• 3 months ago
Transcript
00:00:00AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
00:00:30AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
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00:10:00We had an argument. Do you remember?
00:10:10I don't remember very well. When was it?
00:10:14It was in 1955.
00:10:19No, it was in April 1956.
00:10:25Well, in 1956.
00:10:28Maybe I could have thought that then.
00:10:54I'm sorry I didn't write to you from the States.
00:11:18I didn't write to anyone.
00:11:20You know how I am with writing.
00:11:27How did you find me here?
00:11:32I was at the institute right after I came here.
00:11:36There's a lot of gossip about you.
00:11:40Someone said you were supposed to be at the Gazprom.
00:11:45Have you met her?
00:11:47I know her.
00:11:48I'm working with an old man now.
00:11:52I can't let you down, old man.
00:11:55Have you met him?
00:11:58Yes, I was with him right after the war.
00:12:02Did you talk about me?
00:12:04Yes.
00:12:14We talked about you.
00:12:18Do I have to tell him exactly what you do?
00:12:26Do you know this fan?
00:12:32What's in here?
00:12:34A set of thermometers.
00:12:37A thermograph.
00:12:42Do you use it often?
00:12:45Only for the airport.
00:12:48A hair hygrometer?
00:12:51A hygrometer.
00:12:53Hair?
00:12:55Yes, human hair.
00:12:57And what's in here?
00:12:59Old blond hair.
00:13:01It was minus 18, so what?
00:13:04I can feel it.
00:13:06There's some kind of a core.
00:13:09What's that?
00:13:11We don't burn as much as you do.
00:13:14No, no.
00:13:15You can change the temperature.
00:13:18These are routine tests, right?
00:13:21Of course.
00:13:23I don't do any scientific research here.
00:13:30A meteorological station?
00:13:33I recommend you to tell him about my work.
00:13:36It's the most interesting.
00:13:38Why?
00:13:40It's all fun.
00:13:45We only read about you in the papers.
00:13:48What do you do?
00:13:50You sit in crystals.
00:13:52At first, I studied theory.
00:13:56I had a problem to solve.
00:14:00It was about electrons in the magnetic field.
00:14:04The Russians had a theory.
00:14:07It looked reasonable, but it had some problems.
00:14:12Look here.
00:14:14What do you do with the phantom
00:14:17when the magnetic field is close to zero?
00:14:20I don't remember.
00:14:23You have to remember.
00:14:25It's a 4th grade equation.
00:14:28Anyway,
00:14:30without the phantom,
00:14:32none of the sources took it into account.
00:14:43ELECTRICAL FIELD
00:15:04In order to find a weak magnetic field,
00:15:07you need to use electrical solutions.
00:15:09It all worked out very well for us, and look how it all looks.
00:15:15Yes, it's interesting.
00:15:26Well, move a little.
00:15:27Well, move a little.
00:15:30Quiet. Stand nicely, I'll give you some hay.
00:15:33Quiet.
00:15:34Stand nicely.
00:15:35Stand nicely, I'll give you some hay.
00:15:38Here you go.
00:15:39Here you go.
00:15:40You see?
00:15:43I'll give you some more, if you want.
00:15:46I'll give you some more.
00:16:38Tiger, he's very convincing, isn't he?
00:16:41Yes.
00:16:42He's very attacking.
00:16:44He's got a lot of color.
00:16:46Have you seen it?
00:16:47Yes, I have.
00:16:48Maybe he'll get to it.
00:16:50I don't know the technique of reproduction.
00:16:53Color.
00:16:55Have you watched color television?
00:16:57Oh, here it is.
00:16:58Yes, but what do you know?
00:16:59What are the effects?
00:17:01Well, I personally believe in it.
00:17:08To perfection.
00:17:09The car lines are perfect.
00:17:15It's geometry-oriented.
00:17:20Oh, it's a chandelier.
00:17:24Is it from a motorbike?
00:17:25Or is it completely...
00:17:26It's a pillow.
00:17:27A pillow?
00:17:32I would advise you to do this.
00:17:33You have 120 children.
00:17:35If you bring every child one piece of wood,
00:17:37you'll have enough for a month or two in the fire.
00:17:39Sir, sir!
00:17:40Get your head out of your ass!
00:17:41What are you talking about?
00:17:42Ma'am, you have to take care of the tree
00:17:44in September or October,
00:17:46not in January.
00:17:47That's why I came to you.
00:17:48I'm not a bad person.
00:17:49You were supposed to take care of it.
00:17:51What are you talking about now?
00:17:52I need it for myself, ma'am.
00:17:54They're all wrapped up,
00:17:55and the gypsy has been hanged, ma'am.
00:17:57Your children also go to school and freeze.
00:17:59They do, they do.
00:18:00And they also bring trees.
00:18:01No one cares about you.
00:18:02No one comes to you.
00:18:03People, these are people.
00:18:04Please sign this coal.
00:18:06Here, ma'am, here.
00:18:08Thank you, thank you very much.
00:18:10That's not how you treat your neighbors.
00:18:24Please, don't mind.
00:18:35Is Anna here?
00:18:38Almost.
00:18:39She's in the field now.
00:18:41But you can ask her about that.
00:18:49Listen.
00:18:52I can understand that you can take a vacation
00:18:55for a few months, a year.
00:18:58To catch your breath.
00:19:04But you've been sitting here for...
00:19:06Almost five years.
00:19:13But didn't it occur to you
00:19:15that catching your breath can be the right way of life?
00:19:19Well, man, but you have to do something.
00:19:22These are our best years.
00:19:24It's time to think about retirement.
00:19:27Are you sure?
00:19:29About what?
00:19:30That you'll live to retirement.
00:19:32Oh, don't be stupid.
00:19:40That was a serious question.
00:19:46I'm sorry.
00:19:50I know I'm being rude, but...
00:19:53I don't understand what a man like you
00:19:57can do here.
00:19:59What do you live for?
00:20:02What do you live for?
00:20:04What do you live for?
00:20:06What do you live for?
00:20:08What do you live for?
00:20:10What do you live for?
00:20:12What do you live for?
00:20:14What do you live for?
00:20:16What do you live for?
00:20:18What do you live for?
00:20:20What do you live for?
00:20:22What do you live for?
00:20:24What do you live for?
00:20:26What do you live for?
00:20:28What do you live for?
00:20:30What do you live for?
00:20:32What do you live for?
00:20:34What do you live for?
00:20:36What do you live for?
00:20:38What do you live for?
00:20:40What do you live for?
00:20:42What do you live for?
00:20:44What do you live for?
00:20:46What do you live for?
00:20:48What do you live for?
00:20:50What do you live for?
00:20:52What do you live for?
00:20:54What do you live for?
00:20:56What do you live for?
00:20:58What do you live for?
00:21:00What do you live for?
00:21:02What do you live for?
00:21:04What do you live for?
00:21:06What do you live for?
00:21:08What do you live for?
00:21:10What do you live for?
00:21:12What do you live for?
00:21:14What do you live for?
00:21:16What do you live for?
00:21:18What do you live for?
00:21:20What do you live for?
00:21:22What do you live for?
00:21:24What do you live for?
00:21:26What do you live for?
00:21:28What do you live for?
00:21:30What do you live for?
00:21:32What do you live for?
00:21:34What do you live for?
00:21:36What do you live for?
00:21:38What do you live for?
00:21:40What do you live for?
00:21:42What do you live for?
00:21:44What do you live for?
00:21:46What do you live for?
00:21:48What do you live for?
00:21:50What do you live for?
00:21:52What do you live for?
00:21:54What do you live for?
00:21:56What do you live for?
00:21:58What do you live for?
00:22:00What do you live for?
00:22:02What do you live for?
00:22:04What do you live for?
00:22:06What do you live for?
00:22:08What do you live for?
00:22:10What do you live for?
00:22:12What do you live for?
00:22:14What do you live for?
00:22:16What do you live for?
00:22:18What do you live for?
00:22:20What do you live for?
00:22:22What do you live for?
00:22:24What do you live for?
00:22:26What do you live for?
00:22:28What do you live for?
00:22:30What do you live for?
00:22:32What do you live for?
00:22:34What do you live for?
00:22:36What do you live for?
00:22:38What do you live for?
00:22:40What do you live for?
00:22:42What do you live for?
00:22:44What do you live for?
00:22:46What do you live for?
00:22:48What do you live for?
00:22:50What do you live for?
00:22:52What do you live for?
00:22:56I made waves.
00:23:00Not long ago we bought this toilet.
00:23:02It was damaged.
00:23:04Actually, Janek did everything over again.
00:23:06The bulb.
00:23:10Kids, get ready!
00:23:11People on the roof!
00:23:13Go from there!
00:23:14Now!
00:23:16There's a train coming there's a train coming!
00:23:18The train goes faster, and it doesn't wait for anyone
00:23:21Conductors, workers, everyone to Warsaw
00:23:26It will be very difficult, there are a lot of people everywhere
00:23:31But the train will soon arrive to Warsaw
00:23:41Once again, the train is coming!
00:23:43The train is coming from far away
00:23:46Everyone is singing!
00:23:48Conductors, workers, take us to Warsaw!
00:24:00Maybe you'd like to give us a ride?
00:24:08What about this one?
00:24:10Yes
00:24:16The train is coming!
00:24:24Just check everything when you're ready
00:24:27And find a brake
00:24:29Here
00:24:30I'll give it to you when you're ready
00:24:47The train is coming!
00:24:56Don't brake on the turn and accelerate earlier
00:25:03Accelerate earlier
00:25:10You've got a leash, man
00:25:16The train is coming!
00:25:23Enough
00:25:25Enough
00:25:27Why? You're doing very well
00:25:47Look, I've got 100 zlotys
00:25:50No, I've got only 50
00:25:52Look, I've got 50, you'll be bored
00:26:04I'm sorry, I got carried away
00:26:07Hey, did you ever think that you're such a...
00:26:11such a good old lady, huh?
00:26:14A good old lady?
00:26:17Maybe to a certain extent
00:26:20What are you talking about with these people?
00:26:24I haven't thought about anything
00:26:27About anything but the weather
00:26:29That's what they know better
00:26:32You admit that you don't feel optimistic when you look at their faces
00:26:36It depends on how you look at them
00:26:45The train is coming!
00:26:47The train is coming!
00:26:49The train is coming!
00:26:51The train is coming!
00:26:53The train is coming!
00:26:55The train is coming!
00:26:57The train is coming!
00:26:59The train is coming!
00:27:01The train is coming!
00:27:03The train is coming!
00:27:05The train is coming!
00:27:07The train is coming!
00:27:09The train is coming!
00:27:11The train is coming!
00:27:13The train is coming!
00:27:15The train is coming!
00:27:17The train is coming!
00:27:19The train is coming!
00:27:21What is...
00:27:23What is entropy?
00:27:25I'm not starting, I've been explaining it for three years
00:27:28Entropy, do you remember? The function of states
00:27:31It's a bigger concept than thermodynamics
00:27:33Is it the same as atrophy?
00:27:35No, no, no, it's nothing
00:27:37But what kind of context do you have?
00:27:40There was something like that
00:27:42And then, for some reason, there is an increasing entropy
00:27:46of processes taking place in every organism
00:27:49Ah, yes, so it has something to do with humanistic...
00:27:54You know, there is some answer to this physical definition
00:27:59Undoubtedly
00:28:00You know, some kind of equating, silencing
00:28:03Some kind of dying
00:28:05What?
00:28:06Yes, in this way
00:28:10Yes
00:28:15Oh, a beach!
00:28:20Wait, let's see
00:28:26Ah, it's shining, look!
00:28:28Yes, when you press it deeper
00:28:30Aha
00:28:32Oh, beautiful
00:28:35No, it's the other way around
00:28:37You've twisted everything
00:28:49Do you have a lot of this?
00:28:51Yes, a little
00:28:52Give it to me
00:28:53Maybe I'll give you some more
00:28:56No, maybe I'll do it myself
00:29:05Do you have a lot of this?
00:29:08Yes, a lot
00:29:34What do you think?
00:29:48What is going to happen?
00:29:49I don't know yet.
00:29:51I mean, I don't have an idea.
00:29:54How come you don't know?
00:30:00I don't know.
00:30:01I know, I know, Zue.
00:30:02What is it for?
00:30:05For nothing.
00:30:08When you turn this knob,
00:30:11your eye blinks, see?
00:30:14I wanted the clock to ring,
00:30:17but I don't have any parts for it.
00:30:20Don't be silly.
00:30:27I really like it when something blinks.
00:30:31Besides, I like to loot.
00:30:34You don't do it on horseback.
00:30:39You know, I have a denaturator.
00:30:42Are you crazy?
00:30:50How old are you?
00:30:54I turn 36 in March.
00:30:57No, 37.
00:31:0031 years old, 37.
00:31:03So what?
00:31:06Can you call it that?
00:31:09What?
00:31:11Denaturator.
00:31:15My goodness.
00:31:18The fourth cross on your neck.
00:31:21Three quarters of your life behind you.
00:31:25Do you do stupid things?
00:31:28How can you waste your time like that?
00:31:31Waste my time?
00:31:34Your skills, your talent, yourself.
00:31:39How do you know I waste my time?
00:31:42It's banal, but...
00:31:45Life.
00:31:48You have to decide on something.
00:31:52A goal.
00:31:55You have to have it.
00:31:58I look at you and how I love God.
00:32:01I don't understand what you're after.
00:32:04I'm trying to figure it out.
00:32:07I think it will take the rest of my life.
00:32:10Maybe more.
00:32:13My family is eternal.
00:32:21Who's first to the goal?
00:32:24No, no, no, no.
00:32:27If you want, I'll start with the line.
00:32:30As it should be.
00:32:33What? Outside or inside?
00:32:36It can be. Long distance, right?
00:32:39Okay, without a goal.
00:32:42Who's shooting?
00:32:45You.
00:32:48Ready, set, go!
00:32:53Oh, you!
00:33:00Two firsts to the final.
00:33:03Two.
00:33:09Three.
00:33:12People have matured.
00:33:16Matured?
00:33:23Burned.
00:33:33My leg.
00:33:41Don't eat it.
00:33:45No, no, no.
00:33:54Never eat this.
00:34:06Rabies.
00:34:15Rabies.
00:34:26Have you noticed how evolution has become the ideal of infinity?
00:34:33You know, for the Greeks, Aristotle, Plato,
00:34:38infinity was something imperfect.
00:34:41Something worse than infinity.
00:34:49In the Middle Ages, it had already changed.
00:34:52These things were prioritized.
00:34:55Do you remember how it was with Thomas?
00:34:58Wait, I'll show you.
00:35:11In the Middle Ages, it had already changed.
00:35:14These things were prioritized.
00:35:17Do you remember how it was with Thomas?
00:35:20Wait, I'll show you.
00:35:32There is no qualification for the ideal of infinity.
00:35:35It's neither perfect nor imperfect.
00:35:38It's no longer a subject of fascination.
00:35:41I know that we use it in everyday life, in mathematics,
00:35:45but that's why it has become a mere calculation tool.
00:35:50It's not an ideal.
00:35:53Have you ever thought about it?
00:35:56No.
00:36:01I don't have time to read at least one third of what concerns my specialty.
00:36:08We studied so much that we became passionate about the philosophy of numbers.
00:36:13There's no time.
00:36:16Too bad.
00:36:18There's no time to deal with everything that concerns us.
00:36:21Too bad.
00:36:23But we don't live in the Renaissance.
00:36:38We don't live in the Renaissance.
00:36:41We don't live in the Renaissance.
00:36:44We don't live in the Renaissance.
00:36:47We don't live in the Renaissance.
00:36:57I think this is the oldest part.
00:37:07Who's lying here?
00:37:13I don't know.
00:37:15Why?
00:37:17I don't know.
00:37:36The mood? Like in the Czech Republic.
00:37:40But without a samovar.
00:37:43Everyone's drinking tea.
00:37:49It's quiet, nothing's happening.
00:37:55It's the same in the Czech Republic.
00:38:03You can have it.
00:38:15Do you like the Czech Republic?
00:38:18Yes, it's a bit sad.
00:38:25I saw three sisters in Paris.
00:38:28With Marina Vlada.
00:38:32Do you know how Czech died?
00:38:35Yes.
00:38:40He was sick in Gruzlice.
00:38:43It was incurable.
00:38:46The doctor sent him to Crimea.
00:38:49He had many friends there.
00:38:52He was visited by his actors.
00:38:55When he felt he was going to die,
00:38:58he invited them to his house.
00:39:01They stayed there until late.
00:39:04He was talking to them.
00:39:07He was lying on the couch.
00:39:10He felt very bad.
00:39:13He asked for a glass of champagne.
00:39:16He drank a sip.
00:39:19Then he said in a low voice,
00:39:22Go to hell.
00:39:25Stop it.
00:39:28Does he do that often?
00:39:33I'm asking because...
00:39:38he's not a stranger to me.
00:39:49He had an accident.
00:39:55He died in a car accident.
00:40:25Six months.
00:40:30Show me.
00:40:36You don't get up anymore?
00:40:39No.
00:40:42I just don't have time.
00:40:45I heard you had a chance to come.
00:40:48I heard.
00:40:51Why do you ask?
00:40:55I don't know.
00:41:25I don't know.
00:41:55No!
00:42:25No!
00:42:43No!
00:42:46Hey!
00:42:55Hey!
00:43:25Hey!
00:43:55Hey!
00:44:25Hey!
00:44:55Hey!
00:45:25Hey!
00:45:28Hey!
00:45:53Be quiet.
00:45:59One more leg.
00:46:10One more leg.
00:46:16Be quiet.
00:46:23I won't.
00:46:26Be quiet.
00:46:45One more leg.
00:46:48Bye-bye.
00:46:55You know what?
00:46:57Maybe we should go out on Sunday?
00:47:00Oh, yes.
00:47:02Wonderful.
00:47:04To Puław, right?
00:47:06No, no. I can't go all day.
00:47:09Listen, can't you...
00:47:12Especially for a nice guy.
00:47:15I've prepared everything.
00:47:18You could ask your grandpa.
00:47:21Well...
00:47:27Okay.
00:47:31One of the biggest in Europe.
00:47:39It produces half of the country's total production.
00:47:48Very fast automation.
00:47:51It's the best in the world.
00:47:54It's the best in the world.
00:47:58Very fast automation.
00:48:10Oh, a saber. Do you see it?
00:48:13It's a scythe.
00:48:15Yes, it's a tool.
00:48:22Oh, come here.
00:48:28Oh, that saber is so valuable.
00:48:35How much does a whole saber cost?
00:48:38It's for a table.
00:48:44It's a bag.
00:48:49We could buy it.
00:48:52How much does it cost?
00:48:5510 zlotys.
00:48:58For all of this?
00:49:01But why so much?
00:49:04How many coats do you have?
00:49:07Grandpa? Grandma?
00:49:10Ladies and gentlemen.
00:49:13Coats are cheap.
00:49:16Order likes the world, and the back likes the coat.
00:49:19Learn from us.
00:49:22For example, a lot of nitrogen.
00:49:25In Poland, people should be wise.
00:49:28Adam Mickiewicz, Kochanowski, Kopernik, Mariaku, Notniczka,
00:49:31Mickiewicz, Sienkiewicz, Kociuszko, Kłaszczewski, Sierczewski.
00:49:34Laces for machines, laces for minis, laces for panties.
00:49:37I can save every woman,
00:49:40crimp, lace, vampire, save.
00:49:43Every single man can save his wife,
00:49:46who he loves.
00:49:49It's a great treasure for men.
00:49:52And you?
00:50:00What are you looking at?
00:50:03Just some pretty girls.
00:50:06I think they're sick.
00:50:09The one next to the car
00:50:12must be Łomnicki.
00:50:15The artist.
00:50:20Listen...
00:50:23I...
00:50:26Do you think I could have a hat like that?
00:50:29You know, maybe.
00:50:32Anyway, it's not a shame.
00:50:35It's a shame.
00:50:38What?
00:50:41That they don't play it yet.
00:50:44Janek!
00:50:47Janek!
00:50:50Janek!
00:50:53Janek!
00:50:56...nearly 2 million tons of production,
00:50:59which is twice as much as the national standard.
00:51:02With a high standard of newly-opened plants,
00:51:05production is fully automated.
00:51:08So this time, we have something to boast about.
00:51:11That was a terrible addition.
00:51:14Right?
00:51:17No. Why?
00:51:22And how did you like the movie?
00:51:26Yes.
00:51:29Yes.
00:51:55So?
00:51:59Have you invited your parents to dinner?
00:52:04No.
00:52:06One day, they can be alone.
00:52:10Come.
00:52:12No.
00:52:14Come now.
00:52:16Wait.
00:52:18No.
00:52:20I...
00:52:22I hate it when they show this crap in the movies.
00:52:26After all, I'm a teacher.
00:52:46Have you been married?
00:52:51Yes, I have.
00:52:53Did he tell you?
00:52:58Did he tell you or did you ask him?
00:53:01I did.
00:53:04Why did you ask him?
00:53:12Jesus, I'm so stupid.
00:53:24Would you like some tea?
00:53:26Why did you ask him?
00:53:28Yes.
00:53:29Yes, it doesn't matter.
00:53:31It doesn't matter to me.
00:53:33Please use your first-hand knowledge.
00:53:36I'm not interested.
00:53:38Really?
00:53:39Really.
00:53:47Why did you break up?
00:53:53I don't know.
00:53:56Besides, I don't think I'm good enough for a husband.
00:54:00Exactly.
00:54:02You're a terrible egoist, but you always get married.
00:54:06It's a good thing Janek didn't hear that.
00:54:09Why? He's a terrible egoist too, but he's different from you.
00:54:17Why did you get married?
00:54:20I thought...
00:54:23I thought we'd get along.
00:54:30You can't think about it, you have to know it.
00:54:46Oh, Jesus.
00:54:51Can you see well?
00:54:58Oh, my God.
00:55:01Give me your hand.
00:55:04Don't touch me.
00:55:06I'm sorry, I took you very nicely.
00:55:10You're so sharp.
00:55:12But you know you can hardly see.
00:55:20I'm sorry.
00:55:26Here.
00:55:28Give it to me.
00:55:32Here.
00:55:34Give it to me.
00:55:36It's out, it's out, it's out.
00:55:40It's out?
00:55:44What are you going to do with all this?
00:55:48You're a cheater.
00:55:56If I don't cheat, it never comes out.
00:55:59It only comes out when I cheat.
00:56:10Does it bother you?
00:56:12The radio? No.
00:56:17Do you like to dance?
00:56:20Do you know this?
00:56:22No.
00:56:24Come on, I'll show you.
00:56:30It's not hard, just jump.
00:56:42It's nice, isn't it?
00:57:12Oh.
00:57:43Oh.
00:57:55When it boils, you can pour it.
00:58:02Did you take care of the structure of the chamber?
00:58:05And then the cranes?
00:58:07Did you make a habit of using it?
00:58:10I don't know what you mean.
00:58:13Was it the first time you did it in Warsaw?
00:58:17You're making it up.
00:58:19I have your interview here, the world is changing.
00:58:26No, it's old news.
00:58:31You said it would be cheaper to buy it from abroad.
00:58:43As far as I remember.
00:58:47You mean the research they did in Poznań?
00:58:51They were the first there.
00:58:55And you started doing the same a year later.
00:58:59They had no chance there.
00:59:02But you helped them.
00:59:05That's what you call putting a pig down.
00:59:08Am I right?
00:59:10Yes.
00:59:12Just like that?
00:59:14Yes.
00:59:20Are you a cynic?
00:59:23Are you a cynic?
00:59:26No.
00:59:28I'm a realist.
00:59:30I had more chances and I won.
00:59:33Like in the war, man.
00:59:35If you don't shoot, they'll shoot you.
00:59:53Back.
00:59:59Back.
01:00:01Oh shit.
01:00:11Oh shit.
01:00:17Back.
01:00:23Back.
01:00:42Yes, I'm listening.
01:00:44Hello, professor, this is Kawiecki.
01:00:48Quiet, I don't want to do anything.
01:00:52You don't eat.
01:00:54Of course I do. I talk to him all the time.
01:00:58It's not clear yet.
01:01:02It's hard for me to talk about it now.
01:01:07Yes, I understand, but he...
01:01:10Professor, he has his reasons for putting his life on the line.
01:01:15Here?
01:01:17Yes.
01:01:19I'll try to...
01:01:21I'll try, of course.
01:01:24Yes.
01:01:26The weather is beautiful.
01:01:29If there's something important...
01:01:31If the Russians from Leningrad come, but I have to inform them.
01:01:35Yes, then I'll eat.
01:01:39Goodbye.
01:01:42Good morning.
01:01:49Good morning.
01:02:05Ladies and gentlemen, the first thing you saw is a mountain crystal.
01:02:10It's the same with ordinary salt, Henna.
01:02:13Also in natural conditions, it creates huge crystals.
01:02:17These are the artificial crystals.
01:02:21And here you can see them in magnification, under the microscope.
01:02:25Thank you, please turn on the light.
01:02:28And now, as I told you, we're trying to get these crystals artificially.
01:02:34For example, we artificially make the crystals you have in your radios and TVs.
01:02:40In transistor radios, we artificially make diamonds.
01:02:45These are not...
01:02:47These diamonds are inferior to the diamonds that beautiful ladies wear on their necks.
01:02:53But maybe the time will come when these diamonds, made by man,
01:02:59will be more beautiful or more perfect than those found in the ground.
01:03:05And it won't be artificial jewellery, but real jewellery, made artificially.
01:03:14Because in many cases, the modern man has overtaken nature.
01:03:19What we make artificially is often better than what we find or dig in the ground.
01:03:26Nature has been distanced by man.
01:03:32And that's probably all.
01:03:35I'd like to finish here.
01:03:38Is there anything else?
01:03:40Yes, we have a few more.
01:04:37It was very good, you know?
01:04:40It's just that they're not very interested in technology.
01:04:46What? I'm not so sure about that.
01:05:01And I think that something will remain of it.
01:05:09Yes.
01:05:26Sir!
01:05:29What is it?
01:05:30I have a crystal!
01:05:39What?
01:05:59You know, when I was 12, it was a period of fantasy.
01:06:04I imagined that I was a pilot, a chimney sweep, a pirate.
01:06:13I invented stories, I believed in the unholy.
01:06:16For myself, I was all of this for real.
01:06:20It's just that I was 12, and you're 36.
01:06:26Do you understand?
01:06:27Do you understand?
01:06:32I don't know if you realize that you only know your imagination about yourself.
01:06:38Without any chance of verifying it.
01:06:41You can walk the meadows all your life and think that you're holy, that you're a pillar.
01:06:48Contemplate your crystal soul.
01:06:51But without risk, without fighting.
01:06:55You'll never know what it's really like.
01:06:58Listen, why are you telling me all this?
01:07:01Because I want to vomit when I see a man like you living like an emirate.
01:07:50I'm sorry.
01:08:09The bulb is burnt.
01:08:14I'm sorry, I didn't mean to touch you.
01:08:17It doesn't matter.
01:08:20You weren't right anyway.
01:08:30You know, I'm curious how you know for sure.
01:08:35Don't worry, we'll fight again.
01:08:39Neither I nor you will convince me.
01:08:42So, we shouldn't talk at all, right?
01:08:44You know, we'd better not.
01:09:14I'm sorry.
01:09:44I'm sorry.
01:09:55What?
01:09:56They brought Warsaw.
01:09:59Hello?
01:10:01Yes.
01:10:03I'm waiting, ma'am.
01:10:05It's clean here.
01:10:08Do you really have to leave?
01:10:10Well...
01:10:12I don't know.
01:10:14Well...
01:10:16A delegation from Leningrad came. I should see them.
01:10:24You should, but it doesn't mean you have to.
01:10:28Look, I thought it meant the same to you.
01:10:33It's a pity.
01:10:34Such nice weather, we could go hunting or something.
01:10:41Maybe...
01:10:43next year?
01:10:45Will you come?
01:10:47As soon as I'm free.
01:11:01Without any mission?
01:11:03What mission?
01:11:05You think I don't know?
01:11:06I don't know.
01:11:12You talked to the old man.
01:11:17You promised you'd get me out of here.
01:11:20Did you?
01:11:23All right, but...
01:11:25Do you know he can get you a flat at any time?
01:11:28I know.
01:11:30He used to write.
01:11:32So?
01:11:34No?
01:11:37No.
01:11:41You know he can't do that.
01:12:06I love you.
01:12:36I love you.
01:13:06I love you.
01:13:08I love you.
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