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00:00:00No cop, we don't talk, smoke, we live off of fuckin' hoes
00:00:04No cop, we don't talk, smoke, we live off of fuckin' hoes
00:00:08Dando vueltas en la ciudad, no soy tu fan, pero no pasamos
00:00:12No cop, we don't talk, smoke, we live off of fuckin' hoes
00:00:17Dando vueltas en la ciudad, la la la la la la
00:00:21Shake that, shake that, ready for late night
00:00:24Checamos fast, pero no bullies, ando bien high
00:00:26Viendo una movie como Eminem and 8 Mac
00:00:28Rompo el escenario hasta las 8 May
00:00:30No como estos guachos que se suben a hacer playback
00:00:32La la la la la la
00:00:58Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
00:01:27¿Qué dice? ¿Qué dice tu hombre?
00:01:32¿Qué dice?
00:01:34¿Qué dice?
00:01:37¿Qué dice?
00:01:40¿Qué dice?
00:01:45Bueno, bueno, bueno, bueno, bueno
00:01:47Bueno
00:01:53¿Qué es esto? ¿Qué es esto?
00:01:55¡A ver, vale ya, vale ya!
00:01:57Ayer, ayer el programa...
00:02:00Ayer el programa solo vinieron funcionarios, ha venido gente normal
00:02:03Claro, claro, es que...
00:02:04Pero es que esto es increíble
00:02:12Me han dicho...
00:02:14He oído, en las tres que se han mezclado en el proyecto, he oído
00:02:17Hijo de p***
00:02:19Esto hay que ponerle pitido, pero bueno, hijo de p***
00:02:20Millonario, y alguien me ha gritado por ahí español
00:02:23¿Por qué esto es televisión?
00:02:27Por niño, madre mía, ¿cómo entra esto?
00:02:28Es que esto ya siempre, ¿eh?
00:02:38Esto ya todos los días, Ricardo
00:02:39Todos los días, no, estamos probando esto y esto no es definitivo, ¿eh?
00:02:43Hostia, no me había dado cuenta, ¿eh?
00:02:44No te había fijado, no te ha llamado la atención, ¿no?
00:02:48Efectivamente, ponlo, ponlo ahí
00:02:49Ricardo es el yankee que se ha tomado tres tequilas en un resort, ¿eh?
00:02:52Y está...
00:02:53Es que, mía, mía, qué pinta, ¿eh?
00:02:54Estamos buscando algo fresquito y colorido para la cabeza
00:02:56Estamos probando cosas y no hemos dado cuenta todavía
00:02:58Vale, pero este no vale, hay que cambiar, Ricardo
00:03:01Yo creo que esto no es, pero a que te apetece algo con tortitas
00:03:04Ahora sí
00:03:06Vienen muy fuertes hoy, gracias por el recibimiento
00:03:08Y gracias por el recibimiento ayer del primer programa de La Revuelta
00:03:10Que lo habéis visto mucha gente
00:03:13Muchas gracias, ¿eh?
00:03:19Encef! Encef! Encef! Encef! Encef! Encef! Encef!
00:03:26Televisión
00:03:27¡Te prepasamos!
00:03:28¡Viva España!
00:03:29¡Viva!
00:03:30Y ayer, minuto de oro de la televisión
00:03:33Sí
00:03:36¿Sí?
00:03:38No
00:03:45¿Qué pasa?
00:03:47¿Minuto de oro?
00:03:48What's up?
00:03:49Did you come up with the golden minute?
00:03:51I don't know, they told me there was a lot of audience yesterday.
00:03:53Ah, okay, then you can say whatever you want, of course.
00:03:55But...
00:03:56Well, maybe not a minute, but maybe a second of gold.
00:03:59We'll have made a second of gold.
00:04:01We've had a moment above the threshold.
00:04:03No, not at all.
00:04:04It's very difficult because we've had a lot of audience yesterday,
00:04:06but this is like a time...
00:04:07I remember years ago that Atleti, I don't know if you remember,
00:04:09played a game against Barça.
00:04:10Atleti scored four goals and Barça five.
00:04:12That happened to us yesterday.
00:04:14We've scored a lot, but those people...
00:04:15It's not going away.
00:04:16We're going to do like Atleti...
00:04:17I've rubbed...
00:04:21I've rubbed...
00:04:22Pedro Sánchez, yes!
00:04:29This is reality.
00:04:30Pedro Sánchez will leave one day,
00:04:31but Pablo Mundo, I don't know, man, I don't know.
00:04:34My school, man.
00:04:35Go away, fuck, I'm not going anywhere.
00:04:37There's no way to get him out.
00:04:39There's no way, it's heavy.
00:04:40I've had that for many years.
00:04:41Pedro Sánchez has had three or four and Pablo has had 25.
00:04:43It's impossible.
00:04:44He's got it like a demon.
00:04:46Excuse me, this girl.
00:04:47I have to start fast, Sergio, there's a lot going on.
00:04:49Her name is Kensi.
00:04:50Kensi?
00:04:51Kensi.
00:04:52She's one of the coolest people in the audience.
00:04:55Man, she has a very good attitude.
00:04:57Yes.
00:04:58There are some who are cooler, but it's the looks.
00:05:00In the end...
00:05:01And they sing in a rock band.
00:05:04They sing in a rock band.
00:05:05You could sing something.
00:05:06I'll introduce that kid first and then Kensi can sing something.
00:05:09Yes, they hit a lot.
00:05:10Kensi...
00:05:15Kensi!
00:05:16Kensi!
00:05:17Kensi!
00:05:18Kensi!
00:05:19Kensi!
00:05:21Kensi!
00:05:22Pompas!
00:05:23Pompas!
00:05:24I introduce you to Pompas.
00:05:25Pompas!
00:05:26Pompas!
00:05:27Pompas!
00:05:29Pompas!
00:05:30Pompas!
00:05:31Pompas!
00:05:32Pompas!
00:05:33Pompas!
00:05:34Pompas!
00:05:35Pompas came a few years ago.
00:05:37But why does Pompas look bad?
00:05:38If you call him Pompas with that attitude.
00:05:40Because he's a crazy guy.
00:05:43He's got a lot of tricks.
00:05:44Take out the flashlight.
00:05:46Open the flashlight, Pompas.
00:05:49And he can look for you.
00:05:51But...
00:05:52Well, Pompas came to me.
00:05:53He's got a lot of tricks, doesn't he?
00:05:55He's a Chinese bazaar guy.
00:05:57He also knows chants.
00:05:58Light to see sexual spots.
00:06:00Open the microphone, Pompas.
00:06:02By the way, we put the video on so it's uncomfortable,
00:06:04but you have to turn it up.
00:06:05No, no, no.
00:06:06Today you're free, Pompas.
00:06:08No, no.
00:06:09And because of my size, I have my ass here,
00:06:11like in a cloud.
00:06:12Like in a...?
00:06:13Cloud.
00:06:14Like in a cloud.
00:06:15Like in a Pompas cloud.
00:06:16Speak into the microphone.
00:06:17For someone with a smaller ass,
00:06:19you can fit in here,
00:06:20but me, with a bigger ass,
00:06:21it's empty.
00:06:22And I can get up and the video goes with me.
00:06:25In fact...
00:06:31Pompas!
00:06:32Pompas!
00:06:33Pompas!
00:06:34Pompas!
00:06:35Pompas!
00:06:36Pompas!
00:06:37But...
00:06:38But why did you put Pompas here?
00:06:40He's a machine.
00:06:41Envy.
00:06:42He hasn't started with the chants yet.
00:06:44Hey!
00:06:45Not even one Pompas has done it yet.
00:06:47He has.
00:06:48Let's see.
00:06:49Because they left the video without water and I couldn't fill it.
00:06:52But I like it.
00:06:53But people...
00:06:54If envy were ink, how many inkers would there be?
00:06:57Here you have them.
00:06:58It's started.
00:06:59Pompas!
00:07:00Pompas!
00:07:01Pompas!
00:07:02Pompas!
00:07:03Pompas!
00:07:04No, they voted for envy.
00:07:05But you had people in your pocket and now you insult them.
00:07:08No, no, they voted for envy.
00:07:09A man I had behind with white hair...
00:07:12I get scared when I stand up.
00:07:14Stand up.
00:07:15What a creature, kid.
00:07:16Damn, kid.
00:07:18Pompas, send an aggressive message to the camera
00:07:20so that they don't make fun of you, but stand up.
00:07:23As you can see, one of those who put me here on the street
00:07:25is his last day of life.
00:07:26Well...
00:07:28Pompas!
00:07:29Pompas!
00:07:30Pompas!
00:07:31Pompas!
00:07:32Pompas!
00:07:33It's just that...
00:07:34Pompas!
00:07:35It's his last day of life, he says.
00:07:38I'm armed.
00:07:40With what?
00:07:41There are very violent people here.
00:07:42Yeah, yeah, yeah.
00:07:44Let's soften it up.
00:07:45Let's soften it up because when people vote for him...
00:07:47And when he starts to relax,
00:07:49he's going to start saying more refrains and it doesn't stop.
00:07:52Do you want to sing something, Kensi?
00:07:55Me? Let's see.
00:07:56Happy birthday to you!
00:07:57No, something...
00:07:58Look, listen, I've sung a lot.
00:08:01Not now, but in my life.
00:08:02But I don't care.
00:08:04Yes, I know, but I have a more important mission.
00:08:07I don't think so.
00:08:08Wow, now you're going to understand.
00:08:10Let's see.
00:08:11No, I have to say that I started off well, but not now.
00:08:14So, I was well placed there.
00:08:15Okay.
00:08:16You have attitude, Kensi.
00:08:18Yes, yes.
00:08:19In fact, it's a surprise that I'm not there instead of here.
00:08:22Okay.
00:08:23The thing is that we are...
00:08:26Are you a collective?
00:08:27Yes, I speak on behalf of my band.
00:08:29V for Vendetta.
00:08:30Exactly, that's us.
00:08:32No, we call ourselves Megara.
00:08:33What's up?
00:08:34We've been in Eurovision this year.
00:08:36They brought us a model.
00:08:38No, well...
00:08:39Megara.
00:08:40They're like Amaral after 20 years in prison.
00:08:48That's...
00:08:50That's another matter.
00:08:51After prison, man.
00:08:52It's true that...
00:08:53Let's see.
00:08:54What do you play?
00:08:55The guitar.
00:08:56But it's true that it's Amaral's after a while in jail.
00:09:00Yes, yes.
00:09:02Sing something.
00:09:03Let him sing something and Pompas do a chorus.
00:09:05Okay.
00:09:06Sing something simple, chorus and advertisement.
00:09:09No advertising?
00:09:10No advertising.
00:09:11No advertising.
00:09:12Okay.
00:09:13Sing something, chorus...
00:09:15No advertising.
00:09:17I love you.
00:09:21Sing something, chorus and I'll advertise a business in my town.
00:09:25Have you played anything?
00:09:26No, I'm not going to play.
00:09:27You're not going to play?
00:09:28Oh, no, no.
00:09:29That's because of the tattoo.
00:09:30It's...
00:09:31No, no.
00:09:32I haven't gotten there.
00:09:34Dude.
00:09:35A cappella, a cappella.
00:09:36A cappella.
00:09:37That's it.
00:09:38I introduce you.
00:09:39I'm fine.
00:09:40Okay.
00:09:41I'm going to mess up.
00:09:42Let's see.
00:09:43Can I sing the song we've been doing this year at Eurovision?
00:09:46Sing it.
00:09:48Okay.
00:09:49People are very impatient.
00:09:50That's true.
00:09:51Sing one of yours.
00:09:52Sing one of yours.
00:09:53Come on.
00:09:54The chorus.
00:09:55Sing!
00:09:56Sir, please.
00:09:58No.
00:09:59It looks like Barcenas in the judge of Plaza Castilla.
00:10:02He doesn't want to sing.
00:10:03He doesn't want to sing.
00:10:05You're going to be able to jump all night
00:10:10Come and give me a reason
00:10:12To want to change those voices
00:10:17You know some are good, some are not
00:10:21That's it.
00:10:22I'll charge you from now on.
00:10:23Very good.
00:10:26One moment.
00:10:27Very good.
00:10:28One moment, one moment.
00:10:30One moment.
00:10:32Charol shoes, neither for the water nor for the sun.
00:10:48Very good, very good chorus.
00:10:52Advertisement.
00:10:53Tote bakery in Orcera.
00:10:54Very good cakes, breads.
00:10:55Be careful with the pompis, pompas.
00:10:59Okay.
00:11:00What's going on?
00:11:01What's going on, Guillo?
00:11:03Is the show over?
00:11:04It's ten o'clock.
00:11:05The children's time is over.
00:11:06So, can we put the magic man now?
00:11:10It's time for the kids to go to bed.
00:11:12Put the magic man.
00:11:13The children's time is over.
00:11:14Put him, put him.
00:11:17Kids, the TV is over.
00:11:20Go to bed.
00:11:22I'll be watching.
00:11:31Okay.
00:11:34And now, one more day in La Revuelta.
00:11:36A round of applause for Jorge Ponce.
00:11:38I don't know where he is.
00:11:39What's going on?
00:11:40Jorge Ponce.
00:11:41What's going on?
00:11:45Let's see, David.
00:11:46What's going on, Jorge?
00:11:47I'll be quick.
00:11:48There's something going on.
00:11:49What's going on?
00:11:50Yesterday's show, and today will be the same, I think,
00:11:53is being broadcast from El Tirón.
00:11:54Okay.
00:11:55And at this time, more or less,
00:11:56the result of the competition was announced.
00:11:58What's going on?
00:11:59At this time, more or less,
00:12:00the result of the competition was announced.
00:12:02Of course, the competition.
00:12:03In Spanish TV, there's competition.
00:12:05The competition was announced.
00:12:06And yesterday, the competition was not announced.
00:12:08Why?
00:12:09And now, people want to see the competition,
00:12:10and they're watching Pompas,
00:12:11Ricardo with the hat,
00:12:13and people want to know,
00:12:14did I get it or not?
00:12:15Of course, of course.
00:12:16And they're watching this show.
00:12:17Okay.
00:12:18Since we can't broadcast it,
00:12:19because this is in the afternoon,
00:12:20it's five o'clock,
00:12:22we don't have the result of the competition.
00:12:23It's not five o'clock, please.
00:12:24It's five o'clock.
00:12:25Don't make me show you my phone.
00:12:26I won't show you, I won't show you.
00:12:30I told you.
00:12:31That's not right.
00:12:33It's five o'clock in the afternoon.
00:12:35We can trick that.
00:12:36We can be live,
00:12:37and you've put the five o'clock.
00:12:38You've seen it, the number's changed.
00:12:40It wasn't a picture.
00:12:41It was at five o'clock.
00:12:42We all know.
00:12:43When you go up the stairs,
00:12:45you see it like a radio show.
00:12:47We're live then.
00:12:48So, for these people,
00:12:50they want to see Bono Lotto,
00:12:51and they have to wait until the show is over,
00:12:54we don't know if I can give them the prize number,
00:12:58but on TV,
00:12:59but we're going to give you one that doesn't touch.
00:13:03One that doesn't touch?
00:13:04A number.
00:13:05We're going to give you a number...
00:13:06How do you know?
00:13:07Because that one is not going to touch.
00:13:09You're playing with me, Jorge.
00:13:11The one that touches something, the one that touches the number that comes up on the show or something.
00:13:14The one that doesn't touch, that one doesn't touch.
00:13:16I'm going to give you a number and whoever touches that one, whoever has that ticket, breaks it.
00:13:20Okay.
00:13:21Because it's not going to touch.
00:13:23And if by chance, imagine by chance, it was good, you broke it and it touched,
00:13:28I promise you that with your own money, David, you'll get the full prize.
00:13:34What do you think?
00:13:35With my own money, which is everyone's.
00:13:36Everyone's, of course.
00:13:37Thank you very much for that money, David.
00:13:43So, the result...
00:13:45Put the music on.
00:13:46The bad result, the one that doesn't, of the Bonolot.
00:13:50The Bonolot, the number that doesn't.
00:13:53Is this the official music?
00:13:54This is the official one of the Bonolot, the one that doesn't touch.
00:13:57Okay?
00:13:58That is, whoever gets the next number,
00:14:00that tomorrow his boss doesn't go and tell him...
00:14:03Why do you put CR down?
00:14:05CR, the...
00:14:06The black one and the other one.
00:14:07Yes, Carlos...
00:14:09Cristiano Ronaldo.
00:14:10Cristiano Ronaldo, that's it.
00:14:11Cristiano Ronaldo.
00:14:12Well, then...
00:14:13CR7, put a 7 next to it and that's it.
00:14:15Okay, the 5.
00:14:17Okay, the 5.
00:14:18Yes.
00:14:19Neither, the 21.
00:14:22Okay.
00:14:23The girl takes...
00:14:24I don't know what that is.
00:14:26Another one, what is it?
00:14:27The 26.
00:14:2827.
00:14:29No, the...
00:14:30Well, the 26 didn't touch either.
00:14:33Neither the 26 nor the 27.
00:14:38The 19.
00:14:39Well, the Bonolot does have a number, doesn't it?
00:14:41Of course.
00:14:42And then, the last one, another one.
00:14:44How many are there?
00:14:45Neither 43 nor 44, probably.
00:14:47Okay.
00:14:48And Cristiano didn't get the 2.
00:14:51And Ronaldo 0.
00:14:52Cristiano won.
00:14:53Okay.
00:14:54Ronaldo won.
00:14:56Okay.
00:15:00So, this person...
00:15:01There's the number.
00:15:02Not awarded.
00:15:03No, no, no.
00:15:04You don't get wet here.
00:15:05Whoever has that number...
00:15:07He breaks it.
00:15:08He doesn't buy a Tesla.
00:15:10Okay.
00:15:11He doesn't freak out that he didn't get it.
00:15:12Okay.
00:15:13That's it.
00:15:14That's it.
00:15:15That was it.
00:15:16And the rest, only one has touched.
00:15:17I'm not going to give more.
00:15:18Every day I give one that doesn't.
00:15:19Okay.
00:15:20That's it.
00:15:21Well, Jorge Ponta, there you are.
00:15:22See you later, Jorge.
00:15:26Very good.
00:15:28They put the draw at the end so that this goes more smoothly
00:15:31and we do this.
00:15:32Well, but it's a small blow.
00:15:34Guillo, here it is.
00:15:37First day here.
00:15:38Excellent comedian.
00:15:39We've known her for a long time.
00:15:41Of course.
00:15:42Sorry, we have a problem with this person.
00:15:44Because she works at A3 Media.
00:15:46No, no.
00:15:47Yes, yes.
00:15:48They're cheating and singing.
00:15:49Maybe not.
00:15:50Maybe not.
00:15:51What?
00:15:52Maybe not?
00:15:53Well, of course not.
00:15:54I think they've cheated on her.
00:15:56They've cheated on her?
00:15:57They've cheated on her.
00:15:58Isn't she at A3 Media anymore?
00:16:00No.
00:16:01Seriously.
00:16:02It doesn't taste good.
00:16:03Well, maybe if this goes very well, they'll think about it again.
00:16:06She's not there anymore?
00:16:07I didn't know.
00:16:08Maybe they forced her to choose and she chose to be here with these people.
00:16:12Well.
00:16:22A round of applause for Valeria Roos in the audience, of course.
00:16:27Valeria Roos.
00:16:35What's up?
00:16:37How are you?
00:16:44You're wrong.
00:16:45I didn't know you were going to start with that.
00:16:47You've screwed it up.
00:16:48You've screwed it up.
00:16:49This can perfectly be the flower of a day.
00:16:51You think?
00:16:52I think we're going to kick his ass.
00:16:54Well.
00:16:55Or not?
00:16:59We're going to kick his ass.
00:17:00I wouldn't have gone to A3 Media.
00:17:02But listen, how do you do this?
00:17:04Maybe I can come back.
00:17:05Not anymore.
00:17:06No.
00:17:07It's already weird.
00:17:08But you've really scared her.
00:17:10Put it there.
00:17:11Put it there.
00:17:12It's been this.
00:17:13The 40-year-old who leaves his wife for a night's sleep.
00:17:16This can end.
00:17:18Totally.
00:17:23Give it to Bonoloto.
00:17:25Maybe.
00:17:26Maybe.
00:17:27I don't know if this is real.
00:17:29It's real in the sense that I come here to do my section.
00:17:33And you're not there for now.
00:17:35And I'm not there for now.
00:17:36There's no problem for us.
00:17:37You can be in A3 Media.
00:17:38I know.
00:17:39That's why I'm here.
00:17:40Those who don't make me choose.
00:17:41But I'm excited.
00:17:42Can I sit down or not?
00:17:43Do you want to sit down?
00:17:44Come on.
00:17:45Sit down.
00:17:46And this?
00:17:47Look.
00:17:51How are you?
00:17:52What?
00:17:53This wasn't yesterday, was it?
00:17:54What does it say?
00:17:55Yesterday I watched the whole show with my daughter.
00:17:57With your three-year-old daughter?
00:17:58Don't touch.
00:17:59This is to warm up.
00:18:00You can't touch it.
00:18:01But I think it's...
00:18:02You can't touch it.
00:18:04But this wasn't yesterday.
00:18:05It wasn't yesterday, was it?
00:18:06Okay.
00:18:07I don't know.
00:18:08I don't see the table on this side.
00:18:09But it's weird.
00:18:10Don't touch.
00:18:11Little things are added to the stage.
00:18:12You can't touch it.
00:18:13But they make you want to touch it, right?
00:18:14But you can't touch it.
00:18:15And you can't do without it.
00:18:16No, no.
00:18:17It's the first day.
00:18:18I ask you not to touch it.
00:18:19It would be nice if he touched it and the pump exploded.
00:18:20What's up?
00:18:21You're my age, aren't you?
00:18:22What?
00:18:23You're my age.
00:18:24How old are you?
00:18:25Eighty-six.
00:18:26Eighty-four.
00:18:27How many kids do you have?
00:18:28I don't know.
00:18:29I don't know.
00:18:30I don't know.
00:18:31I don't know.
00:18:32I don't know.
00:18:33I don't know.
00:18:34I don't know.
00:18:35I don't know.
00:18:37How old are you?
00:18:39Eighty-four.
00:18:40How old are you?
00:18:41You said it.
00:18:42Sure.
00:18:43Well, let's see.
00:18:44Eighty-four.
00:18:45And you?
00:18:46I thought, but almost 85, because I'm 30 December.
00:18:47I thought we would be the same age.
00:18:48And no.
00:18:49I'm two years younger.
00:18:50Well, more or less.
00:18:51Well, apparently you're fine.
00:18:52Apparently who, me?
00:18:53Yes.
00:18:54I mean, what?
00:18:55I look...
00:18:56How do you look?
00:18:57I look very dynamic.
00:18:58I look much better than a few years ago.
00:18:59That's what happens to me,
00:19:00as if I look better than before.
00:19:01I look better than before.
00:19:02But I don't think...
00:19:03It's not easy either because before I was a Christ.
00:19:04No, you were fine.
00:19:05Yeah, a little Mr. Potato, right?
00:19:07Well, not Mr. Potato, I'm not Mr. Potato either.
00:19:09Not to be missed.
00:19:11But it's true that when I was young, I was much worse.
00:19:13Miguel, stop putting images of me as a kid.
00:19:15Stop it, please.
00:19:17Ah, okay.
00:19:21Look, look.
00:19:23The two, put it, put it, Miguel.
00:19:25Put it, Miguel, again.
00:19:27The two.
00:19:29And the other, put it now.
00:19:31No, that's the two too.
00:19:33It's not bad, you'd be 20 years old or something.
00:19:3520 years old, of course.
00:19:37The other photo was very traditional too.
00:19:39Well, listen, let's see if I win.
00:19:41Do you have a photo of me from 20 years ago?
00:19:43No, not 20 years ago, when I was 20 years old.
00:19:45Let's see.
00:19:47Wow, very chonny.
00:19:49It was like...
00:19:51Pichonny.
00:19:53Look, chonny, right?
00:19:55Let's see, it's cut because it was my first boyfriend, Dan Lau.
00:19:57But I don't know if he's dead.
00:19:59So just in case...
00:20:01I think I win.
00:20:03Do you still know anything about him?
00:20:05No, nothing.
00:20:07And this photo?
00:20:09What do you think?
00:20:11There's more.
00:20:13This is yours too?
00:20:15Yes.
00:20:17That's from TV.
00:20:19I went with my friends, we wanted to go in public,
00:20:21but they only let us if we were going to talk.
00:20:23So we went to talk,
00:20:25I said some brutal things,
00:20:27I said I wanted to be an actress,
00:20:29I said I had a piercing in my tongue,
00:20:31everything was wrong, and that's from TV.
00:20:33When I was little.
00:20:35And what about now?
00:20:37Now I don't think about girls.
00:20:39There are younger people than me,
00:20:41I don't think about it.
00:20:43I'm at home, I want to be good,
00:20:45I flirt with being good all the time.
00:20:47Does it matter to you to be good?
00:20:49Not now.
00:20:51Last year.
00:20:53And this year?
00:20:55Last year I took it very seriously,
00:20:57you don't have Instagram.
00:20:59I used to play a lot,
00:21:01but now I've realized
00:21:03what you're doing, Val.
00:21:05What a shame.
00:21:07First, the other day we played football with my friends,
00:21:09we called ourselves the Mommies,
00:21:11in the semifinal they beat us,
00:21:13and suddenly I hear one of these mothers,
00:21:1550 years old.
00:21:1950 years old.
00:21:21Then I go to Bilbao parties,
00:21:23I see a girl, I'm a super fan,
00:21:25with my husband, we're super fans,
00:21:27we took two chihuahuas,
00:21:29we call one Valeria and the other Ross.
00:21:31Damn.
00:21:33It seemed very strange.
00:21:35Yes, it is.
00:21:37And then at first I got excited,
00:21:39I said, I got a divorce,
00:21:41now you have me all to myself.
00:21:43And I realized,
00:21:45I'm like an old Gloria.
00:21:47I'm older.
00:21:49A legend.
00:21:51I'm the first one to tell you
00:21:53that I look good, but of course,
00:21:55a teenager, no.
00:21:57The 22-year-old kids are more vigorous.
00:21:59Totally.
00:22:01Then my ex, my daughter's father,
00:22:03now he has a girlfriend,
00:22:0515 years younger than me.
00:22:0715 years, 5 years younger than him.
00:22:09What?
00:22:1115 years.
00:22:13A riddle?
00:22:15No.
00:22:17It seems.
00:22:19It seems like an equation.
00:22:21He's 15 years younger than me,
00:22:235 years younger than him.
00:22:25The father's name is Esteban,
00:22:27and the son, I've already told you.
00:22:29Younger.
00:22:31What I mean is,
00:22:33I'm obsessed with being young.
00:22:35It's an age when it happens.
00:22:37This is a classic,
00:22:39this is older than humanity,
00:22:41historically, at 30 or 40 years old.
00:22:43But it hadn't happened to me until now.
00:22:45My idea is, do you give it a number?
00:22:47What is this?
00:22:49Do you give it a number?
00:22:51It was invented by Michael Jackson,
00:22:53because for him it was a number,
00:22:55not so much for me.
00:22:57It's a fucking joke,
00:22:59you have a rock band
00:23:01that even Perry doesn't know.
00:23:03But...
00:23:05One moment.
00:23:07One moment.
00:23:09It was a joke.
00:23:11One moment.
00:23:13Sorry, he laughed at my joke.
00:23:15He laughed at the girl
00:23:17Sorry, what's your name?
00:23:19Kenzi. I won't tell you.
00:23:21Sorry, Kenzi. Is it a joke?
00:23:23The girl comes in public and takes a shit in her mouth.
00:23:25I'm so sorry.
00:23:27We're women.
00:23:29A little bit of sound.
00:23:31Sorry.
00:23:33It's a pimple.
00:23:35A negative stimulus bites your neck.
00:23:37Not at all.
00:23:39I was thinking, if Rorro...
00:23:41Have you seen Rorro?
00:23:43If Rorro was 20 years older,
00:23:45what would happen to him?
00:23:47Would he be just a sweet mom?
00:23:49Would they call him Rorro after 20 years?
00:23:51I don't know.
00:23:53So after this,
00:23:55if I wear young clothes
00:23:57and go to an Erasmus party,
00:23:59do you think I'd go for a 20-year-old girl?
00:24:01I don't think so.
00:24:03Don't tell him anything.
00:24:05Kenzi didn't say anything.
00:24:07No?
00:24:09We have the document.
00:24:11What document?
00:24:13It was to upload a video.
00:24:15It was like zapping.
00:24:17We went...
00:24:19I wanted you to record it.
00:24:21Sorry.
00:24:23Sorry.
00:24:25How was that?
00:24:27What was the technique?
00:24:29It was like looking at a camera
00:24:31and suddenly I'd go.
00:24:33And a video would appear.
00:24:35A lot to learn.
00:24:37I have to be more professional.
00:24:39We went to Yolanda's production.
00:24:41Yolanda is very good.
00:24:43And Héctor, Especiales.
00:24:45Especiales.
00:24:47He's special.
00:24:49The three of them, at an Erasmus party,
00:24:51made me look like a teenager.
00:24:53I looked like a teenager.
00:24:57Let's see if I go for a 20-year-old.
00:24:59In the video.
00:25:07A mess.
00:25:11I'm starting to mess up.
00:25:13Come on.
00:25:15Look at that ass.
00:25:17It's the girl.
00:25:19It's the girl.
00:25:21It's the girl.
00:25:29Oh my God.
00:25:31What a shame.
00:25:33Thank you very much.
00:25:41Come with me.
00:25:45Poor Yolanda.
00:25:47She thinks she's my mother.
00:25:55It was heavy.
00:25:59Poor Yolanda.
00:26:01You can't miss the audience.
00:26:03I was wearing make-up like a girl.
00:26:05I went from a 20-year-old to a teenager.
00:26:07You were so shameless.
00:26:09Thank you very much.
00:26:11You did all this to show
00:26:13that the guys were cheating.
00:26:15No, I didn't know.
00:26:17I thought they were going to see me as an adult.
00:26:19I think the loose hair,
00:26:21I think it worked.
00:26:23I'm going to tell them I'm a mother.
00:26:25Let's see if they still don't believe me.
00:26:27I look so young they don't believe me.
00:26:29In the video.
00:26:35A thousand.
00:26:39I'm studying psychology.
00:26:43It's not true, I'm a milf.
00:26:45Don't say that.
00:26:47It's okay.
00:26:51I thought it was something else.
00:26:57Attention now, please.
00:27:09David.
00:27:21That wasn't Erasmus.
00:27:23Erasmus parties all day long.
00:27:27I thought it was impossible for you to be a milf.
00:27:29Milf?
00:27:31Milf, mother, I would like to fuck.
00:27:33It's like mother with whom I would fuck.
00:27:35Yes.
00:27:37We have a word for mature guys.
00:27:39Which one?
00:27:41Millionaires.
00:27:43We do too.
00:27:49Before I go, I want to make one thing clear.
00:27:51I'm excited about genetics.
00:27:53I'm going to be honest, I'm very young.
00:27:55Yes.
00:27:57I'm a five-year-old girl.
00:27:59I found out there was a bubble party
00:28:01in my town.
00:28:03I'm going there.
00:28:05Let's see if I pass.
00:28:11Nobody noticed.
00:28:13I pass for five years.
00:28:15And for two.
00:28:17In the end,
00:28:19it was that.
00:28:23That's it.
00:28:25Very young.
00:28:27Before you go, we have some images
00:28:29of you and Yolanda.
00:28:37Well, I'm going.
00:28:39Next Saturday
00:28:41I have a gender reveal.
00:28:43Sex.
00:28:45If you want me to do it.
00:28:47See you later.
00:28:59Well.
00:29:03Okay.
00:29:05There's the interview, right?
00:29:07The interview, Ricardo.
00:29:09What interview?
00:29:11It's ugly.
00:29:13No, no.
00:29:15It changes order.
00:29:19It changes order.
00:29:21First interview and then Pablo.
00:29:23You don't know how it goes.
00:29:25You don't know the next move.
00:29:27Pablo.
00:29:29No, no.
00:29:33I'm here.
00:29:35I'm here.
00:29:37I'm here.
00:29:39I could be here.
00:29:41I could be here.
00:29:43The interview.
00:29:45We're ninjas.
00:29:47You come in and change the interview.
00:29:49Pablo, I'm sorry.
00:29:51Come on, go home.
00:29:53If the interview isn't long.
00:29:55I thought it was going to come out now.
00:29:57Nobody knew.
00:29:59Poor Pablo.
00:30:01We were going to see him.
00:30:03Poor Pablo.
00:30:11I'll take advantage.
00:30:13Sorry.
00:30:15You didn't even have to cover yourself.
00:30:21Okay.
00:30:23Then you come in.
00:30:25I had a dinner.
00:30:27I'll take the opportunity to say that I'm late.
00:30:29But it's seven in the afternoon.
00:30:31Pablo, the dinner was with me.
00:30:33It was with you, right?
00:30:35Now you come back, Pablo.
00:30:37I'll let you know that I'm late.
00:30:39I think so too.
00:30:47This year, this show,
00:30:49Ricardo, this show is crazy.
00:30:51It's crazy.
00:30:53You don't know what's coming next.
00:30:55It's crazy.
00:30:57The show is crazy.
00:30:59It's crazy.
00:31:03The interview.
00:31:05The interview.
00:31:07Let's see who comes.
00:31:09It's that...
00:31:17She's an incredible actress.
00:31:19She came many years ago
00:31:21when this show was broadcast on another channel.
00:31:23She's an international star.
00:31:25She only came once?
00:31:27I think she came once or twice.
00:31:29What an actress.
00:31:31She's a musician too, but she comes as an actress.
00:31:33She's a singer too, right?
00:31:35Does she appear on Spanish TV?
00:31:37No.
00:31:39On Netflix?
00:31:41Can you say Netflix on Spanish TV?
00:31:43Yes.
00:31:45Okay.
00:31:47We're very happy.
00:31:49She comes back after many years.
00:31:51We love her.
00:31:53A round of applause for Nayo and Inri.
00:32:07Inri sang in Spanish
00:32:29There.
00:32:31It's a best of.
00:32:33You're not from here, are you?
00:32:35Yes, he is!
00:32:37Ah.
00:32:38You haven't seen it.
00:32:39No, no.
00:32:40You haven't seen it.
00:32:41Of course.
00:32:43The people are incredible.
00:32:44The luck I have with this audience.
00:32:46Of course, I haven't seen the series, but...
00:32:48They have.
00:32:49They have.
00:32:50Yes, yes, yes.
00:32:51The series is beautiful.
00:32:52Yes!
00:32:53President! President! President!
00:32:57President! President! President!
00:33:02Fuck.
00:33:03You haven't seen how it was, but the sofa, no?
00:33:12What?
00:33:13It was expected.
00:33:15A trunk?
00:33:16Yes.
00:33:17We have ordered everything.
00:33:18People are telling me that there is a lot of order.
00:33:20We will break it.
00:33:21Do you want to break something, Najwa?
00:33:22No, no.
00:33:23Do you want to break something?
00:33:24No, nothing.
00:33:25Turn it.
00:33:26Peep.
00:33:27Do you want to peep?
00:33:28Man.
00:33:29Do you want to peep here now?
00:33:30On the day of order that we are here, no.
00:33:31If you want to pee, I'll put a towel on you and you'll pee.
00:33:33What are you talking about, man?
00:33:35I'm freaking out.
00:33:36Why would I want to pee?
00:33:38Because it's a performance.
00:33:39No, no, you're crazy.
00:33:40Pee, pee.
00:33:41I don't pee, man.
00:33:43Buddy.
00:33:44A little bit.
00:33:45No.
00:33:45Because it's hard for you?
00:33:46No.
00:33:47Sometimes it's like a perversion.
00:33:48I saw it the other day in a series.
00:33:50I'm sure you like it.
00:33:50That in the shower they give you a little bit.
00:33:52No, no, no.
00:33:54Or a bruce squirting, that's what it's called.
00:33:56Yes, yes, yes.
00:33:57No, squirting is another thing.
00:33:58There are people who like it.
00:33:59No, I don't.
00:33:59I mean, I've never...
00:34:00No, but you can think of it.
00:34:02No, but...
00:34:02That easy.
00:34:03Like yes, like performance, like...
00:34:05Nothing, no, no.
00:34:06You have, sorry, you have...
00:34:07Well, no, it's just that, of course...
00:34:09I don't know how much you can...
00:34:10I've sat down, huh?
00:34:11What do I do? Do I sit down too?
00:34:12Have you brought me gifts apart from the tangerines?
00:34:14Let's see, I had a gift for you.
00:34:16Which one?
00:34:16It was a tie.
00:34:17This is already a good gift.
00:34:18No, but it was a gift...
00:34:20This has made me the funny one to do a revival.
00:34:22You brought it, right?
00:34:23We have a past.
00:34:23Yes, yes.
00:34:24I had a Valentino tie, like this, very, very...
00:34:27I don't wear ties anymore because I'm a kid.
00:34:29You're going to have to wear it here.
00:34:30What?
00:34:31You're going to have to wear it here.
00:34:32Here? Well, we've been here for two days and this is a dump.
00:34:34This is...
00:34:35Everything doesn't matter here.
00:34:37Have you seen the show? Have you seen it?
00:34:39The one?
00:34:39Yes.
00:34:40No, but I know that the audience has been...
00:34:42It's been good, yes.
00:34:43No?
00:34:48It's been good, but...
00:34:50What?
00:34:51But what?
00:34:53You're to this to sweep it.
00:34:55To this.
00:34:59Eh, eh, eh, eh, eh, eh, eh, eh, eh, eh, eh, eh, eh.
00:35:08Look at him, look at him a little.
00:35:09I know that you, and others, winners...
00:35:12Tomorrow we'll do half the audience from yesterday.
00:35:14No, sorry.
00:35:14Seventeen and something, twenty...
00:35:17Tomorrow ten.
00:35:17What?
00:35:18Tomorrow ten.
00:35:18Well, for me.
00:35:19For me.
00:35:19But maybe the next day with a footballer...
00:35:21No, not for you.
00:35:22Because the first day, just for fun, people have seen it.
00:35:24No, no, no.
00:35:25And today we have Ana Joanir here, man.
00:35:26What's up?
00:35:27Eh?
00:35:28It's going to be less than yesterday, right?
00:35:30Let's see, I don't want to put in...
00:35:32Cisaña, firewood, or whatever.
00:35:34I think, I think he's trembling.
00:35:36What are we talking about?
00:35:38Pablo Motos.
00:35:44Without any subtlety.
00:35:46Name and surname.
00:35:54It's pretty handsome, the second show.
00:35:56Second show, people shouting president.
00:36:00I can see they're cheering, it's not natural.
00:36:02But it's going to be natural.
00:36:04But I don't want...
00:36:06But I do, I do.
00:36:08You're going to speak for yourself, right?
00:36:10Of course, I'm going to speak for you.
00:36:12But now you'll have to go and promote too.
00:36:14No, they're not taking me.
00:36:16They're not taking you?
00:36:18Why?
00:36:20I'm banned.
00:36:22Canceled?
00:36:24Look how he's looking at her.
00:36:34Is that Pablo Motos?
00:36:36I've tattooed him on my chest.
00:36:38Show him, show him.
00:36:40What are you telling me?
00:36:42I've tattooed him for real, but it looks good on me.
00:36:44Show him the other one.
00:36:46Pedro Sánchez tattooed me here, but it got erased.
00:36:48Ah, of course.
00:36:50Excuse me, are you cancelled?
00:36:52Are you cancelled?
00:36:54They're not taking me.
00:36:56They're not taking you?
00:36:58No, they're not taking me.
00:37:00What do we do?
00:37:02It's true that now there's a conflict
00:37:04that doesn't exist for me.
00:37:06But I have a good relationship with them,
00:37:08I can tell them to take you.
00:37:10But you have a good relationship with everyone.
00:37:12No, not with everyone,
00:37:14but I get along with them and I always watch the show.
00:37:16And me too.
00:37:18Well, they're not taking you.
00:37:20As a result of something.
00:37:22Of not wanting to go the first time.
00:37:24Of course, you too.
00:37:26You're very stingy.
00:37:28Well, I think that's why.
00:37:30They'll say no.
00:37:32You didn't go and they said...
00:37:34Tell me something.
00:37:36Can I ask?
00:37:38What's your name?
00:37:40Pedro Sánchez.
00:37:42Pedro Sánchez.
00:37:44Pedro Sánchez.
00:37:46Pedro Sánchez.
00:37:48I'm doing the interview for you today.
00:37:50I'm sorry.
00:37:52Tell me something.
00:37:54In the pentagon, they review the scripts for Hollywood.
00:37:56This is like a conspiracy theory,
00:37:58but I've seen it.
00:38:00I haven't seen the pentagon print.
00:38:02But they did it in the 60s, didn't they?
00:38:04No, go on.
00:38:06I say, I think.
00:38:08And here...
00:38:10Yesterday...
00:38:12Sorry.
00:38:14Yesterday they sent us the first scripts.
00:38:16Now that you've said it.
00:38:18We have it there.
00:38:20Look for it.
00:38:22They sent us Moncloa's first scripts.
00:38:24Yes or what?
00:38:26Now that you've said it.
00:38:28Tell Alex to give it to you.
00:38:30What do you think?
00:38:32Because you insinuate...
00:38:34That they sign a little more.
00:38:36What are they going to sign?
00:38:38Yes, you improvise,
00:38:40but with some guidelines, some limits.
00:38:42What kind?
00:38:44What limits?
00:38:46That mandarin represents capitalism.
00:38:52No, none.
00:38:54What limits are they going to put?
00:38:56What limits are they going to put?
00:38:58Are you sure you ask the same questions?
00:39:00Do you keep asking for money?
00:39:02All the same.
00:39:04You have to do another one today.
00:39:06Sorry, look, put it.
00:39:08Yesterday when the first scripts arrived.
00:39:12Moncloa's first scripts.
00:39:14Is it from now or did you have it?
00:39:16Yesterday.
00:39:22Yeah, it would be great.
00:39:26They just passed it
00:39:28and that's it.
00:39:30With that machine.
00:39:32Because you haven't seen the first show.
00:39:34But do you think there could be
00:39:36some kind of hand?
00:39:38I would like to think so.
00:39:40But have they told you anything?
00:39:42I don't have any contact.
00:39:44You will have contacts.
00:39:46You have a powerful social position.
00:39:48You will have contacts in the high spheres.
00:39:50What have they told you?
00:39:52They don't take me anywhere.
00:39:54I'm not even on the WhatsApp of Respira.
00:39:56The WhatsApp group of the series?
00:39:58Yes.
00:40:00Who knows more?
00:40:02I'm not a journalist.
00:40:04And suddenly they start talking.
00:40:06Yes, we have a WhatsApp group.
00:40:08And I said to Manu, really?
00:40:10I'm not there.
00:40:12Why don't they put you in the WhatsApp group?
00:40:14Why not?
00:40:16You only invite me.
00:40:18You know you're at home here.
00:40:20I will always invite you.
00:40:22You will always have a place here.
00:40:24Whenever you want.
00:40:26I always commit.
00:40:28What is this?
00:40:30What does it imitate?
00:40:32It doesn't imitate anything.
00:40:34It's like a...
00:40:36A billboard.
00:40:38No, what does it remind you of?
00:40:40It's a bit like...
00:40:42No.
00:40:44Like an old unemployment office.
00:40:46From the 60s.
00:40:48It's true that it's clean.
00:40:50We should break it little by little.
00:40:52Do you know what I thought before entering?
00:40:54I thought that Netflix had a lot of power
00:40:56like the hospital.
00:40:58Netflix?
00:41:00It doesn't matter.
00:41:02I think they are gods.
00:41:04Of course, Netflix did it.
00:41:06I thought it was the hospital entrance.
00:41:08Netflix doesn't rule here.
00:41:10I know.
00:41:12He rules here.
00:41:14Ricardo rules here.
00:41:16What a presence.
00:41:18Well...
00:41:24President.
00:41:26President.
00:41:28President.
00:41:30President.
00:41:32If you haven't been to Chiapas,
00:41:34would you like my country?
00:41:36No, I haven't been to Chiapas.
00:41:38If you remember something
00:41:40that you have been told
00:41:42that makes you think
00:41:44that there is a hand here,
00:41:46any bureaucratic work
00:41:48that we can help you with?
00:41:50What do you mean by bureaucratic work?
00:41:52Like signing something
00:41:54about the disaster.
00:41:56Renewing the ID.
00:41:58Yes, I have a lot of things.
00:42:00The driver's license.
00:42:02I just did the ID,
00:42:04but I lost my wallet.
00:42:06Have you seen your ID?
00:42:08No.
00:42:10It's beautiful.
00:42:12Let me see it.
00:42:14Why?
00:42:16Because I have to go get my wallet.
00:42:18No, I don't have it.
00:42:20I don't have my wallet.
00:42:22Have you been undocumented?
00:42:24Yes, I'm always undocumented.
00:42:26It's true that you don't need
00:42:28to have your ID.
00:42:30You just need to have
00:42:32your driver's license.
00:42:34Do you have your mobile phone?
00:42:36It's fake.
00:42:38No, it's with the light
00:42:40from the sun.
00:42:42Do you want me to give you...
00:42:44I always have my ID photos.
00:42:46Do you want me to give you one?
00:42:48As a souvenir?
00:42:50Yes, so you can take it to your wallet.
00:42:52I have two.
00:42:54A professional one.
00:42:56Do you want to see it?
00:42:58Show it to me.
00:43:00This one is like...
00:43:02Wait.
00:43:04You're chubbier.
00:43:06Yes, because a few weeks ago...
00:43:08No, you're chubbier.
00:43:10You're chubbier.
00:43:16This one is personal.
00:43:18I'll give you the one you prefer.
00:43:20Show it to her.
00:43:22It's not you.
00:43:24It's me.
00:43:26Show it to her.
00:43:28You're so strong.
00:43:30Look at this hand.
00:43:32Wait.
00:43:36You're so pretty.
00:43:40You'll keep the one in the foreground, right?
00:43:42It's for you, so you can take it to your wallet.
00:43:44Yes, yes.
00:43:46Next to the transport pass.
00:43:48Okay, what do you want?
00:43:50You'll take the transport pass.
00:43:52I know you usually go by subway,
00:43:54because people know you, but it's good to have it.
00:43:56I don't have it.
00:43:58I always take it.
00:44:00I don't go by subway a lot,
00:44:02but now...
00:44:04You come by bike.
00:44:06There's no other way to transport you.
00:44:08You have to get to a place urgently.
00:44:10There's a catastrophe and you have to go by Line 5.
00:44:12Don't pretend you're on the street.
00:44:14I always go with people.
00:44:16With kids.
00:44:18That's not true.
00:44:24I'm sure you have a driver.
00:44:26I don't have a driver, what are you saying?
00:44:28No.
00:44:30You know what I don't like?
00:44:32The other day they said they were going
00:44:34by bus.
00:44:38There are people who say it's time...
00:44:40A bus driver.
00:44:42You can't go by scooter.
00:44:44I could give you some logic
00:44:46about the character I'm playing.
00:44:48For example, if you're in Amsterdam,
00:44:50the whole city is built to make
00:44:52everything go there.
00:44:54But here it's all concentrated,
00:44:56a pressure cooker,
00:44:58and when they get in the middle,
00:45:00they want to run over you.
00:45:02You know that many times...
00:45:04There have been many times
00:45:06when they've pissed me off.
00:45:08The good thing about scooters is that
00:45:10you can get in the way.
00:45:12Some people have insulted me.
00:45:14I think it's out of anger
00:45:16to be standing in the way.
00:45:18I was on the left, doing nothing wrong.
00:45:20Me too.
00:45:22It's out of anger to go faster.
00:45:24I'm sure they recognized you.
00:45:26Yes.
00:45:28Do you want to do an interview?
00:45:30Are you nervous?
00:45:32In general?
00:45:34No.
00:45:36I'm calm.
00:45:38I'm having a good time.
00:45:40We've done many shows.
00:45:42You?
00:45:44No.
00:45:46Are you calm today?
00:45:48Yes, my hands are sweating.
00:45:50Do they usually sweat?
00:45:52Only when I'm with you.
00:45:54Something is changing.
00:45:56I'm glad you're calmer.
00:45:58When we met, my hands were sweating,
00:46:00but then I had surgery.
00:46:02You got Botox.
00:46:04No.
00:46:06I mean, on the hands.
00:46:08Yes, but no.
00:46:10You can sweat on the hands and armpits.
00:46:12But it's gone in a year.
00:46:14I didn't ask.
00:46:16Here and then you said...
00:46:18It's gone in...
00:46:20Look, I can't work like this.
00:46:22What's wrong?
00:46:24I'm not going to sweat for years
00:46:26but I have others.
00:46:28They remove a nerve from your back,
00:46:30they pinch you and you don't sweat on your hands.
00:46:32Did they do that to you?
00:46:34I recommend it.
00:46:36No.
00:46:38I'm serious.
00:46:40They make a small opening,
00:46:42they pinch you and you don't sweat on your hands.
00:46:44You sweat a lot.
00:46:46Because it comes out the other way.
00:46:48But...
00:46:54The surgeon told me,
00:46:56the sweat has to come out somewhere.
00:46:58But not the hands.
00:47:00What would you say if your balls were sweating?
00:47:02For example, what would you say?
00:47:04What would you say?
00:47:06To continue with the dynamic,
00:47:08my balls are sweating.
00:47:10You're right.
00:47:12As a host, it's a bad contribution
00:47:14because the guest can't continue.
00:47:16No, I'm sorry.
00:47:18I'm sorry.
00:47:20My balls are sweating too.
00:47:22Yes.
00:47:24APPLAUSE
00:47:26Well...
00:47:28APPLAUSE
00:47:30I promote the film
00:47:32and we do the things.
00:47:34Come on, let's do it.
00:47:36You're a good actress.
00:47:38You like to act.
00:47:40Many productions, many films, many series,
00:47:42many awards,
00:47:44many critics and audiences.
00:47:46Are you happy with your career so far?
00:47:48From 0 to 10?
00:47:50My career?
00:47:52A professional career.
00:47:54An 8.
00:47:56An 8? You're short.
00:47:58No, I mean my perception.
00:48:00Your perception, an 8.
00:48:02Yes, I'm ok with the job.
00:48:04I present this.
00:48:06Nayo Aninri.
00:48:10He came to promote La Revuelta
00:48:12and now he can go somewhere else.
00:48:14As it is.
00:48:16He came here as a last resort.
00:48:20Was it this or Radio Complutense?
00:48:22LAUGHTER
00:48:24APPLAUSE
00:48:32A Netflix series
00:48:34called Respira.
00:48:36APPLAUSE
00:48:42APPLAUSE
00:48:48What is Coto Matamoros doing there?
00:48:50Sorry?
00:48:52Coto Matamoros, who is this?
00:48:54It's a joke that Miguel has put.
00:48:56He also had surgery because he was sweating a lot.
00:48:58LAUGHTER
00:49:00APPLAUSE
00:49:04Thank you very much.
00:49:06I had moved the screen and I hadn't seen it.
00:49:08Thank you for telling me.
00:49:10It's incredible.
00:49:12Not only do you contribute your presence
00:49:14and your sense of humor,
00:49:16but you also contribute to the scale
00:49:18and the rhythm of the program.
00:49:20A phenomenon.
00:49:22What a guy.
00:49:24Do you want to say something about the series?
00:49:26I'll put the trailer.
00:49:28Ok.
00:49:30Do you want to say something before?
00:49:32Let him see it.
00:49:34He's a doctor without you, right?
00:49:36Yes, but I'm not a doctor.
00:49:38Ah, the president.
00:49:46The president of the Valencian community.
00:49:48Because the hospital is in Alcyra?
00:49:50It's around there.
00:49:52I happen to stop by
00:49:54to get a check-up
00:49:56in a car.
00:49:58They check me and I have...
00:50:00They check me, they see I have a problem
00:50:02and that's it.
00:50:04I'm there, private, public.
00:50:06Good debate.
00:50:08Of course.
00:50:10Public health...
00:50:14Of course, of course.
00:50:16Those people from public health
00:50:18don't always have all the media they want.
00:50:20The other day I was talking to a friend
00:50:22who was a nurse and she told me
00:50:24we don't have cannulas.
00:50:26We don't have a defibrillator.
00:50:28Yes, it's heavy.
00:50:30I have to be the one who defends the private
00:50:32but save the life of the public.
00:50:34Do you want to see a trailer?
00:50:36Yes.
00:50:38Watch it on Netflix.
00:50:42They are dismantling public health.
00:50:44It's a fact.
00:50:46And until we stand up,
00:50:48they will continue to destroy us.
00:50:50How are you going to stand up?
00:50:52Why do you come to a public hospital
00:50:54if you want to destroy them?
00:50:56You have a bag here.
00:50:58I will wait for no one.
00:51:02All the doctors I know
00:51:04do the opposite of what we tell our patients to do.
00:51:08I guess it's because we're always close to death.
00:51:10Attention!
00:51:12You can save my life.
00:51:18You can do it. Breathe.
00:51:36The series is beautiful.
00:51:38I like medical series.
00:51:40There are also romances.
00:51:42I don't.
00:51:44You don't?
00:51:46I don't have a romance.
00:51:48Don't you have a romantic plot?
00:51:50They never put it on me.
00:51:52They don't invite me.
00:51:54It's the truth.
00:51:56I like it.
00:51:58But then it's hard.
00:52:00It's like...
00:52:02It's you.
00:52:04You left it there.
00:52:12In a little hole.
00:52:16I'm moving it away.
00:52:20Do you know...
00:52:22Do you know this?
00:52:24Do you know this?
00:52:26This gesture they do,
00:52:28it's like a heart.
00:52:30I remember it from the medical series.
00:52:32It's not because it looks like a heart.
00:52:34Why?
00:52:36Because the whole hand...
00:52:38It's the heart.
00:52:40It's like the anatomical heart.
00:52:42The aorta and the other vein.
00:52:44And the other.
00:52:46I think it's a find.
00:52:48It's a find.
00:52:50Public service.
00:52:52You deduced it.
00:52:54Yes, I deduced it.
00:52:56It could be.
00:52:58It's like the heart.
00:53:00It's like an emoji heart.
00:53:02Have you seen the explanation?
00:53:04No, I saw it.
00:53:06It looked like a heart.
00:53:08I didn't ask anyone.
00:53:10It's like when I found out
00:53:12that Apple had made the bitten apple...
00:53:14Because of the Bible?
00:53:16It's like that.
00:53:18I don't know.
00:53:20Shut up.
00:53:22You don't know?
00:53:24No.
00:53:26The people who say they don't have contacts
00:53:28are the people who are Illuminati.
00:53:30It suits you.
00:53:32What?
00:53:34To be a reptilian.
00:53:36Or a scientist.
00:53:38No.
00:53:40You are in the science department.
00:53:42In the science department.
00:53:44But that's Tom Cruise.
00:53:46Yes, I've seen you.
00:53:48No, I'm not.
00:53:50I'm a homormonal.
00:53:52I believe in some things.
00:53:54You don't have any elitist things?
00:53:56Not only not elitist,
00:53:58but I need specific data
00:54:00to believe me.
00:54:02I come from a family of doctors.
00:54:04I think you said it.
00:54:06They are all doctors.
00:54:08Everyone?
00:54:10Yes, my brother, my mother and my father.
00:54:12Jordano Seras.
00:54:14He came with a medical scholarship
00:54:16doing pharmacy.
00:54:18That's why I didn't say I was a doctor.
00:54:20Because you didn't have...
00:54:22No, because my family is going to beat me up.
00:54:24Shut up.
00:54:26What do they say?
00:54:28How much feedback do you have from your family?
00:54:30Fuck.
00:54:32The other day my mother told me...
00:54:34I don't know why people say...
00:54:36She's Basque.
00:54:38I don't know why people say you're such a good actress.
00:54:42I swear on my life.
00:54:44I think you're terrible.
00:54:46Terrible?
00:54:48I don't like my mother.
00:54:50I think you're terrible.
00:54:52I don't know why people say you're such a good actress.
00:54:54But she's also...
00:54:56No, she says it well.
00:54:58Well, right?
00:55:00I mean, she doesn't do it to hurt me.
00:55:02That's why I can say it.
00:55:04So, what do you think is her intention?
00:55:06To tell you, daughter, you're terrible?
00:55:08What do you think she's looking for maternally?
00:55:10I don't know if she said terrible.
00:55:12I don't know why people say you're such a good actress.
00:55:14Yes.
00:55:16That's what happens with parents.
00:55:18They know you a lot.
00:55:20They say, I see you, I'm looking at you.
00:55:22Yes.
00:55:24And there are things she doesn't like.
00:55:26There are people who think she's better.
00:55:28That's the feedback from my family.
00:55:30Do you want to send a message to your mother?
00:55:32Ama, you're good.
00:55:34You're good, of course.
00:55:36She doesn't see this, I think.
00:55:38She does?
00:55:40Television!
00:55:46Does it hurt to have left Movistar?
00:55:48No.
00:55:50Her pocket hurts.
00:55:52It's heavy.
00:55:54I mean...
00:56:00Her lumbago hurts.
00:56:02I was comfortable there.
00:56:04I was there seven years doing this show
00:56:06and two or three years doing another one.
00:56:08It was a decision.
00:56:10She's good.
00:56:12I'll ask you the classic questions.
00:56:14Do you know Froilán?
00:56:16What's his name?
00:56:18Felipe Juan Froilán de Todos los Santos, her brother.
00:56:20Her brother?
00:56:22Yes.
00:56:24Our favourite member of the royal family.
00:56:26I don't know him personally.
00:56:28I know things, but I don't know him.
00:56:30Let's see.
00:56:32Give us a clue.
00:56:34No.
00:56:36You can tell us now.
00:56:38Yes, I can.
00:56:44I'll ask you the classic questions.
00:56:46Do you want me to add another one?
00:56:48Yes.
00:56:50Money in the bank?
00:56:52The double.
00:56:54How much was it?
00:56:5612.5 million.
00:56:58You said 12.5 million, but I didn't believe you.
00:57:00It's your business, I told you.
00:57:02Ascendant.
00:57:04Always up.
00:57:06Is it a line or a curve?
00:57:10No, no, no.
00:57:12Does it accelerate growth?
00:57:14As it accelerates growth,
00:57:16it goes up.
00:57:18OK.
00:57:32Pompas!
00:57:34Pompas!
00:57:36Pompas!
00:57:38Pompas was there
00:57:40like a squirrel,
00:57:42and when it was needed,
00:57:44like a sniper,
00:57:46it added its sound effect.
00:57:48In times of war, any hole is a trench.
00:57:50Very well said.
00:57:54That line is very dirty.
00:57:56Very well said, Pompas.
00:57:58Pompas.
00:58:00Very well said.
00:58:02Sexual relations in the last 30 days.
00:58:04Do you remember the score?
00:58:06Stop, stop.
00:58:08Pompas, you have to know when to stop.
00:58:10The score is...
00:58:12Coito, normal, one point.
00:58:14Masturbation, 0.2.
00:58:16Petit, 0.6.
00:58:18I can't tell you the number, but you wouldn't believe it.
00:58:20Why?
00:58:22High or low? High.
00:58:24I can believe it perfectly.
00:58:26It's not like money.
00:58:28I can't believe it perfectly.
00:58:30Why wouldn't I believe it?
00:58:32Because you ask questions
00:58:34about this and petting,
00:58:36so I guess you think no one fucks.
00:58:38Why would I guess that?
00:58:40If not, you wouldn't ask that question.
00:58:42No.
00:58:44The score wouldn't add up.
00:58:46It doesn't add up.
00:58:48It's not a score,
00:58:50sometimes petting or masturbation
00:58:52doesn't go with Coito.
00:58:54For me, it's a score.
00:58:56You don't touch the low part
00:58:58unless it's to do it all.
00:59:00I won't tell you specifically.
00:59:02I can tell you it's a lot.
00:59:04But it's a score.
00:59:06No.
00:59:08It's true that if you don't ask anything,
00:59:10you have free time.
00:59:12You have a lot of time.
00:59:16A lot of time.
00:59:18Look.
00:59:20Look how...
00:59:22He's looking at you again.
00:59:24He's looking at you again.
00:59:26It wouldn't be fair,
00:59:28because I'd be coerced.
00:59:30What were we talking about?
00:59:32A lot.
00:59:34A lot.
00:59:36A lot.
00:59:38More money.
00:59:40And sex.
00:59:42Fuck.
00:59:48What's the new one?
00:59:50What new one?
00:59:52It's a new question.
00:59:54I've thought of one.
00:59:56Are you more sexist or more racist?
01:00:00I have to choose.
01:00:02Think about it.
01:00:04I don't want you to be
01:00:06one thing or another,
01:00:08but we're all a bit of both.
01:00:10The flute was amazing.
01:00:12Racist, no.
01:00:14Okay.
01:00:16We're all a bit sexist.
01:00:18Let's see.
01:00:20I don't know.
01:00:22I'm Arab, Basque.
01:00:24You have a...
01:00:26A black boyfriend.
01:00:28You have everything.
01:00:30That's not an impediment.
01:00:32You can't say I'm black.
01:00:34I'm Arab, I can't say anything.
01:00:36I'm more racist.
01:00:38You can, because you're saying it.
01:00:40No, I'm not saying anything.
01:00:42I'm speaking normally.
01:00:44More sexist?
01:00:46More racist?
01:00:48More racist.
01:00:50I want to win over boys.
01:00:52I don't want to win over girls.
01:00:54You're more racist.
01:00:56I'm racist.
01:00:58More racist than sexist.
01:01:00If racist is winning over boys, yes.
01:01:02It's a good question.
01:01:04I've just realised it's a good one.
01:01:06What does sexist mean?
01:01:08I'm not going to tell you.
01:01:10Yes.
01:01:12Yes, yes.
01:01:14Sexist in general.
01:01:16Sexism is over.
01:01:18It's over.
01:01:20What does sexist mean?
01:01:22I don't know.
01:01:24In my opinion, sexism
01:01:26is thinking there's a difference
01:01:28between men and women
01:01:30just because they're men and women.
01:01:32There is.
01:01:34There's a difference
01:01:36where men are above women.
01:01:38Anatomically, yes.
01:01:40Anatomically, yes.
01:01:42Mentally, I don't know.
01:01:44Be careful.
01:01:46In Bulgaria, women throw more.
01:01:48Yes, but what about Bulgarians?
01:01:50A Bulgarian doing sit-ups?
01:01:52Of course, Marco.
01:01:54It's a type of sit-up.
01:01:56Oh, fuck.
01:02:00It's not that they're Bulgarian.
01:02:04What are Bulgarians?
01:02:06The ones where you put one foot up
01:02:08and the other one down.
01:02:10No, no, no.
01:02:12It's a Bulgarian sit-up.
01:02:14I hadn't fallen either.
01:02:16You go like this.
01:02:18It's a Bulgarian sit-up.
01:02:20But women throw a lot.
01:02:22Yes.
01:02:24It's out of fashion now.
01:02:26The show is over.
01:02:28Really?
01:02:30I think so.
01:02:32Pablo, it's true.
01:02:34Now, later.
01:02:38The interview is almost over.
01:02:40So?
01:02:42I'm leaving.
01:02:44It's true.
01:02:46I've said it in a way that...
01:02:48I'm leaving when you tell me.
01:02:50Is there anything left to say?
01:02:52When is the Netflix series coming out?
01:02:54There's a movie coming out
01:02:56in Donosti.
01:02:58Why?
01:03:00It's called The Red Virgin.
01:03:02In theaters?
01:03:04Yes.
01:03:06I'm leaving.
01:03:08You've been...
01:03:10Wait, wait.
01:03:12Don't leave.
01:03:14Do you say goodbye to the audience?
01:03:16Yes, but since you're leaving so abruptly...
01:03:18I didn't leave abruptly.
01:03:20You said it was over.
01:03:22I realized it was over,
01:03:24but I wanted to say goodbye in a more personal way.
01:03:26Take a picture.
01:03:28You've been good, Nayoa.
01:03:30We'll always invite you.
01:03:32I love to see you.
01:03:34You know what?
01:03:36Goodbye.
01:03:38Goodbye.
01:03:40Goodbye.
01:03:42Goodbye.
01:03:44Goodbye.
01:03:46Goodbye.
01:03:48Goodbye.
01:03:50Goodbye.
01:03:52Goodbye.
01:03:58And now to end the show,
01:04:00one of the best comedians
01:04:02on this show,
01:04:04A round of applause for Pablo Ibarburo, of course,
01:04:06he's been waiting for a while now.
01:04:08How is he going to give energy to Pablo Ibarburo?
01:04:10Yeah, it's true, it's Pablo Ibarburo, there he is, man.
01:04:12A round of applause for Pablo Ibarburo!
01:04:13PABLO IBARBURO
01:04:16PABLO IBARBURO
01:04:17PABLO IBARBURO
01:04:19PABLO IBARBURO
01:04:21PABLO IBARBURO
01:04:23PABLO IBARBURO
01:04:26PABLO IBARBURO
01:04:28Is this going to be on the show or is it going to be cut?
01:04:30If it's going to be cut, I'm going home.
01:04:33No, you're going to have dinner with me, remember, Pablo.
01:04:35It could be cut.
01:04:36The Pompas is going to be on.
01:04:38Put the TV on, the Pompas is going to be on.
01:04:41What is this?
01:04:42Let's see, I'm telling you...
01:04:44I'm going, I'll be back tomorrow.
01:04:45Yes. I'll be back tomorrow.
01:04:47AUDIENCE GROANS
01:04:48Yes, yes, yes, yes.
01:04:50I charge twice.
01:04:51I'm being honest.
01:04:52Yes. I'm being honest.
01:04:54This could not be aired.
01:04:56But it could also be aired.
01:04:59Of course, what were you going to do?
01:05:01That I make the menu for you?
01:05:03Yes.
01:05:05First, I was going to comment on the show a bit,
01:05:07in general, the little things about the show,
01:05:09what happened yesterday and so on.
01:05:10And then...
01:05:12That could be done.
01:05:13And you leave the rest for another day.
01:05:14No!
01:05:19Ah, you want me to do that?
01:05:20No, but you're not going to know what's today's
01:05:22and what was the other day's.
01:05:23Of course.
01:05:25And besides, here's the Pompas!
01:05:28CHEERING
01:05:29APPLAUSE
01:05:30DRUMMING
01:05:31OK, sit down, sit down, Pablo.
01:05:35Tell us a bit about that and that's it.
01:05:37How are you?
01:05:39Spanish television, Pablo.
01:05:40Spanish television, boy.
01:05:41Prime Time.
01:05:43I've seen the show.
01:05:44I saw it yesterday.
01:05:45OK. A piece of shit.
01:05:46AUDIENCE LAUGHS
01:05:47Fuck, strong statements.
01:05:49But the shit that was already there.
01:05:52It's what I said from the beginning.
01:05:54The shit that was being done, that was acquired...
01:05:56Yes.
01:05:57And the shit that's being broadcast.
01:05:59We haven't lied to anyone here.
01:06:01So, I think we're all happy.
01:06:03Exactly.
01:06:04And you know I'm more of a fan than an employee of this show.
01:06:07You watch the show more than you appear on it, of course.
01:06:09Of course.
01:06:10AUDIENCE LAUGHS
01:06:11Specifically today.
01:06:12Of course, specifically today.
01:06:14Today I've seen two and a half hours of the show.
01:06:16And you're going to laugh for two minutes.
01:06:19Exactly.
01:06:20But you know I do the show to be able to watch it.
01:06:22What do you mean? I don't get it.
01:06:23I like watching TV more than doing it.
01:06:26I want to watch TV.
01:06:27But I have to work to be able to watch TV.
01:06:31I mean, if I could watch it instead of doing it, I would.
01:06:34But I have to do it to be able to watch it.
01:06:36Sure, but you have to have a house where you can watch TV.
01:06:38I need it to be done,
01:06:39because if I didn't, I'd have to see what I'm doing to watch it.
01:06:41Right, right, right.
01:06:42Of course, because I don't want to do it without watching it.
01:06:44The most important thing is to watch TV.
01:06:45And the means to continue watching it is to make TV.
01:06:48To make TV to be able to watch it.
01:06:49For a TV operator, that's the guy.
01:06:51Here, handling it.
01:06:52AUDIENCE APPLAUDS
01:06:56And I have to say that, as a TV operator,
01:07:01I don't see much difference with other shits.
01:07:05I mean... What do you mean?
01:07:06This show is shit, but it's a TV show.
01:07:10Yes, of course.
01:07:11I don't know what people expect from a TV show.
01:07:13A TV show won't fix your marriage.
01:07:15LAUGHTER
01:07:16People are expecting from a TV show...
01:07:18Yes.
01:07:19Here, shit has been done for a long time.
01:07:22Of course, years.
01:07:23And it will keep being shit.
01:07:24Yes.
01:07:25It had to change a bit.
01:07:27I mean, there are no more MasterChefs.
01:07:30What do you mean?
01:07:32We weren't going to do a MasterChef Dogs.
01:07:34LAUGHTER
01:07:35Well, watch out.
01:07:36MasterChef Dogs.
01:07:38That's it.
01:07:39Then, you can do more shows.
01:07:42Yes.
01:07:43But we've already done the show where Mercedes Mila comes out
01:07:46showing videos of Mercedes Mila when she was young.
01:07:48That show has existed.
01:07:49That show has been done many times.
01:07:51It's no longer needed.
01:07:53It's true.
01:07:54It's like going to see your grandma and she shows you a photo album.
01:07:56But instead of the photo album,
01:07:58it's the audiovisual archive of Spanish television.
01:08:00By the way, tell me how it happened.
01:08:02It's what Judge Emanuel Arias said.
01:08:04LAUGHTER
01:08:05APPLAUSE
01:08:11Ask the parliamentary question.
01:08:14It was discovered that the whole show
01:08:16is the testimony of Carlitos in the trials.
01:08:18LAUGHTER
01:08:19That's why...
01:08:20A tragedy.
01:08:21Yes, yes.
01:08:22In 1985, my parents were hiding the money under the mattress.
01:08:27LAUGHTER
01:08:28APPLAUSE
01:08:35So, now I could show you something else, but it's not necessary.
01:08:37No, that's it.
01:08:38With this joke you've made, it counts for everything, Pablo.
01:08:41That's it?
01:08:42That's it.
01:08:43Have you been doing this?
01:08:44LAUGHTER
01:08:45I've forgotten that you also do things for children.
01:08:48Oh, my God. Look, look, look.
01:08:49Look at this shot.
01:08:50For teenagers.
01:08:51This show is probably being watched by Josep Borrell, you know?
01:08:54You have to also...
01:08:55You have to also give things to the kids.
01:08:57Of course.
01:08:58Have you set up this decoration that is a bit...
01:09:00What?
01:09:01It's very ministerial, isn't it?
01:09:03Well, it was a bit of an idea.
01:09:04Then, little by little, you'll have to add things.
01:09:06But right now...
01:09:07It's nice.
01:09:08But you have to break it a bit.
01:09:09You have to break it.
01:09:10Do you want to break something before you go out?
01:09:12Yes.
01:09:13As soon as you go out, take the cushion and throw it against the glass.
01:09:17Let's see if you're going to break it.
01:09:18By the way, one thing I wanted to tell you.
01:09:20Ten years.
01:09:21Ten years.
01:09:22Yes.
01:09:23Couldn't you find a sofa where you could stand?
01:09:25You can stand on this one, right?
01:09:27I can't stand.
01:09:28Damn, you can't stand on this one either.
01:09:30It's impossible.
01:09:31APPLAUSE
01:09:38Pablo, you can't stand on any of the Arabic puffs, man.
01:09:41LAUGHTER
01:09:42POP
01:09:44Pablo Ibarguro, La Resistencia.
01:09:46APPLAUSE
01:09:47Pablo Ibarguro.
01:09:48Thank you, Pablo.
01:09:50Thank you for coming.
01:09:51Leave it, leave it there.
01:09:52Thank you very much for coming.
01:09:53This was La Revuelta today.
01:09:54Ricardo Casellas, Richard.
01:09:55Thank you very much.
01:09:56APPLAUSE
01:09:57Thank you all.
01:09:58See you tomorrow.
01:09:59Spanish television.
01:10:00Thank you for coming.
01:10:01APPLAUSE