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00:00Let's all play What's My Line?
00:29And now, let's meet this week's What's My Line panel.
00:36First, a man who brightens up any TV set, the finely tuned Soupy Sales.
00:45Thank you, thank you, and thank you, Wayne Howell.
00:55Well, roses are red and violets are blue.
00:59Our next guest is sweet and talented, too.
01:02It's Anita Gillette.
01:03Thank you, Soupy.
01:04Roses are red, violets are blue, sugar is sweet, and he's not, too, Mr. Henry Morgan.
01:32I don't go to picnics.
01:34I don't go to dances.
01:36If I went, I'd like to go with Arlene.
01:50You are the poet laureate so far, but some people swing, some people marry.
01:57Soupy wants to tarry with Larry, there he is.
02:09Well it's good to see you all.
02:11It really is.
02:12When it comes to poetry, you're all really a whiz.
02:14It doesn't scan, but it rhymes.
02:16Oh, but it's nice and friendly of you.
02:18Is it that you are all well today?
02:20We are.
02:21No, that's why we're making up those poems for a sec.
02:23Did you know when you started that that you were going to end up creating that kind of
02:27poem?
02:28I never knew.
02:29He's not here yet.
02:30You never knew.
02:31Are you awake yet?
02:32Am I in town?
02:33Yes, I am.
02:34You have to be a fast thinker.
02:35You certainly do.
02:36Well listen, here we all are.
02:37We're going to play What's My Line.
02:39We have two terrific challengers with interesting occupations that will stump you, and we also
02:45have a marvelous mystery guest later in the program.
02:48Right now, would the first challenger enter and sign in, please?
02:59Art Rosenblatt.
03:00Where are you from, Art?
03:01I'm from Stamford, Connecticut.
03:02Stamford, Connecticut.
03:03All right, this little goodie here that Art has, panel.
03:04First of all, I'll tell you that Art is Vice President and Director of
03:18Communications for Emerson Cartravision.
03:21He is concerned with videotape cassettes like this one.
03:25Now, your immediate problem is to find out what is recorded on this videotape cassette.
03:31But first, let's show the audience what this videotape cassette contains.
03:46And we will start the questioning with Anita Gillette.
03:48Thank you, Larry.
03:50Mr. Rosenblatt, since it is very obvious that cassettes are usually used for television
03:55or for entertainment, may we assume that the purpose of this cassette is not for entertainment?
04:01No, I would say you may not assume that.
04:04You mean it's something so obvious?
04:06One down and nine to go.
04:07Henry?
04:08Mr. Rosenblatt.
04:09I can't believe that I talk that way.
04:13That's charming, but not for me.
04:17What are we doing here?
04:18We're trying to find out what's on the cassette.
04:22Is it this program or one we did in the past, something like that?
04:26Something like that, I would say, yes.
04:28Well, that's it, isn't it?
04:29Yes.
04:30Huh?
04:31Finished, right?
04:32Wrong.
04:33Wrong.
04:34Is it, it is concerned with this program?
04:35Yes.
04:36Is it, was I on the panel when you did this thing?
04:41Yes.
04:42Is it, did you record the opening of this show?
04:46That's exactly what we did.
04:47We did.
04:48We did.
04:49I've seen you use it.
04:50That's what it is.
04:51Recorded on this videotape cassette are the introductions of each other that you did no
05:00longer than five minutes ago, and Lloyd Gross, will you open the curtain now so that Arthur
05:04can show us how this was done?
05:06It's really extraordinary to get it so fast.
05:09Okay?
05:10Okay.
05:12Now then, what exactly took place here?
05:15Will you tell us what you did?
05:17Sure.
05:18While you all are coming out and being introduced, we just put this little cassette inside here
05:22like so, and we pressed a button, put this on record, taped it.
05:30I picked up the cassette from the gentleman over there and walked on out.
05:33Now, will you show us the results of the taping?
05:37Now, is that rewinding or is it going to play?
05:40It's already been rewound.
05:47And now, let's meet this week's What's My Line panel.
05:50First, a man who brightens up any TV set, the finely tuned Soupy Sales.
06:08And thank you, Wayne Howell.
06:09Well, roses are red and violets are blue.
06:13Our next guest is sweet and talented too, it's Anita Gillette.
06:26Thank you, Soupy.
06:28Roses are red, violets are blue, sugar is sweet and he's not too, Mr. Henry Morgan.
06:46I don't go to picnics, I don't go to dances.
06:50If I went, I'd like to go with Arlene.
07:04You are the poet laureate so far.
07:07When some people swing, some people marry, everybody wants to tarry with Larry.
07:13There he is.
07:17That's terrific.
07:27Arthur, what else can you do with this machine?
07:29Well, actually, its great virtue is that you can play pre-recorded program tapes of feature movies, television programs.
07:34On the blank tape, you can use your own little handy-dandy camera, which we have here, and I could put you on television.
07:40Also, one of the great things with the blank tape, there is a timer right here, and you can arrange to have a program recorded when you're not there, if you're out in the evening and don't want to miss something.
07:51It'll just go on by itself?
07:52It'll just go on right on the button.
07:54That's terrific.
07:55Terrific.
07:56Now, what does it sell for, this machine?
07:57This one sells for $18.95.
08:00$18.95.
08:01There's no decimal.
08:03And how about the camera?
08:05The camera's $2.50.
08:06So all together, it's about $2,100 as of now.
08:09Yes, but ultimately, they will come down.
08:12Is this going to be the sort of thing that eventually everybody can have, do you think?
08:15No home will be complete without one.
08:16Isn't that amazing?
08:17We're selling this tape to the Library of Congress. Great poetry on it.
08:21Thank you for being with us on What's My Line.
08:24Thank you, Arthur.
08:25We'll be back with more of What's My Line in just a moment.
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11:34Think about the price of that machine.
11:36No, tell us.
11:37It was about $2,000 with the camera.
11:39Yeah.
11:40And the new statistics are that that's roughly the average income of an actor in SAG during any year.
11:46Yeah.
11:47It's an interesting and sad truth.
11:49It's also true that it's half of the poverty level that they plan to do for people, so you could blow your whole poverty check and still be an actor, isn't it?
11:55Or else, if that's all you had, you could eat that machine.
11:58Yes, you could eat that machine.
11:59What was that again?
12:01Will our next challenger enter and sign in, please?
12:12Terry Giasi.
12:25Is that Miss or Mrs. Giasi?
12:27Miss.
12:28Miss Giasi.
12:29Where are you from, Miss Giasi?
12:30Brooklyn, New York.
12:31All right, panel, Terry Giasi performs a service, and we will now show the audience what her line is.
12:45And we will start the questioning with Henry Morgan.
12:50All right, Big Hank.
12:53I don't think...
12:54I don't think...
12:57I guess my first thought was not the one I...
13:05Well, you do perform a service.
13:08Yes.
13:09For people like me, you do.
13:12Just by breathing.
13:15However, it is likely that you do something else.
13:18Yes.
13:19So, do you perform this service for men and women?
13:23Yes, I do.
13:24Do they come to you for it?
13:26Yes, they do.
13:27Are you in any special kind of area?
13:29That is, if I were going by, would I know from the street that you're in there?
13:35You don't have to.
13:36You don't have to.
13:37You don't have to.
13:38You don't have to.
13:39You don't have to.
13:40You don't have to.
13:41You don't have to.
13:42You don't have to.
13:44You mean, is she billed in any way?
13:45Yes.
13:46Is there a marquee connected with it?
13:47Is that what you mean?
13:48A sign.
13:49Or a sign outside.
13:50Yes.
13:51Well, there's a sign outside that indicates that that service is going on, sure.
13:53That's what I was going for, yeah.
13:56Now then.
14:00Is there any decoration on this sign?
14:04Or just printing?
14:06Printing.
14:07It's a printed sign.
14:08Yes.
14:09Is it up against the wall or is it hung out over the street?
14:11Would you like to ask a question that can be answered yes or no?
14:14No.
14:15No, not particularly.
14:16Is this sign...
14:19I don't care about the sign.
14:20What am I doing that for?
14:21I don't know.
14:22Okay, so passers-by see the sign and they come in.
14:24Now, money changes hands.
14:26Yes.
14:27Money changes hands, yes.
14:28Is it a modest amount of money, say around $10?
14:32It could be.
14:33It all depends.
14:34It could be.
14:35Not necessarily.
14:36Now, does this service you perform have different prices or is it...
14:39Yes.
14:40It's an amount of service.
14:43In a manner of speaking, Henry, it is an amount of service, yes.
14:46Right.
14:47Oh, boy.
14:48You're plunging headlong into obscurity.
14:52When you are performing this service, do you use any equipment?
14:56Yes.
14:57I see.
14:59Aren't you delighted that you asked that?
15:02You can answer that yes or no.
15:04I feel like a guy in a drugstore, you know, saying,
15:06you better talk to the lady.
15:11Now, this here, now...
15:15Is this equipment mechanical?
15:17Yes, it is.
15:18Is it operated by electricity?
15:22I imagine it is.
15:23Yes.
15:24Some of it is anyway.
15:25Yes.
15:27You do this and you don't know?
15:31All right.
15:32It is.
15:33Now, this piece of electrical equipment,
15:35could I go in a store and buy it?
15:37Could you go in a store and buy the equipment?
15:39You will be delighted to hear that you have a no.
15:43But I think Henry ought to deserve a hand just for surviving.
15:55Okay, that's one down and nine to go.
15:57Arlene?
15:58No matter what I say, it's not going to be as funny as with Henry.
16:01But you are obviously not a blacksmith.
16:04I can rule that out.
16:05Yes.
16:06Do you come in contact with the people
16:10that come to you for your service?
16:13Yes.
16:15Yes?
16:16It's not the chief function of her service,
16:18but she does come in contact with them.
16:21She comes in contact with them physically?
16:24Only in the briefest possible kind of way.
16:26She shakes hands with them is what I mean.
16:28She might do that.
16:29She might shake hands, yes.
16:30All right.
16:31Because she's nice.
16:33Do you work for anybody?
16:38Indirectly, yes, I do.
16:39Indirectly, yes, but in this particular situation,
16:42I would consider, since she...
16:44Can I tell you what I mean before you give me the no?
16:46Would you? I'll just wiggle this back and forth.
16:48Does she do anything, for example,
16:50in a dental office or a doctor's office?
16:52In that sense, no, she doesn't.
16:53In that sense, no.
16:54Okay, Soupy?
16:59Oh, boy.
17:01We just got over Mont Blanc,
17:02and here we are now at Mount Everest.
17:04That's it.
17:05Well, the thing that you do, Miss GRC,
17:08do you have to have a formal education?
17:11Not formal.
17:13Three down and seven to go.
17:14You have to have some kind of...
17:15Anita, you do have to have some training, though.
17:16Yes.
17:17Oh, I think I should just pass to Henry,
17:18because he has more fun.
17:23I don't know what to say to her.
17:24I just feel so inferior.
17:31Hmm.
17:35Anyway.
17:37Listen.
17:38Would I like to use your service?
17:40Do you think I could?
17:41Yes.
17:42Yes, definitely.
17:43I would like to use your service
17:44with your electrical equipment.
17:45Okay.
17:50Then when I go to your office,
17:55will I feel better when I come out?
17:58You are assuming that you go to an office.
18:00Is that correct?
18:01Well, wherever your place of business is.
18:03Wherever that place of business is.
18:04When I go to your place of business,
18:05will I feel better?
18:07Physically?
18:08Innocence?
18:09Physically?
18:10No.
18:11But she personally won't feel any better.
18:12Four down and back to King Kong.
18:14Gee, I thought she had a wonderful time.
18:16All right, I tell you,
18:17we're going to throw them all over,
18:18because I don't think you'll ever get it.
18:20She owns and operates a gasoline station.
18:28Terry Gyasi is the owner and manager
18:30of the AA Gold Texaco Gas Station
18:33at Tillery and Gold Streets in Brooklyn, New York.
18:36Isn't it a little unusual
18:37for a girl to be an owner and operator of a gas station?
18:39Yes, I'm the youngest single girl,
18:41the only girl in the country to own one.
18:43How did you happen to take on that kind of work?
18:46Well, I first started out as a mechanic,
18:49but truthfully, it was too messy,
18:50and when I pump gas now, I work with gloves.
18:53When you're a mechanic,
18:54you can't work with any gloves.
18:56How do the customers react
18:57when they drive up and see you there?
19:02Run up the side of the sidewalk.
19:04I don't blame them at all.
19:06When I first opened the station up,
19:08I had all girls.
19:09In fact, you know...
19:10What did they wear?
19:11Hot pants and things like that.
19:14It's a miracle you didn't have accidents all over the place.
19:17Well, I'll tell you,
19:18for the first week, it caused a lot of chaos, really.
19:20It was quite exciting.
19:22Yes, Henry?
19:23You answer so simply.
19:25I started out as a mechanic.
19:27Not...
19:28Girls don't usually start out as mechanics.
19:30How did you start out as a mechanic?
19:32Well, no, when I say that,
19:33I mean that I went to school.
19:35See, Texaco had sent me to school,
19:37you know, for it,
19:38but I didn't like it because I found myself...
19:41I mean, as a mechanic,
19:42you get extremely dirty.
19:43And this way, you see what we have.
19:46Yes, and we get dirty.
19:48Terry, thank you very much
19:49for being with us all this morning.
20:02We'll continue with What's My Line in just a moment.
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22:27Now it's time to play Who's Who.
22:28Would you open the curtain, please?
22:30Here, panel, you see four people from our studio audience,
22:33and there's a list of their actual occupations.
22:36A music teacher, a typist, an engineer, and a carpenter.
22:39All you have to do is hand out the card
22:41so that each person is holding the card
22:43that contains his or her real occupation.
22:46Let's start with Arlene.
22:47You have 20 seconds, go.
22:49♪
23:04That is not correct, so here we go with Soupy.
23:08Soupy, you're on.
23:10♪
23:24And that is not correct, and here we go with Anita.
23:28It's now...
23:30♪
23:31Music teacher.
23:33Music.
23:34You may give Anita to the typist.
23:36Typist.
23:37♪
23:41And that is not correct, and here we go with Henry Morgan.
23:46Wait a minute, hold it, hold it, hold it.
23:48She was correct.
23:49I am wrong, and she was absolutely right.
23:52I'm sorry, Hank.
23:55That's not fair.
23:58No, she is not correct.
24:00I have ruined it all.
24:02Oh, what?
24:03I was not correct, and Hank had just put it the right way.
24:07And so he is correct.
24:10That's what happened.
24:11And so Henry Morgan had got it right.
24:16You have won the game.
24:18Would you tell us who you are really,
24:19starting with the music teacher?
24:21Marie Duca, music teacher, Dublin, Ireland.
24:25Roy Martin, engineer, Richmond, Virginia.
24:27Marion Feldman, Bronx, New York, typist.
24:30Ken Rising, carpenter, Bay City, Michigan.
24:32Okay, you've won $75, and each of you gets a gift.
24:35Thank you for being with us on What's My Line.
24:37♪
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24:50Okay, we're back, and we finally got it right,
24:52and Henry was the one that did it,
24:53and I was the one that messed it up.
24:55Now it's time for blindfolds, everybody.
24:57Are they all in place?
24:58Yeah, yeah.
24:59And would our mystery guest enter and sign in, please?
25:05He's got some good ones, according to the audience.
25:28All right, panel, one question at a time.
25:32All right, panel, one question at a time.
25:34We'll start with Arlene.
25:36Mystery guest, are you associated
25:38with the motion picture industry?
25:40No, I'm not. I really not. I really not.
25:42I'm not associated with the motion picture.
25:43I'm not at all. No, I'm not.
25:45That's a no.
25:46Soupy?
25:48Would you be the teacher
25:53at a charm school for Bobby Fischer?
25:58Are you Jackie Leonard?
26:15Soupy?
26:17How'd you guess me, Soupy?
26:18How did you get that?
26:20His voice was very thin.
26:21Yeah, he talked too much.
26:24Jack never.
26:25No, did you know by what he said before?
26:27Not from the first and then afterwards thing, but...
26:30Well, I'm terribly sorry.
26:31I thought I'd be here for at least a minute.
26:33Well, I did, I guess not.
26:34Anyhow, I'm always glad to see Mrs. Gable.
26:36How do you do?
26:37My old friend, the submarine commander,
26:38Mr. Henry Von Morgan.
26:40And Miss Gillette.
26:41And of course, Soupy, it's always good to see you.
26:43You're working steady again.
26:44And of course, Larry.
26:46I saw your show the other day, and you were magnificent.
26:48And you walked very funny in the show.
26:51You must have chafed ankles by now.
26:54It's that kind of a show.
26:56Yeah, I know.
26:57You were there with your kids and your wife?
26:58Yeah, I have three kids now, and I'm very happy about that.
27:00First time I ever had any kids legally.
27:05Stay with us for a minute, won't you?
27:06We'll be back in just a few minutes, okay?
27:08We'll be right back with What's My Line after this message.
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28:44I have that fender bender on Tuesday.
28:45I'm meeting with the insurance claims guy.
28:47I have to meet with the insurance claims guy.
28:48I'm meeting with the insurance claims guy.
28:50Hold down the fort. It's an all-day thing.
28:52All-day thing?
28:53If anyone's asking, I am gone for the afternoon at home.
28:55Here we go.
28:56Nice to meet you.
28:57Mr. Denson, Tina from Progressive.
28:59So if you'll point out your car...
29:01We're right there.
29:02I'll be finished in no time.
29:03Great. Thanks.
29:04That's it?
29:05At Progressive, we make filing a claim easy.
29:08Maybe too easy.
29:09Progressive. Saving hundreds is just the beginning.
29:12Two words. How much weight did you lose?
29:14About 2 1⁄2 people.
29:15Goodbye, everybody. We'll see you tomorrow.
29:19What's My Line is a Mark Goodson, Bill Todman production.
29:23This is Wayne Howell speaking.