The Forsyte Saga | British Drama History Romance 2003 | E04 Subtitles

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Annette goes to France and whilst Soames persuades her to return they will lead separate lives. Fleur prevails upon Soames to get Irene to look favourably upon her union with Jon but Jon himself is now having second thoughts in view of the revelations he has been told. An angry Fleur accuses Irene of keeping Jon to herself when "he is mine" and Jon begins to see that, like her father, Fleur is keen to see a spouse as a possession. On the rebound Fleur gets engaged to Michael and resists Jon's efforts to dissuade her. On the wedding day she is reconciled with Soames and comes to appreciate his pain at his inability to put right the things that drove Irene from him. Whilst Fleur is on honeymoon Soames goes to Irene's house - the one that he should have lived in with her - to find it is 'To Let.' He has a painting bought at Michael's charity auction of a girl who looks like Fleur which he intends for Jon but Jon is now living in New York. At least Soames and Irene are able to be civil to one another and they shake hands when he leaves. When the butler asks Irene what Soames wanted she replies "He didn't want anything."
Cast:
Soames Forsyte, Damian Lewis
Irene Forsyte (née Heron), Gina McKee
Young Jolyon Forsyte, Rupert Graves
Frances Forsyte (née Crisson), Sarah Winman
June Forsyte, Gillian Kearney
Philip Bosinney, Ioan Gruffudd
Old Jolyon Forsyte, Corin Redgrave
James Forsyte, John Carlisle
Emily Forsyte, Barbara Flynn
Aunt Ann Forsyte, Judy Campbell
Aunt Hester Forsyte, Ann Bell
Aunt Juley Small (née Forsyte), Wendy Craig
Uncle Swithin Forsyte, Robert Lang
Winifred Dartie (née Forsyte), Amanda Root
Montague Dartie, Ben Miles
Imogen Dartie, Alice Patten
Valerius Dartie ('Val'), Julian Ovenden
Hélène Forsyte, Amanda Ooms
Holly Dartie (née Forsyte), Amanda Ryan
Jolyon Forsyte ('Jolly'), Christian Coulson
Annette Forsyte (née Lamotte), Beatriz Batarda
Fleur Mont (née Forsyte), Emma Griffiths Malin
Jon Forsyte, Lee Williams
Michael Mont, Oliver Milburn
George Forsyte, Alistair Petrie
Prosper Profond, Michael Maloney
Transcript
00:00The pheasant really was delicious, wasn't it?
00:19It was done to a T. Do you shoot, Mr. Mond?
00:27Not since the war. Oh, of course.
00:30My father thinks I should just throw myself back into it. He's probably right.
00:34But you play cricket. I love it.
00:36Ah, well then. Val's organised a jolly to the Eton Harrow.
00:40You should all come. I haven't been for years.
00:43I've got a table in the Bedouin tent. It sounds irresistible.
00:48I rather thought so. Tom had occasion, of course.
00:52Not many of them left. Yes, we like that.
00:59I don't understand cricket. It's time you learnt, my dear.
01:04It might amuse you. Very well.
01:10Fleur? When is it?
01:14Next week. That would be lovely.
01:20Excuse me a moment. Ah, here you are.
01:40I needed some air. I didn't invite you to lunch, you know.
01:48It was Daddy. Yes, he and I are in love.
01:51Do you mind? We thought we might elope to the south of France.
01:55You're an idiot. At least I'm not dull.
01:59What's happened to you? Ever since you got back from Brighton,
02:02you've been like a strung-up kitten. If you think I'm dull, leave me alone.
02:07Can't do that, I'm afraid. I'm smitten.
02:15Come and meet my people. They're having a do, weekend after next.
02:20I might not be here, then. I'm going away again.
02:22No, it's just anything might happen. But then we must seize the moment.
02:30I want to be with you, Fleur, all of the time. I can't think of anything worse.
02:35You're the better half of myself, the missing half.
02:38How can you say that? You don't even know me.
02:42I know that you make me laugh, even when you're being dull.
02:45That's more than enough for me.
02:52Anyway, who's being a bore now?
02:58I do like you, Michael, it's just... In some circles, you know, I'm quite a catch.
03:02And what circles would those be?
03:06The Women's Institute.
03:13Come to the cricket with me.
03:17I'd love to.
03:20But as a friend, you understand. Nothing more.
03:25Bravo.
03:27Why doesn't he run?
03:29He hit a boundary. It's a four.
03:36Oh, my God.
03:38Oh, my God.
03:40Oh, my God.
03:42Oh, my God.
03:44Oh, my God.
03:46Oh, my God.
03:48Oh, my God.
03:50Oh, my God.
03:53Oh!
03:55Bad luck.
03:57Leg before.
03:59Leg before what?
04:01Wicket. It's quite simple.
04:03I don't even know which team we're supporting.
04:06It's not as if Daddy went to either school.
04:08There's nothing wrong with Winchester.
04:10I didn't say there was.
04:14Ah, it's lunch.
04:16Let's go and join Winifred.
04:23Mr. and Mrs. Forsythe.
04:29Mr. Morton. Mr. Forsythe.
04:32You look wonderful.
04:34Let's go in, shall we?
04:36Come along, Fleur.
04:42Mr. Michael Morton.
04:44Mayfly was never a sprinter, George.
04:46Nothing less than a mile and a quarter.
04:48Aha.
04:50Where Sam's his protégé.
04:52Oh, Sam!
04:54Father says he's got a handle.
04:56So why does he call himself Mr.?
04:58Good question.
05:00Now, come and meet them. They're longing to see you.
05:02Come on, everyone. Follow me.
05:04Just down here.
05:06Are you all right?
05:08Come on through.
05:10George.
05:12Mr. Mont.
05:14Nice to see you again, Mr. Mont.
05:16Sir, I'll give you 64 on Harrod.
05:18Five guineas.
05:20Well done.
05:32How lovely to see you.
05:34Pleasure to see you too.
05:38How's that?
05:42Oh, sit down.
05:44Hey.
05:46Mr. Forsyte.
05:48A pleasure indeed.
05:50Mrs. Forsyte.
05:52A pleasure also.
05:56Lovely.
05:58Now, I think we should
06:00order some champagne.
06:02Do you think we should have some champagne?
06:04Champagne, at least.
06:12Are you enjoying the cricket, Foster?
06:14Very much, but I am.
06:16And if I can do the sums...
06:18The sums?
06:20On the blackboard.
06:22That's the score.
06:24Nobody told me.
06:28Why are you wearing that cap?
06:30I paid for it with my own money.
06:32Were you ever out eaten?
06:34No.
06:36And I wanted agonies.
06:38Ago, ago, ago.
06:42You mock us.
06:44There's no agonies. It's only a game.
06:46It may just be a game to you, but there's a principle.
06:48I repeat.
06:50You have no right to wear that cap.
07:02Do you know where my eyes are won?
07:06Leave Mr. Profond alone, my dear.
07:08How can he possibly understand?
07:10The word principle does not translate for him.
07:12Nor does the pity.
07:22Pudding?
07:24Excuse me.
07:26Excuse me.
07:32Are you all right?
07:34He's a horrible man.
07:36I hate it that he's back.
07:38He'll be gone again. He's the sword.
07:40Anyway, your mother gave him short shrift.
07:42How about a stroll around the boundary?
07:52Would you care to dance?
07:58Idiot.
08:02Marry me, Fleur.
08:04People are watching.
08:06Then I'll say it again.
08:08I mean it, Michael.
08:10Very well, then. I'll buy you an ice cream instead.
08:18I'll not be put off.
08:22Come again when I haven't got my wish.
08:24And what's your wish?
08:26That would be telling.
08:32I've just seen someone.
08:34An old friend.
08:36Please, I'll see you back at the tent.
08:42Is it really you?
08:44What was that all about?
08:46Oh, just nonsense.
08:50Let's find somewhere quiet.
08:52My father's here.
09:02I missed you so much.
09:04Do you still want to marry me?
09:06He's in love with you, isn't he?
09:08That chap.
09:10So are you.
09:12And that's what matters.
09:32Profound.
09:36Is he back again for good?
09:38One never knows with Prosper.
09:42He's leaving tomorrow.
09:44I think.
09:46He's a sign of the times.
09:48Look, he'll be gone and we won't see him again.
09:52Come on.
09:58So you're angry with me?
10:02Bored, rather.
10:08Your behaviour has become so predictable.
10:12You turn up out of nowhere with your party tricks.
10:22Would you like me to go away again?
10:26Does it matter what I'd like?
10:28I'm off to Le Touquet tomorrow.
10:30I came here today to ask if you'd like to come.
10:36But if I am boring.
10:42You may be.
10:44But Le Touquet isn't.
10:48I love you.
10:50I love you.
10:52I love you.
10:54I love you.
10:56I love Le Touquet.
11:02Why could John have got to?
11:04He's probably met a school friend.
11:08Chatting up some girl.
11:10Gives me some time alone with you.
11:16I just wanted to ask you about this.
11:18Julian.
11:26Julian.
11:30Oh, damn, damn, damn, damn.
11:38Doesn't matter.
11:40Of course it does.
11:42He's here and we can't stay.
11:48I'll come back.
11:50Where the hell is John?
11:53Come on, Samson.
11:56Come on, Samson.
11:58Come on.
12:00Look, we're going.
12:02Why can't you just let me?
12:10We're leaving.
12:12But you're cricket.
12:14I have no interest in it.
12:16Where's Fleur?
12:22I thought I might go to Paris.
12:26To see Maman.
12:32When?
12:34Tomorrow.
12:38I can't stop you.
12:40I never could.
12:42Stop her either.
12:46Go!
12:48And don't come back for all I care.
12:52Bye.
13:04There's my father.
13:06Are you with your parents?
13:08Yes.
13:10Let's go now, this afternoon.
13:12While everyone's watching cricket,
13:14we'll be halfway to Scotland before we're missed.
13:16Tomorrow morning's soon enough.
13:18Don't worry.
13:20Just as we arranged.
13:28It must be somewhere about.
13:34Oh, no.
13:36What?
13:38What?
13:50You've just lied to us all along.
14:12I'll talk to him.
14:14I love her, Mum.
14:16I know.
14:20I can't believe
14:22he has been so deceitful.
14:24He is 19 and he thinks he's in love.
14:26It's her manipulating him.
14:30Still, he should stand up for himself.
14:32We've always taught him to be honest.
14:34Well, we haven't always been
14:36honest ourselves.
14:38I went to see her, you know.
14:40I didn't tell you. I didn't want to upset you.
14:42But she swore to me she'd give him up.
14:44Christ!
14:46I laid myself open to her.
14:48I told her that...
14:52What?
14:58You told her what?
15:04You told her what, Julian?
15:14You're...
15:18You're ill.
15:20You are ill.
15:24Is it serious?
15:26Oh, my darling.
15:30It is.
15:32Please, please don't worry.
15:36All of these trips to London...
15:40I knew, of course, but I...
15:42I couldn't bear to think of it.
16:00How long do we have?
16:02Not long enough.
16:06But with you, it'd never be long enough.
16:13That's why I can't bear the thought
16:15of them girls, John.
16:17If it happens when you marry,
16:19I might not be there as a stand-between, you'd say.
16:21You can't do anything to me now.
16:25You've put it off for so long.
16:30You have to tell John what happened.
16:43What will he think of me?
16:46You put him up to be understanding.
16:48He's our mother.
16:50Irene, you did nothing wrong.
17:01John?
17:03Yes?
17:05Would you mind just coming in here?
17:07I don't know what you're talking about.
17:09Yes?
17:11Would you mind just coming in here for a moment?
17:15I know it looks bad.
17:17And it is bad, but I was going to tell you this evening...
17:19It's all right, it's all right.
17:23Go and sit down.
17:31Now, um...
17:34There are things
17:36that we should have told you a long time ago,
17:38but...
17:40It's just that...
17:42We don't talk of them ourselves.
17:44It's painful
17:46and difficult for both of us.
17:50I know that Mum was married to Fleur's father.
17:54And I know that you divorced him.
17:57I can see why this makes things very awkward.
18:00There must have been some kind of scandal.
18:05From the point of view of the world,
18:08I behaved badly.
18:11I left Fleur's father,
18:15my husband,
18:17for another man.
18:19Yes, my dad. No, no, no.
18:21No, someone else.
18:24An architect.
18:27He built this house.
18:32It seems very shocking,
18:35but I am not ashamed of it.
18:40He saved me and I...
18:42I loved him.
18:44This is what I don't understand.
18:46You both flouted everyone for love.
18:49So why can't I?
18:53He's right. You're right.
18:56This makes us look petty and selfish.
18:59We can't stop him, Jolyon. Why should we?
19:02Because of Soames.
19:04That's why.
19:08Maybe we shouldn't go into this.
19:11Go into what? He has to know.
19:13If he's going to carry on with Fleur...
19:15What are you talking about? What happened?
19:19In some ways, it was my fault, you see.
19:22I kept him at arm's length.
19:24I couldn't bear him to be near me.
19:26He was my husband, after all.
19:29I locked him out, you see.
19:32Maybe I... Maybe I shouldn't have.
19:35Maybe if I hadn't...
19:37Irene! Irene! What?
19:39What did he do?
19:41Fleur's father has a very particular view of the world,
19:44a foresight view.
19:46He was born to believe that a man owns a wife,
19:49as a man might own a slave. Surely not.
19:51Well, a great many people share his opinion.
19:54Courts, for one.
19:56Soames is a solicitor.
19:58He knew his rights and he asserted them
20:01over your mother, physically and violently,
20:05without her consent!
20:07That is enough!
20:09After that night...
20:12she left him.
20:14With nothing.
20:16The clothes on her back, little else.
20:18But he continued to hound her,
20:20to insist that she was his property.
20:24Now...
20:27when I first met your mother properly,
20:29when we first fell in love,
20:31she was hiding from him, in France.
20:34But he hunted her down there, too.
20:37Wanted her back, wanted to have a child with him.
20:40The child he would eventually conceive with his second wife,
20:44which was Fleur.
20:46Oh! Dad?
20:48Dad, you're not well.
20:51Oh, my... Sit down.
20:54Dad!
21:00In my pills.
21:02In my, um, in my coat pocket.
21:04And water.
21:06Dad.
21:08She saw him today, at lunch.
21:13And the horror on her face.
21:16The fear.
21:19Obsession that lets go away, John.
21:22And if he gets a chance, he'll hound her again.
21:25And we can't let that happen.
21:27You can't let that happen.
21:31You know...
21:34I guess...
21:36Johnny...
21:52The doctor.
21:54Should I call the doctor?
21:58Yes, I think that would be a good idea.
22:01Mr Jolyon, sir. Are you all right?
22:04Don't fuss.
22:06Call Dr Little-Palford. He'll find the number in my book.
22:09What's the matter with him?
22:11It's his heart.
22:15Dad!
22:16Undo his tie. Call the doctor, please.
22:21Johnny.
22:23Oh, my God. Johnny.
22:30Oh, my God.
22:32Mummy.
22:39Oh, my God.
22:41Oh, my God.
23:11Oh, my God.
23:41Oh, my God.
23:47Oh, my God.
23:51Oh, my God.
23:55Oh, my God.
23:58John.
24:11Oh.
24:41Oh.
24:44Oh.
25:09Come back.
25:11It's so horrible. So parochial.
25:14That little urn.
25:20It's what he wanted.
25:22I thought he'd be buried properly, next to Gran, but no.
25:25No, the typical Jolyon.
25:28Reduces himself to nothing and doesn't even allow us to witness it.
25:32He wrote clearly.
25:34No-one to attend the cremation.
25:36Why?
25:38You know what he was like.
25:42He hated people to make a fuss over him.
25:45He doubted himself.
25:50He was a genius at slipping away.
26:02You know that he adored you.
26:08I always felt that I couldn't be old if I had a glamorous father like him.
26:14Now he's gone and here I am.
26:17A spinster.
26:19June.
26:21Your life in London is so varied and full.
26:25Not without him, it isn't.
26:39I'm sorry.
26:45So you're going to say goodbye?
26:53Though I speak with the tongues of men and of angels and have not charity,
26:58I am become as a sounding brass or a tinkling cymbal.
27:04I am become as a sounding brass or a tinkling cymbal.
27:08Bye, Dad.
27:11Charity suffereth long and is kind.
27:14Charity envieth not.
27:17Charity vaunteth not itself, is not path-like.
27:22Doth not behave itself unseemly.
27:27When I was a child, I spake as a child.
27:32I understood as a child.
27:35I thought as a child.
27:39When I became a man,
27:43I put away childish things.
28:03Take care of Ollie for me.
28:05Of course I will. If you need anything.
28:08Where's John?
28:10I haven't spoken to him at all.
28:11We really should think about going.
28:13Will you tell him he read beautifully?
28:15I will.
28:18Bye, June.
28:19Goodbye, Ollie.
28:32Bye, June.
29:33I had to come.
29:35Is it very awful?
29:38Pretty bad.
29:42The suitcase is still in Scotland
29:44and the trains run every day.
29:49My father died, Fleur.
29:53He died.
29:54He died.
29:55He died.
29:56He died.
29:57He died.
29:58He died.
29:59He died.
30:00He died.
30:02He died.
30:03I'm sorry.
30:06I miss you so much.
30:08And our plan, it's still a good one, isn't it?
30:10I don't know. I...
30:12I can't think. That was then and...
30:14and now.
30:18It's more than that.
30:21You found out something.
30:22No.
30:23You have.
30:24I don't wish to go into it.
30:25For heaven's sake, John.
30:26Your...
30:27Your father behaved in a dishonorable fashion.
30:31I won't say more.
30:34Daddy?
30:37Dishonorable?
30:39It was your mother who deserted him.
30:41She walked out on her husband.
30:43Marriage isn't about possession.
30:45You wouldn't say that if I walked out on you.
30:47He loved her and she...
30:48Don't talk about my mother like that.
30:50When we first met, you told me she'd never do anything to make you unhappy.
30:53That's not true, is it?
30:55She's holding on to you, keeping you from me.
30:57I'm going back to my family.
31:00I'm sorry.
31:03It's horrible of me.
31:07I've been thinking of you, longing for you.
31:14Please, John.
31:15Don't let us argue.
31:29It's okay.
31:35All right.
31:38It just keeps running through my head.
31:42We could be married now.
31:52My father...
31:56You have me, my darling.
31:59You have me.
32:29I love you.
32:32I love you.
33:00We're married now.
33:13John.
33:29June.
33:32June!
33:33How could you, on this of all days?
33:35It's not what it seems.
33:36I came to find you.
33:37I thought you must be feeling awful about Dad, but no.
33:40You're with her, having...
33:41I didn't mean to.
33:43It just happened.
33:44Things don't just happen.
33:46Not with Fleur Fawcett, at any rate.
33:50She's planned this, step by step,
33:52and she hasn't cared who's gotten her way.
33:54She's not like that.
33:55Of course she is!
33:56Why do you think that Dad objected to her so much?
33:58Why do you think that we all want to see the back of her?
34:07I'm glad he's not here.
34:09To see how low she's brought you.
34:29Won't you stay the night?
34:32I've got to get back.
34:34I'm meeting the lawyers tomorrow about the valuation of the estate.
34:37Yes.
34:38Well, thank you for taking all that on.
34:41You've enough on your plate.
34:43June.
34:44It's all right.
34:48Come down, won't you?
34:50Whenever you like.
34:52No, no, no.
34:54Come down, won't you?
34:56Whenever you like.
34:58Robin Hill is just as much yours as it is mine.
35:04It always has been.
35:16Sweetheart, I'll get John.
35:18Better not.
35:20I'll miss my train.
35:24I'll miss my train.
35:49There you are.
35:52We were wondering...
35:54I was in my room.
35:58Did June talk to you?
36:01What about?
36:05It doesn't matter.
36:07What is it, darling?
36:09I'm tired, that's all.
36:12Mum?
36:14Mum?
36:20Oh, Mum.
36:29I'm so sorry.
36:31What for?
36:35For the last few months.
36:38For holding you back from the floor.
36:41I should be apologising to you.
36:44I brought that man back into your life.
36:47I worried father insanely.
36:49Let's not think about Soames Forsyte.
36:53Let's think about Fleur.
36:58Do you love her, my darling?
37:00Do you really love her?
37:02I wouldn't be holding on to her if I didn't.
37:05You've only known her a few months.
37:08You're 19 years old.
37:10She is very beautiful and you want her.
37:14Who wouldn't?
37:17But is that love?
37:23Does she feel the way you do?
37:28Of course she does.
37:38Are you all right?
37:40Yes, I'm tired.
37:42Like you.
37:47I won't stop you, John.
37:50Whatever you decide.
37:53But if I lose you...
37:57Don't, darling.
37:59How could you?
38:08I love you.
38:27Fleur, will you please come...
38:31Where have you been?
38:34Robin Hill.
38:36I'm sorry, Daddy. I had to go.
38:38Are you very cross?
38:40I thought all that was over.
38:42It isn't.
38:44Of all things.
38:46John and I mean to be together.
38:48I've been seeing him.
38:50I know you didn't want me to and I'm sorry I didn't tell you.
38:53He's a darling. I love him, Daddy.
38:55And you will, too, when you meet him.
38:57I know you'll come through for me.
38:59Like...
39:02His mother's been holding on to him.
39:04Saying horrible things.
39:06What sort of things?
39:08About you.
39:10It's not true. Whatever she says.
39:12She's a mean woman.
39:14She can't care for him. Not really. Not like you care for me.
39:17Talk to her.
39:20I can't help you with this, Fleur.
39:22It's the one thing...
39:24Tell her that I shall stay yours and John will stay hers.
39:28We're not trying to take John away from her.
39:30It's preposterous.
39:32If you don't want to see each other, we could devise a means.
39:35Only you can persuade her, Daddy.
39:37And now John's father's dead, it wouldn't be too awkward.
39:40Awkward?
39:44You don't understand.
39:47You wouldn't mind seeing her, really, would you?
39:55I suppose there are some advantages.
39:59All the Forsyte money would stay together.
40:01Exactly.
40:02And now the husband's gone.
40:04A family thing.
40:05She must have had grandchildren.
40:07She's alone, after all.
40:11Please, Daddy. Please.
40:16Don't make me stir things up.
40:18They already are stirred up.
40:21You don't care for me.
40:25If you do it,
40:26John and I will wait a year, two, if you like.
40:29And you and I could go travelling.
40:32The grand tour we've always talked of.
40:35By rights, I ought to throw you out.
40:38Daddy...
40:40Stop your allowance, withhold your capital. Parents do it.
40:45Not you.
40:50What am I to do if you don't, Daddy?
40:56I think I shall die of misery.
41:57Mr Forsyte.
41:59Parfait.
42:05I'm here to see Mrs...
42:08Forsyte.
42:12On a very important matter.
42:27Beauty and proportion.
42:38What are you doing here?
42:48Well?
42:51I need to talk to you.
42:54I need to talk to you.
43:04You're not wearing black.
43:06Gillian didn't want it.
43:10I apologise for the intrusion,
43:12but this business must be settled one way or the other.
43:15Won't you sit down? No, thank you.
43:19It's an infernal mischance.
43:22I've done my best to discourage it, but my daughter is persuasive
43:25and I've got into the habit of indulging her.
43:30I suppose you are fond of your son.
43:35Devotedly.
43:38Well?
43:43It rests on my shoulders.
43:47It rests with him.
43:51You don't oppose it?
43:55It's his decision.
44:02Well, I suppose...
44:04I suppose it will happen, then, this unnatural marriage.
44:12Please tell Mr John I would like to see him.
44:15He is in his father's studio.
44:22There'll be formalities.
44:26Whom do I deal with? Herrings?
44:30Yes.
44:37The poplars along the drive have grown.
44:40I planted them.
44:43For you.
44:47I remember an evening... Please, stop.
44:49Well, if only...
44:51They might have been brother and sister, for heaven's sake.
44:53That is enough.
44:54All I mean to say is that all this might have been saved
44:56if only you'd done your duty.
44:58You've been a wife to me. That's all I wanted.
45:00All I ever wanted!
45:03I'm unlikely to see you again.
45:09Will you shake hands?
45:11Let the past die.
45:13How can I, after what you have just said?
45:16You're so cold.
45:18Made of stone.
45:20Always made of stone!
45:23You're so cold.
45:25Always made of stone!
45:27Made of stone.
45:29Always made of stone!
45:33What's going on here?
45:37Step away from my mother.
45:41I said step away!
45:49Well, young man...
45:57I'm here for my daughter.
46:02It rests with you, it seems.
46:04Your mother leaves it in your hat.
46:09Get out.
46:12I brought myself to come here, and I'm insulted.
46:16I know what you did all those years ago.
46:18I did nothing!
46:19You abused her!
46:20John!
46:21If you must know,
46:23she left me for another man.
46:25A string of other men!
46:27Please, stop this.
46:30My father said he pitied you.
46:32Your father was an adulterer.
46:34He took her from me.
46:35She was mine!
46:36She's not yours!
46:37Do you understand?
46:38I am not anyone's!
46:41John!
46:43Let go of him!
46:44You're brawling like a cop child!
46:48And you...
46:53Get out of my house.
47:00Get out.
47:18I'm sorry.
47:20I don't know what came over me.
47:22That family is like a disease.
47:26It spreads.
47:33I need some air.
47:48Well?
47:51What happened?
47:59You married that boy over my dead body.
48:05Over my dead body!
48:08I'm sorry.
48:10I'm sorry.
48:12I'm sorry.
48:14I'm sorry.
48:16Over my dead body, do you hear?
48:31John!
48:32John!
48:47What are you doing here?
48:49Don't let them do this to us.
48:51Come away with me now.
48:54I can't.
48:56This doesn't matter.
48:57They don't matter.
48:59Whatever happened here just now is about the past.
49:07No.
49:10Don't give up on us, John.
49:12Please, don't give up.
49:17Go home with your father, my dear.
49:20Give us all time to think.
49:22Don't touch me!
49:24I know what you're doing.
49:26You're pretending to make yourself look nice.
49:29Lying, so you can have him all to yourself.
49:32He's mine, do you understand? He's mine!
49:35Is that how you really think?
49:39No, but we're meant for each other.
49:42We're meant to be.
49:44We're meant to be.
49:47No.
49:50I don't think so.
49:56Come on, Mother.
49:58It's getting cold.
50:07John!
50:08Just go home, Fleur!
50:10Just go home!
50:15John!
50:19John!
50:22John!
50:26John!
50:29John!
50:33John!
50:37John!
50:39John!
50:45John!
50:51John!
50:56John!
51:05John!
51:10John!
51:18Fleur.
51:20Come... Come away, my dear.
51:30Don't let these people hurt you.
51:32They're not worth your little finger.
51:35What you must have done all those years ago!
51:39I...
52:02Here.
52:04You're cold.
52:06Keep away from me!
52:09Go away!
52:14Thank you, Spade.

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