HIGH END CRUSH | EPISODE 1 | ENG SUB

  • 2 days ago
HIGH END CRUSH | EPISODE 1 | ENG SUB

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DESCRIPTION: Choi Se Hoon is the head of G.Choi, a chart-topping K-pop entertainment agency with a top-billing roster of star acts. Many think he is blessed with the Midas touch, and he too believes he can make a star out of just about anyone he chooses to. He is rich and successful – but also aloof, arrogant, and conceited.

One day, he meets a very unusual individual, Lee Yi Ryung, an innocent and naïve young woman from a humble and conservative countryside family. In almost every way, she is his polar opposite: shy, not brash, and humble, not self-important. He decides to recruit her to become G.Choi’s latest star, but is shocked to discover that she expresses no interest in becoming a K-pop singer.

Things get even more complicated when he starts to fall for her – and discovers that winning this young woman’s heart is much harder than manufacturing K-pop success!

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Category

😹
Fun
Transcript
00:00You
00:30I
01:00Don't know
01:14To the pure oh I don't like the option what to get rid of them to meeting
01:18Jung-jin, ah good good. Yes, it's a good time. It would be better. I need you
01:24Yeah, I guess you think that you don't say, huh? I need to go into a loan. I need you to move
01:30I
01:31Wouldn't you tell us how she would report on to check on Sam? She's
01:35Christian
01:38No, I didn't
01:40Say I need to go there. I'm sorry. That's all. I got something. Yeah, I got shit on a
01:45Chet a pure do we got good?
01:47It's good. I did that. We don't got yeah, it's a picture. I don't want you to time. Hola. It's a room
01:53Yes, or I'm gonna get a new team. I need to talk over there. Can I just pass in there?
01:57You Jee-won
01:59Okay, man, you're okay. It'll give me time. I don't got it. Go to England. I know what's it there. Huh?
02:06I'm on
02:08Okay, we don't even get an ear. Oh, I'm gonna come to me. Yeah, I'll come to me man
02:14You don't know Kim will want a single one you
02:16Oh
02:47Hey
02:50Don't give me a new piece of that. I'll pull you some time. Tell you about Gungor. I'll give you a little good thing. I'm all the way and got the Mora
02:55Well, I'm a young bunny. I'm gonna go
02:59Come on, man. What was you got? I don't wanna you know, you know, do you guess I'm with him?
03:03She's more than that. Oh, yeah, I got good. I'm a boy. Oh
03:06Oh
03:10Anyo
03:11Hockey none of them soon Jenny yes, it's a given me a song
03:14Come to me. Let me see you know. Come on. Got that moon a
03:17Jee-won, you got any Kim Dam-hyuk will be a new chip on a gold mine. You know, I'm saying it's a cool thing. I don't know what I said. I think I
03:24Have a I don't give it to her
03:26To most of all, I don't bring it. Yes, you know, that's good. I love it. You know, I'm not I'm not
03:31I just don't know
03:33I hope so. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah
03:41Come on, man. It's a little crooked. Thank you. What is your knee? Look at that? It's oh good. Hey, I eat a good show today
03:50Johnny
03:58You Johnny
04:03Oh
04:16What the heck
04:18She can't even
04:30Wait, can you know what you say? Oh, you don't even got a good job. What's up?
04:33I wish I say I do you got me on that and you'll have a deputy in case of a murder. Yes, I'm a magoo
04:38You go get you say
04:42Honey, so I'm still good
04:45I
04:47Think I'm just hungry. I'm gonna go. I need you
04:50Say some of the little you know, you go to a salon to talk. It's a couple on a minute there
04:54But I don't have like I said, it's okay. So guess you're sorry. Why can't I ocean?
04:57Yeah, we are you get up to the gym. We saw that I'm going on in there. Hey, hey, hey, I know that you go. Yeah
05:04So I'm part of it. It's going up. I should say this one. I got up. Oh, what is it? I got up
05:09And that one good. I've done it. It's a pony. I'm not funny. Good job
05:14Oh
05:21Five-four-three-two-one
05:23I
05:53Took a
06:23Girl
06:53Oh
07:23What I'm hanging out
07:30I'm just a new guy. I thought I don't go ahead. I don't go. I don't do go. Oh, yeah, you got your bungalow
07:36I think I got a little bit. I don't know. I don't know. I don't know. I don't know
07:41Serengeti, honey, say thank you. Okay. So you're on the line. You see
07:44Young-cheon comes on the beach. I don't know. I don't think I'm gonna show you my son. Hey, what?
07:50I don't think it's going to be like that, but I invested in a stock that I didn't return, and I lost all my taxes.
07:56I wouldn't have been able to stand it if I were you.
07:58When I found out that my girlfriend, who I had been dating for a year, was determined to make her debut with my brother and my friend, I was positive that I could do that.
08:05Oh, that's it. I would have just gone crazy.
08:08It's not like I borrowed money from a friend and didn't get it, but I was treated like a debtor.
08:14Why are you coming here?
08:15I guess the medical team doesn't teach you why the patient comes to the hospital.
08:19If you don't tell me what's going on in your head, I don't know.
08:23You have to tell me everything about the patient, how it hurts, and why it hurts.
08:27It's like a psychiatrist.
08:28Hey, you!
08:32Why?
08:33You're here to bother me, aren't you? You're here to see me crazy, aren't you? You're having a lot of fun right now, aren't you?
08:37You're having a lot of fun right now, aren't you?
08:42What's good about me paying expensive money and driving you crazy?
08:45I'm talking hard.
08:48Then it's your job to find the answer in it.
08:51But if I listen to you quietly, I only get a diagnosis of a crazy prince disease.
08:57There's no medicine for that.
09:01What's that?
09:02Huh?
09:03You said there's no medicine for that.
09:05What's that?
09:08That's a doctor's term. It's very difficult.
09:10It's in Hebrew.
09:12Oh, my God.
09:18Why is he calling me like that?
09:21Why don't you answer the phone?
09:25There, there.
09:27Hey, over there.
09:28Close the door. Hurry up.
09:29I can't.
09:30Hey, stop it.
09:31Will we see it again?
09:37Hey.
09:45Hey, Yeah.
09:46Move!
09:49I can't move, I can't move, just move!
09:52Hey!
09:53Hey, stop.
09:55I can't move!
09:58CALL 911
09:59IT'S A DISASTER
10:01HELP ME
10:01CAN WE TALK?
10:02YOU HELLUVA BITCH
10:04I WANNA DIE
10:04JUST LEAVE ME ALONE
10:05GET OFF!
10:06LET ME GO!
10:08I'M AT RISHIRO
10:09THE COUCH IS MINE
10:10I DIDN'T KILL THE McDONALD'S
10:10THE COUCH IS MINE
10:12I HATE THEM
10:13I'M AT RISHIRO
10:13THE COUCH IS MINE
10:14I'M AT RISHIRO
10:15THE COUCH IS MINE
10:16PLEASE!
10:17I'M AT RISHIRO
10:18THE COUCH IS FINE
10:19I'M AT RISHIRO
10:22Let's get out of here
10:23AAAAAAAAAAAA
10:24PLEASE HELP
10:26I'M A LITTLE HELLUVA BITCH
10:27Help me!
10:30Hey, Min Ju!
10:32If someone hears us, they'll think we're kidnappers!
10:35Mom! Help me!
10:37You know the celebrity Kang Min Ju, right?
10:39We're in the same family!
10:48I don't understand kids who don't have any plans.
10:50People have to think before they live.
10:52Like, if you do this, it'll be like this, so you have to do that.
10:56But if you get involved in someone else's business...
10:58Who does that? There's no one like that.
11:01It's the same with dating.
11:02You have to be cool. If it's good, it's good. If it's not, it's not.
11:05One-sided love? One-sided love?
11:08These days, when I tell the kids to pick a script,
11:11it's so annoying that it's a love-hate relationship.
11:13These days, it's a love-hate relationship.
11:16The CEO of the agency speaks so nicely.
11:18And if you really love someone, you'll get caught.
11:21So why did you cling to your ex-ex-boyfriend?
11:27So today's topic is...
11:29The world is a serengeti.
11:31Everyone lives so comfortably, so it's frustrating.
11:34But you don't live like that, so you're really proud.
11:38What are you talking about?
11:39How hard is it to live like this?
11:42It's just me. It's just me.
11:43Why am I so good at everything? Why am I the best?
11:45Why can't I do anything without me?
11:48Let it go.
11:49Point out what I'm wrong about.
11:51Hey.
11:54Hey, Man Ok. Wait a minute.
12:02It's driving me crazy.
12:04When I listen to him, it seems like everything he says is right.
12:08When I think about it at home,
12:10everything he says is right.
12:14But when I look at the guy in front of me,
12:16I can't stop talking to him.
12:19I'm an educated doctor, too.
12:22I can't think of anything I've learned.
12:25A house in front of my hometown? Yes, yes, yes.
12:28Then he's a tiger in the mountains.
12:30I have to open a martial arts competition. Yes, yes, yes.
12:35At times like that, I think about my mom.
12:37What did I do so wrong?
12:40I wish I didn't do it, but I keep doing it.
12:42Sir, what should I do?
12:50What should I do?
12:53Speak.
12:54Sir, why are you picking up the phone now?
12:57When did I pick up the phone? Why are you picking up the phone?
13:01You picked up, didn't you?
13:03Why, why, why?
13:05You're not answering me right now.
13:08Do you feel bad about something?
13:10No.
13:11I'm just so happy that you're picking up the phone.
13:15But I'm thinking...
13:15I'll do it.
13:18Oh, you're going to do it again?
13:20Why do you keep blocking me?
13:21I hurt my head, so I'm out of my mind for a moment.
13:25Why are you stopping again?
13:26I don't think it's time to talk about that.
13:28Of course not.
13:30You have to call me like that.
13:31Min-joo is gone.
13:35What?
13:36No, it's not that.
13:37Min-joo didn't want to shoot the first episode.
13:39She was running around like that, and in the end...
13:40Why are you talking about this now?
13:43Min-joo is running around like that, and in the end...
13:46No, it's not that, sir.
13:48Sir.
13:49Hello, sir.
13:56You didn't answer the phone.
13:57Why are you talking about this now?
13:59I didn't answer the phone.
14:00How can I tell you?
14:04Hey, look at this.
14:06He decides to answer the phone.
14:08He decides what I say.
14:09Min-joo ran away from Min-joo's shoot.
14:12Where the hell did you get the camera rehearsal allergy?
14:21Please save me.
14:22Please save me.
14:24Excuse me.
14:25Oh, this isn't it, is it?
14:28Oh, I'm really...
14:29It's not an airplane. It's a ship.
14:35Excuse me.
14:36Honey, look at this.
14:37You can't see it well, can you?
14:38Look closely.
14:39Look.
14:40It's an assault.
14:42Do you want to go to the police station?
14:43Why are you trying to kidnap a woman on the street?
14:45Kidnapping?
14:46I'm trying to stop you from kidnapping, but you're going to die.
14:48Who's going to die?
14:49Me?
14:50I'm going to die?
14:52He's going to eat me up, eat me up, eat me up.
14:55He's going to break me up and eat me up.
14:58Why?
14:59Because they missed Min-joo, who they have to protect.
15:02Because of who?
15:04Because of you!
15:06Oh, my God.
15:08Oh, my God.
15:10Now, make your choice.
15:12Are you going to go to the police station?
15:13Or are you going to try to save your precious life?
15:18Make your choice.
15:19Oh, hey, call an ambulance.
15:21Have you decided?
15:23Oh, call an ambulance.
15:25Oh, my God.
15:26Have you decided?
15:28Oh, my God.
15:38So, it can be said that it is the Paustian principle.
15:45It was not established in the academic world, but it is a mental imbalance that modern people
15:49have experienced a lot.
15:57People who don't want anything anymore become helpless.
15:59People who don't have what they want become helpless.
16:02The moment they think they can do whatever they want, they become boring.
16:07This kind of solution is surprisingly simple.
16:10You just need to have something you can't have.
16:14I'm saying this because of Serengeti's story,
16:16but sometimes something really ridiculous happens.
16:19One, two, three.
16:21Let's take a picture.
16:23One, two, three.
16:2660-year-old animals with the most fierce teeth
16:28can't even touch a baby herbivore.
16:50Don't do that!
16:52Why are you hitting me when I'm not doing anything?
16:55I don't know if it's a million won for a slap these days.
16:58He looks normal and has a straight face.
17:01But when the flash explodes...
17:05All right, let's talk about it.
17:07I'll take care of you.
17:08I don't want to.
17:09Aren't you going to catch him?
17:10Catch who?
17:12Aren't you going to catch him?
17:19Every Friday. At 8 p.m.

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