Killer Babes 2024 Full Movie

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3 months ago

Transcript

00:00:00In animation, the logo of 100 Years Metro-Goldwyn-Mayer, an Amazon company, appears.

00:00:17There appears an animation of a heart that transforms into the logo of Corazon Films.

00:00:24Dissolve to Black

00:00:26In Dissolve, an animation of several reels of film appears, until only one reel is left spinning,

00:00:32where SDB Films' logo appears.

00:00:42Dissolve to Black and from there to an animation of a globe,

00:00:46until the globe is reframed and the Globalgate Entertainment logo appears.

00:00:52Dissolve to Black and it is read on screen, Corazon Films presents.

00:00:56In Dissolve, the text changes and reads, a production of SDB Films.

00:01:00Now it reads, Effison Production 189, Estimulo Fiscal,

00:01:03a Proyectos de Inversion and La Producción Cinematografica Nacional.

00:01:06Dissolve to Black screen.

00:01:08In Dissolve, we see the threshold of a room and Mari Sella peeking into it.

00:01:15We see that she has an expression of astonishment and fear on her face.

00:01:20Shift to a closer shot of Mari Sella's face,

00:01:23who now has a fixed gaze with a hint of rage towards the interior of the room.

00:01:28In the cut, she takes out a kitchen knife from her purse and wields it in her right hand.

00:01:33Cut to a shot of her face and her eyes fill with tears.

00:01:39Filled with rage, she lunges at a naked man lying on the bed and starts stabbing him in the abdomen.

00:01:45A close-up shot shows her face splattered with blood, her eyes filled with tears,

00:01:49as she continues to stab him multiple times.

00:01:52Dissolve to black screen.

00:01:54Opening credits appear in animation.

00:02:14In animation, with pink letters, appears the title.

00:02:29Dissolve to black and cut to the screen that reads,

00:02:32Cut to Lucia arriving in her van to what appears to be a red carpet,

00:02:35where there are journalists taking pictures of her.

00:02:37It reads on screen,

00:02:40The scene changes to La Nina taking a pill in her van.

00:02:43We read,

00:02:46Cut, and we see her entering the venue.

00:02:48Change to Mari Sella doing her makeup and arriving at the same event.

00:02:52Dissolve to black and cut to the screen that reads,

00:02:54We read,

00:02:57Cut, and we see her entering the venue.

00:02:59Change to Mari Sella doing her makeup and arriving at the same event.

00:03:05The screen reads,

00:03:09Alright, so what are we doing?

00:03:11I don't know.

00:03:12I might do laser treatment.

00:03:14Oh, sorry I'm late.

00:03:15Don't worry, you look gorgeous.

00:03:18Oh wait, it's about to start.

00:03:19Cut to the three of them sitting at a table,

00:03:21watching Dr. Rodrigo go up to the podium on stage.

00:03:24Mariloli sits at another table clapping,

00:03:26while the three women do the same.

00:03:28Thank you for coming tonight, ladies and gentlemen.

00:03:30Welcome to my 52nd conference,

00:03:33about the new high-end aesthetic proceedings we've been working on.

00:03:37Today I have the honor of presenting to you,

00:03:39the new technology that will rejuvenate,

00:03:42and also tighten,

00:03:44the human body.

00:03:45We're re-establishing the beauty standards for modern Mexican women.

00:03:48The three women applaud him again,

00:03:50and Dr. Rodrigo takes a sip of water.

00:03:52Mariloli looks nervous at her table.

00:03:54Cut to the three friends chatting.

00:03:56This so-called doctor is actually very good.

00:03:58But he just gets annoying after a while.

00:04:00I can't stand him.

00:04:01Well, you know what I mean, right?

00:04:02He's not even that good.

00:04:04I actually went to him for my eyes,

00:04:06and one of them turned out to be bigger than the other.

00:04:09I've heard that.

00:04:10His own family can't stand him.

00:04:12The three of them look at Mariloli,

00:04:14and to be honest with you,

00:04:15I'm really not surprised by that at all.

00:04:17Of course.

00:04:19Look at his wife.

00:04:21She looks weird, doesn't she?

00:04:23Kind of.

00:04:24What's wrong with her?

00:04:25We all know that wrinkles naturally appear as one ages.

00:04:27Mariloli takes another sip of champagne.

00:04:29So when people come to me and ask,

00:04:31Doctor, in your opinion...

00:04:32Rodrigo begins to feel sick on the podium.

00:04:35Sorry.

00:04:36He picks up the glass of water again to take a sip.

00:04:39Mariloli looks even more nervous.

00:04:42Excuse me.

00:04:44Doctor, in your opinion...

00:04:47Rodrigo begins to cough and suffocate on the stage,

00:04:50while the three friends watch him worriedly.

00:04:53Finally, the doctor falls to the floor,

00:04:55while the assistants get up trying to help him.

00:04:57Mariloli and the three women look at the scene shocked.

00:05:00Mariloli gets up from her table and looks very calm,

00:05:03about her husband's condition.

00:05:05The three friends look dismayed

00:05:06and watch as Mariloli leaves the room.

00:05:08Cut to a portrait of Rodrigo over his coffin.

00:05:11We see Mariloli crying surrounded by people

00:05:13giving her their condolences,

00:05:14as well as Marisela crying next to the coffin.

00:05:16La Nina and Lucia watch her.

00:05:18I'm a big fan.

00:05:19Same. She's great.

00:05:25My friend.

00:05:26Girl, you were amazing.

00:05:29You really are an amazing actress.

00:05:31Thank you. You're the best.

00:05:33Thank you.

00:05:35Marisela wipes her tears and looks sad.

00:05:38You saw her?

00:05:40I think it was her.

00:05:42She was the one that got rid of him.

00:05:45Oh my gosh.

00:05:47Really?

00:05:48Of course.

00:05:49The three of them stare at Mariloli.

00:05:51Well, if I was her and had to look at that face every morning...

00:05:55Forgive me, please.

00:05:56May he rest in peace now,

00:05:57but I would have killed him as well.

00:06:00Lucia says to them...

00:06:01No.

00:06:03I couldn't.

00:06:05Oh, my friend.

00:06:07You're already married to a boar.

00:06:09You had your chance, girl.

00:06:12What about your husband?

00:06:14Let's not forget yours.

00:06:16Marisela reacts offended.

00:06:18Change of scene.

00:06:19Inside the bathroom,

00:06:20there's a woman touching up her makeup,

00:06:22and La Nina is next to her.

00:06:25That's such a shame, no?

00:06:26La Nina looks at her with disdain.

00:06:28I guess...

00:06:31Death has never been beautiful, right?

00:06:33No.

00:06:34I mean that he died right before I had my surgery.

00:06:38Mariloli made a mistake.

00:06:40La Nina reacts surprised.

00:06:42What?

00:06:44Nothing.

00:06:45All that I'm saying is that she didn't take good care of him.

00:06:48That's why he had...

00:06:50a heart attack.

00:06:51La Nina smiles knowing that her theory is true.

00:06:54It was her, right?

00:06:55Oh, darling.

00:06:57I'll see you at the doctor's house.

00:07:00Well...

00:07:01Mariloli's house.

00:07:02The woman leaves,

00:07:03and La Nina is speechless in front of the mirror.

00:07:05Cut to her with Lucia.

00:07:07I'll go give my condolences to Mariloli.

00:07:09Oh, no, not me.

00:07:10You go.

00:07:17Lucia comes close to Mariloli and says...

00:07:19Oh, darling.

00:07:20I'm so sorry.

00:07:22Rodrigo was a great man.

00:07:23Mariloli laughs mockingly.

00:07:25Lucia looks at her confused,

00:07:26and Mariloli realizes her mistake.

00:07:33Sorry.

00:07:34Sorry.

00:07:35Lucia goes back to La Nina,

00:07:37who is standing drinking champagne.

00:07:39What happened?

00:07:40I don't know.

00:07:41It was weird.

00:07:43Where's Maricela?

00:07:44Maricela talks seductively.

00:07:46We both know exactly how this is going to end.

00:07:48So why don't we stop with all this bullshit?

00:07:50She sucks an ice cube provocatively.

00:07:52And just get going.

00:07:54What do you say?

00:07:56Sorry, ma'am,

00:07:57but I'm not going anywhere.

00:07:58Filippa, the maid,

00:07:59is the one who answers her.

00:08:00But why, Filippa?

00:08:02You know your cleaning skills are exceptional.

00:08:05I heard that your Mediterranean cuisine

00:08:07is better than average.

00:08:09And don't even get me started about your mopping.

00:08:11Ma'am, I've already told you.

00:08:13And I also told the lady before you.

00:08:15I won't leave this place.

00:08:16But why?

00:08:17Your boss doesn't care about you at all.

00:08:20You'll see when she moves to Europe,

00:08:22she'll dump you.

00:08:23I won't.

00:08:24I'd never do that to you.

00:08:26We'd be wonderful together.

00:08:28There you are.

00:08:29I'm convincing Filippa to work at my house, right?

00:08:32Oh, no, Filippa.

00:08:34Come with me instead.

00:08:36Imagine it.

00:08:37Besides the clothes I got your cousin

00:08:39that didn't fit her,

00:08:40you'll get a car.

00:08:41You'll get your own room with the TV.

00:08:44Oh, well, Filippa,

00:08:45give us the recipe for your amazing baklava.

00:08:48Yeah.

00:08:49Please.

00:08:50Come on, Filippa.

00:08:51Who are you to ask Filippa the secrets of her cooking?

00:08:55Mariloli appears and looks offended.

00:08:57Filippa, you are dismissed.

00:08:59Filippa looks at her annoyed.

00:09:00I'm sorry.

00:09:01Give us just a moment, Filippa, please.

00:09:04Filippa nods her head and withdraws indignantly.

00:09:07The three friends look embarrassed.

00:09:09A little bird told me

00:09:11that you three have been asking a lot of questions.

00:09:14Well, I'm right here,

00:09:16so ask away.

00:09:18It's just, no, Mariloli, we just want answers.

00:09:21We don't know how Rodrigo died,

00:09:24and we were hoping you could tell us.

00:09:26I poisoned him.

00:09:27The three react in fear.

00:09:29I'm only joking.

00:09:32Can you imagine that?

00:09:33Me, confessing to a crime.

00:09:36I'm not stupid enough to do that.

00:09:39What's with all the questions, anyway?

00:09:41You can't fool us.

00:09:43We all saw you crying your eyes out.

00:09:45Filippa!

00:09:47Tell Juan Jose to throw these three out of my house immediately.

00:09:52Get out of my house!

00:09:54Out!

00:09:55Mariloli smiles with Filippa.

00:09:57Let the dogs run wild.

00:10:00Filippa, smiling, rubs her hands together.

00:10:02She's so rude!

00:10:03She's a bitch, and she'll pay for that.

00:10:05We see four Dobermen running towards the women,

00:10:07who flee in panic.

00:10:09Run!

00:10:12They manage to get into the van.

00:10:14The driver looks frightened

00:10:15as the dogs bark by the windows of the vehicle.

00:10:18Cut to Mariloli, smiling,

00:10:19as she drinks a glass of champagne.

00:10:21The scene changes to Lucia arriving home.

00:10:24She comes down the main staircase

00:10:26and walks down the hallway to the dining room of the house.

00:10:32Manny!

00:10:35Manny!

00:10:36What's wrong, baby?

00:10:37Nothing, honey.

00:10:39It's just Manny didn't clean the table.

00:10:42Manny?

00:10:43Her name's Melitza, hmm?

00:10:45Honey, it's been her pet name since forever.

00:10:47I mean, she's like family.

00:10:50You know I don't like your folklore-ish stuff.

00:10:53It's not folklore.

00:10:54It's called inclusion.

00:10:55And I don't see color.

00:10:56You know that?

00:10:57I only see humans.

00:10:59Hey, baby,

00:11:00could you sign these papers from your foundation for me?

00:11:03Then I can send money to the orphanage in Miami.

00:11:06There's poor people in Miami?

00:11:07All around the world, baby.

00:11:09You know, I lived in Miami for years,

00:11:11and I somehow never noticed.

00:11:13The world is such an awful place.

00:11:18She sits at the table

00:11:19and begins to read the papers

00:11:20that her husband has just given her,

00:11:22who, upon noticing, looks worried.

00:11:24No, no, no.

00:11:25Come on.

00:11:26No.

00:11:27They're the same papers you signed last week.

00:11:29The bank wanted to add some things,

00:11:31and I wrote them in.

00:11:32You checked it already?

00:11:34Of course I did.

00:11:35He is smoking a cigar

00:11:36and looks desperate for Lucia to sign the papers.

00:11:38She begins to sign

00:11:39as her husband turns the pages,

00:11:41telling her to sign on each one.

00:11:43Katamari Sela kneeling in her house, praying.

00:11:45Holy Virgin Mary, dear Mother,

00:11:47please, I beg of you,

00:11:49please enlighten my husband

00:11:51and his vision for the business

00:11:54so that he gives me the lead role.

00:11:57Please, dear Mother Mary.

00:11:59We see Federico, her husband, arriving home.

00:12:02Federico!

00:12:04Hold on. Hi.

00:12:05Yes.

00:12:07Have they picked the actress

00:12:08who will star in The Bastard's Inheritance?

00:12:11Have you spoken to the producers?

00:12:13You think they'll pick me?

00:12:14I don't know.

00:12:15At the moment, I'm more concerned

00:12:16about our merger with the other TV station

00:12:18than about the soap opera.

00:12:20I told you, you could take part

00:12:21in that reality dance show.

00:12:23No. It's cool.

00:12:24I don't want to do reality.

00:12:25Why not?

00:12:26Last time I did,

00:12:27I was disqualified in the first round.

00:12:29Why won't you help me?

00:12:30You're everybody's boss. Please.

00:12:32I really hope the Virgin Mary

00:12:33helps you because I can't.

00:12:35Hold on. Federico.

00:12:37Katalanina arriving home.

00:12:43We see her sitting on a chair,

00:12:45taking off her heels.

00:12:46She gets up and walks down the hallway.

00:12:48Cut to Luca exercising in front of a mirror

00:12:50while singing.

00:12:51Hee hee hee hee hee

00:12:54My love.

00:12:55Mee hee hee hee

00:12:57Luca.

00:12:58Ba ba ba

00:12:59My love.

00:13:00Hey, hey, hey, hey, Jesus.

00:13:02You almost scared me to death, girl.

00:13:04Love.

00:13:05Wait, wait, wait, wait.

00:13:06I have to turn off the music. Wait.

00:13:07Or else I'll lose the track.

00:13:09Oh, Jesus.

00:13:13What?

00:13:14Was the party good planned?

00:13:16No, that wasn't a party.

00:13:17It was a funeral.

00:13:19Pfft.

00:13:20Well, it's almost your time, too.

00:13:22Hee hee hee hee

00:13:24Look, look, look.

00:13:25See that shoulder?

00:13:26It's impressive, right?

00:13:27And it's beautiful.

00:13:28Don't you think you went too far with the tan?

00:13:30Nah.

00:13:31Not at all.

00:13:32I think it looks European.

00:13:35Haven't I told you,

00:13:36you aren't Ricky Martin, my love?

00:13:38Oh, come on.

00:13:40There you go again.

00:13:41I told you, I'm not trying to look like Ricky Martin.

00:13:43I'm on another level.

00:13:45And you dyed your hair.

00:13:46Hey, hey, stop, stop.

00:13:47What is it?

00:13:48Stop, stop.

00:13:49What's gotten into you?

00:13:50What are you, an agent?

00:13:51No, no, no.

00:13:52You're right.

00:13:53I'm sorry.

00:13:54It's just that I...

00:13:55I had a bad day.

00:13:56All right.

00:13:57Shall I forgive you?

00:13:58But don't start stressing me out.

00:13:59I have to be at the club tomorrow.

00:14:00What time?

00:14:01I don't know.

00:14:02Around six.

00:14:03Is the club even open at six?

00:14:05Yeah.

00:14:06For the VIPs, they do.

00:14:08Oh, my love.

00:14:10You spent a lot of time at that club.

00:14:13And then, because of work,

00:14:14you almost never come home to sleep.

00:14:16Wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait.

00:14:19Don't you also want to have a successful husband?

00:14:21Or not?

00:14:22Yeah, but I never...

00:14:23Hey, shh, shh, shh, shh.

00:14:25Go on.

00:14:26Make me a nice sandwich, would you, darling?

00:14:28You know I enjoy them.

00:14:29So hurry up.

00:14:30Go.

00:14:31Go.

00:14:32Go.

00:14:35Hey, Nina.

00:14:37Remembering a tad.

00:14:38Mayo.

00:14:39She looks at him angrily and leaves the room,

00:14:41making an obscene sign with her middle finger.

00:14:43Change of scene to the next day in a clothing store.

00:14:45Look at this bag.

00:14:46Please, it's a beautiful bag.

00:14:48A gem.

00:14:49Let me take a picture.

00:14:50Spin around for me.

00:14:51Look at it.

00:14:52I want it.

00:14:53Beautiful.

00:14:54Let me see.

00:14:55Wow.

00:14:56How much is this?

00:14:5830,000.

00:15:00Euros.

00:15:04The three women look disappointed.

00:15:07Are you thirsty?

00:15:09Yeah.

00:15:10Could you bring us a drink, please?

00:15:12Of course.

00:15:13Thank you.

00:15:14My accountant has showed me a bunch of expenses.

00:15:17Luke is spending three times more than me.

00:15:19Go figure.

00:15:20Between the tips, and the clothes, and the club,

00:15:23and even the yacht.

00:15:24And the little touch-up on his face.

00:15:26No, he's out of control.

00:15:28Hey, baby.

00:15:30Call your husband, maybe.

00:15:32What?

00:15:33Maybe he's metrosexual?

00:15:35What can I say?

00:15:36The fact that he looks so perfect turns me on.

00:15:39He smells like butter.

00:15:41No, baby.

00:15:43I'm thinking maybe he's cheating on you.

00:15:46Hmm?

00:15:47You think?

00:15:48Well, the other day I was talking with Mayo.

00:15:51Remember her?

00:15:52Mayo.

00:15:53She's divine.

00:15:54Tall, skinny, fabulous.

00:15:55She's perfect.

00:15:56She recommended to me an Instagram profile from a psychologist.

00:16:01It's pretty good.

00:16:02She's gorgeous, too.

00:16:03Spanish, tall, skinny, divine, you know.

00:16:06Her name's Atiana Cortez,

00:16:07and she has this great test that shows you

00:16:09whether your partner is cheating on you or not.

00:16:11It works perfect, I'm telling you.

00:16:13Let me just show you.

00:16:15I sent it to the group.

00:16:16Thanks.

00:16:17Your partner often thinks he went with you

00:16:19to places you haven't been to.

00:16:20Yes.

00:16:21Thank you.

00:16:22Yes.

00:16:23La Nina and Maricela look worried.

00:16:25Yes.

00:16:28Well, sometimes.

00:16:30Oh, yeah.

00:16:31Nina, you've got five already.

00:16:33But they're 37.

00:16:34I still have a chance, right?

00:16:36Mm.

00:16:37If I have to find out Luca's been cheating on me,

00:16:40I would kill him.

00:16:41No, really.

00:16:42I would kill him.

00:16:43Ooh.

00:16:44If Federico has been having an affair

00:16:46with one of those startup actresses that was cast,

00:16:50I don't know what I'd do.

00:16:51And if Pablo thinks that he can take me for a fool,

00:16:54well, as nice as I might seem,

00:16:56Lucia says...

00:16:57I'm a fucking bitch.

00:16:58And I know it.

00:16:59Maricela and Lucia show an angry look on their faces.

00:17:02Did you see?

00:17:04Look who's here.

00:17:07This is Mariloli, who has arrived at the store

00:17:09and was able to buy the bag.

00:17:10You're welcome, my dear.

00:17:12Thank you.

00:17:13We hope you enjoy your day, ma'am.

00:17:17Oh, it's you guys.

00:17:21Tell me, are you going to buy them?

00:17:24Or are you only going to do some window shopping?

00:17:28Well, why do you care so much?

00:17:30Oh, you poor girls.

00:17:33You can't afford them, can you?

00:17:35That's very sad.

00:17:37It's not cool.

00:17:38Oh, and you're also really sad.

00:17:40Well, you bought two of the exact same bags.

00:17:43You must be devastated.

00:17:46Oh, honey, I'm the happiest woman in the world.

00:17:49In fact, I'm leaving.

00:17:52I have to keep on with my own daily routines.

00:17:56Spend money, have fun, have a tempranillo,

00:18:01and any time I wish as well.

00:18:04Ciao.

00:18:05See you girls.

00:18:06Bye.

00:18:07She leaves while the three friends watch her disappointed.

00:18:13Cut to the outside of the store

00:18:14and the three women waiting for the driver.

00:18:16Would you like some marzipan?

00:18:18Oh, sweetheart, I'm sorry.

00:18:20But I'll tag you, okay?

00:18:22Look at the camera.

00:18:23Cheese.

00:18:24Cheese.

00:18:25Say cheese.

00:18:26Thank you.

00:18:27I'm on a diet.

00:18:30You know, Mariloli is a true visionary.

00:18:33Seriously.

00:18:34I mean, she's now given herself the freedom

00:18:36to do whatever the fuck she wants to.

00:18:38She got to keep the inheritance.

00:18:39She doesn't have to tolerate that second-class doctor anymore.

00:18:42I really can't stand her, but I agree with you.

00:18:45I agree too.

00:18:46I just wish that I could muster up even half the courage

00:18:49she had to do the same thing.

00:18:51To kill them?

00:18:53No, no.

00:18:54Only the courage to get rid of them.

00:18:56My husband would never sign any divorce papers.

00:18:59And in my case, because of my prenup,

00:19:01I'd just be stuck in an endless court battle.

00:19:03Oh, God, there must be a way for us to do this.

00:19:05Just picture it.

00:19:07The three of us, as gorgeous as we are now.

00:19:09Single, alone in a big beach house with a yacht.

00:19:13There wouldn't be anyone buzzing in your ear every night

00:19:15complaining about something.

00:19:17No snoring either.

00:19:18There also wouldn't be anyone staining your silk sheets

00:19:20with self-tanning lotion.

00:19:22The only thing I'm really worried about

00:19:24is whether or not my husband will get the 37 points

00:19:26based off that list you sent.

00:19:28Well, the only way to know for sure is to go through with it.

00:19:31Let's do it.

00:19:32Okay.

00:19:33Cut to Luca dyeing his hair in front of the mirror

00:19:35while La Nina watches him without him noticing.

00:19:37It reads on her cell phone.

00:19:40He worries more than usual about his looks.

00:19:43Cut to Federico talking to a very young actress.

00:19:45We see Maricela watching him from the second floor of his office.

00:19:50Yes.

00:19:53Now we see Lucia looking at her husband

00:19:55who is laughing watching something on his phone

00:19:57with a group of friends.

00:19:58He notices Lucia watching him

00:20:00and pretends not to be laughing with them.

00:20:02On Lucia's cell phone we read.

00:20:05Does he hide his phone when you approach him?

00:20:08Yes.

00:20:09We see Maricela calling her husband

00:20:11while watching him from a distance.

00:20:13Seeing the call, Federico decides to ignore it

00:20:16and continues talking to his colleagues.

00:20:18We read on Maricela's phone.

00:20:19Does he work overtime and doesn't answer if you call him?

00:20:22She answers.

00:20:23Yes.

00:20:24Another shot shows that she is crying because of the test results.

00:20:27Cut to Luca taking a picture of his member

00:20:29while La Nina watches him surprised.

00:20:31Cut to a barbecue at Lucia's house

00:20:33where Luca, Pablo and Federico talk.

00:20:35Wow, that looks amazing.

00:20:37Hey!

00:20:38Where's your lady?

00:20:39Uh, there with the others.

00:20:41What are they discussing?

00:20:43They're starting to get high.

00:20:44You won't believe the kinds of things that Nina takes.

00:20:47She's taking things all the time.

00:20:48I can't stand it.

00:20:49No, no.

00:20:50I meant they're going to start gossiping.

00:20:52Fucking woman.

00:20:53Yeah, man.

00:20:54They never stop talking.

00:20:55Nothing, nothing stops them.

00:20:57I've had it.

00:20:58All they do is go on and on

00:21:00about the most nonsensical bullshit, man.

00:21:02They're all insane.

00:21:03Insane.

00:21:04Oh, hey.

00:21:05What happened with the lawyer?

00:21:06Did you like him?

00:21:07Oh, yeah, that guy's awesome.

00:21:09He's great.

00:21:10Look, I just needed him to help me find a loophole

00:21:12in the prenuptial agreement, all right?

00:21:14For the off chance she dumps me.

00:21:16That's smart.

00:21:17God forbid, though.

00:21:18One never knows.

00:21:19But with what she takes,

00:21:20one day she'll mix the wrong thing,

00:21:22and it'll all be over.

00:21:23But for now, I'm chilled.

00:21:25But any problems,

00:21:26and I'll get to keep half of the company.

00:21:28Hell, yeah.

00:21:29Well done.

00:21:30We must protect ourselves,

00:21:31because women are spiteful bitches.

00:21:33Lisa nods to Pablo's comment.

00:21:34What happens when they see a wealthy man?

00:21:36They make plans to kill him.

00:21:37Ah, come on, man.

00:21:39All your money is from Lucia's foundation.

00:21:42I've heard all the rumors about the shell companies

00:21:45you and your friends are setting up.

00:21:47You've opened five Victorian galleries

00:21:50in almost less than three weeks.

00:21:53And another on the city outskirts.

00:21:55You've crossed the line, Pablo.

00:21:56Everything's under control, man.

00:21:59And besides,

00:22:00Lucia only started the foundation

00:22:02to look pretty in the eyes of the public

00:22:04and to get pictures of her hugging poor people

00:22:07for more likes.

00:22:08Had to the three friends sitting at a table.

00:22:10There we go.

00:22:11The drops of happiness.

00:22:12La Nina takes a few drops of some substance.

00:22:14Baby.

00:22:16Forgive me, ladies.

00:22:18I finished the infidelity test

00:22:20and I'm getting hot under the collar.

00:22:22Well, so am I.

00:22:23Give it.

00:22:24What do you have there?

00:22:25Give it.

00:22:26Just one drop.

00:22:27You're drinking.

00:22:28Just the one.

00:22:29Now she shares the drops with Maricela.

00:22:31Now I have to show you the results of the test.

00:22:34No, no, no, no, no, no, no.

00:22:36Where are you?

00:22:37After taking them,

00:22:38Maricela grimaces and hurriedly sips a martini.

00:22:41We see Pablo chatting with a very attractive waitress.

00:22:44Fucking Pablo.

00:22:46I go on just a little bit of his dirty little things.

00:22:49You can't even do that.

00:22:50This is a disgrace.

00:22:51Yes.

00:22:53But two can play at that game.

00:22:55Let's play.

00:22:57My dear, come here.

00:22:58Lucia calls a waiter.

00:23:00My dear.

00:23:01Yes, ma'am.

00:23:02Listen.

00:23:03In the fridge, there's a little Prosecco.

00:23:05It should be cold and ready.

00:23:07Okay, bring it here.

00:23:08Pablo notices his wife's flirtation.

00:23:10He looks at her angrily and waves his hand,

00:23:12indicating that he is watching her.

00:23:14No way.

00:23:15Did he just...

00:23:16Fucking Pablo.

00:23:17I'm so sick of him.

00:23:19Maricela is visibly intoxicated.

00:23:21Sorry.

00:23:22What's going on?

00:23:23Are you all right?

00:23:24I don't know.

00:23:25What did you give me?

00:23:26How much did you take?

00:23:27I just thought they were homeopathic drops.

00:23:30What did you give her?

00:23:32Iazapam.

00:23:33It's supposed to calm you down.

00:23:34How many drops did you take?

00:23:36Maricela walks with difficulty,

00:23:37bumps into a waiter,

00:23:38and they both fall to the floor.

00:23:39Maricela!

00:23:40Federico notices.

00:23:42What happened?

00:23:43What happened?

00:23:44What the fuck happened now?

00:23:45Don't worry.

00:23:46We've got this.

00:23:47Thank you.

00:23:48Sorry.

00:23:49Okay, sit down.

00:23:50Maricela, are you okay?

00:23:51Did you eat anything?

00:23:52I'm sorry.

00:23:53Aren't you ashamed of making such a fool of yourself at your age?

00:23:54Sorry.

00:23:55But it isn't her fault.

00:23:56No, it isn't.

00:23:57It's the waiter's.

00:23:58No, no, no.

00:23:59Don't say that.

00:24:00It wasn't that poor boy's fault.

00:24:01I'm sorry.

00:24:02We should search him before he leaves.

00:24:03So was this another one of your plots

00:24:04to convince me to cast you as the lead

00:24:05of the next show we're producing?

00:24:06What are you talking about?

00:24:07You don't need to embarrass her.

00:24:09You think I'm embarrassing her?

00:24:10You are.

00:24:11Right.

00:24:12Do they know about the ridicule you put me through

00:24:13when you talked to the producers behind my back?

00:24:15Did you tell them about that?

00:24:16What's the point of this?

00:24:17Of course you didn't.

00:24:18All you three talk about are what fillers you're getting

00:24:20and how you spend your money on frivolous things.

00:24:22And you know what?

00:24:24You've just ruined my day.

00:24:25Why?

00:24:26What did I do?

00:24:27Come.

00:24:28Let's go home.

00:24:29Look, I'm sorry.

00:24:30Seriously.

00:24:31Let's go.

00:24:32We were just having fun, that's all.

00:24:33With an extremely sexist gesture,

00:24:34Federico snaps his fingers at Maricela.

00:24:35Stop it.

00:24:36He takes a close shot of her face in deep sadness.

00:24:37Listen, girl.

00:24:38Girl.

00:24:39This is it.

00:24:40Don't mind him.

00:24:41They're asking for it.

00:24:42Maricela, extremely sad, nods.

00:24:44They need to go.

00:24:45La Nina and Lucia help her to get up.

00:24:47Come on.

00:24:48I don't need anything.

00:24:49Come on.

00:24:50We'll assure you don't, but come on.

00:24:51Just let us help you.

00:24:52Yeah, we'll help you out.

00:24:53I'll walk you to the doctor, okay?

00:24:54No, no, no.

00:24:55I'll walk by myself to the door.

00:24:56He's mad now.

00:24:57Thank you.

00:24:58Calm down.

00:24:59Look, I can do it.

00:25:00Maricela.

00:25:01Text me, please, when you get home.

00:25:02Maricela, still having difficulty walking,

00:25:04leaves the house, walking in front of Luca and Pablo,

00:25:06who look at her with contempt.

00:25:07Lucia and La Nina sit down again,

00:25:09but the latter sees her husband flirting with the waitress,

00:25:12who apparently has shared her phone number.

00:25:15No, I won't check it out.

00:25:16I promise.

00:25:17I'll see you later.

00:25:18See that?

00:25:19We have to find out what this asshole's up to.

00:25:24Of course.

00:25:25Lucia takes her cell phone and starts typing.

00:25:27Cut to Maricela pouring a couple of effervescent painkillers

00:25:30into a glass of water.

00:25:33She is in her living room, wearing a nightgown.

00:25:37She drinks all of the water with the painkillers in it

00:25:39and looks like she has a migraine.

00:25:44She walks to a mirror and begins to pay special attention

00:25:47to the imperfections on her face.

00:25:50She turns back and sees a painting of her in her youth,

00:25:52making it clear that she has aged,

00:25:54and that this is the reason she is not getting

00:25:56the leading role she desires.

00:25:59She walks to answer her cell phone.

00:26:04Hello?

00:26:05Is your husband there?

00:26:07No, not since he left me.

00:26:09I don't know where he is.

00:26:11I don't know what he's up to.

00:26:13I don't know what he's up to.

00:26:15I don't know what he's up to.

00:26:17No, not since he left me.

00:26:19Another thing I have checked off my list.

00:26:21Maricela, come here ASAP, to Polanco.

00:26:24Lucia found out her husband's going to mess around.

00:26:26Cut to the outside of a nightclub,

00:26:28and the three are inside the van watching with binoculars.

00:26:31I've got 25 out of 37 points so far.

00:26:35I got 33 out of 37.

00:26:37This is bullshit.

00:26:39I got 42.

00:26:42Did he say he would be here?

00:26:44Maricela shakes her head.

00:26:46He never tells me anything.

00:26:48I mean, Pablo had told me that he had dinner with his own personal priest.

00:26:51Unbelievable.

00:26:53I see Luca.

00:26:54Luca walking with a very attractive girl,

00:26:56taking him by the arm,

00:26:57while La Nina watches him in disappointment.

00:27:00Fucking asshole.

00:27:02Is that not Ferdi's car over there?

00:27:06Oh no.

00:27:07Isn't that the actress that they want to cast

00:27:09as the lead role of Bastard's Inheritance?

00:27:12I will never forgive you for this one.

00:27:14No, no, no, no, no, no.

00:27:15Close it, close it.

00:27:16No, no, no, no, no.

00:27:17I won't forgive him for this.

00:27:19Listen, you must act much smarter than this asshole

00:27:22if you want to get back at him.

00:27:24The way you are going to do that is by being classy.

00:27:28I know exactly what to do.

00:27:31Just relax.

00:27:32Did you see her damn boobs?

00:27:35Well, at least he told the truth about one thing.

00:27:37The priest is here.

00:27:38Federico with a priest and the girl enters the nightclub.

00:27:41Cut to the next day,

00:27:42and the three friends are sitting in a room.

00:27:44I don't understand why we're here.

00:27:46Suddenly, an attractive young man opens a door and looks at them.

00:27:50Lolo.

00:27:51Lucia stands up and approaches the young man.

00:27:55You look gorgeous, sweetheart.

00:27:57Thank you.

00:27:58Thank you, my love.

00:28:01Lolo, let me introduce you to my friends,

00:28:03Maricela and Nina.

00:28:06Hello.

00:28:07Let's get started.

00:28:08Please come inside.

00:28:09Making some mannered gestures,

00:28:10she causes Maricela to approach him, turning around.

00:28:13Coming up behind,

00:28:14my Nina, who just walks by.

00:28:16And finally, Lucia, who opens her arms,

00:28:19receiving a kind of bow from the boy.

00:28:22Cut to a close shot of a Buddhist altar,

00:28:24another one of Santeria,

00:28:25and then some quartz that the boy drops on a table.

00:28:27We see the three of them sitting at it.

00:28:29So tell me,

00:28:31what seems to be the problem now, sweetheart?

00:28:33My love, you know, the usual things.

00:28:37Husbands.

00:28:38The boy makes a few turns with a tarot deck on the table

00:28:41and pulls out a card.

00:28:42The death card.

00:28:44Lucina makes a worried face.

00:28:45The boy pulls out another card.

00:28:47The tower.

00:28:49The tower.

00:28:50It's the three cups.

00:28:52One, two, and three.

00:28:55You have to unite

00:28:57to tear down the well-established.

00:29:00You have to get rid of

00:29:02everything you have brought into the world.

00:29:05If you want to make the world a better place,

00:29:07sacrifice yours.

00:29:10Whatever all of you are planning,

00:29:12do it.

00:29:14You won't get a more perfect time.

00:29:16La Nina and Maricela look at each other in confusion.

00:29:19Are you sure?

00:29:20That's the only way you'll achieve nirvana, my sweethearts.

00:29:23And I want you to know

00:29:26that whatever it is you are all planning to do

00:29:29will heal you.

00:29:31And all of you will be granted with the life you wanted.

00:29:34One shot shows the three of them reacting with joy

00:29:36to what the boy has just told them.

00:29:39Sorry.

00:29:40Just give me a minute.

00:29:42Thank you.

00:29:43Thank you so much.

00:29:45Hello?

00:29:46Isn't it clear?

00:29:48We're going to have to do the Maraloli.

00:29:50Yes, but we have to make sure that we are very careful.

00:29:54We shouldn't be involved.

00:29:56I think we should hire somebody to do it.

00:29:58Of course.

00:30:00Tony!

00:30:01He's my driver, and he can help us with our problem.

00:30:04He'll do it?

00:30:05No, he's from the North.

00:30:07And because he's from the North,

00:30:09he'll probably know somebody that will do it.

00:30:12Maybe he has a cousin, an uncle, even a brother-in-law.

00:30:15That's a professional hitman.

00:30:17You're so brilliant.

00:30:18Come, let's go.

00:30:19We see the three of them get up from the table and leave

00:30:22as the boy sends them kisses with his hand.

00:30:25Love!

00:30:28I have something very important to tell you.

00:30:30Listen, darling.

00:30:31I've seen the cards, and they're very clear to me.

00:30:34They're very, very clear.

00:30:36You'll have to get rid of everything that you own

00:30:39so that you can have the life you always wanted and deserved.

00:30:43My advice is that whatever you're planning to do,

00:30:47just do it.

00:30:50Now is the perfect time.

00:30:51Change of scene to Lucia drinking water from a bottle inside her van.

00:30:54Her driver looks at her in the rear-view mirror and says...

00:30:57Do you need anything, ma'am?

00:30:59Tony, your family is big, isn't it?

00:31:03Yeah.

00:31:04And part of your family, they...

00:31:07must be more northern than usual?

00:31:10I don't get it.

00:31:12Yeah.

00:31:13Northern.

00:31:16I'm talking real northern, Tony.

00:31:18With those arms.

00:31:19Real dangerous.

00:31:20Tony, you're somewhat confused. Nonsense.

00:31:22Some of them.

00:31:23Great.

00:31:24Now, see, I respect their choice to when to carry arms

00:31:26and marry their cousins and all of that stuff.

00:31:28I really don't judge them at all.

00:31:31Trust me, I know those places well.

00:31:33And they're really magical.

00:31:35And the people are always really nice.

00:31:38Tony, I need a hitman, okay?

00:31:41Tony, in panic.

00:31:43Yeah, I'll make sure to pay him really well.

00:31:45But this has to be absolutely top secret.

00:31:48It's for a friend.

00:31:50Tony looks at her very confused in the rear-view mirror

00:31:52while she avoids eye contact.

00:31:54I think I might know someone.

00:31:55Perfect.

00:31:56She says a name that's perfect and looks very happy.

00:31:58But don't disclose my name, okay?

00:32:00Tony signals her to shush.

00:32:01I love it.

00:32:03I'm so excited.

00:32:06Cut to a panoramic view of the city from day to night.

00:32:10Transition to the next day

00:32:11and Tony at the bus station central in the north.

00:32:13How do we identify him?

00:32:15I don't know.

00:32:16Lucia with La Nina in the van.

00:32:18Lucia shouts in English for fuck's sake

00:32:20as Marisela suddenly arrives.

00:32:22What's wrong?

00:32:23Move up, would you?

00:32:24What did I miss?

00:32:25Nothing, nothing at all.

00:32:26He's not here yet.

00:32:27Nothing, nothing.

00:32:29Hey, that's Chewy.

00:32:30Cut to a man dressed in black with dark glasses

00:32:32and a cowboy hat.

00:32:33Hello, cousin.

00:32:35Ooh.

00:32:36A first-class drug lord.

00:32:38He's handsome, huh?

00:32:39Hey, cousin, over here.

00:32:44The three seem to be dazzled by Chewy.

00:32:46As he crosses the street, Chewy is hit by a van.

00:32:50Cousin!

00:32:51Oh, Tony, let's go!

00:32:53Please, let's go, Tony!

00:32:56Tony hurriedly gets into the van

00:32:57and they drive away.

00:33:00Close shot of Tony crying.

00:33:04Marisela hands him a disposable handkerchief.

00:33:06Here you go, Tony.

00:33:09Oh, the poor man.

00:33:11They're a big family, don't worry.

00:33:14There are many of them.

00:33:15La Nina continues taking clonazepam drops and says,

00:33:19All right.

00:33:21I think it's time that we contact

00:33:23the real professionals for this.

00:33:25The three of them look at each other.

00:33:26Cut to them arriving to Mariloli's house.

00:33:30Get out!

00:33:32I told you I don't want you lurking around here, didn't I?

00:33:35And I told you I won't leave this house.

00:33:37Fucking posh ladies.

00:33:40We know that you did it.

00:33:41Mariloli and Filippa look at them surprised.

00:33:44Cut to Mariloli stirring a cup of tea.

00:33:47The three friends sitting next to her.

00:33:49Okay, let's cut the crap.

00:33:53We really need your help.

00:33:56We know what you did to your own husband.

00:34:00I have no idea what you're talking about.

00:34:02But you should know by now that I know people

00:34:04who know people that you know.

00:34:06And they saw you in a place we both know well.

00:34:09And trust me, my sweetheart,

00:34:11I have absolutely zero interest in your private life

00:34:14and the reasons why you did what you did.

00:34:16We're just asking you for the how, okay?

00:34:20It's very simple.

00:34:22Either you help us,

00:34:24or we will tell everybody you are 65 years old.

00:34:28How dare you do such a thing?

00:34:30That's just a lie.

00:34:32You have age spots on your hands.

00:34:34Mariloli grimaces, offended and with sadness,

00:34:36and tells them...

00:34:37Listen, I feel I should just tell you

00:34:40that I haven't done absolutely nothing.

00:34:45She tears off a sheet of paper on which she wrote something down

00:34:47and gives it to Lucia.

00:34:48It reads...

00:34:50Cut to a neon sign that says,

00:34:52La Sirenita, karaoke bar.

00:34:54Open shot of the semi-empty place

00:34:56and a man singing on stage alone.

00:34:59He looks drunk and very hurt.

00:35:03The three women arrive on the scene and look confused.

00:35:06La Nina tells them to go inside

00:35:08and asks them to follow her.

00:35:11We see them sitting in front of the man who is singing.

00:35:16He looks very inspired, singing Lo Que No Fue No Sera by José José.

00:35:21The three friends smile and applaud him.

00:35:24Bravo!

00:35:26He looks puzzled and leaves the stage.

00:35:30La Nina tells them to go inside

00:35:32and ask them to follow her.

00:35:35We see them sitting in front of the man who is singing.

00:35:38He looks very inspired, singing Lo Que No Fue No Sera by José José.

00:35:42The three friends smile and applaud him.

00:35:46The three of them look disappointed as he has ignored them.

00:35:54Listen, I don't know.

00:35:57What do we do now?

00:35:58Shall we just ask?

00:35:59Of course not.

00:36:00First, let's order something.

00:36:02Hey, remember when we used to go partying

00:36:04and we'd go out to the club, right?

00:36:06It was so fun.

00:36:08No, I don't.

00:36:10I remember very little from the 90s, dear.

00:36:12A waiter comes to them.

00:36:14What can I bring you, ladies?

00:36:16Hey, look at that.

00:36:18I love this place, you know.

00:36:19It's such an amazing experience.

00:36:21I love it.

00:36:22Excuse me.

00:36:24We're looking for someone.

00:36:25Can you help?

00:36:26Maricela shows him the paper Mariloli gave them.

00:36:28Do you know him?

00:36:30Yeah.

00:36:31Yes, I do, actually.

00:36:33But if you want any information, you'll have to buy a bottle.

00:36:35Got it?

00:36:36Sure, okay.

00:36:37A bottle of Moet?

00:36:38Jeez, lady, I don't know if we have that.

00:36:41Okay, you can just bring the tequila.

00:36:43Tequila?

00:36:44Thank you.

00:36:45Okay.

00:36:46Lanina's smoking a cigarette, tells them.

00:36:48Every man in here, they look like thugs, don't they?

00:36:51Yeah, but Mariloli's over here.

00:36:55It's guaranteed.

00:36:56Maricela takes the cigarette from Lanina.

00:37:01There you go.

00:37:03Hey, sorry, but this isn't tequila.

00:37:05Yeah, it is.

00:37:07It is?

00:37:08Yeah.

00:37:09It doesn't have a label.

00:37:10Smell it, then.

00:37:11She's drinking what looks like an adulterated bottle,

00:37:13but Lanina pours herself a shot and tastes it.

00:37:16This is ethyl alcohol.

00:37:17Admit it.

00:37:18You're right, but it's good, huh?

00:37:20Tell Manuel Alejandro we're here.

00:37:22We're waiting for him.

00:37:23Jeez, I don't know.

00:37:24He says that he's sick of working with bleached blonde white hexagons.

00:37:27Lucia looks at him extremely offended.

00:37:29Bleached blonde?

00:37:30You're discriminating.

00:37:33That's called racism.

00:37:35You understand?

00:37:36Hey, don't you want to sing?

00:37:38No, what for?

00:37:39To get discriminated?

00:37:40Hey, take it easy.

00:37:41Look.

00:37:42Maricela gets up from the table.

00:37:44An admirer.

00:37:46Yeah, sure.

00:37:47A couple of men toast with them from a distance.

00:37:49Girls!

00:37:50It's our song!

00:37:51No te quieres enterrar, yeah, yeah, yeah.

00:37:54Que te quiero de verdad, yeah, yeah, yeah, yeah.

00:37:57Y verás a pedirme de rodillas un poquito de amor.

00:38:02Pero no te lo daré.

00:38:04We see the three of them singing together on stage.

00:38:07Yeah, yeah, yeah.

00:38:10A man walking towards them bumps into another man by accident

00:38:14and they get into a fist fight.

00:38:16Oh, my goodness!

00:38:17The guy who was singing at the beginning appears

00:38:19and knocks out another guy who was going towards the girls.

00:38:23They throw a bottle at him, but he destroys it with his hand.

00:38:26The girls look scared,

00:38:27while the guy knocks out the guy who started the fight.

00:38:29Everybody back off!

00:38:32He covers the girls and takes them to another table.

00:38:35Thank you.

00:38:36What is your mom's name?

00:38:37Kuka.

00:38:38Maricela is sending a video to a friend.

00:38:40Hello, Kuka! How are you?

00:38:42I'm Maricela de la Pina, and I'm here with your son.

00:38:46Don't scold him because he got out of rehab.

00:38:48He's been out for a while, right?

00:38:50Yeah.

00:38:51But he loves you, and I love you, too.

00:38:53Maricela de la Pina is full of love.

00:38:57That's it.

00:38:58Hey, can you put a filter on it?

00:39:00Yeah, sure.

00:39:01Excuse me, please.

00:39:02Thanks, old lady.

00:39:03She grimaces with courage.

00:39:04He called me an old lady.

00:39:06And I got some peanuts for you guys.

00:39:08Thanks.

00:39:09The man who defended them is Manuel Alejandro.

00:39:11Did Mario Noli tell you anything about me?

00:39:13Yeah, he did.

00:39:14I guess you're all here for the same thing.

00:39:16Yeah.

00:39:17Perfect.

00:39:18Let's get things straight, because this is serious.

00:39:21I need to know everything about your husbands.

00:39:23I need to know what their deal is,

00:39:25because I'm not going to get my hands dirty for no reason.

00:39:27I need to know where they hang out

00:39:29and who they hang out with and all that stuff.

00:39:31I need to know everything about them, okay?

00:39:33It's just like they say.

00:39:34To know their weaknesses

00:39:35is similar to knowing about their Achilles heel.

00:39:38Okay, perfect.

00:39:39Easy peasy, right?

00:39:40When are you going to start?

00:39:42No, hold on.

00:39:44This is business.

00:39:45First, we must discuss the money,

00:39:48the mula, the cash.

00:39:50Okay.

00:39:51But you know what?

00:39:52Today's your lucky day,

00:39:53because today is Black Friday.

00:39:55I'll do a three for two.

00:39:56Oh, Black Friday.

00:39:58I love it.

00:39:59I'm sorry.

00:40:00Can I borrow your pen real quick?

00:40:01I just want to write down the total.

00:40:02Meanwhile, Alejandro writes something down on a napkin

00:40:04and gives it to Lani.

00:40:05Here it is.

00:40:07Is this for each one?

00:40:09No, for all three.

00:40:11Ah.

00:40:12We'll give half in advance.

00:40:15And then after the deed is done,

00:40:16we'll give you the rest of the money, if that's fine.

00:40:19Sounds fair.

00:40:20Can I ask you something, if you don't mind?

00:40:23What are you going to spend the money on?

00:40:25I've always dreamed of singing.

00:40:28You mean make a record?

00:40:30No, no, no.

00:40:32How nice.

00:40:33I love that, you know.

00:40:34He's such a cutie.

00:40:36Deal?

00:40:37It's a deal.

00:40:38Perfect.

00:40:39And please, don't forget your husband's details

00:40:41so I can get to work.

00:40:42If we agree, let's make a toast.

00:40:44He lifts his glass to toast with her.

00:40:45Cheers.

00:40:46Cheers.

00:40:47Cheers.

00:40:48Hmm.

00:40:49There.

00:40:50Yeah.

00:40:51Am I in line?

00:40:52Cut to Lucia assisted by some girls

00:40:54connecting via Zoom with the others.

00:40:55Hi, girls.

00:40:57How are you doing, girlies?

00:41:00Sitting next to me is Anasso and Mafer.

00:41:02Hello.

00:41:03These girls are Tita's daughters.

00:41:05Remember?

00:41:06Tita from Monterrey.

00:41:08Can you believe how big they've gotten?

00:41:10Hello.

00:41:11It's been a long time.

00:41:12Hello.

00:41:13Well, we all know Manuel Alejandro asked us to find out more.

00:41:19These girls helped me hack into the accounts

00:41:21of Luca, Federico, and Pablo.

00:41:25My dear friends, the things we found,

00:41:28the both of you are not going to believe what we found.

00:41:32It's horrific, really.

00:41:34It's terrible.

00:41:36So awkward.

00:41:38What did you find out, then?

00:41:39Pablo is a no-good thief.

00:41:41He's been stealing from the Foundation.

00:41:43He's stealing from the poor.

00:41:45And he's laundering it for his businesses.

00:41:48Are you going to do something?

00:41:50No.

00:41:51We'll do something.

00:41:53Luca and Federico aren't far behind.

00:41:56Tell them.

00:41:57It's Federico?

00:41:59Unfortunately, he's given the leading role to that woman

00:42:02we saw him with the other day.

00:42:03No fucking way.

00:42:04And to make it worse, he didn't even consider giving you the role

00:42:06for the villain in the soap opera.

00:42:08He's been bad-mouthing you to everyone.

00:42:10That's true.

00:42:11He has been speaking to US Weekly.

00:42:13He's a son of a bitch.

00:42:14No, Nana, just hold on.

00:42:16There is more.

00:42:17Your Luca has consulted a lawyer that Federico recommended to him,

00:42:21and he's already preparing to take your spandex empire.

00:42:24He forged your signature.

00:42:25La Nina looks furious.

00:42:27Maricela says,

00:42:28I want to see that bastard dead.

00:42:30I'm going to kill my bastard husband first.

00:42:34No.

00:42:35The first man to die will be Pablo.

00:42:37Lucia smiles, and the girls are shocked.

00:42:39What the fuck?

00:42:43Cut to the outside of a cafeteria where we see Lucia and La Nina.

00:42:46I still don't understand why we had to meet at this place.

00:42:49It's called being discreet.

00:42:51No one that we know would ever be caught dead in a place like this.

00:42:54I understand that.

00:42:55But they serve sausages.

00:42:57Hello, I'm vegan.

00:42:59Why don't you just put it on the side then?

00:43:01Hey, girl.

00:43:02Maricela arrives, grimacing at the place.

00:43:06She walks with fear and sits down next to her friends.

00:43:11In a close shot, we see her take off her dark glasses.

00:43:14So, do you know?

00:43:17Unfortunately, I do.

00:43:21And you too?

00:43:22Yes, I do.

00:43:23Yeah, I do.

00:43:24Manuel Alejandro arrives and knocks on the window of the place.

00:43:26Morning.

00:43:27Come inside.

00:43:28He wags his finger disapprovingly and beckons La Nina to come out.

00:43:32She nods fearfully.

00:43:34The shot changes, and we see them both in a public parking lot.

00:43:37Why out here?

00:43:39Calling you one by one draws less attention.

00:43:42So what is it?

00:43:43Well, you'll have to forge a prescription for these meds.

00:43:48I can't be seen buying this medication.

00:43:50If administered poorly, it's fatal to the heart.

00:43:55I've been told that if Luca takes this mixed in with his protein shake for long enough, it's sure to do the job.

00:44:02The only thing you have to do is change his vitamins for this medication.

00:44:09He goes to the gym every morning from 6 to 11.30.

00:44:12Here's the address, the details, and the payment.

00:44:15She hands him a yellow envelope.

00:44:18No, no, no, stop. Don't count it out here.

00:44:20La Nina looks at him worriedly, and he smiles at her, lifting his dark glasses.

00:44:25We have a deal.

00:44:26She walks away, while Manuel continues smiling.

00:44:31Cut to a car arriving next to Manuel, who is standing in front of a very luxurious property.

00:44:36From the car, there gets out a guy with a very extravagant look.

00:44:39Hey, what's up?

00:44:42Are you being serious, because...

00:44:44Huh?

00:44:45I told you to wear something more discreet.

00:44:48Come on. You know I hated when you're like this, Manolo.

00:44:51I mean, you can be very judgmental, you know.

00:44:53You don't understand that what matters is up here.

00:44:56And in here.

00:44:57And here.

00:44:58Easy, man.

00:44:59That's in your fucking pocket.

00:45:00You'll lose it.

00:45:01And here.

00:45:02And in here.

00:45:03And here.

00:45:04Easy, man.

00:45:05That's in your fucking pocket.

00:45:06You'll ruin my outfit.

00:45:07I don't care.

00:45:08Wow.

00:45:09Did you get them?

00:45:10Oh, how can you even ask me that?

00:45:11Uh, yeah, I got them.

00:45:13Come on.

00:45:14Yes. They were in a little bag, but it tore.

00:45:16How can you carry them like that?

00:45:17It's just a bit of lint. I swear, the pills are okay.

00:45:20Okay.

00:45:21They empty a handful of pills in a bottle of testosterone.

00:45:24Are you sure it's the right medication?

00:45:26El Picos looks at him with obviousness and a little offended.

00:45:29Get out of here.

00:45:30Someone might just call the police, because you look like you're homeless.

00:45:34Come on. It's not like you're wearing Calvin Klein.

00:45:36Go on. I have a job to do, unlike you.

00:45:38You barely have a job.

00:45:40Manuel looks towards the property and puts on transparent glasses,

00:45:44which he will apparently use as a disguise.

00:45:49Good day, officer.

00:45:50Good morning.

00:45:51Can you help me? I'm here for a job interview.

00:45:53Then you just need to register.

00:45:55Of course.

00:45:56He writes down his data in the logbook.

00:45:59Cut to the interior of what appears to be a very luxurious gym

00:46:02and Manuel walking through it.

00:46:06He passes by what appears to be a spa

00:46:09and then runs into two valets in the parking lot.

00:46:18He takes out his cell phone and activates an application on it.

00:46:21On the gadget screen, it reads, Seismic Alert.

00:46:25We can see that the security elements begin to evacuate the people.

00:46:32Manuel takes advantage of the distraction

00:46:34to get to the drawer where car keys are kept and takes Lucas.

00:46:41There is a cut to the interior of the vehicle

00:46:43and we see Manuel getting in.

00:46:45He takes out of his backpack the bottle with the pills he just filled

00:46:48and exchanges it for the one in Lucas' backpack.

00:46:55Cut to the three friends in the cafeteria.

00:46:57I talked with one of Pablo's associates.

00:46:59You know, he's always had a thing for me.

00:47:01And he gave me all of the information

00:47:03about all of the dirty business he's doing.

00:47:05Can you believe that?

00:47:07And after that, I called the foundation's systems engineer

00:47:11and I told him it was urgent.

00:47:13So then he gave me all of the information

00:47:15from Pablo's associates.

00:47:17And I told him it was urgent.

00:47:19So then he gave me all of the information

00:47:21So then he gave me all of the information

00:47:23from the computer.

00:47:25From the phone, the messages, and everything.

00:47:28No, no autographs.

00:47:30Oh girl, it's Manuel.

00:47:31Again, Manuel knocks on the glass

00:47:33and now asks Lucia to come out.

00:47:35Okay, wish me luck.

00:47:37Yeah, good luck.

00:47:39I've got this.

00:47:40I need you to filter all of these documents, okay?

00:47:43And that is going to send him straight to jail.

00:47:46Lucia hands him a folder with papers.

00:47:48Do you know anyone in jail?

00:47:50In every penitentiary.

00:47:52But for the crime we're going to blame Pablo.

00:47:55And for his current address,

00:47:57I think he would be assigned to the northern penitentiary.

00:48:00Oh, Big Mama is there too.

00:48:03We see a trio of inmates with a menacing look

00:48:05and who look like gang members.

00:48:07Yeah, Big Mama.

00:48:09I love it!

00:48:11You're a crazy bitch, Lucia.

00:48:13Too big?

00:48:15Mama.

00:48:16Big Mama.

00:48:17They both bump fists.

00:48:18I love it.

00:48:19Cut to Luca working out on an elliptical machine.

00:48:23He stops and looks exhausted.

00:48:28He picks up his protein bottle and begins to drink from it,

00:48:31but he looks dizzy and very agitated.

00:48:36He seems to be getting worse,

00:48:38so he sits down and wipes his sweat with a towel.

00:48:42He brings a hand to his head

00:48:44and notices that his hair is falling out in clumps.

00:48:47With panic on his face, he touches his hair again

00:48:50and begins to look very stressed.

00:48:59Cut to an Internet cafe full of video games computers,

00:49:02and we see Picos playing in one of them.

00:49:05Manuel Alejandro arrives at the place.

00:49:09Hey, man. How's it going, Manuel?

00:49:12Are you serious, Picos?

00:49:14Are these your headquarters now?

00:49:16Hell, yeah.

00:49:17Nobody would suspect anything.

00:49:19I can even hire kids without an issue.

00:49:22Are you sure nobody will connect this to the Foundation?

00:49:25Oh, relax.

00:49:27Okay, then.

00:49:28Fine.

00:49:29Manuel hands him the folder with the documents

00:49:31that Lucia was looking for.

00:49:33He looks at the documents,

00:49:35Manuel hands him the folder with the documents

00:49:37that Lucia gave him, while a boy looks at them intrigued.

00:49:40Manuel makes a shush gesture with his hand to the boy.

00:49:43He's one of my researchers.

00:49:45Manuel, don't bully him.

00:49:47We're all friends here, am I right?

00:49:49It's two dollars an hour to use.

00:49:52I'm not feeling too well.

00:49:54Hello there.

00:49:55Hello.

00:49:56Luca arriving at a restaurant with La Nina.

00:49:59He looks sick.

00:50:01Hey, are you okay?

00:50:03Yeah.

00:50:04Okay, good.

00:50:06Hey, tell me something.

00:50:08Is it hot in here or is it just my nerves or something?

00:50:11It's your nerves.

00:50:12La Nina gets a message that reads,

00:50:14The Fantastic, we are at the bar.

00:50:16I'll be right back.

00:50:17Yeah, sure.

00:50:19She gets up leaving Luca sweating and sick at the table.

00:50:24What is it, girls?

00:50:25You know, Manuel Alejandro told me my deed is done.

00:50:27Oh, so it's your turn, Maricela.

00:50:30But I really want to look him in the eye when it's done.

00:50:33Lucia looks at her puzzled.

00:50:35I want to see for myself how the light in his eyes

00:50:39starts disappearing in front of me.

00:50:42Okay, my love.

00:50:45Whatever you want.

00:50:47Besides, my deed will have to wait.

00:50:49Because we can't possibly do it at the same time.

00:50:52They're going to suspect us, right?

00:50:54Right.

00:50:55La Nina nods worriedly.

00:50:56Hey, let's go.

00:50:57The event is about to start and I don't want to be seen.

00:50:59You're absolutely right.

00:51:00Let's go.

00:51:01Come on, come on.

00:51:03Come here, baby.

00:51:05Come here, baby.

00:51:07What is this?

00:51:08What is it?

00:51:09Hello, everybody.

00:51:11I'd like to thank you all for coming to witness this award

00:51:14given by the Argentinian community in Mexico

00:51:18to an exemplary man.

00:51:20Let's give a round of applause and please don't be shy.

00:51:23Let me hear you.

00:51:24To Luca Romanetti.

00:51:26Go ahead.

00:51:27Come on.

00:51:29He's seated waving to the crowd.

00:51:31For his work to dignify their...

00:51:37His stomach rumbles and he looks scared.

00:51:40As I was saying, for his work to dignify their bearing

00:51:44and elegance, we want to grant this award to...

00:51:47He seems to be very nauseous.

00:51:51Like I said, for his work to dignify their bearing

00:51:54and elegance...

00:51:55He looks increasingly worse.

00:51:58We want to grant this award to Saul Lizazo.

00:52:02So can...

00:52:03Wait, wait, wait.

00:52:04I'm very sorry about this.

00:52:05Excuse me.

00:52:06Wait.

00:52:07Are you okay?

00:52:08He stands up and you see him defecate in his pants.

00:52:10Oh, no!

00:52:12Look there.

00:52:14I have the runs.

00:52:15Please help me.

00:52:16Stop laughing, you fucking idiot.

00:52:19Everyone look at him.

00:52:21Please.

00:52:22Oh, my goodness.

00:52:23Don't do that.

00:52:24Don't do that.

00:52:25Take him to the bathroom.

00:52:28Cut to La Nina's van parking

00:52:30while she leans out of the window, gagging.

00:52:36Help him, Arturo.

00:52:38Come on, Arturo.

00:52:39Arturo, her driver, gets out of the van to carry Luca.

00:52:43La Nina is still nauseous.

00:52:46Nena, have you got the award?

00:52:48Yeah, it's here, okay?

00:52:50Don't let it get stained.

00:52:51Luca, with dirty pants, is carried by Arturo.

00:52:54Cut to Manuel singing at the karaoke bar.

00:53:01La Nina rushes into the place.

00:53:07Hold on, hold on.

00:53:08What did you give my husband?

00:53:09Hold on.

00:53:10Easy, this way.

00:53:11Come with me, okay?

00:53:13Easy, lady.

00:53:14Take it easy.

00:53:15What did you give Luca?

00:53:17Well, you know, I did exactly what you told me to do, so...

00:53:20You're lying to me.

00:53:21Stop doing that.

00:53:23His heart was supposed to explode, Manuel.

00:53:25Not his asshole, idiot.

00:53:27He's been having diarrhea for two days straight, Manuel.

00:53:30Now, because of you, Luca's gone viral.

00:53:33And now they've started calling him Lord Poopy.

00:53:36Lord Poopy.

00:53:37Stop laughing, you idiot.

00:53:39All right, then.

00:53:40Listen, just let me know if you're not satisfied with my service.

00:53:44I have a return policy, so I can give you all of your money back,

00:53:47if that's really what you want.

00:53:49She looks very sad.

00:53:51No.

00:53:52No, you can keep the money.

00:53:57You feel some...

00:53:59relief, don't you?

00:54:02Well, yeah.

00:54:04I do a little bit.

00:54:07So how do you know?

00:54:09Well, we've all had the desire to want to kill someone,

00:54:12but that's not really what we want to do, you know?

00:54:15Well, not everyone, because I don't feel a thing,

00:54:17and actually, since 1975, more or less.

00:54:24Yeah, I actually mean it.

00:54:26Look, I fell from a tree, and I smashed my head.

00:54:29Here, look at this. Feel.

00:54:31Oh, yeah?

00:54:32Don't you feel it over there? Yeah?

00:54:34It's a big bump.

00:54:35And I needed surgery back then, but guess what?

00:54:38Instead of that, I had surgery for an inguinal hernia.

00:54:42That's fucking wrong.

00:54:43La Nina smiles and seems to be flirting with Manuel.

00:54:46They both look straight into each other's eyes,

00:54:48and there seems to be a connection between them.

00:54:50Change of scene, it is nighttime, and we see La Nina arriving at her house.

00:54:54She gets in, walks down the hallway of the house,

00:54:57and we see the floor of the room stained with a brown liquid.

00:55:03She has a disgusted expression on her face.

00:55:07Luca! You didn't make it again?

00:55:10There is an entire pathway stained with liquid excrement on the floor.

00:55:14Gross.

00:55:16Suddenly, she freezes as she sees Luca hanging by his neck in the room.

00:55:20Mary! Mary!

00:55:30Mary!

00:55:31La Nina sits crying on the floor as she watches her husband hanging.

00:55:47Cut to Luca's portrait on his coffin at the funeral.

00:55:51Thanks for coming.

00:55:53La Nina is giving a brief speech.

00:55:55Everyone, I'd like to read a part of the letter Luca left behind.

00:56:00He wrote it before the tragic event.

00:56:02Next to her, Marisela and Lucia.

00:56:05I can't stand it.

00:56:08This pain in my butt is killing me slowly, as well as being called Lord Poopy.

00:56:14I hope with my death that everyone realizes that cyberbullying is not fun, it's bullshit.

00:56:20Think twice before you do it.

00:56:23There's only three things I find solace in.

00:56:27First, I hope my death teaches other people who make fun of others on the internet a lesson.

00:56:34Secondly, I hope I'll go to heaven where I can meet my mother.

00:56:38And finally, I hope I get to meet Diago in the afterlife.

00:56:43Go on, Belusa!

00:56:47Her face expresses disbelief.

00:56:49Thank you.

00:56:51With that expression on her face, she walks towards her friends.

00:56:56Oh, my girl.

00:56:57Are you okay?

00:56:59Do you want some water?

00:57:01No.

00:57:02Oh, my friend.

00:57:05Girls, have you seen who just walked in?

00:57:08It is Mariloli arriving at the funeral with a man.

00:57:10Who is that?

00:57:11What's going on?

00:57:13Rafael Madrigal.

00:57:15He's the city's chief justice.

00:57:18He's coordinated some events for me at the Foundation.

00:57:22He's a cop?

00:57:23He's THE cop.

00:57:25But then, what's she doing with him?

00:57:27I don't know.

00:57:28I'd heard she was dating someone new, but I didn't know that it was him.

00:57:32Oh, no, no, no. Here he comes.

00:57:33You have to cancel everything.

00:57:35Hello.

00:57:36Oh, this is awful.

00:57:41My condolences are with you.

00:57:43I'm sorry.

00:57:44Thank you.

00:57:45I'm so sorry that this happened.

00:57:46This is Yazbek.

00:57:48Madrigal.

00:57:50Mariloli says,

00:57:51My love, would you mind getting me a glass of water?

00:57:55Anything for you, princess.

00:57:57Madrigal gives her a kiss and looks suspiciously at her friends.

00:58:00Wow.

00:58:01So it's true.

00:58:03Wow.

00:58:04What do you want me to say?

00:58:06One thing led to another, and before I knew it...

00:58:10Oh, I couldn't help myself.

00:58:12A girl has to protect herself, you know.

00:58:14Hey, are you going to get rid of him just like the last one?

00:58:19If you dare make another comment like that again,

00:58:22you're going to have the entire police department at your house tomorrow morning.

00:58:26Do you understand?

00:58:29I know.

00:58:30I don't have to tell you what you have to do.

00:58:33But honestly, ladies, get it together.

00:58:36Look.

00:58:37Look.

00:58:38The four of them turn around and see Manuel singing.

00:58:44La Nina, surprised, walks towards him.

00:58:50What are you doing here?

00:58:52What's wrong with you?

00:58:54Where have I seen him before?

00:58:55Don't look at him.

00:58:56They turn to look at Madrigal.

00:58:57Manuel looks surprised.

00:58:59Excuse me.

00:59:00The three friends leave the place with Manuel.

00:59:07Maricela says...

00:59:09How dare you show up after what you did?

00:59:11Me?

00:59:12You did it.

00:59:13Cancel my deal.

00:59:14All of it.

00:59:15Everything.

00:59:16I don't want this to happen to me.

00:59:18Well, it's too late for that, darling.

00:59:20It seems something has come up.

00:59:22My contacts have told me they've found evidence of embezzlement.

00:59:25Not just in your foundation,

00:59:27but also in your own personal bank accounts and your parents.

00:59:30What do you think of that?

00:59:31The three of them look shocked.

00:59:32What?

00:59:35Your husband is really something, huh?

00:59:38And that's not all.

00:59:40He's also been doing it to his associates.

00:59:44Come here.

00:59:46Should I leak all of the information?

00:59:48Or just the info you gave me?

00:59:50Lucia is incredulous.

00:59:53I don't care about him messing with the poor's money.

00:59:57But my money?

00:59:59That's the product of my hard work and parents...

01:00:02Another shot shows a very carefree Pablo

01:00:04leering at a girl with Federico.

01:00:06Hi, how are you?

01:00:08Did you see that?

01:00:10Do it.

01:00:12Leak everything.

01:00:13Perfect.

01:00:15It's a deal.

01:00:17Oh, my God.

01:00:19Oh, and...

01:00:20Did you like the Ave Maria?

01:00:22The thing is, the musicians wanted to play in B-flat,

01:00:25but I told them not to.

01:00:27I told them that my tone was D major.

01:00:29It was good, right?

01:00:30They look at him annoyed and Manuel remains silent.

01:00:33He nods and leaves the scene.

01:00:36Hey, listen to me.

01:00:37Are you okay?

01:00:38The three friends hug.

01:00:40Cut to black.

01:00:41The screen reads...

01:00:43A week later.

01:00:46Change of scene to La Nina contentedly meditating in her garden.

01:00:49Oh, hi, girls.

01:00:51Sweetheart.

01:00:52You're here.

01:00:53Oh, you look just gorgeous, you know that?

01:00:55Oh, baby.

01:00:56How are you?

01:00:57Hi, girl.

01:00:58How are you?

01:00:59Oh, me?

01:01:00Well, I feel amazing, fabulous.

01:01:01What else can I say, huh?

01:01:03I feel like a teen.

01:01:04Oh.

01:01:05No, seriously.

01:01:06How are you?

01:01:07I mean it.

01:01:08I'm so glad you guys came.

01:01:10Can I offer you...

01:01:11Mary?

01:01:12What do you want to drink?

01:01:13The only thing you have here is alcohol.

01:01:16Look, I don't drink anymore.

01:01:19What?

01:01:20Why?

01:01:21Yeah, right.

01:01:22Hey, I am.

01:01:23Are you serious?

01:01:24What do you mean?

01:01:25I've been sober for a whole week.

01:01:27And I feel...

01:01:28It feels like I'm an entirely new person.

01:01:31And it really shows.

01:01:32You look great.

01:01:33Mary!

01:01:34I'll be drinking today.

01:01:35Thank you, dear.

01:01:36You're so kind.

01:01:37Thank you so much.

01:01:38Oh, and this is Mary's son.

01:01:39He's such a sweetheart.

01:01:40He's honestly so well-mannered.

01:01:42He's the best.

01:01:43What would we do without him?

01:01:45And in just a couple of years?

01:01:47Oh, you're naughty.

01:01:49So tell us, how long is this new you going to last?

01:01:52Or is it just until the new prescription comes?

01:01:54No, no, no.

01:01:55I really mean it this time.

01:01:56It's hard to explain, but it's like I've got a newfound energy.

01:02:00And to be honest with you girls, it's better than Botox.

01:02:05I've got a friend who uses her brain.

01:02:07That's strange.

01:02:08I know.

01:02:09That's exactly what I said.

01:02:10Fuck.

01:02:11What's wrong?

01:02:12Pablo said he just received a death threat.

01:02:14They called the Foundation, and then they also called his home.

01:02:18He told me that those important documents had somehow got into the wrong hands.

01:02:23Listen to me.

01:02:25Trust me.

01:02:26If he gets kidnapped, they'll be doing you a favor.

01:02:28No, no, no.

01:02:29Not like that.

01:02:30No.

01:02:31Lucia calls on the phone.

01:02:33Manuel Alejandro?

01:02:34Did you see it?

01:02:35You have to follow Pablo.

01:02:38I'm sure that he's going to flee the country.

01:02:40No, no, no.

01:02:42No.

01:02:43I had no idea that he was involved with those people.

01:02:45I swear.

01:02:46Cut to Lucia arriving in her van at her home, as she continues talking on the phone.

01:02:52Where are you?

01:02:53Where are you?

01:02:54Where are you?

01:02:55Where are you?

01:02:57Cut, and we see her inside her home, coming down the stairs.

01:03:01She is shocked to see Pablo on the couch, shot in the chest.

01:03:13She is scared by a man dressed in black, coming out of her kitchen, while eating an apple.

01:03:18She is petrified, but the man ignores her, and leaves the property.

01:03:22Lucia stands still with panic on her face watching Pablo on the couch.

01:03:27Cut to Manuel in his car outside the house.

01:03:29He watches the hitman leave the place.

01:03:31The hitman walks, and Manuel puts on his dark glasses, trying not to be seen.

01:03:40Cut to Lucia in a hospital ward with Manuel.

01:03:42Hey, girl.

01:03:43Oh, my darling.

01:03:44Maricela is in the hospital.

01:03:46She is in the hospital.

01:03:48She is in the hospital.

01:03:50She is in the hospital.

01:03:51She is in the hospital.

01:03:52She is in the hospital.

01:03:53She is in the hospital.

01:03:54She is in the hospital.

01:03:55Oh, my darling.

01:03:56Maricela and La Nina arrive.

01:03:58And?

01:03:59No.

01:04:00He is in a coma.

01:04:02Just like Serrati.

01:04:03Yeah, and they said he is not waking up.

01:04:06It's all your fault.

01:04:08What do you mean?

01:04:09I did my part.

01:04:11All I know is that he is going to have a slow and painful death.

01:04:14It's just like Serrati.

01:04:16I know you don't feel good, but isn't this what you wanted?

01:04:20Well, it's done now.

01:04:22That's two out of three.

01:04:24So it's just you now, right?

01:04:26Manuel winks at Maricela, who looks fearful.

01:04:29He leaves the place, leaving the three friends in the hospital ward.

01:04:33Oh, girls.

01:04:34What a horrible feeling this is.

01:04:36It's worse than when I saw the Notre Dame burned down.

01:04:39There's just this knot in my stomach.

01:04:42It'll go away soon.

01:04:43You'll see.

01:04:44There is a cut and Manuel bumps into Madrigal in the elevator.

01:04:47You dropped this.

01:04:48Thank you.

01:04:49Madrigal looks with suspicion at Manuel.

01:04:52He looks surprised with his glasses on.

01:04:56Soon after, Madrigal turns to look at the three friends.

01:05:00This has just gone way too far.

01:05:02What are we going to do if we get caught?

01:05:03For now, I think you should postpone yours so it isn't obvious.

01:05:06I don't know.

01:05:08Now I'm going to have to organize charity dinners for people in a coma.

01:05:13Girls, I'd better get going.

01:05:15All this makes me very nervous.

01:05:17Oh, girl.

01:05:18Maricela puts on her dark glasses and stands up while Madrigal watches the scene.

01:05:27Cut to the room where Pablo is in a coma.

01:05:30Lucia is next to him and tells him.

01:05:32You were laundering the Foundation's money.

01:05:35My money.

01:05:36My family's money.

01:05:39Fucking abuser.

01:05:40Without a warning, Madrigal enters the room.

01:05:42Lucia pretends to be praying.

01:05:43Now and at the hour of our death, amen.

01:05:45Mrs. Yazbek.

01:05:46Madrigal, I'm so happy that you came to visit Pablo.

01:05:51Actually, I'm not here to visit him, ma'am.

01:05:53I'm the officer who's in charge of the investigation into the incidents that happened here.

01:05:57And I'm sorry about your husband, ma'am.

01:05:59I hope that you're able to catch those men.

01:06:01You know, tough times have driven the people in this country into violence.

01:06:04Yes.

01:06:05We've actually already caught one.

01:06:07Ah?

01:06:08Who is it?

01:06:10Your husband.

01:06:11What?

01:06:13Your husband.

01:06:14What?

01:06:16Listen.

01:06:17Your husband is in very serious trouble.

01:06:22I mean, I'm not talking about his current situation.

01:06:26He's been accused of money laundering.

01:06:29And a series of other very shady crimes.

01:06:32So, if you'll excuse us, we're going to have to arrest him as he represents a flight risk.

01:06:37Oh, seriously. Come on. He can't do it.

01:06:39Guys, I need you to come in here and put handcuffs on this man.

01:06:42Yes, sir.

01:06:43Two policemen enter the room.

01:06:45Excuse me.

01:06:46Okay, Draco. Get cuffs.

01:06:47This hospital suite is nice.

01:06:49It's very elegant.

01:06:50Lucia looks at Madrigal angrily.

01:06:52Lift him up.

01:06:53We're done.

01:06:54Thank you.

01:06:56Excuse us.

01:06:58The policemen leave the room.

01:07:02I would recommend that you find a cheaper hospital.

01:07:05Because both the foundations and your personal bank accounts will be frozen until the investigation is over.

01:07:12You can't do that to us.

01:07:14Actually, I already did, ma'am.

01:07:17And take care of yourself, okay?

01:07:20You see, ma'am, many associates that your husband scammed are furious about it.

01:07:25We don't want anything to happen.

01:07:28You're just taking advantage of us.

01:07:30You're a resented man, aren't you?

01:07:32Waving goodbye, Madrigal leaves the room.

01:07:35Fuck you, Pablo!

01:07:37She stares angrily at her comatose husband.

01:07:40Cut to Manuel with the Picos spying on Madrigal eating at a taco stand.

01:07:46Look, man.

01:07:47It seems like those guys are undercover.

01:07:53Where do I know him from?

01:07:55I'm not sure.

01:07:56Look.

01:07:57I saw him at the funeral for Nena's husband.

01:08:01And then I saw him at the hospital.

01:08:03But for the life of me, I'm not sure where I know him from.

01:08:07Suddenly, the hitman appears and talks to Madrigal.

01:08:12I don't fucking believe it.

01:08:14No fucking way.

01:08:15What's wrong?

01:08:16This is really bad.

01:08:18I have to call Lucia.

01:08:20Lucia?

01:08:21Yeah, she's in danger.

01:08:22Manuel trying to make a phone call, extremely worried.

01:08:25The number that you are trying to reach has been changed or is temporarily out of service.

01:08:29How strange.

01:08:32Do you know what, man?

01:08:34You can go.

01:08:35I'll call you.

01:08:37Stay hidden.

01:08:38Sure.

01:08:39Right.

01:08:40Take care, Manolo.

01:08:41Manuel gets out of the car nervously.

01:08:44Manolo!

01:08:46Be careful, okay?

01:08:48Another shot shows Madrigal eating tacos next to the hitman.

01:08:51Hey, come on.

01:08:52Cut to Manuel at La Nina's house, waiting for her standing in the living room.

01:08:56He picks up out of curiosity a vase that he almost knocks over, but manages to avoid it.

01:09:00It's you?

01:09:02Why are you here?

01:09:04I came here because Rafael, Mari Loli's boyfriend, and that cop are actually all involved in the attack on Pablo.

01:09:11They had him killed.

01:09:13So you're saying that we should hire them, right?

01:09:17I'm being serious, Nena.

01:09:19These men are very dangerous.

01:09:22So...

01:09:24Rafael had Pablo killed?

01:09:26Manuel nods.

01:09:27Damn, that's twisted.

01:09:29We have to tell Lucia.

01:09:31But her phone number's been disconnected and I'm not comfortable with going over to her house.

01:09:35Fine.

01:09:36La Nina, incredulous, tries to dial the phone.

01:09:39Yeah, that's weird.

01:09:42Why don't we go to the hospital?

01:09:45Okay, please just wait here.

01:09:46I'm gonna take a quick shower, get changed, then we can go together.

01:09:49Wait here.

01:09:50She turns to see him, pointing to the vase, and says...

01:09:53Don't break anything, okay?

01:09:58I got it at a flea market.

01:10:00Be right back.

01:10:01Manuel, with a goofy smile, also turns to see the vase,

01:10:04then looks around and seems sad noticing many bottles of liquor and cigarettes.

01:10:15Change of scene to both of them arriving at the hospital.

01:10:17They enter Pablo's room and see Madrigal inside.

01:10:20Fucking hell. The cop is in there. He can't see you.

01:10:23He's here.

01:10:24No, please don't.

01:10:26To avoid being seen, La Nina kisses Manuel.

01:10:29Manuel wants to keep kissing her, but she pushes him away.

01:10:32Okay, hold on. I think he's gone. He's gone.

01:10:34Oh, uh, sorry.

01:10:36We should go. That was, uh...

01:10:38I'm getting quite hot. I meant that it's very hot in here.

01:10:41Yeah, let's go.

01:10:42Both embarrassed and not knowing how to act, they leave.

01:10:45Okay, we should go.

01:10:47Cut to Maricela arriving at the TV station.

01:10:49Maricela! Maricela!

01:10:52Please, can I have your autograph?

01:10:54Yes, of course.

01:10:55What's your name?

01:10:56It's for my son.

01:10:58What's your son's name, then?

01:11:00Santiago.

01:11:01Maricela signs the autograph with an arrogant attitude.

01:11:05Thank you.

01:11:06You're welcome.

01:11:07Oh, my God.

01:11:08She approaches the access control and holds out her badge,

01:11:11but apparently it has been deactivated.

01:11:14Surprised, she tries again,

01:11:16but she still does not have access to the building.

01:11:20Can you help me? Something's wrong with my badge.

01:11:23Yes, ma'am.

01:11:24She asks the security guard for assistance, who scans the badge.

01:11:27Oh, it's deactivated.

01:11:29Do you know who I am?

01:11:31Of course. I'm a huge fan of yours,

01:11:33but your badge is expired, so I can't let you into the building.

01:11:36Don't do that. Just call my husband immediately.

01:11:38He can clear all of this up for us.

01:11:40Your husband won't be...

01:11:41Call him right now!

01:11:42Yes, ma'am.

01:11:43The guard, very nervous, dials on the phone.

01:11:45You know, you look a lot younger on TV.

01:11:49Okay.

01:11:50Cut to Maricela in Federico's office.

01:11:52Ma'am! Ma'am!

01:11:54Don't even.

01:11:57Yeah, it's true.

01:11:58Care to explain to me why I was humiliated at the front entrance?

01:12:02Maricela de la Pena?

01:12:04Ma'am, I've been a fan of yours since I was just a little girl.

01:12:08How exciting!

01:12:09How exciting!

01:12:10Maricela, since I was a young boy,

01:12:12I would watch all of your soap operas with my grandma on the island.

01:12:16I can't tell you how glad I am to meet you.

01:12:18Maricela looks hatefully at the actor who is talking to her,

01:12:20leaving him with his hand outstretched.

01:12:22Where's my explanation?

01:12:23Don't look at me. The order came from above.

01:12:26The company needs new faces, modern people, young people.

01:12:30Claudita, how many followers do you have?

01:12:33Oh, eight million at the moment.

01:12:36See? You're not even on social media.

01:12:40Your fans have lost interest,

01:12:42and the company wants to make an entirely new audience.

01:12:45I wanted to tell you a little later, but you insisted,

01:12:48so I had no choice but to tell you this here.

01:12:51You were vetoed, Maricela.

01:12:54I'm sorry.

01:12:55She looks at Federico full of hate,

01:12:57while Claudia looks at her with pity.

01:13:01Finally, she tells Claudia...

01:13:03As you are now, I once was.

01:13:05As I am now, you will never be.

01:13:11And do keep sleeping with my husband.

01:13:13Outraged, she leaves the place.

01:13:16Talk about a dramatic exit.

01:13:18Cut to Manuel with La Nina at the cafeteria.

01:13:21Look, Nina.

01:13:23This is a good thing.

01:13:25I know the streets and the bad people in them.

01:13:28For so many years, I've kept bad company.

01:13:32Always drinking.

01:13:33Took drugs on the weekends.

01:13:35But, uh...

01:13:37Look at me now.

01:13:39Look at me.

01:13:40I've worked hard on myself,

01:13:42and I've been sober for more than ten years.

01:13:45But I do have to thank my... my group,

01:13:48my godfather,

01:13:49and my amazing willpower.

01:13:52But...

01:13:54if you need help,

01:13:56all you have to do is ask me, Nina.

01:13:58I am here for you.

01:14:01That's quite the assumption.

01:14:02Why would I need help?

01:14:04Come on now, Nina.

01:14:06I saw the bottles.

01:14:08You're drinking more than you normally do, right?

01:14:11Manuel looks at her worried, and she responds.

01:14:15Honestly, I am.

01:14:18I'm still deeply hurt that Luca wanted to steal everything I worked so hard to achieve.

01:14:24Because I come from nothing, too.

01:14:27I also know the streets, like you.

01:14:28He smiles at her tenderly.

01:14:30As a child,

01:14:31I refused to believe my reality.

01:14:35And then,

01:14:36when I created my corset and started to make a lot of money,

01:14:41I also created this Nana character.

01:14:44I did it to cope with the fucking pressure of high society.

01:14:49But all that did for me

01:14:52was make me turn my back on the real me.

01:14:54La Nina's eyes fill with tears.

01:14:59Remember you asked me for my real name?

01:15:01Manuel nods.

01:15:06Hatsiri Dominguez.

01:15:09A pleasure.

01:15:10Hatsiri.

01:15:11He flashes her a big smile.

01:15:15Hello?

01:15:16Lucia?

01:15:17Where are you?

01:15:18She seems worried.

01:15:20What?

01:15:21How?

01:15:22No, no, no, I'm on my way.

01:15:24Come on, let's go.

01:15:25No, no, no, no, hold on.

01:15:26What?

01:15:27God,

01:15:28please give us serenity so we may stay.

01:15:30Serenity my balls, let's get going already.

01:15:32Wait for me.

01:15:33Hurry up.

01:15:34Can't forget the fortune cookies.

01:15:36Thank you.

01:15:37They both rush out of the cafeteria.

01:15:39Kat to Lucia waiting for them in her house courtyard.

01:15:42Oh, come here.

01:15:43Thank you.

01:15:44You okay?

01:15:45La Nina hugs her.

01:15:47No, don't give me that look.

01:15:50This is

01:15:51the new Lucia.

01:15:53What do you mean?

01:15:54My accounts.

01:15:56All of them are frozen.

01:15:57Mine,

01:15:58my parents',

01:15:59the foundation's,

01:16:00everything.

01:16:01The worst part is

01:16:02all of my properties

01:16:03have been temporarily seized.

01:16:04I can't take this anymore.

01:16:06All because they're

01:16:07investigating Pablo's scams.

01:16:09Now I can't do anything at all.

01:16:12We're not even allowed

01:16:13to use our cars anymore.

01:16:14My dad used an app

01:16:15to call a taxi

01:16:16to drive us here.

01:16:18Apps these days.

01:16:19Anyway,

01:16:20we had to come here instead

01:16:22because this is my grandpa's house.

01:16:24This is where it all began as well.

01:16:27Yeah.

01:16:29Our roots are here.

01:16:30This is getting very difficult for me.

01:16:33La Nina looks around incredulously

01:16:35as they are in a mansion

01:16:36with a huge garden.

01:16:37Manuel can't believe his ears.

01:16:40They're over there.

01:16:42Hello, good afternoon.

01:16:44Good afternoon.

01:16:45Good afternoon, dear.

01:16:46They have to light a fire inside

01:16:48because the house gets really cold without it.

01:16:50There's no heating.

01:16:51A fire?

01:16:52The fireplace.

01:16:53Yeah, and could you please

01:16:54ignore the musty smell in here?

01:16:56It must just be what poverty smells like.

01:16:58Oh, stop it.

01:16:59Stop saying that you're poor

01:17:01because you're nowhere near poverty.

01:17:03Besides, Manuel has something important

01:17:05he wants to tell us.

01:17:07Fine then.

01:17:08Come into my humble abode.

01:17:10I'll make some atole.

01:17:11Oh, God.

01:17:12La Nina and Manuel

01:17:13are still incredulous.

01:17:15I always knew that

01:17:16Madrigal was behind all of this.

01:17:17We see the three of them

01:17:18in the kitchen.

01:17:19That's why he was interested.

01:17:21He was Pablo's associate.

01:17:22It's clear now.

01:17:23I told Hatziri

01:17:24those people can be very dangerous.

01:17:26Why does he call you Hatziri?

01:17:28I'll tell you later.

01:17:29Okay.

01:17:33Hello?

01:17:34Good afternoon, Mrs. Yazbek.

01:17:36I'm calling from the hospital.

01:17:38Unfortunately, your husband has passed away.

01:17:41I'm sorry.

01:17:42I'm on my way.

01:17:44Lucia seems very sad.

01:17:46What is it?

01:17:48It was the hospital.

01:17:50Pablo is gone.

01:17:53I'm so sorry.

01:17:55Why are you sorry for her?

01:17:58Didn't you both want him to die?

01:17:59Yes.

01:18:00Once again, Lucia looks shaken.

01:18:02Cut to that night

01:18:03and Federico arriving home.

01:18:06Jeez.

01:18:07You almost scared me.

01:18:08Let's talk.

01:18:09I'm not in the mood.

01:18:11Are you so sad

01:18:12because you had to fire somebody

01:18:13from the company?

01:18:15It was necessary.

01:18:19If that's a problem,

01:18:20I'll get you a job at another company.

01:18:22No, that's not the problem.

01:18:23What then?

01:18:24I have a problem with us.

01:18:26I'm tired of going against the tide.

01:18:28I know you don't want to be with me anymore

01:18:30and I don't want to be with you either.

01:18:31Maybe we should get a divorce.

01:18:33Yeah.

01:18:34Let's file for divorce.

01:18:36You get half the money

01:18:37and I'll get the rest.

01:18:38That's it.

01:18:39Are you insane?

01:18:40I'm not crazy.

01:18:41We'll never get a divorce.

01:18:42You know perfectly how things work in the company.

01:18:43I don't care about the company.

01:18:45No.

01:18:46We're not getting it.

01:18:47The Pope married us, remember?

01:18:48We aired the ceremony on live television.

01:18:50Twenty years ago.

01:18:51Because you wanted to.

01:18:53Oh, you're crying now.

01:18:54I'm really sick of you making scenes.

01:18:55No, I'm not going to make a scene.

01:18:57You're having an affair with the leading role

01:18:59just like you had with the rest before her.

01:19:01Listen to me.

01:19:02This is real life,

01:19:03not some drama scene.

01:19:04See?

01:19:05What?

01:19:06Look at you.

01:19:08I'm getting a divorce!

01:19:10The law has changed!

01:19:11I have the right to get a divorce from you

01:19:12if I want, asshole!

01:19:14Maricela is furious.

01:19:16Cut to Pablo dead in the hospital bed.

01:19:19Doesn't he look calm?

01:19:20Of course.

01:19:22He doesn't have to experience the poverty I live in now.

01:19:25Manuel looks once again incredulously at Lucia.

01:19:28Madrigal appears behind them.

01:19:31Well, well.

01:19:32Just who I was looking for.

01:19:34Ma'am.

01:19:35Sorry.

01:19:36Widow.

01:19:39Now, I will need you to sign these papers for me

01:19:42so that I can give them to your husband's associates

01:19:44and give them the money they were promised.

01:19:46She's not going to sign anything.

01:19:49You can drop the secrecy.

01:19:50We know you're one of the associates.

01:19:52You better shut your mouth, man.

01:19:54Okay?

01:19:55I know exactly which internet cafe you use

01:19:57to gather and leak information about everyone.

01:20:01And why are you giving me that look, huh?

01:20:03I can easily open an investigation for your husband's death.

01:20:07Suicide due to diarrhea.

01:20:09That's bullshit.

01:20:10La Nina and Lucia look at him outraged.

01:20:13You've got 24 hours to sign these papers for me

01:20:17or I'll make sure all of you go to fucking jail.

01:20:20Madrigal throws the papers on Pablo's body,

01:20:22makes the sign of the cross and leaves the room

01:20:25while Manuel looks at him with hatred.

01:20:29Calm down.

01:20:31It's all right.

01:20:32Cut to Pablo's funeral and Manuel is singing again.

01:20:35Todos unidos, alegres cantamos

01:20:38la gloria y esperanza del Señor.

01:20:41Manuel sings beautifully, doesn't he?

01:20:43Lucia looks incredulously at La Nina.

01:20:46Federico and Maricela arrive and she treats him with contempt.

01:20:50My girl.

01:20:51Lucia and Maricela hug each other.

01:20:53Oh, my dear.

01:20:56We have to keep saving face. It's important.

01:21:02How are you?

01:21:03I'm fine.

01:21:04Listen, girl.

01:21:06Your eyes are more swollen than usual.

01:21:08What's wrong?

01:21:09I couldn't sleep.

01:21:11How have things been with Federico?

01:21:13He won't talk to me.

01:21:14He vetoed me.

01:21:15What?

01:21:16No way. He kicked me out of my own house.

01:21:18Really?

01:21:19Yes, he did.

01:21:20Girl, your deed will have to wait, okay?

01:21:23Because Mariloli's boyfriend, I think he knows.

01:21:25I suspect he's on to us.

01:21:26What?

01:21:27Yeah.

01:21:28It turns out that Rafael,

01:21:30he was my husband's associate.

01:21:34And he's even threatened me with opening up an investigation on me.

01:21:37And he wants Lucia to sign some papers and give him all of the money.

01:21:41Everything. Can you believe it? Everything.

01:21:43Maricela looks shocked.

01:21:45My girls.

01:21:48Our dream is never going to come true.

01:21:51Madrigal arrives at the funeral and upon seeing them, beckons them over.

01:21:58The three frightened women follow him.

01:22:05Come on, everyone.

01:22:06Cut to the three of them gathered with Madrigal.

01:22:08The papers.

01:22:10Lucia takes the papers out of her purse and hands them to him.

01:22:13Madrigal looks at the papers and seems confused.

01:22:21What the fuck is this?

01:22:23Why didn't you sign?

01:22:24Do you really think I'm going to sign?

01:22:26I'm going to sign.

01:22:27I'm going to sign.

01:22:28I'm going to sign.

01:22:29I'm going to sign.

01:22:30I'm going to sign.

01:22:31I'm going to sign.

01:22:32I'm going to sign.

01:22:33Do you really think I'm going to give you my money?

01:22:36It's my family's money.

01:22:38My family. They're poor.

01:22:41Listen to me closely.

01:22:42If we aren't scared of anal bleaching, why would we be scared of you?

01:22:46You fat fucking asshole.

01:22:48The media is on my side. Yes?

01:22:50Do you think they'd believe me if I tell the press?

01:22:53Look here.

01:22:54This man is trying to blackmail me into doing something that I really don't want to do.

01:22:57Please help me. Please.

01:22:59Should I call Oprah Winfrey? She'll pick up.

01:23:01Should I?

01:23:02You fucking bitches.

01:23:03You're never going to get away with this. You...

01:23:05The magical remains motionless and begins to spit blood from his mouth.

01:23:08He falls to the ground and we see that Filippa stabbed him in the back.

01:23:11Mariloli is next to her.

01:23:13Oh, ma'am.

01:23:14Filippa wipes Mariloli's blood splattered face.

01:23:17Thanks so much.

01:23:22Here are your papers, dear.

01:23:24You have nothing to worry about, okay?

01:23:26Thank you.

01:23:27Mariloli hands the papers to Lucia.

01:23:29But he was... he was your boyfriend.

01:23:31He was an asshole.

01:23:33And worst of it all, he wasn't just investigating you guys,

01:23:36but also he investigated me.

01:23:39You know I won't let anybody take the freedom that I have earned for myself.

01:23:44Manuel enters the room.

01:23:45No.

01:23:46No fucking way.

01:23:48This is going to be expensive.

01:23:51Would you look at that?

01:23:52All your bullshit has been resolved.

01:23:54Lucia talking to Pablo's body.

01:23:56You can rest easy now. Don't worry.

01:23:58Mr. Romero, how have you been lately?

01:24:00Well, thank you.

01:24:01Here, these are the papers, so you can put everything in order.

01:24:04And if you can do it as soon as possible, please.

01:24:07I can't keep seeing my parents living, living like paupers.

01:24:11We see Manuel moving the coffin.

01:24:13Because... hold on, Filippa.

01:24:15Get out of your lair, okay?

01:24:17I've got a job for you.

01:24:19Cut to the three friends at the cafeteria.

01:24:22They have vegan toast now.

01:24:24I told you, girl.

01:24:26By the way, Manuel Alejandro did a very good job.

01:24:29Look here.

01:24:31This says that the Chief Justice Rafael Madrigal

01:24:34and the former police officer who became a hitman

01:24:37were found dead in a ditch after being stabbed to death.

01:24:41Apparently, they had ties with drug cartels.

01:24:44Look who's here, you guys.

01:24:46Sweetheart! Darling!

01:24:49How have you been?

01:24:50Can I sit?

01:24:51Of course, anytime, Manuel.

01:24:52Thank you.

01:24:53So you liked it, huh?

01:24:54May I?

01:24:55Yeah, sure.

01:24:56I hope you guys enjoyed it.

01:24:57Bon appétit.

01:24:58So it seems like the three-for-two is done.

01:25:00And it seems to me like the time for the soap opera queen has arrived.

01:25:05And you, just tell me what you need help with.

01:25:07Maricela remains pensive.

01:25:10Well, I...

01:25:13I want to know where and when can you catch him red-handed, Manuel.

01:25:19Very well.

01:25:20Oh, I just came to say hello, so I have to go now.

01:25:24I have things to do.

01:25:25Okay, then.

01:25:26Thanks a lot.

01:25:27I'll check on that.

01:25:28Bye!

01:25:29Aw, I love him.

01:25:30I think he got a haircut. He looks good.

01:25:31Cut to black.

01:25:34Cut to Maricela at La Nina's house, answering her phone.

01:25:38Hello?

01:25:39I know where Federico is.

01:25:41I'll send you his location.

01:25:44You sure you don't want me to intervene?

01:25:48Yeah, I'm sure.

01:25:49This is my moment.

01:25:51Maricela shows a devilish face.

01:25:53Cut to the three friends walking down the street dressed in black, very sexy.

01:25:58They meet Manuel, who hands them a hotel key.

01:26:03Maricela, very serious, enters the place alone.

01:26:13Cut to her closing the elevator door, and with a very serious countenance.

01:26:19Change of scene, and she is walking in slow motion towards a hotel room while taking off her glasses.

01:26:24There is a cut, and she passes the key over the lock of the room.

01:26:27The door opens, and the screen cuts to black.

01:26:32Dissolve, and we see she is already inside the hotel room.

01:26:37She looks at Federico naked, having sex with someone.

01:26:41Yes, that's it. Yes, that's it. Yes. Yes!

01:26:46Maricela takes a knife out of her purse. Federico turns around and sees her.

01:26:50We see he is having sex with Samuel, the actor.

01:26:52Maricela starts crying.

01:26:56Federico and Samuel look surprised.

01:26:58Maricela, full of rage, starts stabbing Federico in the abdomen.

01:27:05We see a close shot of Maricela's face covered in blood.

01:27:13And cut. And again. We got it.

01:27:16We realize it all has been a scene that Federico is directing.

01:27:19Samuel tells Maricela,

01:27:21Ma'am, it's a real honor to work with you. You're a great actress.

01:27:28Thank you.

01:27:29No, thank you.

01:27:30She approaches Federico and takes him by the arm.

01:27:32You know, you should have seen how intense you looked back there.

01:27:34Did my eyes look big?

01:27:35Yeah, really big. It was really impressive.

01:27:38Who would have thought that you would be the villain of the hour?

01:27:40I think I just needed the right opportunity.

01:27:42Thank you so much.

01:27:44No, thank you. For your discretion.

01:27:47Federico smiles at her, and it is evident that they reached an agreement.

01:27:51Well done. Excellent.

01:27:53Thank you.

01:27:54Congrats.

01:27:55All good?

01:27:56Yeah, I think it worked out well in the end.

01:27:58I'm Maricela de la Pena.

01:28:00And I never forget a betrayal.

01:28:03Cut to black, and the screen reads,

01:28:06Two months later.

01:28:07Cut to Manuel at a fancy bar.

01:28:09Boss?

01:28:10Shall we start opening the champagne boxes?

01:28:13No, no. Wait until I finish singing.

01:28:15They might get wasted before even listening to me.

01:28:20Partners.

01:28:21You like our place, yeah?

01:28:23Hi, handsome.

01:28:24Cheers to that.

01:28:25Cheers to you.

01:28:26Cheers, handsome.

01:28:27The three of them look spectacular sitting in a room of the new karaoke bar.

01:28:31Look.

01:28:32I uploaded it two hours ago, and I've got two million views.

01:28:36Wow.

01:28:37And I've doubled my wage in the company now, as well.

01:28:40Girl, you're unstoppable.

01:28:41The new social media queen.

01:28:43Totally.

01:28:44It's a shame Federico couldn't see your success now.

01:28:47Yeah, his accident was really awful.

01:28:50Oh, well.

01:28:51At least he died with Samuel by his side.

01:28:54They smile together in complicity.

01:28:55Mariloli arrives with a young man by her side.

01:28:57Hello.

01:28:58Mariloli.

01:29:01Hello.

01:29:02Well done, my girls.

01:29:03You did it.

01:29:04You did it.

01:29:05We did what we knew we could.

01:29:07So, how are you?

01:29:09Aren't you going to introduce us to your beau?

01:29:11Of course I'm going to.

01:29:12His name's Emilio.

01:29:14And we've just arrived back from Los Angeles,

01:29:17where we went to the one and only Madonna's concert.

01:29:21Oh, it was awesome.

01:29:22But hey, I'm so glad to see you.

01:29:25You too.

01:29:26Thank you.

01:29:27So that you guys can keep on enjoying your fabulous lives.

01:29:29You too.

01:29:30Mariloli.

01:29:32He's just gorgeous.

01:29:34And the best part is that he's only 41 years old.

01:29:39Like me.

01:29:41Oh, Mariloli.

01:29:42Bye, my girls.

01:29:43Bye.

01:29:44Goodbye.

01:29:45I love you.

01:29:46Bye.

01:29:47Hey, partners.

01:29:48Are you liking the service?

01:29:50It's just wonderful.

01:29:52My song is coming up next.

01:29:54Shall we sing it together, huh?

01:29:56It'd be my pleasure, Manuelito.

01:29:58I'll be right back.

01:29:59The door is right there.

01:30:00Leave if you want.

01:30:01I don't give a fuck.

01:30:02I don't give a fuck about your opinion.

01:30:04Come on.

01:30:05Hey, get off of me.

01:30:06Let go.

01:30:07Lucia gets up to hand a business card to the girl

01:30:09who has just been offended by her husband.

01:30:11The card reads, Killer Babes.

01:30:13You can call us if you need us.

01:30:15Thank you.

01:30:19To the freedom of every woman on this earth.

01:30:21To all the poor and to our new house at the beach.

01:30:24To us girls.

01:30:26To us girls and to our new life.

01:30:29Cheers.

01:30:30Cheers.

01:30:31Cheers.

01:30:32Manuel takes La Nina by the arm and leads her to the stage.

01:30:35Lucia and Maricela are left dancing.

01:30:40Yeah.

01:30:43Mariloli, also dancing, is very happy.

01:30:49Pac and the ending credits appear.

01:30:56Yeah.

01:31:11Lucia, Maricela and Mariloli dance with their arms in the air.

01:31:15Cast and crew credits continue.

01:31:27It's the end of our love.

01:31:37No, please, I want to feel something.

01:31:40It's the end of our love.

01:31:53It's over.

01:31:55La Nina hugs Manuel.

01:31:57Cut to an open shot of everybody celebrating

01:31:59and the cast and crew credits appear and dissolve.

01:32:25And I can't find you.

01:32:30Your friends have told me why.

01:32:37Arriving at the party.

01:32:40I see you kissing another.

01:32:45I don't want it.

01:32:46Today I have to forget you.

01:32:49Today I have to forget you.

01:32:53You said you loved me.

01:32:55It wasn't easy for me to forget you.

01:32:58Give me back the portrait.

01:33:00It's over.

01:33:20Cut to an open shot of everybody celebrating

01:33:22and the cast and crew credits appear and dissolve.

01:33:24And I can't find you.

01:33:31I'm sorry, it's late.

01:33:34You understand, this is the end.

01:33:36Give me back the portrait.

01:33:39It's over.

01:33:43Arriving at the party.

01:33:46I see you kissing another.

01:33:51I don't want it.

01:33:52Today I have to forget you.

01:33:58You said you loved me.

01:34:00It wasn't easy for me to forget you.

01:34:03Give me back the portrait.

01:34:05It's over.

01:34:11It's the end.

01:34:13It's the end.

01:34:43Metro-Goldwyn-Mayer, an Amazon company, appears.

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