日曜日の初耳学 2024年9月8日
Category
🎥
Short filmTranscript
00:00This is the interview with Osamu Hayashi.
00:07He made the most popular Taiga drama in history.
00:11He is so charismatic.
00:18Hello.
00:19Nice to meet you.
00:20He is a comedian.
00:23Thank you for having me.
00:24I remember this feeling.
00:28Do you remember this feeling?
00:29Yes, I do.
00:30It doesn't look like a TV program.
00:32It's good to be rough.
00:36He appeared in many dramas.
00:43For example, Furuhata Ninzaburou.
00:48He made many great works.
00:51He is a comedy writer.
00:53He is Koki Mitani.
00:55He is not only good at comedy.
00:57He is also good at Taiga drama.
01:01He won the first place and the second place in his favorite Taiga drama.
01:06He is a charismatic writer.
01:10Tonight.
01:13Is he your friend?
01:14Yes, he is.
01:17His best friend, Masami Nagasawa.
01:19He looks like him.
01:22Is he your best friend?
01:23In addition.
01:24He is a remote broadcaster with Mitani.
01:29Nice to meet you.
01:33He is a comedian.
01:34It's going to be fun.
01:36He is cool.
01:37She is my ideal woman.
01:38Ideal woman?
01:39Ideal woman?
01:40What should I do?
01:41What is your ideal woman?
01:45I can't tell you.
01:46I can tell you.
01:47I'll tell you more.
01:49Do you know this?
01:51Remi, there is something you can't say.
01:54Please think about it.
01:57Charismatic writer, Ideal woman, Remi Hirano.
02:00Charismatic writer, Ideal woman, Remi Hirano.
02:04It's been three and a half years since I started this program.
02:07I've met various actors.
02:10When I listen to their stories,
02:12I feel that Mitani is loved by many actors.
02:15I feel that Mitani is loved by many actors.
02:18Many people are looking forward to Mitani's story.
02:23I like Mitani.
02:27I want to find her good points as soon as possible.
02:34I want to tell everyone the good points of Mitani.
02:42I can hear the voice of Mitani that Mitani loves.
02:48However, there are some scenes that Mitani is in trouble.
02:53Please take a look at this.
02:55Speaking of Mitani Kouki,
02:57It's a prank on the actors during the performance.
03:02It's a prank on the actors during the performance.
03:06There is Kazuyuki Asano there.
03:09Asano Kazuyuki is watching Mitani Kouki from behind.
03:13Asano Kazuyuki is watching Mitani Kouki from behind.
03:18Asano Kazuyuki is doing something like this.
03:20Asano Kazuyuki is doing something like this.
03:21Asano Kazuyuki is doing something like this.
03:24In addition, Amami Yuuki wants to drink coffee from Mitani's sleeves.
03:32In the play where Yoshida Yo appeared,
03:34Mitani Kouki, who is not a performer, appears as an ad-lib.
03:39Mitani Kouki can do whatever she wants.
03:43Please look back and explain your intention.
03:49This is all a stage performance.
03:52When I'm on stage, I have a period of stagnation.
03:59If I perform the same script for two or three weeks,
04:04I tend to be less excited.
04:07I tend to be less excited.
04:10At that time, I want to put a detonator in it.
04:16It's a detonator, isn't it?
04:17That's right.
04:18I think it's a good detonator.
04:23I think it's a good detonator.
04:25Did Ohizumi Oh say that he was wrong?
04:30He's wrong.
04:33He's being tested.
04:34I'm disappointed.
04:36I'm disappointed.
04:37I'm disappointed.
04:38I'm doing this because I trust you.
04:42I see.
04:43I'm doing this because I trust you.
04:44I'm doing this because I trust you.
04:47For example, I don't tease people who are nervous on the first stage.
04:53If the play breaks down, I can't do it because it doesn't make sense.
04:58I know it won't break down.
05:00I know it won't break down.
05:01I know it won't break down.
05:03Ohizumi Oh bit the script.
05:05He cheated me.
05:08I saw Ohizumi Oh's part.
05:09I saw Ohizumi Oh's part.
05:10Ohizumi Oh's part is wrong.
05:12I've never tried to do this again.
05:15I've been careful.
05:17I'll never do it again.
05:20Which one?
05:21Which play?
05:22In addition, one of the usual works of Mitani,
05:25what Nakai Kiichi saw was such a prank.
05:30It was at the time when Yasufumi Terawaki took an apple and ate it with his skin on the stage.
05:37Thank you very much.
05:39He saw such a prank, but here it is.
05:43The apple that was a small tool of the stage was turned into a banana.
05:48This is Terawaki-san.
05:50Terawaki-san was the role of Gougan on the stage.
05:55In the story of the impressionist painter,
05:58there was a scene where he put a fruit and drew a picture.
06:02Originally, I had to draw an apple,
06:05but one day I rubbed it into a banana.
06:10Why did you change it?
06:13At the end of the scene, Terawaki-san ate the apple and turned it into a banana.
06:19I was wondering what I should do if it was a banana.
06:22Should I peel it off or not?
06:25But I had a timing.
06:27It's a matter of trust.
06:29I thought Terawaki-san would do something.
06:31Then Terawaki-san grabbed a banana at the timing of grabbing an apple as usual.
06:37He chewed a banana with his skin.
06:40Terawaki-san is quite a man.
06:45Actually, this time, Mitani brought something from home that he wanted to show Osamu Hayashi.
06:53This is the topic that they talked about last time.
06:58I was reading the story of the Sengoku Hyakunin.
07:01I was reading it, but I couldn't go to my parents' house to get it.
07:05Do you still have it?
07:06I have it now.
07:09I've never had such a fun time.
07:11This and the Sengoku Hyakunin are like the Bible.
07:15One more thing is the Bungou Hyakunin.
07:18I'm a 15th-generation Tokugawa.
07:21It was a book of history that he had been reading since he was in elementary school.
07:26And this time...
07:28I brought something I wanted to show you.
07:31When I came here last time, you brought the Meiji-shin Hyakunin.
07:36I love Meiji-shin Hyakunin.
07:39I bought the Sengoku Hyakunin when I was 12 years old.
07:44To be honest, I feel like I lost.
07:48I lost to this.
07:51Do you still have it?
07:52Yes, I do.
07:54I thought it was the second Sengoku Hyakunin.
07:57If I had won the first Sengoku Hyakunin, I would have won the card.
08:04I lost.
08:06I love this.
08:08This is good, isn't it?
08:09Yes, it is.
08:11This is called Takenaka Hanbei.
08:14Wait a minute.
08:15Takenaka Hanbei.
08:17Can I have some time?
08:19It's an interview.
08:25You're using it well.
08:29It brings back memories.
08:33He's going to a different place.
08:36I couldn't predict that Mitani-san would use it next time.
08:40I lost.
08:42I wanted to bring it.
08:44You brought it here.
08:47You're right.
08:48You brought it.
08:50This is the second Sengoku Hyakunin.
08:53I said this during the interview.
08:55The first Sengoku Hyakunin?
08:57I won with this.
09:00If I had used this card, I would have won.
09:04I don't care about the sun's mount.
09:10Mitani has been cosplaying as his favorite historical figure since elementary school.
09:15He even played with the portrait photos.
09:19It's interesting.
09:21When I watch a movie or a drama, I want to imitate it right away.
09:25There's a movie called Subway Panic.
09:28It's set in the 70s.
09:30It's about hijacking a subway in New York.
09:34The next day, I really didn't want to imitate it.
09:39There are four criminals.
09:41They're all wearing the same clothes.
09:44They're wearing hats, glasses, and a beard.
09:47They're wearing coats.
09:49They're waiting at each subway station.
09:53They get on the train one by one.
09:56Finally, the four of them get together and the hijacking begins.
10:00I really wanted to do it.
10:02I asked my classmate to do it.
10:04I was in middle school.
10:05I asked him to wear a hat, glasses, and a beard.
10:08It was a K-O match.
10:10Did you really do it?
10:12I did it.
10:13I got on the train from Karasuyama.
10:16I went to each station one by one.
10:18Other than me, I've never seen that movie.
10:21Why did you make us do this?
10:25I was excited about it.
10:27It was fun.
10:28That's right.
10:29It's getting more and more.
10:31When everyone got together, it was like a disbandment.
10:35You're a kind friend.
10:37If you think it's interesting, try it yourself.
10:41And now that I'm a screenwriter, I'm dealing with actors.
10:46What I think is interesting.
10:49He expresses what he wants to see as a work of art.
10:54For example, his best friend Koichi Sato.
10:58When I saw Sato's movements and his overall existence as an actor,
11:05I thought about what movements he would never do.
11:10I thought it was an up-and-down movement.
11:13I've never seen it.
11:16So I thought about how to make it an up-and-down movement.
11:19I came up with the idea of a trampoline.
11:21Koichi Sato goes up and down on a trampoline.
11:26I wondered what kind of situation it was.
11:30I thought about the story before and after that.
11:33Finally, I came up with the story of The Magic Cow.
11:37Did you start with an up-and-down movement?
11:39That's where it started.
11:40That's where it started?
11:43Koichi Sato wants to make an up-and-down movement.
11:47That's why he made the movie The Magic Hour.
11:52He's actually sending out an image of that actor.
11:58I sent it out.
12:03That's a good scene.
12:06Koichi Sato is working on a new production.
12:15In this program, we're going to ask Mr. Masaki Akai to design the plants.
12:24This time, it's a plant called New Siren.
12:27It's a plant that can be shaped by rolling leaves.
12:31This is perfect for your image of adding various hands to each work.
12:40Mr. Mitani, I have the impression that you make the actors play very interesting roles.
12:47I have the image that Eri Fukatsu was sleeping in a hotel.
12:55There was a night when he couldn't sleep.
12:58When he woke up, he saw Nishida-san's dead body in front of him.
13:04And he said,
13:05His breath stinks.
13:08That scene just came to my mind.
13:11Does that just come to your mind?
13:15It came to my mind as a picture.
13:17I remember the moment it came to my mind.
13:19It was when I was walking my dog in a park near Shimoma.
13:23That's very specific.
13:25It just came to my mind.
13:27This is the video that actually captured that thought.
13:32But it would be terrible if it really came to my mind.
13:37It stinks.
13:54I've never seen this scene before.
13:58I was wondering what the story would be like before and after this scene.
14:02That's how I came up with this wonderful story.
14:06Did you come up with that story?
14:08Yes, I did.
14:09There are many stories like that.
14:11It's like that.
14:12First of all, it's all about the actors.
14:14I see.
14:15How did you come up with the idea of having Hiroshi Abe's tap dance?
14:24When I met him and talked to him,
14:31I wanted to make him dance.
14:34He has long limbs and a big body.
14:39So I thought he would dance dynamically.
14:44He's not a very skillful dancer.
14:47So I thought it would be interesting to see him dancing dynamically.
14:54Also, this is a court drama.
14:57He's a lawyer.
14:59I was wondering what would be the most inappropriate move in court.
15:05I came up with tap dance.
15:08Hiroshi Abe's tap dance, which he really wanted to see,
15:12was realized as a scene where a lawyer earns time in court.
15:16Here it is.
15:18Before we start the interrogation,
15:20could you give me some time?
15:23What do you mean?
15:31He's laughing.
15:33He's earning time.
15:35Amazing.
15:39He's laughing.
15:45Amazing.
15:50I give up.
15:53Your tap dance has nothing to do with the case.
15:58What?
15:59Is that so?
16:03Ayase, you too.
16:05Ayase and Masami Nagasawa are very close.
16:10Nagasawa asked me to show him Ayase eating a hamburger.
16:16He said,
16:19no one eats a hamburger as deliciously as Ayase.
16:25So I wanted to show him eating a hamburger.
16:32I could see what kind of story he wanted to tell.
16:35That's amazing.
16:36I could see the whole story.
16:38Is that so?
16:39A hamburger doesn't look like a big one.
16:44It looks like a rabbit eating a hamburger.
16:47I see.
16:48It looks very happy.
16:51Ayase Haruka eats a hamburger happily.
16:56It was also in one scene of the movie.
17:03It's small.
17:04It's small.
17:05It's small.
17:08Ayase Haruka eats a hamburger while smiling for more than 12 seconds.
17:13Her strong desire to watch this movie is the starting point of her creative work.
17:20From there, she creates a story setting and expands the story.
17:26She creates a story setting and expands the story.
17:29She creates a story setting and expands the story.
17:33She creates a story setting and expands the story.
17:35What is the most exciting moment of her work?
17:42When I ate with my old friend, Mirai-san,
17:47Ryo-san, there are some things you can't say, but please think about it.
17:52Ninja Bro.
17:54Ninja Bro.
17:57For example, in a movie,
18:00there is a long process of writing a script,
18:04gathering actors,
18:06cranking in, cranking up,
18:09editing, advertising, and publishing.
18:15It takes about two years.
18:17When I was asked what the most exciting moment was,
18:22it was when I was casting.
18:25I was so excited.
18:27In this book, there is a story about Nobuto Okamoto,
18:32who was casted as Chiba Tsunetane,
18:35who was casted as Chiba Tsunetane,
18:38In Kamakura, there are a lot of elderly people,
18:43especially at the beginning.
18:45They all wear armor and go to war.
18:49If they are really elderly,
18:52there is a worry that they won't last until the end.
18:55So I looked for an elderly but surprisingly energetic actor.
19:01I looked for him with the staff.
19:04When I was wondering if anyone was there,
19:06I happened to see the play of Downtown on Sunday night.
19:11There was a grass baseball game.
19:14Nobuto Okamoto was very active in the game.
19:20So I told him that Okamoto was there.
19:22I told him that I wanted him to be in the play the next day.
19:35People in the world wanted to know what Okamoto knew.
19:42Recently, people are talking about Okamoto eating weeds.
19:47But Okamoto is not that kind of person.
19:51Chihiro Yamamoto, who played the role of the assassin Toyaku,
19:55was casted in the play of Kamakura.
20:00Now, she is in the play of Mitani.
20:04I met him in a strange way.
20:08He was in the same train when the play was just started.
20:14I thought there were many people who watched the play.
20:17I was not an actress at that time.
20:21When I was casted in Mitani's play for the first time,
20:24I had an audition.
20:26It was four years later.
20:28I met him on the train.
20:30Do you remember?
20:33Mitani?
20:34Yes.
20:35Mitani, do you remember?
20:37Yes, I do.
20:38I said,
20:39Yes, I do.
20:41But I don't remember.
20:42You don't remember.
20:44But,
20:45it's a fate.
20:47You are casted in a meeting.
20:50Yes.
20:51I often hear that.
20:53Mitani is not only good at acting and casting,
20:58but also good at narration.
21:02I talked to Mitani,
21:04who appeared in many plays.
21:08Hello, Mitani.
21:09I'm Masami Nagasawa.
21:12Masami Nagasawa, an actress who acted as a narrator in Kamakura's play in 2022.
21:21She became a hot topic at that time.
21:31Masami Nagasawa, an actress who acted as a narrator in Kamakura's play in 2022.
21:37Masami Nagasawa's whispering narration.
21:42I watch from the room next to me.
21:48I watch what is happening now.
21:51I watch people who live in that room
21:55from the same perspective as the viewers.
22:00I tried to express that by whispering.
22:07I think that's one of the key points.
22:11Mitani's acting is to give me a keyword for how to act.
22:18Mitani and Nagasawa get along well even in private.
22:23What are you talking about?
22:25We get along well.
22:27Their conversation in private has changed a little.
22:34Next week, the most popular artist,
22:37Mrs. Green Apple.
22:39She's fast.
22:40She's fast.
22:41She has many hit songs.
22:43She's getting closer to writing a song.
22:46I can't read or write.
22:49I listen to it with my ears and copy it.
22:52It's a good band.
22:56Next Week
22:59Mitani and Nagasawa get along well even in private.
23:05What are you talking about?
23:07We get along well.
23:09When Mitani, my friend, and I went out to eat,
23:14Mitani and my friend talked about how they boiled eggs at the same time.
23:19They were living together.
23:22I sometimes have a hard time,
23:27so I do it for 11 minutes.
23:29That's too long.
23:31Mitani and my friend were both science majors.
23:35The two science majors said that 7 minutes was the best.
23:38I thought that cooking was science.
23:43In fact, she uses her science brain for her acting.
23:48She says this in her book.
23:51I make 99% with a rhythm.
23:55It's to make the 1% break charming.
23:59Because I've been doing it with a rhythm,
24:02the broken scene shines.
24:06The more unexpected ideas you have,
24:09the more fun you can convey by thinking and calculating with a rhythm.
24:16This is the essence of Mitani Kouki,
24:20an entertainer who entertains many people.
24:25The turning point of his life is
24:30his son was born when he was 53 years old in 2014.
24:39This is the turning point of his life.
24:46Next, Mitani Kouki's father, Hayashi Osamu, approaches him.
24:53What kind of father do you think you are?
24:57I think Mitani is a fun father.
25:00Looking back,
25:03I had a lot of uncles because my father was not there.
25:08They are my mother's brothers.
25:13Uncles are very interesting.
25:17They teach me all the bad things in the world,
25:22dangerous things, and bad things.
25:29They are my uncles.
25:31They give me a lot of love,
25:34but they are irresponsible, so I have a lot of freedom.
25:38They teach you irresponsible things.
25:41Yes.
25:42I feel that kind of presence.
25:46They have been with me all the time.
25:49Of course, I'm a father,
25:51but he doesn't have an uncle.
25:55I think I should be in the position of an uncle.
26:03I feel like I'm a father and an uncle.
26:10This time, a remote broadcast with a person who has seen the appearance of his father, Mitani Kouki.
26:18I have a deep relationship with Mitani.
26:21Mitani is a woman of taste.
26:24A woman of taste?
26:25Yes.
26:33I'm sorry.
26:34A woman of taste?
26:36It's a strange way of saying it.
26:38An ideal woman.
26:39An ideal woman.
26:40I'm sorry.
26:41That's great.
26:42An ideal woman.
26:43What should I do?
26:44What is your ideal woman?
26:46I want to know.
26:47I can't say it.
26:50When I read the essay of Mr. Wadamakoto,
26:56Mr. Wadamakoto wrote a story about his wife.
26:59He wrote that his wife loves cooking, is cheerful, and is fun to be with.
27:04In addition, Mr. Wadamakoto's illustration was like Julie Andrews.
27:09It was very cute.
27:11At that time, I wanted to marry such a person.
27:15I think it was when I was in junior high school.
27:17It was when I was in junior high school.
27:19When I actually saw it, it was a little different from what I imagined.
27:22Was it different?
27:23Just a little.
27:25Hirano Remi's husband is an illustrator and movie director, Mr. Wadamakoto.
27:32He is a person whom Kouki Mitani has admired since he was a child.
27:37He asked Mr. Wadamakoto to draw the cover of Mitani's book.
27:41I see.
27:42It's been about 30 years since he started dating Hirano Remi.
27:47It's very luxurious.
27:49Remi, there's something I can't say.
27:52Please think about it.
27:54Mr. Mitani told me not to say this and that.
27:57My two sons told me not to talk to my mother today.
28:02Mr. Mitani told me to tell a fun story.
28:05My mother told me to listen to it all the time.
28:07So I won't talk today.
28:09Please talk.
28:11Mr. Mitani, please tell us about your private life.
28:17I don't care about Minari at all.
28:20I'm sloppy.
28:22Do you think so?
28:24When I go shopping at the supermarket, I'm sloppy.
28:28I don't do my hair like today.
28:33How do you usually do your hair?
28:35I'm sloppy.
28:37I don't know.
28:39Remi, have you ever seen Mitani's work?
28:43I've seen Ninja Bro.
28:45I've seen Ninja Bro.
28:47I've seen Ninja Bro.
28:49I've seen Ninja Bro.
28:51It's like a friend.
28:53It was very interesting.
28:56Mr. Mitani is a wonderful person.
29:00My two sons told me not to talk to my mother today.
29:04Mr. Mitani is a wonderful person.
29:07Please listen to it all the time.
29:09I've heard that.
29:11It's funny.
29:13Mr. Mitani, do you have any plans to cast Remi?
29:19Mr. Mitani is not interested in acting.
29:23Listen to me.
29:25A long time ago,
29:27Mr. Juzo Itami and Mr. Akihiko Kurosawa asked me to cast them.
29:34I said I wouldn't do it.
29:37But Mr. Mitani refused.
29:40Wait a minute.
29:42Why did Mr. Akira Kurosawa ask you to cast him?
29:45I don't know.
29:47I said it was a joke.
29:49I said I wouldn't do it.
29:51Will you do it?
29:53If I do it, will you do it?
29:57I won't do it.
29:59You won't do it.
30:01Mr. Mitani, who was born 10 years ago, is well known.
30:07I'll tell you a better story.
30:10Do you know this?
30:12You gave birth to a boy, didn't you?
30:14I didn't give birth to him.
30:16Your wife did.
30:18The boy was cute.
30:20I was at the gate of the police station.
30:24I was handing out coins.
30:26Everyone was angry.
30:28I thought it was terrible.
30:30I was taking coins one by one.
30:34I tried to peek at my face.
30:37I said,
30:38Hey, Mr. Mitani.
30:40He was cute.
30:41He was cute.
30:42I happened to pass by.
30:44We took coins together.
30:46He was cute.
30:47He grew up.
30:49Recently,
30:50I said,
30:51Hello, baby.
30:53He said,
30:54Who are you?
30:56That's how it is.
30:59I said,
31:00I'm sorry, but I forgot.
31:03He was like a little boy.
31:06He was polite.
31:08He said,
31:09I'm sorry, but I forgot.
31:11He said,
31:12I'm sorry, but I forgot.
31:14That was a few months ago.
31:16I didn't know that.
31:18What kind of father is Mr. Mitani in front of you?
31:22That's it.
31:25On Halloween,
31:27He wore a cardboard box.
31:29He wore a cardboard box.
31:31I think his name is Thomas.
31:33He wore a cardboard box.
31:35He came to my house with his wife.
31:38He showed me his costume.
31:41At that time,
31:42I thought he was a good father.
31:45I thought he was a good father.
31:46I think you can tell that he is a good father.
31:50He did a good job.
31:52His face is Thomas.
31:54He put his body on his back.
31:58And he didn't have any shame.
32:01He didn't have any shame.
32:04It's Halloween.
32:06Thank you very much, Renyu.
32:09Thank you very much.
32:11See you again.
32:13See you again.
32:14I feel like I've been sucked into the guest room.
32:18On Halloween,
32:20He wore a cardboard box.
32:22He wore a cardboard box.
32:24I think your son will be very happy.
32:27My son was born when I was 53 years old.
32:33I never imagined that I could have a child.
32:39I never imagined that I could have a child.
32:41My father passed away early.
32:45I didn't think he was my son.
32:50But he suddenly became my father.
32:54I think he is cute.
32:56I think he is cute.
32:58I think he is cute.
33:00I've had a lot of experiences.
33:03I've had a lot of experiences.
33:05It says here that you have been reading and listening to him.
33:07It says here that you have been reading and listening to him.
33:09I don't know if it's called English education.
33:15I'm going to do everything I can.
33:22I'm going to teach him what I was impressed with, what I was influenced by, and what I thought was interesting.
33:30I'm going to teach him what I was impressed with, what I was influenced by, and what I thought was interesting.
33:35I've been reading and listening to his stories since I couldn't read.
33:41I've been reading and listening to his stories since I couldn't read.
33:47I've been reading and listening to his stories since I couldn't read.
33:52Kouki Mitani didn't draw much of a parent-child relationship in his works until he became a father in 2014.
34:05In 2016, Sanada Maru, a large-scale animation drama,
34:13he drew various parent-child relationships with 26 pairs of children.
34:2026 pairs!
34:24By becoming a father and knowing the feelings of his parents, he has expanded the scope of his works.
34:32Yamamoto-san, do you get along with Mitani-san in private?
34:36I let him come over to my house.
34:39I'm sorry, but I was really shocked during the VTR.
34:43Why?
34:44There was an episode where Remi Hirano said that I looked like Julie Andrews.
34:52About last month, I was told that Chihiro-san looked like Julie Andrews.
35:01This is used by everyone.
35:03I was really nervous.
35:05That's a great phrase.
35:07But I'm jealous that such an episode was born.
35:16Kouki Mitani's entertainment life began when he was 22 years old.
35:22He was a member of the Tokyo Sunshine Boys, a theater troupe founded during his time at the Faculty of Arts.
35:30Masahiko Nishimura, Zen Kazihara, Kazuyuki Aijima, Takashi Kobayashi, etc.
35:36There are many actors who are now active as famous actors.
35:43Next, we will talk about Kouki Mitani's origin.
35:46Osamu Hayashi approaches the stage.
35:51In fact, this time, we got a very precious video of Kouki Mitani during the Tokyo Sunshine Boys.
35:59That was in 1987, when Mitani was 25 years old.
36:07It was when he appeared on a program where he introduced the stage of a popular theater troupe on TV.
36:17At that time, it was the fifth year since the Tokyo Sunshine Boys were formed.
36:23He was worried about the number of audience members.
36:29In the corner where he introduces the theater troupe at the beginning of the program,
36:34please see Kouki Mitani, who is trying to convey the charm of our theater troupe.
36:42Kouki Mitani, who is trying to convey the charm of our theater troupe.
36:46It is said that the Tokyo Sunshine Boys have a strong personality, regardless of whether they are good at acting or not.
36:53It's embarrassing.
36:55It's terrible.
37:01Here is Kouki Mitani, who is trying to convey the charm of our theater troupe.
37:09Kouki Mitani, who is trying to convey the charm of our theater troupe.
37:11It is said that the Tokyo Sunshine Boys have a strong personality, regardless of whether they are good at acting or not.
37:18It's embarrassing.
37:20It's terrible.
37:22Everyone participates in the play freely without being bound by the framework of the theater troupe.
37:27That's why each and every one of them is unique and shining.
37:31It's just not organized.
37:34What is this?
37:36Of course, there is a certain discipline.
37:39For example, the actors do not recognize sexual intercourse at all.
37:44What is this?
37:45There is no one here who is late for rehearsal.
37:49I'm sorry I'm late.
37:53It's Zen Kajiwara.
37:57I think.
37:59What is the teamwork of the Tokyo Sunshine Boys?
38:12I've never seen it before.
38:14I found it well.
38:16This is the stage of the live broadcast from the opening.
38:20This was the opening.
38:22Looking at it again, it's a little embarrassing.
38:24It's embarrassing.
38:26It's terrible.
38:28The moment I was blown away and disappeared from the screen, it was a little interesting.
38:33I thought it was a good play.
38:36Next year, the theater troupe will be re-established for the first time in 30 years.
38:43I think everyone has been working hard as an actor so far.
38:48It's not like there's a big star.
38:51I thought again that it was a theater troupe of people who had the power to continue.
39:02We got together again the other day and did something like an organization.
39:08I grew up on stage and loved the actors on stage.
39:13The love for the stage appeared like that.
39:18Let's talk about Suomi, starring Masami Nagasawa.
39:24In fact, this work is a movie, but it was made to make a stage.
39:31I wanted to make a movie like a stage.
39:35Actors have been practicing like a stage for almost a month.
39:41I made a play and did a cranky.
39:45At this moment, I wanted to make the most brilliant movie of Masami Nagasawa.
39:57Suomi, starring Masami Nagasawa, is a woman who married five men.
40:06Suomi is a woman who has a different impression depending on the person.
40:14The character changes in front of these five husbands.
40:20In fact, it was based on Mitani's real experience.
40:26I think this is a common experience for everyone.
40:32In my family, I sometimes call myself my father.
40:42But when I meet my co-workers, I make a different character.
40:52But when my co-workers appear in front of me,
40:57my family and my co-workers appear in front of me at the same time.
41:03At that time, I thought, which character should I make?
41:08I think there is such a thing.
41:11At that time, I was worried about which character to make.
41:15In the end, it became a vague third character.
41:19At that time, I thought it was interesting.
41:23Suomi is married five times.
41:25But she played a different character in front of each husband.
41:31At that time, I wondered what would happen if I had to appear in front of five husbands.
41:37That's how I made the story.
41:41It's interesting.
41:44Kouki Mitani has created many works that are said to be masterpieces,
41:49while feeling interesting at ordinary moments in everyday life.
41:53I talked about it at the time when I was almost 60 years old.
41:58I was almost 60 years old.
42:00While I was alive, I was anxious about how many works I wanted to write.
42:09I think I have a lot of things I want to write.
42:15However, Kouki Mitani also had a hard time creating.
42:22The hardest moment was when I was writing the script for the film.
42:29I had to write a script even though I had an ideal casting.
42:35I had to write a book that everyone would be satisfied with.
42:43Moreover, I had to do it alone without anyone's help.
42:48It was a really hard time.
42:54I couldn't get used to it yet.
42:57Until I started to write, I had a bad feeling.
43:02I started to write while thinking,
43:06I don't want to repeat that feeling again.
43:09Even though you knew you were going to be happy?
43:12That's right.
43:14I still feel that way.
43:16Even so, Kouki Mitani continues to challenge himself to create something new.
43:24What is it that moves him so much?
43:30There was a passionate feeling that even Hayashio-san could feel.
43:40You said you felt the dark part.
43:42Hayashio-san.
43:44That's fast.
43:46I feel good.
43:48I feel happy when I see it.
43:54What is the driving force behind Kouki Mitani's creation?
43:59I'm doing what I want to do.
44:07On the other hand, it's a job that I'm ordered to do.
44:10I always feel that I have to live up to that expectation.
44:17It's related to the producer.
44:21The actors also trusted me and took on this job.
44:27I have to live up to that.
44:29I can't make something bad with that.
44:31I think that's my motivation.
44:37I think that's the driving force.
44:42I feel sad and frustrated when I finish the show without getting excited.
44:54I'm glad you called me again.
44:56I'm sure you'll call me again.
44:58I'll be waiting for you.
45:00I thought I could cheer up the audience.
45:02I lost to the audience of 1,500 people.
45:06I think I won the moment I saw the audience of 1,500 people at home last night.
45:16There are hardships and sufferings in work.
45:21However, there is no greater happiness than feeling that people are happy and that they are needed.
45:30That is the driving force behind the screenwriter Kouki Mitani.
45:39I don't know what to do for the third time.
45:42He said he would come for the third time.
45:45I can't lose.
45:47There is a battle that I can't lose.
45:48I can't lose.
45:50I don't know the outcome of the battle.
45:52Hatsumigakura Fever.
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