Just arriving in his rich aunt cottage for holidays, Bunny is entranced to find out that the beautiful sweet girl who saw in a crossing train is Mary, the neighbour's niece.
Bobby Howes ... Bunny
Marian Marsh ... Mary
Margaret Bannerman ... Diana
Viola Lyel ... Gladys
Bertha Belmore ... Jennifer
Syd Crossley ... Podds
Mary Sheridan ... Tilda
Freddie Watts ... Thorold
Stewart Granger
Henry B. Longhurst
Ian Wilson ... Bellboy
Norman Wooland ... Police Constable
Directed by John Daumery
Bobby Howes ... Bunny
Marian Marsh ... Mary
Margaret Bannerman ... Diana
Viola Lyel ... Gladys
Bertha Belmore ... Jennifer
Syd Crossley ... Podds
Mary Sheridan ... Tilda
Freddie Watts ... Thorold
Stewart Granger
Henry B. Longhurst
Ian Wilson ... Bellboy
Norman Wooland ... Police Constable
Directed by John Daumery
Category
📺
TVTranscript
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00:14:31What a funny old-fashioned room.
00:14:32Is it?
00:14:33Well, surely you must know it is.
00:14:34Well, I haven't seen many rooms.
00:14:37Oh, I see. What's this? Soap?
00:14:39Why, no, that's beautiful.
00:14:43Is this the drawing room?
00:14:44No, this is the parlor.
00:14:46Looks like a museum.
00:14:48I say, is this beautiful too?
00:14:50Yes.
00:14:51I don't think.
00:14:52You should. It comes quite easily after time.
00:14:55You're a funny old-fashioned girl.
00:14:57Am I?
00:14:58Well, you're a little bit out of date.
00:15:00Oh, but I like you for it.
00:15:01Do you?
00:15:02Rather, I do. I shouldn't be here talking to you if I didn't.
00:15:05I saw you arrive, and I said to myself, I'm going to wait until she comes out.
00:15:09Yet you didn't come out.
00:15:10Well, I haven't been allowed out of the garden.
00:15:12Good Lord, you haven't got measles or anything, have you?
00:15:14Oh, no.
00:15:15Oh, you never know.
00:15:18Won't you sit down?
00:15:19Yes.
00:15:20Won't you?
00:15:22Yeah.
00:15:29Twelve is my lucky number.
00:15:31What do you mean?
00:15:33Well, it was the twelfth shuttlecock that I threw over the garden wall.
00:15:37Then, then you threw it over purposely.
00:15:39Well, of course.
00:15:40And it's been very lucky for me.
00:15:43I'm glad you think so.
00:15:44I wish you would think so too.
00:15:46How do you know I don't?
00:15:47Do you?
00:15:49I, I don't know.
00:15:50It was the last one I had, and I didn't throw it until I saw your mother and father had gone out.
00:15:54Oh, they're not my mother and father.
00:15:56Oh, they're not my mother and father.
00:15:58They're my aunt and uncle.
00:15:59Oh.
00:16:00What is this?
00:16:01Why, it's a city.
00:16:03It isn't very comfortable, is it?
00:16:05Can we go somewhere else?
00:16:07Well, we could sit over there, if you like.
00:16:09Yes.
00:16:11No, I haven't got a mother and father.
00:16:14They both died years ago.
00:16:16Well, I haven't got a mother and father either.
00:16:18Silly, isn't it?
00:16:19No, it isn't silly.
00:16:21It's very sad.
00:16:22You're right.
00:16:23And another coincidence.
00:16:24I'm staying with my aunt.
00:16:25Oh, you live here all the time?
00:16:27Oh, no, no.
00:16:28I just pay her visits when she wants me to.
00:16:30Do you always do what she wants?
00:16:31I think she's looking.
00:16:33But she isn't looking now.
00:16:35What's your name?
00:16:36Mary Gray.
00:16:37Mary Gray.
00:16:38Can I call you Mary?
00:16:39It's my name.
00:16:40Of course it is.
00:16:41Mary.
00:16:42Mary, have you come to live here for good?
00:16:44Oh, no.
00:16:45I'm only spending my holidays here.
00:16:46I go to school at a convent in France.
00:16:48What do you do during the day?
00:16:49Listen to the wireless?
00:16:50Oh, no.
00:16:51They won't have one.
00:16:52Gramophone.
00:16:53No, they hate anything like that.
00:16:55How very Edwardian they must be.
00:16:56Well, they're much earlier than that.
00:16:58King Canute.
00:16:59What?
00:17:00Nothing.
00:17:01Don't you ever have any music?
00:17:02Yes.
00:17:03I play the piano.
00:17:09Have you ever heard this before?
00:17:17Yes, thank you.
00:17:18It's charming.
00:17:20Tell me, what do you do when you don't play Bluebells of Scotland?
00:17:22Oh, I, I read.
00:17:23Yes, but don't you go to parties and dances and things like that?
00:17:26No.
00:17:27Why not?
00:17:28Who's to take me?
00:17:29Something's got to be done about this.
00:17:31Don't your uncle and aunt ever take you out?
00:17:33Well, they never go anywhere themselves.
00:17:35Do you think, do you think if I was introduced on property they'd let me take you out?
00:17:39No, they don't like you.
00:17:40But they don't know me.
00:17:41But they don't like your house.
00:17:43They're always complaining of the noise that comes from it.
00:17:45Do you complain?
00:17:46No, I like it.
00:17:47Last night I listened from my bedroom window.
00:17:49It overlooks your house.
00:17:50You mean the little window with the eaves?
00:17:51Yes.
00:17:52I wondered if it was yours.
00:17:53My bedroom overlooks your house.
00:17:55I wondered if it was yours.
00:17:57Can you make shadow animals?
00:17:59Like this.
00:18:04Oh, that's a rabbit, isn't it?
00:18:06Yeah, it's a bunny.
00:18:08Can you do it?
00:18:09I, I don't know.
00:18:10Fine.
00:18:14Like that.
00:18:15Fancy.
00:18:16That's my name, Bunny.
00:18:17May I call you Bunny?
00:18:18May I call you Bunny?
00:18:20Well, it's my name.
00:18:23But that's not your real name.
00:18:24No, my real name's Archibald Augustus Trevor.
00:18:26Oh, I see.
00:18:28They call me Bunny for short.
00:18:29You know, I thought you were a little boy.
00:18:31If I'd known you were so grown up, I wouldn't have dared ask you over.
00:18:33But you didn't ask me over.
00:18:35I didn't throw back your shuttlecock.
00:18:36Ah, that's true.
00:18:37But if you had, I should have still found a way of knowing you.
00:18:42You're not married, are you?
00:18:43No.
00:18:44You're not in love, are you?
00:18:45No.
00:18:46Ever been?
00:18:47I've never met anyone to fall in love with.
00:18:49Have you ever been in love?
00:18:50No, but I'm going to fall in a moment now.
00:18:52You see, I realize my education must have been neglected.
00:18:57I knew a lot, but you have taught me more.
00:19:00You're just a perfect revelation, something unexpected.
00:19:04I've never even heard of you before.
00:19:08Why wasn't I told?
00:19:10Why wasn't I told?
00:19:13It's only by chance I met you.
00:19:17Nobody could forget you.
00:19:22Why wasn't I told?
00:19:26Why didn't I hear that you were so near?
00:19:30And I could be here beside you.
00:19:34Why did they try to hide you?
00:19:39Why wasn't I told?
00:19:42Why wasn't I told?
00:19:44Why wasn't I told?
00:19:46It was only by chance I met you.
00:19:50Nobody could forget you.
00:19:55Why wasn't I told?
00:19:58Why didn't I hear that you were so near?
00:20:03And I could be here beside you.
00:20:07Why did they try to hide you?
00:20:11Why wasn't I told?
00:20:14They wasted my time and told me such a lot of things to do.
00:20:22But it was a crime to talk so much and never mention you, dear.
00:20:30Why wasn't I told?
00:20:32I might have grown old and never have heard about you.
00:20:40How have I lived without you?
00:20:45Why wasn't I told?
00:20:51Oh, Bunny, listen.
00:20:59Be quick.
00:21:01What is it?
00:21:02They're coming back. You'd better go.
00:21:04All right.
00:21:06What time do you go to bed?
00:21:08I'm always in bed by ten.
00:21:09Tonight I'll go to bed at ten.
00:21:11When you see a shadow bunny on the blind, you'll know that I'll be up there thinking of you.
00:21:14And I'll make a shadow bunny back.
00:21:15Will you?
00:21:16Oh, please be quick. They mustn't find you here.
00:21:17I'll go in a moment, but one thing more.
00:21:19Have you ever been kissed?
00:21:20Oh, yes, often.
00:21:21The Mother Superior kisses me every night.
00:21:23Oh.
00:21:29Like that?
00:21:30Oh, no, not like that.
00:21:32That's nice.
00:21:33Oh, now you must go.
00:21:38THE END
00:22:08THE END
00:22:39Someone's got to catch the snails and slugs.
00:22:42What's that king for?
00:22:44Their green peas are coming along very nicely over the garden wall, aren't they?
00:22:48They won't be quite so healthy when I finish with them.
00:22:51You're not going to throw our slugs amongst them?
00:22:53Why not?
00:22:54But it isn't cricket.
00:22:56No, it's war.
00:23:08THE END
00:23:38© BF-WATCH TV 2021
00:24:08© BF-WATCH TV 2021
00:24:39Yes.
00:24:40Who to?
00:24:41Bunny.
00:24:42Bunny? Who's Bunny?
00:24:44He's the boy next door.
00:24:48There's no room in this house for little girls who disobey me.
00:24:51Do you understand?
00:24:53Yes, Aunt Jennifer.
00:24:54Your visit is at an end.
00:24:56You leave for France tomorrow.
00:24:58Oh, Auntie, I...
00:24:59Don't cry. Pack.
00:25:09Bunny!
00:25:16Naughty Bunny. You mustn't run away like that.
00:25:19Agnes, run over to Mrs Winterbottom and order the land door.
00:25:23We want to get the 5.30 train to London.
00:25:25Yes, miss.
00:25:26And Agnes, tell her that we shall only need two fresh eggs tomorrow morning.
00:25:29Yes, miss.
00:25:30Don't waste time, Mary. Finish your packing quickly.
00:25:32All right.
00:25:39You say you want me to marry. Well, here's your chance.
00:25:42Not those dreadful people next door.
00:25:44No, no, not all of them. That's an enchanted castle.
00:25:46And they're the ogres. I want the sleeping beauty.
00:25:48Well, you won't get anything like that.
00:25:50Those people are victorious.
00:25:51I don't care if they're Metro-Goldwyn. I love her and you cannot stop me.
00:25:54And this is the little boy I bathed when he was five.
00:25:56Auntie, I don't care if you bathe me now.
00:25:58I mean to marry her.
00:25:59What are you going to live on?
00:26:00Oh, I don't know. I can go bankrupt.
00:26:02People who go bankrupt always have plenty of money.
00:26:04You're a bad woman.
00:26:05People who go bankrupt always have plenty of money.
00:26:07You're a bad, wicked boy.
00:26:09Who's a bad, wicked boy?
00:26:10Ah, Gladys, you've come just in the nick of time.
00:26:13What have you been doing?
00:26:14I've fallen in love.
00:26:15I suppose it's just as well to get it over early.
00:26:17Look here, I don't want to get it over. I want to get married.
00:26:20What does Tilda say?
00:26:21It's not Tilda.
00:26:22It's the niece of those dreadful people next door.
00:26:24No.
00:26:25Yes.
00:26:26Oh, my dear Harpauling.
00:26:27They won't live here much longer.
00:26:29I'll smoke them out.
00:26:32Look here, I won't have you torture them like that.
00:26:34It's my gramophone.
00:26:35And they're my records.
00:26:36Will you please?
00:26:38Bunny.
00:26:39Bunny, how dare you?
00:26:55Bunny, you can't come over.
00:26:57They'll be here in a minute.
00:27:02Mary.
00:27:03Bunny, you mustn't let them see you.
00:27:05Oh, never mind about that.
00:27:07You're all wet. What have you been doing?
00:27:09Crying.
00:27:10Oh, I say, why?
00:27:11You.
00:27:12Me?
00:27:13Oh, Bunny, they're sending me away.
00:27:15How old is this girl?
00:27:16Seventeen.
00:27:17Then he can't marry her without her people's consent.
00:27:19Why not call on them?
00:27:20I call on them?
00:27:21Yes.
00:27:22Not socially, but to have a row.
00:27:24Make yourself unpleasant.
00:27:25Oh, I can do that.
00:27:26No one better.
00:27:27Accuse them of having thrown their niece in your nephew's arms.
00:27:29It's impossible for me to have anything to do with him.
00:27:31A brilliant idea.
00:27:32That's what I would do.
00:27:33And she's washing her hands of me.
00:27:35Never wants to see me again.
00:27:37So I'll never see you again.
00:27:39Darling, didn't you reason with her?
00:27:40I can do nothing but cry.
00:27:42Oh, my darling.
00:27:45You are wet.
00:27:47I've done nothing but cry all the time since.
00:27:49Oh, my dear.
00:27:51What's that?
00:27:52A letter for you.
00:27:53For me?
00:27:55Saying goodbye.
00:27:59Dear Bonnie, goodbye forever.
00:28:01I love you.
00:28:05Do you?
00:28:06Of course.
00:28:07Is that the truth?
00:28:08But you didn't tell me before.
00:28:10He never asked me.
00:28:11Mary, will you marry me?
00:28:12I can't.
00:28:13I'm only 17.
00:28:14But you can say you're 21.
00:28:15I can't tell a lie.
00:28:16But I can.
00:28:17You don't mind if I tell a lie, do you?
00:28:19Not if you don't mind.
00:28:20I don't.
00:28:21I've read all about marriage, and it takes three weeks.
00:28:23But I shall be in France by then.
00:28:24No, you won't if you do as I tell you.
00:28:26But Miss Gladwin is dressing to go out with me.
00:28:28She has to catch a train.
00:28:29Well, I'll catch her before she catches it.
00:28:31But Miss, I'm very sorry.
00:28:32Oh, it's quite all right.
00:28:34If you insist.
00:28:35I do.
00:28:36Very well, Miss.
00:28:37Then I will tell Miss Gladwin.
00:28:38Do you mind waiting in here, please?
00:28:46Gladwin.
00:28:47What a room, my dear.
00:28:49What a perfectly foul, offensive room.
00:28:53What's the matter?
00:28:55Nothing.
00:28:56Isn't it quaint?
00:28:57Loathsome is the word.
00:28:58Yes, yes.
00:28:59I know, Thorold.
00:29:00I will attend to that after I've seen these people.
00:29:02All right, dear.
00:29:03Agnes, let me know immediately if the landlord arrives.
00:29:05Yes, Miss.
00:29:10Mrs. Cadney, I believe.
00:29:11Yes.
00:29:12This is a friend of mine, Miss Gladys Kemp.
00:29:14How do you do?
00:29:15How do you do?
00:29:16My brother, Mr. Gladwin.
00:29:17How do you do?
00:29:18How do you do?
00:29:24To come to the point at once.
00:29:25Thorold, do sit down.
00:29:26I'm quite sure you'll get tired standing.
00:29:28It's about that dreadful young woman who is staying with you.
00:29:31My niece?
00:29:32I don't care who she is.
00:29:33She's been forcing her attentions on my nephew.
00:29:35So that's your nephew.
00:29:36That dreadful youth who is always hanging out of the window.
00:29:39Jennifer.
00:29:40He wouldn't hang out of the window if people far more dreadful didn't encourage him.
00:29:44Diana.
00:29:45Then why do you encourage him?
00:29:46I was not alluding to myself.
00:29:48I thought you were.
00:29:49As I was saying when you so rudely interrupted me.
00:29:52He inherits nothing until he's 30.
00:29:54If he marries your niece, you may have the pleasure of keeping them both.
00:29:57Have I made my meaning quite clear?
00:29:59Without showing any breeding whatever, you've made yourself perfectly clear.
00:30:03My good woman, I didn't come here to be polite to you.
00:30:05Could you?
00:30:06Oh.
00:30:07We've got to do something desperate.
00:30:09You must run away with me.
00:30:10But how can I?
00:30:11I'll take a room for you at a hotel.
00:30:13Book you as my sister.
00:30:14Call for you every morning and leave you there every night.
00:30:16I can't.
00:30:17I did.
00:30:18If you don't, we shall never see each other again.
00:30:20I'm so unhappy.
00:30:21Not so unhappy as I feel.
00:30:23I want to cry.
00:30:24Not again.
00:30:25Yes.
00:30:26I want to cry too.
00:30:27It's my turn.
00:30:28Oh, Bunny, you mustn't.
00:30:29I know I mustn't.
00:30:30It makes my nose all red.
00:30:31What are we going to do?
00:30:32Run away.
00:30:33Then let's agree.
00:30:34You won't be trouble with my nephew any longer.
00:30:36Oh, my niece.
00:30:37The carriage is waiting to take her to the station now.
00:30:39But Jennifer.
00:30:40You keep quiet.
00:30:41But Diana.
00:30:42Shut up.
00:30:43Listen, Diana.
00:30:44Come along, let us.
00:30:45Allow me.
00:30:46You stay where you are.
00:30:47I can assure you it's all right, darling.
00:30:48Only if you...
00:30:49They're coming for me now.
00:30:50Oh, make up your mind.
00:30:51In a moment it'll be too late.
00:30:52Do as I tell you.
00:30:53Come on.
00:30:55Where's your bag?
00:30:56It's in there.
00:30:59Mary.
00:31:01Mary.
00:31:03Quick.
00:31:04Over the wall.
00:31:05Mary.
00:31:06I'll go first and pull you up.
00:31:11Mary.
00:31:13Hide.
00:31:16Mary.
00:31:17Mary.
00:31:19Oh.
00:31:20So there you are.
00:31:21What on earth are you doing there?
00:31:23Come along quickly, please.
00:31:24Or we'll miss the train.
00:31:25Come along.
00:31:30Mary.
00:31:35Mary.
00:31:37Station driver, quickly.
00:31:38Or we'll miss the train.
00:31:52Where's Miss Mary?
00:31:53She's gone to the station.
00:31:54Station.
00:31:58Oh.
00:32:00Blimey.
00:32:21Blimey.
00:32:52Hey.
00:33:01Hey.
00:33:03Hey.
00:33:04Hey.
00:33:05Hey.
00:33:06Hey.
00:33:07Mr. Lasswell.
00:33:08Hey.
00:33:39a.
00:34:09Oh well.
00:34:18Have you any rooms rooms.
00:34:27I want to room for my sister myself yes to on the second floor with
00:34:32communicating don't know no no no no I want them as far away from each other as
00:34:36possible. So she won't think. One on the first
00:34:43floor and one on the fifth yeah that'll do fine register.
00:34:56Funny I didn't know you were left handed.
00:34:58Must come. Page one twenty five five ninety eight.
00:35:09Your banks know that's my my sister's my bags at the. Station this way.
00:35:20Brother and sister I was you were young yourself once weren't you never could
00:35:27afford it. They want I think I'll go to my rooms and pick up my kit and get
00:35:34a check cashed at the same time but I'll be back for
00:35:36a half an hour and then maybe go out and see life Oh how lovely.
00:35:57And. This is not.
00:36:06Going to be lovely if we were staying in a hotel like this wouldn't be safe. I'd be
00:36:10sure to bump into somebody I know. Nobody ever goes there.
00:36:17Yes this is it.
00:36:18Come on.
00:36:26I want to be able to the night Yes madame with communicating don't certainly not
00:36:31this gentleman is my brother. You mind signing the register.
00:36:40Yes the I'm going to telephone that woman next door yes. But if you're telling
00:36:45me. Over there.
00:36:53They're brother and sister all right no mistake in them.
00:37:03I don't think you're going to get.
00:37:16It's.
00:37:25The lady next door since when did you call yourself that since I became acquainted
00:37:29with you however I thought perhaps you'd like to be present when your nephew is
00:37:33arrested what. How dare you send to the police where are you.
00:37:40Yes I'll see you you wait till I get there I'll be waiting.
00:37:46For. I'm sorry my dear.
00:37:57You carry on the pot I'm going to London to talk about old which next door. I hope
00:38:03so.
00:38:16I.
00:38:17And.
00:38:41When I first set eyes on you we're not my eyes and you came inside I
00:38:46I knew I'd lost my heart.
00:38:50Someday I'll see more of you, but I must implore of you,
00:38:55do be careful when we are apart.
00:39:00Wrap yourself in cotton wool and save yourself for me.
00:39:04Don't you know the woods are full of things you can't foresee?
00:39:09Into dangers you may run, handsome strangers,
00:39:12don't trust one of them, but wrap yourself in cotton wool.
00:39:16Save yourself for me, please, save yourself for me.
00:39:20That applies to you as well, that's what you must do as well,
00:39:25if I try to carry out your plan.
00:39:29Till I can take care of you, it would be unfair of you
00:39:34not to be as careful as you can.
00:39:39Wrap yourself in cotton wool and save yourself for me.
00:39:44Never fill your glass too full and come straight home, don't you.
00:39:48Don't be bold and don't get wet, don't take cold,
00:39:51and don't forget that you must wrap yourself in cotton wool.
00:39:55And save yourself for me, please, save yourself for me.
00:40:14Don't you think we'd better go?
00:40:35No, it'll only make it worse if we do. We'll slip away in a moment.
00:40:38I don't really want to go. It's fun.
00:40:41Oh, I'm glad you like it. Let's have a drink, darling.
00:40:44Look.
00:41:14Oh, I'm glad you like it. Let's have a drink, darling.
00:41:44Oh, I'm glad you like it. Let's have a drink, darling.
00:42:14Oh, I'm glad you like it. Let's have a drink, darling.
00:42:44Oh, I'm glad you like it. Let's have a drink, darling.
00:43:15APPLAUSE
00:43:21What's all the row about?
00:43:24Just a little family play-to-tate.
00:43:30What's the score now?
00:43:42Thirty-fifteen.
00:43:44It's plain to see your nephew is after the money my niece will come into when she's twenty-one.
00:43:48Oh, I'm sure he thinks after money my nephew will come into when he's thirty.
00:43:51Your nephew is nothing but a waster, anyone can see that.
00:43:54Oh, your niece is just a little gold digger.
00:43:57Poor Bunny won't have a penny left.
00:43:58I can quite understand that. After all, ten pounds isn't very much these days, is it?
00:44:03Did you ring?
00:44:04Yes. Turn off that dreadful wireless.
00:44:06Waiter, leave it on.
00:44:08Turn it off, I said.
00:44:09Leave it on.
00:44:10Lauret, wait.
00:44:11Shut up.
00:44:13And another thing.
00:44:14Haven't you run out yet? You're nothing but an overblown old windbag.
00:44:19Are you going to stand for that?
00:44:21I didn't quite catch what you said, my dear. The wireless.
00:44:24I have to apologise for interrupting the programme,
00:44:26but we are requested by the Commissioner of Police to broadcast the following.
00:44:29At twelve-twenty today, a young man named Archibald Augustus Trevor kidnapped a fair-haired girl of eighteen
00:44:35when she was about to leave St Pancras Station with her guardians.
00:44:38It is believed that the couple are hiding somewhere in London and a reward of twenty-five pounds is offered
00:44:42for information that will lead to their discovery.
00:44:52How much is there?
00:44:53Four, Bob, sir.
00:44:54That's ten shillings.
00:44:55I've got no change, sir.
00:44:56Oh, wait a minute.
00:45:03Waiter.
00:45:04Yes, sir.
00:45:05Waiter.
00:45:06Yes.
00:45:07We've got change of ten, Bob.
00:45:10What's the matter? Have you seen a ghost?
00:45:12I beg your pardon, sir, but do you mind if it's mostly in coppers?
00:45:14No, it's for the taxi. Give him five shillings, will you?
00:45:16Twenty-five pounds.
00:45:18Twenty-five? What is the matter with you?
00:45:20I beg your pardon, sir, I...
00:45:23Do you think he's all there?
00:45:24No fair. He wouldn't be here if he was all there.
00:45:26Come and sit down.
00:45:27Well, isn't it funny? There are a lot of people in there.
00:45:29Supposing they should recognise us?
00:45:31Well, I don't suppose they even know us.
00:45:32They're probably waiting for a train.
00:45:34Come on, darling, don't worry. Sit down.
00:45:36Come on, sit down.
00:45:41Happy?
00:45:42Mm-hmm.
00:45:43Enjoy yourself tonight?
00:45:44Mm-hmm.
00:45:45Want to go back to Auntie?
00:45:46Mm-mm.
00:45:47Oh, it's such a shame to tease it.
00:45:49Your change.
00:45:57What's the matter with you?
00:45:59I just want a phone, sir.
00:46:00Get my keys.
00:46:01Keys, sir?
00:46:02Keys, yes.
00:46:03Mine's 598 and my sister's is 125.
00:46:07Hundred and twenty-five pounds.
00:46:09Yes, hundred and twenty... No, keys.
00:46:11Bedrooms. What is the matter with you?
00:46:13Beg pardon, sir.
00:46:15Very dear, don't worry.
00:46:17Give me the keys.
00:46:19Keys?
00:46:20Yes, 598 and 125.
00:46:22Oh, Benny, it's great fun being here like this.
00:46:26Oh, darling.
00:46:28Keys, sir.
00:46:33Have you been drinking?
00:46:34Thank you, sir. I don't mind if I do.
00:46:37Do what?
00:46:38Beg your pardon, sir.
00:46:39Do you particularly want a phone?
00:46:41Yes, sir.
00:46:42To the wife.
00:46:43About the baby, sir.
00:46:44What baby?
00:46:45The one she's expecting.
00:46:46I just want to find out the name of the father, sir.
00:46:49What?
00:46:50Beg pardon, sir.
00:46:51Well, come and turn to us at once.
00:46:52Yes, sir.
00:46:53Would you like something to drink, darling, before you go to bed?
00:46:55Can I have an Ovaltine?
00:46:56Can my sister have an Ovaltine?
00:46:58No, sir.
00:46:59No Ovaltine?
00:47:00No Ovaltine.
00:47:01No Ovaltine. Guess again.
00:47:02Can I have a glass of hot milk?
00:47:04Can my sister have a glass of hot milk?
00:47:05No hot milk, sir.
00:47:06Why, no hot milk? No hot fire?
00:47:08Yes, sir. But no milk.
00:47:10No milk.
00:47:11No milk.
00:47:12No milk. Guess again.
00:47:13Can I have a lemon squash?
00:47:15Oh, no, you can't have a lemon squash.
00:47:16Why not?
00:47:17No lemons. Am I right?
00:47:19Quite correct, sir.
00:47:20There we are.
00:47:21I'd love a ginger beer.
00:47:22I'll see.
00:47:23Can we have a ginger beer?
00:47:24Yes, sir.
00:47:25Good. Then we'll have a ginger beer and a whiskey and soda.
00:47:27Yes, sir.
00:47:28We've got it.
00:47:29Yes, sir.
00:47:30And what's more...
00:47:31Don't say it. Don't say it.
00:47:32Oh, go on, Diana. Say it.
00:47:33I'm going to say it.
00:47:34You wicked old...
00:47:35Don't you dare.
00:47:36A whiskey and soda for you, sir.
00:47:38And a ginger beer for your sister.
00:47:40Yes.
00:47:43Now can I phone, sir?
00:47:44Yes, you can, and I hope you get all the wrong numbers.
00:47:49Darling, do you think he suspects us?
00:47:52Why should he suspect us?
00:47:53Well, he looks so funny.
00:47:55Oh, that's his face. Poor thing, he can't help that.
00:47:57Don't worry.
00:48:00Well, what do you want now?
00:48:01Have you got two pennies?
00:48:02No, I haven't got two pennies, and my sister hasn't got two pennies either.
00:48:05Then I can't phone.
00:48:07Now, isn't that too bad?
00:48:12Oh, Bunny, you shouldn't laugh at him.
00:48:14Why not?
00:48:15Perhaps he really has to.
00:48:16Oh, let's forget him. Come on, have our drink.
00:48:32What do you want now?
00:48:33I want a phone, sir.
00:48:34What about the pennies?
00:48:35I've got two now.
00:48:36Oh, well, I hope they're both bent.
00:48:46Give me the police station.
00:48:48What? No money required?
00:48:51Well, give me the police station.
00:48:55Hello?
00:48:56Is that the police?
00:48:57They're here.
00:48:58The two abductions you're looking for.
00:49:00My name's Pods, the waiter, and I claim the reward.
00:49:05Axminster Hotel.
00:49:06Right, we'll be with you in a minute.
00:49:17Well, have you done your phoning?
00:49:18Yes, sir.
00:49:19What is it, a boy or a girl?
00:49:20Both, sir.
00:49:21Congratulations.
00:49:22Thank you, sir.
00:49:25Tired?
00:49:26Just a little.
00:49:27Want to go to bed?
00:49:28I think so. Do you mind?
00:49:29Not a bit. Come on.
00:49:31I'll take her to your room.
00:49:32I'd feel much safer if you do.
00:49:40Well, here we are, darling.
00:49:41It's over there.
00:49:42Oh, Bunny, I forgot my bag.
00:49:43Oh, darling, I'll run down and get it.
00:49:44I shan't be long.
00:49:45Wait there for me.
00:50:00I say, have you got a match yet?
00:50:02Hello, Bunny, you here?
00:50:04Yes.
00:50:05I say, you haven't really kidnapped a girl, have you?
00:50:07What? No.
00:50:08Do you know your answer?
00:50:09My head.
00:50:10Now, where are you going?
00:50:11I'm going up to bed.
00:50:12But you're not sleeping up there, are you?
00:50:13Yes. No.
00:50:14What are you going up that way for?
00:50:15Well...
00:50:16Bunny, you here?
00:50:18Yes.
00:50:19But the police are looking for you.
00:50:21The what?
00:50:22The old bird next door has applied for police protection.
00:50:24Oh, that has done it.
00:50:25Don't worry, old man.
00:50:26We'll keep it quiet, won't we, Mavis?
00:50:27Oh, I shan't say a word.
00:50:28Good. Then if you'll excuse me...
00:50:29Bunny!
00:50:31Yes?
00:50:32Bunny, you here?
00:50:33No.
00:50:34Bunny?
00:50:36Where's this girl you've run away with?
00:50:37She's here.
00:50:39He says she's his sister.
00:50:41But she's not his sister.
00:50:42I know who they are.
00:50:43They're the abductors.
00:50:45But I was the first to tell the police,
00:50:47and I get the reward.
00:50:48Oh, Lord, he's phoned the police.
00:50:51What are you going to do, Bunny?
00:50:52What am I going to do?
00:50:53What do you think I'm going to do?
00:50:54You think I'm going to spend all...
00:50:58Ah, the police.
00:51:01You're just in time.
00:51:02They're both here.
00:51:03It was me who gave the information,
00:51:05and it's me who gets the 25 pounds.
00:51:07Offer, Moe, offer, Moe.
00:51:09We don't rush things like that in the force.
00:51:11That's him.
00:51:12That's him?
00:51:13Archibald Augustus Trevor?
00:51:14Well, I owe a warrant for your arrest
00:51:16and the charge of abduction.
00:51:18If you take him, I go too.
00:51:20No warrant for your arrest.
00:51:21We have to return you to your legal guardians.
00:51:24Mary.
00:51:25Bunny.
00:51:29Is this the party?
00:51:30Yes, and I charge this woman with aiding and abetting.
00:51:33Me?
00:51:34Yes, and her too.
00:51:35No, not her.
00:51:36Well, I think you'd better all come to the police station.
00:51:38You can't take us to the police station.
00:51:40Why not?
00:51:41Because...
00:51:43Run, Bunny, run.
00:51:45There goes my 25 pounds.
00:51:59I say, is the coast clear?
00:52:02Yes, run like the devil.
00:52:04Yes, go on, run.
00:52:05Yes, but where's Mary?
00:52:06Bunny.
00:52:07Mary, Mary darling.
00:52:09Bunny darling.
00:52:10What are we going to do now?
00:52:11I got you into this mess, I'll get you out of it.
00:52:13Look out, they're coming back.
00:52:15Oh.
00:52:22Mary.
00:52:23Where is Bunny?
00:52:24Bunny and me, that little rabbit.
00:52:26You don't call my nephew a rabbit.
00:52:27George, stay here.
00:52:29Yes, yes.
00:52:30Please, for my nephew, please.
00:52:32We'll soon have him now.
00:52:33Meanwhile, I'll take your names and addresses.
00:52:35May I go now?
00:52:36Not till I've got your name, miss.
00:52:38Whatever for?
00:52:39That's my business now, ladies.
00:52:40Come on, what is it?
00:52:41Well, it's Kemp.
00:52:43How do you spell it?
00:52:44K-E-M-P.
00:52:45K-E-M-P.
00:52:46Yes.
00:52:47Miss Kemp or Mrs. Kemp?
00:52:48Miss Kemp.
00:52:49Miss Kemp.
00:52:50Yes.
00:52:51Christian name?
00:52:52Do you want to know that too?
00:52:53I want your full name.
00:52:54Oh, Gladys Kemp.
00:52:55Gladys Kemp.
00:52:56And where do you live?
00:52:57Gladys.
00:52:58Broadview, elsewhere.
00:52:59Broadview, elsewhere.
00:53:03Yes.
00:53:06All right.
00:53:07Do you want to know anything else?
00:53:08No, that's all right with you, Nellie.
00:53:17Well, if Sean wants you anymore tonight, miss,
00:53:19you'd better take the young lady home with you.
00:53:21Nellie, you'll come home at once with me.
00:53:24What's the matter now?
00:53:25Look, auntie, look.
00:53:28Nellie, come back.
00:53:33I've got her.
00:53:36Now, what about 25 pounds?
00:53:37Oh, come now, oh, come now.
00:53:39That ain't for her.
00:53:40That's for him.
00:53:41He ain't apprehended yet.
00:53:43Farrell, we're going back to elsewhere.
00:53:45Yes, dear.
00:53:46Taxi, dear?
00:53:47No, I loathe taxis.
00:53:48Get me a car.
00:53:49Nothing will induce me to spend the night
00:53:51under the same roof with those dreadful people.
00:53:53Well, Fanny won't come back here.
00:53:54He'll go home.
00:53:55And that's where we're going.
00:53:56I'm not going to spend the night in a hole like this
00:53:58with a woman like that.
00:53:59Jack, ask for the bill and get the cars ready.
00:54:01Right.
00:54:02What do we do now, Sergeant?
00:54:03Haven't you read your article, Wallace?
00:54:05A criminal always returns to the scene of his crime.
00:54:08Come on, boys.
00:54:33Why don't you go straight to bed?
00:55:02Your boat sails tomorrow morning, and you'll be on it this time.
00:55:05Yes, Aunt Jennifer.
00:55:06Good night.
00:55:07Good night.
00:55:10Hmm. No key.
00:55:12Mary!
00:55:14Is there a key to this room?
00:55:16A key, auntie?
00:55:18Well, we'll soon settle that.
00:55:25Harold!
00:55:26Harold, come here for a moment, please.
00:55:29All right, dear. I'm coming.
00:55:33You take your things into your uncle's room.
00:55:35Oh, but auntie, do as I say.
00:55:40Harold, you're to change rooms with Mary.
00:55:42There's no key to her room.
00:55:44And I mean to make certain that there is no further trouble tonight.
00:55:58Oh!
00:56:29A bow wow!
00:56:31She's made me a bow wow!
00:56:33She's made me a bow wow!
00:57:03Is that you, Gladys?
00:57:19Are you a burglar?
00:57:21No, I'm a desperado. Wanted by the police.
00:57:24The boy next door.
00:57:26How do you do?
00:57:28I'm all right. Where's Mary?
00:57:29Upstairs, locked in.
00:57:30I'm occupying her bedroom.
00:57:32I thought those pebbles were a signal to me.
00:57:34Oh, that you're the one to signal you.
00:57:39So you're enough to her?
00:57:40Yes, you won't tell my sister, will you?
00:57:42But if I help you, will you help me?
00:57:44How?
00:57:45Go and tell Mary I'm here and bring her down here to speak to me.
00:57:47But supposing my sister should catch me?
00:57:49You're not afraid of her, are you?
00:57:50Yes, aren't you?
00:57:51No, I'm afraid of nothing now.
00:57:53Oh, what was that?
00:57:54Nothing.
00:57:55Oh, give me a turn.
00:57:56Very well. You stop here, keep quiet, and I'll see what can be done.
00:58:02Oh, God.
00:58:11Thorold.
00:58:13Thorold.
00:58:14Gladys.
00:58:15Bunny.
00:58:16What on earth are you doing here?
00:58:17I know what you're doing here. You're in love with the old boy.
00:58:19Oh, he's not as old as that.
00:58:21But you're in love with him, aren't you?
00:58:22Oh, God.
00:58:23Come on.
00:58:28Look.
00:58:29Look.
00:58:32He's gone.
00:58:33That was a close shave, wasn't it?
00:58:34Shall we turn the lights on?
00:58:35No, no, not yet.
00:58:36Shh. Don't do that.
00:58:39Gladys.
00:58:40Thorold.
00:58:41It's so good of you to take this risk.
00:58:43I saw you through the window.
00:58:44There's so much I want to say.
00:58:45I say, can't we break over those wasted years?
00:58:47Yes, yes.
00:58:48Look here, what about me?
00:58:49It was entirely my fault we parted.
00:58:50No, no, no, entirely mine.
00:58:52I say, I wonder if you...
00:58:53Was it what I said that day?
00:58:54No, what I saw...
00:58:55Look here, will you please give me one minute?
00:58:56There's a thin patch on top of your head.
00:58:58I have no hair at all now.
00:58:59Good, but I covered it up.
00:59:00I'm going grey.
00:59:01But I covered it up.
00:59:06Now, what did you send me out for?
00:59:08To find Mary, of course.
00:59:09Oh, yes, I forgot.
00:59:10I couldn't get the key.
00:59:14Mary.
00:59:17Mary, hold on.
00:59:18Oh, God.
00:59:25Bunny.
00:59:26Mary.
00:59:27Then you're still alive.
00:59:28What a dreadful expression to use.
00:59:31The police, quickly.
00:59:32Come on, the lights.
00:59:41Anybody in here?
00:59:42No.
00:59:43All is well.
00:59:51Had it not been for my presence of mind, he'd have caught us.
00:59:54Thorold, I daren't stay here.
00:59:55Shall we meet tomorrow?
00:59:56Yes, darling.
00:59:57Well, I think I'll say goodnight now.
00:59:58Shall we say it outside?
01:00:01Yes, Thorold.
01:00:04Oh, Bunny, if Auntie catches you, she'll turn you over to the police.
01:00:07Well, as soon as I've disposed of my affairs, I'm going to surrender.
01:00:09Why surrender?
01:00:10For the band to catch me.
01:00:12Here's my will.
01:00:13I've left you everything.
01:00:15You might as well take it now.
01:00:17You're right to me?
01:00:18Mm-hmm.
01:00:19You're right to me.
01:00:20Yes, but where?
01:00:21His Majesty's prison.
01:00:22A market kindly forward.
01:00:23Goodbye, darling.
01:00:24We must avoid any breath of scandal.
01:00:26We're skating on very thin ice.
01:00:52Look out.
01:00:53What's the matter?
01:00:54Jennifer's coming.
01:00:55I'll turn the light.
01:00:56Oh, darling, you must go quickly.
01:00:57Where?
01:00:58Over the garden wall.
01:00:59Come on.
01:01:00It's too late.
01:01:01The police are here.
01:01:03You men wait here.
01:01:04Right, sir.
01:01:07Oh, dear.
01:01:08What can we do?
01:01:09Don't worry, darling.
01:01:10Everything's going to be all right.
01:01:11My hat.
01:01:13Oh, so there you are again, eh?
01:01:15Yes, here I am.
01:01:16And what is this woman doing here?
01:01:18A lady, my dear.
01:01:19A woman.
01:01:20And about time, too.
01:01:21This way, officer.
01:01:24Here is your criminal.
01:01:26Well, are you coming quietly?
01:01:28Look here, I'm not coming with you at all.
01:01:30Anyway, where's your warrant?
01:01:32What did I do with that warrant?
01:01:34Excuse me, Sergeant.
01:01:35We never had a warrant.
01:01:36It was going to be brought along by Constable Clarence of the Flying Squad.
01:01:39Clarence?
01:01:40Clarence?
01:01:41You heard.
01:01:42What's the matter?
01:01:43Oh, nothing.
01:01:44Nothing.
01:01:45Well, don't you know?
01:01:46Nothing.
01:01:47Nothing.
01:01:48Nothing.
01:01:49Well, don't interrupt.
01:01:50Where were we?
01:01:51Clarence, sir.
01:01:52Yes, Clarence, where is he?
01:01:57That voice.
01:01:58That's Clarence.
01:01:59It must be.
01:02:00Yes, this is no good to me.
01:02:01Well, tear it up, then.
01:02:03Ginny!
01:02:04Clarence!
01:02:06You blackguard.
01:02:07You scoundrel.
01:02:08You.
01:02:09You.
01:02:10Clarence.
01:02:12Thirty years ago, you ruined my sister.
01:02:14Oh, I never.
01:02:15Never.
01:02:16Well, ruined my sister's life.
01:02:17Ah, well, that's different.
01:02:18Aunt Jennifer, were you in love with him?
01:02:21Yes, darling.
01:02:23And yet you tried to stop Bunny and me.
01:02:25Well, dear, perhaps I was a little sour.
01:02:27Yes, there are far too many curds in your way.
01:02:30This is all your fault, you.
01:02:31You, Clarence.
01:02:34You, Clarence, you.
01:02:35If you hadn't lured this poor innocent young thing away with your lying tongue and your fascinating...
01:02:39Exactly.
01:02:41It's men like you that make girls like this.
01:02:44Like you.
01:02:45If you follow what I mean.
01:02:46I haven't got the slightest idea.
01:02:48Oh, never mind.
01:02:49What have you got to say for yourself?
01:02:50Nothing.
01:02:51Nothing.
01:02:52Are your intentions strictly honorable?
01:02:53Of course.
01:02:54Good.
01:02:55Then I give my consent.
01:02:58Hey!
01:02:59That's the warrant.
01:03:00Oh, was it?
01:03:01Well, I've withdrawn the charge.
01:03:02You can take your men away.
01:03:08How peaceful everything is now.
01:03:10No.
01:03:12I wonder if Clarence can do anything else.
01:03:16Let's not talk about Clarence.
01:03:17No.
01:03:19Let's talk about us.
01:03:21Well, what about...
01:03:23Well, what about my 25 pounds?
01:03:25Well...
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