Coronation Street 6th September 2024
Coronation Street 6th September 2024
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00:00Here you go, Ken. One soft-boiled egg.
00:26I'll get your soldiers for you.
00:30Talk about the life of Riley.
00:32Don't be expecting this when you're mended.
00:34Do you want me to lob the scalp off for you?
00:37Would you? Yeah.
00:39A, that was some barney you had with the footballer's wife yesterday.
00:43Erm, A, my wife.
00:45B, private call.
00:47Private call, the way you were shouting.
00:49Surprised the whole street didn't hear you.
00:51More fighting.
00:53I'm sorry, Ken, I know she's your daughter,
00:55but she's got some brass neck on her, that one.
00:57It's got to be true. I'll try and keep it civil.
00:59Thank you. Right, you get stuck into that
01:01and I'll make you a freshly-brewed coffee.
01:03You're very kind.
01:05So, erm, do you get a pedicure after brekkie,
01:09or does that clash with the massage?
01:11I shall miss her when she's gone.
01:13Yeah, I bet you will. You'll have to read that gazette on Ireland.
01:16I mean, all this is very nice, but the company is so special.
01:20You know, someone to talk to who isn't dashing off to work
01:23or getting off somewhere else.
01:25Are you getting all this? You're going to get a five-star review off him
01:28for your carers are us app.
01:31Very grateful, thank you.
01:33Anyway, I'm off.
01:35I'll try and take you for a pint after work, Kenneth,
01:38if I can manage it.
01:40I'm sure you'll need it after all the, er,
01:42hard graft you've been doing this morning.
01:49I've enjoyed it all as well, Ken,
01:51but let's be honest, you're well on the men now.
01:54You don't really need me any more.
01:56My case in point.
01:58I don't want to be a burden to Steve or Amy,
02:00not thinking they have to squeeze me in
02:02for something as trivial as a drink or a walk.
02:05Or what you're saying?
02:07Well, my body may have healed itself,
02:10but it needs a much stronger cure for loneliness.
02:15How would you feel about extending our arrangement?
02:22Oh, hiya.
02:24Hi, Miss Connor.
02:26How do you manage to make even that sound so OK?
02:29Practice.
02:30What are you two gossiping about?
02:32Just having a coffee with my mum, if that's OK with you.
02:35Coffee at your age?
02:37What were you drinking at my age?
02:39Let's draw a veil over that, shall we?
02:41Bye, boomers.
02:42Hey, you, I'm Gen X, me.
02:46Sorry about that.
02:47It's all right, we're used to it.
02:49Yeah.
02:50Me too, unfortunately.
02:54Listen, thanks again for talking to her yesterday.
02:57Yes.
02:58Oh, here we go.
03:00Who is it?
03:02A college.
03:04Hello?
03:05Just keep it to yourselves, yeah?
03:06Well, I'm not comfortable lying.
03:08Have a laugh.
03:09You tell everybody you wear size five shoes.
03:13Shut up, David, it's not funny.
03:15I had Leanne crying on my shoulder yesterday.
03:17OK, look, we just want Sam to hear from us,
03:19not tittle-tattle us all on the street.
03:21I don't tittle-tattle.
03:22Again, another lie.
03:23Oh, shut up.
03:24Make yourself useful, take that to Carla.
03:26She hadn't ordered one?
03:27No, it's for my sake, not hers.
03:29Go on, off you go.
03:32And what about Lily?
03:33You know she's got a right gob on her.
03:35Yeah, but they don't rock around together, do they?
03:37Oh, they walk home from school sometimes, don't they?
03:39There's a coffee there.
03:41Do you work here now?
03:43No, I'm a day off, but, you know, I help out where I can.
03:46Bit like that, then.
03:47Hey, have you put something dodgy in this?
03:50No, I wish I hadn't bothered.
03:52Yeah, I'll talk to her, thanks for letting me know.
03:54Right, bye.
03:56So?
03:57She hasn't been going in.
03:59What, at all?
04:01No.
04:02I mean, I even dropped her off there yesterday.
04:04What has she been doing?
04:05Well, the odd thing about her coming to the factory
04:07is that she's working round her free period.
04:09Yeah, well, from the sounds of it,
04:11she's been on a free period since term started.
04:14No answer.
04:16You're not going to leave her a message?
04:18Nope.
04:19This is one conversation that needs to be had face-to-face.
04:23So when you see a traffic stop on a US cop show,
04:26the copper will touch the back of the car or the side.
04:29You see, it leaves fingerprints, see?
04:31So if you decide to drive off or change the plates,
04:33the fingerprints will still be on the back of the car
04:35to identify the vehicle.
04:37I know.
04:38I try and do it and all, just pretend I'm on the wire.
04:42Brilliant.
04:44He loves your police stories.
04:46I mean, it's all these reruns of the bill that he's watching.
04:51Ha. Ha.
04:53It sounds dead sarky on that vocoder thing.
04:56It's a voice synthesiser.
04:58A vocoder's what Cher uses.
05:04I'll take it.
05:07It's good of you to pop round.
05:09Well, the joys of shift work.
05:12I wondered if you needed anything.
05:14Yeah. No, we're all right, aren't we?
05:17Although he could do with a haircut.
05:20You are looking a bit shaggy, Apollo.
05:22It's funny, all the boring little things that you take for granted.
05:26Dentists, haircuts.
05:30All seems pretty impossible when you're confined to barracks.
05:34Yeah, someone managed to get Billy out for a walk yesterday,
05:37but he's pretty reluctant.
05:39Oh, could you get her to come here and take him out for a walk?
05:42Why? What have I done?
05:43Same thing as you do whenever you've got a day off.
05:45You hang around here getting on my wick.
05:47Actually, I was meant to go out for a few drinks with Billy,
05:50but never materialised. Shall I text him?
05:52Yeah, that'd be great.
05:53Yeah. Doing my world of good.
05:55Look, let me know how you get on and I'll tag along.
05:57Yeah, yeah, sure.
05:58Thanks, David.
05:59Yeah.
06:00See you.
06:01See you later, love.
06:02See you.
06:03See you later, love.
06:05My good deed for the day.
06:07You haven't done anything yet.
06:09What's the difference between a res and a sultana?
06:12I'm not in the mood for jokes.
06:14No, I'm not joking.
06:15I actually want to know more about Eccles case.
06:17Forgive me for taking an interest in your work.
06:20Hiya.
06:21Hi.
06:22You all right?
06:23No, not really.
06:24Stayed in a hotel last night.
06:26Didn't get a wink of sleep.
06:27What a waste of money, that was.
06:28Well, if it's any consolation, Nick's really upset now.
06:31Yeah, well, at least he got to stay in his own bed.
06:33David, can I have a word?
06:35Please, take him. Lock him up, I beg you.
06:37Yeah, sure.
06:40Nick was in earlier.
06:42Saying what?
06:43Asking us to keep it on the DL about him and Toyah.
06:47He's more concerned about his good guy image than he is about me.
06:50Hey, I'm team you, but in fairness, I do think he's just trying to protect Sam.
06:54Yeah, well, maybe he should have thought about that before he dropped his wife once.
06:58You know, I don't understand why it's you who has to stay in some poxy room.
07:02You've done nothing wrong.
07:03If this was me, I wouldn't be going into hiding.
07:06I'd be plotting my revenge.
07:11There you are.
07:12What are you thinking of?
07:16You made it.
07:20That's really kind of you.
07:21Thanks, David.
07:22Wow, Kit's idea.
07:24Well, you did all the work.
07:26Look, I'll pay you something.
07:28Don't be daft.
07:29I'll tell you what, though.
07:30Why don't we have those jars that we arranged, remember, ages ago?
07:33You can get me a pint or two.
07:35No, I can't.
07:38You can.
07:40See?
07:41And I've nothing else planned today except bugging Shona for a bit.
07:44And I fancy a bit of a lot.
07:45Well, Bernie's working this afternoon.
07:48He shouldn't finish till six.
07:49Oh, I can hang on till then, mate.
07:52I can't. It just wouldn't feel right.
07:56Go, you big wuss.
07:59See? Do as your husband says.
08:02Listen, I'll tell you what.
08:03Why don't you sort yourself out here and then meet me over at the bistro?
08:06We can kick off there.
08:07Plus, I get free olives.
08:09Cos I'm family.
08:10I'll see you.
08:11See you.
08:15I must say, this is a first.
08:19What, lunch at the bistro?
08:21No, you paying.
08:24What's the catch?
08:25There's no catch.
08:26I just thought it'd be a nice chance to have a chat about work and stuff.
08:31What do you mean, work and stuff?
08:33Oh, good old-fashioned chit and wag.
08:35Oh.
08:36I mean, the big boys in the news ages ago might call it a performance review.
08:41A performance review?
08:43A performance review?
08:45Who do they think I am, Elaine Page?
08:50Shut up!
08:52Sorry.
08:53Sorry.
08:54Lunch for two, is it?
08:56Actually, it's a performance review.
08:59All right, well, in that case, I'd better get you a couple of menus.
09:02Oh, we've got a great deal on the shabbily today.
09:04Bring the bottle.
09:05I'll be drinking.
09:07Do you need a hand with anything?
09:09No, I've got everything sorted, Tom.
09:15You could say that.
09:18I've not been here before.
09:20Have you not?
09:21I usually avoid it in the mornings.
09:23It's got all the people here, you know, on the laptops,
09:25with those ear-buddy things, just chatting away, drinking water.
09:29I don't know how she turns over a profit.
09:31My local's the same.
09:32Looks more like a call centre than it does a wine bar.
09:35And people are weird, aren't they?
09:37Aren't they just?
09:39Oh, we've spent so much time gassing,
09:42I've not even shown you our price list.
09:45Can I show you some samples?
09:47Or shall we just keep slagging people off?
09:50Let's do both.
09:53Gentlemen.
09:55Always.
09:58Do you feel this process has been a two-way street?
10:01Yes.
10:02Next.
10:05Do you feel like your gender identity
10:08is respected by your co-workers?
10:12My what?
10:14Your gender identity.
10:16I haven't time for gender identity.
10:18I'm up at Five Foot Papers.
10:20Who writes these questions?
10:22It's just a form I downloaded.
10:23I mean, it's supposed to be very witty.
10:25Well, I don't understand the questions,
10:27let alone the answers.
10:29Next.
10:31Where do you see yourself in ten years' time?
10:35Where do you see yourself in ten years' time?
10:41Ah, Nick.
10:43I'm glad you texted.
10:46Well, what's that?
10:52Do you like what I've done with the place?
11:06Oh, I had no idea.
11:09Poor Lia.
11:11Yeah, go on, tear them all down.
11:13I'll just stick more up.
11:15Lia, fly on the wall at her next performers' reunion.
11:18Right, everyone, we're going to close early, OK?
11:21Your bills are on us for the inconvenience.
11:24It's a result.
11:25No, it isn't.
11:26I didn't get my food.
11:28So, come on, we're going somewhere else.
11:30Because you haven't heard my performance.
11:33You haven't heard my performance review of you.
11:37Yet.
11:43Hello, Luke.
11:44Oh, hi.
11:47Isn't it a bad time to book a table?
11:59Should be all sorted.
12:01Yeah, he's asleep.
12:02And Bernie will be here in a bit, so...
12:04David's just texted.
12:05He said that the bistro's closed,
12:07so they've been trying to find somewhere else.
12:10Tom's going to come on off.
12:12Right, cool. Let me know where you are.
12:16Billy, I've seen enough situations like these
12:19to know what a straining can be for the carers.
12:22You need to let off some steam.
12:24You know, you'll be more used to Paul once you have done.
12:27Go. That's an order.
12:29Oh, thanks, Kit. This really means so much.
12:34I really do need a drink.
12:45Look, I know you're upset.
12:46Do you? Really?
12:49My sister, Nick.
12:51My sister.
12:53What's this? Reinforcements?
12:55Old age.
12:56I didn't call her.
12:57I did.
12:59I felt it on your face,
13:00and it's how it's her face that's splashed everywhere.
13:02You can do one and all.
13:03I don't even know what you're hanging around for.
13:05Looking after kitchen knives.
13:06You're all right. I've got it from here.
13:07Look, just sort it out, all right? All of you.
13:10I mean, stuff happens,
13:11but it's how you deal with it that matters.
13:18Can we talk about this properly?
13:19Just go away. Lee, please.
13:21I said go away!
13:22And by the way, you're sacked.
13:25How can I make this right?
13:28You're so deluded.
13:30It's not just us, is it?
13:32Sam, the flat, this business.
13:36I know you want to burn it all down right now.
13:38Oh, don't tempt me.
13:41I'm going to go to the flat. I need to pick up some stuff.
13:45I'm so sorry.
13:47Yeah, so am I.
13:54You're naughty. You shouldn't have got that, you know.
13:56Oh, it's a pleasure.
13:57Much more fun than my usual business meetings.
14:03Well, I'll be in touch about the order, all right?
14:06Are you coming?
14:08No, I think I'm just going to sit here on my phone,
14:10talking really loudly to everybody in my business.
14:15See you.
14:16See you.
14:25Hi, Joel.
14:26Ah, Carla.
14:29Are you a client of his?
14:32What? What's going on, is it?
14:34Is it rape? Murder?
14:36Cos he does both.
14:37He's very multifaceted.
14:41Ignore her.
14:42Grudges are pretty commonplace in my line of work.
14:44No, he's good at his job.
14:46I mean, he's actually been off of GBH himself, you know,
14:49so he can kind of see the perspective from both sides.
14:52Lauren, Bolton,
14:54you must have read about it in the papers.
14:56It was all over the place.
14:57I'll call you. Excuse me.
14:59Yeah, and that's just one of the girls we know about.
15:02He's a dark horse, really.
15:03Right, Joel?
15:07Don't mess with me, Carla.
15:08Hmm?
15:11I think your manager's dead.
15:13And you just sat there,
15:15like the cowardly little nobody you really are.
15:18I'm warning you.
15:19You're warning me what?
15:22What do you mean?
15:23What are you going to do?
15:25Beat me after death with a chair leg like you did Lauren?
15:28Tell me what would be best, please.
15:30She's just had the place refurbished.
15:32Excuse me, waiter.
15:33Get the check for this woman-beater.
15:35Or are you staying for coffee?
15:41No, thanks. I'm all set.
15:43Yeah, plain and simple.
15:45No, thanks. I'm all set.
15:47Yeah, playing hard to get, are we?
15:49That's all right. I'm a hard worker.
15:51I don't mind a challenge.
15:53Yeah, let me just...
15:54You all right, bro?
15:59OK, you OK? Yeah.
16:00Don't panic.
16:06White mouth.
16:07White mouth.
16:09See, I was paying attention when Bernie did this before.
16:13Right.
16:14No blockages.
16:28Right, OK, mate. I'll be with you in a second.
16:32Right.
16:38OK. OK.
16:39OK.
16:42Mask over the mouth, yeah?
16:45Strap over the head.
16:47OK.
16:48Let's get these tied up.
16:51OK.
16:52And on there.
16:53Right.
16:56All right, mate.
16:57Let's get on there.
16:59OK.
17:00OK.
17:01Right.
17:02Some nice deep breaths, mate.
17:09Right.
17:20All right?
17:21Well, I was.
17:22Been shopping?
17:24It's food for your dad's tea.
17:26I can see you're far too busy.
17:28Well, it's what you paid for, isn't it?
17:30Amongst other things, yeah.
17:32Yeah, I imagine Steve's enjoying all the little extras.
17:36Sorry, can I just get in there a minute?
17:40I'd offer you one, but I know you've had your...
17:45..various problems.
17:47I don't care what you think about me.
17:49I'm here for your dad.
17:51Where is he now?
17:52He's at the rovers next door with Steve.
17:55I nipped back to do his tea for him.
17:57Bet that was a bit awkward, with my dad there, playing third wheel.
18:01I popped in to ask him what he wanted for his tea,
18:03if that's all right with you.
18:05I've seen the way you look at Steve.
18:07I bet you can't wait to get your claws into him.
18:10Or has that happened already?
18:12You couldn't be more wrong.
18:14Business owner, bit of cash in the bank, somewhere to live.
18:17It'd be like winning the lottery for you, that, wouldn't it?
18:19If you're so worried about Steve, why don't you try talking to him, eh?
18:23Rather than being snide with me.
18:25He's been great with your dad and your daughter.
18:27Oh, you've got it bad, coming to the defence of my husband.
18:31I see what I see.
18:33Look, I'm only going to say this once.
18:36There is nothing going on between me and Steve.
18:40Apart from the fact that we both care for your dad.
18:43It's a completely professional relationship,
18:45and I would never cross that line.
18:47Now, just as a common courtesy, your dad and I have had a little chat.
18:52And we're talking about me staying on after he's better.
18:55To do what?
18:57To keep house for him.
18:59To keep him company, to walk with him.
19:01You might not like me, but your dad does.
19:04Tracy, I'm not your enemy.
19:08I'm your best friend.
19:10Because I'm doing all the things that you should be doing
19:13while you do all the things that you want.
19:22Hi, lads.
19:24Everything OK?
19:26Yeah.
19:28Do you need a hand?
19:30No, no, you're all right.
19:33Roy gave me an early dart.
19:35Bless him.
19:36And a load of leftovers from the cafe.
19:38The man is a saint.
19:40He knows Billy doesn't have much time for food shopping.
19:43Hey, do you fancy a pasty kit?
19:45No, you're all right. I'm going to have a pint with the lads later.
19:48Right.
19:49I'm bursting for a waz.
19:51Hey, Apollo, do you fancy a funny film tonight?
19:57Men.
19:59Good.
20:01Cos Dev's off on his Majorcan golf extravaganza thingy,
20:05so I am all yours!
20:10Don't mention coughing.
20:14I should say something, shouldn't I?
20:16In case it happens again.
20:22No.
20:25Are you worried she'll tell Billy and he'll come home?
20:32Yes.
20:34Right.
20:35You're the boss.
20:42Well, it was good spending this afternoon with you, bro.
20:46And I do...
20:49..wish I'd met you sooner.
20:51You and Gemma.
20:55Won't be long now.
21:03Well, erm...
21:05..how about I spend as much time with you as I can?
21:10Make up for what we lost.
21:16Double mint.
21:19Double mint.
21:25See you tomorrow, bro.
21:28WHISPERING
21:46Leanne, my key won't work.
21:52Leanne, this is silly. Come on.
21:58Leanne, let me in!
22:17Are you for real?
22:19Er, yeah.
22:21Last time I looked, I thought I was human
22:23and I'm feeling a lot of emotions right now, so, yeah, I'd say so.
22:26I get it, I get it, I get it.
22:27Oh, do you? Yeah, yeah, yeah, you're angry.
22:29Oh! Well, aren't you, Mr Reasonable?
22:32What gives you the right to lock me out of my son's home?
22:34Oh! Oh, I'm sorry, this is your son's home now, is it?
22:37Well, it's not mine, is it? Cos I couldn't get through the flaming door!
22:40Oh, oh, hang on a minute, hang on. I'll just, er...
22:42I'll just try and find the tiniest violin in the world.
22:44I've got one here somewhere.
22:45Oh, I should have known better than to try and rationalise with the Queen the sarcasm.
22:48Oh, well, whose fault's that, eh?
22:50I tell you what, shall I give you some pointers? Lovely Leanne.
22:52Actually, look in the mirror and you'll find your answer...
22:54Look in the mirror and you'll probably see our toyer behind you with all the bits hanging out.
22:58But it wasn't that sleazy.
22:59Oh, it was a bit.
23:00It's not readers' wives, is it?
23:01Do you know what? What you two get up to in the privacy of your own home is up to...
23:04Oh, no, sorry.
23:06It's not your own home, is it? It's our home.
23:09Wow, do you know what? Things are really confusing right now.
23:11I see you're incorrigible.
23:12Incorrigible, but I'm not wrong, am I?
23:14I never said you were.
23:15Didn't you?
23:16OK, OK, fine. I'm sorry.
23:19Oh! Great!
23:21So what am I supposed to do?
23:23Just let it roll and let you and Toyer live happily ever after?
23:26Yeah, we would do if you weren't kicking off 24-7.
23:29Oh. Oh, right. OK, then.
23:31Well, I tell you what, I tell you what.
23:33Let's get a schedule that suits you, eh?
23:35What about weekdays, five till seven?
23:37Yeah, yeah, just drop it. Drop it.
23:39Oh, yeah, I will. Consider it, like me, dropped.
23:43I only came to tell you you couldn't have the flat.
23:46What do you want? A big clock?
23:47OK, right, until I find somewhere else.
23:49And do you know what? Do you know what?
23:51I take full responsibility for what happened with me and Toyer.
23:55Oh. Oh, right.
23:57So she was the unwilling participant.
23:59Oh, poor girl. You know, she really should put a complaint in.
24:02I can't talk to you when you're like this.
24:06Why did you do it, Nick?
24:08Why?
24:10I know you said that we drifted apart when...
24:12No, but you know what?
24:14This was just...
24:16..way before the Institute, if I'm honest.
24:18Before Rowan.
24:23When was the last time we got on?
24:29I don't know who you are any more.
24:34Who are you?
24:40I've just sat here like chopped liver.
24:43Who's he texting? Ernie. Again.
24:46Oh, mate, she's going to be sick of you sticking me in headache.
24:49I only sent her three messages.
24:51You're meant to be on a date night with me and him.
24:53And we feel totally ghosted. Totally.
24:55Shut up.
24:57Look, come on, get one of these down your neck.
25:01I'm a bit boring, aren't I?
25:03Self-awareness is a wonderful thing.
25:05No, it's just because it's been ages since, you know,
25:07I haven't spent 24-7 with Paul.
25:09It's like we've been conjoined twins.
25:11Conjoined in the what, though?
25:14I'm a bit boring, though, aren't I?
25:16Hmm? I'm a bit boring. No, no, no, I heard you, yeah.
25:19I was just watching some paint drying behind you.
25:21Look, come on, down the hatch, let's go.
25:23Get the salt. I think I should go home.
25:25One shot, see how you feel.
25:28Paul's not going to want you slobbing back early on you one night off, is he?
25:31Come on.
25:37All right.
25:39HE CHUCKLES
25:41Night, ladies.
25:43Just on the way out, please.
25:52OK.
25:56HE CLEARS THROAT
25:57Just one sec.
26:02There.
26:05Have you seen something you like there?
26:08Well...
26:10Ah, if it isn't the little midnight mass.
26:14Grass.
26:16Listing all my misdemeanours like that.
26:18You were enjoying that, weren't you?
26:20Yes, Joel, it was one of the top ten moments of my life.
26:23Well, do you know what slander means, Carla?
26:27I can see you know what patronising means, Joel.
26:31Because, just so we're clear, I'm going to sue you for it.
26:34You really are living your best life, aren't you?
26:37Hey, I'm as innocent as your great pal Cropper.
26:41Although, that being said,
26:43I wouldn't be surprised if he did have the hots for that jailbait, Lauren.
26:47Get out.
26:49Why do you think people are so convinced he's a pervert?
26:52It's cos if it looks like a perv...
26:54You really are hooking breasts back in her face, aren't you?
26:57Whoa, calm down, Carla. Don't do anything you're not supposed to.
27:00Don't do anything you'll literally regret.
27:02I'll regret it if I don't smack him.
27:05Did you see that? Did you?
27:07Her regression? It's off the scale.
27:09You really aren't used to women standing up to you, are you, Joel?
27:12Just get out.
27:15Go on, leave.
27:18You all right? Yes.
27:20So you don't know who I am anymore.
27:22Well, maybe I've changed.
27:24You didn't need to rip my sister's clothes off
27:27just because I was on some journey to discovering myself.
27:31Is that what the Institute was?
27:33A journey?
27:35Yeah. Yeah, that was part of it.
27:38Highway to hell more like.
27:40You've been pushing me away for months and you know it.
27:42Have I?
27:44Really?
27:46You sure about that?
27:48Or was I running away, Nick?
27:50Running away?
27:52Yeah. From you, Nick.
27:55The suits, the snarls, the way you look at everybody like we all stink.
28:00Yeah, things haven't been right for months, but...
28:03Well, maybe that's why I was drawn to the Institute in the first place.
28:08But do you know what's really funny?
28:11Actually, it's not even funny at all.
28:14What?
28:16I never stopped loving you.
28:19That's not funny.
28:22It's tragic.
28:24You've got a weird way of showing it.
28:26Shall I tell you something else?
28:29And this really is the killer punchline.
28:33I still do.
28:35What are you telling me, then?
28:38Why would you do that? What, are you trying to make me feel guilty?
28:42No, I'm not. I'm saying it because it's true.
28:44Why do you have to overanalyse everything?
28:46Oh, well, I don't know whether to laugh or cry.
28:48Oh, go on, have a laugh. Have a laugh. I'm here all week.
28:55All right. Er, well, I've got to go and pick Sam up from Chess Club.
29:00Oh, great. Well, I just drown in my own self-pity. Cheers.
29:07So what do we tell him?
29:10Don't tell him anything.
29:12We'll tell him together when you get back.
29:25I just can't believe I let him get in my head.
29:27I can't stand to see him get away with what he did to Roy and Lauren.
29:30Well, there might still be a way of bringing him to justice.
29:33I just hate feeling like this, you know.
29:35I've run this place, and I've run it well.
29:37But everything I do, it has to be in control.
29:40I have to be in control of it, and nothing is at the moment.
29:43What with Peter beggaring off, Steve begging off,
29:46I've got to be in control of it.
29:48I've got to be in control of it.
29:50I've got to be in control of it, and nothing is at the moment.
29:53What with Peter beggaring off, Stephen running rampage,
29:55Roy being banged up, Jenny stealing my...
29:58Actually, scratch that, it's just everything.
30:00It's just blooming everything.
30:02I feel so out of control, honestly.
30:07Oh, great!
30:09Betsy?
30:11What's up with her?
30:13Betsy!
30:15Bets!
30:16Old ones are the best, aren't they?
30:18She's with a spoon, she's wicked in it.
30:20And Jennifer, what's it? Coolidge?
30:23Right, let's get your teeth cleaned, get you ready for bed.
30:27Ash is going to pop over in a bit and help me with the hoist.
30:31You writing a message to Bella?
30:34Hey, Paul. Paul.
30:36You do the bend, and snap!
30:39SHE LAUGHS
30:42Right.
30:44Let's get you all fresh and beautiful for bed, honey bun.
30:50Oh, come on.
30:52Read us a message you've written to Billy.
30:58Hope you're having a good night, Billy.
31:01I'm off to bed, so sweet dreams.
31:05Don't rush home.
31:07Keep painting the town pink for me.
31:10Love you.
31:13You sent it?
31:18Yes.
31:20Oh, that's just gorgeous, that.
31:23You guys.
31:25What a bond.
31:27Proper true love, is that.
31:30And all the way through, Billy has been unwavering.
31:35You know, some folk,
31:37they live 100 years and they never get out like that.
31:42Right.
31:44Let's get those gnashers nice and clean.
31:48Hey, do you want me to put the heating on?
31:50It's kind of a bit fresh, isn't it?
31:52No, I don't care either way.
31:54I was talking to Sam, actually.
31:56You weren't very specific, were you?
31:58Oh, well, I'm really sorry about that.
32:00Are you two going to tell me what's wrong?
32:02Wrong? There's nothing wrong.
32:04He's not stupid, love.
32:06Don't love me.
32:08Sam, do you want to sit down?
32:13DOOR CREAKS
32:22You hardly said a word in the car.
32:24You didn't use your door keys.
32:26And the atmosphere in here is very frosty.
32:30Yeah, well, there's a...
32:32There's a good reason for that.
32:34Look, everything's going to be fine, Sam.
32:36I'm so sorry, Sam.
32:38Me and Leanne, um...
32:40we're separating.
32:42We've just drifted apart.
32:44Nothing major's happened.
32:46It's just... It's just something that we need to do.
32:49Well, that's not strictly true, is it?
32:52Um...
32:54I've got feelings for Toya.
32:56Nick. What?
32:58He doesn't need to know all the ins and outs.
33:00Better he's it for most than someone else.
33:02Look, we just drifted apart.
33:05Has Toya got feelings for you?
33:07Now look what you've started.
33:09Yeah. Yes, she does.
33:11Do you love each other? Please.
33:15Yes.
33:17Yes, we do.
33:19Are you going to move out?
33:22Well...
33:24Please don't move out.
33:26Sam, he can't stay here. I'm sorry.
33:28Look, you can live with Leanne.
33:30Nick, we haven't even talked about this.
33:32Until we find somewhere permanent for us to live.
33:37Oh, Sam, come here.
33:42I'm sorry.
33:44I'm sorry.
33:46MUSIC PLAYS
34:02Must be her.
34:04Shall I go to my room?
34:06No, you stay here. Don't be daft.
34:08I think I will.
34:17I take it you've changed the locks.
34:20That gets past you, does it?
34:22Especially not the men.
34:24Look, I'm glad you're here, actually.
34:26I know things.
34:30How are you feeling?
34:32Now that the dust's settled a bit.
34:34And why the sudden interest in my well-being?
34:36Oh, that's a bit...
34:38You know, it's a shame you didn't have such a moral barometer
34:40when you were slipping between the sheets with my fella.
34:42Of course I care about you, Lee.
34:44Oh, well, aren't I the lucky one? Hashtag blessed.
34:46And I know that this has ruined everything between us.
34:48And the award for stating the obvious goes too.
34:50And that kills me.
34:52But what kills me more is the thought
34:54that this might make you lean even more
34:56into the Institute for support.
34:58Yeah, well, that's none of your business, actually, is it?
35:00It was really hard seeing you take their side over mine.
35:02So hard that you threw yourself at Nick for comfort.
35:04I've just found all this...
35:06It's just such a struggle, and...
35:08You know, it's really funny.
35:10You come round here to check if I'm doing OK,
35:12but you've actually made this all about you.
35:14Oh, I changed the habit of a lifetime, eh?
35:16Yeah, you must have really sucked at being a counsellor.
35:18It would have been all about you, wouldn't it?
35:20Me, me, me, me, me.
35:22You must see now
35:24that it was the Institute who told the police
35:26about me burying Rose.
35:28Yeah, I am sorry about that.
35:30I was bang out of order.
35:34She is.
35:36She's staring at you.
35:38I know what they're thinking.
35:40They'll fly and let themselves go.
35:42Which she is, is too karaoke.
35:44You don't mind me taking a long piss?
35:46No. No, of course not.
35:48It's just that David insisted.
35:50Well, I have had more than the
35:52elegant sufficiency to drink.
35:54And what of yours if you don't want it?
35:56Get housey when you left him.
35:58You don't need to worry about it tonight, OK, mate?
36:00You're not just saying that.
36:02Of course you're just saying it.
36:04What do you want him to do, sing it?
36:06No, I'm sorry, it's just...
36:08Right.
36:10This is going to sound awful.
36:12Just say it. We're all mates.
36:14Ish.
36:16I really do feel like I'm on
36:18some sort of countdown
36:20with Paul.
36:22There's this
36:24big ticking clock.
36:26I'm even dreaming about clocks.
36:28Like I'm in some thriller and
36:30I've got all these mad tasks that I need to be doing
36:32and if I don't get them done, then...
36:34Who knows
36:36how long
36:38he's got left.
36:40You know,
36:42these next few months are going to be
36:44really precious.
36:46Every time I wheel him to the window
36:48I feel like I'm taunting him, you know,
36:50like showing him his past.
36:52You know,
36:54what's ahead.
36:56Well, no one knows, mate.
36:58I meant to. Paradise.
37:00Billy,
37:02you're doing a brilliant job with him.
37:04And if I can see that, anyone can.
37:08You know, he's made a list
37:10of all the things he wants me to do after he's gone.
37:12Need he get?
37:14Oh, control freak or what?
37:18He wants me to find love.
37:20In a hopeless place?
37:22With air artwork.
37:26I am glad I came out tonight.
37:28Just call us Prozac and
37:30you move forward.
37:32I'll drink to that. To mates.
37:34To mates.
37:36To McFly.
37:42I do appreciate you acknowledging
37:44how much the Institute have hurt me.
37:46Deeply.
37:48And I just
37:50want to say...
37:52Well, come on, get on with it. I'm going to need an
37:54haircut at this rate.
37:56That I am really sorry for the pain
37:58that I've inflicted on you two.
38:00So does that make us quits?
38:02Of course not. Well, then.
38:04Oh, just give me
38:06half an hour, I'll pack a bag and get out of your way.
38:08Oh, what, so you and Nick can go off to
38:10a little love nest together? No, I don't think so.
38:12It just happened.
38:14You'd gone AWOL,
38:16I was vulnerable,
38:18he was lonely and...
38:20And they all lived happily ever after.
38:22I'll just get my bag.
38:24You're going nowhere.
38:26I'm sorry that I turned
38:28my back on you when you needed me the most.
38:30But that doesn't mean I'm going to
38:32forgive you as a result.
38:34I've already lost my fella.
38:36I'm sure as hell not going to lose my sister as well.
38:40I might hate your guts,
38:42but you're going nowhere.
38:44I don't want you to.
38:56Aw,
38:58nice one, mother.
39:00It's only taken you 15 hours
39:02to find me.
39:04I'm not buying into your immaturity, Betsy.
39:06Being a drama queen doesn't hide
39:08the fact that, yet again, you didn't
39:10go to college.
39:12Mum's not even been dead, what, three years?
39:14Look,
39:16I don't know what you think you saw
39:18earlier, but...
39:20Are you blushing?
39:22I had my hand on Carla's arm.
39:24It was a comforting hand.
39:26Yeah, it was a cramp in your style.
39:28What are you talking about?
39:30Carla is straight.
39:32Yeah, I'll serve spaghetti till you boil it.
39:34Right, that is enough, OK?
39:36You have got this all wrong.
39:38Carla had just had a running with Joel, and I was...
39:40Did you really want to replace mum
39:42with that hard-faced cow
39:44who knocked a kid off his bike
39:46and then drove off her? Do you?
39:50What?
39:52Oh, Trace.
39:54Are you OK, hun?
39:56I'm fine, hun. You know,
39:58you've got lovely teeth.
40:00You want to show them off more when you smile.
40:02I hope you don't mind me saying, babes.
40:04There's nothing wrong with my smile.
40:06Er,
40:08Steve, just before I go. Yeah?
40:10You don't fancy a pint before the
40:12Weather County game, do you? Sounds like
40:14a plan. Sound.
40:16It's green, their kit, isn't it?
40:18You know it is? Fab.
40:20I've got these amazing leggings I'm going to wear.
40:22Emerald green.
40:24Like a second skin, Trace. Can't wait.
40:26Right, Ali.
40:28Catch you later, babes. See you later.
40:32Is it her?
40:34It's what, her? The woman you fancy.
40:36Is it the jolly green giant?
40:38Don't be daft.
40:40Well, she can deny it all she likes, Steve,
40:42but she's got the hots for you.
40:44Look, we are just very good friends.
40:46And, you know,
40:48she likes her, so...
40:50Hmm.
40:52What? I'm saying nothing.
40:54Pfft. I'll be a first.
41:08Hey, honey bun. You had a good night, yeah?
41:10Oh, yeah. It was wicked.
41:12Yeah.
41:14It's another one of them boys.
41:16I like the...
41:18bro modes.
41:20How is he?
41:22Yeah, he's out like a light.
41:24Bless him.
41:28I'm going to just go and check on him, just make sure...
41:30No, no, Billy, don't, don't.
41:32Not in that state.
41:34Right, I've made you up a bed here
41:36so he can get a good night's sleep.
41:38And Summer's in her room. If you're up, I'll need her.
41:40Oh, baby.
41:42Oh.
41:44Oh.
41:46Does it help, does it?
41:48Reading stuff like that?
41:50No, we all have
41:52our different books and beliefs to see us through,
41:54eh, Billy? Yeah, that's true.
41:58Oh, I can't thank you
42:00enough for tonight, really.
42:02It's very much appreciated.
42:04Don't be daft.
42:06Here's my boy.
42:08You both are.
42:10Mmm.
42:12I love you,
42:14Bernie.
42:16I love you, like,
42:18loads.
42:20Sleep it off.
42:22That's an order.
42:24Night-night.
42:34Hey.
42:38Hey.
42:42How's Sam?
42:44Erm, I don't know. He's in his room.
42:48I told him about me and you.
42:50What?
42:52There's too much dishonesty in our lives.
42:54It's not good for anyone, is it?
42:56This clears the path for me and you.
42:58Those that need to know, know now.
43:00I can't believe you actually told Sam.
43:04I want to be with you.
43:06And I was hoping
43:08you felt the same.
43:12You do feel the same.
43:18Come on.
43:20Come on.
43:22We love each other.
43:24I can't do this. I'm sorry.
43:26Can't do what?
43:28Any of it. I can't do any of it.
43:30But you love me.
43:32Yeah, I do.
43:36But...
43:38I love Leanne more.
43:40And I can't do this to her.
43:44I'm sorry.
44:00See who has the superstar coaches
44:02spinning in their seats tomorrow night
44:04when the blind auditions continue
44:06in the new series of The Voice UK at 8.15.
44:08And, of course, you can catch up
44:10with last week's show on ITVX.
44:12But it's quiz fun next tonight
44:14with Beat the Chasers.