• 4 months ago
Transcript
00:00R175976P, beast number four, part one, take one.
01:00R175976P, beast number four, part one, take one.
01:30What the hell is that?
01:40It's a display.
01:43You're not building Camelot, you're selling beans.
01:46You build them up like that, who's going to touch them?
01:48They're not here for respect, they've got to offer themselves,
01:51like it says there, offer.
01:53A random effect.
01:55Like this, see?
01:58Lay them about so people grab them.
02:00Yes, Mr Greenlee.
02:02I understand.
02:03That'll do.
02:04That'll be the day.
02:06How's your tea?
02:08Is it good?
02:09Yeah.
02:10Right, I want you to take her over on a check-out.
02:11Mrs King-Thompson.
02:12I'm telling you.
02:13Any objections?
02:15No, Mr Greenlee.
02:27Over there now, love.
02:45Do you mind?
02:47Over to the other side now, please.
02:49Oh, I bet your old pusscat's waiting for this.
02:51He's not old.
02:52Beg your pardon?
02:53Pusscat?
02:54He is a bit old.
02:56I like her.
02:57Don't we all.
02:58And now it's her tea break.
02:59Oh, well, she can just take my money.
03:04Let me help you with that, love.
03:21They can't stand her.
03:23Who?
03:24Mrs King-Thompson, ignoring.
03:25They can't stand her any more than I can.
03:27Yeah, well, I know she's a bit...
03:28She's a stupendous, giant-sized, unrepeatable drag.
03:48For Pete's sake, why?
03:49Why what?
03:50Her.
03:51Why did you do it?
03:52Take her on.
03:53We were.
03:54Look, if I'd have been here then...
03:55Two girls short.
03:56When I took over, a single glance.
03:57That was all I needed.
03:58She's good at figures and she's willing.
03:59Willing?
04:00They aren't all.
04:01It's their money.
04:02Look at that, Linda.
04:03She'll be off soon as spit.
04:04No, she won't.
04:05She said so.
04:06Leave Linda to me.
04:08That Linda's.
04:19I'll take it.
04:34Don't you ever boil the water!
04:36Linda!
04:38Find your way through to tea leaves.
04:41All right, Mickey.
04:49Chinese. They're a new line.
04:52You've got to watch my figures.
04:54Let me do that. You just eat the stickies.
04:57Just been talking to old June about staff.
05:00Oh, yeah? Changes.
05:02I can think of one.
05:04You're not wrong.
05:30She's so dead gruesome.
05:32Sort of clammy.
05:34You ever shake hands with her?
05:36I've cleverly avoided it.
05:38She's a mistake soon to be put right.
05:40June's mistake, and June knows it.
05:42Bit soft, old June.
05:44June's all right.
05:46No need to watch it.
06:33Ain't she smells?
06:35Not dirty, just... Oh, I don't know.
06:38Everybody smells. You've just got to smell good.
06:40You smell good.
06:42Oh?
06:43I need more like you.
06:44Eh?
06:45Yeah.
06:46The smell!
06:47Forget the smell, and you know what I mean.
06:49I'm not stopping you.
06:51Wait a sec.
06:52Will you stop?
06:54Well, nor me.
06:56You think this is my lot?
06:58No.
06:59For God's sake, I'm using it.
07:01Brightway stores are little men with little ideas.
07:04The Brightway Billy stuff, I ask you.
07:06But I can use them.
07:08How?
07:09Experience.
07:10Then I'll really get going.
07:12Into the big stuff.
07:13Freezer chains.
07:14Drive-ins.
07:15But it all sussed out.
07:17You know, I believe you.
07:19I'm telling you all this cos you're smelly.
07:21I'm telling you all this cos you're smelly.
07:23I'm telling you all this cos you're smelly.
07:25I'm telling you all this cos you're smelly.
07:27I'm telling you all this cos you're special.
07:29All you've got to do is step with me.
07:31Oh!
07:36Oh!
07:37Oh, no, it's her.
07:38It would be her.
07:40Oh, dear.
07:41Look at it all over me.
07:43My shoes.
07:44My new skirt.
07:45What happened?
07:46The coffee powder.
07:47She knocked it over.
07:48I didn't.
07:49You did.
07:51Stupid, clumsy.
07:52Just look at it.
07:53A whole big jar.
07:54It just fell off.
07:55I'm so sorry, madam.
07:56Let me help you.
07:57It's such a mess.
07:58Everything's ruined.
07:59Oh, it's not as bad as that.
08:01What is it?
08:02Instant coffee.
08:03It should brush out.
08:04Just go along with the Mrs King.
08:09You and her temper.
08:10Was that it?
08:11No, Mr Grimlow.
08:12Because I had to speak to you.
08:14No.
08:15Banging things about.
08:16Oh, I never.
08:18Just dead clumsy.
08:21Linda!
08:34I thought it would brush out.
08:42Loring.
08:44No charge, madam.
08:45I insist.
08:47And try this coffee.
08:48It's our own brand.
08:49I think you'll like it.
08:52Do come again soon.
08:58Mr Grimley's got his own ideas about things.
09:01I mean, it's quite right he should have them.
09:04Yeah.
09:05So we've all got to try.
09:07Well, I'm a bit quicker.
09:09Yes, I know, dear.
09:10But it's the customers.
09:11We've got to try and make it nice for them.
09:15But it is nice.
09:16I mean, us.
09:18We've got to be friendly and bright.
09:21Yeah.
09:23Why don't you make something of yourself?
09:26Hold yourself.
09:27You know, fix up your face a bit like the other girls.
09:31I can't.
09:32Why not?
09:33It looks funny.
09:35Well, what do you think it looks like?
09:38Just try.
09:39Smile at people.
09:41Do what you want.
09:44What?
09:45Mr Grimley wants me to smile?
09:47Can I have that?
09:50Yeah.
09:51Yeah.
09:58Don't leave anything.
10:00Mickey, do you hear me?
10:01I want that top shelf cleared.
10:03There's a rubbish dump up there.
10:18June.
10:22Look what she's done to herself.
10:24Yeah, I know.
10:25Well, I did suggest it.
10:26You suggested that?
10:27No, of course not.
10:47She wouldn't take 10 and 20.
11:02She wouldn't take 10 and 20.
11:06What the hell?
11:10I don't know.
11:14Look at it all over the place.
11:20I didn't put anything on it.
11:25What was that?
11:28I don't know.
11:30What the hell?
11:32I don't know.
11:33Look at it all over the place.
11:34I didn't do it.
11:35Look!
11:36Oh, I never.
11:37I've got a fight.
11:38There was something.
11:39What do you mean?
11:40I don't know.
11:41I thought I saw something.
11:43An animal.
11:44A dog.
11:45It must have been that.
11:46There is no dog.
11:47I know.
11:48Come on out.
11:49All right.
11:50It's time to go.
11:51No trouble.
11:52Come around to the other side.
11:53Mickey!
11:54Come and clear up!
12:01Do you ever know what you're doing?
12:04Anywhere.
12:05Do you?
12:09Did you at school?
12:11What did they say about you?
12:13Makes no effort.
12:14Does not try.
12:15Is that what they said?
12:16Oh, I was never absent.
12:18I can guess what they said.
12:20Didn't they say, uh,
12:21you'll never keep a job, Noreen?
12:23Because if they did, they were right.
12:25And what about your parents, eh?
12:27Sorry, Dad.
12:28I just got a push for being lazy and clumsy
12:30and generally useless.
12:32What's he going to say to that, eh?
12:34Make him stand up and cheer, will it?
12:36He can't say anything.
12:37Why not?
12:38He's dead.
12:40Oh, no.
12:41Yes, he is.
12:42When I was little.
12:44What about your mother?
12:46She's sick a lot.
12:49You can't.
12:51Who says I can't?
12:52Not after that.
12:54I don't want her here.
12:56Get on to personnel.
12:58I'd love a sit.
12:59Well, why not?
13:00It's what he's for, staff problems.
13:04Mr Grimley.
13:05What?
13:06There was something that made me jump.
13:09An animal, something like that.
13:11It must have been.
13:13I don't know.
13:15An animal, something like that.
13:17It must have been.
13:21Now you are lying.
13:23There was.
13:27Have I got to go?
13:34At least not on the checkout.
13:45Come on.
14:04Here.
14:05Got shot of her, have you?
14:07Who?
14:08That girl, the funny one.
14:09I'm not getting shot of anybody.
14:11I need more staff.
14:16Shove that right-way mince up on the corner here and make him try it.
14:20Have you tried it?
14:21Why?
14:22You try it.
14:28Do you like your job?
14:30It's all right.
14:32You must take all the things he says to you.
14:35Don't you care?
14:37I tell you, if he says those things to me...
14:39Don't mean them.
14:41I don't mind a bit of yelling.
14:43All that mean stuff.
14:45Calling Grimley's a pig.
14:47Don't say that.
14:49Listen, Nora, why does that make you miserable?
14:52You've left school, you don't have to take it.
14:54You can just walk out of here any time you want.
14:56I don't want to.
15:14Here.
15:16There's a bad in that girl.
15:18What?
15:19There's a bad in Sayura. Best watch out.
15:21Look, do you mind?
15:23Why don't you try him with a different brand?
15:25Try ours, it's cheaper.
15:26He wouldn't have it.
15:27Don't believe the commercials.
15:29He knows the label.
15:34I'm not going to.
15:36I'm not going to.
15:38I'm not going to.
15:40I'm not going to.
15:43When are you...
15:45What?
15:46Going to do it?
15:48There's such a thing as good management.
15:50Look, I told you last night...
15:51Oh, she's got into your master plan.
15:53Leave it out, will you?
15:55What about tonight?
15:57I don't know.
15:59My other friend.
16:01Oh, Linda.
16:03What?
16:12What?
16:30Not again!
16:32It's the animal!
16:33What animal?
16:35It is, listen.
16:36It's there, behind the shelves.
16:42What do you think?
16:44It was there.
16:46What do you suggest it was?
16:48I don't know.
16:49She wasn't anywhere near.
16:50A cat?
16:52A monkey?
16:53Whatever it was, it just conveniently melted away.
16:57Perhaps it was Brightway Billy.
17:00Personal appearance.
17:01Come to look us over.
17:06Brightway Billy.
17:09But he had better not do it again, had he?
17:14Pick him up.
17:25She didn't touch that shelf!
17:27Of course she did.
17:28I was watching.
17:29You need specs.
17:31Come in.
17:33What?
17:34Customer moaning.
17:35What about?
17:37Oh!
17:43This one's the same.
17:45Half of them are.
17:46All split open.
17:47Never seen this before.
17:49Look at the bacon.
17:50Sort of light chewed.
17:52Yeah.
17:53What could have done it?
17:55Faulty seals.
17:56The edges are split apart.
17:58Must be a dead batch.
18:00They'll all have to go back.
18:03You don't think...
18:04A dead batch, I said.
18:12Oh, dear.
18:14Was it that animal, do you think?
18:16What animal?
18:17There is no animal.
18:19What animal?
18:20Has she got any idea?
18:21She better tell us.
18:23Do you know?
18:24I don't know.
18:26Brightway Billy.
18:28That was a joke.
18:30That was a joke.
18:32I saw it.
18:34What?
18:35Well, I think I did.
18:37Just for a second.
18:38What was it?
18:39I'm not sure.
18:41Where?
18:43It rang.
18:45In behind there.
18:51Mickey!
18:52Mickey!
18:54Shine it under again.
18:56See anything?
19:00No.
19:01Make sure.
19:04Nothing.
19:06All right.
19:08No sign.
19:09No goblins.
19:10No.
19:11All right.
19:12You'd better come out.
19:16Let's get this one back.
19:19Let's get this one back.
19:31It must have gone.
19:33Yeah, it must have.
19:36How big was it?
19:38Um...
19:40There.
19:43I didn't really see.
19:45But you saw its colour.
19:48Sort of...
19:50brownish.
19:52Very?
19:54I suppose so.
19:58It wasn't like this by any chance.
20:03How could it be?
20:04Old Brightway Billy.
20:06It couldn't.
20:07We just said that.
20:09All right, break it up.
20:10Let's get some work done.
20:18Come on.
20:26Oh, good, good, good.
20:28Yeah, it must have been a chiller system playing out.
20:30It can do that.
20:31I'll get it fixed.
20:33All right, Mickey, let's get this...
20:35Oh!
20:37Oh, my God!
20:39Oh!
20:41Oh, my God!
20:48I don't need it, really.
20:54What's this bag?
20:56I don't know.
20:58That Billy had it again.
21:01What?
21:04There he is, look!
21:11Watch out!
21:13Get a stick or something.
21:14A rope?
21:15Quick!
21:17He's got a wife!
21:19There he is, look!
21:21Where is it?
21:22I'll show you, get out of there!
21:34Well, when will he be back?
21:37Mr Lewis said it's him I asked for, isn't it?
21:41I see.
21:43I see.
21:44No, no, no, there's no message.
21:46It's just too complicated to explain, that's why I...
21:49Just tell him, will you?
21:51Say it's very urgent.
21:53You've got my name.
21:54Mr Grimley.
21:57G-R-I-M-L-E-Y.
21:59All right?
22:08It's very nice to be here, Terry.
22:10It is.
22:13It's not right.
22:15I'm getting him to ring back.
22:17That's really great.
22:19I'm doing all I can.
22:20Well, it's not enough, is it?
22:22Never mind, love.
22:23Have you met Mr Libisage?
22:25No.
22:26Oh, he's very nice.
22:27He's one of the old-fashioned sort, you know, very considerate.
22:30I remember I was at the Portland Way branch once
22:32and we had a bit of pushing going on there, you know,
22:34and he's come down and sort it out.
22:36Oh, shut up!
22:38You're going to let her get away with it.
22:40No.
22:41Oh, all that scene just now.
22:43She got excited.
22:44Excited?
22:45She started it.
22:47Waving and screeching like...
22:48Listen to me, Linda.
22:49Setting everybody off.
22:50You mean you.
22:52Everybody.
22:53You, most of all.
22:54You're in such a state, where's it going?
22:56All right, all right.
22:57Trying to make out some kind of...
22:59Linda, Linda, Linda, listen to me.
23:02I saw inside the chest.
23:04Oh, not again.
23:05There was something wrong.
23:08So the sooner we get somebody down from head office, the better, right?
23:11Right.
23:16Mickey.
23:20Mickey, you finished over there?
23:22Not quite.
23:23A lot to do.
23:24Get her a cup.
23:25Why not?
23:37Naughty Billy.
23:54That's all it was.
23:57Top must have come off.
24:01But that wouldn't do it.
24:03Wouldn't be enough to...
24:05It was a trick.
24:07What?
24:09Billy's trick.
24:11On us.
24:13Stop her.
24:14Colin, stop her saying things like that.
24:17Can't you see?
24:19She makes it happen.
24:21I just said it's Billy.
24:23Colin!
24:24It is Billy.
24:29Oh, dear.
24:30Why don't you shut up?
24:36Oh, no.
24:42Mickey, get her a glass of water.
24:44I'll be all right now.
24:45Mickey, get some water.
24:47Here.
24:48Listen, Colin, this has got to stop.
24:51I don't know how she does it, but she does it.
24:54That's what I'm...
24:55I've had enough!
24:58It's her or me, Colin.
25:05Brightway Stores, manager speaking.
25:07Oh, yeah, Mr Liversidge.
25:09Yeah, I got this problem, and it's a bit unusual.
25:13Better get back to the cash desk.
25:23Yeah, I think that would be best
25:25if you can find the time, Mr Liversidge.
25:27I mean, I can handle it, but it's...
25:29Who did you hear that from, Mrs Brownlow?
25:32Yeah, thought I saw her in there.
25:34No, it wasn't anything.
25:36A false alarm.
25:37I don't know how people get upset so easily these days.
25:40Yeah, everything's quiet at the moment.
25:42But I'd be grateful if you could get over it as soon as...
25:50Linda! Linda! Linda!
25:52What is it? What is it? Tell me!
25:56They're... they're sick!
25:59They're animals!
26:01You saw it. You saw it.
26:03No! I heard it!
26:06It was in there!
26:09Oh, God, let me go!
26:12Colin, let me go!
26:14SHE SCREAMS
26:16Let me go!
26:18SHE SCREAMS
26:20Linda!
26:22Linda!
26:24Linda!
27:04Oh, Mr Liversidge.
27:06How do, Mrs King. Nice to see you.
27:08Erm...
27:10He's in the office.
27:12Right.
27:34DOORBELL RINGS
27:46Oh, I think we'll have the door shut, if it will.
27:51Mr Crimley, when on earth have we got here?
27:53I don't know.
27:55When I heard those screams coming through on my phone,
27:57I realised that a few were not exaggerating.
28:00Did you find the young lady?
28:02Well, I went round to her digs, but she'd cleared out.
28:04Well?
28:06Well, she's got parents down in Brighton, so maybe she's gone down there.
28:08You're concerned about her?
28:10Well, she's a good worker.
28:12So you value her?
28:14Yes.
28:16Very sensible.
28:18Yes.
28:20So if she thought she'd found some...
28:22some creature out there in the toilet, she probably had.
28:25I don't know.
28:27It's something most people wouldn't be mistaken at, huh?
28:30I don't know if I said so, but...
28:32my cell photo swore I saw something moving in the freezer,
28:35yet I didn't actually see it.
28:37I suppose it's not a question of just plain rodent infestation,
28:40mice or rats.
28:42No, this is a clean shot.
28:44Yes, of course.
28:48This young girl, I think I saw her just now.
28:50What's her name?
28:52Laurie.
28:54Oh, 16, 17.
28:56And you think she may be in some way...
28:58It's just this feeling.
29:00I'll have a little chat with her.
29:02Well, you won't get much change. She's dead thick.
29:04Not your choice, I take it.
29:06No, and if you want the case history...
29:08Not just now.
29:10Well, I'll send her in.
29:12No, no, no.
29:14Is that a coffee bar across the lane?
29:16Yeah, but it's a bit...
29:18I don't think you'd like it.
29:20I don't know.
29:28I don't know.
29:38Can I sit here?
29:40Seems cleaner.
29:48How do you like your coffee?
29:50Oh, I don't like it.
29:52Oh, I mean, lots of milk?
29:54Yeah.
29:56Two coffees here, please.
29:58One very milky, one black.
30:02Are you from the head office?
30:04That's right.
30:06What are they going to do with me?
30:08Nothing.
30:10Do I look that threatening?
30:12Why should I?
30:14I don't know.
30:16Bless myself.
30:18I just want to ask your opinion.
30:20I'm personnel manager,
30:22and I'd like to meet the personnel,
30:24about this mysterious animal.
30:26Oh, Billy.
30:28Huh?
30:30Bright light, Billy.
30:32Oh, no, no, I don't mean...
30:34No, it's a joke.
30:36It's what we call the animal.
30:38Mr Grimley said it.
30:40Did he?
30:42Yeah, he says funny things.
30:44Does he?
30:46Yeah.
30:54He's a clever young chap.
30:58Yeah.
31:00Ambitious.
31:02Yeah.
31:04You're lucky to have such a good...
31:06...puss.
31:08Yeah.
31:10Now, let's get back to this Billy.
31:12Like most young girls,
31:14I expect you're interested in animals,
31:16know a bit about them.
31:18Yeah.
31:20What do you think he is?
31:22What do you think he is?
31:24Well, I don't know.
31:26I just saw him for a second.
31:28Well, nobody else saw him.
31:30Well, I was lucky.
31:34Do you know what I'd like you to do?
31:36Show me exactly where he was.
31:38After you have that coffee.
31:42May we have that coffee, please?
31:46But we all heard him.
31:48Got your bits and pieces in?
31:50Yes, just a few things.
31:52Now, it's home to a bit of peace and quiet.
31:54Lucky you. See you in the morning.
31:56Right, sir.
31:58Night, Joyce.
32:00Excuse me.
32:02You going?
32:04Yeah.
32:06You finished?
32:08Yeah, good night.
32:10Now, my dear,
32:12you show me where you were standing.
32:16That was when we found the bacon pan.
32:18And then you got a glimpse of something.
32:20Oh, yeah.
32:22Billy.
32:24Exactly where?
32:26Um...
32:28sort of.
32:32You got him behind?
32:34Maybe.
32:36I can't see where. There's no gap.
32:38Well, he did.
32:40Uh-huh.
32:42And next, Mr Grimley found him in the freezer,
32:44enjoying the sub-zero temperature.
32:46He got out of there?
32:48Nobody saw him.
32:50I saw. Where did he go?
32:52He went running.
32:54Along there, round to the bottom shelves.
32:56Between the cans of cooking oil?
32:58Not much room there.
33:00In this crate of kitchen salt?
33:02He couldn't get through there.
33:04Well, he did.
33:06Who else saw him, Mrs King? No.
33:08Sure? Quite sure.
33:10Any customers? No one.
33:12I saw him. I did so.
33:14Well...
33:16Perhaps you made a mistake.
33:18Things seen through the corner of your eye
33:20can be very deceptive.
33:22Reflections, moving shadows...
33:28He's here now.
33:30What?
33:32Somewhere, I know he is.
33:34Ah, dear.
33:36I'm sure you're imagining it.
33:38I do know.
33:40Billy.
33:42How do you do, Maureen?
33:44Billy.
33:46Billy.
33:48That's enough.
33:50There's nothing there. Nothing's going to happen.
33:52It's time that we were going.
33:54Now, where did you put your coat?
33:56Ah, here it is.
33:58Maureen.
34:12Billy.
34:43CLATTERING
35:04Oh, Billy, that's naughty.
35:06Look what he's done there.
35:08Billy, that's enough. Stop it.
35:12I think he's gone.
35:30aren't you frightened? she never is. Maureen did you see him that time? no.
35:39did you? can I go? I'm tired and me mum will be wondering.
35:56help her.
36:09tar.
36:25a poltergeist. I'm sure of it. you mean a a spook. oh don't go with that. it's a lot
36:32more complicated. I remember a case. it was donkey's years ago. there was a house
36:36and there were noises in it. thumps and knocking and whatnot. and then furniture
36:41moving and things flying about. yeah I remember reading something like that.
36:44thousands. but this was one I knew and the cause of it all was a young kid. a boy
36:51at that time. now things happened when he was there and when he wasn't they didn't.
36:55he knew he was doing it. they sort of do and they don't. she does? she does now.
37:02what about the animal? you heard it. scratching and breathing. all part of it.
37:10all that. and it's building up you know. it was worse tonight. quite a performance.
37:16how? I couldn't begin to think. better to ask why. then why? heart has it a while
37:22I guess. well go on. love. she's in love with you haven't you noticed?
37:29that's sick. I don't know. if she thinks I could ever possibly contemplate. you
37:39really think that? six. it's a pretty powerful force. not always under
37:43conscious control at the best of times. I know that. I'm sure you do. but her?
37:49her case. gone very very wrong. like something coming undone.
37:55forgive me. I mean in the personality. I'll get rid of her. no not just like that.
38:00why not? the cruelest thing you can do. I wouldn't answer for the consequences.
38:03to her? of course to her. I can't have her here. how can I? I mean if this thing
38:14carries on and the press get hold of it do you want that? well you didn't help
38:17matters calling it Brightway Billy. oh my god. one of our chairman's happier
38:21inventions. she's got to go. oh wait a minute. she's going. hold on. this kid's an
38:28hell of a mess. she needs help and she's going to get it from you too. not me not
38:32me. ambitious young lad aren't you Grimley.
38:35nothing's gonna stick to you. well it can you know with words like lacking an
38:39insight and compassion. not recommended for top managerial. what do you suggest?
38:50keep her here. give her work in the stockroom here. quiet and busy. out of
38:56people's way. no audience. if this thing carries on. I'll deal with it.
39:00I just know it's up to you. be kind to her. just kind that's all. I'll do my best.
39:09tell the others. set it up. that's a good lad.
39:20here we are love. will I come and help? no. let's see what you can do.
39:28oh I know the sugar. unpack those and put the bags on the shelves.
39:32yes mrs. King. take your time. yeah we've never done that before. it's a new idea.
39:43remember what I told you. I don't like working with her mrs. King.
39:55everyone's been so nice to me. well why not? well I didn't think they would be.
40:04you haven't done anything wrong love. they might thought I encouraged Billy.
40:12ha
40:14excuse me. how can I help you? it's about one of them jobs.
40:43who do I see? oh they're still going are they? um you better see mr. Grimley the
40:51manager. this way. can you manage those? they're heavy. it's all right mr. Grimley.
41:03take it easy. yes mr. Grimley.
41:08this young lady's come about a job. oh yes. part-time if possible. you'd better
41:20come into the office.
41:22you're dead. I better warn you from the start. the cash isn't so great. oh that
41:39doesn't matter. it's something to do really. Barry out all day. your husband?
41:46of course.
41:58excuse me do you keep anchovies?
42:04so I thought no harm in making a bit on the side. a bit on the side is always
42:20nice. yeah. can't get enough of it I reckon. money I mean these days. let me
42:28take your coat.
42:34oh. you've got a coat on.
42:42Billy!
42:44Billy!
42:46Billy!
42:48Billy!
43:04Billy!
43:34help!
43:36help!
43:38help!
43:40help!
43:42help!
43:44help!
43:46help!
43:48help!
43:50it was Billy again!
43:52I don't care!
43:54get out of here! don't come back!
43:56ever! ever!
43:59mr. Liversidge I had to do it. I had no choice. it was a question of customer
44:06safety. you wait till you see the damage. the mess! I was on a point of calling the
44:12police. but you didn't. no I'm glad you were able to manage. where is she now?
44:16have you got her home address? right give it to me. right now I want to treat
44:29this as a medical matter. if you mean getting her put away I couldn't agree
44:32more. somebody ought to do it and quick. mr. Liversidge? get that ketchup off the
44:42walls it stains. don't yell! you'll work out your notice and I mean work! keep at
44:48it!
44:50he must be putting it on because I mean well it's not normal is it for a man to sit like that night after night just gazing at the telly. I think it would be best if I got him a tonic.
45:08I heard that funny girl brought some wild thing in. no no no. I said didn't I? I could see the
45:16badness in her. she's gone now. oh well I timed too. people don't like upsets in the
45:22shop. they won't come. it's all over. I've got to come you see to get this for him.
45:26he won't have no other. good. have you joined our Christmas club yet? oh
45:34what's that? there. didn't you hear it?
45:44she must have left it behind. not possible. look! it's her. she's there. we better clear the shop.
46:13this way please.
46:15oh my pussy foot!
46:17never mind about that. you'll get a replacement.
46:33I saw the light in your office on. I've been trying to find the girl. I went round her house. she's there.
46:41where? in a coffee bar. look.
46:56smash the window. yes. good lord. this time I nearly did call the police. but what are we
47:02charging? we're sitting still.
47:11do you mind?
47:33I've just been round your house hoping to find you. the doctor was there. dr. Casey
47:48isn't it? looking in on her mother. he hadn't heard about you.
48:00he'd like to see you.
48:10I'm okay. young people have their troubles. for most of them it's no worse
48:18than blocked pores that give them spots on their faces. but perhaps once in a
48:25while, once in a very long while, much more gets blocked. and then something
48:33erupts and tears loose. don't understand. I think you do. I mean what you say is
48:47Billy.
48:52I want you to come with me. we'll have a chat with dr. Casey.
48:58Maureen. will you? my car's parked just around the corner. please.
49:17all right. better idea. just wait here till I come back. promise.
49:47I'm going to find a doctor and bring him back here. he's got to see this. meanwhile
50:00don't do anything. just keep an eye on her and try to stay out of her sight.
50:17okay.
50:47stop it. stop it. I can stop. it's not Billy. there is no Billy. it's you.
51:18look at it. look at it. you did all this and you're going to admit it. say you did it.
51:23you're mad. you're a mad foul horror.
52:47he loved me really. he took me by the hand.
53:47you

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