Pickup on South Street
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00:00:00You
00:00:30You
00:01:00You
00:01:30You
00:02:00You
00:02:30You
00:03:00You
00:03:30You
00:03:44What happened
00:04:00You
00:04:30You
00:04:49But I had it with me when I left that I know you're sure you took the right purse
00:04:54I'm sure of it. Well, what do I do? Joy? Should I go out and see him? Anyway? No
00:05:01Come back right away
00:05:13She's scared she should be
00:05:15Did you get a good look at him? Yeah, don't lose it
00:05:21Have a seat mr. Zara
00:05:23We don't often get a chance to cooperate with you people, but if there's anything we can do just name it
00:05:28I'm looking for a pickpocket. What's his name? Don't know. We're in trouble
00:05:32He stole a wallet out of a woman's purse in the subway this morning. I don't know where he got it
00:05:36I don't know where he got it. I don't know where he got it. I don't know where he got it
00:05:40I don't know where he got it. I don't know where he got it. I don't know where he got it
00:05:45You know what he looks like mm-hmm
00:05:48We're in business
00:05:54So the cameras are mixed up with it
00:05:56She's been passing military information to the agents, you know the man she was to pass the stuff to know
00:06:01I got a line and everybody else in the big trip except him
00:06:04He's mr. Big cast the stuff out of the country
00:06:07All we know is as soon as he gets his hands in that film. You'll cross the ocean with it
00:06:11So that's the way it happened.
00:06:16It's just one of those tough breaks, Joey.
00:06:20Oh, I'm sorry.
00:06:22You've got to find him.
00:06:24In New York? You're crazy.
00:06:27You've got to find that film.
00:06:29Film?
00:06:31Yeah.
00:06:33That's right.
00:06:35That's what you were carrying in your wallet.
00:06:38You know what was on that film?
00:06:39A new patent for a chemical formula.
00:06:42So?
00:06:44Candy, it's the most important patent we've ever had.
00:06:46What are you getting so excited about?
00:06:48Because we can't get another copy of it.
00:06:50Joey, you're talking like it was hot.
00:06:53How many times do I have to tell you?
00:06:55We're not criminals.
00:06:57This is big business.
00:06:59Cutthroat business.
00:07:02And I'm in a spot.
00:07:04Well, I told you.
00:07:06I'm sorry it happened.
00:07:07But there's nothing I can do about it.
00:07:09So you just tell your boss I had my bag picked.
00:07:12Wait a minute.
00:07:14You're not walking out on me now.
00:07:16Look, we made a deal.
00:07:18You promised me no more deliveries after we broke up.
00:07:20That's right.
00:07:22And you promised to make this last one for me.
00:07:24Sure I did.
00:07:26But I can't help it if some guy...
00:07:28Look, wait a minute.
00:07:30You're a smart girl.
00:07:32You can figure out a way to find him.
00:07:34But I don't know anything about pickpockets.
00:07:35Well, you've knocked around a lot.
00:07:37You know people who know people.
00:07:39You gonna throw that in my face again?
00:07:41Look, Candy, you've got to help me.
00:07:43You know what he looks like.
00:07:46If I had your contacts, I wouldn't be begging like this.
00:07:51Well...
00:07:53Maybe I can get you a lead.
00:07:55Candy, if you can find that pickpocket for me,
00:07:57I'll never bother you again. Never.
00:07:59I promise you.
00:08:01All right, Joey.
00:08:08We have a thousand photos to go through.
00:08:11And from here on in, it's anybody's guess.
00:08:14How long do you think it'll take?
00:08:16Maybe the rest of the day.
00:08:18Maybe all night.
00:08:20Who knows?
00:08:22Is there a faster method?
00:08:24Well, we'll see.
00:08:26I'll be back in a minute.
00:08:27A faster method?
00:08:29Well, there is one character who can help us out.
00:08:33Maybe.
00:08:35Not exactly kosher.
00:08:37We're fighting time.
00:08:39Well, no harm trying.
00:08:41Maybe Mo can speed this up a little.
00:08:43Who's Mo?
00:08:49Hello, Mo.
00:08:57Who's the creep?
00:08:59What's he in for? He looks like a second-story cat thief.
00:09:02I got a polka dot job that was just made for your personality, Tiger.
00:09:06We gotta get quick action.
00:09:08Everything around here is always an emergency.
00:09:10Hey!
00:09:12This got something to do with homicide?
00:09:14No.
00:09:16I got no killers on my table.
00:09:18I'm gonna stay in business long enough to feed this kitty.
00:09:20How's she doing?
00:09:22Getting fat.
00:09:24I got almost enough to buy the stone and the plot.
00:09:25If you lost that kitty, it's Potter's Field.
00:09:28This, I do not think, is a very funny joke, Captain Tiger.
00:09:32I just meant you ought to be careful how you carry your bankroll.
00:09:35Look, Tiger, if...
00:09:37If I was to be buried in Potter's Field,
00:09:40it'd just about kill me.
00:09:43I got a hole picked out on Long Island.
00:09:45It's private.
00:09:47You gotta be screened before they'll let them put you in there.
00:09:50That's how exclusive it is.
00:09:53What's the score?
00:09:55Don't know yet.
00:09:57We're looking for a cannon who binged a girl on the subway for her wallet.
00:09:59Well, any pigeonhole with the mile buzzers?
00:10:01No.
00:10:03And we haven't got time to go through all those files.
00:10:05I thought maybe you knew of some first-rate grifters
00:10:07who've been working the subway for the last 24 hours.
00:10:10I happen to know a couple of live cannons
00:10:12that's been playing the subway the last week.
00:10:15Business has been dropping.
00:10:18You the victim's old man?
00:10:20No, he's the big thumb.
00:10:21Stripe job would give you more personality, mister.
00:10:24Did you get a good look at the grifter?
00:10:26Yes.
00:10:28Medium height, right there.
00:10:30Medium.
00:10:32Short, tall, light, dark, fat, skinny.
00:10:34Thousands of cannons look like that.
00:10:36It's the technique.
00:10:38Every one of them's got his own trademark.
00:10:42Ah, look what that does for him, Tiger.
00:10:45It's yours for a buck.
00:10:47All right.
00:10:48Tell me, mister, when did this happen?
00:10:50A couple of hours ago.
00:10:52Was he standing to the left of her,
00:10:54the right of her, or behind her?
00:10:56Behind her.
00:10:58Then he moved around and faced her.
00:11:00Carrying a newspaper?
00:11:02Yes.
00:11:04Rolled up or folded?
00:11:06Folded, I think.
00:11:08What do you mean, you think?
00:11:10What kind of a big thumb have we got here, Tiger?
00:11:13Listen, mister, you've got to be sure.
00:11:15I tell you, all these cannons look like that.
00:11:18The cannons have their own way of doing things.
00:11:20All right, all right. It was folded.
00:11:22The top side was at the front page of the classified ads.
00:11:25Classified.
00:11:27Was he southpaw?
00:11:29No, he used his right hand. He held the paper in his left.
00:11:31Did he hold it at an angle, like this?
00:11:34Yes.
00:11:36Did you see him close the purse?
00:11:38Yes.
00:11:40Did he put the paper over it like this when he closed it?
00:11:42Yes.
00:11:48The violins were soft and sweet,
00:11:51and so was I.
00:11:56I know.
00:11:58Mr. Zaro, wait outside.
00:12:00Take me just a minute.
00:12:02Mo, we've got to work fast.
00:12:05Look, let's not go into that again.
00:12:08Look, what do you want from me, Tiger?
00:12:10Do I personally raise the price on hamburgers
00:12:13and pork and beans in Frankfurters?
00:12:14Is it my fault that the cost of living is going up?
00:12:17These are the prices, as of this morning.
00:12:21When the cost of living goes up, my prices go up.
00:12:24When the cost of living goes down, my prices go down.
00:12:27In my book, the price on the board for a cannon is $50.
00:12:33$50?
00:12:35I told you before, we got no kitty.
00:12:37And you're such a millionaire's salary
00:12:39that you can afford to pay me for all my tips?
00:12:41$35.
00:12:42$35.
00:12:45Tell you what I'll do, Tiger.
00:12:47I'll give you the names of eight cannons that fit the job,
00:12:50and I'll bet you $38.50
00:12:53that one of them buzzed this mile's wallet.
00:12:55I'll bet you $38.50 you're wrong.
00:12:59Mr. Zaro?
00:13:00Yes.
00:13:13Skip McCoy.
00:13:16For a three-time loser who's been out only a week.
00:13:19He's begging for a fourth conviction.
00:13:22Well, he's got to live, too.
00:13:24There's one cannon I'd like to see get the chair.
00:13:33That's the man.
00:13:35We haven't even got a lead on him.
00:13:37So you don't know, Tiger.
00:13:39Thought you knew everything.
00:13:40About everybody.
00:13:42Nah, he hasn't been out long enough to settle.
00:13:44I know how he operates.
00:13:46He's holed up somewhere.
00:13:49A smart cannon lives quietly.
00:13:51Don't advertise when he's just scored on a job.
00:13:54Especially an ex-con like Skip.
00:13:56He always had a knack for living in out-of-way places.
00:13:59Places hard to find.
00:14:01It's going to be pretty hard to run him down.
00:14:04Places he picks.
00:14:06Might take you almost a year to find.
00:14:08Might take you almost a week to run him down.
00:14:11What are you angling for, a side bet?
00:14:13Well, every extra buck has a meaning all its own.
00:14:16It just so happens I haven't got a red cent left.
00:14:18Just so happens I know where he's shacked up.
00:14:21That's part of the bet.
00:14:23Listen, Tiger, do you realize that the cost of living has gone up 50%?
00:14:26Mo, I got no more time.
00:14:28Well, then, what are you stalling for?
00:14:30Why don't you make me a pitch?
00:14:32Next time, I'll give you odds, two to one.
00:14:34It's a promise?
00:14:35Yeah.
00:14:36Pulling and gabbling.
00:14:51Thanks, pal.
00:15:06Come on.
00:15:36Come on.
00:16:06Come on.
00:16:36Come on.
00:16:52Well, hello, Inaki.
00:16:54Mac, is this a visit or a pickup?
00:16:56Both. Tiger wants to see you.
00:16:58You go with Mac. I'll stick around.
00:17:00Sure.
00:17:01Still hoarding all your loot, Skip?
00:17:03Take a look around. You're getting paid for it.
00:17:04You want a beer?
00:17:06Sure, I'll have a beer.
00:17:08How's the whip?
00:17:10In or the whip, always in the pink.
00:17:12Yeah. I got no electricity here, but the beer's always cold.
00:17:15You want one, Mac?
00:17:17Tiger's waiting.
00:17:19Okay. Here's the opener.
00:17:21Come on, let's go.
00:17:23Oh, uh, Inaki, just two things.
00:17:25After you give my place the broom, leave it the way you found it, huh?
00:17:28And when you got enough beer, lower my icebox back in the drink.
00:17:32Come on, Mac.
00:17:35Come on.
00:17:48He's here.
00:17:50That's fast work.
00:17:52I hope he didn't throw that microfilm away.
00:17:54How do you want to handle this?
00:17:56He got me suspended twice for smacking him.
00:17:58Cost me six months' pay.
00:18:00Am I waiting outside?
00:18:01How do I want to handle this in my way?
00:18:03Sure.
00:18:12I was picked up.
00:18:14No resistance.
00:18:16You better make this stick.
00:18:18You only been out a week,
00:18:20and right away those fingers got to play the subway circuit.
00:18:22What did you do with the wallet?
00:18:24You left it from the girl.
00:18:26Back up the pinch with a charge or drive me back to my shack.
00:18:28I'll drive you back in a hearse
00:18:29if you don't get the kink out of your mouth.
00:18:31Now look, Buster.
00:18:33You've been whip of the squad long enough
00:18:35to know that a guy with my rating
00:18:37wouldn't grip the dame on the train.
00:18:39Not with three strikes on me.
00:18:41You'll always be a two-bit cannon.
00:18:44And when they pick you up in the gutter dead,
00:18:46your hand will be in a drunk's pocket.
00:18:48You were spotted lifting that wallet.
00:18:50Only amateurs are spotted.
00:18:52So?
00:18:54So it's my word against one of your whiz cops.
00:18:56That girl was carrying TNT
00:18:57and it blew up right in your face.
00:18:59What girl?
00:19:01I'm going to jam that grin right down your teeth.
00:19:04Go ahead, slug me. Go ahead.
00:19:06I'll make a bigger stink than last time.
00:19:08I'll see you hit the backyard without pay for one year.
00:19:11Go on, knothead, slug me. Come on, hit me.
00:19:13Well, come on, hit me, will you?
00:19:15What's the matter? You nervous? Come on.
00:19:17All we want is the wallet.
00:19:19If you got rid of it, tell us.
00:19:21If you tossed the film away, tell us where.
00:19:23Who's he?
00:19:25None of your business. Just answer, man.
00:19:27Wait a minute. I've been clean ever since I got out last week.
00:19:30Wouldn't touch a nickel if it was laying on the street.
00:19:32Where'd it have gone?
00:19:34Why don't you haul that girl down here to identify me?
00:19:36It's my word against hers.
00:19:38No, it's your word against mine.
00:19:40I saw you close her purse.
00:19:43All right, so it's your word.
00:19:45But you got a nail of goods on me, mister, and I'm clean.
00:19:48Go ahead, fan me. Come on, give me the word.
00:19:50That film you stole had government information on it.
00:19:52Classified.
00:19:54We've been following this girl for months.
00:19:55And just as we were about to grab a top red agent
00:19:57receiving the film from her, you broke up the ball game.
00:20:00Can't you see how important this is?
00:20:02We just want your cooperation
00:20:04and the charges against you will be dropped.
00:20:06Isn't that right, Captain?
00:20:08You know, I'd like to make this rap stick,
00:20:10but what he's got to do is more important.
00:20:12Well, you boys are talking in the wrong corner.
00:20:14I'm just a guy keeping my hands in my own pockets.
00:20:16If you refuse to cooperate, you'll be as guilty
00:20:18as the traitors that gave Stalin the A-bomb.
00:20:20Are you waving the flag at me?
00:20:22I know something in our side you should get.
00:20:23And I know you pinched me three times,
00:20:25got me convicted three times,
00:20:27and made me a three-time loser.
00:20:29And I know you took an oath to put me away for life
00:20:31while you're trying awful hard
00:20:33with all this patriotic eyewash.
00:20:35But get this, I didn't grift that film,
00:20:37and you can't prove I did.
00:20:39And if I said I did,
00:20:41you'd slap that fourth rap across my teeth
00:20:43no matter what promises you make.
00:20:45Do you know what treason means?
00:20:47Who cares?
00:20:49Answer the man!
00:20:51Is there a law now I got to listen to lectures?
00:20:53A breaker?
00:20:55Get him out of here!
00:20:57Get him out of this building!
00:20:59Hello.
00:21:01If that's Winocki,
00:21:03ask him if he put my beer back on ice, huh?
00:21:06Hey, Willie,
00:21:08what have you been feeding the tiger lately?
00:21:10Watch it, bud.
00:21:23Come on.
00:21:53Going up, please.
00:22:24May I help you?
00:22:26I'd like to see a copy of The New York Times
00:22:28of January 5th, 1947.
00:22:31Fill this out, please.
00:22:33Sure.
00:22:44Could I have a copy
00:22:46of the New York Times of January 5th, 1947, please?
00:22:49We're in the middle of a major crime.
00:22:50Can you fill this out, please?
00:23:50One, two...
00:24:07So who told you to ask me?
00:24:09The pin boy in the bowling alley.
00:24:11So who told you to ask him?
00:24:13The fellow that works at the Houston Street auction shop.
00:24:17So why don't you go to the cops?
00:24:18if you tell me where I can find Lightning Louie.
00:24:21Put it on the table.
00:24:22Not till you tell me.
00:24:34I'm Lightning Louie.
00:24:36Then why'd you tell me your name was Godkin?
00:24:37And what blubber moths?
00:24:38You give me back my dough or there's gonna be trouble.
00:24:42Lum, what's my name?
00:24:46Uptown or downtown?
00:24:47My downtown name.
00:24:49Lightning Louie.
00:24:51For another 20, I'll give you the name of the stoolie
00:24:52who knows everything about cannons.
00:24:56I hope you bust.
00:25:07174 Bowery.
00:25:12Over at Tattoo Shop.
00:25:13One flight up, head of the stairs.
00:25:17Her name is Mo.
00:25:19A woman?
00:25:21Tell her I sent you.
00:25:23Lum, bring me another order of chow fun.
00:25:27Char siu bao.
00:25:47Who is it?
00:25:49Lightning Louie sent me.
00:25:54Who?
00:25:55Lightning Louie.
00:25:59You Mo?
00:26:00Who are you?
00:26:02You've been recommended as the best two-pocket
00:26:04stoolie in the business.
00:26:06What kind of talk is that, calling me a stoolie?
00:26:10I was brought up in a family of stoolies.
00:26:13What kind of talk is that, calling me a stoolie?
00:26:16I was brought up to report any injustice
00:26:18to the police authorities.
00:26:20I call that being a solid citizen.
00:26:22But you get paid for it.
00:26:24You're gonna knock it?
00:26:26I'm looking for the pickpocket
00:26:28who lifted my wallet in the subway this morning.
00:26:30Oh.
00:26:32So you're the muffin.
00:26:34What do you mean?
00:26:36Oh, one cannon talks to another where it gets run.
00:26:38What was in the wallet?
00:26:40That's pretty.
00:26:42Something personal.
00:26:44How personal?
00:26:46What difference does it make?
00:26:48He didn't know what was in it when he took it.
00:26:50How do you know?
00:26:52You got a boyfriend?
00:26:54Why?
00:26:56Like to buy him a tie?
00:26:58I happen to carry a complete line of personality neckwear.
00:27:00Bargain prices.
00:27:02Look, I'll tell you all the facts.
00:27:04Nothing else.
00:27:06Now, you want to do business?
00:27:08You got any happy money on you?
00:27:10Yeah.
00:27:12Money that's gonna make me feel happy.
00:27:14What else?
00:27:16How happy?
00:27:18$50?
00:27:40HONK HONK
00:28:10HONK HONK
00:28:37Hey.
00:28:41HONK HONK
00:28:44HONK HONK
00:28:54HONK HONK
00:29:10HONK HONK
00:29:13HONK HONK
00:29:33Take your time looking.
00:29:35Want a beer?
00:29:43No.
00:29:45I want my wallet.
00:29:47What wallet?
00:29:49The one you lifted from my bag today.
00:29:51Oh.
00:29:53Do I look like a pickpocket?
00:29:55You sure do.
00:30:01Wipe your face off.
00:30:05How much did Mo get out of you?
00:30:07Huh?
00:30:10I figure you shelled out about 50 bucks to find me.
00:30:14If I know Mo.
00:30:16Huh?
00:30:20Yeah, Mo's all right. She's got to eat.
00:30:24Crummy tie.
00:30:26Look, did you throw it away?
00:30:28Hmm?
00:30:30Mr. McCoy, I got to find that wallet.
00:30:32Why?
00:30:34It's no good to you or to anybody else.
00:30:36No?
00:30:38Oh.
00:30:40What's the matter? I bust something?
00:30:42I think I'm sick.
00:30:44Sit down. Let's see.
00:30:46Find out the trouble.
00:30:48Ow!
00:30:50That's where it hurts.
00:30:52All right. Let's fix it up.
00:30:54You just relax.
00:30:59All right, now, Muffin.
00:31:01Let's have a small dose of straight talk.
00:31:05There was some film in it.
00:31:07I had to sag my joints just to find some film.
00:31:10You got me in an awful mess when you took it.
00:31:13What kind of a mess? You working for some blackmailer?
00:31:16Oh, no. Nothing like that, Mr. McCoy.
00:31:20They're pictures of my brother Mickey.
00:31:23He's a war hero in Korea, and my mother's waiting to see them.
00:31:27Why didn't you go with the cops, honey?
00:31:30Well, I got in a little trouble with them,
00:31:34and it'd kill my mother if she...
00:31:38You know what I mean?
00:31:40Yeah, sure.
00:31:42You bet.
00:31:44Does the beer always do this to you?
00:31:48What kind of trouble did you get into with the cops, Muffin?
00:31:52Oh, a girl makes mistakes.
00:31:55Mm-hmm.
00:31:57I was only asking because...
00:31:59Because why?
00:32:04Why?
00:32:26You look for oil. Sometimes you hit a gusher.
00:32:30Am I talking too much?
00:32:33I talk.
00:32:35How much is your brother worth?
00:32:39What do you want? What?
00:32:42I just want to make your old lady happy, that's all.
00:32:49And you do have it.
00:32:52But you see, Muffin,
00:32:54there might be another little old lady looking for pictures of her boy.
00:32:59I got to make sure it's your brother Mickey.
00:33:05I'll tell my mother.
00:33:07You do that.
00:33:30That's the girl.
00:33:38I'll check with you later.
00:33:50Hello, tiger.
00:33:52You're waking up half the waterfront.
00:33:55Hello, tiger.
00:33:57You're waking up half the waterfront with those cloudhoppers.
00:34:00You're not losing any time.
00:34:02Neither are you.
00:34:03Did you make a deal?
00:34:05Go on, drum up a charge. Throw me in. You've done it before.
00:34:08Locking you up isn't going to help.
00:34:11You're sitting on a hot rock, ain't you?
00:34:14I like to see you jump.
00:34:16I promised to drop the pickpocket charge if you play ball.
00:34:19All right, so it's bush league to you.
00:34:21Now I'm going to give you big league stuff.
00:34:24I'd rather chop my leg off than say what I came to say,
00:34:26but I got to push personal feelings aside.
00:34:29I'm going to the commissioner himself,
00:34:31and I'm going to ask him to whitewash you.
00:34:33Me, personally, I'm going to beg him to give you a clean slate.
00:34:36No more three-time loser for you, Skip.
00:34:38A nice fat bill of health for that strip of film.
00:34:41That's what I'm going to ask him to do.
00:34:44You're going to ask him? Who are you kidding?
00:34:47You guys sat yourselves down at a long table,
00:34:50trying to figure out an angle.
00:34:52Your idea, huh?
00:34:54You mean the commissioner's idea and all the big wheels in the department.
00:34:58All right, Skip, I won't push it.
00:35:00But just remember, if it's the last thing I do,
00:35:02no matter what happens about this commie setup,
00:35:04I'm going to see that you get it.
00:35:05Hey, Tiger, save the taxpayers some money.
00:35:08Don't plant a wire in here, because I'll tear it out.
00:35:11Goodbye.
00:35:18Did you find him? Has he got it?
00:35:20But he knows what's on it.
00:35:22Oh, and I had to go through to run that guy down.
00:35:26Professional stool pigeon clipped me for 50 bucks.
00:35:29She calls herself Mo, operates at 174 Bowery.
00:35:34Sells ties as a front.
00:35:37What do you mean he knows what's on it?
00:35:39The way he hung on to it.
00:35:42He's been around.
00:35:44Did he say what's on the film?
00:35:46He's shaking you down. That tells the story.
00:35:49Did you mention my name?
00:35:52No.
00:35:53Does he know where I live?
00:35:54What are you getting so excited about?
00:35:56You should be celebrating.
00:35:57I found him for you, didn't I?
00:36:00He's got what you want.
00:36:03So I'll give you his address, and you go over and make a deal.
00:36:06No.
00:36:08No, I can't take a chance.
00:36:11Oh, I like that. You can't take a chance, but you send me over there.
00:36:15It's different with you, Candy.
00:36:17In what way?
00:36:18Well, he might have been hired for the job.
00:36:23You think he knew what he was stealing?
00:36:24Could be.
00:36:26Well, then why didn't he contact you? It makes no sense to me.
00:36:30Well, he might be playing both ends against the middle. Don't you see?
00:36:33No, I don't see.
00:36:36But then, maybe there's something about that film that you haven't told me.
00:36:41What do you mean by that?
00:36:42You tell me.
00:36:43There's nothing very complicated about it, Candy.
00:36:47It's just that if he knew I was after the film, it'd increase the price, that's all.
00:36:51I told you I was in a cutthroat business.
00:36:54These manufacturers would do anything to eliminate each other.
00:36:57That's the reason I've got to keep out of it.
00:37:00And that's the reason you've got to go back to him.
00:37:01Well, I'm not going back to that guy.
00:37:05He cut me on the job.
00:37:07Look, this is all part of your last delivery.
00:37:10You started this job, now finish it.
00:37:14Here.
00:37:16Here's 500.
00:37:19Offer him 50.
00:37:21If he holds out for more, give him another 50.
00:37:24Whatever's left is yours.
00:37:31You can buy a lot of dresses with $400.
00:37:35You've got to come back with it, Candy.
00:37:38I'll wait for you in the office.
00:37:47Hey.
00:37:49I'm down here.
00:37:51The stairs are behind the hammock.
00:38:05Where's your old lady?
00:38:07She couldn't come.
00:38:08Oh, that's too bad.
00:38:10Got the cabbage?
00:38:11Uh-huh.
00:38:14I just can't figure you out.
00:38:16Don't try. Let your old lady do all the figuring.
00:38:18How much do you get?
00:38:20How come a nice guy like you goes around picking handbags in the subway?
00:38:24Muffin, the last time I worked the subway, I was in short pants.
00:38:29The last time was this morning.
00:38:31Unless you got a couple extra licks in between.
00:38:33Oh, don't be that way.
00:38:38How many times have you been caught with your hand where it doesn't belong?
00:38:41Well, I tell you, baby.
00:38:43Whenever I'm caught, it's always an accident.
00:38:45Like, uh, maybe I don't feel so good, you know?
00:38:48Or maybe I'm not concentrating.
00:38:51I've been tapped a couple, three times.
00:38:53Three times?
00:38:55Yeah, that's part of the business. Red side of the ledger.
00:38:57Want to smoke?
00:38:58Sure.
00:39:00I once knew a...
00:39:02I mean, I once heard of a fellow who was in...
00:39:06Who was in jail three times.
00:39:10The next time they arrested him, they locked him up for good.
00:39:13That's the way it goes. There's a law about three-time losers, you know?
00:39:16Fourth conviction means life.
00:39:18You mean, if they'd caught you this morning picking my purse,
00:39:21you could be sent up for life?
00:39:24Nothing happens when I'm concentrating.
00:39:31You're a dope taking chances like that.
00:39:34How much money do you think people carry around?
00:39:36How's the chair?
00:39:37Fine.
00:39:38Good.
00:39:41You got fingers like an artist.
00:39:44Soft and smooth.
00:39:46In my business, I got to keep them that way.
00:39:48When they stay empty, they get nervous.
00:39:50Come on, come on, come on.
00:39:53How'd you get to be a pickpocket?
00:39:57How did I get to be a pickpocket?
00:40:00How'd you get to be what you are?
00:40:02Things happen, that's all.
00:40:04Oh, don't get sore.
00:40:06Well, don't ask stupid questions.
00:40:08I only ask because I'm interested.
00:40:12Interested in?
00:40:17How much is it worth to you?
00:40:20What are you pushing me for?
00:40:22You came here to buy, didn't you?
00:40:26You're not going to raise the ante by smearing my lipstick.
00:40:29Then why the pitch?
00:40:33Because I really like you.
00:40:35Yeah, why?
00:40:37Everybody likes everybody when they're kissing.
00:40:40And everybody's always different.
00:40:42Some are, even like somebody else.
00:40:47I'm sorry.
00:40:49I'm sorry.
00:40:51I'm sorry.
00:40:54I kissed a lot of guys.
00:40:57But on a skip.
00:40:59I never felt like this.
00:41:01You're talking like you got a fever.
00:41:10I know what you mean now.
00:41:13You look for oil and you hit a gusher.
00:41:24How much did you bring?
00:41:27I don't want to talk about it.
00:41:30How much?
00:41:33Five hundred.
00:41:39You tell that commie I want a big score for that film and I want it in cash.
00:41:43Tonight.
00:41:44What are you talking about?
00:41:45You tell me, you people are supposed to have all the answers.
00:41:48I'll tell you what, I don't...
00:41:49Come on, drop the act.
00:41:51You're a red, who cares, your money's as good as anybody else's.
00:41:55Now get your stern up those stairs and tell your old lady what I want.
00:41:58A red?
00:41:59Take off.
00:42:00You think I'm a red, me?
00:42:01I don't think anything, I know.
00:42:03I know what you're after, I know what it's worth.
00:42:05Just don't help me.
00:42:06I don't know what you're talking about.
00:42:07You know, all right, but what you don't know is that when I grifted your wallet, I was pulled in by the cops.
00:42:11You know how hard it is to spot my fingers in action?
00:42:14Can't be done.
00:42:15But a guy did it.
00:42:16You know how he did it?
00:42:17He was watching you.
00:42:18And that guy you were supposed to pass the film to, you don't know anything about him either, huh?
00:42:21He's still waiting, he's itching for it.
00:42:23Look, Skip, the way I feel about you, I wouldn't lie to you.
00:42:27You got to believe me.
00:42:28I got to believe nobody.
00:42:30I'll do business with a red, but I don't have to believe one.
00:42:37I'm sorry, Skip, I...
00:42:40Get out of here.
00:42:41Now tell your old lady I'm shaking down you reds for 25 grand.
00:42:45Get going.
00:42:49Get going.
00:43:01Slapped me all over the place.
00:43:04What a line it gave me.
00:43:07And me falling for it.
00:43:11Put the 500 right out of my bag.
00:43:14You know what's crazy about the whole thing?
00:43:17You know what he wants?
00:43:19$25,000.
00:43:24$25,000 for that film.
00:43:29Did you ever hear such a crazy thing?
00:43:32You know why?
00:43:34You know what he said?
00:43:37He's crazy.
00:43:38He's crazy.
00:43:41He said I was a commie.
00:43:44Did you ever hear such a thing?
00:43:48What makes people like that?
00:43:50Where do they get such ideas?
00:43:53All right, he wants to shake us down,
00:43:56but to start calling us commies.
00:43:58Sit down.
00:43:59And you know what else he told me?
00:44:00Sit down.
00:44:08You should have taken care of him yourself.
00:44:10You know I couldn't take a chance.
00:44:12I know you're getting paid to take them.
00:44:26Security isn't interested in all this confusion.
00:44:39Delivery must be made tomorrow night.
00:45:00Get that film.
00:45:09Joey!
00:45:12You can't do it.
00:45:13Where does he live?
00:45:14I know what kind of a guy he is. He'll kill you.
00:45:16Where does he live?
00:45:17If you kill him, you'll get the chair.
00:45:20Joey, I know we're all washed up, but...
00:45:24I still owe you something for the break you gave me.
00:45:27I don't want to see you end up on a slab.
00:45:31All right, I'll find a means to get you out of here.
00:45:34I don't want to see you end up on a slab.
00:45:37All right, I'll find him myself.
00:45:40I'll find him the way you did.
00:45:41Okay, Joey.
00:45:44I'll tell you.
00:45:46He lives at...
00:45:48704 West 47th Street.
00:45:52Near 10th Avenue.
00:45:55In the basement.
00:45:56I'm going crazy.
00:45:59I didn't know where to go.
00:46:00I didn't know who to talk to.
00:46:02Why don't you go to the cop?
00:46:04Who'd believe I didn't know what I was passing?
00:46:06Who'd believe me?
00:46:08Who'd believe me?
00:46:09Would you believe me?
00:46:11Do you know what they do to people who hand out government secrets?
00:46:14Moe.
00:46:16You gotta promise me, Moe.
00:46:18When Joey asks you, you don't know where Skip lives.
00:46:21He won't find me.
00:46:22He knows where you live.
00:46:23Well, why ain't he here?
00:46:25I gave him a phony address for Skip.
00:46:27He's looking for him now.
00:46:29So why don't you tell Skip?
00:46:33He won't believe a word I tell him.
00:46:36Oh.
00:46:38So he crawled under your skin, too, huh?
00:46:41He's as shifty as smoke, but I love him.
00:46:44You sold him out for 50 bucks.
00:46:46Oh, look.
00:46:47Some people peddle apples, lamb chops, lumber.
00:46:50I peddle information.
00:46:52Skip ain't sore.
00:46:53He understands.
00:46:54We live in a different kind of a world.
00:46:58Oh, once in a while, he gets hot under the cop.
00:47:00Once in a while, he gets hot under the collar if I sell him short.
00:47:04But you wouldn't sell him to a comet.
00:47:07What do you think I am, an informer?
00:47:31Coffee.
00:47:36Stay away from your shack, Skip.
00:47:39There's a guy gunning for you.
00:47:41Oh, he won't have any trouble finding me.
00:47:44Everybody in town knows where I live.
00:47:47I didn't pinpoint you, honest.
00:47:49I give Tiger the name of Eight Cannons,
00:47:51but that creep that was looking for you,
00:47:55he's got a gun.
00:47:56I give Tiger the name of Eight Cannons,
00:47:58but that creep that was with him,
00:48:00he fingered your picture like a shot.
00:48:05Confidentially, it sounded like your kind of an act.
00:48:09You think so, huh?
00:48:11How much did you raise on me for your stone and plot?
00:48:15Oh, don't be sore.
00:48:16They'd have caught up with you in a couple of hours anyways.
00:48:20I just chopped down on the time a little.
00:48:24That's mighty nice of you.
00:48:26Who's gunning for me?
00:48:30What's the matter with you?
00:48:32Playing footsies with the commies.
00:48:35You waving a flag too?
00:48:37Listen, I knew you since you was a little kid.
00:48:39You was always a regular kind of crook.
00:48:42I never figured you for a louse.
00:48:44Stop, you're breaking my heart.
00:48:47Even in our crummy kind of business,
00:48:48you got to draw the line somewhere.
00:48:52That muffin you grifted, she's okay.
00:48:57Stuck her chin way out for you.
00:48:59She's...
00:49:03Hey, you look tired, Ma.
00:49:05You better go home.
00:49:07Go on.
00:49:16Stop using your hands, Skip,
00:49:18and start using your head.
00:49:23My kid loves you.
00:49:27Bye, Skip.
00:49:29See you, Ma.
00:49:41Hi, missus.
00:49:43One by a tie, missus.
00:49:46Latest fifth avenue creation.
00:49:49By a tie.
00:49:56By a tie.
00:50:27A small café, mademoiselle.
00:50:34A rendez-vous, mademoiselle.
00:50:40The bayonets, the waltzes.
00:50:46And souvenir, mademoiselle.
00:50:51And as the night goes by.
00:50:56A kiss became a sigh.
00:51:02Your lovely eyes
00:51:05Seem to sparkle just like binders.
00:51:09No heart can go down the way that mine does.
00:51:15For you,
00:51:19And yet I know to where.
00:51:24Someday you'll say goodbye.
00:51:30What are you buying, mister?
00:51:32The name and address of the pickpocket you sold to a girl tonight.
00:51:37Maybe I forgot.
00:51:40Here's a hundred to remember.
00:51:43You pant like a dog.
00:51:47Five hundred.
00:51:49What's this guy made out of, diamonds?
00:51:52Just give me the answer.
00:51:57Maybe it'll come to me in a couple of days.
00:52:01Maybe you won't be around here in a couple of days.
00:52:08You threatening to blow my head off?
00:52:14Ask a silly question, you get a dopey look.
00:52:18Why are you holding back on me?
00:52:20You'd sell anybody for buttons.
00:52:23Yeah, but not to you, mister.
00:52:26Look.
00:52:28I haven't got a lot of time.
00:52:30You haven't got a lot of time.
00:52:35Listen, mister.
00:52:38When I come in here tonight,
00:52:40You've seen an old clock running down.
00:52:46I'm tired.
00:52:48I'm through.
00:52:51Happens to everybody sometime.
00:52:55Will happen to you, too, someday.
00:53:00With me, it's a little bit of everything.
00:53:04Backaches and headaches.
00:53:08I can't sleep nights.
00:53:12It's so hard to get up in the morning
00:53:14And get dressed and walk the streets.
00:53:20Climb the stairs.
00:53:23I go right on doing it.
00:53:27Well, what am I gonna do, knock it?
00:53:32I have to go on making a living so I can die.
00:53:39But even a fancy funeral ain't worth waiting for a vibration.
00:53:42A fancy funeral ain't worth waiting for if I've got to do business with crumbs like you.
00:53:48And I know what you're after.
00:53:51What do you know?
00:53:53I know you commies are looking for some film that don't belong to you.
00:54:02You just talked yourself into an early grave.
00:54:06What else do you know?
00:54:08What do I know about commies?
00:54:10Hudson.
00:54:12I know one thing.
00:54:14I just don't like them.
00:54:29So I don't get to have the fancy funeral after all.
00:54:36Anyway, I tried.
00:54:39Look, mister.
00:54:42I'm so tired.
00:54:45You'd be doing me a big favor if you'd blow my head off.
00:55:04All right, on your feet. Come on.
00:55:06Stick up.
00:55:08Put your hands up against that wall.
00:55:10Oh, cops.
00:55:12For a minute there, I thought it was a stick-up.
00:55:16No weapon.
00:55:18Of course not. I never used a gun in my life.
00:55:20Turn around.
00:55:21Sure.
00:55:23Hey, wait a minute. What is this?
00:55:24A homicide, Rob. Come on, let's go.
00:55:25Homicide?
00:55:26Look, you got the wrong guy. Take it easy, will ya?
00:55:29You can't pull me in like this. What's the charge?
00:55:31We're pulling in every pickpocket in Mo's book.
00:55:34When did you see her last?
00:55:36You mean Mo gut her?
00:55:38Somebody shot her head off.
00:55:40What?
00:55:41Lieutenant.
00:55:44Hey, Eddie.
00:55:48Hang on to it.
00:56:02Yeah?
00:56:05Lieutenant Campion?
00:56:06Yes?
00:56:07My name is Enyart.
00:56:09Yes, sir.
00:56:10Your driver just told me what time it happens.
00:56:13McCoy's not your man.
00:56:14I'm sorry, Mr. Enyart, but my orders are to bring him in.
00:56:16I've been here the whole time, Lieutenant. Watch him.
00:56:19Have the captain of your homicide squad check with Mr. Zorro.
00:56:23All right. Come on.
00:56:26Yeah, I know, but I thought they were supposed to hold on to her till somebody claims her.
00:56:30Nobody'll claim her.
00:56:31She'll complete the morning load to Potter's Field.
00:56:37All right, Captain.
00:56:38Yeah.
00:56:40Yeah, I understand.
00:56:41Okay.
00:56:45Hey, Eddie.
00:56:46Take him off.
00:56:47Huh?
00:56:48Take him off. Let's go.
00:56:59Something wrong?
00:57:01I got a clearance to pick up number 11.
00:57:04The name's Moe. Moe Williams.
00:57:14Steve.
00:57:1611 goes back.
00:57:18Give him a lift.
00:57:33Let's go.
00:57:54Relative?
00:57:56Nope.
00:57:57What are you gonna do with him?
00:57:59I'm gonna bury him.
00:58:03All right.
00:58:33Let's go.
00:59:04Moe's dead, Skip.
00:59:07She was shot in the head last night.
00:59:09It's in the papers.
00:59:11What are you doing here without the dough?
00:59:15I went to her last night.
00:59:18I begged her not to tell Joey where you lived.
00:59:22She wouldn't tell you, Skip.
00:59:25She really loved you.
00:59:26Who's Joey?
00:59:27Your old lady?
00:59:30You're not listening.
00:59:31You're not listening.
00:59:32Is Joey your old lady?
00:59:34Yes.
00:59:36But I told her all about it.
00:59:38I knew he'd find her.
00:59:42You think he did it?
00:59:44I'm sure of it.
00:59:46He was ordered to find you.
00:59:48I was there.
00:59:49I saw him take the gun.
00:59:52But honest, Skip, I didn't think he'd kill her.
00:59:55Shut up.
00:59:58It's my fault. I didn't know.
00:59:59And I didn't mean it.
01:00:00I was thinking about Moe.
01:00:01I didn't mean it.
01:00:02I just didn't figure to go that way.
01:00:05It's all right. It's okay.
01:00:06It's my fault.
01:00:09I've been up all night walking the streets.
01:00:12I didn't know where to go.
01:00:15When I read about it in the papers,
01:00:16I had to see you, Skip.
01:00:18I had to tell you how it happened.
01:00:21You've been so wrong about me, Skip.
01:00:23I had nothing to do with it.
01:00:25It's all right.
01:00:27I see the whole picture now.
01:00:31Where does he live?
01:00:35He's got a gun.
01:00:37I'll let the cops handle him.
01:00:39Where does he live?
01:00:42340 West 96th Street.
01:00:48You better have that 25 grand ready.
01:00:57That's it.
01:00:58Skip!
01:01:02Skip!
01:01:04I'll be seeing you.
01:01:06Skip!
01:01:08Skip!
01:01:10Skip!
01:01:12Skip!
01:01:14Skip!
01:01:16Skip!
01:01:18Skip!
01:01:20Skip!
01:01:22Skip!
01:01:24Skip!
01:01:27Skip!
01:01:29Skip!
01:01:53Okay, lady.
01:01:56You the head of the pickpocket squad?
01:01:58Yep.
01:02:00There's the film you've been looking for.
01:02:02The film the commies want.
01:02:04Skip told me to bring it right to you.
01:02:06Skip told you?
01:02:07Yeah.
01:02:08Hey, I was followed here, and not by friends.
01:02:11I followed you.
01:02:13This film's marked, all right.
01:02:15Would you sit down over here, please?
01:02:20Now, just relax and answer a few questions.
01:02:23I'm going to ask you a few questions.
01:02:25How did you contact Skip McCoy?
01:02:30A lady called Moe.
01:02:32Your friends have anything to do with the murder?
01:02:34Yes.
01:02:35Say that on oath?
01:02:36I'll tell you everything I know under oath.
01:02:38Do you know what was on that film
01:02:40when Skip lifted it from your purse?
01:02:42Look, mister.
01:02:45I didn't say anything about anybody
01:02:47lifting anything from my purse.
01:02:50I came here to help you out.
01:02:52That's the way Skip wanted it.
01:02:53He's been fighting something inside him.
01:02:56Something decent.
01:02:58Trying to crawl out.
01:03:00Well, what's the difference why he sent me?
01:03:03I'm here with the film. That's enough.
01:03:05How long have you known Joy was a communist agent?
01:03:10I didn't know till Skip told me.
01:03:16Honest.
01:03:18You want to help us fight communism, don't you?
01:03:19That's why Skip sent me, to help you.
01:03:22What I'm going to ask you to do might be dangerous.
01:03:24I'm here.
01:03:26All right.
01:03:29Go back to Joy with this film.
01:03:31Carry through with the original plan.
01:03:33Now, whether you make delivery or Joy,
01:03:35it doesn't matter.
01:03:37We'll jump when this film passes to the man we want.
01:03:42Are you ready?
01:03:45Sure.
01:03:49Phone Joy.
01:03:51Tell him you've got the film.
01:03:56I told you there was a big difference
01:03:58between a traitor and a pickpocket.
01:04:00Hello?
01:04:02Joy?
01:04:04This is Candy.
01:04:19Candy?
01:04:49Candy!
01:04:51Joy?
01:04:53Where are you?
01:04:55I'm in the tub.
01:04:57That's why I left the door unlocked.
01:04:59Pour yourself a cup of coffee.
01:05:01Come on out here.
01:05:03Did you hear me?
01:05:05I said come on out here.
01:05:07Come on, quit stalling.
01:05:09Did you hear me?
01:05:11I said come out.
01:05:13Candy!
01:05:20Why did you give me a phony address?
01:05:22I had to.
01:05:24Why?
01:05:26Because I didn't want you to kill him.
01:05:28I didn't want you to go to the chair.
01:05:30Where have you been all night?
01:05:32With him.
01:05:34I'm going to beat the twit out of you.
01:05:36What are you up to?
01:05:38Go ahead, beat up on me,
01:05:40if you don't believe me.
01:05:42But I got the film.
01:05:43How did you get it?
01:05:45You wanted $25,000.
01:05:47How did you do it?
01:05:49How do you think?
01:05:52I wasn't lying to you, Joey.
01:05:54I just didn't want to see you get the chair.
01:05:58You know how I feel about you.
01:06:00I'd do anything for you, Joey.
01:06:02I'd give you anything.
01:06:04There's a frame missing.
01:06:07You'd do anything for me, huh?
01:06:09I'd do anything for you.
01:06:11You'd do anything for me, huh?
01:06:15Where does he live?
01:06:17He's moved.
01:06:19Where does he live?
01:06:21He's gone.
01:06:23Where does he live?
01:06:28Where does he live?
01:06:35Where does he live?
01:06:40Where does he live?
01:07:10Where does he live?
01:07:41Where does he live?
01:08:08She's still alive.
01:08:10Get an ambulance, quick.
01:08:15Give me headquarters, police headquarters.
01:08:17He's in the building somewhere.
01:08:18Try every floor, every stairway.
01:08:20Send an ambulance.
01:08:21A woman's been shot at 607 West 74th Street,
01:08:23apartment 302.
01:08:25And notify homicide.
01:08:33He's not on the roof.
01:08:34Throw some more men at the entrance.
01:08:35Ray, check the janitor's closet.
01:08:36Throw all fours.
01:08:41Gibbs.
01:08:42Gibbs.
01:08:43Gibbs.
01:08:46He's not down there.
01:08:48Well, he's in the building somewhere.
01:08:50Check everything.
01:08:51Check the dustbin.
01:09:10He's not down there.
01:09:41No, Gibbs didn't make it.
01:09:42He died a few minutes ago.
01:09:44No, she's got a 50-50 chance.
01:09:47Yes.
01:09:48General alarm is in effect right now.
01:09:50Every man in the police department's cooperating with us.
01:09:52Yes, sir.
01:09:53Hundreds of prints of his face have been distributed.
01:09:59I'm sorry, sir.
01:10:01I'm sorry, sir.
01:10:03I'm sorry, sir.
01:10:05I'm sorry, sir.
01:10:06I'm sorry, sir.
01:10:07I'm sorry, sir.
01:10:09I want you men to keep reminding the officers
01:10:11that just as soon as Joey's recognized,
01:10:13he's to be followed, no matter what happens.
01:10:15I want an arrest when he passes that film.
01:10:19Look, why are they taking so long?
01:10:21Are you sure they went to get him?
01:10:23Why are they taking so long?
01:10:25You'd better calm down if you want to get better.
01:10:27Look, phone the cops.
01:10:29Go look outside, see if he's coming.
01:10:31Why are they taking so...
01:10:33There's a door.
01:10:35There's a door.
01:10:36Why are they taking so...
01:10:38There's a door.
01:10:39Go answer it.
01:10:40Answer it!
01:10:58You all right?
01:11:07Joey found a frame missing.
01:11:09I had to tell you before he got to you.
01:11:12I play everything smart.
01:11:15But you...
01:11:18Clubbing me and taking that film.
01:11:20Look, get rid of it, Skip.
01:11:22Get rid of it.
01:11:23You're clean now.
01:11:28I'm sorry I spoiled your big score.
01:11:33I'm sorry.
01:11:35I know it sounds corny to you,
01:11:38but I'd rather have a live pickpocket
01:11:41than a dead traitor.
01:11:44And I'd rather have you talk without a twist.
01:11:47I told you before, Skip.
01:11:49I wouldn't lie to you.
01:11:55Does Joey know where I live?
01:11:59Your address was in my purse.
01:12:01That's why I wanted the cops to get to you
01:12:02before he did.
01:12:04Now, don't go back to the shack, Skip.
01:12:07Did Joey kick your face in?
01:12:12Yeah.
01:12:14Why?
01:12:23I wouldn't tell him where you live.
01:12:32I wouldn't tell him.
01:13:02Come on.
01:13:32Come on.
01:13:55Not down here.
01:13:57That's funny. The light's on.
01:13:59He'll probably be back in a minute.
01:14:00Why didn't you get in touch with me earlier?
01:14:02I couldn't take a chance until they were off my back.
01:14:05You sure this is the right place?
01:14:07Yes, this is it.
01:14:0966 South Street.
01:14:12How much time have we got?
01:14:1430 minutes.
01:14:15You better deliver what you've got.
01:14:20Maybe it might be better if you turned it over.
01:14:23I'll wait here for McCoy.
01:14:25You haven't got much time.
01:14:31Joey.
01:14:33Yes?
01:14:35Tell him I'll meet him at the airport with the other frame,
01:14:37but not to wait.
01:15:00Come on.
01:15:30Come on.
01:16:00Come on.
01:16:30Come on.
01:17:00Come on.
01:17:30There's a frame missing, buster.
01:18:00Move.
01:18:31Oh!
01:18:42Oh!
01:18:55Oh!
01:19:01Oh!
01:19:08Hello, Tiger. How's the whip?
01:19:10Still cracking, huh?
01:19:12You know, I didn't need an escort from the clink back to this rat trap.
01:19:16It's too bad you couldn't make that charge stick.
01:19:21Let's have my release papers.
01:19:28Thanks a lot.
01:19:31Thanks.
01:19:36Honey, you look as good as new.
01:19:38Did you miss me, muffin?
01:19:41Come on, let's get out of here.
01:19:49Well, ain't you even gonna say goodbye, Tiger?
01:19:51Wait a minute!
01:19:58I had you right where I wanted you.
01:20:00In your pocket, a cinch for a three-time loser.
01:20:03That's right. What are you gonna do about it?
01:20:05You'll always be a two-bit person, aren't you?
01:20:07I'd give you 30 days before I'd pick you up
01:20:09with your hand in somebody else's pocket.
01:20:12You want to bet?
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