Lo que dejó el Martín Fierro 2024: América se llevó seis estatuillas
En una noche memorable, América TV se llevó seis premios Martín Fierro. La emotiva ceremonia incluyó anécdotas personales y reconocimientos a la trayectoria de los profesionales del canal.
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00:00Hello everyone. Six Martín Fierros for the house, for America.
00:04A beautiful night. Let's tell who the winners were.
00:08On the one hand, the first one. The ceremony just started there.
00:11Direct was the Martín Fierro for Santiago Esposato, who won as a mobile chronist.
00:17He, well, obviously...
00:19A weird turn, because Santiago is a show chronist.
00:25He competed with chronists like, I don't know, Carolina Amoroso, who was in the war in Ukraine.
00:29And it was a lot of work, we can say.
00:31A job that doesn't have much to do with each other.
00:33It was quite a lot, yes.
00:35Yes, with Maxi Real, who is also usually a police officer.
00:37Yes, in Telefe, exactly.
00:39It was very different.
00:40Well, he said, you see, when Santiago goes up, what he says is,
00:43it's the first time they give someone from the world of the show.
00:47Because in general, in APTRA, like the associations of show journalists,
00:51in general, neither show programs nor the same APTRA members are awarded.
00:56But well, one for the house, Esposato contento, he dedicated it to Mariel Di Lenarda.
01:01Do you remember that last year there was a little problem?
01:04Last year, what happened is that, what he had said is,
01:08everything very well, Mariel, but we would have liked you to win Janina,
01:11because Janina was nominated for the AMNO.
01:14And well, it seems that Mariel, if you remember, he didn't like it very well,
01:16then he apologized, so now the first thing he did,
01:19there we hear it, he dedicated it to Mariel.
01:21Thank you all, thank you very much to APTRA.
01:26And when I say thank you to APTRA, it is not to thank you for having voted for me,
01:31but it is for bringing me here.
01:35Because when I look back at the things I did,
01:38there is a member of APTRA giving me a job, giving me an opportunity.
01:43There is Damián Rojo, Daniel Ambrosino, Pablo Mascareño, Monty Rocasalvo.
01:49So I have to thank them for being here with you.
01:54Obviously, to share it with my colleagues from ETERNA,
01:58who are two fucking journalists.
02:01To thank Mandarina Televisión, almost 10 years of work.
02:06To América TV for the space.
02:09To all the people from ELAM, to the production, to the editors,
02:16to the cameramen, we are nothing without the cameramen.
02:20To share it especially with Mariel Di Lenarda.
02:24She knows why.
02:26Thank you for teaching me.
02:28She knows why, yes, yes, exactly.
02:30Yesterday, Nori Esposato told the girls from Las Angelitas,
02:34in Los Ángeles de la Mañana, in the preview,
02:36that her mother, 20 years ago, when she was studying journalism,
02:39told her, I'm going to give you the suit when you win the Martin Fierro.
02:43And when they told her that she was nominated,
02:45she called her mother and told her,
02:46you're going to have to put the money, you're going to have to buy the suit.
02:48Putting it on, she was hungry, you know.
02:50She wanted to save some hands.
02:52So she gave her a kiss for her mother.
02:54Well, another of the Martin Fierro, Marcela Tauro.
02:56Very applauded, very excited, Marcela, obviously.
03:00There she won the other prize for intruders and the debate of dancing.
03:05For the two best panelist games.
03:08Also complicated, you see, because there was Nancy Pazos, Sol.
03:13And there was Marcela, happy, enjoying.
03:16She was in shock, Tauro.
03:18Yes, yes, she was in shock.
03:20She gave him tenderness, which he dedicated to his son,
03:22who was returning, I think, from the trip to Gresados.
03:24From the trip to Gresados, yes, yes, exactly.
03:29Great worker, great companion of so many years.
03:32And many times she was nominated and had never won it.
03:35So more than deserved too.
03:37Let's talk to Polino, brothers of life and profession.
03:40Marcelo Polino was also there.
03:42He works with Fatima.
03:45And it was a bit what made Fatima be in the awards, right?
03:49Of course.
03:52With Alicia Pedrelli.
03:53Very excited.
03:54She was very excited, really.
03:57With the hug of Alicia Pedrelli too.
04:01A strong applause for Tauro, please.
04:11Well, thank you.
04:12Good evening to everyone.
04:14And the truth is that I had already won.
04:16Because all my colleagues told me,
04:19Tauro, you have to win it.
04:21So today I could not accompany my son,
04:24because he is arriving now from the trip to Gresados.
04:27So Juanis, for you, I obviously thank the channel,
04:31which has been supporting me for 22 years.
04:34For Lucho, because I started in some way with him.
04:38For Real too, because well, he informed me in some way.
04:42And for Revista Gente, for everyone,
04:45because I come out of the graphics.
04:47Thank you and thank you, I share it with my colleagues.
04:50Because this is also,
04:51that is, the members of ACTRA are show journalists.
04:54So it is the first time that a show journalist wins.
05:00René Sos was quite unpublished.
05:0122 years in America.
05:0222 years in America. Impressive.
05:04Here we all said, Tauro, you win it, Tauro, you win it.
05:07And well, you took it,
05:08so Marcelita, congratulations on enjoying it.
05:10Well, but there was more.
05:11Karina Mazzocco as the best driver,
05:14which was quite complicated,
05:15because the truth is that Georgina was there,
05:17Lizzi was there.
05:18It was very, very complex, but there we had faith.
05:21And Mazzocco won.
05:25This was complicated.
05:26Very complicated.
05:28Of course, there was Mariana Fabiani,
05:30Carmen Barbieri,
05:31a long turn of Maserati.
05:34It was incredible.
05:35Of course.
05:42And the last one,
05:43there is no one to explain to me what the Magician without Teeth does.
05:46He's always there.
05:47He's always there.
05:48He brings luck.
05:49If he's not there, he brings luck.
06:01My channel,
06:02the first channel that gave me an opportunity,
06:04the first air channel,
06:05almost 25 years ago.
06:08I want to thank each and every one of my fellow producers,
06:12each and every one of the journalists
06:15that I learn from,
06:16that I admire,
06:17and that I love.
06:19I love doing the Afternoon.
06:20The Afternoon has its own agenda.
06:23The Afternoon sets an agenda
06:25and fills me with pride.
06:27Here we are.
06:31Best Conduct,
06:32congratulations to Masocco.
06:34We said Lizzi Tagliani,
06:36Carmen Barbieri.
06:37Very difficult.
06:38The most difficult.
06:39Mariana Fabiani.
06:40But well,
06:41she had been nominated for many years,
06:42and I said,
06:43but I never won it.
06:44And we said,
06:45no, you're going to win it.
06:46And she said,
06:47no, but I'm not going to win it.
06:48There are so many names.
06:49She finally won it.
06:50She was a mother's turn.
06:51Of course,
06:52she was looking for it.
06:53A turn of six,
06:54a sextuple.
06:55Of course,
06:56Georgina,
06:57Georgina,
06:58Carmen,
06:59but let's go for Masocco.
07:00Congratulations.
07:01Well,
07:02another one that stayed in the house
07:03is Ambiente y Medio,
07:04a cultural program.
07:06So,
07:07cultural and educational.
07:08Ambiente y Medio.
07:09Yes,
07:10from Mauricio Federovici.
07:11And
07:12that program was started by his father,
07:13there it is,
07:14who was the Vice Minister of the Environment
07:15of Alberto Fernandez.
07:17Sergio Federovici,
07:18who is also my friend
07:19and I know him well.
07:20Sergio started it.
07:23And
07:24for years,
07:25for several years,
07:26Mauricio,
07:27his son,
07:29in the cultural and educational category.
07:31And who else was there?
07:32And well,
07:33we also have
07:34the humorous work
07:36that
07:37there was Polino
07:38who said,
07:39no,
07:40it can't be,
07:41Fatima was there,
07:42she was dancing,
07:43she did skates,
07:44do you remember that she was there?
07:45Not so many,
07:46but she did her skates
07:47and she took the statue
07:48Fatima Flores,
07:50who came from Las Vegas,
07:51because she was in Las Vegas
07:52doing her shows.
07:54She is very beautiful,
07:55very beautiful.
07:58Of course,
07:59she competed with Nica Lapegue,
08:00Sergio's daughter.
08:06Yes,
08:07do you remember that she was
08:08the girlfriend of Miley?
08:11Does anyone talk about Fatima
08:12in the government?
08:13No,
08:14no one talks about her.
08:15No,
08:16no one talks about her.
08:17No,
08:18no one talks about her.
08:19No,
08:20no one talks about her.
08:21No,
08:22no one talks about her.
08:23No,
08:24no one talks about her.
08:25No,
08:26no one talks about her.
08:27No,
08:28no one talks about her.
08:29No,
08:30I'm very happy to be on this stage tonight, it gives me a lot of happiness because it is for what I have prepared all my life since I was very young.
08:37I prepared a lot for this moment, to bring you joy and to be able to bring joy to your homes.
08:44Thanks to APTRA, please, for having nominated me first, sharing it with my colleagues from ETERNA and thank you for taking me home.
08:52I am very happy, may God bless you. Polino, I love you so much, thank you, I want you, blessings.
08:57It must be said that for Fátima Flores, the engagement with Milaíl cost her, because she put her on the side of the crack.
09:04So, well, Martín Pierro returns her to a place more of the world of the show and takes her out of the crack.
09:12Yes, exactly, because she was in a rather complex place, plus the beginning, the assumption, how was she?
09:17In fact, nobody told too much, but it seems to me that it was also felt in the box office, right?
09:22Let's say she was a character who did not have a political identity, but having stayed with Milaíl,
09:29although at first, in this summer, it gave her a boom in the box office, later it was felt.
09:35It was never clear if it was because it was the crisis and there was less money to go and buy the entrance to the show of Fátima Flores,
09:45or if it was because of the identity, having stayed on one side of the political crack in Argentina.
09:49In addition, she is always crossed by the crack. Do you remember when she played the character of Cristina Fernández de Kirchner?
09:54Of course, that also brought problems to the sale of tickets.
09:58So, well, it's going through a difficult time, it's in Las Vegas, so it seems to me that she is trying to launch a more international career.
10:06It is true that here it cost her a little, but Polino there always supporting her.
10:09And the last one we have left has to do with the jury. They won everything from the jury of El Bailando.
10:14Are the judges awarded? I did not know.
10:16Yes, look, they awarded everyone. New category.
10:21Pampita, who was an absolute goddess as always. Ángel de Brito, Marcelo Polino and Moria Kazan too.
10:27Moria was not there. Pampita with bangs, who did not have bangs, an old-fashioned dress.
10:33Yes, it's a hostess, it looks beautiful on her.
10:38There are many formats of programs where the participation of the jury is very important.
10:43In addition, there are jurors of the jury.
10:54What happens is that this is a very famous jury.
11:13They gave us absolute freedom to be ourselves, so it was very fun to do it and I hope I come back soon.
11:20It is a group that we love to share. We send a kiss to La One, to Moria Kazan, to all our colleagues from the FLIA and to all the people of America who made El Bailando 2023 possible. A pleasure. Thank you, Aftra.
11:33Look at Moritán, how happy, taking pictures there and everything.
11:36It looks like a Rolling Stone, Polino.
11:39Yes, with black glasses. The room was very nice. There was something that never happens. There were living rooms to take pictures in different places.
11:48One with a typewriter, another with a chair, with a piano.
11:52Ah, for selfies.
11:54Of course, because you see that you always take the photos in the middle of nowhere.
11:58No, but there are always banners.
12:00Yes, but with the banner. Imagine how nice it is that you have the memory forever.
12:04Are you the girls who love to take pictures?
12:07Yes, of course.
12:08If not for the food, what did you eat?
12:10The food was delicious.
12:14It was a snack.
12:15It was not understood that it was food, because it said things such as albacore foam.
12:19To me it sounded like a sponge, but no.
12:21Carrot foam.
12:23No, but it was very nice, because the snack was like a map of Argentina and had different typical dishes.
12:29Tamales, empanaditas.
12:31The dessert was like a heart, a creamy one, with vanilla.
12:35And it was super delicious.
12:37And then there was a loin with a Malbec sauce.
12:40And Norita, I'm always aware of the police.
12:43How many center tables did you take?
12:44Did you take them?
12:45No, no, no.
12:46Of course.
12:47And where do you take them, to the center of the table?
12:49The people are chocho, they go with the flowers.
12:51People who fight, who visit other tables, saying hello to take them to the center of the table.
12:56Because at the table itself, another one already grabbed it.
12:58It's like Mirta Alegrán's salero.
13:00You take it as a souvenir.
13:01You didn't take the tattoo.
13:03But this time they had put some little Martin Fierro for the napkin.
13:07They always give you some little things.
13:09Yes, some little things to take you.
13:11But well, people took that, they took the flowers.
13:14Now we are going to see that Ambrosino comes with the dishes.
13:17Poor Ambrosino can't, let's not defame him.
13:20That's why I didn't see him.
13:22Well, let's go with passion.
13:24There were nice souvenirs.
13:25A tribute to passion.
13:26They were good.
13:28For the birth of Adrián Cerantoni.
13:30Of course, and the 35 years of passion too.
13:58Marcela too, gorgeous, divine with that dress.
14:05It must be said that several ladies got dressed in red because the carpet was blue.
14:10Exactly, the carpet was blue.
14:12And they said they wanted colors.
14:16They asked.
14:27This is part of the history of television.
14:30And they were the two who dared to put a day of tropical artists in a television program.
14:39And there was born what I am, Pasión de Sábado.
14:43This recognition is for you.
14:46My partner, my warrior of a thousand battles.
14:51Great businessman, great producer.
14:54It is impossible to speak in the past when I have you present every second of my life.
14:58This award is for you, Adrián Cerantoni.
15:04Well, let's remember that Adrián Cerantoni, one of the two producers of Pasión, died last year.
15:10Then he put it on the tribute plates.
15:13Yes, exactly.
15:14At that time it was very emotional when Abuel Penici and Abel Pintos sang.
15:18Yes, what a beautiful version they made.
15:19Very nice version.
15:20I tell you, one of the best moments of the night.
15:22Very emotional.
15:23Very emotional.
15:24Everyone, because in general people are distracted, they are eating.
15:26All standing, all applauding.
15:28And he was frankly very, very moved.
15:30Yes.
15:31He cried, he could not stop the emotion.
15:33In addition, what Adrián Cerantoni did was very surprising.
15:35It was a heartbreak, but they were full, doing a lot of very happy things.
15:40They had shows scheduled.
15:41The truth is that, well, very painful and obviously everything is very emotional.
15:45And then in the tributes, it must be said that the closure was obviously with Silvina Luna.
15:49Of course.
15:50It was the great death that triggered.
15:52Because this must also be said.
15:54The death of Silvina Luna, her first discompensation, her internment,
15:57and then the death of Silvina Luna was what made,
16:00because it must be said, what touched that bastard ends up in jail.
16:05Yes, because up to there came ...
16:07And the pressure of the television channels that began to say,
16:09how is it possible that this guy is released?
16:11How is it possible that this guy is released?
16:12The number of victims.
16:13And that shows how badly the Argentine justice system works.
16:17That it works by pressure, scandal, more than by judicial reality.
16:22That equality before the law does not exist.
16:24It only exists when there is adequate scandal.
16:27And it was tremendously emotional because it coincided with the end of the interpretation,
16:32which was very, very felt.
16:33In addition, you were already coming, you saw, lazy to see everyone, from the review.
16:37And it also coincided with a fragment of Silvina Luna reflecting on death.
16:41Of course.
16:42With which it was tremendously emotional.
16:44It was not tremendous, but people were crying.
16:46In addition, even the version that they were singing,
16:49made silences in the moments that the phrases of the deceased people entered.
16:55Excellent, great moment.
16:56Great moment that was experienced.
16:58Well, if you think we are going to go over the looks a little bit,
17:01to see who were there.
17:02You see that there are always the bad girls.
17:03We criticize a little.
17:04I love it.
17:05Let's not criticize much.
17:06There is Mauro Z.
17:07Mauro nailed Smoking.
17:08Very good.
17:09Very good.
17:10Winner.
17:11Well, in that department he beat Nata.
17:12So there many said, look at Mauro who beat Nata.
17:15There was this blue carpet and you see many journalists,
17:19a lot of coverage, obviously.
17:21A beautiful night in the hall, which is huge.
17:24They say that in reality, Telefe always chooses the Hilton room,
17:29because it is one of the largest.
17:31The one in Puerto Madero, right?
17:32The one in Puerto Madero, yes.
17:33I don't know if it is the largest.
17:34It seems to me that the one in La Rural is the largest.
17:36What happens is that it has better acoustics.
17:38It's not that big.
17:39And no, also what it has is the possibility that the stars go to the rooms,
17:44because in La Rural you can't stay anywhere.
17:46And there were many people.
17:47They put you in a cow box.
17:48Of course.
17:49Standing next to a bunch of grass.
17:51It gets complicated there.
17:52You see, there it was.
17:53For example, Wanda had her suite, she had her pink champagne,
17:57she had her sweet sweets.
17:59Well, there we see Edith, Hermida.
18:01She beat Bendita.
18:02She beat Bendita again.
18:03They were all very happy.
18:05Edith was one of those who at one point, like Geuna,
18:08took off her shoes and went barefoot for all the shopping.
18:11Playing with color.
18:12Good, good.
18:13They couldn't wear black, right?
18:14Or was that the slogan?
18:15The slogan was that there should be color,
18:17because they said that's how it stood out from the carpet.
18:19So that's why there was a lot of color.
18:21Ah, there was a color slogan?
18:22There was a color slogan.
18:23And I'm surprised by the blue.
18:24How do you see the blue carpet?
18:25Why, why blue?
18:26I don't know.
18:27My partner, Soledad Lari.
18:29What does she say?
18:30She was very depressed because she put on a blue dress.
18:32She put on a blue dress.
18:33There was blue.
18:34So we all told her.
18:36Tell her.
18:37Damn, they didn't tell you.
18:39They didn't tell her.
18:41No, no.
18:42But she was beautiful.
18:43She was beautiful.