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Short filmTranscript
00:00The most important thing is for your aunt to trust me again.
00:03What good does it do me if she trusts you again?
00:06What good does it do me?
00:11Antonio told her things from the past.
00:14We've been kicked out of the house.
00:19I don't know what to do.
00:21I don't know what to do.
00:23I don't know what to do.
00:25I don't know what to do.
00:27I don't know what to do.
00:30She kicked us out.
00:31Well, she kicked me out, but if she kicks me out, I'm your mother and you're coming with me.
00:37There are many things from the past that you don't know.
00:39It's the past. It's the past. It's the past.
00:42You're sick of me, Isabel.
00:44Shut up.
00:45Because that past depends on you sitting in the presidential chair.
00:50Aurora's son may be alive.
00:54So you also fell for my aunt's madness.
00:58It's not madness.
01:00It's not an invention.
01:02They sent Antonio anonymously with the information that Gabriel is alive.
01:07It's a blackmail, nothing else.
01:09We are recognized people.
01:11Important people.
01:12Of money.
01:13There are always dogs behind us.
01:15No, son, but let's see.
01:18Okay, let's take off the masks.
01:21Aurora asked the detective of the association to make a portrait of Gabriel in my presence.
01:26And I had to pay him to deform that image.
01:30Why did you do that?
01:31For you.
01:33Because if Gabriel is still alive, they will take away what is yours by right.
01:39She only thinks about you.
01:40Okay.
01:44Demian.
01:46Aurora found out today that my dad ordered me
01:49to do a DNA test on the child and show it to Antonio to prevent the wedding.
01:55And not only that.
01:57Antonio told her that I was in love with him.
02:02What?
02:05So you cheated on my dad with Antonio?
02:09Oh no, no, no, no.
02:10Never, no.
02:11That was ...
02:12That was a madness of youth that didn't even belong to me and ...
02:16And it happened to me over time.
02:18No, it's a lie.
02:19It's a lie what you're saying.
02:20Please believe me.
02:22I'm doing all this to destroy Aurora, but ...
02:25But you're not helping me.
02:26You're putting me on your side.
02:28What?
02:29Mom, I'm doing ...
02:30I'm doing everything I have to do.
02:33I altered the documents along with Edgar
02:35so that my aunt would look like a stupid.
02:37What did you do?
02:38You saved her.
02:39And now you come and tell me that you want to destroy her?
02:44That you were my father-in-law's lover.
02:45Oh no, no, no.
02:46I was not Antonio's lover.
02:47Please understand.
02:49He didn't even listen to me.
02:53Of course.
02:54That's why my dad abandoned you.
02:56Surely he realized that you loved his best friend
03:00and that you were nothing more than a ...
03:02Shut up!
03:05Do you want to know the truth?
03:09Do you know why I left your dad?
03:13Because he was a murderer.
03:16What?
03:21A murderer.
03:24That's why they locked him up in a asylum.
03:31Your father killed your grandfather.
03:39Hello, Cesar.
03:42Aurora called me last night, but I couldn't hear her well.
03:45She was in a bar.
03:46And she told me that she wanted to talk to me.
03:49Aurora arrives later.
03:50I had to do some pending in the office,
03:52so I took the opportunity to get ahead.
03:55Already.
03:57Antonio.
03:58The albañiles who worked in the house
04:00in construction in Flores
04:02belonged to the same construction company
04:06that was fixing the camper mansion?
04:10No.
04:11Because I remember it was not the same construction company.
04:13But I'm sure they knew each other.
04:22I don't believe you.
04:25Everything you've done in your life is to manipulate, Isabel.
04:29What you say is not true.
04:30You just want to hurt me.
04:31Son.
04:33Son.
04:34My son, my son.
04:36Please.
04:39Do you think I could make up something like that?
04:45And if you don't believe me, ask him.
04:47Or ask Antonio.
04:49Or ask Aurora herself.
04:54Don't touch me.
04:55Mom.
04:56You're hurting me, Daniel.
04:58You're hurting me.
05:05Son.
05:08I'll always take care of you like when you were little.
05:12Like I've always done.
05:16If I'm with you, I promise you that no one will ever hurt you.
05:22Do you think that if your dad were a good man,
05:26I would have kept you away from him?
05:28I would have kept you away from him.
05:35Demian, your dad has always lived in the dark.
05:37That's why I've never wanted him to be close to you.
05:40I'm sorry.
05:56He sent me to do this portrait to get an idea of
06:00what my son Gabriel would be like in the present.
06:04I think it gives him an idea.
06:08What are you doing here?
06:11Demian, this is the last time you come in without touching my office.
06:16Angel is going to start working from today in this company.
06:21He's going to be with Briana in the human resources area
06:24and he's going to support us with some projects.
06:28I need to talk to you alone.
06:30Yes.
06:32Demian, are you okay? Did something happen to you?
06:36Thank you for worrying about me, Hermosa.
06:37I just have to talk to my aunt.
06:43I already told you with Cesar.
06:44Those documents of the construction company
06:46stayed at my grandmother's house.
06:48That's where I finished my studies.
06:50And at that time, I had everything at home.
06:53It is essential that we have access to them.
06:56I returned it to my grandmother's house.
06:59She sent all my things to Mexico City.
07:02Antonio, it is necessary to go to Las Flores and check
07:05if there are still documents there.
07:08Look, I know it would be almost a miracle,
07:10but if we find the list of the workers
07:12who worked at that time in the construction company...
07:15Look, look, look, look, look, look.
07:16I can try.
07:18Yes.
07:19But it's a fact.
07:20I found a paper from 30 years ago
07:22with the record of those workers.
07:24It's almost impossible.
07:25The two constructions had construction teachers
07:28who carried the baton of their workers.
07:31Well, then we can start there.
07:33No, I don't understand.
07:34What do you mean?
07:35Look, I don't want to get ahead of myself,
07:37but if you manage to find that list,
07:39we can give it to the people who have Aurora's case.
07:43Let them interview all the workers,
07:45those of the two constructions.
07:48That means that if all the workers knew each other
07:52and those of the house completely denied the fact,
07:55then...
07:56Those who worked in the mansion
07:59are or were exempt from the contract.
08:02They are or were exempt from any responsibility
08:04and were not investigated.
08:07That's it.
08:08There it is.
08:14Is there anything I can do to help you, Demian?
08:17I want...
08:20I want to know
08:22if it's true that my father killed my grandfather.
08:28Who told you that?
08:29It doesn't matter.
08:30It doesn't matter. I need to know if it's true.
08:34Apparently, yes, Demian.
08:37But...
08:38There's a lot of that story that we don't know.
08:42What?
08:43What do you mean, apparently?
08:44We're talking about a murder.
08:46Look, if your father was the one who told you,
08:49he's the one who has to explain it to you.
08:52And I'm not in a position to be able to explain anything to you.
08:55No, it wasn't Fabricio. My mom told me.
08:58Well,
09:00neither your mom,
09:01nor me,
09:02nor absolutely anyone else
09:04has the right to tell that story other than your father.
09:20It even seems like the devil had cried.
09:23Demian Angel.
09:24And yes, he wasn't well.
09:26I saw it too.
09:30I understand why you defend him like that.
09:36Do you love him, Selena?
09:39Why do you ask me that?
09:43Because I bring you here.
09:49And also here.
09:55I can't forget your lips, your face,
10:00your look when we kissed.
10:04I feel like my whole body is impregnated with you.
10:10Brena showed me a video
10:13where Demian was kissing.
10:17I want you to explain to me why you did it.
10:19One of the reasons why I ended my relationship with Demian
10:23was to question every step he took.
10:27I don't want to fall for the same thing, Angel.
10:30So,
10:32did you kiss him?
10:34No.
10:35I didn't, but if I did,
10:39I'm a free woman
10:40and we're just friends.
10:43Wow.
10:44That's cool that you explain it to me.
10:48Friends don't kiss.
10:51Besides, you have an issue with Breana
10:53that I don't intervene.
10:55In the hospital, you were hugging her
10:57and when we saw each other,
10:59you didn't tell me she was still at your house.
11:02Your sister and I are nothing.
11:05Look, Angel.
11:07If we're going to work together, it's better that...
11:10What?
11:11What, Selena?
11:13That we forget the kisses we gave each other?
11:15They didn't mean anything to you either?
11:21Right now, I can remember what you make me feel.
11:25Angel, I was told you were here.
11:28They're putting a laptop in your cubicle
11:31and they're setting it up.
11:34Am I interrupting?
11:36Angel, can you give me a moment with Breana?
11:38I need to talk to her.
11:40I'll call you in a few minutes so we can start working.
11:43Yes, Mom.
11:47Angel, are you going to work together?
11:51What video of mine and Demian did you show Angel?
11:59The photo of Gabriel Adulto is already on the association's website.
12:03It's also on the different delegations of the state.
12:06We've shared it with authorities from other states of the republic.
12:10We haven't received a response from the US embassy
12:13regarding the meeting we requested with them.
12:17At the time, we used Interpol
12:19and unfortunately, they didn't find anything.
12:23If your son is in another country, it makes things very difficult.
12:26Even with the help of the outside world.
12:29With this photo, there's a better chance of finding him.
12:33So I'm going to need a daily report on the progress.
12:38Another line of investigation will be opened externally.
12:42What do you mean externally?
12:43Someone like me is going to hire a specialized investigation agency
12:49in cases like mine.
12:51As soon as everything is ready, I'll ask you to interview them.
12:55I'll ask you to share all the information you have about my son.
13:03I showed him a video that Demian uploaded to his Instagram.
13:06Why? What's wrong with it?
13:09Sorry, but...
13:11I don't understand why Angel can't see your photos or videos with your boyfriend.
13:15Unless you have something going on with him.
13:17No, I don't have anything going on with him, Brena.
13:20It's just that I don't like that you're teaching him things about my private life.
13:23Well, you should make that complaint to Demian.
13:26Why don't you tell him that you don't like that he's posting
13:28his affectionate demonstrations with you?
13:30Because you don't like that Angel sees them.
13:35Don't be stupid, Cis.
13:37No one takes away from me that you asked Demian for some time
13:40because you like Angel.
13:42That's not true.
13:44You know that Demian could be very hurtful in our relationship.
13:48For so many years together, he had never bothered you until Angel arrived?
13:52That was a coincidence.
13:54It was already a very toxic relationship.
13:56Well, to me it seems like a very angelic coincidence.
14:00No.
14:02It seems like you're the jealous one.
14:04Yes, but the difference between you and me is that I'm single
14:07and you're with Demian.
14:09Angel and you are from very, very different worlds, Elena.
14:15If you really appreciate him, don't get your hopes up
14:19to vote for him when you realize that he's not what you want.
14:35Brother.
14:36Brother, tell me what happened now.
14:38Please.
14:42Demian.
14:48I'm talking to you.
14:49Hey, hey, hey.
14:55Angel won't be here because he went to work.
14:58And now what happened to you, Mrs. Vicky?
15:00I'm sure I hit something and I didn't even notice.
15:05And in the end, what did you decide to do?
15:07Tamalitos and atole.
15:09You see, it's tradition, Mrs. Vicky.
15:11Although also your red rice with chicken.
15:14Well, I hope my son can make it to the mass in San Juditas.
15:17Even if it's just the end.
15:19Yes, I hope.
15:21I already told Aurora that we're going there and asked her to wait for us.
15:25That's good.
15:26I hope Aurora agrees to interview the investigator.
15:29She will accept your help, she already told me.
15:31Antonio, I want to make something clear with you.
15:35Aurora and I are starting a relationship.
15:37I want to marry her.
15:39I'm supporting her in everything.
15:41But that doesn't mean that I'm going to allow you to take advantage of your approach to seduce her.
15:49But right now the most important thing is to help Aurora.
15:53And we must be united.
15:56What I feel for her is out of your control, Julio Cesar.
16:00By the way, did you tell her that you are a millionaire?
16:02Yes, yes, I already told her and she didn't care.
16:05Well, what we are doing goes far beyond what we feel for Aurora.
16:09Yes, but at that moment you didn't care that she had a son.
16:13You left her alone at the mercy of her father.
16:16I'm not going to rest until I find Gabriel.
16:20And so pay him for the low he committed.
16:26I swear to my life that I will do so.
16:29I swear to my life that I will do so.
16:35Angelito, the marketing manager wants you to go to her office.
16:41Right away.
16:48Oh, sorry.
16:53Oh, at last a big man around here.
16:57This one did change him for her.
17:02Here you go.
17:05What?
17:07Did you already figure out what this filth marks?
17:10For this cheap cell phone they won't even give us three pesos.
17:14Look, partner, if you want to do business, you have to work harder.
17:18You have to get three cell phones a day.
17:21But that's a lot and not everyone brings a good cell phone to school.
17:24But that's a lot.
17:26It's a matter of you applying.
17:28Go to other classrooms and when they're playing there at recess,
17:32then, then, pick it up and qualify it straight to the backpacks.
17:36Did you want money?
17:38Yes, do you realize what I already told you?
17:41So, you use it, you use it.
17:44Correct?
17:45Yes.
17:46And now?
17:48What are you doing here?
17:49What do you care?
17:50Eat cake with your sister, the fat one, and the little knife that cuts it.
17:53Eat cake?
17:55And you Pintas, what are you doing with the neighborhood kids?
17:59I knew we were going to find you here, kid.
18:02We've been looking for you since last night, we've been calling you.
18:08Do you know who we have to break his mouse?
18:12Angel.
18:13Angel?
18:20Make a scheme to evaluate if all these brands are viable for the parade.
18:24You have?
18:26And how many brands do you have contemplated to participate?
18:29So far, the ones that interest me the most are three.
18:32Which are the ones that are always up to date with the change of season.
18:35In addition, Mrs. Aurora is interested in including some regional brands.
18:40And that's a really cool idea.
18:41The first thing is to put a very catchy name to the parade.
18:45It can be the Fashion Festival.
18:49Or the fashion that suits you.
18:55So you can go with the brands and present them an estimate in sales.
18:58Because here the idea is that everyone wins, right?
19:01And how do you see if the state invited them to do a live?
19:05And they could model from there.
19:07It could be Tamaulipas.
19:08It could be Tamaulipas.
19:09I already have some friends there and maybe they'll give us a raise.
19:11It's a place called La Pesca. Do you know it?
19:14The thing is that the brand can participate from there.
19:17And so we save the budget.
19:19We tie up a client for the next one.
19:21Well, let's do it. It's a good idea.
19:25I would like to talk to Mrs. Aurora.
19:27So I want to leave a couple of hours earlier.
19:29Today is the procession of San Juanito.
19:31I promised I was going to go.
19:33I don't think there's a problem.
19:35Come with me.
19:37You already told me that we are only friends.
19:40But I love being with you.
19:44Thank you, Ángel, but I have a lot of work.
19:47Excuses.
19:50If you go, I'll know that you feel something for me.
19:53And if not, then I don't even move.
19:58Good morning.
20:00Good morning.
20:01Good morning.
20:03Good.
20:05And now?
20:07Are we going to do a new commercial?
20:09No. Ángel came to work in human resources in the development and sales area.
20:16With Brianna?
20:18No, well, you are neither together nor separated.
20:21Just remember what I told you.
20:23Don't tell me anything.
20:26She invited me to her neighborhood for a procession and I don't know what to do.
20:30Let's see, look.
20:32If you just love him, you know.
20:35I don't judge, he's handsome.
20:37But if you're looking for something serious with him, from there I have to not work.
20:59I love you.
21:01I love you.
21:29I love you.
21:59Wherever we can meet again.
22:09I love you.
22:26Mrs. Aurora.
22:28I don't want to take up much of your time.
22:30I just came to tell you that I'm already working with Elena on the project you asked me for.
22:34Oh, that's great.
22:35I don't want you to think that I'm taking advantage of your trust.
22:39But today there is a mass in my neighborhood and I promised I would be there.
22:43Are you very devoted to St. Judas?
22:45Yes, honestly.
22:48Give me a chance to fulfill the mass and be there for a while in the procession.
22:52I'm coming and I'll be right back.
22:54And if you want, I'll cover the time it takes me on the weekend.
22:56Is there going to be a procession?
22:58Yes, I invited Elena, but she says she has a lot of work.
23:02The one who is going is Brianna.
23:03Brianna.
23:06Aurora!
23:12Aurora, my love.
23:17What if you let me give you a ride?
23:19Really?
23:20Yes.
23:21Yes?
23:27Liza, Alberto.
23:29In a moment you can pass with Jess.
23:31Okay.
23:33And can I receive the license of Brianna?
23:35Yes, of course.
23:39Hello.
23:43How dare you look at me like that?
23:46Don't you know who I am?
23:48I'm the first actress Patricia Gil.
23:50Oh, of course you know me.
23:52Well, I don't know if it's first, second or third actress.
23:54I just know it's Brianna's mother.
23:56Look, insolent.
23:58I'm the best friend of Yesabel Campero
23:59and Elena's mother,
24:01the promised owner of this company.
24:03So keep your distance
24:05because you and I are not the same.
24:07Well, nice to meet you.
24:09What a good introduction.
24:11But the truth is that I'm very busy.
24:13Announce me to Yesabel
24:15if you don't want to be kicked out.
24:17Indeed,
24:19the Campero Corporation
24:21offers a series of benefits
24:23aimed at the health
24:25of its employees and employees.
24:27It is a tax-deductible benefit
24:29that offers you a plan to measure,
24:31but you are not a candidate.
24:33There is another one
24:35in which you can make a payment,
24:37but honestly I see it complicated.
24:39Sorry to interrupt you.
24:41Can you make me a loan or not?
24:43No.
24:45I really need it, Miss Brianna.
24:47Please, really.
24:49As I told you, you have to check
24:51if you are a candidate.
24:53But to be very honest,
24:55I see it very complicated.
24:57Did you come with your dad?
24:59My dad went out with Antonio Murrieta.
25:01With Antonio?
25:03But surely it's business, right?
25:05When we came in the car,
25:07he was talking to Aurora about something else.
25:09About what?
25:11Constructions,
25:13I didn't understand.
25:15Excuse me,
25:17is the actress of the third Patricia Gil?
25:19Out.
25:21Tell her not to wait.
25:23A few minutes.
25:26Hey, tell me something.
25:29I would like
25:31that we eat together.
25:33Yes.
25:35Yes?
25:37Yes.
25:40Thank you very much.
25:42Julio.
25:44Hello.
25:46I was going to call you.
25:48Nice to see you, Mr. Murrieta.
25:50Hello.
25:52How are you?
25:54There was a traffic jam for a demonstration.
25:56We have to talk, Aurora.
25:57Yes, I know.
25:59Julio Cesar already told you.
26:02Look, I'm going to take Ángel to his house.
26:04Do you think if you accompany me,
26:06we leave them and from there we are going to eat?
26:08Yes, Mrs. Aurora is going to give me a snack.
26:10I'm going to the procession of San Judas.
26:12Don't you want to come?
26:14I promise you that you will love it.
26:16Procession?
26:18Yes.
26:20Hello.
26:22Daughter.
26:27Son, I wasn't expecting you.
26:29I'm glad you came to see me.
26:31You arrived on time because I was about to leave
26:33to the construction company.
26:37All right, son?
26:40Is it true that you killed your own father?
26:42Did you tell your employee
26:44that you were only going to take a few minutes?
26:46I've been waiting for you for more than an hour.
26:48Isabel.
26:50Well, I had a very important meeting,
26:52but I canceled it.
26:54I'm sorry.
26:56I'm sorry.
26:58I'm sorry.
27:00I'm sorry.
27:02I'm sorry.
27:04I'm sorry.
27:06I'm sorry.
27:08I'm sorry.
27:09I had a very important meeting,
27:11but I canceled it to welcome you.
27:15What are you playing at?
27:17Are you or are you not my friend?
27:21Let's see, if you mean the statement I made,
27:24that everything was done with wisdom.
27:26Girl, I have to be on my sister's side.
27:31I know why you hate Aurora.
27:33Give me a son.
27:35I don't want to talk about that anymore.
27:37But I do.
27:39Did you kill him or not, Dad?
27:44You're worth nothing, Fabricio.
27:47I would have preferred you to be born a woman.
27:50Shut up.
27:52At least I would sell you as a maid or a prostitute.
27:56Shut up.
27:58I would have preferred you to be born a woman.
28:00Shut up.
28:02But as a man,
28:04you are not even good enough to lift a rifle.
28:08You are weak.
28:10You will never be like me.
28:12And even if you are prostrated in this bed,
28:14Shut up.
28:16I can still hang you.
28:18Shut up, Dad.
28:20Your mother was to blame
28:22for having you pay for her skirts.
28:24Shut up.
28:26Shut up.
28:28I hate you.
28:30Shut up.
28:33Shut up.
28:39I killed him.
28:42I killed him.
28:44That's why I'm here.
28:46I want to prevent you from having the same fate
28:49and you end up killing your mother.
28:55I don't hate Aurora.
28:57My sister needed my help.
28:59Oh, no, please. Save it.
29:00You hate her
29:02because you were in love with Antonio
29:04and you couldn't take him away from her.
29:07You're crazy, right?
29:09Where did you get such nonsense from?
29:11And if you're going to give me gossip,
29:13look, with the one who's sitting out there,
29:15with Cassandra, it's enough.
29:17Where are Antonio and Aurora's son?
29:19I don't know who you're talking about.
29:21Come on, don't be stupid.
29:23His name was Gabriel and you disappeared him.
29:25What did you do with him, friend?
29:31Let's go.
29:34I'm glad you decided to stay.
29:36Hey, there's no problem with the car.
29:38You can leave it there.
29:41They're also going to give tamales, atole.
29:44How delicious.
29:46Rice with chicken, beans and charros.
29:48Oh, my God.
29:50Everything is great.
29:54And from Agrapa to Las Patadas, right?
29:56Thank you very much, Angel,
29:58but I really don't think we can take long.
30:00The truth.
30:02By God, our meeting can wait a couple of hours.
30:05Besides, I know how you like the possessions, Aurora.
30:07I would love to enjoy your face seeing this.
30:10Yes, if you want.
30:12Let's go.
30:14I don't know, but we have the documents pending.
30:17We should check them.
30:19It's important.
30:21What do you think?
30:23Yes, but we're going to do it right now.
30:26Now, my boss.
30:28We're going to start.
30:30We're going to start.
30:32Yes.
30:34What's up, man?
30:36Hey!
30:38You're so drunk.
30:40Hey, if it's not a funeral,
30:42go to hell.
30:44Here comes my brother.
30:46Angel, here we are.
30:48Here's my family.
30:50Mom.
30:52Come here.
30:54Come here.
30:56Hi.
30:58Are you staying for dinner?
31:00Yes, I'll stay for a while
31:02and then I'll come back.
31:04I'll stay with Angel.
31:06Yes, okay.
31:30Seven.
31:32Seven.
31:34Seven.
31:36Seven.
31:38Seven.
31:40Seven.
31:42Seven.
31:44Seven.
31:46Seven.
32:00Seven.
32:08Angel!
32:27I messed up.
32:30Chale, ¿qué pensé? No hagas eso.
32:33Ay, no me pude resistir. ¿Te molestó?
32:36No, no. O sea...
32:38Sí, no sé.
32:40Es que no quiero que se malinterpreten las cosas entre nosotros.
32:43Por Elena.
32:45Y Chale, pues, ni vino.
32:48No, estuvo chido, pero hablamos después.
33:01¿Elena?
33:04¿Vino?
33:05Elena vino, pero ya se fue.
33:07Ah, ya. Yo creo que es mejor que nos vayamos ya, ¿sí?
33:10No, yo me quiero despedir de Ángel, pero pues ya no lo veo.
33:13Lo puedes ver allá en la empresa. Mira, la información que tenemos no puede esperar. Vamos.
33:17Pues bueno, está bien.
33:19¿Nos vamos?
33:20Sí, vamos.
33:21Vámonos.
33:22¡Se ve! ¡Se siente! ¡San Juan está presente! ¡Se ve! ¡Se siente! ¡San Juan está presente! ¡Se ve! ¡Se siente!
33:36Todo lo escuché en el cuarto de Fabricio. Así que, por favor, no me vayas a mentir.
33:41Bien sabemos de qué pie cogíamos las dos.
33:44No, de qué pie cogerás tú.
33:46¿Por qué no mejor me dices qué hacías en el cuarto de Fabricio?
33:52Mejor no me cambies el tema.
33:54¿Te estás acostando con él?
33:56Ay, tú no pierdes el tiempo.
33:58Ya, ya, ya. Sé lo que tratas de hacer y no voy a caer.
34:01¿Por qué no mejor me respondes? ¿Te deshiciste del hijo de tu hermana, sí o no?
34:07Porque ese hijo se llama Gabriel y a Antonio le hablaron para decirle que no era hijo de él.
34:15Lo que pasó con el hijo de Aurora para ti es el secreto más grande de la familia Campero.
34:22Pero te lo voy a contar para que dejes de dudar de mi amistad.
34:26A ver, ¿cómo no quieres que dude?
34:28Primero me pides que le haga un escándalo a tu hermana y luego sales a humillarme en Televisión Nacional.
34:35¿Cómo no?
34:36Sí, sí. Tienes razón.
34:38Tienes razón, pero nuestros años de amistad valen más que todo eso.
34:43Y tú sabes por qué hice así las cosas. Solo necesito que confíes en mí, por favor.
34:48Es que no me gusta que juegues conmigo, que me manipules, que me enredes.
34:52Porque yo soy bien lista, Isabel. Porque cuando tú vas, yo ya vengo.
34:57Ya sé, ya sé, amiga. Por eso tú eres inmune a mis manipulaciones.
35:01Porque eres mi mejor amiga y te voy a contar todo.
35:05Nada más que, por favor, júrame que de aquí no sale todo lo que te voy a decir.
35:13Yo no soy un asesino. Tranquilízate. Yo no soy un asesino. Ya.
35:19Mi padre me hizo mucho daño. Quería que matara animales.
35:24Y cuando me negaba, me castigaba. Me castigaba hincándome en el medio del cuarto.
35:31Sosteniendo vidrios en mis manos.
35:34Pero mi padre era militar. Esperaba que yo fuera igual que él.
35:40Cuando se dio cuenta que yo no tenía la vocación, se dedicó a maltratarme.
35:47Era un hombre sin corazón. Casi no estaba en la casa.
35:51Pero cuando estaba, todo, todo era terror.
35:54Y yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo.
35:59Era un hombre sin corazón. Casi no estaba en la casa.
36:02Pero cuando estaba, todo, todo era terror.
36:05Azotaba a todo el mundo. Hasta a tu abuela, hijo.
36:10Yo un día me cansé de que me castigara. De que se metiera en mi cabeza.
36:18Y lo maté. Lo maté.
36:23Lo maté, hijo. Traté de refugiarme en la relación con tu madre.
36:29Pero, pero los ataques no cesaban. No cesaban.
36:33Así que cuando me separé de ella, me enterraron en un psiquiátrico.
36:39Hijo, hijo, no me abandones, por favor. Hijo, no me tengas miedo.
36:44No te me acerques. No te quiero volver a ver.
36:47Hijo, por favor, no me abandones. No, no me abandones. No.
36:52Hijo.
37:13Elena, ay, te estaba buscando. Dejé el coche estacionado a su parte.
37:17¿Estás bien?
37:23¿Qué tienes? ¿Qué pasa? ¿Qué pasa?
37:27Ángel, no es lo que yo pensaba.
37:39Estoy seguro que algo pasó con Elena.
37:42Yo sé lo que le pasó. Vio a Ángel besándose con Briana y por eso se fue.
37:47Pero eso no tiene por qué afectarle. Bueno, a menos que ya no sea novia de Demian.
37:54Oye, me encanta eso del muchacho de los abrazos.
38:01Bueno, volviendo al tema, pues se supone que Elena y mi sobrino se están dando un tiempo.
38:06Yo me acabo de enterar de eso. Los jóvenes de ahora, papá sabe.
38:10Hay mucha curiosidad. ¿Por qué estás tan interesada en ese muchacho de los abrazos?
38:16Porque ese muchacho tiene la misma edad que tendría Gabriel. Por eso...
38:22Sí. No sé. Hay algo en él que me recuerda mucho a mi hijo.
38:27Eso lo entiendo. Pero no puedes abrir tanto las puertas. No sabemos cómo sea en realidad.
38:35¿Pero por qué debo de tener cuidado?
38:38Se ve que es un muchacho bueno, un muchacho que quiere mucho a su familia.
38:42Sí, pero caras vemos.
38:45A mí me cae muy bien. El chavo este, el muchacho, no tiene pinta de delincuente en absoluto.
38:57Y pues eso es todo lo que te puedo contar, amigas. Es la verdad.
39:02¿En serio hizo todo eso tu papá? La realidad supera la ficción.
39:08Le voy a decir a los escritores que para la próxima novela que yo...
39:12A ver, a ver. Lo primero que te estoy pidiendo es que guardes el secreto y...
39:16¿Y tú nada más piensas en contárselo a todo el mundo?
39:19Es que es una gran historia. Bueno, a los mejores guionistas se les hubiera ocurrido...
39:24Patricia, estás hablando del momento más doloroso de mi familia.
39:28No es un cuento de hadas. No metes tu novela y tu circo aquí.
39:33Por todo esto que te acabo de contar, mi hermana vive una obsesión y que raya en la locura y cree que su hijo vive.
39:41Nada más que si así fuera, ya lo hubieran encontrado.
39:45Sí, perdón. Tienes razón.
39:49Y Aurora se acercó de nuevo a Antonio para contaminarlo con toda esta locura.
39:55Para envolverlo con todas sus culpas y sus fantasmas del pasado porque...
40:03Lo sigue amando.
40:06Hermanas, hermanos.
40:08Nos hemos reunido aquí para celebrar, como todos los meses, a nuestro santo patrono, San Judas Tadeo.
40:15Diosito, Virgencita, San Juditas y todo aquel que me está escuchando,
40:20les pido por favor que me ayuden con mi jefecita.
40:23Les juro que voy a cambiar, pero por favor, no me la dejen sola.
40:28Jesucristo nunca nos abandona.
40:31Jesucristo nunca nos abandona.
40:33A él, gloria, por los siglos de los siglos.
40:36Amén.
40:37Voy a trabajar más duro.
40:39Voy a ayudar más al prójimo.
40:41Pero sobre todo, ya no me voy a pelear con nadie.
40:44No soy quien para pedirte esto, pero si está en tu plan divino, cura a mi madre de todo mal.
40:50En sus misales, ayuda, Señor, a tus siervos...
40:54Anita, ¿no viste a Elena?
40:57No. ¿Qué, va a venir?
41:00No lo sé. Por un momento pensé que sí.
41:03Esto solo quiere decir que no le interesa.
41:08Papá, ya me tengo que ir.
41:14Espérame, hijo.
41:16Usted de esto será traído a este desierto para matar de hambre a toda esta multitud.
41:22Palabra del Señor.
41:24¿Qué onda con el barrio? ¿Qué tal?
41:26Nada. Últimamente han estado muy juntitos.
41:29Seguro porque se lo lleven hasta las chalpas.
41:31Tú tranquilo, papás.
41:33A ver si encargan los cajes, por favor.
41:34Por favor.
41:35Toda la fe en los suyos.
41:39Hola, mi angelito.
41:41¿Quiere algo? ¿Quiere algo?
41:46Al encontrarlo en la orilla del lago, le preguntaron, maestro.
41:51Es que lo sabía. Lo sabía.
41:53Y todavía los cínicos me llamaron loca.
41:56Ay, amiga. Tienes que ayudarme, por favor.
42:00Y mira, si te estás acostando con Fabricio o no, te lo juro que no me importa,
42:03porque él ya no significa nada, nada para mí.
42:06Bueno, solamente fue una vez y ya.
42:11Si no pasa uno, nos vamos a la base. Te acompaño.
42:14Ok. Y me esperas ahí, ¿no?
42:18¿Qué traes, angelito?
42:20¿Adónde con tanta prisa, carnal?
42:23Siempre que te vemos traes morra diferente. ¿De dónde la sacas o qué?
42:27Ya déjanos algo, carnal. Los tienes bien hambriados.
42:30No quiero bromas, carnal.
42:32Déjame pasar y hacemos como si nada.
42:34¿Y ahora qué, angelito?
42:35¿Ya te cortaron las alas o por qué tan mansito?
42:38No saco yo, aunque ni usted se la cree.
42:40Sí, no le saques. A menos que quieras que le enseñemos a tu roca lo que es un hombre de verdad, ¿eh?
42:45Ya les dije, banda. No quiero pleitos. Aquí la dejamos.
42:48Le voy a amarrar cara a una patrulla.
42:49Uy, sí, sí, sí. Llama, llama.
42:51¡No, angelito!
42:52¡Venga, para!
42:55¡No, no! ¡No le pegues!
42:57¡No, no! ¡No le pegues!
42:58¡No, no! ¡No le pegues!
42:59¡No, no! ¡No le pegues!
43:00¡No, no! ¡No le pegues!
43:01¡No, no! ¡No le pegues!
43:02¡No, no! ¡No le pegues!
43:03¡No, no! ¡No le pegues!
43:04¡Dale!
43:34Subtítulos realizados por la comunidad de Amara.org