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Short filmTranscript
00:00:00The following video was created by a crowd funded project of the FREE JAPANese CD Promotion Program.
00:00:02Any resemblance to person, living or dead, is entirely coincidental and unintentional.
00:00:04This is a work of fiction.
00:00:06None of the characters, names or events are fictional.
00:00:09The annual Kaipan Teka Concept Kyosho Residence and the National Taxation Bureau 2 hour special!
00:00:16First up,
00:00:18No matter how small the meeting is, it's the best meeting!
00:00:22A surprising idea that's been put inside a real Kyosho Residence has appeared in the quiz so far!
00:00:29In Chosho, which has only two parking lots,
00:00:34by putting an athletic net on the ceiling of the living room,
00:00:38the brightness and the width of the children's room are balanced.
00:00:42In a space of only 8 tatami mats,
00:00:45four beds and study desks are lined up
00:00:50to create a four-person children's room.
00:00:53The story of the builders who face the dream of the client
00:00:59is the story of Chosho House, which has too many orders.
00:01:04This time, they will challenge a special land with too many restrictions.
00:01:09The hint is at the beginning of the video.
00:01:13It's so marvelous!
00:01:15Oh, again.
00:01:16From infinite combinations, they make choices over and over again.
00:01:20This is the essence of architecture!
00:01:24What are you playing at?
00:01:26You have to get to work quickly.
00:01:29What are you doing?
00:01:30Hey, you try!
00:01:34If you fit it in the gap like this,
00:01:37it feels so good, right?
00:01:40Wow, it's a strange combination.
00:01:42This is an architectural team created by an architect from Singapore.
00:01:45It trains the imagination of the design.
00:01:52By the way,
00:01:53today is the deadline for the design.
00:01:56Of course.
00:01:58You know that, right?
00:02:00Ah, that's why I came up with this idea.
00:02:03What?
00:02:05What?
00:02:11Hello!
00:02:12Oh my god!
00:02:13You seem to be in good shape as usual, Mr. Takeda.
00:02:16I thought it was someone else, but it's Mr. Takeda.
00:02:20Please knock when you enter.
00:02:22How many times do I have to tell you?
00:02:24You pretend to be angry, but you're actually happy to see me.
00:02:28Even if you hide it, it's obvious.
00:02:30We are a team.
00:02:33Wow, both of you are annoying.
00:02:37Mr. Shinsuke Takeda is a senior architect.
00:02:40He has a long history of winning awards,
00:02:43but he always borrows Mr. Takeda's help when he is asked to do something.
00:02:49I see.
00:02:50That's right.
00:02:51Actually, I have a very tough project.
00:02:56That's too bad.
00:02:58We have an important project for today's deadline.
00:03:01Right, Mr. Takeda?
00:03:02Yes.
00:03:05I see.
00:03:06What a waste.
00:03:07This kind of special project is the highlight of the skills of Kyosho architects.
00:03:13Special project?
00:03:15No matter what kind of project it is, you can't take a break this time.
00:03:19Please proceed alone, Mr. Takeda, a first-class architect.
00:03:23I'm fine, but Koga is better.
00:03:26Wow.
00:03:27Mr. Koga?
00:03:28Mr. Koga?
00:03:30This is definitely a special project.
00:03:33Right?
00:03:35What's so special about it?
00:03:38Where is this?
00:03:40Well...
00:03:42Oh, it's already this time.
00:03:44There is no clock.
00:03:46Let's meet the client.
00:03:49What kind of special project is this?
00:03:54Haruto!
00:03:57Hey, Haruto.
00:03:58Come here and sit down.
00:04:00Oh, master.
00:04:01It's 13.
00:04:03I'm sorry.
00:04:04Don't care.
00:04:06Let's get down to business.
00:04:09I heard that you bought this land.
00:04:12Yes.
00:04:13It's only 13 blocks.
00:04:16There is no problem with the size.
00:04:19In fact, many of the requests we have received are properties below 15 blocks.
00:04:23It's a little complicated, but it's not that special.
00:04:28But the biggest problem is not the size or shape of the land.
00:04:33Then, can you see the white map?
00:04:36White map?
00:04:40Here it is.
00:04:43It's a very densely populated area.
00:04:48Yes.
00:04:49It's surrounded by houses in the north, east, and west.
00:04:54It's very difficult to get by the wind or the sun.
00:04:58It's hard to get by the sun.
00:05:01It's huge.
00:05:02It's only 13 blocks in area, and it's in the middle of a densely populated area.
00:05:07This land is surrounded by houses in the north, east, and west.
00:05:12In addition, the condition of the land is a research site.
00:05:15So it's very difficult to get by the wind or the sun.
00:05:18What?
00:05:19By the way, why did you choose this land?
00:05:22This area is close to the library and has a good environment.
00:05:25So I kept looking for this land and finally found it.
00:05:28It's true that the house is getting smaller.
00:05:31But you can study at the library.
00:05:33There are many cafes where you can see the green.
00:05:36I think it's a good idea to use the whole land to live.
00:05:40And when I went to see this land,
00:05:42the neighbors who talked to me were very warm.
00:05:46They said they wanted to live here.
00:05:48It's nice.
00:05:50However, it seems that it is difficult for any house maker to build an ideal house on this land.
00:05:56What is an ideal house?
00:05:58My family has a house like an atelier.
00:06:01I also want to live in a house where I can enjoy making things with my family.
00:06:06Both of you are from Bidai.
00:06:09It's cool.
00:06:10I long for a house like an atelier.
00:06:13But there are many restrictions in this residential area.
00:06:18What do you think, Kogan?
00:06:20Your idea is so wonderful.
00:06:25The architect RIKEN YAMAMOTO designed a space for a small community called a family in a large community called community society.
00:06:34It means to design a house.
00:06:38In other words, my home is like an atelier that connects the stimulation and discovery of the city to the house.
00:06:50I think it's the best.
00:06:52What do you mean?
00:06:54I will accept your request.
00:06:58Are you okay?
00:07:00Thank you very much.
00:07:02I'm glad to hear that you can build a house.
00:07:05I did it.
00:07:07Let's ask for a request.
00:07:17This is it.
00:07:19This is a dream file that summarizes the wishes of the family.
00:07:24Of course, I know that not everything will come true.
00:07:27I get excited when I talk with everyone.
00:07:30This is getting interesting.
00:07:33What is this?
00:07:35Let's get started.
00:07:38I want a green and bright house.
00:07:41Sounds good.
00:07:42Give me more.
00:07:44I want a space where my family can make things.
00:07:48Next.
00:07:50I want a house with a high degree of freedom in design.
00:07:57I want a space where I can put a lot of books.
00:08:02I want an open bathroom.
00:08:03I want a laundry space where I can dry my clothes.
00:08:08I want a room where children can be excited.
00:08:12I want a room where children can be excited.
00:08:14I want a space where I can put a piano.
00:08:16I want a cheap house.
00:08:18I want a stylish entrance.
00:08:22Please leave it to me.
00:08:24I will build a house that contains all your wishes.
00:08:31I want a house with a high degree of freedom in design.
00:08:36I want a house with a high degree of freedom in design.
00:08:38I went to the basement.
00:08:41There was a lot of land there.
00:08:47This is it.
00:08:50It's surrounded.
00:08:52It's amazing.
00:08:53It's smaller than the land I've seen so far.
00:08:58The three houses are close together.
00:09:01It's close to the road.
00:09:03My family wanted a green and bright house.
00:09:09Only the south side of the road is open.
00:09:15The road is 4 meters wide.
00:09:18If the building is so close, I can't see the wind and the car.
00:09:2370% of the land is open.
00:09:25160% of the land is open.
00:09:27It's a little harder than usual.
00:09:29Can I go to the third floor?
00:09:31It's hard.
00:09:34Look at this.
00:09:36What is it?
00:09:37It's a high-altitude area.
00:09:39Is that a problem?
00:09:40There is a limit to the height of the road.
00:09:42The deformation of this corner is also a problem.
00:09:49According to the urban planning law,
00:09:51different buildings such as residences, commercial facilities, and factories should be built in different areas.
00:10:00In particular, there are restrictions on the height of the building.
00:10:03The road must not be built higher than this to prevent the sun from hitting the road and the wind from passing through.
00:10:10There are several north-side lanes so that the east side of the north side of the house is not blocked.
00:10:16It is necessary to comply with the strictest conditions.
00:10:20This is the second highest-altitude area with three types of high-altitude areas.
00:10:28The building must be built within the height limit of 5 meters.
00:10:35The north side of the land is largely deformed, so more complex lane restrictions will be applied.
00:10:41I see.
00:10:44If it is a three-story building, the three-story part will be cut off by the lane.
00:10:49However, it is difficult to build a two-story building if there are so many requirements.
00:10:54Then, how about building a basement?
00:10:58That is also difficult.
00:11:00In fact, I asked a friend of mine who works in a real estate investigation company in advance to get the results of the real estate survey around here.
00:11:07The groundwater was flowing at a depth of 1.8 meters.
00:11:11If the groundwater is flowing in such a shallow place,
00:11:14waterproofing construction will be required, and the cost will increase by about 3.5 million yen.
00:11:19It is difficult to budget.
00:11:21Isn't it tough?
00:11:23Yes, it is.
00:11:24That's not all.
00:11:26What do you mean?
00:11:27If the flow of groundwater changes, there is a risk of involving neighboring houses.
00:11:33In general, large-scale construction such as hill-stop construction and slope construction is required to build a basement,
00:11:41and waterproofing construction must be carried out in places where groundwater flows.
00:11:48If groundwater improvement is also carried out, it will cost more than 3.5 million yen.
00:11:54In addition, if groundwater around the area is pulled due to the effect of groundwater control construction,
00:12:01it is possible to cause the worst groundwater evaporation and involve neighboring houses.
00:12:07This is not good.
00:12:09It is difficult to build a three-story building.
00:12:11However, what should I do if I can't build a basement?
00:12:16No, you may be able to build a three-story building.
00:12:21Did you come up with a plan?
00:12:23Yes.
00:12:24Let's go back to the office.
00:12:27What is it?
00:12:29Tell me.
00:12:32In addition to strict height restrictions, complex terrain and underground waterways prevent building a three-story building.
00:12:40How can I build a house that meets all the needs of my family in this highly densely populated area?
00:12:45This is difficult.
00:12:47First of all, how can I build a three-story building in a high-altitude area with a lot of road lines?
00:12:55Because it is a deformed area, the north side and the south side will be cut off due to the influence of high-altitude road lines.
00:13:01In addition, the south side will also be cut off due to the influence of road lines.
00:13:05In this way, more than half of the third floor will be on the ceiling, which is lower than 1.4 meters.
00:13:11If it is so narrow, the third floor is actually a storage room.
00:13:15This is tight.
00:13:16In addition, in the case of reinforced concrete, the more complex the roof is, the higher the cost of one frame.
00:13:23That's right. It will be about 3 million yen more expensive than a flat roof.
00:13:27So I usually give up building a three-story building.
00:13:29However, do you have any good ideas to overcome it?
00:13:34Yes.
00:13:35There is only one way to achieve a three-story building without spending a lot of money.
00:13:41There is only one way?
00:13:42What is it?
00:13:43Lower the whole building by only 1 meter and make it a semi-basement.
00:13:48I see.
00:13:49I see.
00:13:50In this way, the three-story part can be kept at the ceiling height, and a semi-basement does not require waterproof construction.
00:13:56When I checked the results of the ground survey earlier, there was a stable ground under 1 meter of the ground.
00:14:02If this is the case, there is no need for ground improvement construction.
00:14:05That's great, Mr. Koga.
00:14:07Yes.
00:14:09By lowering the whole building by 1 meter, a three-story building can be realized within the height limit.
00:14:17In this way, there is no need for ground improvement construction, and the cost of construction can be greatly reduced.
00:14:23And this request has a high hurdle in the residential area.
00:14:28Next, what should we do with the request for a bright house with greenery?
00:14:32A bright house?
00:14:33In the first place, it seems that it is difficult to have greenery in a 13-story building.
00:14:38Oh, I see.
00:14:39How about this?
00:14:40A tent.
00:14:41It was there before, wasn't it?
00:14:43There it is.
00:14:44A way to make the greenery of the neighboring land visible and make it like your own garden.
00:14:47It's a good idea, but it's difficult this time.
00:14:52It's a pretty densely populated area.
00:14:54I see.
00:14:55We have to make a terrace or a garden somewhere in the neighborhood.
00:14:58A garden?
00:14:59Is there such a place?
00:15:02For example, make a terrace in the lower half of the building.
00:15:06No, that will reduce the area of the floor to avoid the building.
00:15:10Then, can't we secure the area of the floor by removing the floor on the terrace?
00:15:16In that case, the area of the floor will increase, but the light will not reach the terrace.
00:15:21Certainly, if you try to plant greenery, the space will be reduced.
00:15:27It's a dilemma.
00:15:30To secure the area of the floor, remove the floor on the terrace in the lower half of the building.
00:15:35It will block the sunlight and the light will not reach the plants in the garden.
00:15:42In addition, if you make a terrace in the lower half of the building,
00:15:44you need a special tank or pump to drain the rainwater to the ground.
00:15:50It will cost about 700,000 yen.
00:15:53That's a lot of money.
00:15:54That's a lot of money.
00:15:56The only place where we can plant a garden is in the lower half of the building.
00:15:59But if we do that, the area of the floor will be reduced, and we will not be able to create a garden full of nature.
00:16:05Without wasting the cost and the area of the floor, is there a way to create a garden full of nature?
00:16:12Think about it.
00:16:13Think about it.
00:16:15Think about it.
00:16:16Think about it.
00:16:19I see.
00:16:21I have a good idea.
00:16:25Here is the top quiz.
00:16:28What is the surprising idea to create a bright garden without wasting the area of the floor?
00:16:35In addition, how do you save your parents who have lost consciousness for the first time in a year?
00:16:40That's crazy.
00:16:41That's crazy.
00:16:43What is the surprising idea to create a bright garden without wasting the area of the floor?
00:16:50First of all, it's Takashi Nagawa.
00:16:52Nice to meet you.
00:16:53Nice to meet you.
00:16:55It's interesting.
00:16:56I actually love architecture.
00:16:59I was thinking about how to make it.
00:17:03Next, it's Sakura Kiryu.
00:17:06Nice to meet you.
00:17:07The last time I was here was five years ago.
00:17:10Five years ago?
00:17:11At that time, I was in the third year of junior high school.
00:17:14That's right.
00:17:16I'm 20 years old now.
00:17:18How did you feel when you saw this far?
00:17:19I thought it would cost a lot of money.
00:17:23I thought it would be better to have money.
00:17:27Next, it's Kogoriko.
00:17:28Nice to meet you.
00:17:29Nice to meet you.
00:17:31I thought I had seen Itoda's play somewhere.
00:17:34It's similar to Mr. Endo's play.
00:17:37That means it stinks.
00:17:40It doesn't smell.
00:17:42How did you come up with the idea of a bright garden without wasting the area of the floor?
00:17:47A garden?
00:17:48The three sides of the four sides are already close to the building next door.
00:17:53I think it's quite difficult to get the light.
00:17:58But recently, I've been watching a lot of things.
00:18:01Please answer me.
00:18:03Mr. Uchimura.
00:18:05What are you talking about?
00:18:07You're talking too much.
00:18:08It's a living room with greenery and light coming in.
00:18:14It's an inner terrace.
00:18:17It's like a mini pool for children.
00:18:21I made a really small one.
00:18:23I think the sun can be taken from the south for a moment.
00:18:26I put something like a mirror.
00:18:28I thought I'd reflect it and use it.
00:18:32First of all, the house is a big tree.
00:18:35It's like a chicken or a squirrel.
00:18:39I'll make it a wall of moss.
00:18:43I can't buy a garden, so I'll buy a pet.
00:18:47I'll do my best.
00:18:49I'll make you feel better.
00:18:52Do you have an answer? Let's take a look at the next one.
00:18:55How did you come up with the idea of a bright garden without wasting the area of the floor?
00:19:02I'm going to make a garden in the house.
00:19:07What do you mean?
00:19:09And I'm going to expose the world's corruption.
00:19:15Honest people are stupid.
00:19:17There's no way there's such a society.
00:19:21It's here.
00:19:22It's hard to build a three-story building.
00:19:24I can't even see the basement.
00:19:26I've come up with a good idea.
00:19:30How did you come up with the idea of a bright garden without wasting the area of the floor?
00:19:38I'm going to make a garden in the house.
00:19:42What do you mean?
00:19:44I'm going to make a garden in the house.
00:19:47I can make full use of the area of the land.
00:19:51That's right.
00:19:53That's great.
00:19:54Inner terrace.
00:19:57I have a simple question.
00:19:59How is this different from a garden?
00:20:02Generally, a garden is built in a place where there is no roof around the building.
00:20:08This time, I'm going to make a garden in a residential space with a roof.
00:20:14Then you don't have to worry about rain and drainage.
00:20:19I see. You can always feel green while you're in the house.
00:20:23And it's like an atelier that your wife admires.
00:20:29But if you're going to make a garden in the house, you need enough light.
00:20:35But the three houses are surrounded by houses.
00:20:39If the road in front is narrow, it's hard to get the light in.
00:20:44It's a way to get the light to the basement.
00:20:49By making a garden in the house, the problem of floor area and cost has been solved.
00:20:54However, it is difficult to incorporate sunlight into the basement garden because of the lack of housing.
00:21:01What are you going to do?
00:21:03No problem.
00:21:04Of course, I'm thinking about it.
00:21:07I'm going to flatten the roof and turn half of it into a top light.
00:21:12If you blow through the bottom, you can get enough light directly to the basement.
00:21:18It's getting brighter all at once.
00:21:20Then, like this.
00:21:23How about alternating each floor with a blow-through other than the terrace part?
00:21:28If you put the floors alternately, not only the direct sunlight coming in from the top light,
00:21:33but also the soft light reflected from the walls and floors of each floor will make the whole house brighter.
00:21:40Mr. Takeda, nice idea!
00:21:43Each room can be divided by a blow-through, so there is no need for walls and floors.
00:21:47I see.
00:21:48The sense of freedom is also excellent.
00:21:51Wow, look at the art.
00:21:52This is going to be a great house.
00:21:54But if the top light is big, won't the whole house get hot in the summer?
00:22:00What are the ventilation measures to release the heat in the room?
00:22:05Then, how about ventilating with the chimney effect?
00:22:08Chimney effect?
00:22:09What's that?
00:22:10You genius!
00:22:12Because the house is close to each other, it's a matter of privacy.
00:22:16The window cannot be enlarged, and only the flow of natural air cannot be fully ventilated.
00:22:23That's where the chimney effect came from.
00:22:26The air in a low place becomes lighter when it is heated, creating an upward current.
00:22:31By utilizing the power of the chimney effect,
00:22:34a small window built on the third floor and a semi-basement that faces the road like a chimney
00:22:40make the whole house ventilated.
00:22:45Now, it's finally time for the Zorro.
00:22:49The minimum number of rooms is for the couple's bedroom, children's room, living room, dining room, kitchen, and water purification.
00:22:57The minimum number of rooms is for the couple's bedroom, children's room, living room, dining room, living room, kitchen, and water purification.
00:23:03The minimum number of rooms is for the couple's bedroom, children's room, living room, dining room, living room, kitchen, and water purification.
00:23:06If it's the great owner's wish, the living room is more important than the bedroom, isn't it?
00:23:11I don't know what to do with the stylish entrance that was in demand.
00:23:15I'd like to make an approach to the entrance connecting the public road to the private house.
00:23:22Surprisingly, the space that separates the house from the outside is psychologically important, isn't it?
00:23:28An approach to the entrance connecting the public road to the entrance of the house.
00:23:33It's an important space that is the intersection of the outdoor and private space.
00:23:39How do you realize it in a limited area?
00:23:43That's right.
00:23:44How about replacing the garden in the house with an entrance approach?
00:23:50I see.
00:23:51What do you mean?
00:23:53As soon as you enter the entrance, set up the stairs to the living room right next to the garden and make an approach.
00:24:00While walking to the living room through the green entrance, you will reach a private space before you know it.
00:24:07This will create an appropriate distance between the road and the living space, and when you come back, this tree will welcome you.
00:24:14It also plays a role as a symbol of the house.
00:24:17Moreover, it is in the house, so the inspection rate will not be wasted.
00:24:20I see.
00:24:21That's right.
00:24:23From the entrance, make a structure that goes through the garden made in the house and enters the living room, and make a fashionable approach.
00:24:31That's great.
00:24:34And here's a big problem.
00:24:37Next is the third floor, around the water.
00:24:40Wait a minute.
00:24:43What's wrong?
00:24:44I made this house a semi-basement, but didn't I overestimate the height limit?
00:24:49That's not good.
00:24:51The height of the building required for a three-story building is 2.1m x 3, plus the thickness of the floor.
00:24:58So even if I use it from 1m underground to the end of the lane, I don't think it's high enough.
00:25:05If you avoid the high-altitude lane, the building can be built up to 5.7m above ground.
00:25:10In other words, if you add the 1.5m floor, the building itself needs to be within 6.7m.
00:25:18However, according to the building standards, the ceiling height of each floor is set at a minimum of 2.1m.
00:25:25In addition to the thickness of the floor, 60cm is over 20cm.
00:25:30I see.
00:25:31Hey, no way.
00:25:33Team Takeda's No.2 made such a mistake.
00:25:39No way.
00:25:40As a countermeasure, didn't you put the water in the third floor?
00:25:46What do you mean?
00:25:48Why does the ceiling height of the whole house solve the problem of collecting water in the third floor?
00:25:54That's right.
00:25:55In the first place, the rule that the ceiling height should be more than 2.1m is determined by the Building Standards Act.
00:26:01What does this regulation apply to?
00:26:07Oh, I see.
00:26:10The ceiling height is determined by the living room and bedroom.
00:26:15In other words, the other parts are lower than 2.1m.
00:26:21I see.
00:26:23In other words, if you add the water level to one floor, there is no problem even if the ceiling is lower than 2.1m.
00:26:30According to the Building Standards Act, the ceiling height should be more than 2.1m only in the living room and bedroom.
00:26:40It is not a place to spend a long time.
00:26:42The rule of the height is not applied to the water surroundings, storage, and corridors.
00:26:49Therefore, the lower half and upper half of the living room are 2.1m high.
00:26:55The three floors, including the water surroundings, have a ceiling height of 1.9m.
00:27:02However,
00:27:04Even if the time to spend is short, if the ceiling height is reduced, there will be a sense of pressure.
00:27:11Bathing is an important time to relax.
00:27:14That's right.
00:27:15Then, how about Kyanchi Slab?
00:27:19It's awesome, Mr. Takeda!
00:27:22What is Kyanchi Slab?
00:27:24To support the floor, you have to remove the beams and pillars.
00:27:27If it's a metal wall, you can support the floor with just one side, and you don't need beams or pillars, so you can feel a sense of freedom.
00:27:34Oh, it's perfect!
00:27:37The bathroom is designed to make the space feel wider even on a low ceiling.
00:27:42Kyanchi Slab, which supports the floor with just one side of the wall, was adopted, and the beams and pillars were removed.
00:27:49I thought it was difficult, but it went well.
00:27:52The living room that Mr. Itoda was particular about was also blown out, so there was plenty of light.
00:27:59It's like an atelier. It's open and fashionable.
00:28:03I'm sure you'll be satisfied with this.
00:28:06It's pretty good.
00:28:09A new plan made with a lot of effort.
00:28:12What is the reaction of the family?
00:28:15It's a great idea.
00:28:19Is there a garden in the house?
00:28:21Yes, we made a garden in the basement and made it feel like nature while being inside.
00:28:27We made the top half of the ceiling a top light and created a space where each floor can be blown out alternately, so there is a sense of freedom.
00:28:34This is amazing.
00:28:37The basement is a bedroom and a children's room.
00:28:40I'm excited to be in the basement.
00:28:42You two did a good job.
00:28:45Thank you.
00:28:48The living room is on the second floor.
00:28:50It's located in the center of the house.
00:28:53You can make things with your family.
00:28:56How big is it?
00:28:58The living room itself is about 4.2 tatami mats.
00:29:01It's connected to the blowout space, so it should be about 14.5 tatami mats in size.
00:29:07That's the effect.
00:29:09By the way, can you make the living room a little bigger?
00:29:15I know it's difficult, but I want to make a nice living room that gives birth to various ideas, so I want to make it a little bigger.
00:29:28It's 4 tatami mats.
00:29:30For example, it doesn't matter if the other tatami mats are a little smaller, so it's difficult to make the living room a little bigger.
00:29:40Then, why don't you make the living room half the size of the basement and make the second floor a bedroom and a children's room?
00:29:48If you make the living room half the size of the basement, you can make it bigger.
00:29:52However, since the top of the living room is not a blowout space, the wind will not pass through and the sense of openness will be impaired.
00:29:58I see.
00:29:59I'm worried about the brightness because the direct sunlight from the top light won't reach.
00:30:04That's right.
00:30:06As a result, even if it becomes a little wider than it is now, the feeling may be narrowed.
00:30:11That's right.
00:30:15Oh, no, I'm sorry. I said something weird.
00:30:18I just thought, for example, why don't you make it wider?
00:30:23I understand how you feel.
00:30:25But I can't believe you designed such a wonderful house.
00:30:29As expected of Team Takeda.
00:30:31Thank you very much.
00:30:34We were the ones who said we wanted to use the whole city.
00:30:38But when it comes to it, I'm sorry.
00:30:41It's okay. There is a garden in the house.
00:30:44The children will be happy.
00:30:46That's right.
00:30:48Can I ask you to proceed with this?
00:30:53Please wait.
00:30:56Can I have time to think again?
00:31:00No, you've achieved your ideal so far.
00:31:04I can't ask for more.
00:31:09I may have forgotten the most important thing.
00:31:15A house is a place where families gather and create new creativity.
00:31:19The center of it is the living room.
00:31:23That's why it has to be my favorite place.
00:31:27Please let me re-design the plan one more time.
00:31:36I'm counting on you.
00:31:41Thank you very much.
00:31:44I really did my best so far.
00:31:47Can you do it?
00:31:48In this house, the most spacious space can be secured by a semi-basement.
00:31:52But there is no ventilation like other floors, and light and wind do not reach.
00:31:56What should I do?
00:32:01Although it can be secured by a semi-basement,
00:32:05If the top of the living room is not a vent, it will be less open.
00:32:10How about making the floor wider and making it a living room instead of a second floor vent?
00:32:15Then the top light will not reach the semi-basement.
00:32:19That's right.
00:32:21If you make a living room in a wide semi-basement,
00:32:24you need to deliver more wind and light to the semi-basement.
00:32:29Since it is a densely populated area,
00:32:31you can't make a big window in front of the house to protect privacy.
00:32:36That's right.
00:32:38At least if the house is not built like this...
00:32:42If the house is adjacent, the light and wind will be blocked.
00:32:47To incorporate a lot of light and wind into the semi-basement,
00:32:50it seems necessary to change the plan significantly.
00:32:53No, no, no...
00:32:57If you want to make a wide living room,
00:33:00you need a semi-basement space.
00:33:02However, at the moment,
00:33:05there is not enough light and wind to reach the semi-basement,
00:33:08and an open living space cannot be realized.
00:33:12What should I do to incorporate wind and light into the semi-basement living room?
00:33:19Even in this densely populated area,
00:33:21there must be a good way.
00:33:25Think about it.
00:33:27Think about it.
00:33:29Think about it.
00:33:31Huh?
00:33:32It's marvelous!
00:33:34The residents are very warm.
00:33:40It's amazing!
00:33:44Even in a densely populated area,
00:33:46because it is a densely populated area,
00:33:49you can make a bright living room with light and wind in this way.
00:33:55Here is the breakthrough quiz!
00:33:57This is difficult.
00:33:59What is the breakthrough method to incorporate a lot of light and wind
00:34:03into a semi-basement living room in a densely populated area?
00:34:07The hint is this scene!
00:34:09Scene!
00:34:12What is the breakthrough method to incorporate a lot of light and wind
00:34:16into a semi-basement living room in a densely populated area?
00:34:19It's cool because there is no compromise.
00:34:22As a human being,
00:34:24I understand the feeling of a little more.
00:34:28The architect is also a professional,
00:34:30so he must have a will.
00:34:32He will definitely make it come true.
00:34:34What is the breakthrough method to incorporate a lot of light and wind
00:34:37into a semi-basement living room in a densely populated area?
00:34:39It's a quick answer!
00:34:41The floor of the second floor is made of glass.
00:34:46It is clear, has a surface area, and also has light.
00:34:50This is...
00:34:55wrong!
00:34:59Sakura.
00:35:00It's not a futon.
00:35:02Make a small hole in the floor.
00:35:04It's just ventilation.
00:35:06This is...
00:35:11wrong!
00:35:14Turn the large propeller with a mirror on the ceiling of the first floor.
00:35:20Turn the large propeller, light and wind.
00:35:23This is...
00:35:24Can't you see the light?
00:35:28It's wrong.
00:35:30It's difficult.
00:35:31Date.
00:35:32Should I make it a slowly rotating house?
00:35:35According to the sun?
00:35:36This is...
00:35:37There is still...
00:35:39It's okay.
00:35:41It's wrong.
00:35:43Why do you know it's wrong even though there is still?
00:35:46Can I really answer this?
00:35:48The third floor is around the water, right?
00:35:51The water flows from the third floor to the wall.
00:35:56It also has wind power.
00:35:58This is...
00:36:03wrong!
00:36:07Nagawa.
00:36:08I think it's a hint because it's dense.
00:36:13I think the window is like looking at the scenery.
00:36:17Make a window on the wall of the next house.
00:36:21Get the reflection of the outer wall.
00:36:23This is...
00:36:28It's wrong, but...
00:36:30It's getting closer.
00:36:32Tanaka.
00:36:33In the first place, I think it's an image of a rectangular outer wall.
00:36:38First of all, I will change it fundamentally.
00:36:42It's not straight.
00:36:44I will adjust the angle little by little.
00:36:47I will increase the surface a little.
00:36:49Then, depending on the time of sunlight, the way it comes in will be different.
00:36:52This is...
00:36:57wrong!
00:37:00It's different.
00:37:01Kaneshika.
00:37:02It's like the second half of the fall of Daruma.
00:37:06It shifts.
00:37:07Once, twice, three times.
00:37:10This is...
00:37:12Is it okay to do such a thing?
00:37:15It's wrong.
00:37:17It's a densely populated area.
00:37:21I want the light and the wind to pass through.
00:37:24That's right.
00:37:25That's it.
00:37:27Meru.
00:37:28Put a white wall where there is no residential area.
00:37:32It's like passing through the reflection and the wind.
00:37:34This is...
00:37:39It's wrong, but...
00:37:41It's not a reflection.
00:37:44There is a small gap.
00:37:47Put a fan there.
00:37:50It's like a building number.
00:37:52This is...
00:37:57It's close.
00:38:01Sakura.
00:38:02It's like opening the left door.
00:38:05This is...
00:38:06A door?
00:38:07I see.
00:38:10Breakthrough!
00:38:13I'm happy.
00:38:14It was there.
00:38:16I'm so happy that I can break through.
00:38:18Let's see the moment of breaking through.
00:38:21The dream of My Home has finally been completed.
00:38:25How did they capture a lot of light and wind in the semi-basement living room?
00:38:30Let's see the actual house.
00:38:32It's amazing.
00:38:33What is this?
00:38:36How fashionable!
00:39:03It's like this.
00:39:04The entrance door uses a sliding door to save space.
00:39:12In the back of the 30-degree entrance hall, there is plenty of storage space for four families.
00:39:20Not only shoes, but also bicycles can be stored in a spacious space.
00:39:26And this big cinema-like tree welcomes visitors.
00:39:34It grows branches at a height of 6 meters and gives a gentle sunlight to the whole house.
00:39:43Amazing!
00:39:44It's so nice!
00:39:45It's outside!
00:39:46Wow!
00:39:47Amazing!
00:39:48This is great!
00:39:49From here, you can go down the stairs to the basement.
00:39:53It's popular!
00:39:55With an approach that makes you walk around the tree,
00:39:59there is a garden that is separated from the exterior.
00:40:02It's wide!
00:40:04It's a 14.9-story LDK that makes you forget that you're in Kyosho, a 13-story building.
00:40:10The piano is open.
00:40:12It's a space where you can do what you want to do with your family.
00:40:19This is great!
00:40:22By the way, this table is full of presence.
00:40:25The table is cute!
00:40:27Only one leg is used.
00:40:29It's made of concrete.
00:40:31With a refreshing design that emphasizes strength,
00:40:34you can use the space to your heart's content and put a chair for six people.
00:40:39You can do that?
00:40:41It's cool!
00:40:42And next to the table is a wide kitchen with a ceiling length of about 5 meters.
00:40:48Amazing!
00:40:49The simple design of the all-stainless steel, which emphasizes practicality, matches the living room.
00:40:55It's like a workshop for artworks.
00:40:59There's a lot of light in there.
00:41:01It's bright.
00:41:03The piano is in the back of the living room.
00:41:05It's playing.
00:41:06The size of the living room is just right.
00:41:13The size of the piano is just right.
00:41:14And if you look up...
00:41:17What?
00:41:18It's amazing!
00:41:19It's a pleasant blue sky.
00:41:22The top light, which closes more than half of the entire roof,
00:41:26blows through, and the light is so bright that you can't remember how to hit it.
00:41:31It's amazing!
00:41:33And on the other side of the wall, there's a large storage shelf.
00:41:40Books, toys, and daily necessities are all on this shelf,
00:41:46so you don't have to put a storage shelf in each room,
00:41:50which saves space.
00:41:53Also, in order to reduce the sense of pressure,
00:41:56they didn't make a shelf.
00:41:57It's an atelier-style room,
00:42:00so it takes less time to look for things.
00:42:02It's really interesting.
00:42:04There's a big gap in the center of the house,
00:42:07and the design of the wall is American,
00:42:11so you can create a large space that doesn't look like a 13-story building.
00:42:15This is nice.
00:42:16Is this a house?
00:42:18But where is the living room?
00:42:23The answer is upstairs.
00:42:25Upstairs?
00:42:26This wall storage is located on the top of the stairs.
00:42:31Behind the window is a hidden room.
00:42:36Wow!
00:42:37If you open the door and the drawer,
00:42:39there's an open play space for children to play.
00:42:44If you close the door,
00:42:45you can concentrate on the remote work room.
00:42:50By the way, this house
00:42:52has a huge gap in the middle,
00:42:54and the structure is sandwiched between two buildings.
00:42:58Bridges connect each building.
00:43:03On the way across the bridge,
00:43:06you can see this bench.
00:43:08You can read a book with your family.
00:43:12Wow!
00:43:13It's really nice.
00:43:15By the way,
00:43:16these stairs and bridges have a slightly different design.
00:43:21In general, they are often used outdoors.
00:43:25They are made of Expand Metal.
00:43:28It's stylish.
00:43:30It's durable, hard to slip, and cheap.
00:43:33Because it has a mesh structure,
00:43:36it doesn't block light and wind,
00:43:38and it doesn't block the view.
00:43:40It has the effect of making the passage feel wider.
00:43:45On the other side of the hidden room,
00:43:47if you open the door,
00:43:48you can see the master bedroom and the children's room.
00:43:51It's stylish.
00:43:52They want to give priority to the living room where the family can stay.
00:43:57The bedroom is 2.5 tatami mats,
00:43:59and the children's room is 2.3 tatami mats.
00:44:01It's quite compact.
00:44:04They don't make a wall in the room.
00:44:06By connecting it with the passage,
00:44:08the view is clear.
00:44:09It's stylish.
00:44:10Even in a small area,
00:44:12it doesn't feel oppressive.
00:44:14I see.
00:44:15Once again, we cross the bridge and go to the third floor.
00:44:18When you go up the stairs,
00:44:20there is a bathroom, a washroom,
00:44:23and a glass-clad bathroom.
00:44:27The bathroom has a washbasin and a bathtub.
00:44:31Even in a limited space,
00:44:33you can put a large bathtub.
00:44:36You can look at the sky from the top light.
00:44:39It's like an open-air bath.
00:44:41It's amazing.
00:44:42It doesn't look like 190 cm.
00:44:44Next, let's go to the children's favorite place.
00:44:47You can always look at the sky,
00:44:49read books,
00:44:50and draw in the necronomicon.
00:44:52This is the third floor.
00:44:54You can go through the spacious space.
00:44:57There is a laundry space of 3.5 tatami mats.
00:45:01It's so cool.
00:45:02You can dry the washed laundry
00:45:04at the top floor where a lot of light falls.
00:45:07It's perfect for fire fighting.
00:45:10What is the idea for the spacious living room
00:45:13that is perfect for the sun and the wind?
00:45:16That's it.
00:45:17This large bathroom window was made facing the road.
00:45:23The top light was made to match the river.
00:45:27What's ahead of us?
00:45:30I thought about it.
00:45:32This is it.
00:45:33There is a gap between the houses next door.
00:45:36What does this mean?
00:45:38The shape of the windpipe that goes through the center of the house
00:45:42is designed to fit perfectly in the gap between the houses.
00:45:49If you turn around the back of the house,
00:45:57there is a window in front of the gap between the houses.
00:46:02By doing this,
00:46:04a path to deliver light and wind
00:46:07was created in the living room in the middle of the house.
00:46:11I see.
00:46:14Thanks to the garden tree,
00:46:17the passers-by don't mind the view from the front window.
00:46:22They can read books, cook, draw pictures,
00:46:26and play the piano.
00:46:29The living room has a great sense of freedom
00:46:32that stimulates the creativity of a family who loves to make things.
00:46:36It's so cool.
00:46:38I've never seen such a big front window.
00:46:41It's a wonderful house.
00:46:43It really changes the way you look at Koga prefecture.
00:46:46It's the opposite.
00:46:48In this way, the gap between the houses was maximized.
00:46:53A house with a great sense of wind and sunlight was created.
00:46:58Thank you very much.
00:47:00As my wife said,
00:47:02there is a saying that the neighbors are warm.
00:47:06We, the architects,
00:47:08tend to think that the house of our neighbors
00:47:11is a shelter from the sun and the wind.
00:47:14But the people who live there are the main characters of the city.
00:47:17I see.
00:47:18What is a house that harmonizes the surroundings and the city?
00:47:21I learned a lot today.
00:47:24Tsuruta is back after a year.
00:47:26Chocopra Kaizan Deka
00:47:28Challenges many dangerous accidents and heinous crimes that occur in the sea.
00:47:34I'm sure of it.
00:47:35The hint is at the beginning of the video.
00:47:38The sun is hot.
00:47:40It's a perfect day for a bikini gal.
00:47:45It's hot.
00:47:47It's still summer.
00:47:49Summer is only for this guy.
00:47:53Ouch!
00:47:57Ouch, ouch, ouch, ouch!
00:48:00Ouch, ouch, ouch, ouch!
00:48:01It's not ouch, ouch, ouch!
00:48:03Don't enjoy the summer and be careful.
00:48:06Don't worry, Mr. Kudo.
00:48:08I won't miss the crime even if I dive into the beach like this.
00:48:13In fact, they are police officers who protect the peace of the sea.
00:48:18They went into the beach in the summer when there was a lot of thievery.
00:48:24At that time!
00:48:26Satoshi!
00:48:28Satoshi!
00:48:30He's gone.
00:48:33Satoshi!
00:48:34Dad!
00:48:35What's wrong?
00:48:37I lost my son while I was away.
00:48:39I'm looking for him with my husband.
00:48:41I can't find him anywhere.
00:48:42How old is he?
00:48:43He's a boy in the third grade of elementary school.
00:48:46Rigan-ryu is likely to occur in this area.
00:48:48If you are involved in it.
00:48:50Rigan-ryu?
00:48:52Rigan-ryu is a strong current that occurs when the waves on the coast are concentrated in one place.
00:49:01Its momentum reaches up to 2 meters in a second.
00:49:06About 50% of the flooding on the beach is said to be caused by this Rigan-ryu.
00:49:12It is necessary to be careful because there is a high possibility that garbage and floating objects are collected and there are no white waves.
00:49:19I see.
00:49:21Let's split up and look for him.
00:49:23Yes.
00:49:25I'll borrow you a little.
00:49:28Satoshi!
00:49:30Satoshi!
00:49:32Satoshi!
00:49:34Satoshi!
00:49:36Answer me if you can hear me!
00:49:38Satoshi!
00:49:42Oh!
00:49:45Is that his father?
00:49:47His father, who had been swept away by the Rigan-ryu in the emergency area, rushed to the rescue.
00:49:54He said no.
00:49:55However, he was clung to the rock and drowned with him.
00:50:00By the way, in this case, it is safe to hand over floating objects, empty bottles, and cooler boxes.
00:50:09Are you going?
00:50:11Are you okay?
00:50:13Are you okay?
00:50:19I'm sorry.
00:50:21This way.
00:50:23I'm glad.
00:50:25I'm glad.
00:50:27I'm glad.
00:50:29I'm glad.
00:50:32Are you okay?
00:50:39Oh, I'm tired.
00:50:41This is a restricted area with no access to the beach.
00:50:43Adults and children are not allowed here.
00:50:46Hurry up!
00:50:48Satoshi's father!
00:50:49Can you hear me?
00:50:57Both of them are barely touching the rock, but they are not breathing.
00:51:01They are not breathing.
00:51:03All right!
00:51:05Oh, my God.
00:51:13When they drown, the water slows down and they can't breathe.
00:51:18In this case, it is a good idea to tilt their head back, raise their chin, and make it easier for the air to pass through the lungs.
00:51:26In addition, if they pick their nose and breathe at a pace of 5 seconds and 1 second, they can pass out.
00:51:315 seconds and 1 second.
00:51:33Come back!
00:51:36What's going on?
00:51:39It's a cirrhosis.
00:51:40Cirrhosis?
00:51:41Damn it.
00:51:42Is it a low-oxygen condition?
00:51:44This time, Satoshi's father's condition is getting worse.
00:51:47Cirrhosis is caused by a lack of oxygen in the lungs.
00:51:55It's no good.
00:51:57I can't do it alone.
00:51:59Oh, my God.
00:52:01Damn it!
00:52:02I can't do it alone.
00:52:04Mr. Kudo!
00:52:06Somebody help me!
00:52:09Damn it!
00:52:11They both drown and lose consciousness.
00:52:14It's a dangerous situation.
00:52:16They have to get ready to move as soon as possible.
00:52:20In order to do that, they have to maintain their position.
00:52:24They have to deal with at least one person.
00:52:28But there's no one around.
00:52:30There's no time to call them back.
00:52:32Oh, my God.
00:52:33We have to find a way to save them.
00:52:36But it's impossible to do it alone.
00:52:39Is there any good way?
00:52:41Think about it.
00:52:46This is the only way.
00:52:48Here's the top quiz.
00:52:50How did they save their lives by saving their parents at the same time?
00:52:57If you don't look at the answer sheet, you'll feel like summer has come.
00:53:01It's a historical event.
00:53:03Mr. Nagano, what do you think?
00:53:04They have to move at the same time.
00:53:08They went in the middle, opened this part, and moved.
00:53:15I think they put it under their heads and moved.
00:53:20They have to breathe in the air and breathe out.
00:53:25They have to do it one by one.
00:53:27If they put their heads under their heads, they can save their lives.
00:53:32They have to bring their heads down.
00:53:34They have to put their heads under the fallen branches.
00:53:38It's like a landmine.
00:53:40It's like a landmine.
00:53:42Is there a correct answer?
00:53:44Let's continue.
00:53:46How did they save their lives by saving their parents at the same time?
00:53:52I'll definitely save them both.
00:53:58He's digging a hole.
00:54:06It's a hole about 20 centimeters deep.
00:54:09It's smooth.
00:54:16He can do it with this.
00:54:18He can definitely do it.
00:54:22Yes, by putting their heads in the hole,
00:54:25they were able to raise their chin naturally without holding it with their hands.
00:54:28They were able to secure the orbit.
00:54:30That's great.
00:54:32With this, while they can't let go of their hands due to artificial respiration,
00:54:36it is possible to send oxygen to the other person's body.
00:54:41Good, good.
00:54:43And then...
00:54:47Satoshi!
00:54:50Mom...
00:54:51Natsuo...
00:54:52It's all right now.
00:54:53I'm glad.
00:54:55We may have experienced an accident at sea.
00:55:00It would be nice if we could remember that moment.
00:55:03They fell in love because they were on the beach.
00:55:05That's right.
00:55:06It is important to secure the orbit just by acquiring such knowledge.
00:55:11The sea is scary.
00:55:14I don't know how to thank you.
00:55:16Thank you very much.
00:55:18I won't call you again.
00:55:20It is my duty to protect the peace of the sea.
00:55:24You are...
00:55:26I look like this, but...
00:55:31I'm an experienced police officer.
00:55:33I am...
00:55:35Type Omega.
00:55:37He is only active in the summer.
00:55:39From now on, please don't take your eyes off the children.
00:55:43Yes.
00:55:45It's an attack.
00:55:46The seabed is huge.
00:55:48It's cool.
00:55:49Why did you say that?
00:55:50It's a one-point attack.
00:55:52However, a new incident that threatens the peace of the sea approaches them.
00:55:57What?
00:55:59It's hot.
00:56:01I can't wear such thick clothes.
00:56:04You are too used to the seabed.
00:56:06You are supposed to look like this.
00:56:10I think I'm hungry.
00:56:12It's Mr. Sakagami.
00:56:14The seabed is huge.
00:56:16Come here.
00:56:19It looks delicious.
00:56:23I caught all the seafood this morning.
00:56:25It's amazing, isn't it?
00:56:26I caught scallops, octopus, squid, and abalone.
00:56:30It's a sea urchin.
00:56:32I'm glad you caught it.
00:56:33Please eat it.
00:56:34I don't need it.
00:56:36You helped your parents on the beach the other day.
00:56:39I became a fan of you.
00:56:41I can't eat expensive food.
00:56:43Our abalone has the best sashimi.
00:56:47Cut the bottom of the sea urchin with a knife.
00:56:51It's a sashimi.
00:56:54This is a waste.
00:56:55I cut it.
00:56:58I eat this.
00:57:00We are on a business trip.
00:57:03What are you doing?
00:57:05If you don't cut it, you will be found out.
00:57:08He cut it for me.
00:57:10You should eat it.
00:57:12He is Mr. Umezawa.
00:57:14Who do you think I am?
00:57:16I'm a sea urchin.
00:57:18At that time.
00:57:23What are you doing?
00:57:25Do you want to go to my store?
00:57:26Or do you want to borrow abalone?
00:57:28I'm not interested in your small abalone.
00:57:30You are a small abalone.
00:57:33What are you doing?
00:57:36What are you doing?
00:57:38I'm sorry.
00:57:39I'm always like this when I see you.
00:57:41What's wrong?
00:57:43The abalone was caught again.
00:57:45What?
00:57:46You should have told me earlier.
00:57:47You made a fuss.
00:57:49Wait a minute.
00:57:50What do you mean?
00:57:52The three-year-old fish was stolen.
00:57:55Damn it.
00:57:57It's a secret.
00:57:58Recently, I thought I couldn't catch abalone.
00:58:02Is that so?
00:58:04Damn it.
00:58:05Mr. Matsuo, please look at this.
00:58:09Only this fish farm can catch abalone.
00:58:12And this color, gloss, and size.
00:58:15It's definitely our abalone.
00:58:16We sell abalone that we caught for free.
00:58:19Before we get caught, we sell it.
00:58:21We don't leave any evidence.
00:58:23I've been raising abalone for 10 years.
00:58:26You can do whatever you want.
00:58:29Abalone has an unstable amount of fish.
00:58:32Abalone's children, Chigai, are generally kept by local fishermen.
00:58:37It takes about three years to prepare the environment for fishing.
00:58:43However, there are many predators such as crabs, people, and manakos.
00:58:47It takes less than half to catch abalone.
00:58:50I see.
00:58:51It's a great loss to live if you get greedy for abalone.
00:58:57I agree.
00:58:59Please, Mr. Kaipande.
00:59:01Please catch the culprit.
00:59:04I understand.
00:59:05I'll do my best.
00:59:07Do your best?
00:59:09I don't want to hear such vague words.
00:59:13I'll definitely catch you.
00:59:16You said it.
00:59:18Please keep your promise.
00:59:21I'll do my best.
00:59:24Don't be ridiculous.
00:59:25I'll definitely catch you.
00:59:27You're just doing whatever you want.
00:59:29Abalone is disappearing one after another from the fishing grounds.
00:59:32Abalone is stealing fish from fishermen.
00:59:35Recently, abalone and manakos have been stolen by fishermen from all over the country.
00:59:41Last year, there were 2,673 abalone thefts in a year.
00:59:47There are so many.
00:59:49In March of this year, about 1,750 kg of manakos were stolen.
00:59:54It was a loss of about 1.3 million yen.
00:59:57We went around the fishing grounds where abalone was stolen.
01:00:02Mr. Kudo, look at that.
01:00:05It's suspicious.
01:00:07Is that what Mr. Nishimoto said?
01:00:10I'm sure.
01:00:11Speaking of suspicious people, there are four people who have been sailing recently.
01:00:16They don't work on weekdays.
01:00:19They just fish.
01:00:22There are three people who are suspected of being fishermen.
01:00:26Let's check it out.
01:00:27Yes.
01:00:28He's got a fishing rod.
01:00:30So he's watching a suspicious fishing boat from a distance.
01:00:34What's going on?
01:00:37Are they really fishing?
01:00:39I'm sure it's not suspicious.
01:00:42It's been three hours.
01:00:44There's no suspicious movement.
01:00:48At that moment!
01:00:51It's moving.
01:00:57What is he doing?
01:01:00Is he a guide?
01:01:03There are often two roles in a fishing boat, a guide and an operator.
01:01:09The guide monitors the police's movements.
01:01:12If he is afraid of being caught, he will contact the operator in the sea.
01:01:16He will throw the evidence, such as fishing equipment, into the sea and avoid being caught.
01:01:23What kind of role is he playing now?
01:01:26But why did he go to the sea?
01:01:28It's easier to see if you look at it from the sea.
01:01:32I see.
01:01:33Mr. Kudo, keep watching.
01:01:36Yes.
01:01:38The guide monitors the police's movements.
01:01:42Is there an operator in the sea?
01:01:46He looks for the shadow of a rock.
01:01:51He's not here.
01:01:53Mr. Matsuo, they're coming back.
01:01:59What did he see?
01:02:01Is there any movement?
01:02:02No one is diving in the sea.
01:02:10Was it a misunderstanding?
01:02:12I don't know.
01:02:15It is necessary to dive in the sea to catch abalones.
01:02:19But no one is doing that.
01:02:23But!
01:02:25Did you steal abalones again?
01:02:27I was caught yesterday.
01:02:30Damn it!
01:02:32He's a fisherman.
01:02:34I've been watching him for a long time, but I didn't see him fishing.
01:02:38Maybe there is another fisherman.
01:02:41So he increased the number of investigators and strengthened the security.
01:02:46He has been monitoring the port and rocks near the fishing grounds from the sky with a drone.
01:02:56I don't see anyone suspicious.
01:02:59I've been watching the fishing boats, but there's no movement.
01:03:06Although there are fishing boats every day,
01:03:09there is no suspicious shadow of a fisherman diving in the sea.
01:03:14However, the abalone on the fishing ground continues to be stolen and the damage is magnified.
01:03:20How is the culprit fishing?
01:03:24Why?
01:03:26Damn it!
01:03:28We can't live like this.
01:03:31That's right.
01:03:33We've been investigating for a long time, but there's no evidence.
01:03:39Maybe...
01:03:41Excuse me.
01:03:43Excuse me.
01:03:51If that's the case, we're doomed.
01:03:57What the hell is that?
01:03:59No way.
01:04:01And we can't find any hidden cash in the national treasury.
01:04:09Although there is no suspicious shadow of a fisherman diving in the sea, the damage is magnified.
01:04:14How is the culprit fishing?
01:04:19If that's the case, we're doomed.
01:04:26A few days later.
01:04:30What?
01:04:32It's the smell of fish.
01:04:34I knew it.
01:04:36Kamichi, you bastard.
01:04:39Our friends are abalone?
01:04:41I haven't confirmed it yet.
01:04:44Has anyone been acting strange lately?
01:04:48Kamichi hasn't shown his face at the meeting at night.
01:04:53By the way, how is the fishing going?
01:04:56I don't know yet, but I want to check it out.
01:04:59Can you tell him that our security is weak tomorrow night?
01:05:05Yes.
01:05:10Oh, my God.
01:05:12I'm sure he's back.
01:05:15In each prefecture, there are detailed regulations such as the limit of the amount of fishing and the number of divers.
01:05:25Some people break such rules.
01:05:29I see.
01:05:30Is the culprit a fisherman?
01:05:38Mai, what are you doing here?
01:05:41Can I check that boat?
01:05:44Check it out?
01:05:46Why?
01:05:47Can I check it out?
01:05:52I got it.
01:05:58What is it?
01:06:01It's no good. There's nothing.
01:06:04We don't have any secret goods or tools.
01:06:08What are you doing?
01:06:09Kamichi, where did you hide the abalone you caught?
01:06:12Abalone? What are you talking about?
01:06:14Don't talk nonsense.
01:06:16Give it to me.
01:06:17Wait a minute. I didn't catch any abalone.
01:06:21I'm just doing night diving as a side job.
01:06:24Side job?
01:06:26I can't do it just for the fisherman's salary.
01:06:29So...
01:06:31I'm a diver on SNS and a night diving guide.
01:06:37What about the high-brand watch?
01:06:41It's popular because you can see beautiful sea lions around here.
01:06:44I made a lot of money.
01:06:46You did something suspicious.
01:06:49You're the one who suspected me.
01:06:51First of all, I'm sorry.
01:06:53Shut up.
01:06:54You're making money secretly.
01:06:57Well, well.
01:07:01What's wrong?
01:07:03Those guys...
01:07:04The fisherman...
01:07:06Isn't it strange that he's wearing such contact lenses?
01:07:09That's right.
01:07:10Huh?
01:07:11He's staring at us.
01:07:13Did we do something wrong?
01:07:15He's a good citizen.
01:07:17I'm pissed off.
01:07:20Say something. It's boring.
01:07:24Those guys...
01:07:27Damn it.
01:07:29I want to beat them up right now.
01:07:32But there's no solution.
01:07:35That's right.
01:07:38Let them be punished by the law.
01:07:44A group of fishermen who steal a large amount of abalone.
01:07:47But the only ones who are monitoring the fishing boat are the guards and drones.
01:07:56There's no sign of them going out and diving in the sea.
01:07:59How on earth did the culprit steal a large amount of abalone?
01:08:04He's confident that he won't be caught by us.
01:08:09What kind of trick is he using?
01:08:12How can we catch him?
01:08:14Think about it.
01:08:16Think about it.
01:08:26I see.
01:08:27I know the culprit's trick.
01:08:30Here's the top quiz.
01:08:32A group of fishermen who steal a large amount of abalone.
01:08:35What kind of trick is he using?
01:08:38Here's the hint.
01:08:42A group of fishermen who steal a large amount of abalone.
01:08:44What kind of trick is he using?
01:08:47The two fishermen, Gerardon, and Gerardon.
01:08:49They were very angry.
01:08:51They were very angry.
01:08:52They had a lot of emotions.
01:08:54The young people are annoying.
01:08:57I don't like them.
01:09:00There are police officers, but there are also fishermen who steal abalone at the same place.
01:09:06I think he's great, so I hope he can go somewhere else.
01:09:09The culprit who steals a large amount of abalone is...
01:09:12It's Hayao.
01:09:14Sakura?
01:09:15There is one fisherman who is a partner.
01:09:20Did he pay the fisherman directly?
01:09:24What is it?
01:09:25I'm going to get this.
01:09:32It's different.
01:09:33It's different.
01:09:34It's a little bit.
01:09:35It's Merle.
01:09:36It's a night-diving customer.
01:09:37I see.
01:09:38This is.
01:09:39I see.
01:09:40Is it different?
01:09:41It's different.
01:09:42It's good that it's different.
01:09:43It's good that it's different.
01:09:44It's not.
01:09:45Oh, my God.
01:09:46This crime won't end with one time.
01:09:48I see.
01:09:52It's difficult to pick up and dispose of, but a little further
01:09:57on, I have a little more time.
01:10:00I don't have time.
01:10:01Summarize it.
01:10:02I have time.
01:10:03Tanaka.
01:10:04There were only three people on board when the boat captured the picture.
01:10:09One is in the cockpit, but it is not.
01:10:12One is in the cockpit, but it is not.
01:10:15I'm in the cockpit, and I'm going to figure out what's going on under the sea and drop the submarine.
01:10:26And I'm going to do remote control.
01:10:28This is...
01:10:32Robot arm day!
01:10:33No, no!
01:10:34I was wrong.
01:10:35I'm embarrassed.
01:10:37Orin-chan.
01:10:38I was worried that there were only three people when I was fishing.
01:10:42Only one person was in the water.
01:10:44I was fishing, but I was caught in a bubble.
01:10:47I'm proud of myself as a fisherman.
01:10:49This is...
01:10:52I happened to be caught.
01:10:54No, but...
01:10:56That means...
01:10:57There are only three people.
01:10:58One person did something.
01:10:59That's right, that's right.
01:11:00I think I'm going back to the ship.
01:11:02I made a hole in the bottom.
01:11:05I opened it and closed the lid.
01:11:08This is...
01:11:09I'm going to sink.
01:11:13Break through!
01:11:16Wait a minute.
01:11:17I broke through!
01:11:19Let's take a look at the moment of breaking through.
01:11:21How on earth did Michiryo steal the abalone?
01:11:32That's how it is.
01:11:34Look at this.
01:11:37As expected of a three-year-old.
01:11:38It's a big one.
01:11:39I see.
01:11:42It's the police.
01:11:43What?
01:11:44The fishermen stole the abalone that they caught in the hand.
01:11:48Michiryo is under arrest.
01:11:51Wait.
01:11:52I won't let you go.
01:11:53Let go of me.
01:11:56What on earth is going on?
01:11:59This is a bold idea.
01:12:01It's like a movie.
01:12:03And it's a big hit.
01:12:04It's a national hit.
01:12:09Michiryo stole abalone.
01:12:11But how did he do it?
01:12:13When I was fishing, I remembered that I couldn't see anyone.
01:12:17There was an entrance here.
01:12:19So I stole the abalone.
01:12:25That's right.
01:12:26Michiryo created a convenient entrance so that people could pass under the boat.
01:12:33From there, one of the crew members went into the fishing boat without touching anyone.
01:12:38He stole the abalone.
01:12:42Even if you make a hole in the bottom of the boat, there is no fear of diving if there is a cannon around it.
01:12:48He used the structure of the boat well.
01:12:52This is a bold crime.
01:12:55It's a strategy that's supposed to be under surveillance.
01:12:59It's like a spy movie.
01:13:04I didn't expect this.
01:13:06Is it a hint to steal abalone?
01:13:08That's right.
01:13:09I see.
01:13:10That's it.
01:13:11That's right.
01:13:12That's it.
01:13:15As expected of KAIPANDE.
01:13:17Thank you.
01:13:18No, it's thanks to everyone's trust.
01:13:21You're too shy.
01:13:23Where is NISHIMOTO?
01:13:24He went to bed late last night.
01:13:26Did he go to bed late?
01:13:28I can't believe it.
01:13:31He's doing it.
01:13:32I knew it.
01:13:34I won't forgive him.
01:13:37Next is TOPPA KOKUZEIKYOKU.
01:13:39It's a game where the air stairs reveal the corruption in the world.
01:13:42It's over.
01:13:45Next is TOPPA KOKUZEIKYOKU.
01:13:49It's a game that reveals the evil tax evasion of the strongest tax authority in the world.
01:13:56Let's go.
01:13:57Next is TOPPA.
01:14:01It's cool.
01:14:02It's a hidden treasure.
01:14:03I like this opening.
01:14:06This is a story of TOPPA KOKUZEIKYOKU, which aims for an enemy-friendly and fair world by eliminating the evil tax evasion.
01:14:20Next is TOPPA.
01:14:25I am Shota Suzuki.
01:14:27I am KOTA MIZUKAWA.
01:14:30I am in charge of the investigation team.
01:14:33I am KIMU SHIRIO.
01:14:37I will use the power of the investigation team.
01:14:43It's been a long time.
01:14:47I'm looking forward to it.
01:14:50Welcome to RYO-CHO.
01:14:53Thank you.
01:14:55RYO-CHO.
01:14:58RYO-CHO is an organization that investigates all kinds of tax evasion.
01:15:09RYO-CHO is an organization that investigates all kinds of tax evasion.
01:15:19RYO-CHO has a high level of investigation and mobility.
01:15:24RYO-CHO is also known as the strongest tax evasion organization.
01:15:29It's cool.
01:15:31Why am I in charge of the investigation team?
01:15:36What's wrong?
01:15:37Are you unhappy?
01:15:38No.
01:15:40RYO-CHO is an honorable organization.
01:15:44Why am I in charge?
01:15:46I don't know.
01:15:48Did you want to increase the number of people?
01:15:52Even if the department changes, there is one thing we will do.
01:15:55We will correct the evil tax evasion.
01:16:00Yes.
01:16:02The first thing they noticed was. . .
01:16:08This house.
01:16:09It's different from the investigation team.
01:16:11Do it well.
01:16:13Yes.
01:16:15This person. . .
01:16:20Who are you?
01:16:22I am a data investigator from the Department of National Taxation.
01:16:25National Taxation?
01:16:26I was asked to investigate the tax of the corporation you run.
01:16:31Can you help me?
01:16:33What are you talking about?
01:16:35If it's tax money, I'll pay it.
01:16:37Tax money, consumption tax, and income tax.
01:16:42Is it all the king?
01:16:45So. . .
01:16:46I told you I paid it.
01:16:48Then. . .
01:16:49There is no reason to refuse this investigation.
01:16:53Or. . .
01:16:55Is it bad if you are investigated?
01:16:58If you say that.
01:16:59I understand.
01:17:02Hurry up.
01:17:04Okay.
01:17:05Let's go.
01:17:06Yes.
01:17:09You can go even if you don't have a license.
01:17:12It is one of the three major duties of the people to maintain and develop this country.
01:17:19However, there are many people who work to prevent it and try to escape from that duty.
01:17:25The strongest organization, RYO-CHO, is in charge of the evil tax evasion.
01:17:30What is their unknown back side?
01:17:35This is the calculation book your company submitted to the tax office.
01:17:39In the past few years, sales have increased, but profits have been sideways.
01:17:44Don't you think it's strange?
01:17:46I don't think so.
01:17:47Recently, the price of materials has been soaring.
01:17:51It's like the price of something is going down.
01:17:54Even so, I think it's unnatural that the price of raw materials has increased by 20%.
01:17:58I can't help it.
01:18:00So. . .
01:18:01Should I cut off the iron bone?
01:18:04To be honest,
01:18:07I have a suspicion that the company is pooling some of the profits and holding back the tax.
01:18:12I have a suspicion that the company is hiding the income.
01:18:15Is there any evidence?
01:18:19Well, look it up as much as you like.
01:18:22Because nothing comes out anyway.
01:18:26It's suspicious.
01:18:27It's suspicious.
01:18:29Taxes depend on the profits from the company's sales.
01:18:34In this case, when reporting to the tax office,
01:18:37by showing more taxes than the actual amount, the profits are compressed.
01:18:41By reducing the amount of tax on the company, the amount of money saved without paying
01:18:45is transferred to the president's own pocket along with the fake tax.
01:18:50The total amount is estimated to be about 100 million yen.
01:18:54This is good.
01:18:55In this investigation,
01:18:57the purpose of the investigation is to find evidence of fraud,
01:19:01and to get the right amount of tax paid.
01:19:05But where is this house?
01:19:10Excuse me.
01:19:11Can I check the back of the sofa?
01:19:14What?
01:19:17Here you are.
01:19:20It's in a place like this.
01:19:22It's amazing.
01:19:26Excuse me.
01:19:28Can you show me the back of the picture?
01:19:30Sure.
01:19:31Previously, there was a safe hidden behind Kaima.
01:19:36A hidden safe.
01:19:37Here you are.
01:19:41No abnormalities.
01:19:43Can I check this?
01:19:46Yes.
01:19:52It's in a place like this.
01:19:53It's a big house.
01:19:54It's big.
01:20:01Excuse me.
01:20:02Can I check the bottom of the carpet?
01:20:06Sure.
01:20:11There is no hidden safe.
01:20:25What?
01:20:26It's suspicious.
01:20:31What?
01:20:32It's just a hot coffee.
01:20:43It's coffee.
01:20:44Yes.
01:20:47What?
01:20:48I don't like the fake tax.
01:20:51I don't like the fake tax.
01:20:53It's suspicious.
01:20:54Maybe he is hiding the cash by changing it to cash.
01:20:58He is checking every nook and cranny.
01:21:01It's hard.
01:21:03It's impossible.
01:21:04I don't know what he is doing.
01:21:06Cash is a small amount of cash that can be changed to cash at a bank.
01:21:11It's a good way to hide the assets.
01:21:17I see.
01:21:18I have a question.
01:21:20Mr.Kanamori.
01:21:22The number of employees has increased a lot in the last few years.
01:21:26But the number of employees hasn't changed.
01:21:29Isn't it hard for the employees to increase the number of work?
01:21:36Do you know that?
01:21:39Are you a man of labor standards?
01:21:43The sales are more important than the employees.
01:21:46You are a typical president of Zenigeba.
01:21:49He is obsessed with money.
01:21:52So he often hides money in his own place.
01:22:04There is nothing in the dining room.
01:22:09There is nothing in the dining room.
01:22:12There is nothing suspicious.
01:22:17It's strange.
01:22:19There must be something.
01:22:22Think about it.
01:22:24Think about it.
01:22:27Really?
01:22:29Yes.
01:22:30I don't like this.
01:22:38I see.
01:22:40I will give you a special quiz.
01:22:44What is the place to hide the evidence?
01:22:49The hint is this scene.
01:22:53It's just a bug.
01:22:55The elite is waiting here.
01:22:57What is this?
01:22:59The culprit is a bug.
01:23:01Hey, run away.
01:23:03Don't touch your precious friends.
01:23:06September 19th at 7 p.m.
01:23:08The movie is to be released tomorrow.
01:23:12The main character is a murderer.
01:23:15He is a murderer.
01:23:17He is a murderer.
01:23:20I am a lawyer.
01:23:22I am a lawyer.
01:23:25Please watch the movie.
01:23:29What is the place to hide the evidence?
01:23:33He is a comedian.
01:23:35He is a comedian.
01:23:37He is a comedian.
01:23:39He is a comedian.
01:23:42If it's a lot of cash, I can hide it anywhere.
01:23:52Can you find it?
01:23:54What is the place to hide the evidence?
01:23:58The place?
01:24:01It's a green hand.
01:24:04It's the same color as the tatami mat.
01:24:06He is folding in the tatami mat.
01:24:09It's amazing.
01:24:14It's different.
01:24:16It's strong.
01:24:18He was wearing a polo shirt.
01:24:21It's the back of the collar of the polo shirt.
01:24:23It's a hand.
01:24:25It's a hand.
01:24:28It's different.
01:24:31It's not behind the picture.
01:24:34It's in the frame.
01:24:37It's a hand.
01:24:42It's different.
01:24:45It's a hand.
01:24:47It's a hand.
01:24:49It's a hand.
01:24:52It's a hand.
01:24:56It's different.
01:25:00When I saw Nakanishi, I saw a statue.
01:25:04He was holding it in his hand.
01:25:06I noticed that.
01:25:11He wasn't holding it.
01:25:13I saw it twice.
01:25:17Tanaka.
01:25:19When he was on the carpet, his wife's acting was unnatural.
01:25:25When I looked at the front of the carpet,
01:25:27it was a hand.
01:25:29It's a hand.
01:25:35It's different.
01:25:39He was holding a cup of hot coffee.
01:25:42It was this thick.
01:25:45When I looked at it from above, it was very thin.
01:25:49When I pulled it out,
01:25:51there was a hand around it.
01:25:53What is this?
01:25:58It's a hand.
01:26:00It's amazing.
01:26:02It's amazing.
01:26:03It's a big hand.
01:26:04It's a hand.
01:26:05Let's take a look at the moment it broke through.
01:26:07How did he hide the hand, which is the proof of his innocence?
01:26:12The hand is in the cup.
01:26:20Can I take a look at this cup?
01:26:25There's only coffee in it.
01:26:27You saw it earlier.
01:26:29Yes.
01:26:30But I'm curious.
01:26:32Can you show me what's inside?
01:26:35Show you what's inside?
01:26:42What?
01:26:50He took it out.
01:26:56Can you shake it up and down?
01:27:05There's a sound.
01:27:07There was a sound.
01:27:09Can I take a look at it?
01:27:14Go ahead.
01:27:18There's a gap.
01:27:22What is it?
01:27:39What's in there?
01:27:43In the 7th episode of Dodora 10,
01:27:45the real culprit who killed the former president will be revealed.
01:27:49And the truth about Mitsuko's sister's death will be revealed little by little.
01:27:54There will be a lot of developments that we can't take our eyes off,
01:27:58so please watch it at 10 p.m. on Saturday, the 7th.
01:28:02How did he hide the hand, which is the proof of his innocence?
01:28:10What?
01:28:15From this place...
01:28:19This is...
01:28:21Is this a hand?
01:28:26He has a strange cup.
01:28:30Is this the real magic cup?
01:28:33I can't believe it.
01:28:35Wow.
01:28:39Yes, the magic cup has a double structure for protection.
01:28:43In this case,
01:28:45he hid his hand in the vacuum area between the inside and outside of the cup.
01:28:51It's a trick that you wouldn't notice from the outside.
01:28:55I saw him drinking coffee from the magic cup without hesitation,
01:28:59and I thought,
01:29:01if it wasn't a vacuum, I couldn't protect it.
01:29:05Was it difficult?
01:29:06I see.
01:29:08He went all the way there to find a way out.
01:29:11This is also the truth, isn't it?
01:29:13Yes, it is.
01:29:14I thought, there are people who really hide their hands.
01:29:17I found it well.
01:29:19I couldn't imagine it at all,
01:29:21but I thought,
01:29:23this program has become a great greed.
01:29:26It was like watching a drama.
01:29:29It was so cool and interesting.
01:29:31I want to watch it again.
01:29:33As a drama.
01:29:36Damn it!
01:29:38Oh, he ran away.
01:29:48Where are you going?
01:29:50Even if you run away, it won't solve anything.
01:29:54What kind of company are you aiming for?
01:29:57It's stupid to report honestly.
01:30:01Honest people are stupid.
01:30:03There is no reason to say that there is such a society.
01:30:06Cool.
01:30:07You have to pay the fine with the penalty.
01:30:11Cool.
01:30:12Damn it!
01:30:14After this, the man was promoted to the new chief of staff.
01:30:18In addition to the deficiencies, he had to pay a heavy tax on chemical products.
01:30:22I see.
01:30:23And next time.
01:30:24The total sales of the group is 1 billion yen.
01:30:27The profit is 50 million yen.
01:30:30It's an exquisite line.
01:30:32It's black.
01:30:34The amount of sales and receipts are exactly the same.
01:30:38If you apologize,
01:30:40I will definitely drop it.
01:30:43Here you are.
01:30:45Thank you very much.
01:30:47I want to see the movie.
01:30:50Next, we will introduce the breakthrough technique.
01:30:54In this corner, we will introduce the breakthrough techniques that have been solved in a flash.
01:31:01Thank you very much.
01:31:02If you want to introduce the breakthrough technique, please come here.
01:31:06It is decided by Uchimura alone which one to give as a gift.
01:31:12First of all, there is a problem with the barbecue.
01:31:16The paper plate flew away because of the wind.
01:31:18This is common.
01:31:20I like barbecues and camping.
01:31:23Have you ever had a paper plate fly?
01:31:24I have experience.
01:31:25The sauce spilled.
01:31:29The paper plate flew away again.
01:31:32What kind of situation is this?
01:31:34This is an old paper plate throw performed by TAKUMI KITAMURA as a vocalist.
01:31:40He is doing a paper plate throw.
01:31:41The problem is that the paper plate flies away due to the wind.
01:31:44It was solved with a breakthrough technique.
01:31:46It means that you don't let the food fly away.
01:31:48You always have something.
01:31:50You don't make it light.
01:31:52You always keep eating.
01:31:54You may have hit the paper plate.
01:31:55This is a plate.
01:31:57The wind hits here.
01:31:59You don't have to do this.
01:32:01Make it as flat as possible so that the wind doesn't hit it.
01:32:06How do you make it flat?
01:32:07I hit it as hard as possible.
01:32:11Here is the breakthrough technique.
01:32:14Wet the bottom of the paper plate with water.
01:32:17If you wet it with water, it won't fly away.
01:32:20There is a video, so please take a look.
01:32:23Wetting the bottom of the paper plate with water increases the strength of the surface.
01:32:28The wind is stronger.
01:32:30It doesn't move at all.
01:32:31Just wet it.
01:32:32It's easy.
01:32:33You can wet it a little before you start using the plate.
01:32:37I thought it was very good.
01:32:39It's a paper plate, so it's a technique you can do.
01:32:41Do you often have a barbecue?
01:32:43I don't do it at all.
01:32:50I envy you.
01:32:51I don't do it at all.
01:32:53Uchimura-san, please judge.
01:32:59Melange.
01:33:01Congratulations.
01:33:03And when you sleep, there are many people who put towels on pillows to prevent dirt and smell.
01:33:08This is a problem unique to this season.
01:33:11The towel on the pillow has come off again.
01:33:14It's a hassle to fix it every day.
01:33:16If you sleep on the bed, the towel on the pillow will fall off.
01:33:22I don't pull the towel.
01:33:24My uncle pulls it.
01:33:26I'm pulling it.
01:33:28You don't wash the pillow cover every day, do you?
01:33:30It's hard.
01:33:31I wash the towel every day.
01:33:33I found the culprit who removed the towel.
01:33:35I'm glad you found the culprit.
01:33:36It's a hedgehog.
01:33:38It's cute.
01:33:39It's a hedgehog that is very attached to towels.
01:33:43There is a video of it.
01:33:45It's cute.
01:33:47He always plays with the owner of the house.
01:33:50It looks strong.
01:33:51It's cute.
01:33:53The towel on the pillow will come off soon.
01:33:56I solved the problem with a breakthrough technique.
01:33:59It came out with a rubber band.
01:34:03I fixed both sides.
01:34:05Can't I sew it?
01:34:08I sew only two places.
01:34:10You temporarily fix it.
01:34:12Here is the breakthrough technique.
01:34:14I put a T-shirt on the towel.
01:34:18If you put a T-shirt on it, it won't come off no matter how many times you hit it.
01:34:22Let's try this.
01:34:24I used to do this.
01:34:27It's warm and comfortable in winter clothes.
01:34:34There is a lot of variation.
01:34:36I used to do this.
01:34:37Please give me a score.
01:34:43It's a big apple.
01:34:46Congratulations.
01:34:48When I went to see the live performance, I had a problem.
01:34:51I was able to remove a lot of silver tape.
01:34:54If you take it home, it will be wrinkled.
01:34:58There is a silver tape.
01:35:00I want to take it home as a memory.
01:35:08My friend collects silver tape.
01:35:10There is a lot of silver tape in the drawer.
01:35:13It's wrinkled again.
01:35:15It's wrinkled.
01:35:17What's wrong with this?
01:35:18The children in the nursery are having fun playing with toilet paper.
01:35:21After playing, it is effective for cleaning.
01:35:25It's not useless.
01:35:26The silver tape is wrinkled.
01:35:29I solved it with a breakthrough.
01:35:32It's like a core.
01:35:36Do you have a core?
01:35:37I don't have a core.
01:35:39Do you have a core?
01:35:41It's like a stick.
01:35:44Do you always have a core?
01:35:46You don't have to blame me.
01:35:48That emcee is scary.
01:35:51I put it together and tie it.
01:35:53I put it on the string of my bag.
01:35:56I make it fashionable.
01:35:58Do you often go to concerts?
01:36:00I don't go at all.
01:36:05I don't go out of the house.
01:36:07This is the breakthrough.
01:36:10I wrapped it in a receipt.
01:36:12I think this is good.
01:36:13If you wrap the tape in a receipt, you can bring it home without a crease.
01:36:20It's a receipt.
01:36:22It's a receipt that you don't need in your wallet.
01:36:26It's cute.
01:36:27If you bring it home like this, it won't get in the way.
01:36:30It's compact, so I'll try it.
01:36:32Uchimura-san, please judge.
01:36:38Is it okay to stop?
01:36:43Thank you for watching.
01:36:45Please subscribe and like.