A pair of mini skirted birds who travel to a remote castle in order to land a contract in the modelling agency of the mysterious lesbian Sybil Waite.
Source: IMDB
Source: IMDB
Category
🎥
Short filmTranscript
00:00:30I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry.
00:01:00I don't know why we couldn't have left in the morning.
00:01:12You didn't have to come.
00:01:13Well, it's too late now.
00:01:15Dad would have found the note and we're runaways.
00:01:26London?
00:01:31Running away from home.
00:01:34Chris is going to be a model later on.
00:01:36She won a competition back home.
00:01:38It's a tough old racket.
00:01:40But whatever you do, don't get mixed up with backstreet photographers.
00:01:44The ones that advertise on notice boards.
00:01:46They'll promise the earth.
00:01:48Well, maybe I can help you find somewhere to stay, a friend of mine.
00:01:51Let's rose.
00:01:52Stop!
00:01:55I never saw that, you must see in the dark.
00:01:58She can.
00:02:04You must do a lot of travelling.
00:02:06I get around.
00:02:08That's a nice bracelet.
00:02:11From Abby.
00:02:13It's a birthday present.
00:02:15Abby, that's a funny name.
00:02:17Abby Dark.
00:02:18Abby Dark the singer.
00:02:20She's your girlfriend.
00:02:25We are lucky Johnny's mum letting out room.
00:02:29You're joking.
00:02:30I think it's nice.
00:02:34It'll do.
00:02:36What time are you?
00:02:37We might have been tramping around all day if they hadn't been for Johnny.
00:02:42You're falling for him.
00:02:43Don't be ridiculous, I hardly know him.
00:02:46Anyway, what if I had?
00:02:47He's been very kind.
00:02:49You have to be careful.
00:02:50He's a sharp character.
00:02:52Remember Abby.
00:02:53Christine.
00:02:54Come on.
00:02:55We spend all day arguing about Mr. Johnny Dixon.
00:02:58We'll never get ready.
00:02:59So let's get changed.
00:03:04Oh, look at that.
00:03:06Isn't it beautiful?
00:03:07It's a bit old, isn't it?
00:03:08Of course it is, you silly bitch.
00:03:10It's antique.
00:03:11Good.
00:03:28Lady will share bed and breakfast.
00:03:32Discipline given, Miss Turner.
00:03:35Pussy for sale.
00:03:36Arse for kitting.
00:03:40Model.
00:03:41Good figure.
00:03:42Photography.
00:03:44Yeah, I bet.
00:03:45Not those.
00:03:46They're exactly what Johnny warned us against.
00:03:48I know.
00:03:49You go on to labor exchange.
00:03:51Well, what about you?
00:03:52Well, I'll see you back at the digs.
00:03:53Go on.
00:03:59Oh, go on.
00:04:13Sybil Waite.
00:04:14Wizard of commercial photography.
00:04:16Miss Waite has been responsible for discovering some of our most successful and beautiful...
00:04:51So you want to be a model?
00:05:03Yes.
00:05:04I know it won't be easy, but I saved enough money for a course.
00:05:07Can you advise me on the best place to go?
00:05:09In the meantime, the art photographic job would help you pay your way.
00:05:12If it's possible.
00:05:14Maybe.
00:05:15Maybe not.
00:05:17Still, you're a very attractive girl.
00:05:19You should photograph well.
00:05:20What's your name?
00:05:21Christine Lane.
00:05:23Christina.
00:05:24No, not Christina.
00:05:26Christine.
00:05:28Christina, I'm sure.
00:05:30Oh, I suppose it does sound better.
00:05:35Are you prepared to do nudes?
00:05:41There's a great demand for them these days.
00:05:44I can sell any product with a nude.
00:05:46Incredible, isn't it?
00:05:48Is it easier to get a job that way?
00:05:50To begin with, yes.
00:05:53Everybody does it.
00:05:55Well, if you're going to have a look at your figure, you can undress over there.
00:06:12Do you have any photographs?
00:06:14I'm afraid not.
00:06:21You're going to need some.
00:06:23I'll see if I can get one of my boys to do some for you cheap.
00:06:44Yes, your figure's very good.
00:06:59I'd better take a few measurements.
00:07:01Just for the record.
00:07:1136.
00:07:13Correct.
00:07:15But you'd be surprised how inaccurate some people are about themselves.
00:07:19I always check personally.
00:07:2424.
00:07:37Do you really think you'll be able to use me?
00:07:40I don't see why not.
00:07:42As long as you're prepared to be guided by me, of course.
00:07:50You are a tiny thing, aren't you?
00:07:53I'd better make a note of these measurements before I forget them.
00:07:57You can get dressed again now.
00:08:17Hello?
00:08:19Peter, yes.
00:08:21Tomorrow?
00:08:22You ought to be joking.
00:08:23Are they out of their minds?
00:08:26Where am I going to get the right girl?
00:08:27They were all booked up weeks ago.
00:08:30All right, yes.
00:08:31Yes, I shall just have to do my best.
00:08:35Yes, we could go to Witchworld.
00:08:37Look, you call me back later this afternoon and I'll let you know what I've been able to arrange.
00:08:41Okay?
00:08:43Some people expect miracles.
00:08:46Miss Waite, I couldn't help hearing.
00:08:48Could I do the job?
00:08:50My dear child, this is an important assignment.
00:08:54It's one of our biggest clients.
00:08:55I don't mind how hard I work.
00:08:57I can learn fast.
00:08:59I'm sure you do.
00:09:02Notes.
00:09:04The risk is too great.
00:09:06I won't let you down.
00:09:08It would mean working over the weekend in the country.
00:09:11I don't mind.
00:09:13A friend of mine has a lovely country house.
00:09:14It's the perfect location.
00:09:16Do I get the job?
00:09:19I'll think about it.
00:09:20You won't regret it.
00:09:23No, Johnny.
00:09:24Why?
00:09:25No.
00:09:26Don't pretend you didn't want it because you did.
00:09:27No, but we don't know each other.
00:09:29What's that got to do with it?
00:09:30I've known some birds for years, but I've never fancied them like I fancy you.
00:09:34What about Abby?
00:09:35Forget Abby.
00:09:36We're just friends, that's all.
00:09:42Hey, you're trembling.
00:09:47You really are a little Miss Innocent, aren't you?
00:09:53You're not angry with me?
00:09:55What's it look like, stupid?
00:10:00Hey, come on, what's all this?
00:10:04You know you're troubling.
00:10:05You're a very tired girl.
00:10:07You've been travelling all night.
00:10:08You've had a hard day looking for a job.
00:10:10I wish no one knew you're depressed.
00:10:13Maybe you should stop worrying.
00:10:15No kidding.
00:10:17Everything's going to be all right.
00:10:21Better?
00:10:42And where have you been all this time?
00:10:45Looking around.
00:10:47Got a job?
00:10:48Think so.
00:10:49Tell us, for heaven's sake.
00:10:51No, not until I'm sure.
00:10:54Well, that leaves me in suspense.
00:10:56Because I've got to go to Manchester.
00:10:59Look, I won't be back from Manchester till late Saturday night.
00:11:03But I'm doing nothing on Sunday, so why don't we take a drive?
00:11:06All of us.
00:11:07Lovely.
00:11:08I don't know.
00:11:10I may be working.
00:11:14On Sunday?
00:11:16All weekend if I get the job.
00:11:18Well, you don't have to decide now, do you?
00:11:20I'll come over here.
00:11:21If you're busy, me and Betty will go on home.
00:11:23Look after yourself.
00:11:27Bye.
00:11:31Christine.
00:11:34What's the job?
00:11:35Modelling.
00:11:36Modelling?
00:11:37I was at the right place at the right time.
00:11:39Did you get the address off the notice board?
00:11:42Of course not.
00:11:43Sounds a bit funny to me, working over the weekend.
00:11:49Sib will wait.
00:11:51We're taking a house in the country for the whole weekend.
00:11:54Christine.
00:11:55You're beginning to sound just like Dad.
00:11:58He'll come with me if you're so worried.
00:12:00Do you think they'll mind?
00:12:02What about Johnny?
00:12:03We'll tell him to come down and fetch you.
00:12:05He wants you to go to the country.
00:12:07But you may not even get the job.
00:12:12I have a feeling I will.
00:12:16We're lucky today.
00:12:17Not too much traffic.
00:12:19I love the river.
00:12:23I hope you didn't mind me coming this week.
00:12:26Of course not, Betty.
00:12:28You can be Christina's chaperone.
00:12:40You have a great future, Christina.
00:12:42As long as you don't lose your head.
00:12:44I won't.
00:12:45I've seen so many girls spoil their chances.
00:12:48A little success and they think they know everything.
00:12:51I'm not like that, Miss Waite.
00:12:53Sibyl.
00:12:54Please call me Sibyl.
00:13:06This is Witchwold.
00:13:07Look over there.
00:13:08That's the old witch's ring.
00:13:10A witch's ring?
00:13:13Some parts of the village are quite historic.
00:13:20Here we are.
00:13:38Rather nice, isn't it?
00:13:40Well worth the journey.
00:13:43You didn't exaggerate.
00:13:44Gorgeous.
00:13:47This is Peter.
00:13:48Christina, Betty, her sister.
00:13:50Hi, Betty.
00:13:51Good trip?
00:13:52Very smooth.
00:13:53Not much traffic on the road for once.
00:14:00Barwendle, take Miss Betty's cases up to her room.
00:14:05We can share a room if you like.
00:14:10How soon can we start?
00:14:11There's a hell of a lot to do.
00:14:12You get set up.
00:14:13We're ready when you are.
00:14:15Christina, you come with me.
00:14:19I want to show you around.
00:14:36It's a strange name, Witchwold.
00:14:38It's a witch's meeting place.
00:14:40You must talk to Gerald about it.
00:14:41He's my friend who owns the house.
00:14:44He's quite a notoriety on the subject.
00:14:46He even writes books about it.
00:14:52The witches used to dance up here at dawn.
00:14:59Some people say they still do.
00:15:06Yes.
00:15:09They do.
00:15:18You seem sensible enough.
00:15:20But then I've thought that before.
00:15:22Then along comes some young man and...
00:15:24Not me.
00:15:25I'm a career girl.
00:15:28What?
00:15:30No boyfriends?
00:15:31I've been out with a few, but nothing serious.
00:15:34I don't want to be tied down.
00:15:37So you don't exactly strike me as being the domesticated type.
00:15:41There's not a man living that could make me settle for that.
00:15:54What a beautiful garden.
00:16:02Honey scent.
00:16:03It's not that.
00:16:04It's the hemlock.
00:16:06It has a very heavy scent.
00:16:11Heavy effects too, if you believe all you eat.
00:16:14Witches use them in their brews, don't they?
00:16:16You seem to know rather a lot about it.
00:16:19Are you interested in the supernatural?
00:16:21Oh, I don't know.
00:16:23It's as if I...
00:16:24No.
00:16:25I find it fascinating.
00:16:30It's so beautiful here.
00:16:31So much to see.
00:16:32I know.
00:16:34You should try and get down every weekend if possible.
00:16:37Gerald only ever leaves this place if he has to go up to town to see his publisher.
00:16:44Oh, Peter, I'm sorry.
00:16:45It was so interesting showing Christina around.
00:16:49Well, you'd better head upstairs and get changed then.
00:16:52Something casual, jeans and shirt, that kind of thing.
00:16:55White shirt?
00:16:56Yes, that'll do fine.
00:16:57Right.
00:16:59Now, what bright ideas have you for selling this cider?
00:17:02It's filthy stuff to drink.
00:17:03Well, I thought we might use the real apple.
00:17:20Well, what about this place?
00:17:25The place is great.
00:17:27But what about the housekeeper?
00:17:31Betty.
00:17:32She speaks so highly of you.
00:17:33Yeah.
00:17:38Wait till you see the bathroom.
00:17:47You're going to have a bath now?
00:17:50No.
00:17:51Modeling.
00:18:01That's a better shot.
00:18:03Let's do some action stuff now, OK?
00:18:08Turn right and start running.
00:18:10That's it.
00:18:11Jump, jump.
00:18:14Now, be happy, happy.
00:18:15Laugh.
00:18:17Smile.
00:18:18That's great, that's great.
00:18:22Up on the wall.
00:18:23Look at the camera.
00:18:25That's great.
00:18:26Keep it, keep it.
00:18:27Run, run.
00:18:28Now, hold it.
00:18:30Smile.
00:18:31Hold it.
00:18:33That's it.
00:18:34Now we'll move to the car.
00:18:43What's wrong?
00:18:45Trying to get an angle.
00:18:50Take those jeans off.
00:19:04That's good.
00:19:06Take the pants off.
00:19:09I thought this was supposed to be a side ride.
00:19:12We've got to have a build up.
00:19:14Now take them off.
00:19:15You're the boss.
00:19:19Good.
00:19:22Good.
00:19:23Very sexy.
00:19:25Good.
00:19:26That's good.
00:19:49That's good.
00:20:06That's good.
00:20:28That's good.
00:20:52That's good.
00:21:01That's good.
00:21:12That's good.
00:21:27That's good.
00:21:41That's good.
00:22:02That's good.
00:22:16That's good.
00:22:30Betty, are you all right?
00:22:47You look awfully pale.
00:22:49Oh, I have a bit of a headache.
00:22:52I thought I'd go out for a while.
00:22:54That's a good idea.
00:22:56Hold it.
00:22:57Hold it.
00:22:58That's beautiful.
00:23:00Boy, you make it difficult to concentrate.
00:23:02Don't give me that.
00:23:04Photographing beautiful girls every day.
00:23:08You must be a muse.
00:23:16Shows there's something special about you.
00:23:18Are all your models expected to respond to your advances?
00:23:25Come on.
00:23:26We've got some work to do.
00:23:27Come on.
00:23:28Come on.
00:23:29Come on.
00:23:30Come on.
00:23:31Come on.
00:23:32Come on.
00:23:33Come on.
00:23:34Come on.
00:23:35Come on.
00:23:36Come on.
00:23:37Come on.
00:23:38Come on.
00:23:39Come on.
00:23:40Come on.
00:23:42Come on.
00:23:43We've got some work to do.
00:24:11Oh! Oh, I'm sorry, Miss Whatever.
00:24:20My dear child, what on earth's the matter?
00:24:22Oh, it's nothing, really.
00:24:23Is your headache worse?
00:24:25Oh, no. No, it's much better, thank you.
00:24:29Ah!
00:24:55Who is she?
00:24:56Oh, she lives around here.
00:24:59What's her name?
00:25:01I don't know.
00:25:02She seems to know you.
00:25:04Yeah, well, I've seen her in the village.
00:25:07Come on, we'll finish this session back in the woods.
00:25:10Be quieter there.
00:25:11Come on.
00:25:13That's safer.
00:25:20It's all right, my dear.
00:25:22Lie still for a while.
00:25:24You had a nasty fall.
00:25:25Nothing serious, just shaken you up, that's all.
00:25:29Oh, by the way, my name's Amberley.
00:25:31Dr. Gerald Amberley.
00:25:32This is my home.
00:25:35You're a doctor.
00:25:37I'm sorry I wasn't here when you arrived.
00:25:40The symbol tells me you were running away,
00:25:42that you seemed scared out of your wits.
00:25:45We usually find it so peaceful here.
00:25:47Oh, it is.
00:25:48The house is lovely.
00:25:50But?
00:25:51Oh, it sounds so silly now.
00:25:53It must have been very real to you at the time.
00:25:55You'll think I'm an awful idiot.
00:25:59Well, first there was the milkman.
00:26:01I was sort of dozing,
00:26:02and I found him standing there staring at me in a funny sort of way.
00:26:06How do you mean, funny?
00:26:08Well, I don't know exactly, but it frightened me.
00:26:12And then I went.
00:26:15I thought I'd go for a walk.
00:26:17And something else happened?
00:26:19Then there was this man in the drive.
00:26:22He had a gun.
00:26:23Colonel Cruikshank.
00:26:25He came up to the house. He was very upset.
00:26:27He was afraid he'd frightened you.
00:26:29Oh, I thought...
00:26:31That they were...
00:26:33Desiring you.
00:26:35Oh, it all sounds so stupid.
00:26:38Not at all.
00:26:39It was quite normal.
00:26:41There'd have been something wrong if they hadn't stared at you.
00:26:43You're a very pretty girl.
00:26:46Anyway, you mustn't think that men have the prerogative of sexual fantasies.
00:26:51Most young girls have them.
00:26:53Especially if they've led rather repressed lives.
00:26:58You've only just arrived in London, I understand.
00:27:00That's right.
00:27:02Parents rather strict.
00:27:03Not many boyfriends.
00:27:05Dad never allowed them.
00:27:06You see?
00:27:07A textbook case.
00:27:10You are, I'm quite sure,
00:27:12a virgin.
00:27:15Yes.
00:27:18So, are you saying I've imagined all this?
00:27:20No, it's just a phrase.
00:27:22One day soon, you'll meet a nice young man,
00:27:24and he'll look at you in just the way you describe,
00:27:26and you won't mind at all.
00:27:28Now, don't you worry your head anymore.
00:27:30Promise?
00:27:31Promise.
00:27:33Good.
00:27:36Now then.
00:27:37I prescribe a nice, hot bath.
00:27:42Nothing like it for calming the nerves, hmm?
00:27:46You didn't mind me talking frankly to you, did you?
00:27:49Of course not.
00:27:50I feel better already.
00:27:52That's right.
00:27:53Off you go and have your bath.
00:28:00Great.
00:28:03Head down.
00:28:04That's it. Up, up.
00:28:05Beautiful. Now set the leg up.
00:28:07It's a beautiful lie.
00:28:09That's lovely. Now, look, look.
00:28:10Look down to me.
00:28:12Oh, boy.
00:28:14If Eve was half as lovely as you,
00:28:15it's no wonder men's worries today.
00:28:20Lovely.
00:28:23Damn, I've run out.
00:28:29I think we've had enough for the day, don't you?
00:28:33Hey.
00:28:34Are you complaining about your lot?
00:28:44This particular moment.
00:28:49Shhh.
00:29:20Shhh.
00:29:46Keisha!
00:29:50Peter!
00:29:52How's it going?
00:29:53Can you spare a minute?
00:29:55Coming.
00:30:09See you back at the house, OK?
00:30:19Hmm.
00:30:34I've got some great pictures, Sybil.
00:30:36You wait till you see them.
00:30:40That's what you're paid for.
00:30:41To take pictures.
00:30:43What do you think you're playing at?
00:30:47I'm sorry, Sybil.
00:30:48I just got carried away.
00:30:50Can you blame me?
00:30:51You keep your filthy paws off her.
00:30:54Come off it, Sybil.
00:30:57You paid me to do the job.
00:30:59And I did it.
00:31:02So we had a bit of fun as well.
00:31:03So what?
00:31:04I will not have you interfering in my affairs.
00:31:07So you've got your eyes on her yourself.
00:31:09But you can forget that in a hurry.
00:31:11Shut up.
00:31:12She's a normal, healthy girl.
00:31:14Be careful, Peter.
00:31:15So you set me!
00:31:16I warn you, Peter!
00:31:17If you cross me...
00:31:18There you are.
00:31:20Would you come up here a moment?
00:31:21I'd like a word with you both.
00:31:47What are you looking at that girl for?
00:32:06She's not the one.
00:32:15There's another girl?
00:32:16Yes.
00:32:17If Gerald's happy with Betty, why not use her?
00:32:19Because I chose Christine especially.
00:32:21I've warned you, Peter.
00:32:22You'll be sorry.
00:32:23Sybil.
00:32:24No threats.
00:32:28So there's another one, hmm?
00:32:35I still don't see why it has to be tonight.
00:32:38It's all arranged.
00:32:39There'll be a full meeting.
00:32:41Besides, it's lunch.
00:32:43I shall perform the third rite.
00:32:47Hey, Chris, guess what I found downstairs.
00:32:49There's a cellar and it's decorated like a sort of chapel.
00:32:52Only there isn't a cross on it, which are these whips and daggers and chains.
00:32:55It's awful.
00:32:56Oh, it's his chapel.
00:32:57Jesus.
00:32:59But why?
00:33:00Would Dr. Annerley have one in his house?
00:33:03Oh, it can't be.
00:33:04He's much too nice.
00:33:05Have you met him?
00:33:07Yes, I've had an awful time.
00:33:09First there was this milkman who kept staring at me.
00:33:11Then I found the chapel.
00:33:12And then there was this woman who kept staring at me.
00:33:14Then I found the chapel.
00:33:15And then there was this weird colonel.
00:33:17And he wasn't really a colonel.
00:33:18And Dr. Annerley said he was very...
00:33:20Oh, darling, hold on.
00:33:21Did something hit you on the head or something?
00:33:23How did you know?
00:33:24That's exactly what happened.
00:33:27Oh, he can't be a witch.
00:33:29They don't all ride around on brooms and wear pointed hats, you know.
00:33:34He's a doctor.
00:33:35Of course.
00:33:36Anyway, we'll soon find out.
00:33:40But doctors are respectable people.
00:33:42It all depends on what you call respectable.
00:33:48Don't worry. Everything will be all right.
00:33:50I'm here with you, remember?
00:33:58I should like to propose a toast to our two charming young guests.
00:34:03May this be the first of their many visits to Witch World.
00:34:12I hope so, too.
00:34:13You've all been so kind.
00:34:15Betty and I are having a marvellous time.
00:34:18I want you to feel at home.
00:34:19Oh, home is never like this.
00:34:21It's beautiful.
00:34:23This room, everything.
00:34:25It feels like Christmas with the candles and the wine.
00:34:29Not Christmas.
00:34:31Lovers.
00:34:35Yes, we celebrate lovers tonight.
00:34:38What do you know about the Witches' Festival?
00:34:40Oh, not too much.
00:34:42Will you hold the ceremony down in the chapel?
00:34:47We will indeed.
00:34:49I didn't realise you'd been downstairs, my dear.
00:34:52Not me. Betty.
00:34:54She found it by accident.
00:34:57Sounds fascinating.
00:34:59Then it's true what Chris says.
00:35:02You are a witch.
00:35:04Perfectly true.
00:35:06Has that shocked you?
00:35:08Oh, no.
00:35:09It's just difficult to believe.
00:35:13Yet you could easily believe I was a Roman Catholic.
00:35:16Or a Jew.
00:35:18Witchcraft is a religion, you know.
00:35:21One of the oldest.
00:35:23Perhaps the oldest.
00:35:25Do you worship the devil?
00:35:27Emphatically not.
00:35:29My coven practises white witchcraft only.
00:35:32We try to do good by it.
00:35:34Faith healing and that kind of thing?
00:35:36Sometimes.
00:35:38And, on a simpler level, we exist for friendship.
00:35:40And to give pleasure where we can.
00:35:43I'm sure.
00:35:45Can I see your chapel?
00:35:47Certainly, my dear.
00:35:49I'll take you down myself.
00:35:51May I use the bed?
00:35:53Yes, of course.
00:36:01Well, it doesn't matter. I can do it later.
00:36:11How do you become a witch?
00:36:13Could I be one?
00:36:15If you have true desire.
00:36:21I do.
00:36:32You're very receptive.
00:36:34Does that mean I can be a witch?
00:36:41There are some people who are born to be witches.
00:36:44Born with special powers.
00:36:47You are one of them.
00:36:59That is the mask of the High One.
00:37:02That's you.
00:37:04No.
00:37:06You'll find the mask of the High One in every cup.
00:37:08And, by ritual, at the beginning of the ceremony,
00:37:11the High Priestess or High Priest will ask,
00:37:14who is the High One?
00:37:16I claim that degree in this cup.
00:37:21In some covens it's been said,
00:37:24down the years, that
00:37:26the spirit of the High One appears and takes human form.
00:37:29And if he does?
00:37:31All must give way to him.
00:37:33Yes.
00:37:35We have a lot to prepare.
00:37:36For tonight?
00:37:38Can I join in?
00:37:40Oh, please.
00:37:47When the moment comes, you will hear the call.
00:37:50How will I know?
00:37:52Wait.
00:37:54Now, I think you should have an early night.
00:37:56Your little sister, too.
00:37:58She needs a good rest after her fall.
00:38:00I'll make her one of my home drinks.
00:38:07Go on.
00:38:15Quite amazing.
00:38:17I thought you'd be pleased.
00:38:20Do you think she's untouched?
00:38:22Virgins are hard to come by, as you very well know, Gerald.
00:38:25I was only thinking about the ritual.
00:38:29Technically, she should be.
00:38:31Technically?
00:38:33Oh, Gerald, you're talking to me, remember?
00:38:34I know more about witchcraft than you ever will.
00:38:37Agreed.
00:38:39You're one of the world's authorities.
00:38:41I've read every book you've ever written on the subject.
00:38:43Oh, you believe, all right.
00:38:46And you have the knowledge.
00:38:48But you don't have the power, do you, Gerald?
00:38:51You are High Priest in name only.
00:38:55But you recognize that power, don't you?
00:38:58That's why you let me turn this place into a working coven.
00:39:00White witchcraft.
00:39:02Faith healing.
00:39:04I will not meddle in the black arts, nor will this coven.
00:39:06Do you understand?
00:39:08Of course.
00:39:10I'm sorry, Gerald, it was just Peter that upset me.
00:39:12Peter?
00:39:14Yes, he's after Christina.
00:39:16Just shows how wrong one can be, doesn't it?
00:39:18I was quite sure he was queer.
00:39:20But if she is a virgin, he could spoil her for the ceremony.
00:39:24That is your right as High Priest.
00:39:27It won't spoil the ceremony.
00:39:28But you're right about one thing.
00:39:31I can recognize power.
00:39:34She wants to be a witch.
00:39:38Oh, my God.
00:39:40Look what they've done to my screen.
00:39:42Your mother said you left it.
00:39:44No, where is it?
00:39:46She left it over there.
00:39:48Oh, no.
00:39:50Look what they've done.
00:39:52You didn't say where she left it.
00:39:54No, she didn't.
00:39:55Don't be nosy.
00:39:57Oh, stupid.
00:40:00Look, Betty said she was going to ring
00:40:02and leave a number, hasn't she?
00:40:04Not yet.
00:40:06Oh, no.
00:40:08No.
00:40:10Never.
00:40:13Get it off.
00:40:15Is that where she got the job, Christina?
00:40:17Oh, no, I don't know.
00:40:19They were very excited.
00:40:21Are you still going with that Abbey?
00:40:22I thought you'd give her back that car,
00:40:24and we're finished.
00:40:31So?
00:40:33So tell me about it.
00:40:35I found it in the car.
00:40:37Your car.
00:40:39My car, your car.
00:40:42What's the difference?
00:40:44We're going cool, Johnny.
00:40:46Yeah.
00:40:48We've got a problem.
00:40:50No problem.
00:40:52No problem.
00:40:54Okay, let's do it.
00:40:56♪
00:40:58♪
00:41:00♪
00:41:02♪
00:41:04♪
00:41:06♪
00:41:19You go your way, you walk alone
00:41:30Why can't you stay? Now love has grown
00:41:40Sometimes I see deep in your eyes
00:41:45A promise that's haunting me
00:41:51My love you only despise
00:41:55Why go on taunting me?
00:42:00I hear your call and I obey
00:42:09My life, my all, the price I pay
00:42:19You know too well that I'm in your spell
00:42:25Till life is done
00:42:29How can I be the one to go your way?
00:42:38Sometimes I see deep in your eyes
00:42:57A promise that's haunting me
00:43:01Why go on taunting me?
00:43:16And I obey
00:43:21My life, my all, the price I pay
00:43:31You know damn well that I'm in your spell
00:43:36Till life is done
00:43:41How can I be the one
00:43:50To go your way?
00:44:01You
00:44:31You
00:45:01You
00:45:21Hello? Yeah, it's Johnny again.
00:45:24Yeah, I know it's me.
00:45:26No, I'm back in town this time.
00:45:28Listen, has Betty rung yet?
00:45:30No, you go back to sleep.
00:46:30I'll be back.
00:47:00I'll be back.
00:47:30I'll be back.
00:48:00I'll be back.
00:48:30I'll be back.
00:49:00I'll be back.
00:49:02I'll be back.
00:49:04I'll be back.
00:49:06I'll be back.
00:49:08I'll be back.
00:49:10I'll be back.
00:49:12I'll be back.
00:49:30I'll be back.
00:49:32I'll be back.
00:49:34I'll be back.
00:49:36I'll be back.
00:49:38I'll be back.
00:49:40I'll be back.
00:49:42I'll be back.
00:50:00I'll be back.
00:50:02I'll be back.
00:50:04I'll be back.
00:50:06I'll be back.
00:50:08I'll be back.
00:50:10I'll be back.
00:50:12I'll be back.
00:50:14I'll be back.
00:50:16I'll be back.
00:50:18I'll be back.
00:50:20I'll be back.
00:50:22I'll be back.
00:50:24I'll be back.
00:50:26I'll be back.
00:50:30I'll be back.
00:50:32I'll be back.
00:50:34I'll be back.
00:50:36I'll be back.
00:50:38I'll be back.
00:50:40I'll be back.
00:50:42I'll be back.
00:50:44I'll be back.
00:50:46I'll be back.
00:50:48I'll be back.
00:50:50I'll be back.
00:50:52I'll be back.
00:50:54I'll be back.
00:50:56I'll be back.
00:50:58I'll be back.
00:51:00I'll be back.
00:51:02I'll be back.
00:51:04I'll be back.
00:51:06I'll be back.
00:51:08I'll be back.
00:51:10I'll be back.
00:51:12I'll be back.
00:51:14I'll be back.
00:51:16I'll be back.
00:51:18I'll be back.
00:51:20I'll be back.
00:51:22I'll be back.
00:51:24I'll be back.
00:51:26I'll be back.
00:51:56. . .
00:51:58. . .
00:52:00. . .
00:52:02. . .
00:52:04. . .
00:52:06. . .
00:52:08. . .
00:52:10. . .
00:52:12. . .
00:52:14. . .
00:52:16. . .
00:52:18. . .
00:52:20. . .
00:52:22. . .
00:52:24. . .
00:52:26. . .
00:52:28. . .
00:52:30. . .
00:52:32. . .
00:52:34. . .
00:52:36. . .
00:52:38. . .
00:52:40. . .
00:52:42. . .
00:52:44. . .
00:52:46. . .
00:52:48. . .
00:52:50. . .
00:52:52It's fabulous, isn't it?
00:53:21It's a fabulous morning.
00:53:25What's wrong?
00:53:26Nothing.
00:53:27Did you call Johnny?
00:53:28No, I didn't.
00:53:29I heard you asked Sybil if you could use the phone.
00:53:35But you...
00:53:36I what?
00:53:37You didn't want me to.
00:53:41I never said a word.
00:53:42You know, you can do what you want.
00:53:46I know you didn't say anything.
00:53:50But I had the feeling you didn't want me to.
00:53:52You're always getting strange feelings.
00:53:54Only with you, Chris.
00:53:55Oh, there's Peter.
00:53:56See you later.
00:53:58Oh, there's Peter.
00:53:59See you later.
00:54:28It's only a ritual.
00:54:29It doesn't mean anything.
00:54:32Now I'm a witch.
00:54:33Now I can please myself.
00:54:35Chris, I'm worried.
00:54:37You don't know what you've got involved in.
00:54:39I should have warned you.
00:54:40I tried to, but...
00:54:42It wouldn't have made any difference.
00:54:44I played along with this witchcraft business to begin with because it suited me.
00:54:48And because Sybil asked me to.
00:54:50Well, she gave me my first break.
00:54:54Look, Sybil's main object is procuring girls for the coven.
00:54:57Well, what's the matter with that?
00:54:59Witchcraft can be a great powerful good.
00:55:02Gerald told me.
00:55:03And if a doctor believes in it, there must be something.
00:55:05He's not a proper doctor.
00:55:07Just a doctor of literature.
00:55:09Don't tell Betty that.
00:55:12You're determined to put me off, aren't you?
00:55:15What does it matter what he is?
00:55:16He's a marvellous witch.
00:55:18And there's no harm in playing along with Sybil either.
00:55:20She warned me.
00:55:22If I ever touched you again...
00:55:25I know it's absurd, but...
00:55:27I never felt this way before.
00:55:30Chris...
00:55:32Well, why should she threaten you?
00:55:34She's jealous.
00:55:36She...
00:55:37She wants you for herself.
00:55:39Stupid.
00:55:41I told her you weren't like that.
00:55:42I should hope not.
00:55:45Then you don't think she's...
00:55:47Well...
00:55:48Got the power to put a spell on me?
00:55:51Well, I don't know about that.
00:55:54But maybe I could put a spell on you too.
00:55:56A stronger one.
00:56:07If you mean to pee to make a pass at me, yes.
00:56:10But I'm quite able to deal with that.
00:56:12I told him to leave you alone.
00:56:14Please don't get worked up on my account.
00:56:16It would worry me more if boys didn't fancy me.
00:56:20Anyway, you're so young.
00:56:27You're going a long way, Christina.
00:56:29With me behind you, I have no doubt about it.
00:56:32If I'm half as successful as you, I'll be happy.
00:56:35Has it helped you?
00:56:37Being a witch?
00:56:39The entire advertising industry is witchcraft, darling.
00:56:45The poor old public is permanently spellbound.
00:56:49I hadn't thought of it that way.
00:56:52And now that we're together, you and I,
00:56:55they'd better wash out.
00:56:59We're going to make a great team.
00:57:20All right till this load?
00:57:22Yes, straight up.
00:57:24Thanks.
00:57:26Am I disturbing you?
00:57:50Not at all, my dear.
00:57:52I was expecting you.
00:57:54See, I ordered coffee for two.
00:58:04Will you pour for me?
00:58:05Yes, of course.
00:58:08You play beautifully.
00:58:10You're very generous, but I don't play much these days.
00:58:20Black for me, please.
00:58:25Peter and Sybil are working on a new set-up.
00:58:29I wanted to talk to you.
00:58:31To thank you.
00:58:36Come and sit by me.
00:58:42It was meant to be.
00:58:44Our meeting.
00:58:46I feel that too.
00:58:47For the last few days, I've had to do certain things.
00:58:51And they've all led me here.
00:58:53You have great gifts, Christine, a great power.
00:58:55You must use it well.
00:58:57You'll teach me.
00:58:58All I can.
00:59:01I want to show you something.
00:59:15You must have been studying witchcraft for years.
00:59:18Yes, I first became interested in university.
00:59:21There are so many theories.
00:59:23It takes a long time to get to the truth.
00:59:26To begin with, you can read this one.
00:59:29Black book? Black magic?
00:59:31You don't want to meddle with that.
00:59:34Then you really do believe there's something in it?
00:59:37Undoubtedly.
00:59:40Does Sybil get her spells from that book?
00:59:43Sybil? What spells?
00:59:45I don't know exactly.
00:59:47But Peter thinks she's put one on him.
00:59:49Why?
00:59:51He felt ill suddenly.
00:59:53Or perhaps he imagined it.
00:59:57Yes, I expect so.
01:00:01Could I be High Priestess?
01:00:04Certainly.
01:00:07When you initiate another.
01:00:11I see no reason why you shouldn't form a couple one day.
01:00:15Find your own High Priest.
01:00:18Yes. Yes, you should do that.
01:00:21And what about your sister?
01:00:23Is she interested in joining us?
01:00:25Betty, she'd be scared stiff.
01:00:27That's pity.
01:00:28I feel we could do a lot for her.
01:00:30Bring her out of herself.
01:00:32Yes.
01:00:33Perhaps I could initiate her.
01:00:37Yes, perhaps you could.
01:00:44Of course, Sybil is High Priestess.
01:00:46Hello, old man.
01:01:13Hello, kid.
01:01:17I'll see you in a couple of hours.
01:01:20Yeah.
01:01:46Maybe you are a witch and don't know it.
01:02:10Maybe I am.
01:02:12Makes me a love potion for Johnny.
01:02:17Don't worry.
01:02:20He's coming.
01:02:22How do you know?
01:02:23I haven't called him of you.
01:02:28Chris!
01:02:30You look good with clothes on, too.
01:02:32Which one?
01:02:33You.
01:02:34How would you know?
01:02:35You did a soap ad for my agency.
01:02:38Where is it?
01:02:39What?
01:02:40Sybil's. I've lost my way.
01:02:42Is this your first time down?
01:02:44Yeah, and the last if it's Sybil, right?
01:02:46Don't say that, you're right.
01:02:48It's about a mile on.
01:02:50You turn left down the drive by the cross.
01:02:52It's up in the woods.
01:02:54Uh-huh. Thanks.
01:02:57See you later.
01:02:58Yeah.
01:03:00Promise me you won't go away tonight.
01:03:02Even if Johnny comes and wants to take you back.
01:03:04You can be with him all day, but just don't go away tonight.
01:03:07That's not asking too much, is it?
01:03:09Of course not, but why?
01:03:12You knew he was coming.
01:03:15You promise?
01:03:17I need your help.
01:03:19I promise.
01:03:29Did you have any trouble finding the house?
01:03:37Did you have any problem finding the house?
01:03:40Yeah, you could say that.
01:03:48It's a long way from London.
01:03:51Yes, it is.
01:03:54What are you smiling at?
01:03:55Nothing.
01:03:56Come on, what's so funny?
01:03:57Nothing's funny.
01:04:01But it's nice to know you came all this way to see me.
01:04:04Is it?
01:04:06But...
01:04:08If it had been Christine, I could understand.
01:04:12Look, it's you I've come to see.
01:04:35I love you.
01:05:05I love you.
01:05:24Come on, let's get you to stop and let's go.
01:05:27I can't, so I promised Chris.
01:05:31Why?
01:05:33I don't know.
01:05:34I just said that I'd stay.
01:05:35I want you out of here.
01:05:37I don't like this place, and I don't like these people.
01:05:41What do you mean by that?
01:05:42Well, this is the way for a star, she's the other way.
01:05:44What?
01:05:45She fancies birds.
01:05:47Well, it's not me she's interested in, it must be Chris.
01:05:50Maybe that's why she wants me to stay.
01:05:51Well, you don't have to play nanny for Christine.
01:05:53If she wants me to stay, I have to.
01:05:55Now, please don't let's row.
01:05:56She's my sister.
01:05:57Look, we're not having a row.
01:05:58I've just asked you to come with me, but if you want to stay with Christine...
01:06:00It's not that.
01:06:01She may need help.
01:06:02Look, she's a big girl.
01:06:03She can look after herself.
01:06:04She knows what she can do.
01:06:08I don't want you mixed up in it.
01:06:23Nancy, what's the matter?
01:06:29Look at you coming around here.
01:06:33I can't.
01:06:34I promised Christine.
01:06:38Betsy!
01:06:46Hey, Christine, camera's this way.
01:06:49Just one more.
01:06:54Well, I'd better go and mark this up before I get muddled.
01:06:56I won't be long.
01:06:58Got some good pictures.
01:06:59Good?
01:07:00How much more have you got to do?
01:07:02Oh, you know, three or four rolls.
01:07:04I'll get it in the woods later, okay?
01:07:07Good idea.
01:07:12Well, then.
01:07:13How do you like your first job?
01:07:15Fine.
01:07:17I'm very proud of you, my lovely.
01:07:20Christine.
01:07:22Peter said he'd be back in a moment.
01:07:25We're not worried about him, are we?
01:07:27Gerald wants to hold another Sabbath tonight.
01:07:30Yes, he told me.
01:07:32He wants me to initiate Betty.
01:07:35No.
01:07:37You could persuade her.
01:07:38Easily.
01:07:40You're not having Betty.
01:07:41She's not ready for the coven yet.
01:07:43You don't seem to understand, Christina.
01:07:45Once you join a coven, you must abide by its rules.
01:07:48And the first rule is obedience.
01:07:51Obedience.
01:07:53Obedience.
01:07:54And the first rule is obedience
01:07:57to your high priestess.
01:08:00Betty will be initiated tonight.
01:08:24BELLS CHIMING
01:08:54BELLS CHIMING
01:09:24BELLS CHIMING
01:09:30BELLS CHIMING
01:09:35Ah!
01:09:41BELLS CHIMING
01:09:45Ah!
01:09:47Sue!
01:09:50What's the matter?
01:09:52Oh, I'm sorry, Gerald.
01:09:55I don't quite know what happened.
01:09:58I suddenly got this terrible pain in my head.
01:10:01Shall I cancel tonight?
01:10:03No, I'll be all right.
01:10:04But I think I'll go and lie down for a while.
01:10:22SHE GASPS
01:10:31It wasn't me that upset you, was it?
01:10:34I'm sorry.
01:10:35I didn't mean to.
01:10:37Oh, you do look pale.
01:10:39Why don't you lie down for a bit?
01:10:41I'm all right, I tell you.
01:10:42You're worrying about the ceremony.
01:10:44Why don't you let me help?
01:10:46You can tell me what to do.
01:10:47No.
01:10:48I'm high priestess.
01:10:50Of course you are.
01:10:51But there's no point in cracking up over one Sabbath.
01:10:54Christina, why are you fighting me?
01:10:59That's ridiculous.
01:11:01Don't.
01:11:03Don't do it.
01:11:04I'm not.
01:11:08I shall be at the Sabbath tonight.
01:11:11Of course.
01:11:17Er, call me if you need anything.
01:11:21SHE GASPS
01:11:27I don't care.
01:11:28You know how I feel about him.
01:11:30How far are you prepared to go to get him back?
01:11:33I'd do anything.
01:11:34Become a witch.
01:11:36No.
01:11:37I couldn't.
01:11:44Don't look at me like that, Chris.
01:11:46You know I don't like it.
01:11:49What would I have to do?
01:11:54You trust me.
01:11:58You won't be sorry.
01:11:59Just do what I say.
01:12:01And I'll get him back.
01:12:03Back.
01:12:04Back.
01:12:05Back.
01:12:06Back.
01:12:07Back.
01:12:08Back.
01:12:09Back.
01:12:10Back.
01:12:11Back.
01:12:12Back.
01:12:13Back.
01:12:14Back.
01:12:15Back.
01:12:16Back.
01:12:17Back.
01:12:18Back.
01:12:19Back.
01:12:26How is she?
01:12:27Much better.
01:12:29She wants to be initiated.
01:12:33I think you should make her one of your herb drinks.
01:12:38Betty is my sacrifice.
01:12:40Is it similar?
01:13:11I've been waiting for you.
01:13:19I've...
01:13:20Well, I've got some news for you.
01:13:22I'm taking Betty away from here now.
01:13:24You've had one try.
01:13:26She wouldn't go.
01:13:27Why should she now?
01:13:29You can make her do just what you want, can't you?
01:13:31Well, that's going to stop.
01:13:33Because I'm going to take Betty out with me tonight.
01:13:35Understand?
01:13:36So you think you're a more suitable man.
01:13:38So you think you're a more suitable companion.
01:13:41A cheap little ponce living off Abby Dark.
01:13:44As you say, I can make Betty do just what I want.
01:13:48You do as I ask and I'll let her go.
01:13:50I want to see her.
01:13:52Johnny!
01:13:58You'll do what I ask, won't you?
01:14:08Oh!
01:14:38Oh!
01:15:08Oh!
01:15:38Oh!
01:16:08Oh!
01:16:38Oh!
01:17:04Oh, no!
01:17:08Oh, no!
01:17:38Oh!
01:17:39Oh!
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01:24:55No!
01:24:56No!
01:24:57No!
01:25:06No!
01:25:10Please!
01:25:16Leave me!
01:25:20Please!
01:25:22Leave me! Christina!
01:25:26Leave me! Christina!
01:25:52Leave me!
01:26:22Leave me!
01:26:52Leave me!
01:27:22Leave me!
01:27:25Leave me!
01:27:28Leave me!
01:27:31Leave me!
01:27:34Leave me!
01:27:37Leave me!
01:27:40Leave me!
01:27:43Leave me!
01:27:46Leave me!
01:27:49Leave me!
01:27:52Leave me!
01:27:55Leave me!
01:27:58Leave me!
01:28:01Leave me!
01:28:04Leave me!
01:28:07Leave me!
01:28:10Leave me!
01:28:13Leave me!
01:28:16Leave me!
01:28:19Leave me!
01:28:22Leave me!
01:28:25Leave me!
01:28:28Leave me!