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00:00:00No cop, we don't talk, smoke, we live off of fuckin' hoes
00:00:04No cop, we don't talk, smoke, we live off of fuckin' hoes
00:00:08Dando vueltas en la ciudad, no soy tu fan, pero no pasamos
00:00:12No cop, we don't talk, smoke, we live off of fuckin' hoes
00:00:17Dando vueltas en la ciudad, la la la la la la
00:00:21Shake that, shake that, ready for late night
00:00:24Checamos fast, pero no bullies, ando bien high
00:00:26Viendo una movie como Eminem and 8 Mac
00:00:28Rompo el escenario hasta las 8 May
00:00:30No como estos guachos que se suben a hacer playback
00:00:32La la la la la la
00:00:58Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh
00:01:27¿Qué dice? ¿Qué dice tu hombre?
00:01:32¿Qué dice?
00:01:34¿Qué dice?
00:01:37¿Qué dice?
00:01:40¿Qué dice?
00:01:45Bueno, bueno, bueno, bueno, bueno
00:01:47Bueno
00:01:53¿Qué es esto? ¿Qué es esto?
00:01:55¡A ver, vale ya, vale ya!
00:01:57Ayer, ayer el programa...
00:02:00Ayer el programa solo vinieron funcionarios, ha venido gente normal
00:02:03Claro, claro, es que...
00:02:04Pero es que esto es increíble
00:02:12Me han dicho...
00:02:14He oído, en las tres que se han mezclado en el proyecto, he oído
00:02:17Hijo de p***
00:02:19Esto hay que ponerle pitido, pero bueno, hijo de p***
00:02:20Millonario, y alguien me ha gritado por ahí español
00:02:23¿Por qué esto es televisión?
00:02:27Por niño, madre mía, ¿cómo entra esto?
00:02:28Es que esto ya siempre, ¿eh?
00:02:38Esto ya todos los días, Ricardo
00:02:39Todos los días, no, estamos probando esto y esto no es definitivo, ¿eh?
00:02:43Hostia, no me había dado cuenta, ¿eh?
00:02:44No te había fijado, no te ha llamado la atención, ¿no?
00:02:48Efectivamente, ponlo, ponlo ahí
00:02:49Ricardo es el yankee que se ha tomado tres tequilas en un resort, ¿eh?
00:02:52Y está...
00:02:53Es que, mía, mía, qué pinta, ¿eh?
00:02:54Estamos buscando algo fresquito y colorido para la cabeza
00:02:56Estamos probando cosas y no hemos dado cuenta todavía
00:02:58Vale, pero este no vale, hay que cambiar, Ricardo
00:03:01Yo creo que esto no es, pero a que te apetece algo con tortitas
00:03:04Ahora sí
00:03:06Vienen muy fuertes hoy, gracias por el recibimiento
00:03:08Y gracias por el recibimiento ayer del primer programa de La Revuelta
00:03:10Que lo habéis visto mucha gente
00:03:13Muchas gracias, ¿eh?
00:03:20Eh...
00:03:21¿Televisión?
00:03:22¡Hoy no!
00:03:24¡Viva España!
00:03:25¡Viva!
00:03:26Eh, ¿y ayer Minuto de Oro de la televisión?
00:03:29¡Sí!
00:03:30¿Sí?
00:03:31¡Sí!
00:03:32¡No!
00:03:33¡No!
00:03:34¡No!
00:03:35¡No!
00:03:36¡No!
00:03:37¡No!
00:03:38¡No!
00:03:40¡No!
00:03:41¿Qué pasa?
00:03:42¿Esto de oro?
00:03:43¿Qué pasa, qué pasa?
00:03:44¡Niño!
00:03:45¡Oro!
00:03:46A minute of gold? What's up, what's up?
00:03:49A minute of gold, did you make it up?
00:03:51I don't know, they told me there was a lot of audience yesterday.
00:03:53Ah, okay, then you can say whatever you want, of course.
00:03:55But...
00:03:56Well, maybe not a minute, but maybe a second of gold.
00:03:59We'll have done a second of gold.
00:04:01We've had a moment above the threshold.
00:04:03No, not at all.
00:04:04It's very difficult because we've had a lot of audience yesterday,
00:04:06but this is like a time, I remember years ago,
00:04:08that Atleti, I don't know if you remember, played a game against Barça.
00:04:10Atleti scored four goals and Barça five.
00:04:12That happened to us yesterday.
00:04:14We've put in a lot, but those people...
00:04:16It's not going away.
00:04:17You say we're going to do like Atleti...
00:04:18I've rubbed...
00:04:21However, Pedro Sánchez, yes.
00:04:29This is the reality.
00:04:30Pedro Sánchez will go one day, but Pablo Mundo won't go,
00:04:33I don't know.
00:04:34My school, man.
00:04:36Come on, get out of here.
00:04:38There's no way to get him out.
00:04:39There's no way.
00:04:40I've had that for many years, of course.
00:04:41Pedro Sánchez has had three or four and Pablo has had 25,
00:04:43of course, it's impossible.
00:04:44He's taken it like a demon, of course.
00:04:45You're freaking out.
00:04:46Sorry, this girl, what?
00:04:47I have to start fast, Sergio, there are many things today.
00:04:49Her name is Kenzi.
00:04:50Kenzi?
00:04:51Kenzi.
00:04:52Yes.
00:04:53She's one of the people who like the audience the most.
00:04:55Man, she looks very good.
00:04:57Yes.
00:04:58There are some who like it more,
00:04:59but what happens is that it's the looks.
00:05:00In the end...
00:05:01You win by...
00:05:02They sing in a rock group.
00:05:03They sing in a rock group.
00:05:04They sing in a rock group.
00:05:05You could sing something.
00:05:06I'll introduce that kid first and then Kenzi will sing something.
00:05:08Quick.
00:05:09Yes, they hit a lot.
00:05:10Kenzi...
00:05:13Kenzi, Kenzi, Kenzi, Kenzi, Kenzie, Kenzi, Kenzi, Kenzi...
00:05:17Hey, hey, hey, hey, hey, hey, hey, hey...
00:05:19Pompas, Pompas!
00:05:24Let me introduce Pompas.
00:05:25Pompas!
00:05:26Pompas!
00:05:27Pompas!
00:05:28Pompas!
00:05:29Pompas!
00:05:30Pompas!
00:05:31Pompas!
00:05:33Pompas already came.
00:05:34He came a few years ago.
00:05:37But Pompas, why does he not go well?
00:05:38Yes, calling Pompas with his attitude.
00:05:40Because he's a guy who freaks out.
00:05:43It has a lot of tricks. Take out the little flashlight.
00:05:46Open the flashlight, Pompas. Yes.
00:05:49And it can look for you.
00:05:51But...
00:05:52Well, Pompas came to me.
00:05:53It has a lot of resources, doesn't it?
00:05:55I send it to a Chinese bazaar. It also knows chants.
00:05:58Light to see sexual spots.
00:06:00Open the microphone, Pompas.
00:06:02By the way, we put the video to make it uncomfortable,
00:06:04but you have to put it higher. No, no, no.
00:06:06You have to put it... Today you're free, Pompas.
00:06:08No, and apart from my dimensions,
00:06:10my ass is here, like in a cloud.
00:06:12Like in a... Cloud.
00:06:13Like in a cloud. Like in a cloud of Pompas.
00:06:15Speak into the microphone.
00:06:17For a person with a small ass,
00:06:18it can fit in here,
00:06:20but I have a big ass, it's empty.
00:06:22And I can get up and the video goes with me.
00:06:25In fact...
00:06:31Pompas! Pompas!
00:06:34Pompas! Pompas!
00:06:37But...
00:06:38Why did you put Pompas here? It's a machine.
00:06:41Envy... Envy hasn't started with the chants yet.
00:06:44Hey, not even one Pompas has done it yet.
00:06:47He has.
00:06:48Let's see, because they left the video without water
00:06:50and I couldn't fill it.
00:06:51But I like it, huh?
00:06:53But people... If envy were ink, how many inkers would there be?
00:06:57Here you have them. It has already started.
00:06:58Oh!
00:07:01But...
00:07:03No, I have been voted for envy.
00:07:05But you had people in your pocket and now you're apologizing.
00:07:08No, no, I have been voted for envy.
00:07:09Hey, Pompas.
00:07:11Pompas, Pompas.
00:07:13Here I am, Pompas.
00:07:16What do you see?
00:07:17You see the Pompas back there, I was with the white hair behind...
00:07:21I'm scared as soon as I stand up.
00:07:23Come on, get up!
00:07:25What a bad boy, Pompas...
00:07:27Pompas, send an aggressive message to the camera,
00:07:30so you don't fall, but stand up!
00:07:32As you can see, one of those who put me out here
00:07:34is his last day of life.
00:07:36Pompas!
00:07:37What are you saying? I'm armed, huh?
00:07:39With what? There are very violent people here.
00:07:42Yeah, yeah, yeah. Let's soften this up.
00:07:44Let's soften this up, because when people vote...
00:07:47And when he starts to relax, he's going to start saying more
00:07:50and he doesn't stop.
00:07:52Are you going to sing something, Kensi?
00:07:54Me? Let's see.
00:07:56No, something good.
00:07:58Me? Look, listen, I've sung a lot.
00:08:00Not now, but in my life.
00:08:02But I don't care. Yes, I know.
00:08:04But I come, I have a more important mission.
00:08:06I don't think so. Yes.
00:08:08Now you're going to understand.
00:08:10Let's see. No, no.
00:08:11No, I must say that it started off well for me, but not now.
00:08:14So it was well placed there.
00:08:16You have attitude, Kensi, huh?
00:08:18Yes, yes. In fact, it's a surprise that I'm not there instead of here.
00:08:22But hey, the thing is that we are...
00:08:26Are you a collective?
00:08:27Yes, I speak on behalf of my band.
00:08:29V for Vendetta.
00:08:30Indeed, that's us.
00:08:32No, we call ourselves Megara.
00:08:34We've been in Uruguay this year.
00:08:36They brought us a model.
00:08:38No, well...
00:08:40They're like Amaral after 20 years in prison.
00:08:48That's another matter.
00:08:50After prison, man.
00:08:52It's true that...
00:08:54What do you play?
00:08:56The guitar.
00:08:57But it's true that it's Amaral's after a while in jail.
00:09:02Sing something.
00:09:03Sing something and El Pompas does a chorus.
00:09:05Okay, you sing something simple, a chorus and an ad.
00:09:09Is there an ad?
00:09:10There's no ad.
00:09:11Well, there's no ad.
00:09:13Okay, you sing something, a chorus...
00:09:15And there's no ad.
00:09:17I sing you.
00:09:21You sing something, a chorus and I do an ad for a business in my town.
00:09:24Are you going to play something?
00:09:25No, I'm not going to play.
00:09:29That's because of the tattoo.
00:09:31No, I haven't come that far.
00:09:33A cappella.
00:09:35A cappella.
00:09:36That's it.
00:09:37I introduce you.
00:09:38I'm fine.
00:09:39Okay.
00:09:42What am I going to mess up?
00:09:43Let's see, can I sing the song we've been doing this year in Eurovision?
00:09:46Sing it.
00:09:48People are very impatient.
00:09:50That's true.
00:09:51Sing one of yours.
00:09:53The chorus.
00:09:55Sing!
00:09:56Please, sir.
00:09:58No.
00:09:59He looks like Barcenas in the judge of Plaza Castilla.
00:10:02He doesn't want to sing.
00:10:03He doesn't want to sing.
00:10:21That's it.
00:10:22I'll charge you from now on.
00:10:24Very good.
00:10:26One moment.
00:10:27One moment, one moment.
00:10:30One moment.
00:10:47Very good.
00:10:48Very good chorus.
00:10:51Advertisement.
00:10:52Tote bakery in Orcera.
00:10:53Very good cakes, breads.
00:10:55Be careful with the pompis, pompas.
00:10:58Okay.
00:10:59What's going on?
00:11:01What's going on, Guillo?
00:11:02Have you finished the show?
00:11:03It's ten o'clock.
00:11:04Child's play time is over.
00:11:05So, can we play The Magic Man?
00:11:09It's time for the kids to go to bed.
00:11:11Play The Magic Man.
00:11:12Child's play time is over.
00:11:13Play it, play it.
00:11:16Kids, the TV is over.
00:11:19Go to sleep.
00:11:21I'll be watching.
00:11:25Play it, play it.
00:11:35Okay.
00:11:36And now, one more day in La Revuelta,
00:11:39a round of applause for Jorge Ponce.
00:11:40I don't know where he is.
00:11:42What's going on?
00:11:44Jorge Ponce.
00:11:45What's going on?
00:11:49David, I'll be brief for a matter that's happening.
00:11:53What's going on?
00:11:54The show yesterday, and today will be the same, I think,
00:11:57is being broadcast from El Tirón.
00:11:59And at this time, more or less,
00:12:00the result of the lottery was given.
00:12:02Of course, the lottery.
00:12:03In Spanish television, there is a lottery.
00:12:05The lottery was given, and yesterday the lottery was not given.
00:12:08And now there are people wanting to see the lottery,
00:12:10and they are watching Pompas,
00:12:11Ricardo with the hat,
00:12:13and people want to know if they have won or not.
00:12:15Of course, of course.
00:12:16And they are watching Tapocilga.
00:12:17Since we can't give it, because this is in the afternoon,
00:12:20it's five o'clock, we don't have the result of the lottery.
00:12:22It's five o'clock.
00:12:23It's five o'clock.
00:12:24No, don't make me show you the phone.
00:12:26I'm not showing you, I'm not showing you.
00:12:28No.
00:12:31You're going to tell me that, I didn't know that.
00:12:35Five o'clock in the afternoon.
00:12:37That can be cheated, we could be live and you have put five o'clock.
00:12:40Because you have seen that he has changed the number.
00:12:42It was not a photo, it's five o'clock.
00:12:44We all know that.
00:12:45Man, if you go up the stairs a bit, it looks like...
00:12:48Yes, indeed.
00:12:49Well, that can't be cheated, we are live for me.
00:12:51So, for those people who want to see the Bono Lotto
00:12:54and have to wait until the show is over,
00:12:56I can't give them the prize number, we don't know,
00:12:59but we are going to give one that doesn't touch.
00:13:03One that doesn't touch?
00:13:04A number, we are going to give a number...
00:13:06How do you know?
00:13:07Because that one is not going to touch.
00:13:09You're playing with me, Jorge.
00:13:11The one that touches that number that comes to the show or something.
00:13:14That doesn't touch, that one doesn't touch.
00:13:16I'm going to give a number and whoever has that ticket,
00:13:19I want them to break it.
00:13:20Okay.
00:13:21Put it to touch.
00:13:22And if, by chance, imagine by chance,
00:13:26it was good, you broke it and it touched,
00:13:28I promise you that from your own money, David,
00:13:31you will be paid the full prize.
00:13:34What do you think?
00:13:35From my own money, which is everyone's.
00:13:37Thank you very much for that money, David.
00:13:43So, the result...
00:13:46Put the music on.
00:13:47The bad result, the one that doesn't, from Bonolot,
00:13:51from Bonolot, the number that doesn't.
00:13:53Is it the official music?
00:13:54This is the official one from Bonolot,
00:13:56the one that doesn't touch.
00:13:57Okay?
00:13:59That is, whoever gets the next number,
00:14:01that tomorrow his boss doesn't go and say...
00:14:04Why do you put CR down?
00:14:05CR...
00:14:06The black one and the other one.
00:14:08Yes, Carlos...
00:14:09Cristiano Ronaldo.
00:14:10Cristiano Ronaldo.
00:14:11Cristiano Ronaldo.
00:14:12Well, then...
00:14:13CR7, put a 7 next to it and that's it.
00:14:15The 5.
00:14:17Okay? 5.
00:14:19Yes.
00:14:20Neither...
00:14:21The 21.
00:14:23Okay.
00:14:24The girl takes it.
00:14:25I don't know how it is.
00:14:26Another one, what is it?
00:14:2826.
00:14:2927.
00:14:30Well, the 26 didn't touch either.
00:14:33Neither the 26 nor the 27.
00:14:39The 19.
00:14:40Bonolot does have a number, doesn't it?
00:14:42Of course.
00:14:43And then, the last one.
00:14:44Another one.
00:14:45How many are there?
00:14:4643, neither, nor 44, surely.
00:14:48Okay.
00:14:49And Cristiano...
00:14:50We got the 2 and Ronaldo 0.
00:14:52Cristiano won.
00:14:53Okay?
00:14:55Ronaldo won.
00:14:56Okay.
00:15:00So, this person...
00:15:01There he puts it, the number not awarded.
00:15:03No, no, no.
00:15:04Don't get wet here.
00:15:05Whoever has that number,
00:15:06let him go...
00:15:07Break it.
00:15:08Don't buy a Tesla.
00:15:09Okay.
00:15:10Don't freak out, he didn't touch it.
00:15:13Okay.
00:15:14That was it.
00:15:15And the rest, he only touched one.
00:15:17I won't give more.
00:15:18I give one every day.
00:15:19Okay.
00:15:20Jorge, put it there.
00:15:21It's easy.
00:15:22See you later, Jorge.
00:15:28They take it away,
00:15:29they put the draw at the end
00:15:30so that this goes more smoothly
00:15:31and we do this.
00:15:32Well, but it's a small blow.
00:15:34Guillo, here it is.
00:15:36First day here.
00:15:37Excellent comedian.
00:15:38We know her for a long time.
00:15:40Of course.
00:15:41Sorry, we have a problem with this person.
00:15:44Because she works...
00:15:45No, she doesn't.
00:15:46...at A3 Media.
00:15:47No.
00:15:48Yes, she's in A3 Media.
00:15:49Maybe not.
00:15:50Maybe not.
00:15:51What?
00:15:52Maybe not?
00:15:53Maybe she's the one who's been zapped.
00:15:56She's been zapped?
00:15:57She's been zapped.
00:15:58She's not in A3 Media anymore?
00:16:00No.
00:16:01But...
00:16:02She doesn't know anything.
00:16:03Maybe if this goes well,
00:16:04they'll think about it again.
00:16:05She's not there anymore?
00:16:06I didn't know.
00:16:07Maybe they forced her to choose
00:16:08and she chose to be here with these people.
00:16:10Well...
00:16:14Yes.
00:16:22A round of applause for Valeria Roos in the audience, of course.
00:16:27Valeria Roos.
00:16:35What's up?
00:16:37How are you?
00:16:44You're wrong.
00:16:46I didn't know you were going to start with that.
00:16:48You've screwed it up.
00:16:49You've screwed it up.
00:16:50This could be Flor de Un Día perfectly.
00:16:52You think?
00:16:53I think we're going to rock it.
00:16:54Well...
00:16:55Or not?
00:16:56What?
00:16:59We're going to rock it.
00:17:00I wouldn't have gone to A3 Media.
00:17:02But listen...
00:17:03It's been many years.
00:17:04Maybe I can go back.
00:17:05Not anymore.
00:17:06No.
00:17:07It's really weird.
00:17:08But you've really scared her.
00:17:10Put it there.
00:17:11It's been this.
00:17:13It's been this.
00:17:14The 40-year-old who leaves his wife for a night's sleep.
00:17:17This could end...
00:17:19Totally.
00:17:23Give it up for Bonoloto.
00:17:25Maybe.
00:17:26Maybe.
00:17:28I don't know if this is real, but...
00:17:30It's real in the sense that I come here to do my section.
00:17:33And you're not there for now.
00:17:35I'm not there for now.
00:17:36There's no problem for us.
00:17:37You can go to A3 Media.
00:17:38I know, that's why I'm here.
00:17:39Okay.
00:17:40I'm excited.
00:17:41Can I sit down?
00:17:42Do you want to sit down?
00:17:43Come on.
00:17:44What's this?
00:17:46Look.
00:17:51How are you?
00:17:52What?
00:17:53This wasn't yesterday.
00:17:55What does it say?
00:17:56Yesterday I saw the whole show with my daughter.
00:17:58With your three-year-old?
00:17:59Don't touch.
00:18:00This is to warm up.
00:18:01You can't touch it.
00:18:02But I think it's...
00:18:03You can't touch it.
00:18:04But this wasn't yesterday.
00:18:05It wasn't yesterday.
00:18:06Okay.
00:18:07I don't know.
00:18:08I can't see the table.
00:18:09It's weird.
00:18:11They're adding things.
00:18:12They're adding things to the stage.
00:18:13You can't touch it.
00:18:14Yeah, but they want to touch it, right?
00:18:16But you can't touch it.
00:18:17And you can't do it less.
00:18:22No, no.
00:18:23No, it's the first day...
00:18:24I ask you not to touch it.
00:18:26I'd like him to touch it and the pump to explode.
00:18:28Pow!
00:18:31How are you? You're my age, right?
00:18:33What?
00:18:34How old are you?
00:18:3586.
00:18:3684.
00:18:37How old are you?
00:18:39You said it.
00:18:40Of course.
00:18:4184, you?
00:18:42I thought...
00:18:43But I'm almost 85.
00:18:44I thought we'd be the same age.
00:18:46No, I'm two years younger.
00:18:47More or less.
00:18:48Apparently, you're okay.
00:18:50Apparently? Who, me?
00:18:51Yes.
00:18:52I look...
00:18:53How do you look?
00:18:54I look better than a few years ago.
00:18:56That happens to me.
00:18:57I look better.
00:18:58I look better.
00:18:59It's not easy.
00:19:00I used to be a Christ.
00:19:02No, you were fine.
00:19:03But I've been finding things that one can...
00:19:06Yes, a bit like Mr. Potato.
00:19:07Well, not Mr. Potato.
00:19:08I'm not Mr. Potato.
00:19:09Not to be missed.
00:19:10But it's true that when I was young, I was much worse.
00:19:13Miguel, stop showing me images of kids.
00:19:15Stop it, please.
00:19:16Ah.
00:19:18Okay.
00:19:21There?
00:19:22Look, look.
00:19:23The two... Put it on, Miguel.
00:19:25Eh?
00:19:26Put it on, Miguel, again. The two.
00:19:28The two.
00:19:29And the other one, put it on now.
00:19:30But...
00:19:31Put it on.
00:19:33No, that's the two, too.
00:19:34It's bad.
00:19:35You'd be 20 or so.
00:19:3620, of course.
00:19:37The other one was very traditional.
00:19:39They take pictures...
00:19:40Listen, let's see if I win.
00:19:41Do you have a picture of me 20 years ago?
00:19:43No, not 20 years ago.
00:19:44When I was 20.
00:19:45Let's see.
00:19:46Look.
00:19:47Wow, very chonny.
00:19:48Yes.
00:19:49It was like...
00:19:51Pichonny.
00:19:52Pichonny.
00:19:53Yes, yes.
00:19:54Look, chonny, right?
00:19:55It's cut off because it was my first boyfriend, Dan Lau.
00:19:58I don't know if he's dead.
00:19:59So, just in case...
00:20:00You took the boyfriend out.
00:20:01I think I win.
00:20:02Do you still know anything about him?
00:20:04Nothing, zero.
00:20:05About that boyfriend?
00:20:06Zero.
00:20:07Wow, this picture.
00:20:08What do you think?
00:20:09No, this one.
00:20:10There's more.
00:20:11Is this yours?
00:20:12Yes.
00:20:13Wow, that one...
00:20:14Miguel did a bit of that.
00:20:16Where did you get it?
00:20:17That's from TV.
00:20:18I went with my friends.
00:20:19We wanted to go in public,
00:20:20but they only let us if we were going to talk.
00:20:22Okay.
00:20:23So, we went to talk.
00:20:24I said, like, some brutal things.
00:20:26Yes.
00:20:27I said I wanted to be an actress.
00:20:28I took out my tongue.
00:20:29My mother told me I had a piercing in my tongue.
00:20:31I mean, all wrong.
00:20:33And that's from TV.
00:20:34When I was little.
00:20:35What I mean is that now,
00:20:36I never think about it when I was little.
00:20:38There are people younger than me, and I don't think about it.
00:20:40I'm at home, I want to be good.
00:20:41I flirt with being good all the time.
00:20:43You give a lot of importance to being good.
00:20:45Not now.
00:20:46Yes, yes.
00:20:47Last year.
00:20:49And this year?
00:20:50No, last year, I took it very seriously.
00:20:51Selfies all day,
00:20:52like Ritos,
00:20:53wearing natural bronze.
00:20:54You know?
00:20:55The filters.
00:20:56No, no.
00:20:57You don't have Instagram.
00:20:58I don't have it.
00:20:59I played a lot with that,
00:21:00but now I've realized,
00:21:01suddenly, like last month,
00:21:03some things that I've realized,
00:21:04like, what are you doing, Val?
00:21:05What a shame.
00:21:06Why?
00:21:07Well, first, the other day we played football with my friends.
00:21:09We called ourselves the Mommies.
00:21:10Okay.
00:21:11In the semifinal, they beat us.
00:21:12And suddenly, I hear one,
00:21:13these mothers, 50 years old.
00:21:15Uh.
00:21:16I got angry.
00:21:1850 years old, huh?
00:21:19This is one thing.
00:21:20Then, I go to Bilbao parties,
00:21:21I saw a girl, like,
00:21:23I'm a super fan.
00:21:24Super cute.
00:21:25She says, with my husband,
00:21:26we are very fans,
00:21:27we took two chihuahuas,
00:21:28and we called one Valeria,
00:21:29and the other Ross.
00:21:30Damn.
00:21:31Damn.
00:21:32It seemed very strange.
00:21:33Yes, it is.
00:21:34Yes, it is.
00:21:36Of course.
00:21:37And then, at first, I got excited,
00:21:39and I said, I've divorced.
00:21:40Seriously?
00:21:41Well, now you have me all to yourself.
00:21:42And when I realized,
00:21:43I said,
00:21:44I've already divorced,
00:21:45like I'm an old Gloria.
00:21:46Yeah.
00:21:47I'm older, right?
00:21:48A legend, right?
00:21:50Totally.
00:21:51Yeah.
00:21:52Man, let's see,
00:21:53I'm the first one to tell you
00:21:54that I look dynamic and I look good,
00:21:55but of course,
00:21:56a teenager, no.
00:21:57Of course.
00:21:58We are not teenagers.
00:21:59For 22-year-olds,
00:22:00my ex,
00:22:01my daughter's father,
00:22:02now he has a girlfriend,
00:22:03she is 15 years younger than me.
00:22:05It happens a lot.
00:22:0615 years.
00:22:07Five years younger than him.
00:22:09What?
00:22:1015 years.
00:22:11A riddle?
00:22:12No.
00:22:13No.
00:22:1415.
00:22:15Yes.
00:22:16It seems.
00:22:17Yes, yes, yes.
00:22:18It seems.
00:22:19It seems like an equation.
00:22:20She is 15 years younger than me,
00:22:21five years younger than him.
00:22:23The father's name is Esteban,
00:22:24and the son, I've already told you.
00:22:25Of course.
00:22:26That's why.
00:22:27Well, younger.
00:22:28Younger.
00:22:29Skin.
00:22:31What I mean is that I'm obsessed with being young.
00:22:35It's an age when it happens.
00:22:36This is a classic,
00:22:37this is older than humanity,
00:22:38historically, with 30 or 40 years.
00:22:40But it hadn't happened to me until now.
00:22:42Well.
00:22:43My idea is, is age a number?
00:22:45What is this now?
00:22:46A morning show?
00:22:47No, but a question.
00:22:48Is age a number?
00:22:49That was invented by Michael Jackson,
00:22:51because for him it was a number,
00:22:53for me, not so much.
00:22:54I mean, do you think,
00:22:55and this is what I have reflected,
00:22:56it's a fucking joke,
00:22:57you have a rock band
00:22:58that neither Perry nor I know.
00:23:00But...
00:23:01But, but...
00:23:02Let's see.
00:23:03But, but...
00:23:04One moment, one moment.
00:23:05One moment, one moment.
00:23:06One moment.
00:23:07One moment.
00:23:08It was a joke, it was a joke.
00:23:09One moment.
00:23:10Sorry, she laughed at my joke.
00:23:12But the girl laughed
00:23:13and you gave her an unnecessary slap.
00:23:14She didn't laugh, I did.
00:23:15But neither...
00:23:16What a shame.
00:23:17Excuse me, what's your name?
00:23:19Kensi.
00:23:20I'm not telling you anymore.
00:23:21Sorry, Kensi.
00:23:22Is it a warning?
00:23:23The girl comes in public
00:23:24and she takes a shit in her mouth.
00:23:25I'm very sorry.
00:23:26And we are women.
00:23:27You have...
00:23:28Of course, a bit of...
00:23:29Sorry.
00:23:30A bit of sound.
00:23:31Fuck, I'm sorry.
00:23:32I'm sorry.
00:23:34It's a pimple.
00:23:35Yes, it is.
00:23:36A negative stimulus bites your neck.
00:23:37Not at all, sorry.
00:23:39I was thinking,
00:23:40if Ro-Ro...
00:23:41Have you seen Ro-Ro?
00:23:42If Ro-Ro was 20 years older,
00:23:45what would happen?
00:23:46Would she be just a woman,
00:23:47a sweet mom?
00:23:48Would they call her Ro after 20 years?
00:23:50Okay.
00:23:52I don't know.
00:23:53After this, I say,
00:23:54if I wear young things
00:23:55and I go to an Erasmus party,
00:23:57do you think I'd go through with a 20-year-old girl?
00:23:59I don't think so.
00:24:01Who said no?
00:24:02Don't tell him anything.
00:24:03Kensi didn't say anything.
00:24:05No?
00:24:06No?
00:24:07Well, we have the document.
00:24:09What document?
00:24:10I went to an Erasmus party.
00:24:11Oh, it wasn't a rhetorical question?
00:24:12No.
00:24:13It was to upload a video of me zapping.
00:24:16We went...
00:24:18We...
00:24:19But I wanted you to believe me.
00:24:22Okay.
00:24:23Sorry.
00:24:25What was it like?
00:24:26Zapping?
00:24:28What was the technique?
00:24:29It was like looking at a camera
00:24:30and suddenly I was going.
00:24:31And the video appeared.
00:24:32And a video popped up.
00:24:33Yes.
00:24:34But nothing, sorry.
00:24:35You have to learn a lot.
00:24:36I have to be more professional.
00:24:37Okay.
00:24:38We went to Yolanda,
00:24:39production.
00:24:41You laugh at them.
00:24:42Yolanda is very good.
00:24:43And Hector, special.
00:24:44Yes.
00:24:45I have it on my phone.
00:24:46Special.
00:24:47He's special.
00:24:48Okay.
00:24:49The three of them,
00:24:50at an Erasmus party,
00:24:51have made me look like a teenager.
00:24:53I look like a teenager.
00:24:57Let's see if I look like a 20-year-old.
00:24:59In the video.
00:25:00Okay.
00:25:01It's like...
00:25:02It's the best country.
00:25:03Yeah.
00:25:04Best country.
00:25:05Best country.
00:25:06It's not...
00:25:07A mess?
00:25:08Well...
00:25:09It's the best country.
00:25:10It's the best country.
00:25:12I'm starting to get confused.
00:25:13Okay.
00:25:14Come on.
00:25:15Look at the ass.
00:25:16I have it a lot.
00:25:17It's the one that does the...
00:25:18The dog.
00:25:19It's the girl.
00:25:20The girl.
00:25:21It's the girl.
00:25:23Dog.
00:25:24It's with...
00:25:25Girl.
00:25:26Girl.
00:25:27Seriously?
00:25:28Yes, yes.
00:25:29My goodness.
00:25:30My goodness.
00:25:31What a shame.
00:25:32It's the girl.
00:25:33Yes.
00:25:35Thank you very much.
00:25:41Do it with me.
00:25:42Do it with me.
00:25:43Do it with me.
00:25:44Poor Yolanda.
00:25:46They think she's my mother.
00:25:52Oh.
00:25:54It was heavy.
00:25:58Poor Yolanda.
00:25:59You can't miss the audience.
00:26:01You can't miss the girls.
00:26:02Of course.
00:26:03I was wearing make-up like a girl.
00:26:04I went from 20 to...
00:26:06But, sorry.
00:26:07Val.
00:26:08What?
00:26:09You were so shameless.
00:26:10I mean, thank you.
00:26:11It's fine.
00:26:12But you did all this just to show
00:26:13that the guys were cheating.
00:26:15No, I didn't know.
00:26:16I thought they were going to see me as a grown-up.
00:26:18In fact, I think that loose hair like this...
00:26:22I think it worked.
00:26:23In fact, I'm going to tell them that I'm a mother.
00:26:25Okay.
00:26:26Let's see if they still don't believe me.
00:26:28I look so young that they don't believe me.
00:26:29Okay.
00:26:30I'm on video.
00:26:32More than one will believe that it's my name.
00:26:34Mil.
00:26:35Mil.
00:26:36Mil.
00:26:37I'm studying psychology.
00:26:41Stay chill.
00:26:42It's not Toronto, Mil.
00:26:45Don't say that.
00:26:48It's okay.
00:26:49I don't need you.
00:26:50Wait.
00:26:51I thought it was something...
00:26:53Oh, my God.
00:26:54I'm sorry.
00:26:56I don't want this.
00:26:58Pay attention now, please.
00:26:59I'm sorry.
00:27:01I don't want this.
00:27:02I don't want this.
00:27:11David.
00:27:12That's where he ended up with blonde hair, right?
00:27:14That's where it ended up.
00:27:21This is not Erasmus.
00:27:22Erasmus party rubies every day.
00:27:26I find it funny that MILF seemed impossible to you.
00:27:29MILF? People who have seen it and don't understand the English term...
00:27:32MILF, mother, I would like to fuck.
00:27:34It's like mother with whom I would fuck.
00:27:36Yes. Guys, we have a word for mature boys who don't...
00:27:40Which one?
00:27:41Millionaires.
00:27:42OK.
00:27:43We have that too.
00:27:44We have that too.
00:27:46No.
00:27:48I want to say something before I go, David.
00:27:51I got excited about genetics.
00:27:53I thought I'd be very young.
00:27:55Yes.
00:27:56I'm going to be a five-year-old girl.
00:27:59I found out there was a bubble party in my town.
00:28:03Yes.
00:28:04I'm going to be a girl and see if I pass.
00:28:06Video.
00:28:11No one noticed.
00:28:14I'm going to be five.
00:28:15And two.
00:28:18In the end, that was it.
00:28:23That's it.
00:28:25Very young.
00:28:26Before you go, we have some images
00:28:28we got from your production, from Yolanda...
00:28:31From...
00:28:33The two days after the show.
00:28:38Well...
00:28:39I'm leaving. Next Saturday I have a gender reveal.
00:28:42About sex.
00:28:44Oh, yes.
00:28:45They want me to do it.
00:28:46OK. See you later.
00:28:47See you later.
00:28:48See you later, Valeria.
00:28:49Valeria II.
00:29:00Well...
00:29:03OK.
00:29:04There's the interview, right?
00:29:07The interview, Ricardo.
00:29:09What interview?
00:29:10It's ugly.
00:29:11You have an incredible comedian behind you.
00:29:13No, no.
00:29:14No?
00:29:15It's changed.
00:29:16Oh, OK.
00:29:17This year...
00:29:19It's changed.
00:29:20First the interview and then Pablo.
00:29:22This year it's all...
00:29:23You don't know how it's going.
00:29:25You don't know the next move.
00:29:26It's incredible.
00:29:27You don't know, Pablo.
00:29:28No, no.
00:29:33I'm here.
00:29:34No, the interview.
00:29:35I'm here now.
00:29:36No, no.
00:29:37I'm here, man.
00:29:39I could be here now.
00:29:40No.
00:29:41I could be here now.
00:29:42The interview.
00:29:43This year, this show...
00:29:44Well, no one will see it.
00:29:45We're ninjas.
00:29:46Maybe you come in and change the interview.
00:29:48Pablo, I'm sorry.
00:29:50Come on, go home.
00:29:51But come out later.
00:29:52I'll come out later.
00:29:53If the interview isn't long.
00:29:54But there are people who thought he was going to come out now
00:29:57and he'll be watching.
00:29:58No one knew because no one knew, not even me.
00:30:00Poor Pablo.
00:30:01It seemed we were going to see him and in the end...
00:30:03That's how he feels.
00:30:04Poor Pablo.
00:30:05That's what...
00:30:06Acknowledgment.
00:30:12I must take advantage.
00:30:14Sorry, sorry.
00:30:15It's true.
00:30:16You said you had a live show and you have no cover.
00:30:19It's true.
00:30:20Acknowledgment.
00:30:21Yes.
00:30:22Well, that's it.
00:30:23I'll go.
00:30:25You'll be in later.
00:30:26I had a dinner.
00:30:27Anyway...
00:30:28I'll take advantage to comment live that I'm late.
00:30:31It's seven o'clock, what did you say?
00:30:33Pablo, the dinner was with me.
00:30:34It was with you, right?
00:30:35That's why, I'm warning you, I'm going to be late.
00:30:38Don't be late, because...
00:30:39Pablo, stop.
00:30:40I think I'm going to be late, too.
00:30:44Okay, and now...
00:30:47This year, this show, Ricardo,
00:30:49this show is crazy, the show, kid, it's crazy!
00:30:52You don't know what's coming next, it's crazy!
00:30:54But for not hearing Pablo now, there are four minutes.
00:30:57The show is crazy!
00:31:01It's crazy!
00:31:03The interview. The interview.
00:31:05Let's see who's coming. Let's see who's coming, he says.
00:31:09It's just...
00:31:18She's an incredible actress.
00:31:20She came many years ago, when this show was on another channel.
00:31:23And, well, she's an international star.
00:31:25She's only been here once? I think she's been here once or twice.
00:31:28But, what an actress, huh?
00:31:30And in music, too, but she's coming as an actress.
00:31:33She's a singer, too, right? She sings well.
00:31:34Does she appear on any Spanish TV show?
00:31:36Where does she appear?
00:31:38No.
00:31:39On Netflix? Is it possible?
00:31:41Can you say Netflix on Spanish TV?
00:31:43Yes.
00:31:46Okay, we're very happy.
00:31:48She's back after many years, we love her.
00:31:50A round of applause for Nayo and Imri.
00:32:22I'm from Valencia, I'm from Valencia, I'm from Valencia.
00:32:28What's up?
00:32:29What's up, Nayo? I'm from Valencia.
00:32:32You're not from Valencia, are you?
00:32:34No, but I'm the character of Restira, yes.
00:32:36Yes, he is!
00:32:38Ah!
00:32:39You haven't seen it. No, no.
00:32:41You haven't seen it. Of course.
00:32:44The people are incredible.
00:32:45I'm lucky to have this audience.
00:32:47I haven't seen the show, but...
00:32:49They have. They have.
00:32:50Yes, yes, yes.
00:32:51The show is great.
00:32:53Yes!
00:32:54President! President!
00:32:56President! President!
00:32:59President! President!
00:33:01President!
00:33:03Fuck.
00:33:05I mean, it's not...
00:33:07It's not...
00:33:08It was great, but the sofa, no.
00:33:11What?
00:33:13I was expecting...
00:33:14A truncheon? Yes.
00:33:16The last time...
00:33:17It's very tidy.
00:33:18People say there's a lot of order.
00:33:20We'll break it. Do you want to break something?
00:33:22No, no. Do you want to break something?
00:33:24Turn it around. Do you want to pee?
00:33:26Man!
00:33:27Do you want to pee now?
00:33:28On the second day we're here, no, David.
00:33:31If you want to pee, I'll put a towel on you and you'll pee.
00:33:34What are you talking about, man?
00:33:35I mean, I'm freaking out.
00:33:37Why would I want to pee?
00:33:38Because of the performance.
00:33:39No, you're crazy.
00:33:41Pee, pee.
00:33:42I don't pee, man.
00:33:43Buddy.
00:33:44A little bit?
00:33:45No.
00:33:46Because it's hard?
00:33:47No.
00:33:48It's like perversion.
00:33:49Perversion.
00:33:50I'm sure you like it,
00:33:51when the shower gives you a little splash.
00:33:54No, no.
00:33:55It's called squirting.
00:33:56Yes.
00:33:57A squirt is something else.
00:33:59Some people like it. I don't.
00:34:00I've never...
00:34:01You can think of one.
00:34:03No.
00:34:04Like that, easy.
00:34:05Like a performance, like that.
00:34:06No.
00:34:07You have...
00:34:08Well, no, I don't know how much...
00:34:10I'm sitting down.
00:34:11What? I'm sitting down as well.
00:34:12Have you brought gifts besides the tangerines?
00:34:15I have a gift for you.
00:34:16Which one?
00:34:17It was a tie.
00:34:18No, but it was a gift, this has made me the funny one to make a revival.
00:34:22You brought it, right?
00:34:23We have a past.
00:34:24Yes, yes.
00:34:25I had a Valentino tie, like very, very ...
00:34:27I don't wear a tie anymore because I'm a kid.
00:34:29Yes, you're going to have to wear it.
00:34:30Eh?
00:34:31You're going to have to wear it.
00:34:32Here? Well, we've been here for two days and this is a dump.
00:34:34Here it doesn't matter.
00:34:36Have you seen the show? Have you seen it?
00:34:38The one?
00:34:39Yes.
00:34:40No, but I know the audience has been ...
00:34:42It has gone well, yes.
00:34:43No?
00:34:45It has gone well, but ...
00:34:47What?
00:34:48But what?
00:34:49What?
00:34:50You are to this to sweep him.
00:34:52To this.
00:35:05Look at him, look at him a little.
00:35:07I know that you, all the same, winners for winners.
00:35:10We will fill half of yesterday's audience.
00:35:12Tomorrow we will do half of yesterday's audience.
00:35:14No, sorry.
00:35:15Seventeen and something.
00:35:16Tomorrow ten.
00:35:17What?
00:35:18Tomorrow ten.
00:35:19Well, for me, for me.
00:35:20But maybe the next day with a footballer or ...
00:35:22No, not for you.
00:35:23Because the first day, for the joke, people have seen it.
00:35:25No, no, no.
00:35:26And today we have Nacho Anidre here, man.
00:35:27What's up?
00:35:28Eh?
00:35:29Let's see, it's going to be less than yesterday.
00:35:30Let's see, I don't want to get ...
00:35:31Cisaña, firewood or whatever.
00:35:33Go, go, Cisaña.
00:35:34I think, I think he's shaking.
00:35:37Who are we talking about?
00:35:39Pablo Motos.
00:35:43Yes.
00:35:44Without any subtlety.
00:35:46Name and surname.
00:35:54It was so handsome, the second program,
00:35:56people shouting, president.
00:35:59I'm seeing that they are jaleando.
00:36:00It doesn't come out naturally.
00:36:01But it's going to come out naturally.
00:36:03But I don't want, I mean, no, because no ...
00:36:05But I do, I do.
00:36:06People like ...
00:36:08You, you speak for yourself, right?
00:36:09Of course not.
00:36:10I'm going to speak for you.
00:36:11Of course not.
00:36:12Of course, but now you will have to go there to promote too.
00:36:14No, no, they don't take me.
00:36:15They don't take you, huh?
00:36:17Why?
00:36:18I'm banned.
00:36:20Cancelled?
00:36:21I already told you, they don't take me to respectable places.
00:36:23They only take me to ...
00:36:24Look how he looks at her.
00:36:26Like this, man.
00:36:34That's Pablo Motos.
00:36:36I've tattooed it on his chest.
00:36:37Show it to him, show it to him.
00:36:38What are you telling me?
00:36:39Well, I've tattooed it on his chest.
00:36:41But it looks very good on me, huh?
00:36:42It's very cool.
00:36:43Show him the other one, show him.
00:36:45Pedro Sánchez had tattooed it here, but it was erased.
00:36:47Ah, sure.
00:36:48But, sorry, are you cancelled?
00:36:50Well, let's see.
00:36:51You got cancelled?
00:36:52They don't take me.
00:36:55They don't take you, huh?
00:36:57No.
00:36:58They don't take me.
00:37:00What do we do?
00:37:01I mean, I ...
00:37:02It's true that now a conflict has arisen here,
00:37:04which for me is not there.
00:37:06But I have a good relationship with them,
00:37:08so I can't tell them to take you.
00:37:10But you have a good relationship with everyone.
00:37:12No, not with everyone, but with them I get along,
00:37:14and I always watch the show.
00:37:16And me too.
00:37:17Well, they don't take you, huh?
00:37:18No.
00:37:22As a result of something.
00:37:23Of not wanting to go the first time.
00:37:25Of course, you too.
00:37:26You're very cocky.
00:37:27Well, I think that's why, but ...
00:37:29Do you want to choose when you go to the places?
00:37:31They'll say no, they'll say no.
00:37:32I mean, you didn't go and they already said ...
00:37:34Tell me something.
00:37:35Can I ask?
00:37:36Yes.
00:37:37What's your name?
00:37:38What does it sound like?
00:37:39Sánchez.
00:37:40Pedro Sánchez, yes.
00:37:49I'll do the interview for you today.
00:37:50I'm sorry.
00:37:51Tell me something.
00:37:52In the Pentagon, they review Hollywood scripts.
00:37:55Okay.
00:37:56This is like a conspiracy theory, but I've seen it.
00:37:58I haven't seen the Pentagon print, but ...
00:38:00Before, in the 60s, they did it, right?
00:38:02Here ... No, go on, go on.
00:38:04I say ... I think.
00:38:06Here, in Moncloa ...
00:38:08There's no script here.
00:38:09Yesterday ...
00:38:10That's true.
00:38:11Sorry, yesterday they sent us ...
00:38:12I don't know if we can ...
00:38:13Yesterday they sent us the first scripts.
00:38:15Now that you've said it ...
00:38:16We have it out there, what Álex put yesterday.
00:38:18Miguel, look for it.
00:38:19Look for what Álex put yesterday,
00:38:20that they sent us the first Moncloa scripts.
00:38:22Yes or what?
00:38:23Yes.
00:38:24Now that you've said it ...
00:38:25Tell Álex to give it to you, that Álex has it.
00:38:28What do you think?
00:38:29What do you think?
00:38:30Because you insinuate that we ...
00:38:32That they sign you a little more.
00:38:34But they're going to ...
00:38:35They're going to sign you.
00:38:37No ...
00:38:38Okay, yes.
00:38:39You improvise as is,
00:38:40but with some guidelines, some limits.
00:38:42What kind? What do you think?
00:38:43What limits?
00:38:44That mandarin represents capitalism.
00:38:51No, none.
00:38:52What nonsense.
00:38:53What limits are they going to put on you?
00:38:55What?
00:38:56What limits are they going to put on you?
00:38:57None.
00:38:58Are you sure you ask the same questions?
00:38:59I mean, do you keep asking for money?
00:39:00All the same.
00:39:01All the same.
00:39:02You have to get another one today.
00:39:03I'm going to be able to ask the two classics and another one.
00:39:06Sorry, look, put it on.
00:39:07Yesterday, when the first scripts arrived.
00:39:09The first scripts.
00:39:12The first scripts of Moncloa.
00:39:14Is it from now or did you already have it?
00:39:16Yesterday.
00:39:22Yeah, it would be the milk.
00:39:26They just passed us that and that's it.
00:39:28And that's what you throw with.
00:39:30With that machine.
00:39:31I mean, because you...
00:39:32Of course, you haven't seen the first show.
00:39:35But do you think there could be some kind of hand?
00:39:39I would like to think so.
00:39:40But have they told you anything?
00:39:42I don't have any contact.
00:39:43You will have contacts.
00:39:44No, not at all.
00:39:45You have a powerful social position.
00:39:46No.
00:39:47You will have contacts there in the high spheres.
00:39:48What have they told you?
00:39:49What's up, man?
00:39:50They don't take me anywhere.
00:39:52I'm not even on the WhatsApp of Respira.
00:39:57The WhatsApp group of the series?
00:39:58Yes.
00:39:59Who is it?
00:40:00I found out the other day in an interview.
00:40:02And suddenly they start talking.
00:40:03And they say, yes, we have a WhatsApp group.
00:40:05And I said, Manu, really, man?
00:40:06I'm not there.
00:40:07No, no, but I found out there at the time.
00:40:09They never put me in...
00:40:10They don't put me in.
00:40:11Why don't they put you in the WhatsApp group?
00:40:12Because no, man.
00:40:13You only invite me.
00:40:14But here you know that this is your house.
00:40:16We are in the chain that we are.
00:40:17I will always invite you, Nayo.
00:40:18Here you will always find a place.
00:40:19Whenever you want.
00:40:22I always commit, huh?
00:40:23Always.
00:40:25What is this?
00:40:26What does this imitate?
00:40:27This...
00:40:28Let's see.
00:40:29It doesn't imitate anything.
00:40:30It's as if it were...
00:40:31As if it were a...
00:40:33The billboard, look.
00:40:35No, what does it remind you of?
00:40:36It's a bit like...
00:40:38Like...
00:40:39No.
00:40:40Like, like an old unemployment office.
00:40:42You know?
00:40:43Something like that.
00:40:44Of the 60s.
00:40:45Of the 60s, yes.
00:40:46But it's true that it's clean.
00:40:47You would have to break it little by little.
00:40:49Do you know what I thought before entering?
00:40:52Do you know what I thought before entering?
00:40:53I thought you had...
00:40:54That Netflix has a lot of power.
00:40:55And I had emulated the hospital.
00:40:57Netflix?
00:40:58The hospital of what?
00:40:59No, it doesn't matter.
00:41:00I think they are gods.
00:41:01And suddenly I think they had tuned this.
00:41:03Of course, of course.
00:41:04Netflix has done that.
00:41:05I thought it was...
00:41:06I thought it was the hospital entrance.
00:41:08But it's not.
00:41:09Netflix doesn't rule here.
00:41:10I know, I know.
00:41:11He rules here.
00:41:12Ricardo rules here.
00:41:13Look, look, look, look, look.
00:41:14What a presence.
00:41:15What a presence, Aní.
00:41:16What a presence, Aní.
00:41:17What a presence, Aní.
00:41:20Well.
00:41:25President.
00:41:26President.
00:41:27President.
00:41:28President.
00:41:29President.
00:41:30President.
00:41:31President.
00:41:32President.
00:41:33President.
00:41:34If you haven't been to Chiapas,
00:41:35I'd like you to come to my country.
00:41:36Who are the males?
00:41:37No, I haven't been to Chiapas.
00:41:38Well, then.
00:41:39If suddenly you remember something
00:41:41that someone said to you
00:41:42that makes you think
00:41:43I don't have a governmental hand here, but let's go.
00:41:45Do you have any bureaucratic work pending that we are going to help you with?
00:41:49To be in TVE.
00:41:50Bureaucratic work, what do you mean?
00:41:52Like, that you have pending to sign something from the disaster.
00:41:54Renew the ID.
00:41:55Renew the ID, that's what I'm going to ask you.
00:41:57Yes, I have a lot of things.
00:41:58The driving license.
00:42:00The ID, I just did it, but I lost my wallet.
00:42:03I have, yes, some things.
00:42:05Let's see your ID.
00:42:06No.
00:42:07Can I see the photo?
00:42:08It's pretty.
00:42:09Let's see it.
00:42:10I've renewed it, it's pretty.
00:42:11Let me see it.
00:42:12Let me see it.
00:42:13No.
00:42:14Why is it hard for you?
00:42:15Because I have to go for the bag.
00:42:16Ah, I don't have it, I don't have it.
00:42:17Yes, you do.
00:42:18I don't have the wallet, man.
00:42:19Have you come undocumented?
00:42:20Yes, I always go undocumented.
00:42:21It is true that the ID is not necessary, it is not necessary to take it.
00:42:26With having the driving license on the mobile phone, it is already worth it.
00:42:29Do you have the mobile phone of Nayo out there?
00:42:31This is fake, man.
00:42:32No, it is with the light that gives it solar from there.
00:42:36Yes, of course.
00:42:41Do you want me to give you...
00:42:42I always carry my photos of the ID.
00:42:44Do you want me to give you one?
00:42:45Of the memory?
00:42:46Yes, so you can take it to your wallet.
00:42:48Fuck, yes, please.
00:42:49I have two.
00:42:50A professional.
00:42:51Do you want to see it?
00:42:52Look, show it to her.
00:42:53This is like a professional, like those who make me from the chain.
00:42:57Show it to her.
00:42:59This is like...
00:43:01Wait, there.
00:43:02There, there, that's it.
00:43:03You are fatter.
00:43:04Yes, because it's been a few weeks that...
00:43:06No, no, you are fatter.
00:43:08He received the 14 million.
00:43:09And then I have...
00:43:11Fatter.
00:43:16And then this one, which is personal.
00:43:18That's the personal one.
00:43:19Because the one you prefer, I give it to you.
00:43:20Show that one.
00:43:21This is not you, yes.
00:43:22Is it me?
00:43:23I have done a lot of...
00:43:24Show it.
00:43:27Take whatever you want.
00:43:28You are very strong.
00:43:29Ornitorrinco's.
00:43:30Look at this hand.
00:43:31Wait.
00:43:35You are so beautiful.
00:43:36You are beautiful.
00:43:39You keep the one in the foreground, right?
00:43:41It's for you, huh?
00:43:42So you can take it in your wallet.
00:43:43Yes, yes, yes.
00:43:44Next to the transport voucher and everything.
00:43:47Okay, what do you want?
00:43:50You will go to the transport voucher.
00:43:51I mean, I know you don't usually go by subway,
00:43:53because people know you and such,
00:43:54but it's good to have it just in case.
00:43:56I don't have it, I don't have it.
00:43:57I always take it.
00:43:58I don't go by subway much either.
00:43:59I'm sorry because I used to go a lot, but now...
00:44:01And you come by bike and all that stuff.
00:44:03Sure, but it's good to have it because maybe one day
00:44:06there is no other way to transport you,
00:44:08you have to get to a place urgently,
00:44:09there is a catastrophe and you have to be able to go on Line 5.
00:44:11Don't pretend to be...
00:44:13Don't pretend to be the one on the street.
00:44:15I always go with people, with the kids.
00:44:17It's not true, it's not true.
00:44:24I'm sure you have a chauffeur.
00:44:25What?
00:44:26I'm sure you have a chauffeur.
00:44:27I don't have a chauffeur, what are you saying?
00:44:28No.
00:44:29You know what makes me uncomfortable?
00:44:30Because they said the other day
00:44:31that the rent scooters will be taken away from Almeida.
00:44:37There are people who say it was time because...
00:44:39A driver from the MT suddenly, a bus driver.
00:44:42You can't go by scooter.
00:44:43Let's see, I could give you a kind of logic,
00:44:45like the character I'm playing,
00:44:47but it's that if, for example, you are in Amsterdam,
00:44:49the whole city is built so that all things go there.
00:44:52Of course.
00:44:53But here everything is concentrated,
00:44:54a pressure cooker, and when they get in the middle,
00:44:56you want to run over them.
00:45:02You know, there have been many times...
00:45:05There have been many times when they have pissed me off,
00:45:07because, of course, the good thing about the scooter
00:45:08is that in the traffic jams and such, it goes through the middle,
00:45:10and sometimes they have pissed me off.
00:45:11There have been people who have lowered the window
00:45:13and insulted me.
00:45:14I think that out of pure anger of being standing in the jam,
00:45:16I went through the left without doing anything wrong.
00:45:18Asshole!
00:45:19And I...
00:45:20Also.
00:45:21It's out of pure anger that I go faster.
00:45:22And because I'm sure they recognized you, apart from that.
00:45:24Also, yes, yes.
00:45:25It was there, yes.
00:45:27Do you want to do an interview...
00:45:29Do you want to do a promotional interview?
00:45:30Are you nervous?
00:45:32In general?
00:45:33No, damn it.
00:45:34At this moment?
00:45:35With this new...
00:45:36I'm calm.
00:45:37I'm having a good time.
00:45:38Yes.
00:45:39Yes, this is the usual.
00:45:40I suppose we have already done many programs.
00:45:42You?
00:45:44No.
00:45:45Are you calm today?
00:45:46Yes.
00:45:47No, my hands are sweating.
00:45:48Let's see.
00:45:49Do they usually sweat?
00:45:50Only when I'm with you.
00:45:51Well, look, something is changing.
00:45:53The truth is that I am glad that you are calmer in that sense.
00:45:56I used to sweat...
00:45:57When we met, I think my hands were sweating,
00:45:59but then I had surgery.
00:46:00Do you know that you can have surgery?
00:46:01Did you get Botox?
00:46:02No.
00:46:05No, no.
00:46:06No, no.
00:46:07I mean, in the hands.
00:46:08Yes, but no.
00:46:09In the hands and armpits you can sweat.
00:46:11But that is removed in a year.
00:46:12But then they remove you in an operation...
00:46:14I asked, of course, for the hands.
00:46:16Here and then you said...
00:46:19They remove you...
00:46:21Look, I can't work like this.
00:46:23Who? What's going on?
00:46:24I'm not going to sweat on my forehead for years because I have Botox,
00:46:26but I have others.
00:46:28They do the operation,
00:46:29they take a nerve from your back,
00:46:31they pinch you in a nerve and you don't sweat in your hands anymore.
00:46:33And did they do that to you?
00:46:34I recommend it to you.
00:46:35No.
00:46:36I'm serious.
00:46:37No.
00:46:38They make a very small opening here,
00:46:39with a little hole like this,
00:46:40they pinch you in a nerve and you don't sweat in your hands anymore.
00:46:42Not even the armpits.
00:46:43No, you sweat a lot.
00:46:47Because it comes out the other way.
00:46:54The surgeon told me,
00:46:55the sweat has to come out somewhere.
00:46:57But not the hands.
00:46:58What do you answer,
00:46:59you sweat balls?
00:47:00For example, what could I answer
00:47:01that would be like a carrier?
00:47:04What do you answer to that?
00:47:06To continue with the dynamics,
00:47:07I say, I sweat balls.
00:47:08You're right.
00:47:09As a presenter,
00:47:10it's a bad contribution,
00:47:11because it's a joke
00:47:12that the guest can't continue.
00:47:14I apologize.
00:47:15No, I apologize to you.
00:47:17I apologize to you.
00:47:18No, I apologize to you.
00:47:19No, I apologize to you.
00:47:20I also sweat balls.
00:47:26Well.
00:47:31I promote the film
00:47:33and we do things.
00:47:34Come on, let's do it all.
00:47:35You're a good actress, right?
00:47:36Yes.
00:47:37You like to act, huh?
00:47:39Many productions,
00:47:40many films, many series,
00:47:41many awards,
00:47:42many recognition of critics and the public.
00:47:45Are you happy with your career so far?
00:47:46From 0 to 10?
00:47:48The career?
00:47:49Professional career.
00:47:52An 8.
00:47:53An 8, huh?
00:47:55You're short, huh?
00:47:56No, I mean my perception.
00:47:58Your perception, an 8.
00:47:59Yes, yes, I'm okay with the job.
00:48:01Okay.
00:48:02I present this.
00:48:06Nayo Aninri.
00:48:09He has come to promote La Revuelta
00:48:11because he can't go anywhere else.
00:48:14As is.
00:48:16He has come here as the last exit.
00:48:19It was this or Radio Complutense.
00:48:26A series by Netflix.
00:48:28It's called Respira.
00:48:41What does Coto Matamoros do?
00:48:42Sorry, huh?
00:48:44Coto Matamoros.
00:48:45Who is this?
00:48:46It's a joke that Miguel has put in,
00:48:47very good, put it on.
00:48:48Coto Matamoros.
00:48:49Coto Matamoros.
00:48:50Coto Matamoros.
00:48:51Coto Matamoros.
00:48:52Coto Matamoros.
00:48:53Coto Matamoros.
00:48:54Coto Matamoros.
00:48:55Coto Matamoros.
00:48:57Coto Matamoros.
00:49:01Gabriel is very good, put it, put it.
00:49:03He also had surgery because he sweat a lot.
00:49:05Then yes.
00:49:11Thank you very much because he had moved the screen.
00:49:13I had not seen it.
00:49:14And thanks to your permission, we put it.
00:49:16Collaborate in the program.
00:49:17Furthermore,
00:49:18it is amazing not only you contribute your excellent presence
00:49:20and your incredible sense of humor,
00:49:22What a guy, my friend, what a guy.
00:49:24Okay, do you want to say something about the series or do I put the trailer and that's it?
00:49:29Okay.
00:49:30Do you want to say something before?
00:49:31You should see it.
00:49:33Okay, it's about a doctor without you, right?
00:49:35Yes, but I'm not a doctor.
00:49:36You are? Director?
00:49:38Ah, president!
00:49:46The president of the Valencian community.
00:49:48Okay, ah, because the hospital is there in Alcyra?
00:49:50It's there and I happen to stop by to get a check-up in a car.
00:49:57They check me and I have like a...
00:49:59Okay.
00:50:00Yes, and then they check me, they see that I have a problem and that's it.
00:50:03Okay.
00:50:04I'm there, private, public, private, public.
00:50:06Good debate.
00:50:08Obviously.
00:50:09Public health, well...
00:50:14Obviously, obviously.
00:50:16Those people from public health who don't always have all the media they want.
00:50:20The other day I was talking to a friend who was a nurse and she told me,
00:50:22we don't have cannulas there.
00:50:24We don't have a defibrillator.
00:50:25We don't have a defibrillator, yes.
00:50:26Yes, yes, it's heavy.
00:50:28And I have to be like the one who defends the private,
00:50:30but save the life of the public.
00:50:31So, if you say that, what's wrong with you?
00:50:33Yeah, yeah.
00:50:34Do you want to put the trailer?
00:50:35Okay.
00:50:36Okay.
00:50:37Breathe from Netflix.
00:50:38Send it to Nynti.
00:50:41They are dismantling public health.
00:50:43It's a fact.
00:50:44And until we stand up, they're going to keep beating us.
00:50:47And how are you going to stand up?
00:50:52And why does a public hospital come if they want to end them?
00:50:56You have a bag here.
00:51:01So all the doctors I know do the opposite of what we tell our patients to do.
00:51:08I guess it's because we're always close to death.
00:51:10Attention!
00:51:13Can you save my life?
00:51:17You can do it.
00:51:19Breathe.
00:51:34The series is beautiful.
00:51:35I like medical series.
00:51:37I also feel romances.
00:51:41I don't.
00:51:43You don't?
00:51:44I don't have a romance.
00:51:45You don't have a romantic plot?
00:51:46They never put it on me either.
00:51:47They don't invite me.
00:51:48I'm handsome, I don't have...
00:51:50Let's see.
00:51:51It's the truth.
00:51:52You're devaluing yourself all the time.
00:51:54You're lowering yourself.
00:51:55No, no, no.
00:51:56If I like it, I like it.
00:51:57I like this killer thing.
00:51:58I don't know what, but then it weighs.
00:51:59Because it also has to be like...
00:52:00Shut up!
00:52:01It's you.
00:52:03Ah, you've left it.
00:52:06I'm sorry.
00:52:07I'm sorry.
00:52:12In a small hole like a wheeled step.
00:52:16I'm pushing it away.
00:52:17It's fine.
00:52:18You know that...
00:52:21You know this...
00:52:22Do you know this?
00:52:23What is that?
00:52:24Do you know this?
00:52:26You don't?
00:52:27This gesture they make,
00:52:28which is like Korean,
00:52:30of the little heart.
00:52:31I remember it from the medical series.
00:52:33Do you know it's not because this looks like a little heart?
00:52:35Because the whole hand...
00:52:38It's the heart.
00:52:39It's like the anatomical heart.
00:52:40And that's the aorta and the other vein.
00:52:43Damn.
00:52:44And the other, the other.
00:52:46But...
00:52:47I think it's a find, sorry.
00:52:48Look what a find, kid. Public service, the heart.
00:52:51Who told you?
00:52:52Did you deduce it and so on?
00:52:54Yes, I deduced it.
00:52:56It can be.
00:52:57It's like the heart,
00:52:59this is like an emoji heart, only the top part.
00:53:01Did you go to YouTube and see the explanation?
00:53:04No, I saw it.
00:53:05I saw it.
00:53:07And it looked like a heart, I didn't ask anyone.
00:53:09It's like when one night I found out
00:53:11that Apple had made the bitten apple because...
00:53:14Because of the Bible?
00:53:16That's right.
00:53:17Yes, I was about to think that and I said,
00:53:19and everyone was like, shut up.
00:53:21But you don't know?
00:53:23No, no, no. What are you going to tell me?
00:53:24Those high spheres.
00:53:26You're always...
00:53:27People who say they don't have contact are the ones who are Illuminati.
00:53:31You also have that thing.
00:53:33Which one?
00:53:34You know, like a reptilian or a scientist or something like that.
00:53:38No.
00:53:39You are in the science department in Ayahuasca.
00:53:42In what? In the science department.
00:53:43But that's what Tom Cruise said.
00:53:45Yes, yes, there you are. I've seen you.
00:53:47No, man, no.
00:53:48No, man, no.
00:53:50Imagine, I'm a homo-hormone.
00:53:51I go with some beliefs.
00:53:53You are not without any kind of elitist thing?
00:53:55Not only not elitist,
00:53:57but I need very specific data to believe me
00:54:00the same as you.
00:54:01I come from a family of doctors.
00:54:03Your family? I think you said that.
00:54:04They are all doctors.
00:54:06Everyone? All doctors?
00:54:07Yes, my brother, my mother and my father.
00:54:09Jordano Seras, right?
00:54:11My father is Jordano and he came with a medical scholarship
00:54:14and he met my mother doing pharmacy.
00:54:16In college.
00:54:17That's why I didn't do a doctor's degree.
00:54:19Because you didn't have...
00:54:21No, because my family is going to give me a hard time.
00:54:23What do they say?
00:54:25What do they say?
00:54:26How much feedback do you have from your family?
00:54:29What do they say?
00:54:30Fuck.
00:54:32The other day, my mother said to me,
00:54:34I don't know, girl, why people say...
00:54:35She's Basque.
00:54:37She says, I don't know, girl,
00:54:38why people say you're such a good actress.
00:54:42I swear on my life, she says to me.
00:54:45You seem awful to me.
00:54:47Awful?
00:54:49My mother doesn't like it.
00:54:50You seem awful to me.
00:54:51I don't know, girl, why people say you're such a good actress.
00:54:54But she also goes...
00:54:55No, no, no, she says it well.
00:54:57I mean, there's like...
00:54:58Good, right?
00:54:59I mean, she doesn't do it to hurt me.
00:55:01That's why I can say it.
00:55:03So, what do you think her intention is?
00:55:04To say, girl, you're awful?
00:55:06What do you think she's looking for maternally?
00:55:08No, I don't know if she said awful,
00:55:11what I feel...
00:55:12That you weren't such a good actress.
00:55:13Yes.
00:55:14That's what happens with parents,
00:55:16as they know you, they say, I see you, I'm looking at you.
00:55:19Yes.
00:55:20And there are things they don't like.
00:55:22There are people who think it's better.
00:55:24That's the feedback from my family.
00:55:25Do you want to send a message to your mother?
00:55:28It's okay.
00:55:29It's okay, of course.
00:55:31It's okay, love.
00:55:32She's got a daughter.
00:55:33She doesn't watch this, I think.
00:55:34She does?
00:55:36No, but I'll tell her.
00:55:37Maybe now she does, maybe she didn't before,
00:55:39but now on Spanish TV?
00:55:40No, it's Netflix.
00:55:41Television!
00:55:42TV!
00:55:43TV!
00:55:44TV!
00:55:45TV!
00:55:46Does it hurt you to have gone to Movistar?
00:55:48No.
00:55:49I mean...
00:55:50The pocket hurts, it weighs you down.
00:55:52I mean...
00:55:54I mean...
00:55:55I mean...
00:55:56I mean...
00:55:58Does the pocket hurt?
00:55:59It was nice there, I mean, I felt sorry to leave
00:56:02because I was there seven years doing this show
00:56:04and another two or three doing another,
00:56:06but it hurts, it hurts, no, because it was also a decision.
00:56:09It's fine, it's fine here too.
00:56:11Shall I ask you the classic questions?
00:56:12Amel, yes.
00:56:13Sorry, do you know Froilán before that?
00:56:15Ah...
00:56:16What's his name?
00:56:17Froilán, Felipe Juan Froilán de Todos los Santos,
00:56:20the brother of...
00:56:21Her brother?
00:56:22Yes.
00:56:23Personally?
00:56:24Yes, our favourite member of the Royal Family.
00:56:26I know things, but I don't know him.
00:56:28Let's see.
00:56:31Give us a clue.
00:56:32No.
00:56:33He's strong.
00:56:34Man, you can't say you know things if you don't say them now.
00:56:37Yes, yes, yes, I can.
00:56:42Okay, I'll ask you the classic questions.
00:56:44Okay.
00:56:45Do you want me to add another one later?
00:56:47Yes.
00:56:48Okay, money in the bank?
00:56:49Sure.
00:56:50Double.
00:56:51Double the last time you came. How much was it?
00:56:5312 and a half million.
00:56:54You said 12 and a half million, but I didn't believe it.
00:56:55Yeah, yeah, but it's your business, I already told you.
00:56:59You're still on a line.
00:57:01It's ascending.
00:57:02It's ascending.
00:57:03Like the stock market, always up.
00:57:05Okay, but is it an ascending line or is it an ascending curve?
00:57:09No, no, no, no.
00:57:10Does it accelerate growth?
00:57:12I mean, just as it accelerates the fall, I'm still going up.
00:57:16Okay.
00:57:17Relation...
00:57:25POMPAS! POMPAS! POMPAS! POMPAS!
00:57:29POMPAS! POMPAS! POMPAS! POMPAS!
00:57:32POMPAS! POMPAS! POMPAS! POMPAS!
00:57:35POMPAS! POMPAS! POMPAS! POMPAS!
00:57:38Pompas was there like behind a bush, like a squirrel,
00:57:41and when it was needed, like a sniper,
00:57:44he put his sound effect.
00:57:46In times of war, any hole is a trench.
00:57:48Very well said.
00:57:49Very well said.
00:57:50Quick.
00:57:53That saying is very dirty, isn't it?
00:57:55Very dirty.
00:57:56Very good, Pompas.
00:57:57Very good.
00:57:58Pompas.
00:57:59Pompas is precision.
00:58:01Sexual relations in the last 30 days.
00:58:04Count, remember, coito...
00:58:06Stop, stop.
00:58:07Pompas, you have to know when to stop too.
00:58:09You can't...
00:58:11Count.
00:58:12Normal coito, one point.
00:58:15Masturbation, 0.2.
00:58:17Petting, 0.6.
00:58:18I can tell you the number, but you wouldn't believe it.
00:58:20Why?
00:58:21High or low?
00:58:22High.
00:58:23High?
00:58:24I can believe it perfectly.
00:58:25It's not like money.
00:58:26It's serious.
00:58:27I can believe it perfectly.
00:58:28Why wouldn't I believe it?
00:58:30Because you ask...
00:58:33this and petting and such,
00:58:35so I guess you think no one fucks.
00:58:38Why would I guess that no one... why?
00:58:40Because otherwise you wouldn't ask that question like that.
00:58:42No, hey...
00:58:43I wouldn't add points to the previous one.
00:58:45Here he adds points to those little things.
00:58:47Sometimes the petting or masturbation goes to that part,
00:58:50without associating with the coito itself.
00:58:52For me it's a preview.
00:58:53You're always a preview.
00:58:55Well, I don't know, that's how I understand it.
00:58:57So you don't touch the low zone, unless it's to do it all.
00:59:00Specifically, I'm not going to talk to you.
00:59:02I can tell you a lot.
00:59:03But give a figure.
00:59:05No.
00:59:06It's true that by not inviting you to anything,
00:59:09you have free time, of course.
00:59:10You have a lot of time to...
00:59:12Oh, man.
00:59:16A lot of time.
00:59:17Look.
00:59:19Look how he's staring at you.
00:59:21He's looking at you again.
00:59:22He's looking at me again.
00:59:23He's looking at me again.
00:59:24It wouldn't be worth it, because it would be coercive.
00:59:26He would invite me for...
00:59:28What were we talking about?
00:59:29A lot?
00:59:30A lot.
00:59:31The answer is a lot.
00:59:32A lot, a lot.
00:59:33Okay, so more money goes up.
00:59:36And sex goes up.
00:59:37And more sex.
00:59:38Fuck.
00:59:41Fuck.
00:59:47What's the new one?
00:59:48Eh?
00:59:49The new one?
00:59:50The new...
00:59:51What's new?
00:59:52The new question.
00:59:53Is it a new question?
00:59:54Sure.
00:59:55Oh, I've been thinking of one.
00:59:56Are you more sexist or more racist?
01:00:01I have to choose?
01:00:02Give the question a thought.
01:00:03Is it a good one?
01:00:04I mean, I don't want you to be a lot of one thing or another.
01:00:07But unfortunately, we all are a bit of one.
01:00:10I was so close, you freak me out, kid.
01:00:13Racist, no, zero.
01:00:15So, you mean everyone is a bit sexist and a bit racist?
01:00:17Let's see.
01:00:19That's long.
01:00:20Being Arab, Basque...
01:00:22Yeah, of course.
01:00:23It's true that you have a...
01:00:24A black boyfriend.
01:00:25Yeah, you have everything.
01:00:28But that's not an impediment, right?
01:00:30You can't even say black.
01:00:31I mean, imagine.
01:00:32I'm Arab and I can't say anything.
01:00:33If I can't say anything, I'm more racist, no.
01:00:36You can say it, because you're saying it.
01:00:38No.
01:00:39No, I'm not saying anything, actually.
01:00:41I'm speaking normally.
01:00:42Okay.
01:00:43So, more sexist?
01:00:45Is it racist?
01:00:46Let's see.
01:00:47No, man, because I...
01:00:48So, more racist?
01:00:49I want to win the boys.
01:00:51I don't want to win the girls.
01:00:52Okay.
01:00:53So, you're more racist?
01:00:55I'm racist.
01:00:56More racist than sexist?
01:00:57If racist is winning the boys, yes.
01:01:02It's a good question, Ricardo.
01:01:03I just realized it's good.
01:01:04But what does sexist mean?
01:01:06I'm not going to explain it to you.
01:01:07Yes.
01:01:10Yes, yes.
01:01:13Sexist in general.
01:01:14If you do a mansplaining about sexism,
01:01:16you're screwed, of course.
01:01:18You're screwed.
01:01:19But what is sexism?
01:01:20What does sexism mean?
01:01:21Really, I don't know.
01:01:22Well, sexism, in my opinion,
01:01:25is to think that there's a difference
01:01:27between men and women
01:01:28simply because they're men and women.
01:01:30There is.
01:01:31I'm more sexist, then.
01:01:32But specifically,
01:01:33specifically,
01:01:34a difference in which the man, let's say,
01:01:36is above the woman.
01:01:38Anatomically, yes.
01:01:39Anatomically, yes.
01:01:40It depends on what.
01:01:41Mentally, I don't know.
01:01:42In a sit-down, be careful.
01:01:43In bulgarians, the ladies throw more.
01:01:46Yes, but bulgarians?
01:01:48A bulgarian doing a sit-down in bulgarians?
01:01:49Of course.
01:01:50You say bulgarians, I say bulgarians.
01:01:51Of course, Marco, you got it.
01:01:53No, but it's a type of sit-down.
01:01:55Oh, fuck.
01:02:00It's not that they're bulgarians.
01:02:03What are bulgarians?
01:02:04You put one foot on top and the other one below.
01:02:06Yes, that's bulgarian.
01:02:08No, no, no.
01:02:09There are a lot of guys doing gluteus.
01:02:11It's this sit-down.
01:02:12The bulgarian...
01:02:13I hadn't fallen either.
01:02:14No, it's this one.
01:02:15You put yourself like this.
01:02:16It's like this, this sit-down.
01:02:18That's the bulgarian sit-down.
01:02:20But with the three of them,
01:02:21the ladies throw a lot there.
01:02:22Yes.
01:02:23It's over.
01:02:24Now it's fashionable.
01:02:25The show is over.
01:02:26The show has just ended.
01:02:27What?
01:02:28Really?
01:02:29I think so, right?
01:02:30We have to...
01:02:31Pablo, it's true.
01:02:33Okay, well, now.
01:02:34Now, later.
01:02:36But yes.
01:02:37Now, now.
01:02:38Okay, so it's over.
01:02:39The interview is almost over.
01:02:41So?
01:02:42I'm leaving.
01:02:43What?
01:02:44It's not true.
01:02:45Now you're very dry.
01:02:46It's true that I said it in a way that...
01:02:47I'm leaving when you tell me.
01:02:49Are you okay?
01:02:50Is there anything left to comment?
01:02:52When does the Netflix series premiere?
01:02:53A movie is coming later.
01:02:54It premieres now in Donosti.
01:02:56I know I may not be able to say this,
01:02:57but I'm going to say it.
01:02:58Why?
01:02:59It's called The Red Virgin.
01:03:00It's quite powerful.
01:03:01In the cinema?
01:03:02Yes.
01:03:04I'm leaving.
01:03:05Well, bye.
01:03:07But that's it, right?
01:03:09You've been...
01:03:10But wait, wait.
01:03:12Pablo, don't go.
01:03:13Oh, no.
01:03:14A hug.
01:03:15Do people say goodbye?
01:03:16Of course.
01:03:17Yes, but since you're saying goodbye abruptly...
01:03:18I didn't say goodbye abruptly.
01:03:19On the contrary, I was...
01:03:20You said, well, it's over.
01:03:21Because I realized it was over,
01:03:22but then I wanted to say goodbye more personally.
01:03:23No, no, no.
01:03:24Take the photo.
01:03:25Yes, it's true.
01:03:26Have you been well, Nayoa?
01:03:27Yes, the truth is yes.
01:03:28We will always invite you.
01:03:29I love to see you.
01:03:30You are in the moment you are.
01:03:31And you know what happens?
01:03:32I've said it before when I came in.
01:03:33Do you know what the difference is between this show and others?
01:03:35That there is an audience, man.
01:03:36Indeed.
01:03:39Nayoan Ingrid, the audience.
01:03:43All right.
01:03:45Nayoan Ingrid.
01:03:58And now, to finish the show,
01:04:00one of the best comedians who have stepped on this set.
01:04:03Yes.
01:04:04A round of applause.
01:04:05Maybe he's already out of energy, of course,
01:04:06because he's been waiting for a while.
01:04:07How is Pablo Ibarburo going to run out of energy?
01:04:09Yeah, it's true.
01:04:10It's Pablo Ibarburo.
01:04:11There he is.
01:04:12A round of applause for Pablo Ibarburo.
01:04:16Pablo Ibarburo.
01:04:17Pablo Ibarburo.
01:04:28Is this going to be on the show or is it going to be cut?
01:04:30It's going to be cut.
01:04:31I'm going home.
01:04:33No, you're going to have dinner with me, remember, Pablo.
01:04:35It could be cut.
01:04:36The Pompas is going to come out.
01:04:37I tell my mother, put on the TV that the Pompas is going to come out.
01:04:41What is this?
01:04:42Let's see.
01:04:43I'll tell you.
01:04:44I'm going.
01:04:45I'll be back tomorrow.
01:04:47Yes, yes, yes, yes.
01:04:49I charge twice.
01:04:50I'm honest with you.
01:04:52I'm honest with you.
01:04:53This could not be broadcast.
01:04:56But it could also be broadcast.
01:04:58Of course, what were you going to do?
01:05:01That I make you the menu?
01:05:02Yes.
01:05:04Look, first I was going to comment on the show a little bit,
01:05:06a little bit in general,
01:05:07the little things of the show,
01:05:08what happened yesterday and such, right?
01:05:09Okay.
01:05:10And then...
01:05:11Maybe that could be done.
01:05:12If you leave the other thing for another day.
01:05:16No.
01:05:17No, no.
01:05:19Let him do that.
01:05:20No, but you are going to know what it is today
01:05:22and what it was the other day.
01:05:23Of course.
01:05:25And also, here is the Pompas.
01:05:32Okay, sit down, sit down, Pablo.
01:05:35Tell, tell a little about that and that's it.
01:05:37How are you?
01:05:39Spanish television, Pablo.
01:05:40Spanish television, boy.
01:05:41Prime Time.
01:05:42I've seen the show.
01:05:44I saw it yesterday.
01:05:45A shit.
01:05:47Fuck, strong statements.
01:05:49But the shit that was already.
01:05:52It's what I said from the beginning.
01:05:54The shit that was being done, that was acquired.
01:05:56Yes.
01:05:57It is the shit that is being broadcast.
01:05:59Here we have not deceived anyone.
01:06:00So, I think everyone is happy.
01:06:02Indeed.
01:06:03And I, you know that I am more of a fan than an employee of this program.
01:06:07You see the program more than what comes out, of course.
01:06:08Of course.
01:06:11Specifically today.
01:06:12Of course, specifically today.
01:06:13Today I have seen two and a half hours of program.
01:06:17And you're going to laugh for two minutes.
01:06:18Exactly.
01:06:19But you know that I do the program to be able to see it.
01:06:22How? I do not understand.
01:06:24I like to watch TV more than do it.
01:06:26I mean, I want to watch TV.
01:06:27Do you like to watch TV a lot?
01:06:28But I have to work to be able to watch TV.
01:06:31I mean, if I could see it instead of doing it, I would see it.
01:06:34But I have to do it to be able to see it.
01:06:35Of course, because you have to have a house where you can watch TV.
01:06:37I need it to be done, because if not, I would have to see what I do to see it.
01:06:40Yeah, yeah, yeah.
01:06:41Of course, because not seeing it, I don't want to do that.
01:06:43From there, the most important thing is to watch TV.
01:06:45And the means to continue watching it is to make TV.
01:06:47Make TV to be able to see it.
01:06:49For a television operator, there's the guy.
01:06:51Here driving it.
01:06:56And I have to say that I, as a television viewer,
01:07:01I don't notice much difference with other shits.
01:07:04I mean...
01:07:05What do you mean?
01:07:06This program is shit, but it's a TV show.
01:07:09Yes, of course.
01:07:10People, I don't know what to expect from a TV show.
01:07:12A TV show is not going to fix your marriage.
01:07:16People are waiting for a TV show.
01:07:18Shit has been done here for a long time now.
01:07:21Of course, years, years.
01:07:22And it will continue to be shit.
01:07:23Yes.
01:07:24But it was time to change a little.
01:07:26I mean, there are no more MasterChefs.
01:07:30What do you mean?
01:07:31We were not going to make a MasterChef dogs.
01:07:34Ah, good eye, huh?
01:07:36MasterChef dogs.
01:07:38That's it.
01:07:39Then, more shows can be made.
01:07:42Yes.
01:07:43But we have already made the show where Mercedes Mila comes out
01:07:45showing videos of Mercedes Mila when she was young.
01:07:47The truth is that this program has existed.
01:07:49This program has been done many times.
01:07:51It's not necessary anymore.
01:07:52That's like going to see your grandmother
01:07:54and she shows you the photo album.
01:07:56But instead of the photo album,
01:07:57it's the audiovisual archive of Spanish television.
01:07:59Of course.
01:08:00By the way, tell me how it happened.
01:08:01It's what Judge Emanuel Arias told him.
01:08:09Put the parliamentary question.
01:08:13It was discovered that the entire series
01:08:15is the testimony of Carlitos in the trials.
01:08:19A tragedy.
01:08:21In 1985, my mom and dad hid the money under the mattress.
01:08:34So, now I could show you the other thing,
01:08:36but it's not necessary.
01:08:37No, that's it.
01:08:38With this joke that you have made,
01:08:39for me, it counts for everything, Pablo.
01:08:41That's it?
01:08:42That's it.
01:08:43Did you like it?
01:08:46I forgot that you also do things for children.
01:08:48Look, look, look.
01:08:49Look what a plan.
01:08:50For teenagers.
01:08:51This program is being watched by Josep Borrell.
01:08:53You know?
01:08:54You also have to give things to the kids.
01:08:56Of course.
01:08:57How did you set up this decoration that is a bit...
01:08:59What?
01:09:00It's very ministerial, isn't it?
01:09:01Well, it was a bit of an idea.
01:09:02Then, little by little,
01:09:03you will have to add things to it.
01:09:05It's nice.
01:09:06But you have to break it a bit.
01:09:07You have to break it.
01:09:08Do you want to break something before going out?
01:09:09It's like... Yes.
01:09:10As soon as you go out,
01:09:11you take the mattress and throw it against the glass.
01:09:13And you're gone.
01:09:14Ah, let's see if you're going to break it.
01:09:15By the way, one thing I wanted to tell you.
01:09:17Don't go away.
01:09:18How long have we known each other?
01:09:19Ten years.
01:09:20Ten years.
01:09:21Ten years.
01:09:22Yes.
01:09:23Couldn't you find a sofa where I could stand?
01:09:25You can stand on this one, right?
01:09:27I can't stand.
01:09:28Damn, you can't stand on this one either.
01:09:30It's impossible.
01:09:37Pablo, you can't even stand on a sofa, man.
01:09:43Pablo Ibarguro, La Resistencia.
01:09:47Pablo Ibarguro.
01:09:48Thank you, Pablo.
01:09:49Thank you for coming.
01:09:50Leave it, leave it there.
01:09:51Thank you very much for coming.
01:09:52This was La Revuelta.
01:09:53Today, Ricardo Casellas, Richard.
01:09:54Thank you very much.
01:09:57Thank you all, thank you all.
01:09:59See you tomorrow.
01:10:00Spanish television.
01:10:01Thank you for coming.
01:10:07Oh, oh, oh.
01:10:08Oh, no.