The Nightcomers Full Movie
The Nightcomers Full Movie
Category
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Short filmTranscript
00:00:00Peter Quint! Peter Quint! Peter Quint!
00:00:21Quint, where are you? Peter Quint!
00:00:29There he is!
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00:04:02As soon as he hides from us, I don't laugh anymore.
00:04:05Because it's better with him.
00:04:07Yes.
00:04:09And that is why I must go away.
00:04:11But...
00:04:13The children are not my responsibility.
00:04:15It was not my wish that my cousin should die in the circumstances in the circumstances they did.
00:04:19Nor was it my wish that I should become the children's guardian...
00:04:23in the event of their parents' death.
00:04:26Pardon me, but you are the closest kin to Flora and Miles.
00:04:30That is why I will leave them here.
00:04:33Belong to the children's father, but I cannot stay.
00:04:38And, Master, myself?
00:04:41You are the housekeeper. You must keep about your duties the same.
00:04:46And the late gentleman's valet, Mr, uh, Quint?
00:04:50He has been here a long time, but, uh, there is no valeting.
00:04:55Perhaps for the boy later on, but, uh...
00:04:58if he so pleases to stay on, can he not do for the gardens?
00:05:03I am sure.
00:05:04And then there is the nanny.
00:05:06Miss Jessel.
00:05:08Do not think I have seen her since yesterday.
00:05:11Where is Miss Jessel?
00:05:16Come on, Flora.
00:05:21We've seen you.
00:05:23We've seen you. Come on, we've seen you.
00:05:26Ah, glad I thought you'd ever come.
00:05:29Where have you been?
00:05:31You were breathing too heavily to be asleep.
00:05:33Oh, you know, I don't feel so good.
00:05:36We saw you running over the door.
00:05:38Don't be asleep.
00:05:40Look what I coughed up.
00:05:42Don't be asleep.
00:05:44Look what I coughed up.
00:05:46Where did you get that?
00:05:49I coughed it up.
00:05:53From London, I will make the necessary financial arrangements...
00:05:56for the upkeep of the place, all the salaries.
00:05:59But, uh, for myself, I shall stay away.
00:06:02I know it is unlikely, but if there is an emergency...
00:06:05or one of the children become low...
00:06:07Miss Jessel is the nanny. She will write to me immediately.
00:06:11She must be told.
00:06:13I will do that.
00:06:20Just be patient, you'll see. You won't believe it.
00:06:41Miss Jessel.
00:06:43Yes, sir?
00:06:45Where have you been?
00:06:47Just walking.
00:06:49Come on, now.
00:06:51You're a good boy. Open up.
00:07:04See?
00:07:06You see?
00:07:08See?
00:07:11Well, I'm having to leave now.
00:07:13Little monkeys.
00:07:19You see, he likes it.
00:07:21Gardener's wife.
00:07:24Must be the hot air.
00:07:26How do you know all these things?
00:07:28Quint, what will happen to it?
00:07:31Wait and see.
00:07:35It's beautiful.
00:07:38It's blowing off. It's getting fatter.
00:07:41You see, the more he smokes, the bigger he gets.
00:07:44Because he can't stop liking it, he keeps on doing it.
00:07:49I think he's happy about it.
00:07:52And, uh, you'll have no difficulty with, uh, Flora and Miles?
00:07:57They're gems.
00:07:59And they're schooling.
00:08:01I will, minister.
00:08:03Until they go to a proper school.
00:08:05That is to be your decision, sir.
00:08:07What do you say, Miss Jessel?
00:08:10Should we tell them that their parents are deceased?
00:08:22Aah!
00:08:27I ought to see Quint before I go.
00:08:29And the children?
00:08:31No, no, no. I will not disturb them. They hardly know me.
00:08:33Well, I will send Quint to the lodge you're in, Dr. Harris.
00:08:35Yes, yes.
00:08:37Don't be afraid.
00:08:39I'm not.
00:08:41You're crying.
00:08:43Poor Toad.
00:08:45It likes it. Quint says so.
00:08:47He's always right.
00:08:49Yes.
00:08:51Quint?
00:08:53Quint.
00:08:55Mrs. Grose said to see the master at the lodge.
00:08:57Oh, did she now?
00:08:59Yes.
00:09:01Immediately.
00:09:03Oh, will she be there?
00:09:05Oh, well, when is that?
00:09:07This minute. He leaves now.
00:09:12Do you mean...
00:09:14I... I'm going to get the push?
00:09:16Possibly.
00:09:18Meaning?
00:09:20That I can't be the groom no more?
00:09:22Not if you don't run.
00:09:24And I can't be the gardener neither?
00:09:28You'll have nowhere to go.
00:09:30No money.
00:09:32You'll starve by the roadway.
00:09:34And you won't ever be able to see me again, will you, Margaret?
00:09:38Do not call me so.
00:09:40Ah, I forgot.
00:09:43Only after dark.
00:09:45Quint, go.
00:09:47Else you will miss him.
00:09:49And yourself, do you stay?
00:09:51I'm with the children.
00:09:53Hmm.
00:09:54Will come along with me?
00:09:56No.
00:09:57I'd rather not be seen with you.
00:09:59Well, suit yourself.
00:10:04You see, the toad likes it.
00:10:06It's dead!
00:10:08Quint says that, Flora.
00:10:10It loves smoke so much that it has to have it all.
00:10:13Horrible!
00:10:14Not really.
00:10:15It loves the smoke so much that it kills itself for that.
00:10:18I don't understand.
00:10:20But that's the truth.
00:10:22Goodbye, Mrs. Flora.
00:10:24Goodbye, Flora.
00:10:34Quint!
00:10:36Good day, sir.
00:10:38Excuse me, sir. Am I to be set off?
00:10:41You stay, Quint.
00:10:43Oh, thank you, sir.
00:10:45There's nothing for you to do.
00:10:47So you must do as you can.
00:10:49Work the gardens, if you like.
00:10:51Yes.
00:10:52Yes, sir.
00:10:54Oh, yes, sir. Thank you, sir.
00:10:57Just leave it to me, sir.
00:10:59Now.
00:11:01Now.
00:11:03There must be much to do.
00:11:05Watch over the children and the, uh, housekeeper.
00:11:09And the nanny. That is employment enough, is it not?
00:11:12Ah, yes, indeed, sir.
00:11:13See to it, then.
00:11:15Well, thank you, sir. I... I'm attached to you, sir.
00:11:20Drive on.
00:11:22Goodbye, sir.
00:11:24Straight up your ass, sir.
00:11:31Good-bye, sir.
00:12:01Good-bye, sir.
00:12:31Good-bye, sir.
00:13:01Let it go.
00:13:03Then I'll lose it.
00:13:05If you let it run, it'll sleep in a corner.
00:13:07No.
00:13:09It cannot move now.
00:13:11It's upside down.
00:13:13It'll die like that.
00:13:15No, it's safe.
00:13:17In the morning, I'll bring it back.
00:13:19It will hurt it.
00:13:21But it won't die.
00:13:23Who says?
00:13:25Quint.
00:13:31Quint.
00:14:01Quint.
00:14:28That is all right, Mrs. Gross.
00:14:30Mrs. Gross, we can hear you.
00:14:32Oh.
00:14:34In fact, we're already here.
00:14:36If you eat it now, it will be hot.
00:14:38Yes, Mrs. Gross.
00:14:40Now pour the milk on it, Flora.
00:14:42Yes.
00:14:44And porridge should always be covered with brown sugar.
00:14:46No.
00:14:48Oh, yes. Indeed, it should.
00:14:50Now... Now explain yourselves.
00:14:52What do you mean, no?
00:14:54We take salt now.
00:14:56Only salt.
00:14:59Stop! Stop! Now!
00:15:01Salt, if you please, Mrs. Gross, and for Flora.
00:15:03But why?
00:15:05Sugar tastes dirty. Salt is clean.
00:15:07And who told you that?
00:15:15And other children?
00:15:17Well, what about them?
00:15:19Do they play with their families?
00:15:21Ah, let's have the grocery.
00:15:23And with children they know?
00:15:25Well, maybe.
00:15:27And they go out to parties
00:15:29in other houses.
00:15:31And in turn, invite them back here to Bligh.
00:15:33And so?
00:15:35And at Christmas, presents are exchanged.
00:15:37And there are plenty of presents
00:15:39because there are plenty of friends.
00:15:41Oh, is that it?
00:15:43Unlike Flora and I, Quint.
00:15:45Well...
00:15:47Your mum and dad were different.
00:15:49Yes.
00:15:53I guess they didn't want to waste their time
00:15:55playing with the children of the house.
00:15:57Anyway, who taught you to ride a horse?
00:15:59It was me.
00:16:01And who showed you how to catch a little bird
00:16:03in the palm of your hand with just a few breadcrumbs?
00:16:05Peter Quint.
00:16:07Come on.
00:16:09And what about seeing in the dark?
00:16:11And looking through the trees
00:16:13and quick as an owl spot a mouse?
00:16:15You.
00:16:17That's right.
00:16:19And so even if they did love you in their queer fashion...
00:16:21Did?
00:16:25Yes, Flora.
00:16:27It's too late now.
00:16:29He is going to tell you
00:16:31that they are dead
00:16:33and nobody else in the house wants us to know.
00:16:35You see, your mum...
00:16:37Well, she never liked it here at Bligh.
00:16:39And your father
00:16:41was always chasing after mechanical instruments.
00:16:43You know,
00:16:45he liked engines and noise.
00:16:47Well, anyway,
00:16:49they was travelling around the world.
00:16:51And they went to India
00:16:53and all the way
00:16:55to the tip of Africa.
00:16:57And, uh...
00:16:59Well, they had an accident.
00:17:01You know.
00:17:03All of a sudden.
00:17:05They were driving a gas automobile
00:17:07made in France.
00:17:09Well...
00:17:11Well, they're dead, Flora.
00:17:13But you see, that's where
00:17:15they must come back to us
00:17:17and stay with us forever.
00:17:23Huh?
00:17:26Huh?
00:17:32Now, behaviour.
00:17:34B
00:17:36E
00:17:38H
00:17:40A
00:17:42B
00:17:44I
00:17:46O
00:17:48U
00:17:50R
00:17:52That's a very good start.
00:17:54It means...
00:17:56How to deport.
00:17:58That is only one interpretation, Flora.
00:18:00Miles, when a lady walks into a room...
00:18:02I will stand up.
00:18:04And...
00:18:06Wait until she sits down.
00:18:08Flora.
00:18:10Good morning, ma'am.
00:18:12I'm Sir Charles Warren.
00:18:14Sit down, Miles.
00:18:16Would you be so kind as to come inside, sir?
00:18:18Thank you, Hermes.
00:18:20I'm Flora Tyrell.
00:18:22I'm delighted to make your acquaintance.
00:18:24Good.
00:18:26We never make mistakes at court, seems, Jessel.
00:18:28Could we not try something more difficult?
00:18:30Then suggest.
00:18:32Well...
00:18:34Mother and father,
00:18:36why have they not returned?
00:18:38They will be away for quite some time.
00:18:40Until when?
00:18:42I cannot tell.
00:18:44That isn't really good enough.
00:18:47Rudeness will get you nowhere, Miles.
00:18:49Manners maketh.
00:18:51Yes, indeed they do, Miles.
00:18:53Flora and I do not believe you.
00:18:55I'm sorry, I cannot tell you any more than I know.
00:18:57No?
00:18:59No, Miles.
00:19:01Now, would you read this?
00:19:03I have a question, Miss Jessel.
00:19:05Yes?
00:19:07When the dead die...
00:19:09You mean...
00:19:11When the dead are dead, to be exact.
00:19:13Where do they go?
00:19:15If they are kind and gentle, they go to heaven.
00:19:17If not, I'm afraid,
00:19:19they go and stay with the devil.
00:19:21In hell?
00:19:23That's right,
00:19:25where it is very hot.
00:19:27Absolute pitfall!
00:19:33That is why I asked, Miss Jessel.
00:19:35I didn't ask the guardian.
00:19:37I only remembered
00:19:39what you had said to me, Quint.
00:19:41Well, I just thought you ought to know
00:19:43that your parents were dead.
00:19:45I don't think I cried, did I?
00:19:47No, you didn't.
00:19:49But Flora did a bit.
00:19:51She did.
00:19:53And that night, she wet her sheets.
00:19:55Ah, poor thing.
00:19:57You know,
00:19:59I asked Miss Jessel about the dead,
00:20:01but I didn't believe her.
00:20:03Not after what you had said.
00:20:05That's right.
00:20:07And if she told you that the good go to heaven
00:20:09and the bad to hell, she's wrong.
00:20:11Yes.
00:20:13But where are my parents now, Quint?
00:20:15Well, after they
00:20:17brought them home.
00:20:19They put them in a couple of boxes
00:20:21and in a few days
00:20:23they'll come and they'll put them in this hole.
00:20:25So Mrs. Grose
00:20:27ought to tell us quickly
00:20:29because I want to see.
00:20:31Well, there's nothing to see.
00:20:33Oh,
00:20:35but I want to, Quint,
00:20:37and you can arrange it.
00:20:39But what about those bushes over there?
00:20:41Well, there's nothing to see.
00:20:43They put the boxes in the ground
00:20:45and they take all this earth
00:20:47and they put it over the boxes
00:20:49and it's finished.
00:20:51You remember when you told me about the dead
00:20:53and where they go, Quint?
00:20:55Yes.
00:20:57Tell me again.
00:20:59Well, the dead go nowhere
00:21:01because they've got nowhere to go, you see.
00:21:03There's no heaven or hell or that nonsense.
00:21:05That's right.
00:21:08Well, I'll join them.
00:21:12Is that all there is to it?
00:21:14That's it.
00:21:18Come on.
00:21:38Oh.
00:21:54Put yourself out of those clothes, Peter Quint.
00:21:56Oh.
00:21:58Would you like to see me naked?
00:22:00They are the masters.
00:22:02Dead now.
00:22:04No right is it for you to make up imposturings.
00:22:06Oh.
00:22:08You don't think they fit?
00:22:10Fit a dung shoveler like you.
00:22:12Dung? Dung is it?
00:22:14I thought I was the groom.
00:22:16The toady to the man you were.
00:22:18And that I don't remember it.
00:22:20You toady to the man.
00:22:22Yes, sir.
00:22:24No, sir.
00:22:26Three bags full, sir.
00:22:28Oh, he was the dandy, wasn't he?
00:22:30Oh, jealousy, Quint.
00:22:32Weren't you?
00:22:34You have no such permission.
00:22:36And if it was my say,
00:22:38you wouldn't be allowed in the stables even.
00:22:42Thank you for that.
00:22:44You scum, Quint.
00:22:46Why don't you go back to the stables
00:22:48where scum belongs?
00:22:50And you're a lady, Mrs. Cross.
00:22:56And there's a lice as big as me finger.
00:22:58And your hair.
00:23:00Would you be ratting?
00:23:04And all your lies.
00:23:06Don't you come in here again.
00:23:08Or I shall write to the children's guardian.
00:23:10Maggots?
00:23:12Maggots in this garden aren't wriggling.
00:23:14And you'll find yourself back in the public house
00:23:16borrowing ale.
00:23:22And take those clothes off.
00:23:24This house can be run without you.
00:23:26This house can be run without you.
00:23:28Peter Quint.
00:23:42You wrinkled ass.
00:23:56Psst.
00:24:00You cannot come in.
00:24:02Miles and Flora.
00:24:04Are you a bed?
00:24:06Oh, yes.
00:24:08Have you said your prayers?
00:24:10Yes, we've said our prayers.
00:24:12I don't believe you.
00:24:14We're saying them now.
00:24:16Good.
00:24:18Now say after me.
00:24:20Please God,
00:24:22as this day has come,
00:24:24as this day close,
00:24:26please God,
00:24:28as this day close,
00:24:30we give thanks,
00:24:33we give thanks,
00:24:35that we have come through tonight,
00:24:37that we have come through tonight,
00:24:39that we have come through tonight,
00:24:43and in your hand's safekeeping,
00:24:45and in your hand's safekeeping,
00:24:47we are alive and well.
00:24:49we are alive and well.
00:24:51Amen.
00:24:53Amen.
00:24:57Amen.
00:24:59Amen.
00:25:02You can't come in.
00:25:03Amen.
00:25:13Mrs. Grose.
00:25:15Now we put a few pins on her like this.
00:25:18It does look like her.
00:25:19It does, doesn't it?
00:25:21Will Mrs. Grose die now?
00:25:22Only if Quint says so.
00:25:24Does she want to die yet?
00:25:27Well, I can tell you she's coming close to it.
00:25:30Then she's got to.
00:25:32Let's have a pin.
00:25:34Quint.
00:25:35Why does Miss Jessel love you?
00:25:38Oh, does she now?
00:25:39Oh, yes, of course she does.
00:25:43But why is she so frightened of you?
00:25:45Because she loves him, you idiot.
00:25:49Oh.
00:25:51Quint, what do you do to Miss Jessel when you love her?
00:25:55And what does she do to you?
00:25:56Oh, that's easy.
00:25:57How do you know?
00:25:59They scare each other to death.
00:26:07Flora's very funny when she puts her mind to it.
00:26:10But Quint, what do you really do with Miss Jessel?
00:26:16We just chit around.
00:26:21That's all.
00:26:24Aren't they beautiful?
00:26:28Come along.
00:26:29Come along, Miss Flora.
00:26:30Oh, quickly, I beg you.
00:26:38Would it not make you go to the shop, please?
00:26:41Go along, then.
00:26:43If I find the very one I want, will you oblige me by buying it?
00:26:47Well...
00:26:48Which is it?
00:26:49There it is.
00:26:50The orange one.
00:26:52Here, I'll get it for you.
00:26:58And you know its name?
00:26:59Of course.
00:27:00My me.
00:27:01Oh, it's so beautiful.
00:27:04Now, this one, this type has a story.
00:27:06It's called a duster admiral.
00:27:08Yes, it is.
00:27:09Such a knowledgeable little girl.
00:27:11It is born, and it will only live for 48 hours.
00:27:14Then it has to die.
00:27:15That's not all.
00:27:17That's not all.
00:27:18It's necessary to explain about it.
00:27:20You have a tongue like a butterfly.
00:27:22It never stops.
00:27:23This little admiral is born without any stomach.
00:27:26Not possible.
00:27:27It doesn't have a mouth either.
00:27:28Flora, all...
00:27:29It can't eat.
00:27:31It has to find a female before it dies.
00:27:34All it wants to do is to mate.
00:27:36It has to love once, another butterfly,
00:27:39and afterwards, when nothing matters.
00:27:41Because to love, it has to die.
00:27:43Silly girl.
00:27:46Full of nonsense.
00:27:49Quint told you that.
00:27:51He may not have.
00:27:55I don't know where you get such silly ideas.
00:27:57But it has to be true.
00:28:16Come in.
00:28:46Come in.
00:28:47You don't want her shelter, do you?
00:29:17Do you?
00:29:19Do you?
00:29:38That's it.
00:29:46Oh, you brute!
00:30:01Brute, is it?
00:30:03Say sorry.
00:30:08Say it.
00:30:10Come on, say it.
00:30:14I'm sorry.
00:30:17That's better.
00:30:29Please, stop now.
00:30:32Shut up.
00:30:46Like a chicken on a spit.
00:31:06Just a dog in the street.
00:31:09Say it.
00:31:12Say it.
00:31:14Say it.
00:31:17I'm just...
00:31:19What?
00:31:21Just a dog in the street.
00:31:46Say it.
00:31:48I'm just a dog in the street.
00:32:16Such shame.
00:32:25Bullshit.
00:32:32Had I but known in the beginning.
00:32:36More bullshit.
00:32:40You love what you find you can love.
00:32:44And that's all.
00:32:46But all that pain.
00:32:48All the hurt.
00:32:50The dirtiness of it, Quint.
00:32:55Well, what did you think when we started?
00:32:58It was to be kind.
00:33:00It was to be gentle.
00:33:05Do you believe it's not a pain when you're born?
00:33:08Or it's not so when you die?
00:33:11Do you think there's no hurt when you love?
00:33:17Then you're a hypocrite.
00:33:24Yes.
00:33:30Margaret.
00:33:32Not Margaret.
00:33:34Nor ever so intimate.
00:33:37Nor that.
00:33:39Nor that.
00:33:46I cannot forgive myself.
00:33:49With what then?
00:33:52The want of you.
00:34:09You must be thirsty, my dear.
00:34:12The stopper was out of its quantity.
00:34:14I had to replace it.
00:34:16Of course.
00:34:18Please, I...
00:34:20I apologize.
00:34:22Really?
00:34:24My head. I thought perhaps a stiffener.
00:34:27At half past nine in the morning.
00:34:30I was not aware of the time.
00:34:31You look at me as if it is a misdemeanor of such proportion.
00:34:36As you surely must know, the morning is for work.
00:34:44Well, tomorrow is the internment of the master and his wife.
00:34:48The late master, I mean.
00:34:50And the children should not attend the burial?
00:34:54Well, you are the nanny, Miss Jessel, not I.
00:34:57It is your decision.
00:34:58But they still should not go.
00:35:00On the contrary.
00:35:02If you have prepared them, then...
00:35:04No. No, I have not.
00:35:06Well, what they do not know, they need not.
00:35:09Yes.
00:35:11Yes.
00:35:13Far be it for me to say what they should or they should not do.
00:35:18You, of course, observe your duties.
00:35:21And I, of course, observe mine.
00:35:25I...
00:35:27Ah!
00:35:30My dear.
00:35:37My dear.
00:35:40I fell asleep.
00:35:42No, no, stay.
00:35:45Do forgive me.
00:35:47I felt so dizzy a moment ago.
00:35:52I have already seen it.
00:35:53But why?
00:35:55Why would you want to harm yourself?
00:36:05If you could, Quint, would you marry Miss Jessel?
00:36:11I don't know.
00:36:13Are you afraid to marry her?
00:36:15No.
00:36:17But I'd never be fool enough to ask her.
00:36:20I don't understand.
00:36:21Well, she might turn me down.
00:36:33Naturally, my dear.
00:36:35We all think it is the end of the world and there is no future in it.
00:36:40And there's nothing left but a futility.
00:36:44But we conquer it.
00:36:46Mrs. Grose, please, leave me.
00:36:47When I was young,
00:36:49I loved one man.
00:36:52We lived in the Pennines.
00:36:54My father shone rays for the landowner.
00:36:57I had one love.
00:37:00But never having the courage to show it,
00:37:03he opted and went to Ramsgate where he met a Frenchy girl.
00:37:07I cried for two whole days without stop.
00:37:12Such a good man he was.
00:37:13The Parsons' eldest boy.
00:37:17Oh, how I cried.
00:37:24You suggest...
00:37:26You suggest that I'm heartbroken or miserable or sad.
00:37:30I'm none of these.
00:37:34Do you misconstrue?
00:37:38No.
00:37:40Do you misconstrue?
00:37:53Peter.
00:37:55His name is Quint.
00:38:04He made this?
00:38:06I don't know.
00:38:07But you do.
00:38:08Mrs. Grose.
00:38:09It is finished.
00:38:10Perhaps the children asked him to make the dolls.
00:38:13I will not say to him what I ought.
00:38:15But I promise you,
00:38:17he won't come in this house anymore
00:38:19if I have to appeal to the guardian myself in person.
00:38:22But...
00:38:23He stays outside this house.
00:38:25He stays down by the lodge gate.
00:38:27And he is forbidden this house.
00:38:30Quint, tell us a story about the time
00:38:32when your father sold a horse to the gypsies.
00:38:35Your father?
00:38:40Well, well, the first thing I remember about him
00:38:43was what a fearful crook he was.
00:38:46Yes.
00:38:47We was always traveling around, you know.
00:38:49And we was up near a place called Carrick Fervus.
00:38:53And we was up near a place called Carrick Fervus.
00:38:56And we was up near a place called Carrick Fervus.
00:38:59And that was it.
00:39:02Well, he decides to steal this mangy old nag
00:39:06and sell it to the gypsies, you know, at a price.
00:39:09Well, he thought he knew a lot about horses.
00:39:12But he didn't know as much as the gypsies, you know.
00:39:16So he...
00:39:18he steals this damn thing.
00:39:20And he takes me and this...
00:39:21this old coffin dragger over to Belfast Solway
00:39:25to Bro Hill.
00:39:26They was having a horse sale over there.
00:39:28A horse sale, there you go.
00:39:30And...
00:39:34I'll never forget the day he tried to...
00:39:37he tried to sell it.
00:39:39He's got a big bag of oats, you know.
00:39:41He's pinched it.
00:39:43And he puts in some soda powder
00:39:45and he mixes the whole damn thing up.
00:39:46He feeds it to the horse, the gas it up, you know.
00:39:49Just so...
00:39:50so...
00:39:51so the bones won't be sticking through.
00:39:54The poor thing had bar patches on it, like that.
00:39:59And he glues it up, you know.
00:40:02And he cuts out some rabbit fur
00:40:05and he sticks it on there
00:40:06and then he tires it up with the brush.
00:40:09To give it a dapple effect, you know.
00:40:11Oh!
00:40:12Then he takes a handful of...
00:40:13No, no.
00:40:14It was a piece of ginger, about like that.
00:40:17And hot.
00:40:22He sticks it in the rear of the animal, you know.
00:40:26So it'll...
00:40:27it'll spark it up.
00:40:28It's time to go to church.
00:40:31When he starts, he says,
00:40:32he says,
00:40:33he says,
00:40:34we'll go down to the river and wait for sunset.
00:40:37Well,
00:40:38why sunset, I says.
00:40:40But he says to me,
00:40:41he says,
00:40:42the damn fool that buys it,
00:40:43he says, won't see it plain until morning.
00:40:46And...
00:40:48he buys a big jippo
00:40:50coming on the back.
00:40:51Huge man he was, like that.
00:40:55Wouldn't he, Dad?
00:40:56He should take the horse, did you know?
00:40:59And he walks over to him.
00:41:02Oh, God, he was full of himself, you know.
00:41:05And he says,
00:41:06good evening to you, sir.
00:41:07He says,
00:41:08you know, you look like a man
00:41:09that knows about horses.
00:41:12He says,
00:41:13I can let you have this magnificent beast
00:41:15for only five shillings.
00:41:17Silver.
00:41:18He says, it's just off the boat from Arabia.
00:41:21Well, the jippo looks at him real quick, you know, like that.
00:41:23Up and down.
00:41:25And then he takes a look at the horse.
00:41:27He can't see the damn thing for the gloom, can he?
00:41:34Well,
00:41:36the jippo says,
00:41:37he says,
00:41:38I'll give you a tool for it.
00:41:39Well,
00:41:40what do you mean, Dad?
00:41:41Takes the,
00:41:42takes the tool real quick, you know.
00:41:45Well, the jippo jumps on the horse
00:41:46and he rides the damn thing straight into the water.
00:41:49And no sooner is he in the water,
00:41:50he says,
00:41:52you know,
00:41:53bucking and kicking
00:41:55and farting.
00:41:57I thought the British were coming.
00:42:03Well,
00:42:05the rabbit fell off of it
00:42:06and the paint was running down his legs
00:42:08and the,
00:42:09the bald patches were showing through
00:42:11and the piece of ginger flew out of his,
00:42:14flew out of the poor animal's ass like
00:42:16it was shot from a cannon.
00:42:18Oh, God.
00:42:20Well, what do you say, me Dad, you know.
00:42:22He's trembling and he's trying to fight the fish
00:42:24and praying.
00:42:25Oh, God.
00:42:26The first time he's like,
00:42:28well, they take him.
00:42:30Well, they take him
00:42:31and they tear his clothes off him.
00:42:34And they throw him in the river.
00:42:38And,
00:42:39well,
00:42:40the damner drowned him.
00:42:42Well, he gets to the other side
00:42:43and he runs off, you see.
00:42:45And,
00:42:46and that's the last time I saw
00:42:47the damn food from that day to this.
00:42:50And it wouldn't lie to you.
00:42:52So, help me God.
00:42:56Ah,
00:42:57well,
00:43:00that's me father.
00:43:08Now,
00:43:09you like it, Flora?
00:43:13Well, it's got one ear.
00:43:15I, I broke it off, but
00:43:17I'll fix it for you.
00:43:19Do you want it?
00:43:20Please.
00:43:21Well, give us a kiss then.
00:43:22Come on.
00:43:24All right.
00:43:27Oh.
00:43:29Come here.
00:43:31There you are, darling.
00:43:33There you are.
00:43:35There you are.
00:43:37There you are, darling.
00:43:40You keep it.
00:43:51There.
00:43:52How does that feel?
00:43:53Absolutely dreadful.
00:43:55Why?
00:43:56I can't move.
00:43:58Well, that's the idea of it.
00:44:00It is?
00:44:02It is just possible
00:44:03that we've been doing it all the wrong way.
00:44:06Miles, it hurts.
00:44:08I think it's meant to.
00:44:10Oh.
00:44:14I think we're going to have to start all over again.
00:44:18Miles!
00:44:19No use shouting, Flora.
00:44:21It's got to be as absolutely painful as possible.
00:44:23Ow!
00:44:24Quince says if it hurts, it is the truth.
00:44:27I've made up my mind.
00:44:29Well?
00:44:30Take the shoes off.
00:44:31Certainly not.
00:44:32Take the dress off.
00:44:33Never.
00:44:35Flora, if you're going to behave like a baby...
00:44:37I am not.
00:44:38Flora, you agreed.
00:44:40We are passionately in love
00:44:41and having an ecstatic love affair.
00:44:44Ecstatic love affairs are boring.
00:44:48Do you think it's tea time?
00:44:58Oh!
00:44:59I don't know why you make all this fuss.
00:45:01We had a bath together last week.
00:45:03Stop it!
00:45:11Flora, stop!
00:45:12This is not how sex is made!
00:45:20Flora, you'll be sorry.
00:45:29Ow!
00:45:31Please!
00:45:37Stop it!
00:45:39Oh, leave me!
00:45:51Miles!
00:45:52Flora!
00:45:53There's a rule in this house
00:45:54that nobody enters the room without knocking.
00:45:57I am forced to ask you
00:45:58what you think you are doing.
00:46:00And why was Miss Flora screaming?
00:46:02I'll tell you exactly what we have been doing.
00:46:06We have been doing sex.
00:46:13In the midst of life we are in debt.
00:46:15To whom may we seek for succour?
00:46:17But of Thee, O Lord,
00:46:18whom for our sins are justly displeased.
00:46:21Yet, O Lord God most holy,
00:46:23O Lord most mighty,
00:46:25deliver us not into the bitter pains of eternal death.
00:46:29Thou know'st, Lord, the secrets of our hearts.
00:46:32Shut not Thy merciful ears to our prayer.
00:46:35But spare us, Lord most holy,
00:46:38O God most mighty,
00:46:40O holy and merciful Saviour,
00:46:42Thou most worthy God, the Eternal.
00:46:45Cover us not at our last hour
00:46:47for any pains of death.
00:46:56There, Quince.
00:46:57What did you say to her, Miles?
00:46:59To meet Quince.
00:47:01Don't you think, Quince, you should go to her?
00:47:03Of course not.
00:47:04Then why tell her to go there then?
00:47:07Because that's how it's done.
00:47:10What?
00:47:11That's how you make love.
00:47:13What is?
00:47:17Oh, shut up, Flora.
00:47:19But, Quince, she loves you.
00:47:22But, Quince, she loves you.
00:47:25That's right.
00:47:26But then you must go to her.
00:47:28Often you've said, meet me,
00:47:30and she goes to the same place and waits.
00:47:33But you never go to her.
00:47:35Why not, Quince?
00:47:37It's hard to explain, Flora, why not.
00:47:40You're not allowed in the house anymore, Quince.
00:47:43Mrs. Grose says.
00:47:45Oh, she does, does she?
00:47:48Are you forbidden to see Miss Jessel, Quince?
00:47:51Well, that's what they told me.
00:47:53But she waits for you a while, doesn't she, Flora?
00:47:56She loves him.
00:47:59Quince, isn't it true all this love is just sheer agony?
00:48:05I just hate to be in love.
00:48:08All this boring.
00:48:10All these problems.
00:48:12Well, you know, sometimes when you hate you're in love, Flora.
00:48:42Quince.
00:49:12Oh!
00:49:42Oh!
00:49:44Oh!
00:50:10Rats! Rats in my kitchen!
00:50:13It's Quince's job to keep them down.
00:50:15Oh, I'm sure.
00:50:16Where are Miles and Flora?
00:50:18Are they not with you?
00:50:19Not this morning.
00:50:21Quince has a kite.
00:50:22Oh, a grown man.
00:50:24What a waste.
00:50:26The children were so excited.
00:50:28They went to the chalk pit, I think.
00:50:30The chalk pit?
00:50:32I have told them they must not play there.
00:50:34It is dangerous.
00:50:36But they're with Quince.
00:50:37Oh, he has no care.
00:50:39I shall go.
00:50:42Will you not come with me?
00:50:44I have some work.
00:50:51I can't do it, Quince.
00:50:52It won't work.
00:50:54All right.
00:50:55Twill so.
00:50:56Come on.
00:50:59Back away, Flora.
00:51:01Grab this here now.
00:51:05Now when I tell you to run, run like the wind.
00:51:09Wait a minute, son.
00:51:11Now run.
00:51:13Faster.
00:51:15Fast.
00:51:16Come on, keep running.
00:51:18That's it.
00:51:19Keep running.
00:51:21Now, Flora, give me that.
00:51:25Keep at it.
00:51:26You've got it.
00:51:30That's it.
00:51:32Mind the block.
00:51:34Miles, Miles.
00:51:35Dear God.
00:51:39Miles.
00:51:41Miles.
00:51:42No.
00:51:53Oh, dear.
00:52:01Master Miles, are you all right?
00:52:03Of course I'm all right.
00:52:04Quince was looking after me.
00:52:05You evil penguin.
00:52:07Are you all right?
00:52:08You bastard.
00:52:10Look at the boy.
00:52:12It went right over the cliff.
00:52:13Of course I did.
00:52:14What did it feel like?
00:52:16All right, really.
00:52:17Like flying.
00:52:37Oh, my God.
00:53:07Oh, my God.
00:53:38Miles?
00:53:40No, Quince.
00:53:42You do not come in here.
00:53:46What is it again?
00:53:48What is it you want of us?
00:53:50Us?
00:53:52Do you want us?
00:53:54Yes.
00:53:55Yes.
00:53:56Yes.
00:53:58Yes.
00:53:59Yes.
00:54:00Yes.
00:54:01Yes.
00:54:02Yes.
00:54:03Yes.
00:54:04Yes.
00:54:05Yes.
00:54:06Do you want money?
00:54:08You take me for a thief.
00:54:10Have us all dead.
00:54:12Is that it?
00:54:17You are forbidden in this house.
00:54:25Pull the trigger.
00:54:28Quince.
00:54:32Pull it.
00:54:37Are you afraid to kill me, Mrs. Gross?
00:54:43I'll write to the master.
00:54:45That'll be the last you'll see of her.
00:54:47Quince?
00:55:05It is you.
00:55:08You think I will scream.
00:55:13You see?
00:55:15I will not.
00:55:17Peter.
00:55:18No.
00:55:19Not Peter.
00:55:22He is not coming.
00:55:24He is told.
00:55:26He cannot.
00:55:28What he wants of thee.
00:55:31He has you like a puppet.
00:55:33You dance.
00:55:35I was asleep.
00:55:37And you would have allowed him
00:55:39anything that he does to thee.
00:55:42Any vileness.
00:55:43I was dreaming.
00:55:45You feed off him.
00:55:48Every person's room in this house
00:55:51is a private place.
00:55:54That is a rule.
00:55:56Why, Margaret?
00:55:59Why?
00:56:01You notice, don't you?
00:56:04In the moonlight through the window
00:56:08how white the sheets are.
00:56:12Ha.
00:56:18No, you take it by the end.
00:56:20Not the end of the arrow.
00:56:22Like this?
00:56:23Now you see, that's it.
00:56:24Right there.
00:56:25Straighten your arm.
00:56:27Still.
00:56:28Still.
00:56:29Now let her go.
00:56:31Good, good.
00:56:32Oh, dear.
00:56:34No, it's not bad.
00:56:36You know in China they say, Myles,
00:56:39if you think about the target hard enough
00:56:41you can hit it.
00:56:42Blindfold.
00:56:43Blindfold?
00:56:44That's it.
00:56:45How do they do it?
00:56:47Well,
00:56:49well, first you close your eyes, you see.
00:56:52Then,
00:56:53then you think real hard about the target.
00:56:57And in your mind
00:56:59you see the arrow going into the bull's eye.
00:57:04And then you fire it.
00:57:09I did it.
00:57:10Good for the love of God.
00:57:13You are clever, Quint.
00:57:19Flora.
00:57:21Miss Jessel.
00:57:23Shall we walk now?
00:57:27May I talk to you about Peter Quint?
00:57:30There's no point, Flora.
00:57:31What good would it do?
00:57:32I don't know.
00:57:33But I do think you should see him.
00:57:35I will not.
00:57:37All right, Miss Jessel.
00:57:39I understand.
00:57:44Myles.
00:57:46Will you do something for me?
00:57:48Anything, Quint.
00:57:50Well, I want to see Miss Jessel, but
00:57:52I'm forbidden by old wrinkled ass, you know.
00:57:56But I must see her.
00:57:58You hate Miss Jessel, don't you, Quint?
00:58:00Oh, I hate her.
00:58:01In that case, if I understand you correctly,
00:58:03you love her.
00:58:05That's right.
00:58:07I do love her, lad.
00:58:09That's easy.
00:58:10I can arrange anything.
00:58:12Can you do it?
00:58:13Yes.
00:58:14Good, lad.
00:58:15Right, come on now.
00:58:16Push.
00:58:17Hey.
00:58:18Come on.
00:58:19Push.
00:58:20Push.
00:58:28Can I keep it to practice with?
00:58:32We'll look after you, sir.
00:58:44The Chinese, Quint.
00:58:45They first see the target.
00:58:48Then they pretend they have hit it
00:58:50because they think hard about it.
00:58:52That's right.
00:58:53Then they close their eyes.
00:58:55And fire.
00:59:08Miles, that could be very dangerous.
00:59:16I was never a child as you are.
00:59:18Such a grand house.
00:59:20Able to have any dress or toy you like.
00:59:22Who was your father, Miss Jessel?
00:59:24Well, Mr. Jessel, of course.
00:59:26And what did he do, Miss Jessel?
00:59:28He was the church sexton.
00:59:31Such a timid man.
00:59:32So gentle.
00:59:34And my mother loved him.
00:59:36Why, Miss Jessel?
00:59:38They were married five years after I was born.
00:59:41He was not my father, you see.
00:59:44He was just a kind little man.
00:59:47I understand.
00:59:49You like kind and gentle people, Miss Jessel.
00:59:54Not anymore, Flora.
00:59:57When Mr. Jessel died, my mother killed herself.
01:00:00She loved him that much.
01:00:02He was so calm and nice.
01:00:05But when he was dead, my mother knew the truth.
01:00:08The truth?
01:00:10The world is a very violent place.
01:00:15Nothing is truly calm.
01:00:17Even when you are dead, you bring pain.
01:00:20Flora, don't jump!
01:00:23It's all right, Miss Jessel.
01:00:25Why have you turned white?
01:00:29I cannot swim.
01:00:31And I thought...
01:00:33I was afraid.
01:00:35It's all right, Miss Jessel.
01:00:36I can swim and I would have saved you.
01:00:46Quint says he doesn't want to see you again, ever.
01:00:48Unless it's all over, he says.
01:00:50Miles, don't!
01:00:52He says that he doesn't care anymore and that you ought to rot!
01:00:55Miles, don't hit the ball again like that.
01:00:58So as far as he is concerned, he has, or he says, washed his hands of you.
01:01:05What do you say to that, Miss Jessel?
01:01:09You had no right to hit my ball into the hedge like that.
01:01:12But what do you say?
01:01:14About Quint? I don't believe it.
01:01:17He doesn't care about you anymore, Miss Jessel.
01:01:23If that's true, he should tell me so.
01:01:25To my face! Catch!
01:01:28That's easy. I can arrange everything.
01:01:48Quint! Quint!
01:01:56Well, what are you doing?
01:01:58I came to see you.
01:01:59To see old Quint?
01:02:01To tell you that I'd see Miss Jessel.
01:02:03She loves you.
01:02:05Get your rude ass out of here.
01:02:07She loves you, Quint.
01:02:08Who?
01:02:09Miss Jessel.
01:02:10She told me to tell you.
01:02:12And that she thinks of nothing but you.
01:02:14And the day when you'll be together.
01:02:16You wouldn't like to?
01:02:18Oh, no.
01:02:20And that you must meet her and she'll forgive you.
01:02:23Oh, that's true.
01:02:24And be kind and gentle.
01:02:26She loves you with all her being.
01:02:28Oh, how pretty you make the words.
01:02:31What else is there to say?
01:02:33What other lies are there to tell you?
01:02:36Mrs. Grose, I'll help you up.
01:02:45Oh, dear.
01:02:48I'm terrified of heights.
01:02:52Give me your hand, Mrs. Grose.
01:02:54It's quite safe.
01:02:57Give me your ball stick.
01:02:59I'll help you up.
01:03:01It's quite safe.
01:03:04Give me your ball stick.
01:03:06Here we are.
01:03:10You go on up, Miles.
01:03:12I think I'm all right now.
01:03:14I'll follow you up.
01:03:18Oh, you can be such a charming young man when you want.
01:03:22Inviting me into the tree house.
01:03:25Thank you very much.
01:03:27On the contrary, it's my pleasure.
01:03:28There we are.
01:03:32Isn't it nice in here?
01:03:34Quint built it for us.
01:03:36It took him four months.
01:03:38Is Miss Flora to join us?
01:03:40I'm sure she is.
01:03:42I remember as a child when we would...
01:03:50What was that?
01:03:52There are squirrels here, you know.
01:03:56But I did hear something.
01:03:59It could be just that...
01:04:01What?
01:04:02I'll go and look.
01:04:03Right.
01:04:09Can you see anything?
01:04:12Miles, be careful.
01:04:14Right.
01:04:17Where are you, dear?
01:04:19Just a moment.
01:04:22Where are you, dear?
01:04:24Just a moment.
01:04:29Be a good boy, Miles.
01:04:31And come back and finish your tea.
01:04:33That I surely will.
01:04:39Now, what do you think you're at, Miles?
01:04:43Miles?
01:04:46Miles!
01:04:48We have got to take the ladder away.
01:04:52Miles!
01:04:55Help me!
01:05:18Help me!
01:05:48Help me!
01:06:18Help me!
01:06:39Good evening, Quint.
01:06:41Good evening, ma'am.
01:06:44Your hair, it does look tidy.
01:06:47Do you like it?
01:06:59I told you I'd arrange everything.
01:07:01Good luck, Quint.
01:07:07They're up there.
01:07:10They're up there.
01:07:35How smart you look.
01:07:37So clean.
01:07:41You see, I didn't believe for one minute...
01:07:43that you care nothing for me.
01:07:45It was just a lie, wasn't it?
01:07:50Lies.
01:07:52Harvard lies.
01:07:53You had to see me.
01:07:56That's right.
01:07:58And you didn't risk losing the work here.
01:08:00Isn't that true?
01:08:03And you know that all that Mrs. Grose has to do...
01:08:06is to write one note to the master...
01:08:08and you're finished here.
01:08:10You know that.
01:08:14That doesn't suit you.
01:08:16It looks...
01:08:18uncomfortable.
01:08:23How hot you are.
01:08:32Have you been running?
01:08:42Not running, Margaret.
01:08:44I'm not frightened, Quint.
01:08:47I know what you want...
01:08:49and it's all right.
01:08:58How strong you are.
01:09:03Is that how you like to appear?
01:09:06Dark and cold...
01:09:08as if you're about to be evil.
01:09:11Yes?
01:09:19And all I would have to do...
01:09:21did you ever think on that?
01:09:23Was to scream out but once...
01:09:25or to run down to the village...
01:09:27the policemen there.
01:09:29It would have meant jail, Quint.
01:09:31Years.
01:09:35I could have done anything to you...
01:09:37for what you did to me in the beginning.
01:09:48No.
01:09:50Why not?
01:09:52What have I gained by myself?
01:09:54Nothing.
01:09:57What have I gained by my silence?
01:10:00Myself.
01:10:03But you've just told Miles...
01:10:05you care nothing...
01:10:07but you'd end it now.
01:10:10And this is the last of it, isn't it?
01:10:13Tonight.
01:10:15As you wish.
01:10:17Oh, I do.
01:10:20Look.
01:10:22I have no fear.
01:10:25I am free.
01:10:27It is done.
01:10:35Secret.
01:10:37How little it matters.
01:10:47I need you with me, Margaret.
01:10:49I need you with me, Margaret.
01:10:54I need you to stay with me.
01:10:58To live with you in your pigsty.
01:11:00To live with you in your pigsty.
01:11:18I'll give you a pigsty.
01:11:30I'll give you a pigsty.
01:11:36Murderer.
01:11:39Murderer.
01:12:00Who's down there?
01:12:02Who is it?
01:12:04Peter Quint.
01:12:08Quint?
01:12:10Quint!
01:12:12Get me down from here at once.
01:12:14You hear me?
01:12:16You'll pay for this, my man.
01:12:18Quint!
01:12:20Oh, it's you, Master Miles.
01:12:22Hold me down, I pray you.
01:12:24Never fear, Mrs. Grose.
01:12:26I'll have you down immediately.
01:12:28Never fear, Mrs. Grose.
01:12:30I'll have you down immediately.
01:12:32Goodbye.
01:12:40Miss Jessel?
01:12:44Miss Jessel?
01:12:46I have looked everywhere this morning
01:12:48for Master Miles and Miss Flora.
01:12:50They were up early.
01:12:52They went to the lake for something.
01:12:54I want you to know, Miss Jessel,
01:12:56that I am sorely worried about them,
01:12:58their general behavior
01:13:00and what they did to me yesterday.
01:13:02And though I was told
01:13:04not to contact the Master,
01:13:06I feel that I must.
01:13:10I think Miles' behavior
01:13:12outrages what he did to you.
01:13:14But you must see it in the light
01:13:16of a prank, don't you think?
01:13:20Are your eyes weak this morning, Miss Jessel?
01:13:22No. Why?
01:13:24I was just wondering why...
01:13:26Why what?
01:13:28Why you should need to wear a veil
01:13:30in the house.
01:13:40You slut.
01:13:42And it was all a trick against me.
01:13:54Ah!
01:14:18The devil!
01:14:20The devil is in both of you!
01:14:22God forgive you!
01:14:24Let go!
01:14:26Don't you understand what I see with my own eyes?
01:14:28You nearly killed Flora, you little dog!
01:14:30Damn you, Toadstool!
01:14:32You stopped me! You were friends!
01:14:34You stopped it! You stopped it!
01:14:36And you interfered! Miles was right!
01:14:38And it... Damn you!
01:14:40The point was, which you don't understand,
01:14:42it was a game!
01:14:44I was meant to die!
01:14:46A game? To die?
01:14:48And you ruined it!
01:14:50I wasn't meant to die!
01:14:52Oh, yes!
01:15:00Well?
01:15:02What to say?
01:15:04They saw you last night.
01:15:06With him?
01:15:08Yes.
01:15:10They repeated exactly what you did.
01:15:12No!
01:15:14Oh, yes, they did. Everything.
01:15:16They cannot copy everything
01:15:18but...
01:15:20they are still children.
01:15:22They cannot possibly understand
01:15:24that whatever I have done,
01:15:26if you like, whatever wickedness I have done,
01:15:30it was with a love.
01:15:32And think you now.
01:15:34Now you have seen
01:15:36with your own eyes what comes of it.
01:15:38It is still love.
01:15:40I beg you not to...
01:15:42Had Miss Flora died,
01:15:44and by Miles' hand,
01:15:46Margaret,
01:15:48have you thought?
01:15:52I could have pitied you once,
01:15:54but now...
01:15:58I shall write to London.
01:16:00Either you must go
01:16:02and never come back,
01:16:04or surely
01:16:06you will be sacked from here.
01:16:10Oh, the ignominy!
01:16:16Oh!
01:16:38There are no lessons today, Flora.
01:16:40I'm afraid...
01:16:42And why not?
01:16:44Are you ill, Miss Jessel?
01:16:46I am tired.
01:16:48I notice that nothing is written on the blackboard.
01:16:50Flora!
01:16:52And that your eyes are red and puffy
01:16:54as if you'd been crying.
01:16:56What have I had?
01:16:58May I ask you?
01:17:00Are you in great pain?
01:17:02Let me help you.
01:17:04Too late, Flora.
01:17:06But why?
01:17:08Because I am ill.
01:17:10But I am not.
01:17:14Do you love him?
01:17:16No.
01:17:18Please, you do.
01:17:20I hate.
01:17:22Then you do love.
01:17:26But you cry, Miss Jessel.
01:17:28You hurt so.
01:17:30Don't worry so for me.
01:17:32But I do.
01:17:36If only you could understand
01:17:38how cruel I have been to you,
01:17:40and that I did not know
01:17:42I was to mislead you.
01:17:44But you haven't at all.
01:17:46On the blackboard,
01:17:48I write the grammar and the spelling
01:17:50and all the nice words.
01:17:54I did not mean to show you something else.
01:17:56You mean Quint.
01:18:00I'm so ashamed.
01:18:02You see, I can help you.
01:18:04No.
01:18:06It will all end.
01:18:08Let me help you.
01:18:10Won't you let me?
01:18:12I will go.
01:18:14Go, Miss Jessel.
01:18:16You must not go. You must stay.
01:18:18I can arrange anything.
01:18:20I can tell Quint, and he will meet you.
01:18:22No.
01:18:24Just once, before you go.
01:18:26I love Quint, but you cannot help me.
01:18:30You're cold. You're cold.
01:18:32Come catch me.
01:18:34Ah!
01:18:36Now.
01:18:38Catch me.
01:18:44I'll eat your life.
01:18:46Miss.
01:18:48Come on now.
01:18:50I'll get you now.
01:18:54Got you now.
01:18:56Oh, God.
01:18:58It's my turn now.
01:19:00Oh, no. Come on.
01:19:02I've got the rest of it.
01:19:04What did you say about dying, Quint?
01:19:06Huh?
01:19:08What, what?
01:19:10Where did the dead go, Quint?
01:19:12The dead?
01:19:14They don't go nowhere.
01:19:16They can't know where to go.
01:19:22But how do you meet them?
01:19:24If you want to meet them,
01:19:26you'll have to die yourself.
01:19:28So the dead people
01:19:30meet each other?
01:19:32Yes.
01:19:34But do they love each other?
01:19:36Sure. Of course they do.
01:19:38But live people love each other, too.
01:19:42Well,
01:19:44I suppose so.
01:19:46But sometimes it's hard to tell.
01:19:50Well, you see,
01:19:52if you love someone,
01:19:54you want to kill them.
01:19:56Please, say that again, Quint.
01:19:59Well, if you really...
01:20:03If you really love someone,
01:20:05sometimes you...
01:20:07you really want to kill them.
01:20:28I'm sorry.
01:20:49I've ordered a driver.
01:20:53I'm sending
01:20:55all this up to London in advance.
01:20:58By tomorrow, I shall be gone.
01:21:29I'll put the cases
01:21:31on the couch, madam.
01:21:33Thank you.
01:21:39Just stay here,
01:21:41and I'll give you the signal from the tower.
01:21:58Thank you.
01:22:28Quint.
01:22:59Oh, Peter,
01:23:01did you think I would leave you?
01:23:04I thought you were gone forever.
01:23:06I thought so.
01:23:08I thought so, too.
01:23:10I thought I'd never see you again.
01:23:12I thought you'd die.
01:23:14I thought so.
01:23:16I thought so.
01:23:18I was so afraid.
01:23:20I thought I'd never see you again.
01:23:22I thought so.
01:23:24I was so afraid.
01:23:26Peter, did you think I would leave you without a word?
01:23:36Peter! Peter!
01:23:39Please, help me! Help me, Peter!
01:23:48Peter, help me!
01:23:57We don't want you to go!
01:24:05We want you to stay with us!
01:24:11You see, you must stay!
01:24:18We love you!
01:24:26Peter!
01:24:49Ah, you've got the leg.
01:24:52It's the wrong shape.
01:24:53It will do.
01:24:54All of these are the trees, then.
01:24:56They go all round the lake.
01:24:58You put the island in the middle.
01:25:03These are the reeds.
01:25:04Doesn't look much like reeds to me.
01:25:06Use your imagination.
01:25:09The boat.
01:25:10It's got a hole in it.
01:25:11What's the use of a boat with a hole in it?
01:25:13So it will sink.
01:25:15What's this?
01:25:17Give it to me.
01:25:20This is Miss Jessel.
01:25:22I made it.
01:25:25Oh.
01:25:26She's drowning.
01:25:28And the ducks, please, Flora.
01:25:30I wasn't going to use them.
01:25:32And why not?
01:25:33You made them wrong.
01:25:35I did not.
01:25:36Ducks are white.
01:25:38There is no white.
01:25:39The green and red duck is out of the question.
01:25:42Lot of rot, I made them.
01:25:43I hate them!
01:25:44Flora!
01:25:46Flora!
01:25:49Now you've spoiled it.
01:25:51Oh, no.
01:25:55No.
01:26:16Quince!
01:26:18Get up!
01:26:21Quince!
01:26:22You will go, Quince.
01:26:23And today.
01:26:24Because I have written.
01:26:27And that's the end of it.
01:26:43Now that I have told you all I know,
01:26:45it is imperative that you go down to Bly House immediately.
01:26:49Yes, sir.
01:26:50As the former young woman left so suddenly,
01:26:53I believe it was in answer to an urgent call from her family.
01:26:57A relative who'd been taken suddenly sick.
01:27:00The children are left alone, virtually.
01:27:03But the housekeeper and the gardener...
01:27:06I understand.
01:27:09Have you any questions?
01:27:11Unless the children are taken very sick indeed,
01:27:13or there has been an accident in the house,
01:27:16I must on no account get in touch with you.
01:27:18On no account.
01:27:19And the welfare and tutoring of the children remains in my care?
01:27:22It does.
01:27:23In total.
01:27:24But you will require a report of the...
01:27:26From time to time.
01:27:27If you like, every six months.
01:27:29I am a busy man and...
01:27:32Forthwith, then.
01:27:33I am so grateful.
01:27:36With that, I will see you out.
01:27:49Bye-bye.
01:28:19Water.
01:28:50Here, Miles. Here are your prunes.
01:28:53Yes, Mrs. Grose.
01:28:56We don't often sit here, do we?
01:29:00No.
01:29:01A special occasion.
01:29:03We don't, I'm afraid.
01:29:05I'm afraid we don't.
01:29:07I'm afraid we don't.
01:29:09I'm afraid we don't.
01:29:11I'm afraid we don't.
01:29:13I'm afraid we don't.
01:29:15I'm afraid we don't.
01:29:17A special occasion.
01:29:18We don't understand.
01:29:20Well, Miles, Aunt Laura.
01:29:22Now, firstly, as you already have gathered,
01:29:25Miss Jessel has suddenly left us.
01:29:27She has?
01:29:28Yes, Miles.
01:29:29All of a sudden, she had to leave to see a relative who has become very ill.
01:29:34She had?
01:29:35Why weren't we told of this, Mrs. Grose?
01:29:38She didn't want to upset you.
01:29:40She wanted to just leave.
01:29:43Well, you know how very fond she was of you both.
01:29:46And that is why she didn't say goodbye.
01:29:49Very well.
01:29:50She asked me to convey to you her most sincere good wishes and for the future.
01:29:55Are we to understand she will never come back?
01:29:57True, Flora, but...
01:29:59How perplexing.
01:30:00What is, my dear?
01:30:02Because she will come back.
01:30:04Oh, on the contrary.
01:30:05She has to.
01:30:07Flora...
01:30:08Because she has nowhere to go.
01:30:10Therefore, she can only stay.
01:30:13Therefore...
01:30:14A new governess will be arriving in her stead.
01:30:17Therefore, Miss Jessel has...
01:30:18What was that you said, Mrs. Grose?
01:30:20I said, Master Miles, you are to meet a new tutor.
01:30:23I don't believe it.
01:30:24Miss Jessel would not allow it to happen.
01:30:27Miss Jessel has gone.
01:30:35Would you be so kind?
01:30:36I'd like some more prunes.
01:30:39Cheese for me, please.
01:30:44Thank you.
01:31:14Thank you.
01:31:44Thank you.
01:32:14Thank you.
01:32:15Thank you.
01:32:44Thank you.
01:33:14Oh!
01:33:35I'm sorry, Quint.
01:33:39Please keep still.
01:33:41It won't be long.
01:33:44Miss Jessel's waiting.
01:34:14Come along, children.
01:34:26Come down.
01:34:38Welcome to Bly House, my dear.
01:34:40Thank you.
01:34:41You'll be very happy here.
01:34:42Sure, I will.
01:34:43The journey.
01:34:44Was it daring?
01:34:45No, it was very pleasant.
01:34:48Well, well, well, well.
01:34:51And here we have Miss Flora and Master Miles.
01:34:56Your new governess, my dears.
01:34:59You could not hope to meet in all your life
01:35:02more exquisite young angels
01:35:04as are Miles and Flora.
01:35:06Good afternoon.
01:35:07Was it a pleasant journey you had?
01:35:09Thank you, Flora.
01:35:10It was.
01:35:13Miles, dear.
01:35:20Hello.
01:35:21Shake my hand, please.
01:35:23Hold it very tightly.
01:35:25Ah!
01:35:43Ah!
01:36:13Ah!
01:36:14Ah!
01:36:15Ah!
01:36:16Ah!
01:36:17Ah!
01:36:18Ah!
01:36:19Ah!
01:36:20Ah!
01:36:21Ah!
01:36:22Ah!
01:36:23Ah!
01:36:24Ah!
01:36:25Ah!
01:36:26Ah!
01:36:27Ah!
01:36:28Ah!
01:36:29Ah!
01:36:30Ah!
01:36:31Ah!
01:36:32Ah!
01:36:33Ah!
01:36:34Ah!
01:36:35Ah!
01:36:36Ah!
01:36:37Ah!
01:36:38Ah!
01:36:39Ah!
01:36:40Ah!
01:36:41Ah!