The Animal Kingdom (1932) Comedy, Drama, Romance Full Length Film
Disclimer :-
Copyright Disclimer under section 107 of the copyright act of 1976,
allonce is made for "fairuse"for perposes such as cricticism, comment,
news reloting, Teaching, Education Scholarship and research.
Fair use is a use permitted by copyright statute that might otherwise be infringing.
From Sound Of Music Studio Dear Friends For My Studio Maintainance Expenses
Please Donate Rs.Ten Once Only MOB 91-9819542601 Ramesh B Naik
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Disclimer :-
Copyright Disclimer under section 107 of the copyright act of 1976,
allonce is made for "fairuse"for perposes such as cricticism, comment,
news reloting, Teaching, Education Scholarship and research.
Fair use is a use permitted by copyright statute that might otherwise be infringing.
From Sound Of Music Studio Dear Friends For My Studio Maintainance Expenses
Please Donate Rs.Ten Once Only MOB 91-9819542601 Ramesh B Naik
Thank You So Much For Your Support, Comments ,Likes & Views
Category
🎥
Short filmTranscript
00:00:30♪♪
00:00:59♪♪
00:01:29Hello, Tom. Hello, Harry. Hello.
00:01:44Hello, Jack.
00:01:45Hello.
00:01:46Well, Dad, how are you?
00:01:47Good.
00:01:48Hello, Maya.
00:01:49Hello, Tom.
00:01:50How are things?
00:01:51Fine, fine.
00:01:52Good.
00:01:53The book is ready.
00:01:54It's not.
00:01:55I put it on your desk.
00:01:56Oh, come on.
00:01:57Let's have a look.
00:01:58Come along.
00:01:59Let's see this.
00:02:04Ah, now that looks all right.
00:02:07I say.
00:02:10Well, lovely.
00:02:13Congratulations, Maya.
00:02:15Glad you like it, Tom.
00:02:17And you, Harry.
00:02:18Thanks.
00:02:24I think this calls for a celebration.
00:02:26I've got some champagne in the car.
00:02:28I got it for tonight, but if we drink it up, well, my guests can drink beer.
00:02:32Harry, get some glasses.
00:02:33You take that, Maya.
00:02:35I won't be long.
00:02:57Tom's never been on time for an appointment in his life.
00:03:01He has absolutely no consideration for other people.
00:03:04You're not awfully fond of your son, are you, Mr. Collier?
00:03:07Cecilia, if you'd spent the time and money and effort I have to make that young man realize who he is and what he ought to be doing in the world, you'd...
00:03:14You haven't known Tom long.
00:03:16No.
00:03:17Oh, and perhaps from longer experience, you might enlighten him.
00:03:21Well, I presume what Mr. Collier means is that on ordinary terms, Tom doesn't seem to have got very far.
00:03:27He's wasted his life from the cradle.
00:03:29Ah.
00:03:30It must have been pathetic to see him wasting it at three.
00:03:33I assure you, his genius for it showed even then.
00:03:36I send him to Harvard, and he lasts two years there.
00:03:39I send him to Oxford, and he commutes from Paris.
00:03:42I put him into the bank, and he...
00:03:44The whole world at the feet of that boy.
00:03:46The whole world.
00:03:47The whole world.
00:03:48And all he's ever done is to run from it.
00:03:50Well, you know, Tom has his own ideas about what he wants to do with his life.
00:03:54Yes, Regan?
00:03:55A radio message.
00:03:56Came by phone for him.
00:03:57Oh, thanks.
00:03:58You can leave it here.
00:03:59I'll take care of it.
00:04:00Right.
00:04:02Oh, I...
00:04:04Everything satisfactory?
00:04:06Yes, yes.
00:04:07Quite, thanks.
00:04:08Comfortable, miss?
00:04:09Quite, thank you.
00:04:11Like a drink?
00:04:12Anyone?
00:04:13No, no, nothing.
00:04:14We were talking.
00:04:15That's all right.
00:04:16Go ahead.
00:04:17Make yourselves at home.
00:04:18He'll be right along.
00:04:21The butler?
00:04:22He's charming.
00:04:23He looks like a prize fighter.
00:04:25He was.
00:04:27There, there, now.
00:04:28Don't worry.
00:04:29Tom will be along any second now.
00:04:30If what I think is true, I hope he never comes along.
00:04:34What?
00:04:35Well, I'll tell you what's in my mind.
00:04:37Heaven knows I don't want it there.
00:04:39That girl he's been living with for the last three years...
00:04:42Just a minute, sir.
00:04:43It's all right.
00:04:44Good Jupiter, it's no secret, is it?
00:04:46Who is she, anyway?
00:04:47What is she?
00:04:49An extremely nice girl.
00:04:51Hardworking, talented.
00:04:52She...
00:04:53She draws for one of the fashion magazines.
00:04:56And very successfully.
00:04:58She left three months ago for her magazine's Paris office for an indefinite stay.
00:05:01Oh, maybe she's coming back.
00:05:03What of it, Mr. Carlye?
00:05:05What of it?
00:05:06Everything of it.
00:05:07It's like him to marry her.
00:05:08I'm surprised he's missed it as long as he has.
00:05:11Well, I've stood for his rowdy friendships.
00:05:13I've put up with his idleness, his ill-mannered insolence.
00:05:15I'm sorry, Mr. Carlye.
00:05:17I'll have to ask you to let it go at that.
00:05:19Why so?
00:05:20Because it so happens that I'm why we're here.
00:05:23How's that?
00:05:24It's me Tom's going to marry.
00:05:26And I've heard enough against him to last me quite a while.
00:05:29See, what are you talking about?
00:05:31Marrying.
00:05:33I say, I thought...
00:05:34On June 1st, to be exact.
00:05:36He asked you out here to tell you.
00:05:37And I imagine to receive your good wishes.
00:05:40My dear.
00:05:41My dear, I congratulate Tom and myself.
00:05:45And I hope it'll work out for you.
00:05:47I hope he won't be utterly impossible as a husband.
00:05:49He has been at everything else I wanted him to do.
00:05:52I don't agree with you.
00:05:53Tom's the most interesting, most attractive man I've ever known.
00:05:57I consider myself shot with luck.
00:05:59Very loyal.
00:06:00Not at all.
00:06:01I simply believe in him.
00:06:03Not in his so-called past, perhaps.
00:06:06I'm not quite a fool.
00:06:08But certainly in what's to be.
00:06:09Well, faith is a beautiful thing.
00:06:12I think so.
00:06:15Well, if you can make a respectable citizen out of Tom Collier at this date,
00:06:18you'll have nothing but praise from me, my dear.
00:06:22It seems not to occur to you.
00:06:24When Tom has someone who really understands him,
00:06:26to work and care for while he...
00:06:28Understands him?
00:06:30Yes, completely.
00:06:31While he'll make what you call a respectable citizen of himself.
00:06:35You think so?
00:06:36I know.
00:06:37And if what you laughingly refer to as my faith is of any use to him...
00:06:41Love will conquer all.
00:06:43Yes, yes, of course.
00:06:44But forgive me a few doubts.
00:06:46Oh? How's that, sir?
00:06:48Darling, I'm coming back.
00:06:49Arrive on Paris at eight tonight.
00:06:51Much love, Daisy.
00:06:54Well?
00:06:55I know all about her.
00:06:57Did you know she was returning tonight?
00:06:58No.
00:06:59Neither did Tom.
00:07:01Owen, I'd like a few words with you, if Cecilia will pardon us.
00:07:04Certainly.
00:07:07Owen.
00:07:14I meant to tell you on the way over, Owen.
00:07:17But then, I couldn't.
00:07:19See, how did it happen?
00:07:21Very suddenly.
00:07:22Very sweetly.
00:07:23Yesterday.
00:07:27I'm sorry.
00:07:29You asked.
00:07:32If you'll excuse me, I...
00:07:33I think I'll see what Mr. Collier wants.
00:07:59Hello, Ruth.
00:08:00Hiya, Tom.
00:08:01Oh, are they here yet?
00:08:02They are.
00:08:03Good.
00:08:05Darling.
00:08:06Tom.
00:08:07Take my hat, will you?
00:08:09Thanks. Now get out.
00:08:10I just wanted to tell you that...
00:08:11Later.
00:08:12But there's a...
00:08:13Get, will you, Ruth?
00:08:14A radio message come for you.
00:08:15Oh, get out.
00:08:18Hello, darling.
00:08:19No. You're late. I'm furious with you.
00:08:21Late?
00:08:24There. Is that all right?
00:08:25That's terrible.
00:08:26I've taken up with a thrifty spinster.
00:08:29That's all you deserve.
00:08:30Well, where are they, Father and Owen?
00:08:32In the other room.
00:08:33Tell me, darling, did you really say you'd marry me?
00:08:35I'm afraid I did.
00:08:36Oh, heaven help us both.
00:08:38Just this one marriage, please.
00:08:40You know, I haven't been very good about marriage.
00:08:42I was exposed to a very bad case of it as a baby.
00:08:44We must make a grand go of it.
00:08:46Oh, we shall.
00:08:47Never you fear.
00:08:48Well, you just do everything I say and it'll be all right.
00:08:51With pleasure, sir.
00:08:52Oh, see, darling, what a marvellous object you are.
00:08:59Oh, I feel good.
00:09:00So do I.
00:09:01Do you?
00:09:03My lovely C.
00:09:04Stop it, Tom, you're embarrassing me.
00:09:06Why?
00:09:07I feel quite naked.
00:09:09You look marvellous.
00:09:10I'll have dinner in a couple of minutes, Tom.
00:09:11Here, glasses with ice and run all the way.
00:09:13Right.
00:09:14Did you get your radio message?
00:09:15What message?
00:09:21Excuse me.
00:09:23Goodbye.
00:09:30Don't tell me if you don't want to.
00:09:32But I do.
00:09:33I'd always intended to at the first opportunity, anyway.
00:09:36And suddenly it seems here it is.
00:09:42Goodbye.
00:09:43Goodbye.
00:09:44Goodbye.
00:09:45Goodbye.
00:09:46Goodbye.
00:09:47Goodbye.
00:09:48Goodbye.
00:09:49Goodbye.
00:09:50Goodbye.
00:09:52Well, see...
00:09:56For a long time I've known, known intimately,
00:09:59a girl who's been very important to me.
00:10:03Yes?
00:10:05Daisy's done more for me than anyone in this world.
00:10:08She's the best friend I've got.
00:10:09I believe she always will be.
00:10:10I'd hate totally to lose her.
00:10:13It's been a queer sort of arrangement.
00:10:16Well, no arrangement at all, really.
00:10:17There's never been any idea of marriage between us.
00:10:20Well...
00:10:21Is she attractive, Tom?
00:10:22To me, she is.
00:10:24I don't believe you'd like me half so well
00:10:26if Daisy hadn't knocked some good sense into me.
00:10:29Someone's done a good job of it.
00:10:31I'll tell her that.
00:10:33I sent her a long cable this morning, all about us.
00:10:36Of course, she never got it because this...
00:10:38This came from the boat.
00:10:40She lands tonight.
00:10:42I see.
00:10:44See...
00:10:45We've...
00:10:47Well, we've been everything possible to each other, of course, but...
00:10:50Yes, Tom.
00:10:51But at the same time, as free as air.
00:10:53I mean, there's never been any feeling of conventional responsibility
00:10:56towards each other involved in it.
00:10:59I can understand that.
00:11:01Can you see?
00:11:03Because I never could.
00:11:05Anyhow, that's how it's been.
00:11:08We haven't been what you'd call in love for a long time now.
00:11:13Does she know that?
00:11:15She knew it first.
00:11:18Well, I don't know what more there is to be said about it
00:11:21except that there's no need for you to worry.
00:11:23You won't, will you?
00:11:25Not if you tell me I needn't.
00:11:26Well, I do.
00:11:28And finally,
00:11:29I think she ought to know the news about us pretty promptly.
00:11:33Yes.
00:11:34Probably.
00:11:36Well, is anything I do about that all right with you?
00:11:40Of course.
00:11:41Thank you, see.
00:11:44Oh, hello, Father. Hello, Owen.
00:11:45Evening, Tom.
00:11:46Good evening.
00:11:47You said five o'clock. It's seven, and I think...
00:11:49Oh, did I? Is it?
00:11:51Listen, you and Owen, I want to tell you what this is all about.
00:11:54We know. We've heard.
00:11:56He was abusing you, sir. I had to tell him.
00:11:58And it didn't discourage you?
00:11:59On the contrary.
00:12:00Oh, stout heart.
00:12:02Why, thanks very much, sir, but I think I'm the one to be congratulated.
00:12:06Yes, indeed we are.
00:12:08Yes, I'm sure we shall be.
00:12:10Hello, Red. There you are. That's the boy.
00:12:12That's my father over there.
00:12:13Oh, glad to meet you, sir.
00:12:15And my fiancée, Miss Henry.
00:12:16You're...
00:12:22Good boy.
00:12:24Thanks, thanks very much.
00:12:25Well, here's how and why and wherefore, and you know where marriages are made.
00:12:35Is it all right?
00:12:37Swell.
00:12:38Well, that's splendid. Now, we're all satisfied, aren't we?
00:12:40Yeah, yeah, just a moment, Red. Did you put the car away?
00:12:43Say, how many hands have I got?
00:12:45Well, don't. I shall need it.
00:12:46Right.
00:12:49Father.
00:12:51I'm afraid I'll have to ask you to do the honors at dinner.
00:12:53Why? How's that?
00:12:55I find I have to go straight back to town.
00:12:57Now, you listen to me.
00:12:58It seems to me extremely important that I should do it at once. In fact, I can't do otherwise.
00:13:02You have the effrontery, the colossal bad taste on the night of celebrating your engagement to a fine, trusting, loyal girl,
00:13:08to go from her, your fiancée, to your...
00:13:12Same old difficulty about words, eh, Father?
00:13:15Never mind. None of them apply to Daisy.
00:13:17I suppose you know better.
00:13:18If you leave here tonight...
00:13:19Yes, much.
00:13:21Much better.
00:13:24Till tomorrow, my angel.
00:13:25Goodbye, angel.
00:13:30My poor child.
00:13:32I'm sorry, Sissy.
00:13:34Oh, I think you did exactly right.
00:13:37The beautiful thing, Faith.
00:13:39A beautiful, beautiful thing.
00:13:56Tommy.
00:13:57Daisy.
00:14:00I was looking for you at the door.
00:14:01I'm so sorry. I didn't get your message in time.
00:14:03Oh, come in.
00:14:04All right.
00:14:08Oh, hello, you dear Tom.
00:14:12Hello, Daisy.
00:14:14Now, it seems as though I hadn't been away at all.
00:14:16Mm-hmm. That's it.
00:14:17Oh, come sit down. I have so much to tell you, it'll take hours.
00:14:20Ah.
00:14:22Tom, two of the most exciting things have happened to me.
00:14:25Not one, two.
00:14:26Really? What were they?
00:14:27Oh, I'm bursting with them.
00:14:30Daisy, I...
00:14:33No, you tell me. Come on.
00:14:35Well, my heavy sledding ought to be over in a few weeks.
00:14:38By the first of June, anyway.
00:14:40What have you got on the fire? Much?
00:14:42Yes, a good deal.
00:14:44The fact is, I...
00:14:45Well, work day and night until the first of June, and then...
00:14:47And then come to Mexico for a month with Daisy.
00:14:50Oh, I'm dying to go, because...
00:14:52Well, first of all...
00:14:54What?
00:14:55I feel like such a fool.
00:14:56Promise you won't be the word of it to anybody.
00:14:59Tom, I think I can paint.
00:15:01Well, that's no surprise. I've always thought you could...
00:15:04Well, then you've always been wrong, because it's new.
00:15:06It's just since the last two months.
00:15:08I believe if I work my eyes out and my fingers to the bone,
00:15:11that someday I may really paint.
00:15:14You must be hard on me now.
00:15:15No parties, no playing around, just work.
00:15:18And you mustn't let me show until you know I'm ready to.
00:15:20Is that agreed?
00:15:21All right.
00:15:22You've got a funny instinct about those things, and I'm counting on you.
00:15:25That's the first thing.
00:15:28As for the second thing...
00:15:30What?
00:15:35You know, I...
00:15:37Suddenly, I feel shy with you.
00:15:42Oh, I don't like it.
00:15:48I don't like it a bit.
00:15:51It's been a long time, Daisy.
00:15:54Too long.
00:16:00Perhaps I'd better wait to tell you the second thing.
00:16:02No.
00:16:04Tell me now.
00:16:07Oh, my dear, what's wrong with us?
00:16:10Come here to me.
00:16:17That's better. I don't feel it so much now.
00:16:20You're a free man, you know, Tommy.
00:16:21You always have been with me. No questions asked.
00:16:24But, oh, please, Mexico and June together, because, listen...
00:16:28No, don't look at me. Look the other way.
00:16:31On the boat coming over,
00:16:34the sweetest small boy, about two,
00:16:36and I got crazy about him, and I want one.
00:16:38I want one badly.
00:16:41So will you please be good enough to marry me?
00:16:44Oh, you always used to say you wanted to, only I wouldn't let you.
00:16:47Well, you didn't be terribly serious.
00:16:49It's not a life sentence, you know.
00:16:50Just for a little while, if you like.
00:16:52Would be such a dirty trick on him if we didn't.
00:16:55Then after I get my stuff through for the July issue,
00:16:57Mexico for a month together.
00:17:00Oh, I love you so much.
00:17:01I was a fool ever to think I didn't.
00:17:04So come on, Tommy, be a good sport,
00:17:07and give me a cigarette.
00:17:08Daisy.
00:17:10All right, never mind. Let's forget all about it.
00:17:13That is a foul necktie you've got on.
00:17:15Daisy, I...
00:17:17What is it?
00:17:22Oh, you're going to tell me something terrible.
00:17:25What is it?
00:17:29I'm going to be married, Daisy.
00:17:34Listen, listen, my darling, you can't care so much.
00:17:36You can't. It's simply that you and I naturally are...
00:17:38It must have happened pretty quickly.
00:17:39Yes, it did. A month ago, we hadn't even met.
00:17:41It was a...
00:17:42You can spare me the details, please.
00:17:44I don't even want to know who she is.
00:18:00Who is she?
00:18:01Cecilia Henry, her name is.
00:18:06Behold, the bridegroom cometh.
00:18:09And no oil for my lamp, as usual.
00:18:11Oh.
00:18:14A foolish virgin, me.
00:18:16Well...
00:18:18Foolish, anyway.
00:18:26When is it to be, soon?
00:18:29About the first of June, we planned.
00:18:31June?
00:18:32Oh, yes.
00:18:33Well, in that case, Mexico would be out.
00:18:35But I never dreamed...
00:18:37I feel so awful.
00:18:39Remember me, Tom.
00:18:42Daisy, there's to be no nonsense about not seeing each other again as friends or any of that, you know.
00:18:47Oh, but there will be that nonsense.
00:18:49Oh, yes, there'll be that, all right.
00:18:50I don't understand. I don't see why we shouldn't.
00:18:53I thought for a long time we'd been out of danger, so far as...
00:18:57Well, so far as...
00:18:59Wanting each other goes?
00:19:00Well, haven't we?
00:19:03Speak for yourself, Tom.
00:19:04You too, Daisy. You first, I thought.
00:19:07Well, it's true, that side of it was never so much to us.
00:19:10Not in comparison, not...
00:19:12Well, not after those first crazy months.
00:19:16But I thought that was natural.
00:19:20I was even glad.
00:19:22Glad that it was other needs that held us together.
00:19:25So closely.
00:19:28Not a claim.
00:19:29Never a claim, but so closely.
00:19:31So closely.
00:19:36Tom.
00:19:37Tom, do you have to marry her?
00:19:40I want to marry her.
00:19:42I thought maybe you just wanted her. Wanted her most awfully.
00:19:45No, no, no. It's more than that. Much more.
00:19:47Well, I don't see how you can quite tell that.
00:19:50For all our big talk, you know, we do still belong to the animal kingdom.
00:19:53If you knew her, Daisy...
00:19:54Yes, well, I don't.
00:19:56Listen, Daisy.
00:19:57There's no one like you. Never will be. I know that.
00:19:59But this, it...
00:20:00I don't know. I can't tell you.
00:20:02Don't try, don't try, don't try.
00:20:08Goodbye, you Tom Carter.
00:20:13Goodbye?
00:20:15Until when?
00:20:18Doomsday, my darling.
00:20:23What are you talking about?
00:20:24Just that.
00:20:25Now, you listen to me.
00:20:26If you think I'm going to allow two people who mean as much to each other as you and I do
00:20:29to be separated by any such false, ridiculous notion as that, you're mistaken.
00:20:33Just you try it.
00:20:34Tell me goodbye.
00:20:35I'll do nothing of the kind.
00:20:36Oh, yes, you will. You must.
00:20:37You have to.
00:20:38Sharp, decent and clean. No loose ends between us two.
00:20:41But it's not decent. It's soft. It's sentimental.
00:20:43It's the kind of thing you'd never have any use for. Taught me never to.
00:20:46Goodbye.
00:20:47I will not say it.
00:20:48Goodbye.
00:20:49No.
00:20:50You must.
00:20:51Listen to me, Daisy. Please.
00:20:52And some things of yours that are here, I want you to take them along with you, please.
00:20:53Frank got me a new maid just before I landed.
00:20:55Where did Harriet go when I left?
00:20:56Well, the new maid had a swell hunch about us, she did.
00:20:59Some shirts and things of yours that were here, she wrapped up in a nice little bundle.
00:21:04Well, she gets the gate for it, the big Swede.
00:21:07I don't believe in this. I don't believe in any of it.
00:21:09Go and get them, will you?
00:21:11Fetch, Thomas.
00:21:12It's quite a neat, tidy little bundle.
00:21:14But if it stays around here, well...
00:21:17I don't quite see myself crying into an old shirt, do you?
00:21:21I've worked to do, my son, a great deal of it.
00:21:25No?
00:21:26Won't fetch?
00:21:28Then kindly permit me to.
00:21:41And you will say goodbye to me?
00:21:43You've said it so many times so brightly.
00:21:46Say it this time sadly.
00:21:48You will, won't you?
00:21:50We'll make it an unmarried ceremony.
00:21:53Keep everything quite regular.
00:21:56You must take my hand in yours as one splendid gesture.
00:22:00And murmur a goodbye, my Daisy.
00:22:03Thanks very much.
00:22:05A charming association.
00:22:09And may we never, never meet again so long as we two shall live.
00:22:15Here's the washback.
00:22:17Now do as Daisy says.
00:22:53Taxi! Taxi!
00:23:05There you are.
00:23:10My dear, I'm congealed.
00:23:12I can't say I envy you and your husband the trip into town.
00:23:15It's not my idea.
00:23:16Well, why do you do it, see? It's so grim.
00:23:19Tom wants to.
00:23:20Oh, such loyalty.
00:23:22It's her first showing.
00:23:24And he thinks for some reason we should be there.
00:23:26Who is she, anyway?
00:23:29An artist.
00:23:30Sage her name is.
00:23:32Tom says she's good.
00:23:34Oh, well.
00:23:35I suppose publishers have to harb now with all sorts of queer people.
00:23:39We see few people of any description anymore.
00:23:42Yes.
00:23:43Don't tell me about the hermit life you live.
00:23:46I think the least you could do would be to come to my Sunday breakfast now and then.
00:23:50Tomorrow's will be such fun, do see.
00:23:52Perhaps we shall.
00:23:53Well, not if you're going tonight.
00:23:55Perhaps we shan't go in tonight.
00:23:59So that's the way it is.
00:24:01Well, well, well.
00:24:03Ah, with us again.
00:24:04With you again, yes.
00:24:06See, don't you think we'd better be getting underway, dear?
00:24:09Oh, we've got hours.
00:24:10I read the new book you published last week, Tom.
00:24:13Oh, yes? What do you think of it?
00:24:14Superlative, my dear. I was simply ravished.
00:24:17Well, that's something, isn't it?
00:24:19Isn't he beyond words?
00:24:21You're the world's funniest man.
00:24:23You couldn't possibly be funnier.
00:24:25Ah, you don't know me.
00:24:26Oh, yes, I do.
00:24:27Don't you adore it, see?
00:24:29The book, I mean.
00:24:30I like it very much.
00:24:31In fact, I'm afraid it was I who made Tom take it.
00:24:34And I'm afraid I still think it the worst tripe the Bantam ever published.
00:24:37But, my dear, everyone's simply devouring it.
00:24:40Well, there'll be a lot of sickness this winter.
00:24:42You're so foolish about it, Tom.
00:24:44He'll make enough on that one book to bring out ten he really cares for.
00:24:48I suppose that's the way it works.
00:24:50Oh, Father called today.
00:24:52What'd he want?
00:24:54He wants us to dine with him on Wednesday and spend the night.
00:24:57Oh, come on, darling. Get us out of it, won't you?
00:24:59Again? How can I?
00:25:01I don't know. Tell him I'm up to my eyes in work or anything else he won't believe.
00:25:04Take the old car. It's frozen stiff.
00:25:06Oh, well, I could easily send you in in a closed car.
00:25:08Sammy and I might even join you.
00:25:10Oh, thank you. We cannot accept your sacrifice.
00:25:14Really, he's extraordinary. He defeats me.
00:25:18Well, I guess I'd better be barging along, as they say.
00:25:21I'm sure it's getting colder by the minute.
00:25:23Yeah, it's almost cold enough to...
00:25:25You know, I think we'd best bring the brass monkeys in tonight, don't you?
00:25:29The, uh...
00:25:31Good night, C.
00:25:32Good night, Grace.
00:25:34Must you really?
00:25:36Well, uh, yes, I'm afraid I must.
00:25:39Oh, now don't forget.
00:25:41You're coming to my Sunday breakfast tomorrow.
00:25:43We're having the most amusing people.
00:25:45That's what Sunday breakfast needs, isn't it, C?
00:25:47Mind you, the coffee must be very hot as well.
00:25:50Good night.
00:25:58Good night.
00:26:01I think that...
00:26:06Good evening.
00:26:09Why, dear, that desperate butler must embarrass you to death.
00:26:13Not much longer.
00:26:15Tom's promised to fire him tonight if he isn't completely insensible.
00:26:31Good evening, Red.
00:26:33Evening.
00:26:36Here, you'd better get to bed, hadn't you?
00:26:39Just where I'm headed.
00:26:40Here, just a moment, Red.
00:26:42Now...
00:26:44All right.
00:26:45Bring a couple of bottles of beer, will you?
00:26:47Right.
00:26:59What did you say to Regan?
00:27:01Regan?
00:27:03He never drinks on duty.
00:27:05Why shouldn't he have the right to get slightly mellow on his one day out?
00:27:08Slightly mellow?
00:27:10He can hardly stand.
00:27:11When I said good evening to him, he didn't even answer.
00:27:14Maybe he couldn't speak.
00:27:16All he did was to bow, like this, with a foolish grin.
00:27:19So low, he nearly fell over.
00:27:21Well, you know, it's pretty hard to gauge a bow under those conditions.
00:27:27Tom.
00:27:29I think it's selfish of us to keep him.
00:27:31Selfish?
00:27:32Well, we're certainly depriving him of any chance he ever had to make anything of himself.
00:27:36Hang it, see, he broke his hand. He'll never fight again.
00:27:39I don't mean fighting.
00:27:40Well, these are hard times. I don't know what else there is for him.
00:27:44I'll leave it to you. Do as you like about him.
00:27:46And, you know, I feel somehow...
00:27:48I feel somehow that Red's good luck for me. He's...
00:27:51I don't know, we understand each other. I'm awfully fond of him.
00:27:54You must be, to ruin whatever chance in life he might have.
00:27:58I wouldn't let Red, you know I wouldn't.
00:28:00You're doing it, though.
00:28:01What possibly could be more degrading to a man than housework?
00:28:04I don't know. I wouldn't like to tell you, darling.
00:28:07Of course, you know, you're making a regular Simon Legree out of me. Where's my whip?
00:28:11No. It's just that in your delightful, casual way, you've never thought of his side of it.
00:28:17I wouldn't do that to Red. I really wouldn't.
00:28:20Ring for him, see.
00:28:22Not me. I've nothing to do with it.
00:28:25Do you have to change, or are you ready?
00:28:27Seemed to me you were unnecessarily rude to Grace. I have to change.
00:28:31Now we've got to go to her breakfast in the morning.
00:28:33Honestly, see, all my life I've been trying to get away from her kind of people.
00:28:36Takes all kinds to make a world.
00:28:38Yes, and then what have you got?
00:28:40Come on, darling, you go get Red's, yes?
00:28:45I suppose you feel we must go into town tonight?
00:28:48Of course, why?
00:28:50An exhibit lasts several days, doesn't it?
00:28:52Yes, but I want to be there tonight. Tonight's the opening.
00:28:55Besides, they'll all be there tonight.
00:29:00Have you seen any of your old friends lately?
00:29:04No.
00:29:05Why not, dears?
00:29:08Oh, and the girl, Daisy, the one who's exhibiting tonight, have you seen her?
00:29:15Daisy, the one who's exhibiting tonight, have you seen her?
00:29:22No.
00:29:23Why not? I thought you felt her friendship was important to you.
00:29:28She won't see me.
00:29:30Won't see you?
00:29:32No. Come on, see, be a good girl. You go up and get dressed.
00:29:37Oh, dear.
00:29:39What's the matter?
00:29:40Nothing.
00:29:41But dear, what is it?
00:29:43Oh, just this blasted headache. I've had it all day.
00:29:46Oh, what a shame. The cold air will fix that up.
00:29:49It was that that gave it to me.
00:29:52Honestly, Tom, I don't think I can face it.
00:29:54What?
00:29:55Why not send her a wire? Best wishes. That's enough, isn't it?
00:29:59No, no, no, that wouldn't do.
00:30:00I'm sure she'd be every bit as glad to have a telegram.
00:30:02See, darling, listen, Daisy's been working for years for this.
00:30:05A telegram wouldn't do at all. I've simply got to be there.
00:30:07There's no particular reason why you should go. I can go alone.
00:30:10I'll come.
00:30:11Listen, dear, you...
00:30:14Put them down there, Red, will you?
00:30:19What?
00:30:20Tell him now.
00:30:21All right.
00:30:22And wait a minute. What's the rush?
00:30:25Stick around.
00:30:27Certainly.
00:30:29Listen, see, if you feel tired, you go to bed.
00:30:32No, I'll come.
00:30:42Well, drag up a chair, Red.
00:30:51One more's about all I need.
00:30:55You know, this morning, if all the bad heads in the world were put together in a row,
00:31:00my head would have got up and sneered at the rest of them.
00:31:04Well, I'm going to bed.
00:31:07My head would have got up and sneered at the rest of them.
00:31:10Well, here's how.
00:31:13How?
00:31:17That's the stuff.
00:31:18That builds you up, eh?
00:31:20Yo.
00:31:21Oh.
00:31:22Say.
00:31:25Have you seen this one?
00:31:27Shouldn't think so, no.
00:31:28Tell me where to stop and remember the card.
00:31:35Right.
00:31:36Got it?
00:31:37I got it.
00:31:46Where is it?
00:31:52It's gone, all right.
00:31:53Feel in your pocket.
00:31:57Not this time.
00:31:58No?
00:31:59No.
00:32:01Is that it?
00:32:03Marvelous.
00:32:05I paid $5 for that trick.
00:32:07Oh, girl.
00:32:10I'll let it go for $2.98.
00:32:13No.
00:32:14Sorry, not interested.
00:32:16Red.
00:32:19Was it cold in town today?
00:32:21I don't envy those guys selling apples on the corners.
00:32:24Oh, not much of a job, that, eh?
00:32:26Women's work.
00:32:30Pretty tough times, all right, eh?
00:32:32Say, look here, Tom.
00:32:34If I...
00:32:37Nothing.
00:32:38If you're ever hard up, though, you know where to come.
00:32:40That goes both ways.
00:32:44Red.
00:32:45I might just as well tell you right off.
00:32:47What?
00:32:50Nothing.
00:32:52Say.
00:32:53What?
00:32:54How's your father these days?
00:32:55Oh, never better, thanks.
00:33:01Red.
00:33:03Do you ever think about your future?
00:33:05I guess where I'll go, it'll be plenty hot.
00:33:08I mean...
00:33:09Oh, you mean here.
00:33:10Now, that's a funny thing, because, listen, Tom, maybe I...
00:33:16I'll let it go.
00:33:17No, but what?
00:33:18Fill her up, will you?
00:33:20Not much of a future in buttling, eh, Red?
00:33:23Oh, well...
00:33:24You know, I'm certainly grateful to you for all you've done.
00:33:27Ah, be still, will you?
00:33:29I am, though.
00:33:30That's fine from you.
00:33:33I'll never forget when I was...
00:33:36And you...
00:33:38Well...
00:33:39Well, I'll never forget it.
00:33:41Put it there, old boy.
00:33:43You're the top, boy.
00:33:45I don't know what you think of me when I...
00:33:48When you what?
00:33:49When I...
00:33:50Well...
00:33:51Well, what would you say, for instance, if I...
00:33:55Nope, it's no good.
00:33:57Here, you're not in any trouble, are you?
00:33:59Trouble? Me? What trouble?
00:34:01Well, then, look here, Regan.
00:34:03Well, chief?
00:34:07Tom Collier for president, the people's judge.
00:34:09Now, now, listen to me.
00:34:10Wait, wait, Tom, Tom, I've just got to tell you.
00:34:12Don't hold it against me, but I'm...
00:34:14I'm quitting you.
00:34:15I've took another job.
00:34:17You what?
00:34:18Oh, I know what you'll say.
00:34:19Holy cats, Red.
00:34:21I couldn't stand it any longer. She don't like my ways.
00:34:24I mean the missus. I get on her nerves.
00:34:26Last week, Mo Winters told me he wanted to open a country gym.
00:34:29And would I run it with him?
00:34:30On the order of Muldoon's.
00:34:32But with a little bar attached.
00:34:35Heaven help me, I...
00:34:36I give him a word.
00:34:38I see.
00:34:40Well, what's there in it for you, Red?
00:34:42Ah, don't put it that way, Tom.
00:34:44I really want to know.
00:34:46Two hundred a month and a smell at the gate, if any.
00:34:49That's all right. Sounds like a good deal.
00:34:52Let it go. I'll phone him.
00:34:53No, no, no, no, no.
00:34:54When did you start?
00:34:56He wanted me last Wednesday.
00:34:58I've been trying all week to get up the nerve to tell you, but...
00:35:01Well, how long will it take you to pack?
00:35:04Well...
00:35:05Well, there's my hat trunk and my shoe trunk.
00:35:08And a trunk for my fancy dress ball clothes.
00:35:10Listen, you leave by noon tomorrow, you understand?
00:35:12Not a minute later.
00:35:15Okay, Chief.
00:35:17I'm sorry you had to take it that way.
00:35:19Oh, don't be a fool. I'm overjoyed for you.
00:35:21Fact?
00:35:22Absolutely. Here's to the new job.
00:35:24Take it from me, boy.
00:35:26Take it from me, boy.
00:35:28You're the goods.
00:35:30Well, you've got your points, too, you know.
00:35:34Anyhow...
00:35:37Anyhow...
00:35:42Well...
00:35:44You'll explain to the missus?
00:35:46Yes, of course.
00:35:48Tell her I'm sorry?
00:35:50Hope no inconvenience?
00:35:52Yes, I'll explain, Ray.
00:35:55So long, Tom.
00:35:57Goodbye, Ray.
00:35:59So long, Tom.
00:36:02Goodbye, Ray.
00:36:04I'll give you a ring, how it goes.
00:36:06Yes, if you do that, that's right.
00:36:08Keep your bib clean.
00:36:10I will, old boy.
00:36:17Good luck, Tom.
00:36:24Good luck.
00:36:44Tom.
00:36:46Oh, hello.
00:36:48Ready?
00:36:50Not quite. Did you tell him?
00:36:53You know, I miss that guy.
00:36:56I miss having him around.
00:36:58I know, darling.
00:37:00But it's for the best.
00:37:02I'm sure of it.
00:37:04I feel somehow that my luck's going with him.
00:37:08I'm your luck, darling.
00:37:15I see you feel good.
00:37:18Do I, dear?
00:37:20You haven't any clothes on.
00:37:22Go along now, dress. Dress quickly, we've got to run.
00:37:25Come and help me.
00:37:32No, you'd better not.
00:37:37See?
00:37:41Do you remember this negligee?
00:37:43I came across it in the bottom drawer.
00:37:46My spine simply melted.
00:37:51Quebec?
00:37:53Yes.
00:37:55See, come in here.
00:37:57You'll make us late.
00:37:59What of it?
00:38:01We're late already. We'll miss it.
00:38:03Well, what if we do?
00:38:05Oh, darling.
00:38:07You're the limit.
00:38:09Ten minutes ago, you said...
00:38:13Tom.
00:38:15What, dear?
00:38:17You go in alone. I've decided to stay here.
00:38:19You've what?
00:38:21Yes, it's too cold.
00:38:23I'm going to tuck myself in my warm bed and read.
00:38:27Good night, lover.
00:38:29I'll miss you.
00:38:38Look here, I'll stay.
00:38:40No, no, no.
00:38:42Good night, darling.
00:38:44You'd better take your heavy coat.
00:38:46And keep warm.
00:39:16Good night.
00:39:42Hello.
00:39:44Don't send a telegram.
00:39:54I would have an exhibition, wouldn't I?
00:39:56Well, if I'm to believe the critics, I ought to be painting signboards.
00:39:59There are no judges of one's work but oneself, Daisy.
00:40:04I wonder who that is.
00:40:06I'll answer.
00:40:09Hello, Frank.
00:40:11Hello, Tom.
00:40:13Is Daisy in?
00:40:15Yes.
00:40:19Hello.
00:40:21I think I'll run along, Daisy.
00:40:23No, don't go, Frank.
00:40:25Yes, I must go. Goodbye, Tom.
00:40:30Well...
00:40:32Speak to me, somebody, will you?
00:40:34Am I a leper?
00:40:38What would you like me to say?
00:40:40Oh, um...
00:40:43Take off your coat, Collier, and stay a while, won't you?
00:40:46Thanks, I think I will.
00:40:52Well, it was nice of you to ask me over.
00:40:56Yes, but I didn't, you see.
00:40:58Well, it was nice, anyway.
00:41:00Goodbye.
00:41:06Whatever made you think I wanted to see you?
00:41:09Nothing.
00:41:11Except that I wanted to see you.
00:41:15How's, uh...
00:41:17How's it coming?
00:41:19How's what coming?
00:41:21I mean, the job.
00:41:23Job. Oh, the job.
00:41:25Oh, I gave that up last winter.
00:41:27A trifle, shall we say, quixotic of me.
00:41:30How's Joe's book doing?
00:41:32Haven't you seen him?
00:41:34No.
00:41:36Joe's book is doing fine, thank you.
00:41:38Of course, you can't compare with the magnificent volumes
00:41:41being brought out by your Bantam Press.
00:41:43Indian Summer and Young Ecstasy.
00:41:45Ouch.
00:41:47Oh, what on earth made you take those things on, Tom?
00:41:50Oh, I don't know. Money.
00:41:52Ah, but, Daisy, I've reformed.
00:41:54You wait till you see the Bantam's new list.
00:41:57I'm waiting.
00:42:05Well, I hear Frank's a hit.
00:42:08She is.
00:42:10I, uh...
00:42:12saw your exhibition today.
00:42:14Oh, did you really? Funny, I missed you.
00:42:16What did you think of it?
00:42:18Well...
00:42:20Oh, tell me.
00:42:22Daisy, I don't think you're ready to show yet.
00:42:25How were the notices?
00:42:27Appalling.
00:42:28I suppose their reasons were all wrong.
00:42:30Yes, of course they were. What were yours?
00:42:32Well, you've been painting less than a year.
00:42:35Yes.
00:42:36And yet you had about 30 canvases to show.
00:42:3932.
00:42:40An awful lot, Daisy.
00:42:42Then you didn't like any of them.
00:42:44Oh, yes. One I loved particularly.
00:42:46That one with the milk bottles on the doorstep.
00:42:48I'd like to buy that one.
00:42:50That's number seven.
00:42:52Sorry, not for sale.
00:42:54Of course, your drawings are marvellous.
00:42:56Only what?
00:42:57Well, it depends on what you want to be. I thought it was a painter.
00:43:00So did I.
00:43:02Goya's drawing was pretty good. He painted rather well, too, I always thought.
00:43:05In the first year, I doubted.
00:43:07Well, I wasn't aware that it took a definite length of time.
00:43:09I'm living in cities all your life.
00:43:11I suppose I should hire me to some sylvan dell.
00:43:13I don't think it would hurt a bit.
00:43:14Well, if you can show me a purer cobalt blue,
00:43:16then the winter sky over the East River in the afternoon at four o'clock...
00:43:19But now you're just being bullheaded.
00:43:21Bullheaded? Me?
00:43:23Me, bullheaded.
00:43:24Well?
00:43:25Well, what more, teacher?
00:43:27All I've said and all I'm saying is that you can't expect the first crack out of the box.
00:43:30You've got to work, Daisy.
00:43:32Work? Now he's telling me to work.
00:43:34Great heaven, what have I done else but.
00:43:36But differently, with such pains.
00:43:38You're turning out too much and you know it.
00:43:45Maybe.
00:43:54Maybe anything's too much.
00:43:56Oh, darling.
00:43:58Now, don't soften on me, stay tough.
00:44:00Well, I do believe that, Sid.
00:44:01I think that's the whole story, still hung over from the old job.
00:44:04Pressure, pressure all the time.
00:44:06Still rushing countless sketches through against a magazine's deadline.
00:44:11Anyhow, against some deadline.
00:44:14Daisy, darling.
00:44:16Who but you, Tom?
00:44:18Who but you and strangers, honest with me ever?
00:44:21Daisy.
00:44:24Have you missed me, Daisy?
00:44:26You?
00:44:28Well, I'll tell you about that.
00:44:30You see, it's this way, I.
00:44:36Much?
00:44:40Skunk.
00:44:42Skunk.
00:44:43Oh, what are you?
00:44:44It's a lot of nonsense, this is ridiculous.
00:44:48It's a lot of nonsense, this is ridiculous.
00:44:50We need each other, we two do.
00:44:53You think?
00:44:54Most terribly, I'm convinced of it.
00:44:56And ever worse, it's friends, you and me.
00:44:58You know, it's wicked to give that up.
00:45:00To lose anything so precious for no good reason.
00:45:03Why are you of all people for a shabby lowdown question of convention?
00:45:07Fit only to be considered by shabby lowdown...
00:45:09Oh, well, now, wait a minute.
00:45:10A hundred times I'd have given my eyes to see you, just to talk to you.
00:45:14Well, here I am.
00:45:15Daisy.
00:45:16May I come and see you just now and then?
00:45:18If you like, just now and then.
00:45:20My sweet dear, thanks.
00:45:21But no, sweet dear.
00:45:23That belongs to another life.
00:45:25Years and years and years ago.
00:45:27I see.
00:45:28There are to be rules, are there?
00:45:29One or two.
00:45:31One very definite one.
00:45:32What?
00:45:34Never secret, never hidden.
00:45:36Why should a friendship be hidden?
00:45:38What's there to hide?
00:45:39Well, it does get misunderstood.
00:45:42It can't, it won't, or the whole world's rotten.
00:45:45It's been pretty ripe for a long time, Tommy.
00:45:47Tommy?
00:45:49Oh, darling, how grand it is.
00:45:51Kiss the boy, Daisy.
00:45:53No, you've got to go.
00:45:55Why, will it take long?
00:46:00Oh, magnificent.
00:46:01All as before.
00:46:03Yes, except for one thing.
00:46:05What?
00:46:06We're not in love anymore.
00:46:08Now run.
00:46:15Oh, listen.
00:46:16How about lunch tomorrow?
00:46:17Lunch?
00:46:18Yeah.
00:46:19The old place?
00:46:20I'd love it.
00:46:21One o'clock?
00:46:22Fine.
00:46:23And let's dine at John Donovan's.
00:46:24Dine?
00:46:25Yes, he's opened a new place on 48th Street.
00:46:26All right.
00:46:27Let's see, Wednesday's the next day.
00:46:28I said I'd drive out and see Pat Atkins.
00:46:29He's been sick again.
00:46:30Oh, poor dear, I didn't know.
00:46:31He's better now.
00:46:32Come with me, Daisy.
00:46:33Oh, Wednesday.
00:46:34Come on, if it's a fine day, we'll take a picnic.
00:46:35What do you say?
00:46:36Oh, you...
00:46:37Listen, Thursday, Thursday I'm at the press all day, but Friday...
00:46:38Oh, now, wait a minute.
00:46:39You said now, didn't you?
00:46:40I'll foster in about four o'clock on Friday.
00:46:41Will you be here?
00:46:42Oh, I suppose so.
00:46:43Goodbye then, darling.
00:46:44Till tomorrow?
00:46:45Tomorrow.
00:46:46What about this afternoon?
00:46:47This afternoon?
00:46:48Yes, what about...
00:46:49How about a cocktail at Jean's place at five o'clock?
00:46:50Oh, all right.
00:46:51All right then.
00:46:52Goodbye then.
00:46:53Goodbye.
00:46:54Sweet dear.
00:46:55Five o'clock.
00:46:56Ten minutes to five.
00:46:57Frank.
00:47:02Frank.
00:47:07Ten minutes to five.
00:47:22Frank!
00:47:31Daisy, what is it? You frighten me.
00:47:33Frank, I'm scared. Come here.
00:47:37But, Daisy, wait!
00:47:38Oh, Frank, don't ask any questions. I need your help.
00:47:41I know you can hold your tongue, Frank.
00:47:42Well, what is not my business?
00:47:43It's time. I'm going away, a long way away.
00:47:47I love him, Frank. I love him more than I ever did.
00:47:50But think, Daisy. Wait. Are you wise?
00:47:52I'm going alone.
00:47:53Yes, that is wise.
00:47:54And nobody to know where I've gone either.
00:47:56No, of course not.
00:47:57No mess, Frank. It's to avoid when I'm going.
00:48:00But compose yourself, Daisy. Be calm.
00:48:02Oh, I can't.
00:48:03Does he love you?
00:48:04I don't know.
00:48:06I don't think he knows.
00:48:09Oh, Frank, he's so slim and brown and sandy.
00:48:12Now, snap out of it, Daisy.
00:48:13He'll always be like that. I know he will.
00:48:15Even when he's old.
00:48:17A funny way he stands, so sort of stiff with his feet turned out.
00:48:21What they call duck-footed, eh?
00:48:24No, certainly not.
00:48:26It's a perfectly natural way to stand.
00:48:29Of course, it's a fine, strong way to stand.
00:48:31Yes, I know. But don't forget your watercolors.
00:48:33Huh?
00:48:35Frank.
00:48:36Maybe if I wait.
00:48:38Maybe I'd better see him once more and explain to him...
00:48:40Daisy, if you want to go at all, you must go tonight.
00:48:44Yes, I guess you're right.
00:48:46Come along. Come.
00:48:48Yes, now in here. Help me.
00:48:56And look.
00:48:57Yes?
00:48:58You know that painting with the doorstep?
00:48:59The one with the milk bottles, number seven?
00:49:01Yes, my dear.
00:49:02Will you wrap it up and take it to him for me with my love?
00:49:06Take it?
00:49:07Oh, yes, yes. You're having cocktails with him at Jean's in one hour.
00:49:10At five o'clock.
00:49:15Five o'clock?
00:49:16Ten minutes to five.
00:49:21And Frank.
00:49:22Yes, darling?
00:49:23When you see him, kiss him for me.
00:49:25What?
00:49:28Kiss him for me.
00:49:30Kiss him, Frank.
00:49:35Daisy.
00:50:00Hello.
00:50:02How are you?
00:50:04How do you do?
00:50:06Glad to see you.
00:50:09Grab yourself a chair. I'll tell the missus you're here.
00:50:11You're too kind.
00:50:13Ain't seen you since I've been back.
00:50:15No.
00:50:16Been back a month. Gee, it's swell.
00:50:18I daresay.
00:50:20I'll tell the missus you're here.
00:50:22You're too kind.
00:50:23Ain't seen you since I've been back.
00:50:25No.
00:50:26Been back a month. Gee, it's swell.
00:50:28I daresay.
00:50:30Yeah.
00:50:33Will you have some tea, Father?
00:50:35No, thank you, my dear. No, thank you.
00:50:38By the way, his birthday is on the 23rd.
00:50:41I think it would be well to have it a surprise party.
00:50:44Have all his old friends.
00:50:46Give him a chance to realize he's outgrown them.
00:50:49And I hope you may be able to persuade him to move into town with me this winter.
00:50:53Must be uncomfortable for you out here.
00:50:56I'd so love being in town with you.
00:50:58But you know how Tom feels.
00:51:04I'm very contented here.
00:51:06There's something besides contentment.
00:51:09Of course.
00:51:13How did that Desperado Regan get back here?
00:51:17Oh, Tom ran into him somewhere.
00:51:19Seems a new job didn't pan out.
00:51:21Regan was ill.
00:51:22So Tom asked if he might bring him back.
00:51:24I said he might.
00:51:25Well, why not just give him something?
00:51:27Anything to get rid of him.
00:51:28Don't worry about it, Father.
00:51:30I'll work it out somehow.
00:51:31I have the greatest confidence in you, my dear.
00:51:36Well, I guess I must be getting back to town.
00:51:40Goodbye.
00:51:41Goodbye.
00:51:43Operator?
00:51:44Long distance?
00:51:46I want to get the number of Miss Daisy Sage in New York.
00:51:51Yeah?
00:51:53Just a minute.
00:51:54Connecticut calling you.
00:52:02This is Miss Sage.
00:52:03Oh, yes, Miss Sage.
00:52:05Allow me to introduce myself.
00:52:07I am Mrs. Thomas Collier.
00:52:09Mrs. Thomas Collier?
00:52:13I'm so sorry we haven't met.
00:52:15Oh, isn't it a shame?
00:52:16All of Tom's friends hereabouts are so regretted not knowing you.
00:52:21I called to tell you his father and I are giving a surprise party for him here on the 23rd.
00:52:27You possibly remember it's his birthday.
00:52:30Why, no, I, uh...
00:52:32We'd so love having you and Miss Schmidt and Mr. Fisk for the party.
00:52:36And if possible, spend the night.
00:52:38The 23rd?
00:52:40Oh, now, isn't that too bad?
00:52:42Oh, I'm terribly sorry, but I just couldn't possibly make it on the 23rd.
00:52:47Oh, I'm frightfully disappointed.
00:52:50We must try again sometime.
00:52:52Soon.
00:52:54Yes.
00:52:55Goodbye.
00:53:02Now, what was that?
00:53:04What?
00:53:05Mrs. Thomas. Thomas, mind you, Collier.
00:53:09Wants to know if I won't surprise her, surprise Tom on his birthday and spend the night with him in the country.
00:53:15She's going to ask you and Frank, too.
00:53:17And what did you say?
00:53:18You heard me, didn't you?
00:53:20Look, Daisy, ever since your trip to Nova Scotia, you've made Tom feel that you don't want to see him.
00:53:25And so he's cut himself off from, well, from all of us.
00:53:29He's only trying to do what he thinks you wish.
00:53:31Well, I don't propose...
00:53:34Mrs. Thomas Collier invited me down there for some very good reason of her own.
00:53:38Well, don't take it out on Tom.
00:53:40I think it'll do him a lot of good.
00:53:41He needs it.
00:53:43He needs us.
00:53:44Well, if he's so weak...
00:53:45Oh, he isn't.
00:53:46Just bewildered.
00:53:48If he could get back just now and then with the right people, it might help him get a decent point of view again.
00:53:54Oh, Joe, I love that boy.
00:53:57With all my heart.
00:53:58Then don't go.
00:54:02I would like to find out if something I think is true is true.
00:54:08I certainly would.
00:54:14May I look up the number for you, Miss Sage?
00:54:17Oh, thank you so much, Mr. Fisk.
00:54:19I think that by making a tremendous effort, I may be able to recall it.
00:54:25Long distance, please.
00:54:31Brandy, ma'am.
00:54:39How about some backgammon?
00:54:41Oh, fine.
00:54:46Hi, Red.
00:54:47No, thanks.
00:54:48Yes, thanks.
00:54:56The boss has got you reading this new book.
00:54:58Uh-huh.
00:54:59Forget it. Join the party.
00:55:00You might get some laughs.
00:55:02Oh, it's a nice party.
00:55:03Not like we used to have, though.
00:55:05Shh.
00:55:06I don't know hardly anybody here.
00:55:08Don't you, Red?
00:55:11Oh, Red, why don't you get Tom to introduce you?
00:55:20Well, of course, I know very little about music, but I know what I like.
00:55:24That's for the boss.
00:55:26Oh, sorry.
00:55:31We are so anxious to hear you play, Miss Schmidt.
00:55:33I'm sure you're better than the radio.
00:55:35But I didn't bring my cello.
00:55:37Oh, what a pity.
00:55:38Perhaps we could get one.
00:55:40She's used to her own fiddle.
00:55:44Yes, but is there any difference?
00:55:46Yes, I suppose there is.
00:55:48Yeah.
00:55:49Look what baby brought you.
00:55:55Well, he is quaint.
00:55:57Indeed.
00:55:58He devastates me.
00:56:00Armibopain
00:56:05War Boys leap to centre of the ring.
00:56:06They stand at jazz.
00:56:07We put ourselves at gun point
00:56:10We look for the peel.
00:56:11Miller pears back, directions right to left.
00:56:13Morgan hunts fence.
00:56:15Morgan hooks his left and shoots a shot.
00:56:17Morgan is against the rope.
00:56:19Morgan comes off the rope like a tiger.
00:56:22Morgan closes his eyes.
00:56:24Miller pears in.
00:56:25Rings to Morgan's body, the glitch.
00:56:29But it's a swell fight time.
00:56:30I'll tell you.
00:56:31Now the clinch.
00:56:32Then a Russian bargain again.
00:56:33Poster on the left, right.
00:56:38Listen, you're a pretty good actor.
00:56:40Try and act like a butler, will you?
00:56:42Right, sir.
00:56:43I knows me place, sir.
00:56:45Don't lay it on, Meadows.
00:56:47Oh, no, sir.
00:56:49Say, how does it feel to be 32, baby?
00:56:53Sir?
00:56:54I'm bearing up.
00:57:00Brandy, sir?
00:57:01Thank you, sir.
00:57:02No, thanks.
00:57:03Try it.
00:57:04I did.
00:57:05The results were very satisfactory.
00:57:07No, thank you.
00:57:09Get out.
00:57:11Get out.
00:57:13Very good, sir.
00:57:18Oh, Joe.
00:57:20Hmm?
00:57:22This is awful tripe.
00:57:24What?
00:57:26This rotten egg about to be laid by the Bantam Press.
00:57:33Yeah, I know.
00:57:35But it'll make money.
00:57:38Is that all he ever thinks about nowadays?
00:57:40Apparently so.
00:57:42I have an idea he thinks he's doing me a favor, publishing my book.
00:57:45Oh, he doesn't.
00:57:46He couldn't.
00:57:47Well, he kind of gave us the works at dinner.
00:57:49Well, I imagine he rather gathered we didn't approve of him.
00:57:52We don't.
00:57:54We don't.
00:57:56Gotta do something about it, Joe.
00:57:58Yeah, but...
00:58:01He kind of hinted that he might hook up with those pirates, Williams and Warren.
00:58:04Oh, no.
00:58:05Yes.
00:58:20Why do you suppose she asked us out here anyway?
00:58:23Just to prove we don't belong?
00:58:25Oh, she isn't a bad sort.
00:58:27You know, I had quite a long talk with her tonight.
00:58:29She seems like a very nice, attractive woman.
00:58:32Hmm.
00:58:33So did Delilah.
00:58:35Yeah, so did Delilah.
00:58:36Ah, Miss Sage, we were wondering where you were.
00:58:39Hmm.
00:58:40Hello there, Mr. Fisk.
00:58:42I suppose you've made a good plot tonight.
00:58:44A plot?
00:58:45Hmm.
00:58:46Uh, did I make any plots tonight?
00:58:47Any...
00:58:48Oh, no, not so far as I know.
00:58:50Well, I mean for your new novel.
00:58:52Oh, yes.
00:58:53Oh, I know you writer men.
00:58:55I bet you're going to use us all for characters.
00:58:57Oh, that's a very good idea.
00:58:59Thanks.
00:59:00Come on, everyone's playing games in the dining room.
00:59:02Oh, I'm still reading this thing.
00:59:04Oh.
00:59:05Isn't it too divine?
00:59:06I think it's going to be a sensation.
00:59:08I'm practically a collaborator, aren't I, Tom?
00:59:10Yes, Grace is my reaction agent.
00:59:12She submits to tests.
00:59:13I love to.
00:59:15Yeah, she's my little guinea pig.
00:59:19Uh, shall we go and play backgammon, Mr. Fisk?
00:59:21Oh, yes, I'd love to.
00:59:26Well, how are you getting on with the book?
00:59:28Look, is this on the Bantam's new list you told me to wait for?
00:59:31Don't you like it?
00:59:33Well, it seems awfully...
00:59:35bright.
00:59:37Bright things seem to sell.
00:59:39Yes.
00:59:40Look at those great publishers, Williams and Warren.
00:59:42They sell millions of copies...
00:59:44in drugstores.
00:59:47What difference does it make where they sell them?
00:59:50None.
00:59:53Except...
00:59:54if you want to keep your integrity, you...
00:59:57well, you can't go in for mass production, can you?
01:00:00I mean, you can't just become a...
01:00:03a little cog in the big machinery.
01:00:05Can you?
01:00:07Well, don't let's argue about that.
01:00:09Oh, why not?
01:00:10Daisy, listen, I want to say...
01:00:11Never mind, never mind.
01:00:12I just shouldn't have said anything at all until I'd read it through.
01:00:15That book will make money.
01:00:16Money?
01:00:17Is that so awfully important?
01:00:19I haven't got any, but you know...
01:00:21I feel quite all right.
01:00:25Well, you're not a married man.
01:00:29No.
01:00:31No, I suppose that does make a difference.
01:00:35Well, Daisy, please read the thing through...
01:00:37and give me your opinion.
01:00:39I...
01:00:40I'm not quite sure about it.
01:00:42You will, won't you?
01:00:44Oh, yes, Tom.
01:00:45And...
01:00:47And...
01:00:48And just bear in mind that...
01:00:51well, you can't please everybody.
01:01:12Why did she come?
01:01:14Who?
01:01:15That woman.
01:01:16Oh, I thought you asked her.
01:01:18First she said she couldn't...
01:01:19and then she telephoned back she would.
01:01:22Well.
01:01:25Oh, I'm not the least bit jealous anymore.
01:01:28In fact, I'm inclined to like her.
01:01:31That's big of you, see.
01:01:34I suppose that Joe is one of hers, too.
01:01:37How do you mean?
01:01:39Oh, sweet innocent.
01:01:41No, how's that?
01:01:42I should think you'd know by now...
01:01:44that she was just a promiscuous little...
01:01:48Oh, well.
01:01:51You're a strange girl, see.
01:01:53And a pretty cruel one, too.
01:01:56Not at all.
01:01:58In fact...
01:01:59I don't see why Tom and she shouldn't be just as good friends as...
01:02:03well, as you and I are.
01:02:06Their history is a little different.
01:02:09Why?
01:02:10Don't you like our history?
01:02:12What, the resolved?
01:02:14Trifle uneventful, don't you think?
01:02:17Or shall we simply call it...
01:02:19lacking in excitement?
01:02:29You've been so strange lately.
01:02:32So remote.
01:02:34I wasn't aware of it.
01:02:37Refusing to help us sell Tom's press to Williamson Warren.
01:02:42But Tom...
01:02:44Tom doesn't want to be helped.
01:02:48I do.
01:02:55Good heavens, darling, I've told you a dozen times...
01:02:57I'm counsel for them.
01:02:59So they do exactly as you tell them.
01:03:02Dang it all, see.
01:03:03Tom doesn't want to sell the band.
01:03:06He doesn't know what he wants.
01:03:08Just one little word from you.
01:03:11Well, you know, there's a thing called legal ethics.
01:03:14There's a thing called friendship.
01:03:19Owen.
01:03:23Lacking in excitement, you said.
01:03:25For you?
01:03:26For you, I meant.
01:03:29And I suppose you're the judge of that, too.
01:03:31Well, I don't know who else.
01:03:34And of course you couldn't possibly be wrong.
01:03:37Could I?
01:03:39And I'm not a human being at all.
01:03:41Of course.
01:03:43See, see.
01:03:45You will do this one thing for me.
01:03:47Just one word to Williamson Warren.
01:03:54Owen.
01:03:58Yes.
01:04:01You darling.
01:04:04Come in.
01:04:10Oh, Miss Sage.
01:04:12Owen and I have been discussing something that might interest you.
01:04:15He's promised to use his influence to have Williamson Warren take over the Bantam Press.
01:04:19Isn't that splendid?
01:04:21Did Tom...
01:04:23Well, is it all settled?
01:04:25Owen's arranged it.
01:04:27You see, he's their lawyer.
01:04:29Isn't that nice of him?
01:04:30Well, if there's any credit due, I'm sure it's Cecilia's.
01:04:33Oh, yes, I'm sure it is.
01:04:36Will you excuse me?
01:04:38I was just looking for Miss Schmidt.
01:04:47Frank.
01:04:48Joe.
01:04:54Look, do you mind going in tonight?
01:04:57But why, David?
01:04:58We were supposed to spend the night.
01:04:59Yes, I know we were, but I've just got to get out of this house.
01:05:02Oh, but David...
01:05:03No, we are going.
01:05:04Get your things together.
01:05:06Okay.
01:05:07Okay, gee, just when the party's getting good.
01:05:16Uh-uh.
01:05:27So sorry, Mrs. Collier.
01:05:28It just can't be helped.
01:05:30Are you ready, Joe?
01:05:31Yes.
01:05:32Goodbye, thank you very much.
01:05:33Goodbye, Tom.
01:05:34Goodbye.
01:05:36I must say, your leaving seems very strange.
01:05:38We've so loved having you.
01:05:40You were very kind to ask us.
01:05:41Goodbye, Tom.
01:05:42Goodbye.
01:05:43Goodbye, Mrs. Collier.
01:05:44Goodbye.
01:05:45Come again when you can really stay.
01:05:47I'll see you about the car.
01:05:49Well, all so solemn.
01:05:53Sorry you don't like my friends.
01:05:55You're...
01:05:56They are, however.
01:05:57Sorry you don't like the book I'm publishing.
01:06:00Tom, I pity you with all my heart.
01:06:03Pity me?
01:06:05What are you talking about?
01:06:07I came to find out and I found out.
01:06:10Now I'm going.
01:06:11Found out what?
01:06:12Pity me why?
01:06:14Do you mind?
01:06:18Daisy, I...
01:06:22Give us a kiss, Daisy.
01:06:24Hey, Daisy.
01:06:26Hurry up or we'll miss the train.
01:06:28Come on, here's your coat.
01:06:29Get in.
01:06:30You must give us a ring sometime, Tom.
01:06:32Right.
01:06:33I'll wait for you outside.
01:06:40Goodbye, Tom.
01:06:44Once I wouldn't say it, would I?
01:06:46Once you wouldn't.
01:06:48Well, goodbye.
01:06:55This time you do.
01:06:58Goodbye.
01:07:17Good night, my dear.
01:07:19Had a lovely time.
01:07:21Bless you.
01:07:22Good night, Tom.
01:07:23Good night, Father.
01:07:30Goodbye, Father.
01:07:40Will?
01:07:42Oh, yes.
01:07:52Why you declined to spend the winter in town with your father is...
01:07:55Is what?
01:07:56You must simply wish to be disagreeable.
01:07:58That isn't true.
01:07:59Oh, come on, see.
01:08:00Now, let's forget it.
01:08:01As if that were so easy.
01:08:02And I suppose you refuse to sell the press,
01:08:04even if Williams and Warren are willing to pay twice what it's worth.
01:08:07I don't... I don't know.
01:08:09Can't we talk about something else tonight?
01:08:12I'm afraid not.
01:08:22Oh, hello, Steve.
01:08:49You're frightfully late, darling.
01:08:52I stopped at the Bantam.
01:08:53What made you do that, silly?
01:08:55I don't know.
01:08:56I just wanted to think.
01:08:59Try to clear my mind of the vision of millions and millions of cheap books.
01:09:04Williamson's recital of the glories of the machine age.
01:09:07So I stopped at the press.
01:09:09Everything went all right, didn't it?
01:09:11Oh, yes, perfect.
01:09:12In fact, it's settled.
01:09:14Not already.
01:09:15Yes, they've signed.
01:09:17All I have to do now is dig up a notary in the village
01:09:20and write my name under theirs.
01:09:23Oh, Tom.
01:09:25Are you pleased?
01:09:26Aren't you?
01:09:28I don't know.
01:09:29I think something's happened to my nervous system.
01:09:32I feel awfully light.
01:09:33Of course.
01:09:34You're famished, darling.
01:09:36Come and eat.
01:09:39Would you like to eat in my sitting room?
01:09:41All right.
01:09:42I'll call Reagan.
01:09:46Steve.
01:09:47Yes, Steve.
01:09:49I think it's time we had a child or two, Steve.
01:09:54We'll talk about that.
01:09:57We must.
01:10:10You're all ready, Tom?
01:10:16I thought it would be so cozy us dining here.
01:10:23What's the matter?
01:10:26It's funny.
01:10:27You know, lighted this way, it reminds me of someplace.
01:10:31What place?
01:10:33I don't know.
01:10:36Champagne, is it?
01:10:37I thought you'd feel like celebrating.
01:10:39Well, well.
01:10:41A little wine won't hurt you.
01:10:43The little more and how much it is.
01:10:46Fill them, Mr. Reagan.
01:10:55Infinite riches in a little room.
01:10:58You've got the quotes badly.
01:10:59The little lamb who made thee.
01:11:01Reagan, dost thou know who made thee?
01:11:08What is it it reminds me of?
01:11:12And a little more, old son.
01:11:28The discreet withdrawal.
01:11:31I've seen that before, too.
01:11:34I know the Florentine.
01:11:36A private room at the Florentine.
01:11:38What's that?
01:11:39It's a sort of hotel.
01:11:42Run by a woman called Flora Conover.
01:11:44Sounds wicked.
01:11:45Yeah, used to be the best place in London.
01:11:48Place?
01:11:49What sort of place?
01:11:50Twenty guineas.
01:11:52Twenty guineas?
01:11:55On the mantelpiece.
01:11:58What are you talking about?
01:11:59In advance of that.
01:12:02Rather expensive, wasn't it?
01:12:04Well, one went to Flora's to celebrate.
01:12:06And the food was good.
01:12:07The waiter discreet.
01:12:08The wine excellent.
01:12:09The lady most artful.
01:12:14I don't care to hear about it, thank you.
01:12:16See, your eyes are so bright.
01:12:19Eat you.
01:12:21You're seeing things.
01:12:24See?
01:12:25Yes, dear.
01:12:26You know, a little love is no love.
01:12:29Meaning what, precisely?
01:12:32It wasn't necessary to lock your door against me last night.
01:12:35But I didn't.
01:12:36I mean, not against.
01:12:37Then why?
01:12:39Tell me instantly why it was.
01:12:41Is that an order?
01:12:42Tell me.
01:12:43You mean, why I didn't want you near me?
01:12:45Yes.
01:12:47You've been so consistently disagreeable, that's all.
01:12:49About what?
01:12:50Wanting Regan back?
01:12:51That's one thing.
01:12:52Well, what else then?
01:12:53Your father, chiefly.
01:12:54Ah.
01:13:02What are you going to do about your birthday check, Tom?
01:13:06What?
01:13:07Oh, that.
01:13:09Well, I...
01:13:11I don't know whether to send it back or just not to cash it.
01:13:14Of course, you simply can't allow yourself to show any graciousness toward him.
01:13:18No.
01:13:20As a way of telling you how pleased with you he is,
01:13:22he gives you a small check and you have the extraordinary bad taste...
01:13:26What?
01:13:28Good heavens.
01:13:30I can't believe it.
01:13:31There it is.
01:13:33There isn't that much money in the world.
01:13:35In father's world there is.
01:13:37He fears he can afford it to get us to come and live with him.
01:13:40Of course, I can't understand your attitude about that either.
01:13:43Can't you see?
01:13:44No.
01:13:45He knows how inconvenient it is here in the winter,
01:13:47and having that great, huge, lovely house and town is perfectly sweet and natural of him to ask us...
01:13:52Well, to ask...
01:13:54Yes, you, to preside night after night at his deadly dinners.
01:13:57Me, to listen eternally to his Delphic advice on what to do and how to live.
01:14:01To give up what little integrity I have left.
01:14:04In short, to allow him to own us.
01:14:06Of course, he's willing to pay.
01:14:08He always is.
01:14:17How you can be so hard about him, I don't know.
01:14:19My way of thinking, if a person can't...
01:14:21Oh, let's drop it, see.
01:14:23Very well, we shall.
01:14:28Now you've gone from me again.
01:14:30Lord, you care.
01:14:32Oh, sea, my lovely sea, where are you?
01:14:34What's become of you?
01:14:36The thing you call your integrity.
01:14:38That's the word.
01:14:43You see, it's no use talking.
01:14:47This is what you call being disagreeable, I suppose.
01:14:49Yes, very.
01:14:50But how to be otherwise, then?
01:14:52Possibly by being the father.
01:14:54Yes, very.
01:14:55But how to be otherwise, then?
01:14:57Possibly by being the fine, kind, generous man you ought to be.
01:15:00Accept the check with thanks and go and live with him.
01:15:03It's only for a few months.
01:15:05I think to refuse his present would be extremely bad manners.
01:15:08Just about in a class with those of your little ex-sweetheart.
01:15:15Oh, I'm sorry, I didn't mean...
01:15:17Never mind.
01:15:20Sea.
01:15:24Suppose I should do as you say about father.
01:15:27Oh, Tom.
01:15:30Do be the darling I know you are.
01:15:32Would you like me better?
01:15:34Much.
01:15:36How much?
01:15:37Oh, very much.
01:15:39No locked doors anymore?
01:15:42Not one ever.
01:15:45Not one ever.
01:15:48Sounds most inviting.
01:15:50Does it?
01:15:52And suddenly I'm beginning to see with an awful clearness.
01:15:56What?
01:15:58How stupid you've been.
01:16:00And what I am to you.
01:16:03Yes.
01:16:06So you are going to be nice again?
01:16:08You'll see.
01:16:10Oh, I want so to feel...
01:16:12I don't know...
01:16:14Together again.
01:16:16As we used to be.
01:16:19You're very pretty, you know.
01:16:21Oh, thank you, sir.
01:16:23Very exciting, too.
01:16:25I don't know whether it's you or the wine speaking.
01:16:27Oh, me. Through the wine.
01:16:29Shall we have a little more?
01:16:31I think so.
01:16:32It's a party, then.
01:16:34It's a party.
01:16:35We'll have another small bottle.
01:16:38There's some here.
01:16:44Sometimes you're so thrilling, Tom.
01:16:46You think?
01:16:48We shouldn't. You know we shouldn't.
01:16:50But we seem to be.
01:16:54All at once...
01:16:56I feel terribly naughty somehow.
01:16:59You know, I suppose you're one of the most...
01:17:01The prettiest girls I've ever seen.
01:17:03So nice of you to think so, sir.
01:17:05So very attractive.
01:17:07I like to be attractive.
01:17:09So very...
01:17:11Alluring.
01:17:13There, that's enough.
01:17:14You're a strange woman.
01:17:16Your lips drop honeycomb.
01:17:18Your mouth is smoother than oil.
01:17:20Now what are you quoting?
01:17:24Ah, the discreet waiter returns.
01:17:27Come in.
01:17:31Give the lady some, waiter.
01:17:43You can leave the bottle on the table.
01:17:47That'll be all.
01:17:54To the pleasant ways of life.
01:17:57Such pleasant ways.
01:18:02It's good, isn't it?
01:18:05I'm beginning to feel it a little.
01:18:07Well, that's what it's for, eh?
01:18:09It must be.
01:18:11Champagne, the friend of lovers.
01:18:16No.
01:18:18Not yet.
01:18:20Artful child.
01:18:22You think?
01:18:24Lovely, alluring thing.
01:18:27I like you too now.
01:18:29It's pleasant here, isn't it?
01:18:31So pleasant.
01:18:35But you're not taking any.
01:18:37No.
01:18:38It makes me see almost too clearly.
01:18:41Oh.
01:18:42Take a little more.
01:18:44And everything will get so...
01:18:46So lovely and vague.
01:18:49In the way I feel now.
01:18:52A good feeling, is it?
01:18:54Delicious.
01:18:58Oh, Tom.
01:19:02One last toast.
01:19:06Do we dare?
01:19:09Come on.
01:19:13But to what?
01:19:16What to?
01:19:18You name it.
01:19:20To love.
01:19:32And darling?
01:19:34Yes?
01:19:36You are going to be an angel about things, aren't you?
01:19:41You'll see.
01:19:43I knew you would.
01:19:45I'm so happy.
01:19:50I want you close to me.
01:20:01Don't be long.
01:20:31Come in.
01:20:43Come in.
01:20:47See here, Red, I...
01:20:48Never mind.
01:20:50All I mean is...
01:20:52Well, I'm out for good this time.
01:20:54Why?
01:20:55I just don't like it here, that's all.
01:20:58When do you want to go?
01:21:00When I can.
01:21:02Tonight, then?
01:21:03That's all right with me.
01:21:05I'm packed.
01:21:07Wait downstairs.
01:21:11Oh, Red.
01:21:13Have you got a fountain pen?
01:21:19Thanks.
01:21:21Don't let me forget to return it.
01:21:30Thanks.
01:22:00On the mantelpiece.
01:22:31Oh, here you are, Red.
01:22:38Thanks.
01:22:40Well, goodbye.
01:22:44Go and get in the car.
01:22:46I can walk to the train, all right.
01:22:48Bring my hat and coat.
01:22:53Will you bring my hat and coat, please?
01:22:56Will you bring my hat and coat, please?
01:23:19What's the idea?
01:23:21Night, please.
01:23:26Night.
01:23:38Now, then.
01:23:40I can walk, I tell you.
01:23:41Not at all. We'll drive in.
01:23:43We will?
01:23:45I'm going back to my wife, Red.
01:23:47To your...
01:23:53My wife, I said.
01:23:56My wife, I said.
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