48Listen,
00:40:50I wish you a good job, good luck.
00:40:55And good luck.
00:41:03Adieu.
00:41:29Hello?
00:41:30Serge?
00:41:32Hello?
00:41:36I wanted to tell you that
00:41:39I accept the flight.
00:41:41I wanted to do it myself.
00:41:43All right.
00:41:45Give me time to get organized, okay?
00:41:48Bye.
00:42:02Bye.
00:42:18Where were you?
00:42:19I was on the phone.
00:42:20With Sturm?
00:42:22Yes, I accepted the Italian movie.
00:42:24Really?
00:42:25I thought you wanted to refuse.
00:42:27At first, yes.
00:42:30But I changed my mind.
00:42:33She wrote the role for me.
00:42:34She paid me for the audition.
00:42:36She came all the way here with the actress
00:42:37so I could meet her.
00:42:39She seems serious.
00:42:41Is she a generous person?
00:42:44What convinced you?
00:42:46The role or the actress?
00:42:49Good question.
00:42:55She's beautiful.
00:42:56Who?
00:42:57The actress.
00:43:00She directed Triss aussi, by the way.
00:43:02I love her too.
00:43:32I love you too.
00:44:02I love you too.
00:44:32I'm sorry.
00:45:03Hi, baby.
00:45:04Did I wake you up?
00:45:05How was Paris?
00:45:06Always beautiful.
00:45:07And Rotterdam?
00:45:08I'll take you there one day.
00:45:09Marcella left you food on the table.
00:45:11Are you hungry?
00:45:12Yes, I'm starving.
00:45:13But it's late now.
00:45:14Go to bed.
00:45:15I'll tell you everything tomorrow, okay?
00:45:33Welcome back.
00:45:35How are you?
00:45:36Fine.
00:45:37I left you something to eat.
00:45:43If you want, I can heat it up.
00:45:44I don't mind.
00:45:45Do you paint?
00:45:47Yes, I think so.
00:46:03Did they argue?
00:46:05No.
00:46:06It's nothing serious.
00:46:08Instead, he called the bank.
00:46:10It seemed serious.
00:46:13Fuck, I know.
00:46:14I have to solve a problem.
00:46:17And he also called Marco.
00:46:19To warn him that he would skip the next weekend with the girls.
00:46:26But you?
00:46:27With all these trips?
00:46:29Come on, tell me.
00:46:30How did it go?
00:46:32Good.
00:46:33He accepted the role.
00:46:37But...
00:46:39I don't know.
00:46:42Sometimes I think I should quit.
00:46:45What do you mean?
00:46:47Nothing.
00:46:50Sometimes I feel like I shouldn't do it.
00:46:56I understand.
00:46:58But I know you.
00:46:59I know you.
00:47:01Then, in the end, you always fall down like a cat.
00:47:07And him?
00:47:08How is he?
00:47:11Surprising.
00:47:13A little fleeting.
00:47:17But it's right for the role.
00:47:22I should go.
00:47:24Wait, I have to pay you.
00:47:25Ok.
00:47:29Bye.
00:47:59Bye.
00:48:20Bye, dad.
00:48:21Bye.
00:48:43I don't know what to tell you, Chris. I'm sorry.
00:48:48I'll call you later, ok?
00:48:51Bye.
00:49:04Is everything ok, mum?
00:49:06Yes, love. It's nothing serious. Don't worry.
00:49:11Go away.
00:49:12Now I have to make you breakfast.
00:49:21Ok.
00:49:45Why? Why? Why?
00:49:51I don't know.
00:50:13Eat and then get dressed.
00:50:15I'm taking you somewhere today.
00:50:21I can't hear you.
00:50:23Go away!
00:50:25Go away, now!
00:50:28Go away!
00:50:40Go away!
00:50:41I don't know what to do with my life, I don't know what to do with my life, I don't know
00:51:11what to do with my life, I don't know what to do with my life, I don't know what to do
00:51:41with my life, I don't know what to do with my life, I don't know what to do with my life,
00:51:48I don't know what to do with my life, I don't know what to do with my life, I don't know
00:51:55what to do with my life, I don't know what to do with my life, I don't know what to do
00:52:02with my life, I don't know what to do with my life, I don't know what to do with my life,
00:52:09I don't know what to do with my life, I don't know what to do with my life, I don't know
00:52:16what to do with my life, I don't know what to do with my life, I don't know what to do
00:52:23with my life, I don't know what to do with my life, I don't know what to do with my life,
00:52:30I don't know what to do with my life, I don't know what to do with my life, I don't know what
00:52:38to do with my life.
00:52:40Ciao.
00:53:05Scusa se ti disturbo, volevo chiederti una cortesia, potresti passare a prenderle prima
00:53:12questo weekend? Devo allontanarmi, è una questione personale, ho un problema da risolvere.
00:53:18Sì, stanno bene, stanno bene. Grazie. Ciao.
00:53:35Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
00:53:45Sì, stanno bene, stanno bene. Grazie. Ciao.
00:54:05Ragazzi, mi ha scritto di sospendere la preparazione.
00:54:35Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
00:54:45Sì, stanno bene. Grazie. Ciao.
00:55:05Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
00:55:25Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
00:55:45Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
00:56:05Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
00:56:25Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
00:56:55Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
00:57:25Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
00:57:55Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
00:58:25Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
00:58:55Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
00:59:25Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
00:59:55Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
01:00:25Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
01:00:55Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
01:01:25Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
01:01:55Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
01:02:25Scusa se ti disturbo, volevo chiederti una cortesia. Devo allontanarmi, ho un problema da risolvere.
01:02:45Enchanté. On peut se faire la bise?
01:02:49Excusez-moi pour le retard.
01:02:51Non, mais vraiment, c'est pas grave. J'ai parlé avec le reste de la troupe.
01:02:55Et on a pensé que pour ce soir, il allait nous t'inviter.
01:02:59Je ne voudrais pas déranger.
01:03:01Mais non, pas du tout. On va juste manger, boire un petit quelque chose entre nous.
01:03:04Et puis Serge aurait été content de savoir ça. Il verra sa femme, sa fille.
01:03:09Elle se sait?
01:03:11Oui, c'est chez elle que ça se passe.
01:03:13Ne t'inquiète pas, tout va bien se passer.
01:03:15Tu vois, c'est important.
01:03:17Tiens, on y va. Tu vas rencontrer le reste de la troupe.
01:03:19C'est bien, tu nous rencontres tous.
01:03:21Ok.
01:03:41Allons-y.
01:04:11Allons-y.
01:04:29Je vous présente Claudia Catenon.
01:04:31C'est la réalisatrice du film que devait faire Serge.
01:04:34Elle n'a pas pu venir à l'enterrement.
01:04:36Entrez, je vous en prie.
01:04:38Merci.
01:04:40Aurélien, tu peux aller chercher une chaise, s'il te plaît?
01:04:42Oui, j'en ai une là.
01:04:50Oui, j'ai besoin.
01:04:52Merci.
01:04:54Vous êtes arrivée quand, Claudia?
01:04:56Hier soir.
01:04:58Mais je n'ai pas dormi de la nuit.
01:05:00Et quand je me suis réveillée, il était trop tard pour venir à l'enterrement.
01:05:03Et donc, je suis allée au théâtre.
01:05:05Vous avez rencontré le général?
01:05:07Le général?
01:05:09Le général pif-paf-boum.
01:05:11C'est la directrice du théâtre.
01:05:13C'est une femme très sévère.
01:05:25Vous êtes ici.
01:05:27Bonsoir.
01:05:29C'est très gentil d'être venue de si loin pour Serge.
01:05:31Il m'a parlé de vous.
01:05:33Et du film.
01:05:35C'est peut-être déplacé, mais je suis venue ici pour comprendre ce qui est arrivé.
01:05:41Je ne peux pas me faire en raison.
01:05:43Moi non plus, Claudia.
01:05:47Serge était quelqu'un de très complexe.
01:05:49Personne ne comprend.
01:05:51Oui, comme toujours.
01:05:53Il semblait si équilibré.
01:05:55Vous ne le connaissiez pas assez.
01:05:59Oui, bien sûr.
01:06:01Je ne sais presque rien des acteurs.
01:06:03Je les vois au théâtre, au cinéma.
01:06:05Mais je n'avais jamais beaucoup au-delà.
01:06:07Vous n'avez pas besoin de les connaître en profondeur?
01:06:11Non, je préfère ne pas entrer dans les privés.
01:06:15Mais vous qui les connaissez bien,
01:06:17pouvez-vous me donner une explication?
01:06:21Je sais seulement qu'il était très fatigué,
01:06:23mais je ne l'ai trouvé plus...
01:06:25Il était déçu par la réalité de la vie, par la politique.
01:06:29Je peux avoir un peu de vin, s'il vous plaît?
01:06:31Serge était un homme fort et fragile.
01:06:33Il avait déjà fait une dépression.
01:06:35Mais là, je ne vois pas ce qu'il s'est passé
01:06:37pour qu'il en arrive là.
01:06:39Je crois qu'il est inutile d'essayer
01:06:41de trouver une explication.
01:06:43Lui seul sait pourquoi.
01:06:45Comment vous allez faire pour votre film?
01:06:47Vous avez trouvé quelqu'un pour le remplacer?
01:06:49Je ne pense pas.
01:06:51J'ai interrompu la préparation.
01:06:53Je ne sais pas.
01:06:55Je ne sais pas.
01:06:57Je ne sais pas.
01:06:59J'ai interrompu la préparation.
01:07:01Je crois qu'il est juste d'arrêter
01:07:03quand certaines choses arrivent.
01:07:05Alors que nous, on reprend les répétitions
01:07:07dès lundi,
01:07:09comme si de rien n'était.
01:07:11Pardon, mais tout ça, c'est de la rhétorique.
01:07:13Si on arrête la pièce,
01:07:15beaucoup de gens vont se retrouver sans travail.
01:07:17Et aujourd'hui, personne ne peut se permettre ça.
01:07:19Tout à fait.
01:07:21Serge aurait continué.
01:07:23OK, pardon, ce n'est pas ce que je voulais dire.
01:07:25Je ne pense pas que Serge aurait continué.
01:07:27Je crois qu'il aurait eu besoin
01:07:29de s'arrêter,
01:07:31de digérer les choses,
01:07:33de prendre le temps de les vivre
01:07:35pour les accepter.
01:07:37Et moi, qu'est-ce que je dois faire?
01:07:43Est-ce que je finis mon film?
01:07:45Il manque une scène importante que Serge devait tourner.
01:07:51Je m'en fous.
01:07:53Je suis triste qu'il ne soit pas ici,
01:07:55avec nous.
01:07:59Mais Claudia a décidé d'arrêter.
01:08:01Oui.
01:08:03Ça a été une douche froide.
01:08:05J'écris les scénarios
01:08:07en pensant au Serge pour le premier rôle.
01:08:09Je ne peux pas tourner
01:08:11avec un autre acteur sans apporter des modifications.
01:08:15Et après, ce qui est arrivé...
01:08:19Mais mon problème, c'est autre chose.
01:08:21Honnêtement, si je l'ai su,
01:08:23Serge souffrait de dépression.
01:08:25Je ne lui aurais pas jamais
01:08:27proposé le rôle
01:08:29d'un acteur qui voit sa fin
01:08:31sur l'écran d'un cinéma.
01:08:33Mourir dans les bras d'une belle inconnue.
01:08:35Il y a pire.
01:08:39Avez-vous lu les scénarios?
01:08:41Non. J'ai lu votre script.
01:08:43Je comprends l'italien.
01:08:45Ah oui?
01:08:47Peut-être que je peux vous poser une question.
01:08:49Oui.
01:08:53Connaissant votre père,
01:08:55les sujets et les rôles,
01:08:57celui d'un acteur pas très célèbre
01:08:59qui tombe dans un abîme de l'existence
01:09:01jusqu'à ne même
01:09:03pas se souvenir des gens qu'il aime,
01:09:05ça peut avoir
01:09:07provoqué
01:09:09ou déclenché un malaise?
01:09:11Oui.
01:09:13Je pense que oui.
01:09:15Mais je veux pas que vous vous sentiez
01:09:17coupable. Mon père a toujours eu du mal
01:09:19à faire la différence entre
01:09:21la réalité et la fiction.
01:09:23Pourquoi tu dis ça, Claudia?
01:09:25Serge a souvent eu des rôles
01:09:27très sombres dans des spectacles ou des films
01:09:29tragiques. Il a jamais
01:09:31déprimé à cause de ça.
01:09:33Au contraire.
01:09:35Ça l'aidait plutôt à sentir que sa vie
01:09:37n'était finalement pas si difficile.
01:09:39Oui. Mais il se reconnaissait
01:09:41dans le film de Claudia.
01:09:43L'histoire est étrange, pas très crédible,
01:09:45mais le profil du personnage
01:09:47est parfaitement développé
01:09:49pour qu'on s'identifie facilement.
01:09:53Je pense pas que mon père aimait particulièrement
01:09:55votre travail, mais le rôle
01:09:57correspondait parfaitement à ses démons intérieurs.
01:10:01Vous avez choisi le bon acteur.
01:10:05Serge m'a dit que vous aviez
01:10:07enregistré des essais avec lui
01:10:09à Rotterdam
01:10:11d'une manière assez spéciale,
01:10:13à laquelle il n'était pas habitué en tout cas.
01:10:15Est-ce que je pourrais les voir?
01:10:17Oui. Je les ai
01:10:19avec moi.
01:10:43...
01:11:11Bon, ben, moi, je dois y aller.
01:11:13Mais tu peux rester ici si tu veux.
01:11:15Non, je préfère venir avec toi.
01:11:17Je ne voudrais pas te ranger.
01:11:19Je pars avec lui.
01:11:21OK.
01:11:23Merci pour votre accueil.
01:11:25Je voudrais juste dire que...
01:11:27je pense comme toi.
01:11:31Merci d'être venue, Claudia.
01:11:35Au revoir.
01:11:37Au revoir.
01:11:41OK.
01:11:47Je peux compter.
01:11:49Au revoir.
01:12:09Tu prends une demi-stripe?
01:12:11Non.
01:12:13Je peux la lire.
01:12:15Tu parles pas l'italien?
01:12:17Tu expliqueras ce que je comprends pas.
01:12:25Tu comprends?
01:12:27Oui.
01:12:29Heureusement qu'il n'y a pas beaucoup de dialogue.
01:12:31Qu'est-ce que tu penses de Claudia?
01:12:33Qu'est-ce que tu veux dire?
01:12:35En tant que personne.
01:12:37Elle avait pas l'air très à l'aise,
01:12:39mais elle semblait touchée.
01:12:43Bon, je vais dormir.
01:12:45Bonne nuit.
01:13:15Claudia?
01:13:41Bonjour.
01:13:43Bonjour.
01:13:45Vous partez?
01:13:47Je voulais juste vous dire que j'ai lu votre scénario.
01:13:49En réalité,
01:13:51les choses sont sûrement plus complexes,
01:13:53car Serge n'était pas si fragile.
01:13:57Céline, je suis très désolée
01:13:59pour vous tous et pour Serge.
01:14:01Mais il aurait été mieux
01:14:03pour tout le monde si
01:14:05lui et moi, nous étions
01:14:07jamais rencontrés.
01:14:09Vous avez eu une aventure,
01:14:11vous deux?
01:14:15Vous vous êtes accrochés avec lui?
01:14:23Ça n'a pas beaucoup d'importance.
01:14:27Serge et moi,
01:14:31nous savions que nous resterions unis quoi qu'il arrive.
01:14:33Pour toujours.
01:14:37On s'en sort comme ça.
01:14:39Il disparaît,
01:14:41c'est quand tout tombe de moi.
01:15:09Sous-titres réalisés para la communauté d'Amara.org
01:16:09© Amara.org
01:16:39© Amara.org
01:17:10No.
01:17:12There's Nick.
01:17:14Yes, there's always Nick,
01:17:16but it's not the same thing.
01:17:18Come on.
01:17:20We just have to move on, right?
01:17:22We could move on.
01:17:25Listen, I...
01:17:27I still need some time to think about it.
01:17:29To understand what to do.
01:17:31It's really important.
01:17:33Okay, I'll talk to you later.
01:17:35Okay.
01:17:37You tell the guys.
01:17:39Okay.
01:17:41Bye.
01:17:43Bye.
01:18:07Bye.
01:18:38The future should be without hope.
01:18:43Because the future is now,
01:18:45hope is now.
01:18:53Death and life are not the same thing.
01:19:07© Amara.org
01:19:37© Amara.org
01:20:07© Amara.org
01:20:37© Amara.org
01:21:07© Amara.org
01:21:37© Amara.org
01:22:07© Amara.org
01:22:37© Amara.org
01:23:07© Amara.org