1958 Girls in Uniform Mädchen in Uniform GERMAN HOT MOVIE With English Subtittle
Category
🎥
Short filmTranscript
00:00:30Bring the blooms, but don't stay too long.
00:01:00Madhu, heal up!
00:01:28Madhu, heal up!
00:01:56Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu,
00:02:23Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu,
00:02:50Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Mad
00:03:20Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu
00:03:50Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Madhu, Mad
00:04:201, 1, 1, 1, 1, 2, 1, 2, 1, 2, 1, 2, 1, 1, 1, 1, 1, 1, 2, 1, 2, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1
00:04:501, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1
00:05:201, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1
00:05:51She is terribly shy and particularly sensitive.
00:05:54Unfortunately, her upbringing has left much to be desired so far.
00:05:57My sister-in-law was suffering for a long time and was far too vigilant.
00:06:00We will know how to correct that.
00:06:02Come in.
00:06:07Come on, my child, come here.
00:06:10My Harvest, this is Marga von Rackow, your nursing mother.
00:06:13She will introduce you to our foundation and you owe her a lot.
00:06:16Say goodbye to your aunt now.
00:06:19Keep your ears tight, my child, and don't hurt your father.
00:06:22Be successful and hardworking so that he doesn't waste a lot of effort for your upbringing.
00:06:26Do you promise me that?
00:06:28Yes, aunt.
00:06:30Well, then give me a kiss.
00:06:31Rackow, you first go to the tailor with my Harvest because of the uniform.
00:06:34Yes, Mrs. Rackow.
00:06:35Oh, please, could I talk to the girl for a moment?
00:06:38Of course.
00:06:39Go ahead.
00:06:43Yes, well...
00:06:45Yes, please.
00:06:46It's about Manuela.
00:06:49I think she needs to be brought to order first.
00:06:52You need a firm hand.
00:07:07The trap is not for us.
00:07:10It is only for the mistress and for visitors.
00:07:12There.
00:07:16The fatherland is planned.
00:07:18The Valdal Hall is again.
00:07:24The fatherland is planned.
00:07:28The Valdal Hall is again.
00:07:32They sing beautifully.
00:07:33Yes, they sing beautifully, but we don't have time to babble.
00:07:36In the hall with bright red light
00:07:40The song of love is playing.
00:07:44The fatherland is planned.
00:07:48Then there is something to bite.
00:07:54The fatherland is planned.
00:07:59Then there is something to bite.
00:08:0510, 11, 12, 13, 14, 15, 16, 17, 18.
00:08:08So, that's it.
00:08:09Are the dirty shirts counted?
00:08:11Yes, here is the list.
00:08:12Thank you. Go to your work.
00:08:15This is the new one, Manuela von Meinhardis.
00:08:18Yes, get undressed.
00:08:19I am Ilse von Westhagen.
00:08:20This is Elgard von Kleist.
00:08:21And this is Alexandra von Tresckow.
00:08:23Good day.
00:08:24Do you know in which bedroom you can go?
00:08:26To the Mistress of Bernburg.
00:08:27Then don't fall in love with her,
00:08:29otherwise Alexandra will gouge your eyes out.
00:08:31She only speaks like that because the Mistress of Bernburg is nice to me.
00:08:34She is nice to all of us.
00:08:35Yes, don't talk too much.
00:08:37Go to your class.
00:08:38Please report to me later.
00:08:40Bedroom 4, third floor.
00:08:45What are you waiting for?
00:08:48Why is she talking so strangely?
00:08:51She is from Paris.
00:08:52Her father is German, but she was married to a Frenchman.
00:08:54Of course, one day the child will be left alone,
00:08:56but you don't understand that yet.
00:08:58Come on, give me your things.
00:09:00Why? Can't I keep them?
00:09:01No, no, no.
00:09:02They will be in the closet until you can go home again.
00:09:04Here you wear this.
00:09:06You, the clothes must always be very tight here,
00:09:09otherwise you will get trouble with the hostess.
00:09:14This is a worn dress.
00:09:15Yes, of course. Do you think there is something new for everyone?
00:09:17Where is the savings?
00:09:19If one goes away, she inherits her daughter,
00:09:22the next, and so on, until it's all gone.
00:09:25What does that mean?
00:09:27Is that a heart?
00:09:29And E, V, B?
00:09:33Elisabeth von Bernburg,
00:09:34the woman who wore the uniform last,
00:09:37also swarmed for the Mistress of Bernburg.
00:10:14So, you are my Hardis?
00:10:43Let me have a look.
00:10:46Turn around.
00:10:51The hairstyle must be tighter.
00:10:53Here, it must all go in.
00:10:58I am your class teacher, Miss von Bernburg.
00:11:01I expect you to pay close attention to all the commandments and prohibitions
00:11:04that govern our foundation life.
00:11:07Do you understand me?
00:11:09Yes, Miss von Bernburg.
00:11:12Good.
00:11:14Now go to the others.
00:11:40Do you have money?
00:11:44Yes, a little.
00:11:45How much?
00:11:465 Mark 40.
00:11:47Give it to me.
00:11:48Why? Why can't I keep a few marks?
00:11:50It is not allowed.
00:11:51You get a mark if you have an exit,
00:11:53provided that you do not want to be stroked.
00:11:55What is that?
00:11:56Praline.
00:11:57Sweets are confiscated.
00:11:59Leave the praline alone.
00:12:01I don't care about that.
00:12:03I am the nursing mother and she is my new...
00:12:05Belle.
00:12:06Belle.
00:12:08And what is that?
00:12:09This is my diary.
00:12:10The PR books must be delivered.
00:12:12Nobody cares about that. I don't care about that.
00:12:14Leave the diary alone.
00:12:15Prohibition is prohibition.
00:12:17If you don't give me the diary, I have to report it.
00:12:19And I won't give it to you.
00:12:20We'll see about that.
00:12:22Prohibition is prohibition.
00:12:28Can I help you?
00:12:32I don't know.
00:12:35You like it very much.
00:12:38Thank you.
00:12:39I like you too.
00:12:41Manuela.
00:12:42Come, I'll show you something.
00:12:49These are all allowed pictures.
00:12:51But now look.
00:12:55Well, how do you like it?
00:12:58It has this certain...
00:13:00How do you call it?
00:13:02This certain something.
00:13:04What does it say?
00:13:05I think actresses are much more interesting than actors.
00:13:09Because they are stupid and underdeveloped for their age.
00:13:11And because they haven't even looked at a man, they are swarming for actresses.
00:13:15Underdeveloped?
00:13:20Stand guard.
00:13:27So come if you dare.
00:13:44Who is underdeveloped?
00:13:47Who?
00:14:15Good day, children.
00:14:16Good day, Miss von Racket.
00:14:21A little punishment from Mr. Hardes.
00:14:23Show me your closet.
00:14:30Good.
00:14:31Always keep this order.
00:14:32Yes, Miss von Racket.
00:14:33Here in this book I include all praise and all praise.
00:14:36If you get more than ten lines of praise within five weeks,
00:14:39your exit will be withdrawn.
00:14:40So be careful.
00:14:42I hope you will beautify your new comrade's life with a good example.
00:14:47Yes, Miss von Racket.
00:14:57I didn't imagine it to be so bad.
00:14:59You get used to it.
00:15:02But my mother was never strict with me.
00:15:07Neither was mine.
00:15:09And your father?
00:15:11I hardly know him.
00:15:16Come, it's etiquette class.
00:15:22One, two, three, smile.
00:15:29Understood?
00:15:30Good.
00:15:33A good example must be of great elegance.
00:15:36And not stiff, not wobbly.
00:15:38Charming.
00:15:41All together.
00:15:43One, two, three.
00:15:49Good.
00:15:51And you?
00:15:53Are you the new girl?
00:15:54Yes, my name is Manuela von Meinhardes.
00:15:56Manuela, beautiful name.
00:15:58Do you speak French?
00:15:59A little.
00:16:00I'm here to teach you.
00:16:02Stand up.
00:16:04Go ahead.
00:16:07Alexandra, show me.
00:16:10One, two, three.
00:16:14Very good.
00:16:15Betty?
00:16:19Smile, always smile.
00:16:23Very good.
00:16:25Very gracious, my child.
00:16:28All together.
00:16:30One, two, three.
00:16:35Child, I'm hungry.
00:16:38I hate it.
00:16:40Delicious.
00:16:42I'm going to cry.
00:16:46Why are you scratching the butter?
00:16:49It's all about breeding and order.
00:16:52All-powerful.
00:16:53A pound of butter for 88 mills.
00:16:56If they are so stupid, they don't dare to say anything.
00:16:59The First Lady doesn't eat butter at all.
00:17:02Because it's forbidden by the doctor.
00:17:03But that's why we don't need to take the butter from the children.
00:17:06Oh girl, I see.
00:17:08You don't understand anything about breeding and order.
00:17:21Our new girl, First Lady Manuela von Meinhardes.
00:17:25Aha.
00:17:39Attention.
00:17:40Attention.
00:17:42Right turn.
00:17:45One, two, one, two, one, two, one, two, one, two, one, two.
00:18:03Right turn.
00:18:09We sing the first verse of the song, So take, then, my hands.
00:18:15One, two, three.
00:18:39I can not go alone, not one step.
00:18:48Where you want to go and stand, then I will not go.
00:18:59I have some comments to make.
00:19:03It has come to my attention that several of you have been disobedient to a number of commandments.
00:19:14I have learned that letters were sent without prior supervision.
00:19:22They contained unjustified complaints about our foundation.
00:19:29My officers are ordered to report such violations immediately.
00:19:35And Miss von Racket will be punished accordingly.
00:19:41So, I warn you.
00:19:58My mother is still alive. But I will never see her again.
00:20:13I have to become a German girl.
00:20:18I was not even allowed to keep my name.
00:20:21I have been baptized on Yvette. Yvette is also beautiful.
00:20:25I will call you Yvette.
00:20:26But only secretly.
00:20:28I will not give my daughter to the foundation.
00:20:30You have to do it. Our mothers were also here.
00:20:33And then we will forget it.
00:20:35Do you know what you do when you are an adult?
00:20:38Would our parents be different?
00:20:40We would not be here.
00:20:48What are you standing around for? Go wash yourself.
00:20:53What are you doing?
00:20:57We were talking about home.
00:20:59There is no time for that now. Go already.
00:21:01My Hades, you stay here for a moment.
00:21:05You refused to hand over your diary.
00:21:07Is that a secret?
00:21:09No one reads anything.
00:21:12At home no one read it either.
00:21:18We should not start with exceptions.
00:21:21But you can keep your diary.
00:21:24Now go wash yourself.
00:21:27Thank you.
00:21:30Ladies and gentlemen!
00:21:33I have heard that you have been disobedient to a whole series of commandments.
00:21:41I urge you to raise your voices and hearts and to recognize your sins.
00:21:51My teachers and servants are ordered to report the smallest mistakes.
00:22:00Then take the word out of my mouth.
00:22:06Your cat's laundry is done.
00:22:08Yes, Miss von Bamberg.
00:22:11It can happen again.
00:22:13Yes, Miss von Bamberg.
00:22:16That too.
00:22:18Yes, Miss von Bamberg.
00:22:20Do you want to have it?
00:22:22Yes, Miss von Bamberg.
00:22:24What are you waiting for? Go and take a bath.
00:22:28Take care of your things.
00:22:30Yes, Miss von Bamberg.
00:22:32You have to clean the lake yourself.
00:22:34Yes, Miss von Bamberg.
00:22:36In ten minutes I will be back to say good night to you.
00:22:38Yes, Miss von Bamberg.
00:22:41Today she is golden again.
00:22:43Yes, my dear Racket.
00:22:45Miss Oberon feels a little better, thank God.
00:22:48A little.
00:22:50Yes.
00:22:52A little.
00:22:54Is there anything else?
00:22:56Your Excellency, Miss von Ehrenhardt has just...
00:22:58Yes, yes, yes, yes, thank you.
00:23:00You don't look like you're from a good family.
00:23:03Very true, very true.
00:23:05But I'm afraid of a little more difficult growth.
00:23:07In any case, Miss Oberon feels better.
00:23:12The heart doesn't want to.
00:23:14But it has to.
00:23:16It would be best if you took it right away.
00:23:18Quite, in my opinion.
00:23:20But I'm afraid maybe it was a mistake, my dear,
00:23:22to give it to the class of Miss von Bamberg.
00:23:27Why?
00:23:29Oh, it's just a feeling.
00:23:31You shouldn't be guided by feelings.
00:23:33What else?
00:23:35Yes, the bills.
00:23:41The budget is far too expensive.
00:23:43Certainly, Miss Oberon.
00:23:45But I don't know where else we could save money.
00:23:46The girls are already complaining about hunger.
00:23:49Hunger.
00:23:51What does hunger mean?
00:23:54We Germans are very hungry.
00:23:59These girls should become soldiers' mothers.
00:24:05What we need, my dear Racket,
00:24:08is breeding, order, discipline.
00:24:17Not living in poverty,
00:24:19and feeling sorry.
00:24:21Poverty doesn't bring shame,
00:24:23poverty brings honor.
00:24:26Let the others press.
00:24:28They'll regret it.
00:24:30Finished?
00:24:32Yes, Mr. von Bamberg.
00:24:47Good night, Racket.
00:24:49Good night, Miss von Bamberg.
00:24:52Good night, Papke.
00:24:54Good night, Miss von Bamberg.
00:24:56Good night, Dippe.
00:24:58Good night, Miss von Bamberg.
00:25:00You're already so sleepy.
00:25:02Good night, Miss von Bamberg.
00:25:04Good night, Wolzendorf.
00:25:06Good night, Miss von Bamberg.
00:25:08Good night, Bolzano.
00:25:10Good night, Miss von Bamberg.
00:25:12It's like this every night.
00:25:14You have to get up.
00:25:17Go to bed.
00:25:20Now it's my turn.
00:25:22Good night, Miss von Bamberg.
00:25:25Good night.
00:25:28Good night, Miss von Bamberg.
00:25:34Well,
00:25:36my Harlis,
00:25:38isn't everything a little strange to you?
00:25:40But you have to make sure
00:25:42that you'll like it here.
00:25:44Every night before going to bed,
00:25:46you say to yourself,
00:25:48I'll be very happy here.
00:25:50That helps.
00:25:52Will you promise me that?
00:25:54Yes.
00:26:07Kleist,
00:26:09I'm glad to see you.
00:26:11Good night, Miss von Bamberg.
00:26:16Well, Kerkenbach.
00:26:18Good night, Miss von Bamberg.
00:26:20Good night, Eckart.
00:26:22Good night, Miss von Bamberg.
00:26:24And Märklin.
00:26:26Good night, Miss von Bamberg.
00:26:28Well, Jelfen Krone.
00:26:30Good night, Miss von Bamberg.
00:26:32Good night, Fresco.
00:26:34Good night, Miss von Bamberg.
00:26:42I wrote you a letter.
00:26:44Oh, give it to me.
00:26:47Dear, sweet Mia,
00:26:49let me be with you
00:26:51and sit at the table next to you,
00:26:53your tender Josie.
00:26:55What do you have there?
00:26:57Give it to me.
00:27:00How long should I wait?
00:27:08Put it in the fire.
00:27:10I don't want to know anything about your stupidity.
00:27:12Thank you.
00:27:16Good night.
00:27:27Well, children, is everything all right?
00:27:29Yes, Miss von Bamberg.
00:27:35That was very decent of her.
00:27:37Yes.
00:27:39When I grow up, I want to be like her.
00:27:41So beautiful?
00:27:43No.
00:27:44I want to be a teacher.
00:27:46A teacher?
00:27:48I'm getting married, that's for sure.
00:27:50You only become a teacher when you don't have a husband.
00:27:52Why do you think Miss von Bamberg didn't get married?
00:27:56Who knows?
00:27:58Look, do you know what that is?
00:28:01A pavilion.
00:28:03Do you have any idea?
00:28:05The door is always locked. Entry is strictly forbidden.
00:28:07Why?
00:28:09That's a secret.
00:28:11But I read it in the city guide.
00:28:12It was once the love nest of an unhappily married professor.
00:28:15Here he met his lover.
00:28:17There is such a thing in Paris.
00:28:19But not such a thing.
00:28:21Look what it is.
00:28:25What kind of picture is that?
00:28:27Read what it says.
00:28:29The birth of Venus.
00:28:32I don't like it.
00:28:34Why not?
00:28:36Because she is so naked.
00:28:38She must be.
00:28:40She was just born.
00:28:42She is the goddess of love.
00:28:44I don't care about that.
00:28:46But you have to know all that.
00:28:48It's historical.
00:29:01When you become a teacher,
00:29:03please bring a nice bell.
00:29:05This one hurts my English ears.
00:29:07The bell doesn't bother me at all.
00:29:12Sit down.
00:29:28Sit down.
00:29:35I want to give you the opportunity to improve your grades.
00:29:38Some of you are very bad.
00:29:39So we won't go any further,
00:29:41but we'll recapitulate.
00:29:43Tresckow.
00:29:45When was Schiller born?
00:29:47On November 10, 1759.
00:29:52Meinhardis.
00:29:55When did he die?
00:29:59Rackow.
00:30:01Which period of literature did the young Schiller belong to?
00:30:04The storm and drought period.
00:30:06Kleist.
00:30:08How does the great monologue of Attinghausen begin in the cello?
00:30:11To the fatherland, to the dear,
00:30:13close yourself up.
00:30:15Hold on to that with all your heart.
00:30:17Good.
00:30:21Which German poet was Schiller
00:30:23most artistic and personal?
00:30:35Meinhardis.
00:30:41One more question, Meinhardis,
00:30:43before I have to give you a bad grade.
00:30:47Name one of Schiller's women.
00:31:02Vollzogen.
00:31:06Maria Stuart,
00:31:08the young woman of Orléans,
00:31:10Lady Milford,
00:31:12and Louise of Cabal and Liebe.
00:31:15But please don't forget
00:31:17that women should marry men
00:31:19who make their men happy.
00:31:21Discipline is the main thing, ladies.
00:31:23Great women are good women.
00:31:25We in England don't want to go too far.
00:31:28So, camaraderie,
00:31:30all children,
00:31:32girls and boys alike.
00:31:33In Germany,
00:31:35Miss von Bergenburg,
00:31:37I noticed
00:31:39that you don't give a lot of lines.
00:31:42Children are like that and learn well.
00:31:44Meinhardis, too?
00:31:46No, Meinhardis doesn't learn well.
00:31:48But that will change.
00:31:50She's still new
00:31:52and she suffers a lot under the dead mother.
00:31:55You have to make a special effort with her.
00:31:57I don't have any results yet.
00:31:59You know we don't tolerate exceptions.
00:32:01I don't think of exceptions, Mrs. Obermann.
00:32:03Meinhardis is looking for,
00:32:05like all children of her age
00:32:07and especially those
00:32:09who have suddenly been left alone,
00:32:11some support,
00:32:13a good word,
00:32:15a hand.
00:32:17A hand? What hand?
00:32:19Some hand.
00:32:21In the future, soldiers' mothers
00:32:23will have to learn
00:32:25to bear the blows of fate
00:32:27without suffering.
00:32:29Each of us has a different personal fate.
00:32:31But where would we go
00:32:33without a friend,
00:32:35my ladies,
00:32:37and a less sympathetic friend?
00:32:39I think you can be both,
00:32:41an advocate and a friend.
00:32:43I don't hold anything
00:32:45from the right of the child
00:32:47to his individuality.
00:32:49These new-fashioned theories
00:32:51will not find an entrance in this house.
00:32:53Not as long as I'm here.
00:32:55The entrance door to this pen
00:32:57is not accidentally
00:32:59nailed with iron.
00:33:01This is a citadel
00:33:03in the middle of nowhere.
00:33:05Thank you, my ladies,
00:33:07that's all.
00:33:20It's a shame about Miss von Bernburg.
00:33:23Yes.
00:33:25I'm afraid
00:33:27we'll have to part
00:33:29with her one day.
00:33:31It's a shame.
00:33:33It's a shame.
00:33:42Mein Hades?
00:33:45What do you want?
00:33:50Well,
00:33:52you came to tell me something, didn't you?
00:33:57Schiller died on May 19, 1805.
00:34:00The robbers are his main work
00:34:01from the Sturm und Drang period.
00:34:03Goethe stood next to him
00:34:05personally and artistically.
00:34:07And Orla and Maria Stuart
00:34:09are two of his greatest women.
00:34:11I know everything.
00:34:13I've learned everything.
00:34:15But in class,
00:34:17when they look at me
00:34:19so coldly,
00:34:21everything is gone.
00:34:25Come.
00:34:28Come here.
00:34:31Sit down.
00:34:37Sit down.
00:34:45You're a strange child.
00:34:50Why are you crying?
00:34:58I don't know.
00:34:59Or is there a reason
00:35:01you can't tell me?
00:35:06I want to tell you everything.
00:35:08Here's my diary.
00:35:10I'll give it to you.
00:35:12You can know everything.
00:35:17It's nice to trust each other.
00:35:21Here, wipe your tears.
00:35:22There.
00:35:24Now tell me what's wrong with you.
00:35:32In my sleep,
00:35:34when they say good night
00:35:36and then leave,
00:35:39I have to stare at them.
00:35:42I want to get up,
00:35:44but I can't.
00:35:46I can't.
00:35:48I can't.
00:35:50I can't.
00:35:52I want to go to them.
00:35:55But I know I can't.
00:36:00They're always so...
00:36:05They're always so far away.
00:36:11You know
00:36:13I can't make any exceptions.
00:36:16You're all my children.
00:36:18I don't just belong to you.
00:36:20I belong to everyone.
00:36:22I don't care what others say.
00:36:24You understand that, don't you?
00:36:26I love you all.
00:36:29And if you can't answer
00:36:31the next time in class,
00:36:33then think about it.
00:36:35But I don't think
00:36:37that will ever happen again.
00:36:40It's high time.
00:36:42Here, look.
00:36:44My Harleys.
00:36:47Minus, minus, minus, minus, minus.
00:36:52It will be different.
00:36:55If your grades improve,
00:36:57then you can play in the theatre.
00:37:00Really?
00:37:02Yes.
00:37:03Come in.
00:37:06Oh,
00:37:08I'm sorry, Miss von Bernburg.
00:37:10Would you have time
00:37:12to discuss the programme
00:37:14for the birthday party of Miss Oberin?
00:37:16Of course, take a seat.
00:37:18So, my Harleys,
00:37:19I have to go.
00:37:21Goodbye, Miss von Bernburg.
00:37:28A strange girl.
00:37:30Strange for all people.
00:37:32So, what about the programme for the birthday party?
00:37:34Oh, yes, the programme for the birthday party.
00:37:36Yes, I thought
00:37:38perhaps the girls
00:37:40could play something classical.
00:37:43How about
00:37:45Romeo and Juliet?
00:37:46Romeo and Juliet.
00:37:53No, no, my dear.
00:37:55I have to declaim it.
00:37:57Listen to me.
00:38:07It's simple.
00:38:14No, no, no.
00:38:16It means, please.
00:38:31No, no, no.
00:38:38I can't kiss in the air.
00:38:40Do as I say.
00:38:42I can't.
00:38:47Oh,
00:38:51Pause.
00:39:05What did she say?
00:39:07That they should play a different role.
00:39:09A different?
00:39:11Yes, because it's not what I want.
00:39:13She doesn't leave me.
00:39:14I know that I can do it right. I know it very well.
00:39:18Not now, my Hades.
00:39:23Come.
00:39:28Manuela had to go to the classroom with Miss von Bernburg all alone.
00:39:32Because she gave a cheeky answer to Mademoiselle Aubert.
00:39:35What? Manuela can be cheeky?
00:39:37Don't forget, Romeo is not a country boy. He is a noble man.
00:39:41Well, I'll read the words of Julia. Try again.
00:39:46You know, innocence doesn't tend to rage, even if it is a request.
00:39:51Don't rage, Holden, for my sake, while my mouth takes what it pleases.
00:40:00I don't believe you. That's not Romeo.
00:40:03Romeo is a young man who loves for the first time.
00:40:06Come on, try again.
00:40:08You know, innocence doesn't tend to rage, even if it is a request.
00:40:14Don't rage, Holden, for my sake, while my mouth takes what it pleases.
00:40:20Innocence doesn't tend to rage, even if it is a request.
00:40:37Who takes such a Romeo?
00:40:44Well, my Hades, what he pleases, what he pleases.
00:40:47The text is still very wobbly with you, and with fate we need every word.
00:40:51So, to the place, please.
00:41:07Sit down.
00:41:11What happened?
00:41:14Nothing.
00:41:15Nothing? Where did we stop, Rackow?
00:41:18At the Romantic Poet's Circle.
00:41:20Well, the Romantic Poet's Circle has probably introduced the most beautiful lyricist in Germany.
00:41:26I think, in the first place, of Heine, of Eichendorff, of Lenau, of Möhricke.
00:41:33What is your name, what is the name of the rose?
00:41:36As it were, it would smell lovely.
00:41:39So Romeo, if he were not Romeo.
00:41:41If you love me, I am new-born, and I will not be Romeo any more.
00:41:47Who are you, the one you adorn by the night, that you penetrate into my heart?
00:41:55You penetrate into my heart? What does that mean?
00:41:59No idea.
00:42:01But it sounds lovely, like music.
00:42:04Presko, please tell the others that Miss von Reckert is meeting me this afternoon.
00:42:09I don't want to hear any complaints.
00:42:12There she comes.
00:42:15Are you working?
00:42:17Be quiet, or the fish will swim away.
00:42:21She is as elegant as she is.
00:42:23Like who?
00:42:25My mother.
00:42:28Innocent.
00:42:34Where did we stop?
00:42:36As it were, if you love me, I am new-born, and I will not be Romeo any more.
00:42:41Children, there is nothing more beautiful than a cozy Sunday.
00:42:47I shouldn't be lazy, mother writes.
00:42:50The fatherland needs iron people.
00:42:53I don't want to be an iron person.
00:43:00I give it to you as a souvenir. Do you like it?
00:43:03Wonderful.
00:43:05Thank you.
00:43:12Lying on the bed is forbidden.
00:43:15Oh, slip off my arm.
00:43:24Let me be.
00:43:27Hurry up!
00:43:29Hurry up!
00:43:31Hurry up!
00:43:33Be quiet!
00:43:43Eat it!
00:43:45Child, it's deep.
00:43:47I feel dizzy when I look down there.
00:43:49How deep can it be?
00:43:51You are stupid, you can easily calculate that according to the law.
00:43:54How do you do that?
00:43:56You count the seconds the body needs to fall, plus the acceleration of the heavy 9.81.
00:44:00We'll see that in a moment.
00:44:02Ladies, a big pea.
00:44:04One, two, and three.
00:44:11What are you doing?
00:44:13Lying on the bed is forbidden.
00:44:15Be quiet, you model student.
00:44:18Dear parents, today is a sad Sunday again.
00:44:22Our sweet miss of Racket, the plucked chicken, makes us starve.
00:44:26And why are we even more hungry than usual on Sundays?
00:44:29Just send a box of food to your beloved Ilse.
00:44:34And you, who gets the letter in her finger?
00:44:37She won't get it in her finger, I'll smuggle it through, I know how.
00:44:40Watch out!
00:44:44Well, children, it's a nice Sunday today.
00:44:47Yes, very nice.
00:44:49Always fresh and cheerful, well-groomed and well-rested.
00:44:52Work doesn't spoil, work honors.
00:44:54Sit down.
00:44:56Are you doing your work well?
00:44:58Yes, very well, very well.
00:45:00I hope so, too.
00:45:02Always hard at work.
00:45:04Mr. Adjutant, Mr. Adjutant, where have you got your right hand?
00:45:07For the fatherland, for the fatherland, you need both of them.
00:45:11Mr. Adjutant, Mr. Adjutant, now take your left hand, too.
00:45:15For the fatherland, for the fatherland, for the fatherland, hurrah!
00:45:19You'll get a death sentence for this insolent lie.
00:45:23And where did you get it?
00:45:24Where did you get it?
00:45:26From my father, Lieutenant General von Wolzow.
00:45:34What's that supposed to be?
00:45:36A shirt, perhaps?
00:45:38What's that?
00:45:40It's a fly net.
00:45:42And that's how you walk around?
00:45:44I only have two shirts, and this one is very old.
00:45:47Tomorrow morning, my dear, when I inspect your wardrobes,
00:45:50I'll find this shirt neat and well-groomed, without any mistakes.
00:45:53But what about tomorrow morning?
00:45:55No more talking, and whoever helps you, my dear,
00:45:58will be exempt from the punishment.
00:46:00Goodbye.
00:46:02Goodbye, Mrs. Hardes.
00:46:05That witch, that sadist, we'll have to kill her.
00:46:09Mr. Adjutant, Mr. Adjutant, where have you got your right hand?
00:46:15No, no, I'll manage on my own.
00:46:17For the fatherland, for the fatherland, you need both of them.
00:46:22Good night.
00:46:32Oh, good night, oh, your light's radiance.
00:46:36Love, too love, like...
00:46:39Love, too love, like...
00:46:42Like what?
00:46:44Like pupils away from books.
00:46:47Love, too love, like pupils to books.
00:46:50Love, too love, like pupils to books.
00:46:52Love, too love, like pupils to books.
00:47:04Oh, good night, oh, your light's radiance.
00:47:07Love, too love, like pupils away from books.
00:47:10My Hardes?
00:47:12Why don't you sleep?
00:47:15What are you doing?
00:47:19A shirt.
00:47:20That's not a shirt.
00:47:22It's a sieve.
00:47:24Why are you still ironing it?
00:47:26I have to. I only have two shirts.
00:47:28And tomorrow morning I want to check them.
00:47:30Can't you ask your aunt to send you another shirt?
00:47:33My aunt?
00:47:35My aunt is like the moon.
00:47:39Always cold and pale.
00:47:41And, thank God, far away.
00:47:47Come with me.
00:47:51Come.
00:48:03Johanna, Johanna, come here.
00:48:05Why don't you sleep?
00:48:07You have to send me a letter.
00:48:09But don't let me catch you.
00:48:11You want me to get out of here, don't you?
00:48:13One more time, but now go to sleep.
00:48:15Thank you, Johanna.
00:48:20Thank you.
00:48:28I think this will suit you.
00:48:32Do you like it?
00:48:34Should I keep it?
00:48:36Yes.
00:48:39And can I wear it?
00:48:42Why not?
00:48:43Why not?
00:48:49You are...
00:48:51You are so...
00:48:53You are like...
00:48:55Like...
00:49:01Thank you.
00:49:05Go to sleep, my dear.
00:49:07Good night.
00:49:11Good night.
00:49:13Good night.
00:49:23When I see you...
00:49:25When I see you leave on Sunday,
00:49:28in your beautiful dress,
00:49:31I'm so afraid you'll never come back to us.
00:49:35Why shouldn't I come back to you?
00:49:38I don't know.
00:49:39Every evening,
00:49:41as I promised you,
00:49:43I'm very, very happy here.
00:49:47But you...
00:49:49I don't think you feel the same way.
00:49:52I do.
00:49:54I just don't feel like going to bed.
00:49:57I'll tell you tomorrow morning at eight
00:50:00when I come to your class.
00:50:03And when you wake up,
00:50:06I'll tell you.
00:50:10Good night, Manuela.
00:50:12Good night.
00:50:16Let's go to bed.
00:50:39Good night.
00:50:40Good night.
00:51:07Are you ready?
00:51:08Yes.
00:51:39Mrs. von Racket.
00:51:41I thought you were in good hands
00:51:44with all the administrative matters of the house.
00:51:48But that doesn't seem to be the case.
00:51:51Here.
00:51:53This letter has come back due to inaccurate writing.
00:51:57Miss von Racket,
00:51:59I'm so sorry.
00:52:01I'm so sorry.
00:52:03I'm so sorry.
00:52:05I'm sorry.
00:52:07Miss Ilse von Westhagen.
00:52:10A letter that wasn't written
00:52:13and was stolen from the house.
00:52:16Here, read it yourself.
00:52:20Dear parents,
00:52:22today is a sad Sunday again.
00:52:25Our sweet Miss von Racket,
00:52:27that rotten chicken,
00:52:30leaves us stranded.
00:52:32And why is there more hunger on Sundays
00:52:34than on weekdays?
00:52:36Just send a package of food.
00:52:39I can't live without it.
00:52:41It's unbearable.
00:52:43I'm speechless, Miss.
00:52:45I didn't ask you for anything!
00:52:47You will be punished the most severely
00:52:50by Ilse von Westhagen.
00:52:52Yes, Miss.
00:52:54I hope that before my birthday
00:52:56there won't be such agitations again.
00:52:58Otherwise I won't live here.
00:53:00May heaven smile on you
00:53:01so that you won't be sad
00:53:03about the future.
00:53:05So be it!
00:53:07But come on,
00:53:09he won't take away the joy
00:53:11that Julia gave us.
00:53:13Put our hands together
00:53:15by your blessing.
00:53:17Such a wild joy
00:53:19will take a wild end
00:53:21and die in your shame.
00:53:23No, no, no, Miss von Westhagen, no!
00:53:25So, again,
00:53:27but we beg your pardon.
00:53:29May heaven smile on you
00:53:31so that you won't be sad
00:53:33about the future.
00:53:35So be it!
00:53:37But come on,
00:53:39he won't take away the joy
00:53:41that Julia gave us.
00:53:43Put our hands together
00:53:45by your blessing.
00:53:47Such a wild joy
00:53:49will take a wild end.
00:53:51Excuse me, Miss.
00:53:53I'm at the order of Miss Oberin.
00:53:55Ilse von Westhagen
00:53:57is to be punished the most severely.
00:53:59She wrote a lie
00:54:01against the one
00:54:03who invited her to the house.
00:54:05What are you going to do?
00:54:07I'm afraid I have to beg for it.
00:54:09Leave me alone, please leave me alone.
00:54:11No, you can't be serious.
00:54:13As long as you live,
00:54:15as long as you live,
00:54:17three times up.
00:54:20As long as you live,
00:54:22as long as you live,
00:54:24three times up.
00:54:29As long as you live,
00:54:31Wo soll sie leben? Wo soll sie leben?
00:54:35Heimat!
00:55:01Hallo! Schnell, schnell!
00:55:03Welch wahr, sind ihr in den Bauch rum?
00:55:05Ne, wir sind nicht!
00:55:07Komm, wir wollen ihn noch einmal ruhig nehmen.
00:55:09Der Morgenlächel Frohder Nacht ist angesiegt.
00:55:11Der Morgenlächel Frohder Nacht ist angesiegt.
00:55:13Im Säumgebirge im Ost mit Streifenlicht.
00:55:15Im Säumgebirge im Ost mit Streifenlicht.
00:55:17Ich hätte nie gedacht, dass es so schwer ist, einen Mönch zu sein.
00:55:19Ach, was? Komm!
00:55:21Nein, nein!
00:55:23Bitte, bitte, bitte! Verlass mich nicht!
00:55:31Oh, so vergönne teure Julia nun,
00:55:59dass auch die Lippen wie die Hände tun.
00:56:02Du weißt, die Unschuld pflegt sich nicht zu regen,
00:56:05auch wenn sie eine Bitte zugesteht.
00:56:08Zu reg dich, Holde, nicht zu meinem Segen,
00:56:12derweil mein Mund dir nimmt, was er fleht.
00:56:30Nun hat dein Mund ihn aller Sünde entbunden.
00:56:33So hat mein Mund zum Lohn sie für die Kunst?
00:56:36Zum Lohn die Sünde, oh Vorwurf, süß erfunden.
00:56:39Sicher wird Manuel eines Tages am königlichen Hoftheater spielen.
00:56:42Die Kleine hat Talent, aber die Alte verdient es gar nicht,
00:56:45dass sich die Kinder für sie so anstrengen.
00:56:47Hoch soll sie leben, ich frag mich nur, warum?
00:56:49Immerhin hat sie wenigstens das Mehl für zehn Nappt Kuchen freigegeben,
00:56:52wenn sie auch wohlweislich die Rosinen vergessen hat.
00:56:55Aber ich nicht, die sind drin.
00:56:57Mädchen, du imponierst mir.
00:56:59Du hast wenigstens Courage.
00:57:07Der Himmel lächelt so dem heiligen Mund,
00:57:09dass euch kein Kummer je die Zukunft trübe.
00:57:12So sei es, doch komm, was Kummer auch vermag,
00:57:15er nimmt die Freude nimmer weg, die Julius Anblick gab.
00:57:18Füge unsere Hände nun durch deinen Segensspruch in eins.
00:57:21So wilde Freude nimmt ein...
00:57:33So wilde Freude nimmt ein wildes Ende und stirbt in ihrem Rausch.
00:57:36Drum liebe mäßig.
00:57:47Die Vorstellung muss gleich aber sein.
00:57:49Wir müssen uns beeilen, sonst werden wir nicht fertig.
00:57:52Was hast du denn da fabriziert? Ein wirklicher Bund schläft doch ganz anders.
00:57:55Das ist ja nur für die Kinder.
00:57:57Das ist ein Rezept, kommt von oben.
00:57:59Genauso schmeckt er auch.
00:58:06Achtung!
00:58:10Alle zum Test in den Speisesaal.
00:58:20Ich bin glücklich, ich bin so glücklich.
00:58:22Lorenzo, Lorenzo, Lorenzo, Lorenzo, Lorenzo.
00:58:25Gratuliere.
00:58:26Was glaubst du, wie es von Pompeyen wird feiern?
00:58:28Weiß ich nicht, aber solche Augen hat es gemacht.
00:58:30Komm, sonst essen sie uns alles weg, komm.
00:58:49Romeo der Erste, der erste Mann in unserem Stift, Damenwahl!
00:59:19Glocken, geht doch nicht.
00:59:27Achtung.
00:59:35Meine lieben Kinder, ich möchte euch nicht stören.
00:59:38Ich soll euch nur den Dank von der Frau Oberin überbringen.
00:59:40Es hat ihr sehr gefallen.
00:59:42Auch den Gästen?
00:59:44Mir auch.
00:59:45Und was hat Ihnen am besten gefallen, Frau Dorn von Bernburg?
00:59:48I liked the best Ilse von Westhagen.
00:59:53Ilse, your performance was unbeatable.
00:59:56I liked all of you. All of you were good.
00:59:59Yes, and our Romeo. A bravo to our Romeo.
01:00:03So, and now I have to go back to our guests.
01:00:05Music, please. Keep dancing.
01:00:11What's the matter, Tresco?
01:00:12You didn't like it?
01:00:14It wasn't a waste of time, I'll tell you that much.
01:00:32From the Garde de Cor, from the Garde de Cor
01:00:34My Henry from the Garde de Cor
01:00:38From the First Regiment
01:00:44From the Garde de Cor
01:00:47From the Garde de Cor
01:00:49Johanna, you've gone mad.
01:00:53Why?
01:00:54Because you're going round and round.
01:00:56But he has to go in.
01:00:58Girls, if the Oberin finds out...
01:01:01I'll whistle. The girls should live longer.
01:01:03And if it's on the birthday of the Alps.
01:01:05I'm very pleased that you managed
01:01:08to convince the wife of our esteemed Oberin
01:01:12and to get her illustrious guests.
01:01:18But next time, be more strict, more strict.
01:01:23I express my appreciation to all our actors.
01:01:27Romeo.
01:01:30Julia.
01:01:32And above all, our incomparable Lorenzo.
01:01:39The prince.
01:01:42The prince.
01:01:43Come.
01:01:44Come quickly, but don't be hasty.
01:01:47Everyone's coming.
01:01:49First the actors, then the others.
01:01:53I've brought you some good fruit.
01:01:55Come, I'll show you something.
01:01:57Cheers.
01:01:58But don't, children, don't be so wild.
01:02:01But children, children.
01:02:03Cheers.
01:02:04Cheers.
01:02:05Cheers.
01:02:06Cheers.
01:02:07Cheers.
01:02:09Cheers.
01:02:10Cheers.
01:02:11Cheers.
01:02:12Cheers.
01:02:13Cheers, Alexander.
01:02:15What's wrong with you?
01:02:17Why are you looking at me like that?
01:02:19You're happy.
01:02:20Yes, very, very happy.
01:02:22I'm happy already.
01:02:23Do you want to taste it?
01:02:24It tastes good.
01:02:25Wonderful.
01:02:26It tastes wonderful.
01:02:27I've seen you.
01:02:30No.
01:02:31What did you see?
01:02:32You and your friends from Bernburg on Sunday night
01:02:35when they took you to their room.
01:02:38Sorry.
01:02:39I'm sorry.
01:02:40It was my secret.
01:02:41I won't tell you.
01:02:42Don't be afraid.
01:02:43Afraid?
01:02:44Why should I be afraid?
01:02:46If the Racket knew.
01:02:47What's wrong with him?
01:02:48What are you talking about?
01:02:49Nothing, Manuela.
01:02:50I'm just jealous.
01:02:52But the Racket...
01:02:53The Racket, the Racket, the Racket.
01:02:55The girl from Bernburg can't even clean her boots.
01:02:58Cheers.
01:02:59Cheers.
01:03:00Cheers.
01:03:01Cheers.
01:03:02Cheers.
01:03:03Cheers.
01:03:04Cheers.
01:03:05Cheers.
01:03:07Oh!
01:03:19What is it?
01:03:21Why are you bugging me?
01:03:22Why didn't you go to the others?
01:03:23Because Manuela is totally drunk.
01:03:27What?
01:03:28Drunk?
01:03:30That's... It's not possible!
01:03:32She can't do that.
01:03:33Are you sure?
01:03:35I never lie.
01:03:36Manuela, don't drink too much.
01:03:38I like it, children.
01:03:40This is the most beautiful day of my life.
01:03:44And now I want to show you how to really play Romeo.
01:03:48Manuela, my monologue!
01:04:07How sweetly the voice of the lovers resounds through the night.
01:04:13Like lovely music.
01:04:15But quiet!
01:04:18What is shimmering through the window?
01:04:20It is the day.
01:04:22And Julia, the sun.
01:04:24The moon is jealous and pale in front of Grame.
01:04:27Her gaze.
01:04:28I want to give him an answer.
01:04:30She is it.
01:04:31My goddess.
01:04:32My love.
01:04:34Miss Burgdorf.
01:04:42Why are you looking at me like that?
01:04:45She knows.
01:04:47She knows exactly.
01:04:48And she loves me as I love her.
01:04:50Be quiet, Manuela.
01:04:51She gave me a dress.
01:04:53A silk dress.
01:04:57No, no.
01:04:58No dress.
01:04:59A shirt.
01:05:01A shirt from her.
01:05:02From me?
01:05:04I should wear it and think of her?
01:05:07No.
01:05:08She didn't say that.
01:05:10She doesn't need to.
01:05:13I also know that...
01:05:16that she loves me.
01:05:18Who gave you the shirt?
01:05:24Miss von Bernburg.
01:05:26Attention!
01:05:35I am not afraid.
01:05:44In front of no one.
01:05:48In front of no one at all!
01:05:53Cheers.
01:05:54Cheers, Miss von Bernburg.
01:05:57Cheers.
01:05:59Cheers.
01:06:01Cheers.
01:06:02Cheers, Miss von Bernburg.
01:06:09I love her.
01:06:12I love her!
01:06:14This is a scandal!
01:06:25Manuela.
01:06:30Manuela.
01:06:33Manuela.
01:06:51What are you doing here?
01:06:53We wanted to ask you how Manuela is.
01:06:55That is none of your business!
01:06:57Say, Miss Oberin.
01:06:59But there's no one in my house but Johanna who brings you the food.
01:07:02Now go and make sure she comes to your classes.
01:07:13Please, Miss von Reckert.
01:07:14What else do you want?
01:07:16How is Manuela really?
01:07:18As she deserves.
01:07:20You mustn't misunderstand me, Miss von Bernburg.
01:07:22I just wanted to warn you.
01:07:24There's been an intrigue against her.
01:07:27Maybe even worse.
01:07:28I'm not afraid.
01:07:31But don't underestimate Miss von Reckert.
01:07:33She's been begging like a German since morning.
01:07:36Miss Evans, I have a good conscience.
01:07:38Well, but...
01:07:40That's not always enough.
01:07:42Sorry.
01:07:46Miss Evans!
01:07:48You don't believe it, do you?
01:07:49Seriously?
01:07:50Excuse me, it's already ringing.
01:07:52I can only tell you now that I'm very pleased to see you.
01:07:55I'm sure I won't throw anything at you.
01:08:06Alexandra is jealous.
01:08:10And Reckert hates Miss von Bernburg.
01:08:15I'm afraid. I'm afraid.
01:08:19I talked too much.
01:08:22I have to go.
01:08:24I have to explain everything.
01:08:29What she thinks of me.
01:08:37Let's all go.
01:08:48Since this house was built,
01:08:50such a scandal has never happened.
01:08:52You are the worst girl that has ever been recorded in this house.
01:08:56You should be ashamed of yourself if you weren't too big for this.
01:08:59Look at me!
01:09:00Look at me!
01:09:06What have I done?
01:09:09On my birthday, you pretended that I couldn't see it at all.
01:09:13You will still be punished.
01:09:15Yes?
01:09:17Excuse me, Mrs. Oberin.
01:09:19The Queen has called you for a visit this afternoon.
01:09:25Especially today.
01:09:27We must not disappoint the Queen.
01:09:30We have to keep our cool and appear polite.
01:09:33Even the minorities.
01:09:35But none of the girls has to talk to her.
01:09:38Hurry up with your preparations.
01:09:40The Queen is always punctual.
01:09:42Yes, Mrs. Oberin.
01:09:46Stand at attention.
01:09:47Line up.
01:09:51Line up.
01:09:54Keep going.
01:09:58So.
01:09:59When Her Majesty comes to visit the princesses,
01:10:02we will do a deep court dance.
01:10:04Understood?
01:10:05Last rehearsal.
01:10:16All right?
01:10:17The Queen will be here shortly.
01:10:19Are we ready?
01:10:20Yes, Mrs. von Rathen.
01:10:21Good.
01:10:22Except for my Hades.
01:10:23My Hades.
01:10:24Bring her.
01:10:25But the little one is sick.
01:10:27Bring her, Mrs. Oberin, and don't say a word to my Hades.
01:10:31I will talk to her.
01:10:33Me too.
01:10:34That's the Queen's order.
01:10:36I will talk to her.
01:10:37I will talk to her.
01:10:38I will talk to her.
01:10:39I will talk to her.
01:10:40I will talk to her.
01:10:41I will talk to her.
01:10:42I will talk to her.
01:10:43I will talk to her.
01:10:44I will talk to her.
01:10:45That's mortal.
01:10:46That is forbidden.
01:10:47One should complain to the Princess.
01:10:49What the princess says, everybody does.
01:10:52I complain to her.
01:10:53Then you get kicked out!
01:10:56I don't care!
01:11:15Good day, my dear Strachwitz, how are you?
01:11:42Welcome, Queen of the Royal Court.
01:11:47Good day, Miss von Racket, how are you?
01:11:49Thank you very much, Queen of the Royal Court.
01:11:51May I ask you to introduce our new English teacher, Miss Evelyn Evans?
01:11:58How are you, Miss Evans?
01:11:59Thank you very much, Queen of the Royal Court.
01:12:01And my Miss Albert, how are you?
01:12:02Very well, thank you, Queen of the Royal Court.
01:12:06Good day, Miss von Bernburg, how are you?
01:12:08Thank you very much, Queen of the Royal Court.
01:12:11Everything is on time, that's very nice.
01:12:14On time is important in life.
01:12:16I have come here today to congratulate your dear Miss Oberin on her birthday.
01:12:21Oh, too much honor, Queen of the Royal Court.
01:12:23I am very sorry that I could not participate in the festival yesterday.
01:12:26It must have been an uplifting experience for the children.
01:12:29They were blessed and behaved like angels.
01:12:32That's nice.
01:12:41Don't forget, you said you would complain to her.
01:12:45I will do that.
01:12:47They are all very charming.
01:12:54You are little Gerstenberg, how are you?
01:12:56Thank you very much, Queen of the Royal Court.
01:12:58It is really a beautiful sight to see so many happy children.
01:13:03You are little Wolzogen, aren't you?
01:13:05How do you like it here?
01:13:06Of course, beautiful.
01:13:07The father is a well-deserved officer.
01:13:10Yes, my child.
01:13:12Do you want to say something?
01:13:24Well, dear children, thank you very much.
01:13:26It was very nice with you.
01:13:27Adieu!
01:13:29Oh yes, the little Meinhardis.
01:13:31The little Meinhardis, please.
01:13:33Meinhardis?
01:13:35Meinhardis!
01:13:36Meinhardis!
01:13:40Ah, you are little Meinhardis.
01:13:42I knew your mother very well.
01:13:44She was a very fine woman.
01:13:45I hope you will strive to become more like her.
01:13:48But you look pale.
01:13:50She is not sick, is she, Miss Oberin?
01:13:52No, no, not at all.
01:13:53A charming girl.
01:13:54She will do the foundation a great honor.
01:13:56I would like to ask you to treat her very specially.
01:13:59On this occasion, I would like to discuss something with you.
01:14:05He is such a great miracle, don't you say?
01:14:08Very gentle, very gentle.
01:14:10I wish I could talk to you, too.
01:14:12Meinhardis, back to the hospital room.
01:14:20The little one would like to talk to you.
01:14:25Manuela!
01:14:28Manuela!
01:14:32Don't worry.
01:14:33You will come back to us.
01:14:35What about William from Bernburg?
01:14:37What will happen to me?
01:14:40Go to your room, Meinhardis.
01:14:44So, you are behaving inappropriately.
01:14:46I didn't expect that from you.
01:14:48I don't know.
01:14:50I am so afraid of Manuela.
01:14:53She is so strange and quiet.
01:14:55Meinhardis doesn't deserve your friendship.
01:14:57The way you treat her can only harm you.
01:14:59Manuela must be bad.
01:15:01No, that's possible, but against the...
01:15:04I can't explain it to you like that.
01:15:07Believe me, you will thank me later.
01:15:15So, children.
01:15:17You can tell me what you want.
01:15:19Such a princess.
01:15:21That is something beautiful.
01:15:24I would have preferred a prince.
01:15:26That could suit you.
01:15:28You know, no living man is tolerated in this house.
01:15:30Only copper or brass men.
01:15:32You can clean them.
01:15:35Like the old pricks in the hall.
01:15:37I like to clean them.
01:15:39I like him.
01:15:41Children, I will tell you one thing.
01:15:43The problem with William from Bernburg is bad.
01:15:45How do you know that?
01:15:47The old woman asked him to come to her office.
01:15:49You will never be the next one.
01:15:51Why me?
01:15:53Because you are close to Jörn.
01:15:55You have the most important rule for a teacher.
01:15:57To keep a distance.
01:15:59I keep a distance where it is necessary.
01:16:01It wasn't necessary with Meinhardis.
01:16:04Your understanding for her has gone too far.
01:16:06Insubstantially far.
01:16:08I speak to you about the ability to judge.
01:16:10You command uniforms.
01:16:12I try to educate girls.
01:16:14Who then behave like Meinhardis.
01:16:18Now you have gone insubstantially far.
01:16:20It is certain that Manuela
01:16:22from Meinhardis
01:16:24in a
01:16:26highly
01:16:28unhealthy way
01:16:30swarms for her.
01:16:33I would like to send her away.
01:16:35But that is not possible because of the princess.
01:16:37Well then,
01:16:39she will stay in the isolation room.
01:16:41And I don't want
01:16:43that she speaks a single word with you.
01:16:45That was all.
01:16:55I am sorry,
01:16:57I am really sorry.
01:16:59It is nice of you, but I don't believe you.
01:17:01I don't believe you.
01:17:17You?
01:17:19You?
01:17:29What do you want here?
01:17:39Didn't you say enough last night?
01:17:45That I
01:17:49I
01:18:13Now be sensible.
01:18:15What you have done
01:18:17What you have done, you know.
01:18:19I have tried
01:18:21to give you
01:18:23and all the others
01:18:25a little friendship.
01:18:29But maybe you really can't stand it.
01:18:31Now you have to be punished.
01:18:33You will live in the isolation room.
01:18:37You know why.
01:18:39Don't complain.
01:18:41One could have removed you
01:18:43from the foundation just as well.
01:18:45I have thought about it for a long time
01:18:47whether it would be the best.
01:18:51Will I be able to visit you?
01:18:53I won't be here anymore.
01:18:57You are leaving?
01:19:01It is better for you.
01:19:03I am never allowed to see you again?
01:19:15No.
01:19:21Then I don't want to live anymore.
01:19:27What kind of big words are those?
01:19:29You shouldn't think like that.
01:19:31You have your whole beautiful life in front of you.
01:19:33You don't even know what you are saying.
01:19:35Now be sensible.
01:19:39I think Mrs. Oberin is right.
01:19:41You have to be healed.
01:19:43From what?
01:19:49You are not allowed to love me like that.
01:19:53I am only your teacher.
01:19:55Nothing else.
01:19:57I am not your friend.
01:19:59I am not your mother.
01:20:01I am sorry, but that is the truth.
01:20:03Do you understand me?
01:20:05Now go.
01:20:09I am going.
01:20:13Goodbye.
01:20:25Live well,
01:20:27dear Mrs. von Bernburg.
01:20:43Goodbye.
01:21:13Goodbye.
01:21:17You talked to my Harris?
01:21:19Yes.
01:21:21Even though I forbade it?
01:21:23I think I can prove it.
01:21:27I will wait for you in my room.
01:21:29Goodbye.
01:21:39Manuela.
01:21:43Manuela.
01:21:45I really didn't want that.
01:21:47I am taking the decision to leave the ship,
01:21:49to leave for the recognition,
01:21:51without further ado.
01:21:53You will save me the embarrassing
01:21:55dismissal.
01:21:57But I will continue.
01:21:59I will make accusations
01:22:01that you were ever recorded here.
01:22:03But that only happened because
01:22:05your Royal Highness recommended you.
01:22:07Because I noticed
01:22:09many times
01:22:11that you were not
01:22:13a good person,
01:22:15because I noticed during our first meeting that she doesn't fit in here.
01:22:21We were probably of the same opinion for the first and last time, Mrs. Oberin.
01:22:25And why did you stay there, if I may ask?
01:22:29Back then, on the way to your room,
01:22:32I met a few children who were pushing around like frightened mice in the stairwell.
01:22:38Then I said to myself, whether I want to or not, I'll stay here.
01:22:43I lost the fight, Mrs. Oberin.
01:22:46And I should have done something to convince you.
01:22:51To convince me?
01:22:54What do you allow yourself?
01:22:56I don't know what experiences have hardened you so much.
01:22:59What you call hardness is the basic concept of breeding and order.
01:23:04But I don't think we have the right to let the children decide
01:23:07what has happened to us in life.
01:23:10We should make you happy.
01:23:12But you rule with fear and the children hate you.
01:23:14But you smell like me.
01:23:16I'm sorry, Mrs. Oberin.
01:23:18You are a poor man.
01:23:21Shut up!
01:23:27Shut up!
01:23:40Shut up!
01:24:10Shut up!
01:24:12Shut up!
01:24:14Shut up!
01:24:16Shut up!
01:24:40Vater Unser, Vater Unser, der du bist.
01:24:46Ich will nichts Böses.
01:24:48Ich will nichts Böses.
01:24:52Vergib uns unsere Schuld.
01:24:59Leben Sie wohl, Deine Frau.
01:25:16Mein Harbis?
01:25:34Mein Harbis?
01:25:36Mein Harbis!
01:25:38Wo ist Pollan von Mein Harbis?
01:25:40Das weiß ich doch nicht.
01:25:42Sie wissen es nicht?
01:25:45Was die machen?
01:25:47Mein Harbis!
01:25:49Hat ihr mein Harbis versteckt?
01:25:51Nein, nein.
01:25:56Wo ist sie nun wirklich?
01:25:58Wir müssen sie finden.
01:26:03Manuela!
01:26:05Manuela!
01:26:07Manuela!
01:26:09Manuela!
01:26:11Manuela!
01:26:14Stop!
01:26:16Stop!
01:26:21Mein Harbis!
01:26:29Seid still, Kinder.
01:26:31Zurück!
01:26:37Zurück!
01:26:43Manuela!
01:26:54Manuela!
01:26:59Bleib ruhig!
01:27:07Manuela!
01:27:09Lass mich los!
01:27:11Let go! Let go!
01:27:13Let me go!
01:27:15Let me go!
01:27:17Let me go!
01:27:19Let me go!
01:27:21Let me go!
01:27:23Leave her!
01:27:25Manuela.
01:27:37To the camp immediately.
01:28:11♪
01:28:16♪
01:28:21♪
01:28:26♪
01:28:31♪
01:28:36♪
01:28:41♪
01:28:46♪
01:28:51♪
01:28:56♪
01:29:01♪
01:29:06♪
01:29:11♪
01:29:16♪
01:29:21♪
01:29:26♪
01:29:31♪
01:29:36♪
01:29:41♪
01:29:46♪
01:29:51♪
01:29:56♪
01:30:01♪
01:30:06♪
01:30:11♪
01:30:16♪
01:30:21♪