La revuelta programa 2 Najwa Nimri

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Transcript

00:00:00No cop, we don't talk, smoke, we live off of fuckin' hoes

00:00:04No cop, we don't talk, smoke, we live off of fuckin' hoes

00:00:08Dando vueltas en la ciudad, no soy tu fan, pero no pasamos

00:00:12No cop, we don't talk, smoke, we live off of fuckin' hoes

00:00:17Dando vueltas en la ciudad, la la la la la la

00:00:21Shake that, shake that, ready for late night

00:00:24Checamos fast, pero no bullies, ando bien high

00:00:26Viendo una movie como Eminem and 8 Mac

00:00:28Rompo el escenario hasta las 8 May

00:00:30No como estos guachos que se suben a hacer playback

00:00:32La la la la la la

00:00:58Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh

00:01:27¿Qué dice? ¿Qué dice tu hombre?

00:01:32¿Qué dice?

00:01:34¿Qué dice?

00:01:37¿Qué dice?

00:01:40¿Qué dice?

00:01:45Bueno, bueno, bueno, bueno, bueno

00:01:47Bueno

00:01:53¿Qué es esto? ¿Qué es esto?

00:01:55¡A ver, vale ya, vale ya!

00:01:57Ayer, ayer el programa...

00:02:00Ayer el programa solo vinieron funcionarios, ha venido gente normal

00:02:03Claro, claro, es que...

00:02:04Pero es que esto es increíble

00:02:12Me han dicho...

00:02:14He oído, en las tres que se han mezclado en el proyecto, he oído

00:02:17Hijo de p***

00:02:19Esto hay que ponerle pitido, pero bueno, hijo de p***

00:02:20Millonario, y alguien me ha gritado por ahí español

00:02:23¿Por qué esto es televisión?

00:02:27Por niño, madre mía, ¿cómo entra esto?

00:02:28Es que esto ya siempre, ¿eh?

00:02:38Esto ya todos los días, Ricardo

00:02:39Todos los días, no, estamos probando esto y esto no es definitivo, ¿eh?

00:02:43Hostia, no me había dado cuenta, ¿eh?

00:02:44No te había fijado, no te ha llamado la atención, ¿no?

00:02:48Efectivamente, ponlo, ponlo ahí

00:02:49Ricardo es el yankee que se ha tomado tres tequilas en un resort, ¿eh?

00:02:52Y está...

00:02:53Es que, mía, mía, qué pinta, ¿eh?

00:02:54Estamos buscando algo fresquito y colorido para la cabeza

00:02:56Estamos probando cosas y no hemos dado cuenta todavía

00:02:58Vale, pero este no vale, hay que cambiar, Ricardo

00:03:01Yo creo que esto no es, pero a que te apetece algo con tortitas

00:03:04Ahora sí

00:03:06Vienen muy fuertes hoy, gracias por el recibimiento

00:03:08Y gracias por el recibimiento ayer del primer programa de La Revuelta

00:03:10Que lo habéis visto mucha gente

00:03:13Muchas gracias, ¿eh?

00:03:20¡La Revuelta!

00:03:22La Revuelta

00:03:26¡Televisión!

00:03:27¡Te lo juro!

00:03:29¡Viva España!

00:03:30¡Viva!

00:03:31¿De ayer Minuto de Oro, de la televisión?

00:03:36Sí

00:03:45¿Qué pasa?

00:03:47¿Minuto de Oro?

00:03:48What's up? What's up?

00:03:49Have you invented the golden minute?

00:03:50I don't know.

00:03:51They told me there was a lot of audience yesterday.

00:03:53Ah, okay.

00:03:54Then you can say whatever you want, of course.

00:03:55But...

00:03:56Well, maybe not a minute, but maybe a second of gold.

00:03:58We'll have done a second of gold.

00:04:00We've had a moment above the threshold.

00:04:02Not at all.

00:04:03It's very difficult because we've had a lot of audience yesterday,

00:04:05but they...

00:04:06This is like a time...

00:04:07I remember years ago that Atleti,

00:04:08I don't know if you remember,

00:04:09played a game against Barça.

00:04:10Atleti scored four goals and Barça five.

00:04:12That happened to us yesterday.

00:04:13We've scored a lot, but those people...

00:04:15It's not going away.

00:04:16You say we're going to do like Atleti.

00:04:17Pedro Sánchez has exploded.

00:04:18However...

00:04:19Pedro Sánchez, yes.

00:04:20This is the reality.

00:04:21Pedro Sánchez will go one day,

00:04:22but Pablo...

00:04:23I don't know.

00:04:24I don't know.

00:04:25My school, man.

00:04:26Go away, fuck.

00:04:27There's no way to get him out.

00:04:28There's no way.

00:04:29It's been many years.

00:04:30Pedro Sánchez has been playing for three or four years,

00:04:31and Pablo has been playing for 25.

00:04:32It's impossible.

00:04:33He's got it like a demon.

00:04:34You're freaking out.

00:04:35Sorry, this girl.

00:04:36What?

00:04:37Do I have to start fast?

00:04:38Yes, yes.

00:04:39I'm going to start.

00:04:40I'm going to start.

00:04:41I'm going to start.

00:04:42I'm going to start.

00:04:43I'm going to start.

00:04:44I'm going to start.

00:04:46Excuse me, this girl.

00:04:47Do I have to start fast?

00:04:48Sergio, there are many things today.

00:04:49His name is Kenzie.

00:04:50Kenzie?

00:04:51Kennzie.

00:04:52Yes.

00:04:52Okay.

00:04:53He's one of the most popular people in the audience.

00:04:55Man, he has a very good attitude.

00:04:57Yes.

00:04:57There are some that are better,

00:04:58but they are cool each other.

00:05:00And finally it all...

00:05:01He sing in some rock group.

00:05:03They sing in a rock group.

00:05:04They sing in a rock group.

00:05:05You could sing something.

00:05:06First I'll introduce that guy,

00:05:07and then Kenzie sings something, quickly.

00:05:09It's pretty catchy.

00:05:11Pompas! Pompas!

00:05:24This is Pompas.

00:05:26Pompas! Pompas!

00:05:33Pompas is already here a few years ago.

00:05:37Why does he look so bad when he's called Pompas?

00:05:39It's a flip-flop.

00:05:43It has a lot of tricks.

00:05:44Take out the flashlight.

00:05:46Open the flashlight, Pompas? Yes.

00:05:49And it can find you.

00:05:51But...

00:05:52Well, Pompas came to me.

00:05:53It has a lot of resources, right?

00:05:55Why don't you send it to a Chinese bazaar?

00:05:57It also knows chants.

00:05:58Light to see sexual spots.

00:06:00Open the microphone, Pompas.

00:06:02By the way, we put the video to make it uncomfortable,

00:06:04but you have to turn it up. No, no, no.

00:06:06You have to turn it up. Today you're free, Pompas.

00:06:08No, no, and also, because of my size,

00:06:10I have my ass here, like in a cloud.

00:06:12Like in a...? Cloud.

00:06:13Like in a cloud. Like in a cloud of Pompas.

00:06:16Speak into the microphone.

00:06:17For a person with a small ass,

00:06:18it can fit in here,

00:06:20but I have a big ass, so it's empty.

00:06:22I can get up and the video goes with me.

00:06:25He did it.

00:06:27Pompas! Pompas!

00:06:30Pompas! Pompas!

00:06:34Pompas! Pompas!

00:06:37But...

00:06:38But why did you put Pompas here?

00:06:40It's a machine, right? Envy.

00:06:41Envy. It hasn't started with the chants yet.

00:06:44Hey!

00:06:45Not even one Pompas has done it yet.

00:06:47He's done it, he's done it.

00:06:48Let's see, because they left the video without water

00:06:50and I couldn't fill it up.

00:06:51But I like it, huh?

00:06:53People... If envy were ink,

00:06:55how many would there be? Here you have them.

00:06:58It's started.

00:06:59Pompas! Pompas!

00:07:03No, they voted for envy.

00:07:05But you had people in your pocket and now you insult them.

00:07:08No, they voted for envy.

00:07:09A man I had behind with white hair.

00:07:11Pompas!

00:07:12I, as soon as I stand up, I scare him.

00:07:14Get up, get up.

00:07:15What a creature, boy, my God, Pompas.

00:07:17Pompas, send an aggressive message to the camera,

00:07:21so he doesn't hesitate, but stand up, stand up.

00:07:22As you can see, one of those who put me here on the street

00:07:25is his last day of life.

00:07:26Well...

00:07:27Podemita!

00:07:28Pompas!

00:07:29Pompas!

00:07:31Pompas!

00:07:32Pompas!

00:07:33Pompas!

00:07:34Pompas!

00:07:35Pompas!

00:07:36It's his last day of life, he says.

00:07:38I'm armed, huh?

00:07:39Shut up!

00:07:40With what?

00:07:41There are very violent people here.

00:07:43Yeah, yeah, yeah.

00:07:44Let's soften this up, because when people vote...

00:07:47And when he starts to relax,

00:07:49he's going to start saying more refrains and it doesn't stop.

00:07:52Are you going to sing something, Kensi?

00:07:55Me? Let's see.

00:07:56It's my birthday!

00:07:57No, something...

00:07:58Let's do it!

00:07:59Look, listen, I've sung a lot, not now, but in my life.

00:08:02But I don't care.

00:08:04Yes, I know, but I have a more important mission.

00:08:07I don't think so.

00:08:08Wow.

00:08:09Kill Pompas.

00:08:10Let's see.

00:08:11No, I must say that I started off well, but not now.

00:08:14So, I was well placed there.

00:08:15Okay.

00:08:17You have attitude, Kensi, huh?

00:08:18Yes, yes.

00:08:19In fact, it's a surprise that I'm not there instead of here.

00:08:22Okay.

00:08:23The thing is that we are...

00:08:26Are you a collective?

00:08:27Yes, I speak on behalf of my band.

00:08:29V for Vendetta.

00:08:30Exactly, that's us.

00:08:32No, we're called Megara.

00:08:33What's up? We've been in the Eurovision Song Contest...

00:08:36They brought us a model.

00:08:38No, well...

00:08:39Yes.

00:08:40Fuck, they're like Amaral after 20 years in prison.

00:08:44Yes.

00:08:45APPLAUSE

00:08:48That's...

00:08:49That's another matter.

00:08:51After prison, man.

00:08:52It's true that...

00:08:53What do you play?

00:08:55The guitar.

00:08:56The guitar, but it's true that it's Amaral's after a while in jail.

00:09:00Yes, yes, yes.

00:09:01LAUGHTER

00:09:02Sing something.

00:09:03Let him sing something and Pompas do a chorus.

00:09:05Okay.

00:09:06You sing something simple, a chorus and advertising.

00:09:09Is there advertising?

00:09:10There's no advertising.

00:09:11There's no advertising.

00:09:12LAUGHTER

00:09:14Okay, you sing something, a chorus...

00:09:15There's no advertising.

00:09:16APPLAUSE

00:09:17I sing.

00:09:18APPLAUSE

00:09:20You sing something, a chorus and I advertise a business in my town.

00:09:24Have you played anything?

00:09:25No, I'm not going to play.

00:09:26You're not going to play?

00:09:27Oh, no, no.

00:09:28That's because of the tattoos.

00:09:30No, no.

00:09:31No, I haven't gotten there.

00:09:33Dude.

00:09:34A cappella, a cappella.

00:09:35A cappella, a cappella.

00:09:36A cappella.

00:09:37That's it.

00:09:38Do I introduce you?

00:09:39I'm fine.

00:09:40Okay.

00:09:41LAUGHTER

00:09:43What am I going to mess up?

00:09:44Let's see, can I sing the song we've taken this year to Eurovision?

00:09:47Sing...

00:09:48People are very impatient.

00:09:50That's true.

00:09:51Sing one of yours, sing one of yours.

00:09:53The chorus.

00:09:55Sing!

00:09:57Please, sir.

00:09:59No.

00:10:00He looks like Barcenas in the judge of Plaza Castilla.

00:10:02He doesn't want to sing.

00:10:03He doesn't want to sing.

00:10:05You're going to be able to jump all night

00:10:10Come and give me a reason to want to change

00:10:15Those voices

00:10:17You know some are good, some are not

00:10:21That's it.

00:10:22I'll start from there.

00:10:23APPLAUSE

00:10:25Very good.

00:10:26One moment.

00:10:27Very good.

00:10:28One moment, one moment.

00:10:29APPLAUSE

00:10:30One moment.

00:10:31One moment.

00:10:32Charol's shoes, not for the water, not for the sun.

00:10:35LAUGHTER

00:10:36APPLAUSE

00:10:38APPLAUSE

00:10:39Oh, la, la, la.

00:10:41APPLAUSE

00:10:48Very good, very good chorus.

00:10:52Advertising, whole bakery in Orcera.

00:10:54Very good cakes, bread.

00:10:56Be careful with the pompis, pompas.

00:10:58LAUGHTER

00:10:59Okay, this is... What's up?

00:11:01What's up, Guillo? Have you finished the show?

00:11:04It's ten o'clock, he's already finished the children's program.

00:11:06So, can we play the magic man now?

00:11:10It's time for the kids to go to bed.

00:11:12Play the magic man.

00:11:14Play it, play it.

00:11:17Kids, the TV is over.

00:11:20Go to sleep.

00:11:22I'll be watching you.

00:11:26APPLAUSE

00:11:36OK.

00:11:37And now, one more day in La Revuelta,

00:11:39a round of applause for Jorge Ponce.

00:11:42CHEERING

00:11:43What's up?

00:11:44Jorge Ponce.

00:11:46What's up?

00:11:50David, I'll be quick because of something that's happening.

00:11:54What's up?

00:11:55Yesterday's show, and I think it'll be the same today,

00:11:57was broadcast live.

00:11:58OK.

00:12:00And at this time, it was the result of the lottery.

00:12:02Sure, the lottery.

00:12:03There are lotteries on Spanish TV.

00:12:05The lottery was on.

00:12:06And yesterday, we didn't get the lottery.

00:12:08And now, people want to see the lottery.

00:12:10And they're watching Pompas, Ricardo with the hat.

00:12:13People want to know if they've won or not.

00:12:15Sure, sure.

00:12:16And they're watching Tapocilga.

00:12:17OK.

00:12:19Since we can't play it, because it's in the afternoon,

00:12:21it's five o'clock, we don't have the result.

00:12:23It's five o'clock.

00:12:24No, don't show me the phone.

00:12:26I won't show you.

00:12:27I won't show you.

00:12:28LAUGHTER

00:12:29APPLAUSE

00:12:31He's going to tell me.

00:12:33That's not good.

00:12:35It's five o'clock in the afternoon.

00:12:37You can cheat.

00:12:38We could be live and you'd have put it at five o'clock.

00:12:41You've seen the number has changed.

00:12:42It wasn't a photo.

00:12:43It's five o'clock.

00:12:44We all know that.

00:12:45If you go up the stairs, it looks like a radio show.

00:12:48Sure.

00:12:49You can't cheat.

00:12:50We're live.

00:12:51For those people who want to see Bono Lotto

00:12:54and have to wait for the show to end,

00:12:56I can't give them the prize number, we don't know,

00:12:59but we're going to give them one that doesn't count.

00:13:02LAUGHTER

00:13:03One that doesn't count?

00:13:04A number.

00:13:05We're going to give them a number...

00:13:07How do you know?

00:13:08Because he's not going to get it.

00:13:09You're cheating, Jorge.

00:13:11He's not going to get it.

00:13:12He has to get the number that's on the show.

00:13:14He can't get it.

00:13:15He can't get it.

00:13:16I'm going to give him a number and whoever gets it,

00:13:19whoever has the ticket, has to break it.

00:13:21He's going to touch it.

00:13:23And if, by chance,

00:13:24imagine if it was a coincidence,

00:13:26he broke it and touched it,

00:13:28I promise you,

00:13:29David, with your own money,

00:13:31LAUGHTER

00:13:33you'll get the full prize.

00:13:34With my own money, which is everyone's.

00:13:36Of course.

00:13:37Thank you very much for that money.

00:13:39APPLAUSE

00:13:44So, the result...

00:13:45Play the music.

00:13:47The bad result, the one that doesn't count,

00:13:49of the Bonolot.

00:13:51The Bonolot, the number that doesn't count.

00:13:53Is it the official music?

00:13:54This is the official Bonolot,

00:13:56the one that doesn't count.

00:13:57Okay?

00:13:58That is, whoever gets the next number,

00:14:01tomorrow, his boss won't go and tell him...

00:14:04Why does it say CR down there?

00:14:05CR...

00:14:06The black one and the other one.

00:14:08Yes, Carlos...

00:14:09Cristiano Ronaldo.

00:14:10Cristiano Ronaldo.

00:14:11Cristiano Ronaldo.

00:14:12Well, then...

00:14:13CR7, put a 7 next to it and that's it.

00:14:15Okay, number five.

00:14:17Okay, number five.

00:14:19Yes.

00:14:22Okay.

00:14:25I don't know how it is.

00:14:2927.

00:14:33Neither 26 nor 27.

00:14:35APPLAUSE

00:14:40The Bonolot does have a number, doesn't it?

00:14:42Of course.

00:14:43The last one...

00:14:44How many are there?

00:14:45Neither 43 nor 44, I'm sure.

00:14:48Okay.

00:14:49Cristiano got a 2 and Ronaldo got a 0.

00:14:52Cristiano won.

00:14:53Okay.

00:14:54Ronaldo won.

00:14:55Okay.

00:14:56APPLAUSE

00:15:00So, this person...

00:15:01There's the number, not awarded.

00:15:03No, no, no, don't get carried away.

00:15:05Whoever has that number...

00:15:07He'll break it.

00:15:08He won't buy a Tesla.

00:15:10Okay.

00:15:11He won't be surprised, he didn't get it.

00:15:13That's it?

00:15:14That's it.

00:15:15And the rest, he only got one, I won't give more.

00:15:18I give one every day.

00:15:19Okay, that's it.

00:15:20Jorge, put it there.

00:15:21It's easy.

00:15:22See you later, Jorge.

00:15:23APPLAUSE

00:15:28They'll put the draw at the end so it's more fluid

00:15:31and we'll do this.

00:15:32Well, but it's a small blow.

00:15:34Eh...

00:15:35Guillo?

00:15:36Here he is.

00:15:37First day here.

00:15:38Excellent comedian.

00:15:39We've known her for a long time.

00:15:41Of course.

00:15:42Sorry, we have a problem with this person.

00:15:44Because she works...

00:15:45No, she doesn't.

00:15:46...at A3 Media.

00:15:47No.

00:15:48Yes, they're cheating.

00:15:49Maybe not.

00:15:50Maybe not.

00:15:51What?

00:15:52Maybe not?

00:15:54Maybe they've cheated on her.

00:15:56They've cheated on her?

00:15:57They've cheated on her.

00:15:58She's not at A3 Media anymore?

00:16:00No.

00:16:01But...

00:16:02He doesn't know anything.

00:16:03Maybe if this goes well, they'll think about it again.

00:16:06She's not there anymore?

00:16:07I didn't know.

00:16:08Maybe they forced her to choose

00:16:10and she chose to be here with these people.

00:16:12Well...

00:16:13APPLAUSE

00:16:22A round of applause for Valeria Rous in the audience.

00:16:25APPLAUSE

00:16:27Valeria Rous.

00:16:28MUSIC

00:16:35How are you?

00:16:36Woo!

00:16:37How are you?

00:16:40APPLAUSE

00:16:46You're wrong.

00:16:47I didn't know you'd start with that.

00:16:49You've screwed it up.

00:16:50You've screwed it up.

00:16:51This could be Flor de Un Día.

00:16:52You think?

00:16:54I think we're going to kick his ass.

00:16:55Well...

00:16:56Or not?

00:16:57We're going to kick his ass.

00:17:01I wouldn't have gone to A3 Media.

00:17:02But listen, how do you do this?

00:17:04It's been many years.

00:17:05Maybe I can go back, maybe not.

00:17:06No.

00:17:08It's really weird.

00:17:09You've really scared me.

00:17:10I mean...

00:17:11Put it there.

00:17:12It's been this,

00:17:13the 40-year-old who leaves his wife for a night's sleep.

00:17:16This could end...

00:17:17APPLAUSE

00:17:18Totally.

00:17:19APPLAUSE

00:17:23Give him some money, La Bonoloto.

00:17:25Maybe.

00:17:26Maybe, I don't know.

00:17:27I don't know if this is real, but...

00:17:29It's real in the sense that I come here to do my section.

00:17:33And you're not there for now.

00:17:35I'm not there for now.

00:17:36There's no problem for us, you can go to A3 Media.

00:17:38That's why I'm here.

00:17:39Okay.

00:17:40I'm excited, can I sit down?

00:17:43Do you want to sit?

00:17:44Come on.

00:17:45And this?

00:17:46Look.

00:17:47APPLAUSE

00:17:51How are you?

00:17:52What?

00:17:53This wasn't yesterday, was it?

00:17:55What?

00:17:56Yesterday I saw the whole show with my daughter.

00:17:58With your three-year-old daughter?

00:17:59Don't touch it, it's for warming up.

00:18:01You can't touch it.

00:18:02But I think it's...

00:18:03You can't touch it.

00:18:04But this wasn't yesterday.

00:18:05It wasn't yesterday.

00:18:07Okay.

00:18:08I don't see the table on this side.

00:18:09But it's weird not touching it.

00:18:11Little things are added to the stage.

00:18:13You can't touch it.

00:18:14But you want to touch it, right?

00:18:16But you can't touch it.

00:18:17And you can't do it less.

00:18:20Yes!

00:18:21No, no.

00:18:22No, it's the first day...

00:18:24I ask you not to touch it.

00:18:26I'd like him to touch it and the pump to explode.

00:18:28Bang!

00:18:29APPLAUSE

00:18:31How are you? You're my age, aren't you?

00:18:33What?

00:18:34How old are you?

00:18:3586.

00:18:3684.

00:18:37How old are you?

00:18:39You said it.

00:18:40Of course.

00:18:4184, you?

00:18:42I thought...

00:18:43But I'm almost 85, so I'm 30.

00:18:45I thought we'd be the same age.

00:18:46No, I'm two years younger.

00:18:48More or less.

00:18:49Apparently, you're okay.

00:18:50Apparently? Who, me?

00:18:51Yes.

00:18:52I look...

00:18:53How do you look?

00:18:55I look dynamic, much better than a few years ago.

00:18:57That happens to me.

00:18:58I look better than before.

00:18:59I look better than before.

00:19:00It's not easy because I used to be a Christian.

00:19:02No, you were fine.

00:19:03Well, I've been finding things that one can...

00:19:06Mr. Potato.

00:19:07Well, not Mr. Potato.

00:19:08I'm not Mr. Potato.

00:19:09I'm not Mr. Potato.

00:19:10Not to be missed.

00:19:11But when I was younger, I was much worse.

00:19:13Miguel, stop showing images of me as a kid.

00:19:16Stop it, please.

00:19:17Ah.

00:19:18Okay.

00:19:19APPLAUSE

00:19:21There?

00:19:22Look, look.

00:19:23The two... Put it on, Miguel.

00:19:25Eh?

00:19:26Put it on, Miguel, again.

00:19:27The two...

00:19:28The two...

00:19:29And the other one, put it on now.

00:19:31But...

00:19:32No, that's the two, too.

00:19:33It's wrong.

00:19:34There are some that are 20 or so.

00:19:36There are 20 years, sure.

00:19:37The other one was very traditional.

00:19:39It's because there are pictures...

00:19:40Listen, let's see if I win.

00:19:42Do you have a photo of me when I was 20?

00:19:43No, not 20.

00:19:44When I was 20.

00:19:45Let's see.

00:19:46Look.

00:19:48It's very chubby.

00:19:49Yeah.

00:19:50It was like...

00:19:51Chubby as hell, huh?

00:19:52Big chubby.

00:19:53Yeah, little chubby, right?

00:19:54Okay, it's cut because it was my first boyfriend,

00:19:56Dan Lau.

00:19:57I don't know...

00:19:59I don't know if he's dead.

00:20:00So, just in case...

00:20:01He made the boyfriend, huh?

00:20:02I think I win.

00:20:03No, zero.

00:20:04Of that boyfriend?

00:20:05Zero, zero, zero.

00:20:06Zero.

00:20:07Wow, and this photo?

00:20:08What do you think?

00:20:09No, but this is another one.

00:20:10Ah, there's more.

00:20:11This is yours too?

00:20:12Yes.

00:20:13Uh, but that, that has made Miguel a bit...

00:20:14But where did you get that from?

00:20:15Where?

00:20:16That's from TV.

00:20:17I went with my friends.

00:20:18A contest?

00:20:19We wanted to go in public, but they only let us if we were going to talk.

00:20:21Okay.

00:20:22And then, nothing, we went to talk.

00:20:23I said, like, some brutal barbarities.

00:20:26Yes.

00:20:27I did, like, I wanted to be an actress.

00:20:28I took out my tongue.

00:20:29My mother caught me having a piercing in my tongue.

00:20:30I mean, all wrong.

00:20:31And that's from TV.

00:20:32Well, okay.

00:20:33Yes, when I was little.

00:20:34So what?

00:20:35What's going on with everything?

00:20:36What I mean is that now, I never think about the girls.

00:20:37There are people, like, younger than me, I don't think about it.

00:20:39I mean, I'm at home, I want to be good.

00:20:41I flirt with being good all the time.

00:20:43You give a lot of importance to being good.

00:20:45Not now.

00:20:46Yes, yes.

00:20:47Last year.

00:20:48And this year?

00:20:49No, last year I did take it very seriously.

00:20:50All day selfies like rites, putting natural bronze, I don't know, you know, the filters.

00:20:56Ah, no, no.

00:20:57You don't have Instagram.

00:20:58I don't have it.

00:20:59Well, I played a lot with that.

00:21:00Okay.

00:21:01And then, in the last month, some things happened that made me realize, like, what are you doing,

00:21:04Val?

00:21:05What a shame.

00:21:06Why?

00:21:07Well, first, the other day we played football with my friends.

00:21:08Yes.

00:21:09We called ourselves the Mammies.

00:21:10Okay.

00:21:11In the semifinal, they beat us and suddenly I hear one, these mothers, 50 years old.

00:21:15Uh.

00:21:16I got angry.

00:21:1850 years old, huh?

00:21:19This is one thing.

00:21:20Then, I go to Bilbao parties, I saw a girl like, I'm a super fan, super cute.

00:21:24She says, with my husband, we are very fans, we took two chihuahuas and we call one

00:21:29Valeria and the other Ross.

00:21:30Damn.

00:21:31It seemed very strange.

00:21:32Yes, it is.

00:21:33Without much.

00:21:34Sure.

00:21:35And then, at first, I got excited and I said, I got divorced.

00:21:39I mean, well, now you have me completely and such.

00:21:42And when I realized, I said, I have already divorced, as if I were an old Gloria.

00:21:46Already.

00:21:47I'm older, right?

00:21:48A legend, right?

00:21:49Totally.

00:21:50Already.

00:21:51Man, let's see.

00:21:52I am the first to tell you that I see myself dynamic and I see myself well, but of course,

00:21:53a teenager, no.

00:21:54Sure.

00:21:55We are not teenagers.

00:21:56For the 22-year-old kids who are more vigorous, of course.

00:21:59Then, my ex, my daughter's father, now has a girlfriend.

00:22:02She is 15 years younger than me, the girlfriend.

00:22:05It happens many times, huh?

00:22:0615 years.

00:22:07Five years younger than him.

00:22:09How?

00:22:1015 years.

00:22:11A riddle?

00:22:12No.

00:22:13No.

00:22:1415.

00:22:15Yes.

00:22:16It seems?

00:22:17Yes, yes, yes.

00:22:18It seems?

00:22:19It seemed like an equation.

00:22:20He is 15 years younger than me, five years younger than him.

00:22:23The father is called Esteban and the son, I already told you.

00:22:26Sure.

00:22:27He is younger.

00:22:28Younger.

00:22:29A skin.

00:22:30What I mean is that I am obsessed with being young.

00:22:34It's an age when it happens.

00:22:35This is a classic.

00:22:36This is older than humanity, historically, with 30 or 40 years.

00:22:40But it hadn't happened to me until now.

00:22:42Well.

00:22:43My idea is, is age a number?

00:22:44What is this now?

00:22:45A morning show?

00:22:46No, but a question.

00:22:47Is age a number?

00:22:48That was invented by Michael Jackson, because for him it was a number.

00:22:51For him it was a number, yes.

00:22:52Not so much for me.

00:22:53I mean, do you think?

00:22:54And this is what I have reflected.

00:22:55It's a fucking joke.

00:22:56It's a fucking joke.

00:22:57You have a rock band that doesn't even know Perry.

00:22:59No.

00:23:00But, but.

00:23:01Let's see.

00:23:02But, but.

00:23:03One moment, one moment, one moment.

00:23:05One moment.

00:23:06It was a joke, it was a joke.

00:23:09One moment.

00:23:10Sorry, he laughed at my joke.

00:23:11But the girl laughed and you threw an unnecessary foul.

00:23:14He didn't laugh, he did.

00:23:15But it's not his fault either.

00:23:17Excuse me, what's your name?

00:23:18Kensi.

00:23:19I won't tell you anymore.

00:23:20Sorry, Kensi.

00:23:21Is it a warning?

00:23:22No.

00:23:23The girl comes in public and takes a shit in her mouth.

00:23:24I'm very sorry.

00:23:25And we are women.

00:23:26You have, of course, a little bit of...

00:23:27Sorry.

00:23:28A little bit of sound.

00:23:29Fuck, I'm sorry.

00:23:30I'm sorry.

00:23:31It's a pimple, huh?

00:23:32I mean, today.

00:23:33Yes, I am.

00:23:34A negative stimulus bites your neck.

00:23:35No, not at all.

00:23:36Sorry.

00:23:37I was thinking, if Ro-Ro, have you seen Ro-Ro?

00:23:38If Ro-Ro was 20 years older, what would happen?

00:23:39It would be just a woman, a sweet mom.

00:23:40They would call her Ro after 20 years.

00:23:41Okay.

00:23:42I don't know.

00:23:43So after this, I say, if I put on young things and I see that I am a woman.

00:23:44I don't know.

00:23:45So after this, I say, if I put on young things and I see that I am a woman.

00:23:46I don't know.

00:23:48No.

00:23:49No.

00:23:50No.

00:23:51We have the document.

00:23:52What document?

00:23:53Going to a Erasmus party.

00:23:54Oh, it wasn't a rhetorical question?

00:23:55No.

00:23:56It was to upload video as if I was snooping.

00:23:57We went to a party at Erasmus.

00:23:58And I didn't sleep.

00:23:59Two, three, four hours.

00:24:00And went back to sleep.

00:24:01Who didn't sleep?

00:24:02The kids.

00:24:03Who didn't sleep?

00:24:04The kids.

00:24:05And went back to sleep.

00:24:06And went back to sleep.

00:24:07What?

00:24:08What?

00:24:09And went back to sleep.

00:24:10Oh, it wasn't a rhetorical question?

00:24:12No.

00:24:13It was to launch a video like Zapping.

00:24:16We have been...

00:24:18But I wanted you to catch it.

00:24:20Oh, sorry.

00:24:22Why?

00:24:23Sorry.

00:24:25How was that, Zapping? What was the technique?

00:24:28It was like looking at a camera and suddenly I was going.

00:24:31And the video appeared.

00:24:32And a video jumped.

00:24:33Yes, but nothing, forgive me.

00:24:34A lot to learn.

00:24:35I have to be more professional.

00:24:37Okay.

00:24:38We have been Yolanda, from Production.

00:24:40You laugh a lot with her.

00:24:41Yes, Yolanda is very good.

00:24:42And Héctor, Speciales.

00:24:44Yes.

00:24:45I have it on my phone.

00:24:46Speciales.

00:24:47He is special.

00:24:48Okay.

00:24:49The three of them, at an Erasmus party,

00:24:50have made me look like a teenager.

00:24:53Okay.

00:24:54I look like a teenager.

00:24:57Let's see if I look like a 20-year-old.

00:24:59In the video.

00:25:01The bus country is bad.

00:25:04Bus country?

00:25:05Bus country.

00:25:06It's not good.

00:25:07It's not good.

00:25:08It's not a good idea.

00:25:09Well, it's a bad thing.

00:25:10It's a bad thing.

00:25:11It's a bad thing.

00:25:12I'm starting to get confused.

00:25:14Come on.

00:25:15Look at that ass.

00:25:16I have it a lot.

00:25:17I'm going to make a 2.5.

00:25:19For the girl.

00:25:20For the girl, huh?

00:25:21For this girl.

00:25:22No.

00:25:23If we do it like this.

00:25:26Seriously?

00:25:27Yes, yes.

00:25:28More joy.

00:25:29More joy.

00:25:30More joy, right?

00:25:31What a shame.

00:25:32More joy.

00:25:33Yes.

00:25:34Thank you very much.

00:25:41Do it with me.

00:25:42Do it with me.

00:25:43Do it.

00:25:44Poor Yolanda.

00:25:46They think she's my mother.

00:25:54It was heavy.

00:25:55Yes.

00:25:58Poor Yolanda.

00:25:59Sorry.

00:26:00You can't miss the audience.

00:26:01You can't miss your classmates.

00:26:02No, of course.

00:26:03But I was wearing makeup like a girl.

00:26:05I went from 20 to...

00:26:06But sorry.

00:26:07Val.

00:26:08What?

00:26:09You've been so shameless.

00:26:10I mean, thank you.

00:26:11It's very good.

00:26:12But you put all this together just to show that the guys are

00:26:14pulling your eyebrows.

00:26:15I mean, everything...

00:26:16No, I didn't know.

00:26:17I thought they were going to see me very, very old.

00:26:19And in fact, I think that also loose hair like that.

00:26:22I think it worked.

00:26:23I'm going to tell them that I'm a mother.

00:26:25Okay.

00:26:26Let's see if they still don't believe me.

00:26:27I look so young that they don't believe me.

00:26:28Okay.

00:26:29Video in.

00:26:35Mil.

00:26:36Mil.

00:26:39I'm studying psychology.

00:26:43It's not true.

00:26:44I'm a mil.

00:26:46Don't say that.

00:26:47Why?

00:26:48It's okay.

00:26:50Wait.

00:26:51I thought it was something like...

00:26:57Attention now, please.

00:27:11David.

00:27:12That's where the blondes end, right?

00:27:14Yes, ma'am.

00:27:20That wasn't Erasmus.

00:27:22Erasmus party blondes all day.

00:27:26I find it funny that milf seemed impossible to them,

00:27:28that you were milf.

00:27:29Milf?

00:27:30Milf?

00:27:31For people who have seen it and don't understand the English term.

00:27:32Milf, mother, I would like to fuck.

00:27:34It's like a mother with whom I would fuck.

00:27:36Yes.

00:27:37Well, you should know, guys, that we have a word for

00:27:39mature boys who don't...

00:27:40Which one?

00:27:41Millionaires.

00:27:42Okay.

00:27:43We have that too.

00:27:44We have that too.

00:27:46No.

00:27:48I want to leave...

00:27:49Before I go, one thing clear, David.

00:27:51The thing is that I got excited about genetics

00:27:53and I say, let's see if I'm going to be me,

00:27:54that I'm very young.

00:27:55Yes.

00:27:56And I also go through a five-year-old girl.

00:27:58I found that there was a flight, a flight and such,

00:28:00like a bubble party in my town.

00:28:02Yes.

00:28:03I say, well, I'm going there, I get like a girl

00:28:05and let's see if I pass.

00:28:06Video in.

00:28:11Nobody noticed.

00:28:14I go through five years.

00:28:15And two.

00:28:18In the end, that was it.

00:28:23That's it.

00:28:25Very young.

00:28:26Before you go, we have some images that we have

00:28:28got from your production, from Yolanda,

00:28:33two days after the show.

00:28:38Well, I'm leaving.

00:28:39Next Saturday I have a gender reveal.

00:28:42That's what sex is about.

00:28:43Ah, yes, yes.

00:28:44If they want me to do it as a fetus.

00:28:45Okay.

00:28:46See you later.

00:28:47See you later.

00:28:48See you later, Valeria.

00:28:49Valeria Ross.

00:28:58Okay.

00:28:59Well.

00:29:03Okay.

00:29:04Well, there's the interview, right?

00:29:07The interview, Ricardo.

00:29:08Interview, what interview?

00:29:09It's ugly, it's ugly.

00:29:10It's ugly, it's ugly.

00:29:11You have an unbearable comedian behind you.

00:29:13Pablo, no, no, no.

00:29:14It's changed order.

00:29:15Ah, okay.

00:29:19It's changed order.

00:29:20First interview and then Pablo.

00:29:22This year it's all...

00:29:23You don't know how it's going.

00:29:24This year you don't know the next move.

00:29:26It's incredible.

00:29:27You don't know, Pablo.

00:29:28No, no.

00:29:33I'm here.

00:29:34No, interview.

00:29:35I'm here now.

00:29:36No, no.

00:29:37He's here, man.

00:29:39You could already be here.

00:29:40No.

00:29:41You could already be here.

00:29:42No, the interview.

00:29:43This year, this show...

00:29:44Well, no one's going to see it.

00:29:45We're ninjas.

00:29:46Maybe you come in and change the interview.

00:29:48Pablo, I'm sorry.

00:29:49Come on, let's go home.

00:29:51But you'll be out later.

00:29:52I'll be out later.

00:29:53If the interview isn't long.

00:29:54But there are people who thought he was going to come out now

00:29:56and he'll be watching.

00:29:57Nobody knew because nobody...

00:29:58Because I didn't even know.

00:29:59Poor Pablo, huh?

00:30:00It seemed like we were going to see him and in the end...

00:30:02No, that's how it feels.

00:30:03Poor Pablo, that's what...

00:30:09I'll come back later.

00:30:10Sorry, sorry, sorry.

00:30:12It's true.

00:30:13You said goodbye live and you don't even have tape to cover yourself.

00:30:16It's true.

00:30:20Okay.

00:30:21That's it, that's it.

00:30:22You can come in later.

00:30:23I had a dinner.

00:30:24It doesn't matter.

00:30:25I'll take the opportunity to tell you live that I'll be late.

00:30:27But it's seven in the afternoon.

00:30:29Pablo, the dinner was with me.

00:30:31It was with you, wasn't it?

00:30:32Yes.

00:30:33Come on, come back, Pablo.

00:30:34That's why.

00:30:35I'll let you know that I'll be late.

00:30:36You'll be late.

00:30:37You'll be late.

00:30:38I think so too.

00:30:39Okay.

00:30:40I think so too.

00:30:43Okay, and now...

00:30:47This year, this show, Ricardo...

00:30:49This show is crazy.

00:30:50The show is crazy.

00:30:51It's crazy.

00:30:52You don't know what's coming next.

00:30:53It's crazy.

00:30:54To not hear Pablo now, there are four minutes.

00:30:56The show...

00:30:58It's crazy.

00:31:00It's crazy.

00:31:03The interview.

00:31:04The interview.

00:31:05Let's see who's watching.

00:31:06Let's see who's watching.

00:31:07Let's see who's watching.

00:31:08Okay.

00:31:09It's...

00:31:18She's an incredible actress.

00:31:19Yes.

00:31:20She came many years ago, when this show was on another channel.

00:31:22Exactly.

00:31:23And, well, she's an international star.

00:31:25She only came once.

00:31:26I think she came once or twice.

00:31:28But...

00:31:29What an actress.

00:31:30She's a musician too, but she came as an actress.

00:31:32She's a singer too, right?

00:31:33She sings well.

00:31:34Does she appear on Spanish TV?

00:31:36No.

00:31:37Where does she appear?

00:31:38No.

00:31:39On Netflix?

00:31:40Is it possible?

00:31:41Is it possible to say Netflix on Spanish TV?

00:31:43Yes.

00:31:46Okay.

00:31:47We're very happy.

00:31:48She'll be back after many years.

00:31:49We love her.

00:31:50A round of applause for Nayo and Imri from La Resistencia.

00:32:28What's up?

00:32:29What's up, Nayo?

00:32:30Amunt, Valencia!

00:32:32You're not from Valencia, right?

00:32:33No, but the character from Respira is.

00:32:35Yes, he is!

00:32:37Ah!

00:32:38You haven't seen it.

00:32:39No, no.

00:32:40You haven't seen it.

00:32:41Of course.

00:32:43The people are incredible.

00:32:44The luck I have with this audience.

00:32:46Of course, I haven't seen the show, but...

00:32:48They have.

00:32:49They have.

00:32:50Yes, yes, yes.

00:32:51The show is beautiful.

00:32:52Yes!

00:32:53President!

00:32:54President!

00:32:55President!

00:32:56President!

00:32:57President!

00:32:58President!

00:32:59President!

00:33:00President!

00:33:01President!

00:33:02Fuck!

00:33:04I mean, you haven't...

00:33:07I mean, you haven't...

00:33:08You came by...

00:33:09But the sofa...

00:33:10No.

00:33:11What?

00:33:12I expected a...

00:33:13A spanking.

00:33:15Yes.

00:33:16The last time he came...

00:33:17It's all very orderly,

00:33:18the people are telling me there is a lot of order.

00:33:19We're going to break it.

00:33:20Do you want to break something, Nayo?

00:33:21No, no, no, no.

00:33:22Do you want to break something?

00:33:23No, no, no, no.

00:33:24Turn around, look at me.

00:33:25Do you want to look at yourself?

00:33:26Come on!

00:33:27Do you want to look at yourself here, now?

00:33:28But on the second day that we are here, no, David.

00:33:30If you want to pee, I'll put a towel on you and you'll pee.

00:33:33What are you talking about, man?

00:33:35I'm freaking out. Why would I want to pee?

00:33:38Because it's a performance.

00:33:39No, no, you're crazy.

00:33:40Pee, pee.

00:33:41I don't pee, man.

00:33:43Buddy.

00:33:44A little bit?

00:33:45No.

00:33:46Because it's hard for you?

00:33:47No.

00:33:48This is like a perversion.

00:33:49I saw it the other day in a series.

00:33:50I'm sure you like it.

00:33:51That in the shower they give you a little bit.

00:33:53No, no, no.

00:33:54Or a bruise squirting, is that what it's called?

00:33:56Yes, yes, yes.

00:33:57No, squirt is another thing.

00:33:58There are people who like it.

00:33:59No, not me.

00:34:00I've never...

00:34:01No, but it happens to you.

00:34:02No, but...

00:34:03That easy.

00:34:04Yes, like a performance.

00:34:05Nothing, no, no.

00:34:06You have...

00:34:07Sorry, you have...

00:34:08Well, no, it's just that, of course...

00:34:09I don't know how much you can...

00:34:10I'm sitting down, huh?

00:34:11What do I do?

00:34:12Do I sit down too?

00:34:13Have you brought me gifts apart from the tangerines?

00:34:14Let's see, I had a gift for you.

00:34:16Which one?

00:34:17It was a tie.

00:34:18This is already a good gift.

00:34:19No, but it was a gift...

00:34:20This has made me the funny one to do a revival.

00:34:22You brought it, right?

00:34:23We have a past.

00:34:24Yes, yes.

00:34:25I had a Valentino tie.

00:34:27I don't wear ties anymore because I'm a kid.

00:34:28Yes, you're going to have to wear it.

00:34:30What?

00:34:31You're going to have to wear it.

00:34:32Here?

00:34:33Well, we've been here for two days and this is a dump.

00:34:34This is...

00:34:35Everything doesn't matter here.

00:34:36Have you seen the show?

00:34:37Have you seen it?

00:34:38The one?

00:34:39Yes.

00:34:40No, but I know that the audience has been...

00:34:41It's been good, yes.

00:34:42No?

00:34:47It's been good, but...

00:34:49What?

00:34:50But what?

00:34:52You're used to sweeping.

00:34:55To this.

00:35:08Look at him, look at him a little.

00:35:09I know that you...

00:35:10Winners for winners.

00:35:11Tomorrow we'll do half of yesterday's audience.

00:35:13No, sorry.

00:35:14Seventeen and something.

00:35:15Tomorrow ten.

00:35:16What?

00:35:17Tomorrow ten.

00:35:18Good luck.

00:35:19Well, for me, for me.

00:35:20But maybe the next day with a footballer.

00:35:21No, not for you.

00:35:22Because on the first day, people have seen it as a joke.

00:35:24No, no, no.

00:35:25And today we have Anastasio Anidri here, man.

00:35:26What's up?

00:35:27What?

00:35:28It's going to be less than yesterday.

00:35:29Let's see, I don't want to put in...

00:35:31Cisaña, firewood or whatever.

00:35:32Put in Cisaña.

00:35:33I think...

00:35:34I think he's trembling.

00:35:37What are we talking about?

00:35:38About Pablo Motos.

00:35:43Without...

00:35:44Without any subtlety.

00:35:46Name and surname.

00:35:53He was so handsome on the second show.

00:35:56People shouting, president.

00:35:59I'm seeing that they're cheering.

00:36:00It doesn't come out naturally.

00:36:01But it's going to come out naturally.

00:36:02But I don't want...

00:36:03I mean, no.

00:36:04Because people...

00:36:05But I do, I do.

00:36:06People like...

00:36:08You're going to speak for yourself, right?

00:36:09Yes, of course.

00:36:10I'm going to speak for you.

00:36:11No, no, no.

00:36:12Of course.

00:36:13But now you'll have to go there and promote too.

00:36:14No, no.

00:36:15They don't take me.

00:36:16They don't take you, huh?

00:36:17Why?

00:36:18I'm banned.

00:36:19Cancelled?

00:36:20I already told you.

00:36:21They don't take me.

00:36:22I'm banned.

00:36:23They only take me.

00:36:24Look how he looks at her.

00:36:25Like this.

00:36:34Is that Pablo Motos?

00:36:36I tattooed him on my chest.

00:36:37Show him, show him.

00:36:38What are you telling me?

00:36:39Well, I tattooed him for real.

00:36:41But it looks great on me.

00:36:42It's very cool.

00:36:43Show him the other one.

00:36:45Pedro Sánchez tattooed me here, but his name is Raúl.

00:36:47Ah, of course.

00:36:48But, sorry, you're banned.

00:36:50Well, let's see.

00:36:51You're banned.

00:36:52They don't take me.

00:36:55They don't take you, huh?

00:36:57No.

00:36:58They don't take me, they don't take me.

00:37:00What do we do?

00:37:01I mean, I...

00:37:02It's true that now a conflict has been generated here

00:37:04that I don't have.

00:37:05No, but...

00:37:06But I have a good relationship with them.

00:37:07I can tell them to take you.

00:37:08If you, I mean...

00:37:09But you have a good relationship with everyone.

00:37:11No, not with everyone.

00:37:12But with them I get along and such.

00:37:14And I always watch the show.

00:37:15And me too.

00:37:16Well, they don't take you, huh?

00:37:17No.

00:37:21As a result of something.

00:37:23Of not wanting to go the first time.

00:37:25Of course, you too.

00:37:26You're very stingy.

00:37:27Well, I think that's why, but...

00:37:29Do you want to choose when you go to the places?

00:37:31They'll say no, they'll say no.

00:37:32I mean, you didn't go and they already said...

00:37:34Tell me something.

00:37:35Can I ask?

00:37:36Yes.

00:37:37What's his name?

00:37:38What does it sound like?

00:37:39Sánchez.

00:37:40Pedro Sánchez, yes.

00:37:42Okay.

00:37:48I'll do the interview for you today.

00:37:50I'm sorry.

00:37:51Tell me something.

00:37:52In the Pentagon, they review Hollywood scripts.

00:37:54Okay.

00:37:55This is like a conspiracy theory, but I've seen it.

00:37:57I haven't seen the Pentagon print, but...

00:37:59But before, in the 60s, they did it, right?

00:38:01Here...

00:38:02No, go on, go on.

00:38:03I say...

00:38:04I think.

00:38:05I say, and here...

00:38:06Give me a clue.

00:38:07Yes.

00:38:08It's just that there's no script here.

00:38:09Yesterday...

00:38:10That's true.

00:38:11Sorry, yesterday they sent us...

00:38:12I don't know if we can...

00:38:13Yesterday they sent us the first scripts.

00:38:15Now that you've said it...

00:38:16We have it there, what Álex put yesterday.

00:38:18Miguel, look for it.

00:38:19Look for what Álex put yesterday,

00:38:20that they sent us the first scripts of Moncloa.

00:38:22Yes or what?

00:38:23Yes.

00:38:24Now that you've said it,

00:38:25tell Álex to give it to you, that Álex has it.

00:38:28What do you think?

00:38:29What do you think?

00:38:30Because you insinuate that we...

00:38:32That they sign a little more.

00:38:34But what are they going to...

00:38:35What are they going to sign?

00:38:37No...

00:38:38Okay, yes.

00:38:39They sign a little more,

00:38:40but with some guidelines, some limits.

00:38:42What kind? What do you think?

00:38:44What limits?

00:38:45That mandarin represents capitalism.

00:38:52No, none.

00:38:53What nonsense.

00:38:54What limits are they going to put?

00:38:55What?

00:38:56What limits are they going to put?

00:38:57None.

00:38:58Are you sure you ask the same questions?

00:38:59I mean, do you keep asking for money?

00:39:01All the same.

00:39:02All the same.

00:39:03You have to do more today.

00:39:04Today you can ask the two classics and another.

00:39:06Sorry, look, look, put it, put it.

00:39:07Yesterday, when the first scripts arrived.

00:39:09The first scripts.

00:39:12The first scripts of Moncloa.

00:39:14Is it from now or did you already have it?

00:39:16Yesterday.

00:39:22Yeah, it would be the milk.

00:39:26They just...

00:39:27They just passed that and that's it.

00:39:29And that's how you throw it.

00:39:30With that machine.

00:39:31But why you...

00:39:32I mean, because you...

00:39:33Of course, you haven't seen the first show.

00:39:35But do you think there could be some kind of hand?

00:39:39I would like to think so.

00:39:40But have they told you anything?

00:39:42I have no contact.

00:39:43You will have contacts, Nayo.

00:39:44You have a powerful social position.

00:39:45No, not at all.

00:39:46No.

00:39:47You will have contacts in the high spheres.

00:39:48What have they told you?

00:39:49What's up, man?

00:39:50They don't take me anywhere.

00:39:52I'm not even on the WhatsApp of Respira.

00:39:57The WhatsApp group of the series?

00:39:58Yes.

00:39:59Who knows more?

00:40:00I found out the other day in an interview.

00:40:02And suddenly they start talking and say,

00:40:03yes, we have a WhatsApp group where...

00:40:05And I said, Manu, really, man?

00:40:06I'm not there.

00:40:07No, no, but I found out there at the time.

00:40:09They never put me in...

00:40:10They don't put me in.

00:40:11Why don't they put you in the WhatsApp group?

00:40:12Why not, man?

00:40:13You only invite me.

00:40:14But here you know that this is your home.

00:40:16We are in the chain that we are.

00:40:17I will always invite you, Nayo.

00:40:18Here you will always find a place.

00:40:19Whenever you want.

00:40:22I always commit, huh?

00:40:23Always.

00:40:29What is this?

00:40:30What does this imitate?

00:40:31This...

00:40:32It doesn't imitate anything.

00:40:33It's as if it were a...

00:40:34As if it were a...

00:40:36A billboard, look.

00:40:38No, what does it remind you of?

00:40:39It's a bit like...

00:40:41Like...

00:40:42No.

00:40:43Like, like an old job, you know?

00:40:45Like something like that.

00:40:46Of the 60s.

00:40:47Of the 60s, yes.

00:40:48But it's true that it's clean.

00:40:49You should break it little by little.

00:40:51Do you know what I thought before I came in?

00:40:53I thought you had...

00:40:54That Netflix has a lot of power

00:40:55and I had emulated the hospital.

00:40:57Netflix?

00:40:58The hospital of what?

00:40:59No, it doesn't matter.

00:41:00I think they are gods

00:41:01and suddenly I think this was emulated.

00:41:03Netflix here...

00:41:04Of course, of course.

00:41:05Netflix has done it, yes.

00:41:06I thought it was...

00:41:07I thought it was the hospital entrance, but it's not.

00:41:09Netflix doesn't rule here.

00:41:10I know, I know.

00:41:11He rules here.

00:41:12Ricardo rules here.

00:41:13Look, look, look, look, look.

00:41:14What a presence.

00:41:19Well...

00:41:24If you don't...

00:41:25President.

00:41:26President.

00:41:31If you haven't been to Chiapas,

00:41:32would you like my country?

00:41:33Are you a man?

00:41:35No, I haven't been to Chiapas.

00:41:36Well, then, that's it.

00:41:37If you suddenly remember something

00:41:39that they have told you

00:41:40that makes you think

00:41:42that there is a government hand here,

00:41:44but come on.

00:41:45Do you have any bureaucratic work pending

00:41:47that we are going to give you a hand?

00:41:49To be in TVE.

00:41:50Bureaucratic work, what do you mean?

00:41:52Like, that you have pending

00:41:53to sign something of the disaster.

00:41:54Renew the DNI.

00:41:55Renew the DNI.

00:41:56Yes, I have a lot of things.

00:41:57Yes?

00:41:58The driving license.

00:41:59Okay.

00:42:00I just did the DNI,

00:42:01but I lost my wallet.

00:42:02I have...

00:42:03Yes, I have a lot of things.

00:42:05Let's see your DNI.

00:42:06No.

00:42:07Can I see the photo?

00:42:08It's pretty.

00:42:09Let's see it.

00:42:10I've renewed it.

00:42:11It's pretty.

00:42:12Let me see it.

00:42:13No, you're going to fall in love.

00:42:14Let me see it.

00:42:15No.

00:42:16Why does it cost you?

00:42:17Because I have to go for the bag.

00:42:18But I added it to you.

00:42:19Ah, no, I don't have it, I don't have it.

00:42:20Yes, you do.

00:42:21No, I have the wallet, man.

00:42:22Have you come undocumented?

00:42:23Yes, I always go undocumented.

00:42:24It's true that...

00:42:25It's true that you don't need the DNI.

00:42:26You don't need to take it.

00:42:27You don't need to take it.

00:42:28You don't need to drive on your phone.

00:42:29You have the phone of...

00:42:30It's fake.

00:42:31It's fake.

00:42:32No, it's with the light that gives it solar.

00:42:33That's why I put it.

00:42:34Do you want me to give you...

00:42:35I always carry my photos of the DNI.

00:42:36Do you want me to give you one?

00:42:37Of memory?

00:42:38Yes, so you can take it to the wallet.

00:42:39Fuck, yes, please.

00:42:40I have two.

00:42:41A professional.

00:42:42Do you want to see it?

00:42:43Look, show it to her.

00:42:44This is like professional,

00:42:45like the ones they make me from the chain.

00:42:46I have two.

00:42:47One is a professional.

00:42:48Do you want to see it?

00:42:49Look, show it to her.

00:42:50This is like professional,

00:42:51like the ones they make me from the chain.

00:42:57Show it to her.

00:42:59This is like...

00:43:00There.

00:43:01Wait, there.

00:43:02There, there, that's it.

00:43:03You're chubbier.

00:43:04Yes, because it's been a few weeks that...

00:43:06No, no, you're chubbier.

00:43:07I receive the 14 million.

00:43:08That's the photo.

00:43:09And then I have...

00:43:10Chubbier.

00:43:16And then this one,

00:43:17which is personal.

00:43:18That's the personal one.

00:43:19Because the one you prefer,

00:43:20I give it to you.

00:43:21Show that one.

00:43:22This is not you, yes.

00:43:23It's me.

00:43:24I've done a lot of...

00:43:25Show it to her.

00:43:27Take the one you want.

00:43:28It's very strong.

00:43:29Ornitorrinco's one.

00:43:30Look at this hand.

00:43:31Come on.

00:43:32Wait.

00:43:37You're so pretty.

00:43:38You're pretty.

00:43:40You want the one in the foreground, don't you?

00:43:42It's for you,

00:43:43so you can take it in your wallet.

00:43:44Yes, yes, yes.

00:43:45Next to the transport voucher and everything.

00:43:47Okay.

00:43:48What do you want?

00:43:51You'll go to the transport voucher.

00:43:52I mean, I know you don't normally go by subway,

00:43:53in the vicinity,

00:43:54because people know you and stuff,

00:43:55but it's okay to have it just in case.

00:43:56I don't have it, I don't have it.

00:43:57I always take it.

00:43:58I don't go by subway a lot either,

00:43:59I'm sorry,

00:44:00because I used to go a lot, but now...

00:44:01And you come by bike and all that stuff.

00:44:03Sure, but it's okay to have it

00:44:04because maybe one day

00:44:06there's no other way to transport you,

00:44:07you have to get to a place urgently,

00:44:08there's a catastrophe

00:44:09and you have to be able to go to Line 5.

00:44:10Don't get the...

00:44:12Don't get the one you're in,

00:44:13on the street and everything.

00:44:14I always go with people,

00:44:15with the kids.

00:44:17That's not true, that's not true.

00:44:18That's not true.

00:44:24I'm sure you have a chauffeur.

00:44:25What?

00:44:26I'm sure you have a chauffeur.

00:44:27I don't have a chauffeur, what are you saying?

00:44:28No.

00:44:29You know what I'm not happy about?

00:44:30Because the other day they said

00:44:31they were going to take away

00:44:32the rental scooters,

00:44:33they were going to take them away from...

00:44:34Almeida, did you say?

00:44:35Yes!

00:44:37There are people who say it was time,

00:44:38because I know...

00:44:39An MT driver, all of a sudden, right?

00:44:40A bus driver.

00:44:42You can't go by scooter.

00:44:43Let's see, I could give you

00:44:44some kind of logic,

00:44:45like the character I'm playing,

00:44:47but if, for example,

00:44:48you're in Amsterdam,

00:44:49the whole city is built

00:44:50so that all the things go there.

00:44:52Of course, Biti's.

00:44:53But here it's all concentric,

00:44:54a pressure cooker,

00:44:55and when they get in the middle,

00:44:56you want to run over them.

00:45:02You know, there have been many times...

00:45:05There have been many times

00:45:06that I've been told off

00:45:07because, of course,

00:45:08the good thing about scooters

00:45:09is that in traffic jams,

00:45:10you go through the middle,

00:45:11and sometimes I've been told off.

00:45:12There have been people

00:45:13who get out of the window

00:45:14and insult me.

00:45:15I think that out of pure anger

00:45:16I go through the left

00:45:17without doing anything wrong,

00:45:18you asshole!

00:45:19And I...

00:45:20Me too.

00:45:21It's out of pure anger

00:45:22that I go faster.

00:45:23And because I'm sure

00:45:24they recognized you.

00:45:25I don't know.

00:45:26Yes, yes.

00:45:28Do you want to do

00:45:29an interview?

00:45:30Do you want to do

00:45:31a promotional interview?

00:45:32Are you nervous?

00:45:33In general?

00:45:34No.

00:45:35In this moment?

00:45:36No.

00:45:37With this new...

00:45:38I'm calm.

00:45:39I'm having a good time.

00:45:40Yes.

00:45:41Yes, it's the same as always.

00:45:42We've done many shows.

00:45:43You?

00:45:44No.

00:45:45No.

00:45:46Are you calm today?

00:45:47Yes.

00:45:48My hands are sweating.

00:45:49Let's see.

00:45:50Do they usually sweat?

00:45:51Only when I'm with you.

00:45:52Well, look,

00:45:53something is changing.

00:45:54I'm glad you're calmer

00:45:55in that sense.

00:45:56I used to sweat...

00:45:57When we met,

00:45:58I think my hands were sweating,

00:45:59but then I had surgery.

00:46:00Do you know you can have surgery?

00:46:01You got Botox.

00:46:02No.

00:46:06No, no.

00:46:07I mean, in the hands.

00:46:08Yes, but no.

00:46:09In the hands and armpits

00:46:10you can sweat.

00:46:11But that's removed in a year.

00:46:12But it's removed in an operation

00:46:13that removes...

00:46:14I didn't ask.

00:46:15Of course, in the hands.

00:46:16It's here and then...

00:46:19They remove...

00:46:21Look, I can't work like this.

00:46:23What's wrong?

00:46:24I'm not going to sweat for years

00:46:25because I have Botox,

00:46:26but I have others.

00:46:28They remove a nerve here in the back,

00:46:31they pinch a nerve

00:46:32and you don't sweat in the hands.

00:46:33Did they do that to you?

00:46:34I recommend it.

00:46:35No.

00:46:36I'm serious.

00:46:37No.

00:46:38They make a very small opening here,

00:46:39a little hole like this,

00:46:40they pinch a nerve

00:46:41and you don't sweat in the hands

00:46:42or the armpits.

00:46:43You sweat a lot in the balls.

00:46:46Because it comes out the other way.

00:46:54The surgeon told me

00:46:55that the sweat has to come out somewhere.

00:46:57But not in the hands.

00:46:58How do you answer

00:46:59that you sweat in the balls?

00:47:00For example,

00:47:01what could I answer

00:47:02if I were a carrier?

00:47:03What do you answer to that?

00:47:05To continue with the dynamics,

00:47:07I say I sweat in the balls.

00:47:08You're right.

00:47:09As a presenter,

00:47:10it's a bad contribution

00:47:11because it's a joke

00:47:12that the guest can't continue.

00:47:14I apologize.

00:47:15No, I apologize to you.

00:47:17I apologize to you.

00:47:18No, I apologize to you.

00:47:19No, I apologize to you.

00:47:20I also sweat in the balls.

00:47:21Yes.

00:47:26Well.

00:47:31I promote the film

00:47:32and we do things.

00:47:34Come on, let's do it together.

00:47:35You're a good actress, right?

00:47:36Yes.

00:47:37You like to act.

00:47:39Many productions,

00:47:40many films, many series,

00:47:41many awards,

00:47:42many recognition

00:47:43from critics and the public.

00:47:44Are you happy

00:47:45with your career so far?

00:47:46From 0 to 10?

00:47:48The career?

00:47:49Professional career.

00:47:51An 8.

00:47:52An 8, huh?

00:47:54You're short.

00:47:56No, I mean my perception.

00:47:57Your perception, an 8.

00:47:58Yes, yes.

00:47:59I'm okay with the job.

00:48:01Okay.

00:48:02I present this.

00:48:06Nayo Aninri

00:48:09has come to promote

00:48:10La Revuelta

00:48:11because she can't go anywhere else.

00:48:14As it is.

00:48:16She has come here

00:48:17as a last resort.

00:48:19It was this

00:48:20or Radio Complutense.

00:48:32A Netflix series

00:48:34called Respira.

00:48:41It was really fun.

00:48:48What is Koto Matamoros doing there?

00:48:51Kiko Matamoros or who is this?

00:48:53That joke was put by Miguel Revue.

00:48:54A very good one.

00:48:55He also had surgery

00:48:56because he was sweating a lot.

00:49:04Thank you very much

00:49:05because we had seen the screen here

00:49:06and we had not seen it

00:49:07and thanks to you,

00:49:08we have put it in.

00:49:09You also collaborate in the show, it's incredible.

00:49:11Not only do you contribute your excellent presence and your incredible sense of humor,

00:49:15but you also contribute at the level of the ladder and control of the rhythm of the show.

00:49:21It's a phenomenon.

00:49:22What a guy, mate, what a guy.

00:49:24Okay.

00:49:25Do you want to say something about the series or do I put the trailer and that's it?

00:49:29Go ahead.

00:49:30Do you want to say something before?

00:49:31Let him see it.

00:49:33Okay. He's a doctor without you, right?

00:49:35Yes, but I'm not a doctor.

00:49:36Are you?

00:49:37Director. Ah, president.

00:49:46The president of the Valencian community.

00:49:48Okay. Ah, because the hospital is there in Alcyra?

00:49:50It's around there and I happen to stop by there to get a check-up for something in a car,

00:49:57they check me and I have like a ...

00:49:59Okay.

00:50:00Yes, and then they check me, they see that I have a problem and nothing.

00:50:03Okay.

00:50:04I'm there, private, public, private, public.

00:50:06Good debate.

00:50:07Public.

00:50:08Obviously.

00:50:09Public health, good.

00:50:14Obviously, obviously.

00:50:17Those people from public health who don't always have all the media they want.

00:50:20The other day I was talking to a friend who was a nurse and she told me,

00:50:22we don't have cannulas there.

00:50:24We don't have a defibrillator.

00:50:25We don't have a defibrillator, yes.

00:50:26Yes, yes, it's heavy.

00:50:28And I have to do like the one that defends the private,

00:50:30but they save the life of the public.

00:50:31Then you say, what's wrong with you?

00:50:33Yeah, yeah.

00:50:34Do you want to put the trailer?

00:50:35Okay.

00:50:36Okay?

00:50:37Breathe from Netflix.

00:50:38Send it to Newt.

00:50:41They are dismantling public health.

00:50:43It's a fact.

00:50:44And until we stand up, they will continue to bulldoze us.

00:50:48And how are you going to stand up?

00:50:52And why does he come to a public hospital if he wants to end them?

00:50:56You have a bag here.

00:50:57Time will wait for no one.

00:51:01So all the doctors I know do the opposite of what we tell our patients to do.

00:51:08I guess it's because we're always close to death.

00:51:13Can you save my life?

00:51:17You can do it.

00:51:19Breathe.

00:51:35The series is beautiful.

00:51:36I like medical series.

00:51:37And there I also feel romances and such.

00:51:39There will be like there between...

00:51:41I don't.

00:51:43You don't?

00:51:44I don't have a romance.

00:51:45You don't have a romantic plot?

00:51:46They never put it on me either.

00:51:47They don't invite me like that.

00:51:48I'm handsome, I don't have...

00:51:50Let's see.

00:51:51It's the truth.

00:51:53You're devaluing yourself all the time.

00:51:55No, no, no.

00:51:56I like it.

00:51:57I like this plot.

00:51:58Killer and such.

00:51:59I don't know what, but then it weighs.

00:52:00Shut up.

00:52:01Because it has to be like...

00:52:02It's you.

00:52:03Ah, you left it there.

00:52:12In a little hole.

00:52:13Like a bat.

00:52:15I'm moving it away.

00:52:16Yes, it's fine.

00:52:17Well.

00:52:19Do you know...

00:52:20Do you know about...

00:52:22Do you know this?

00:52:23What is that?

00:52:24Do you know this?

00:52:25You don't know?

00:52:26This gesture that they do,

00:52:27which is like Korean, I think,

00:52:28like the little heart.

00:52:29Ah, yes.

00:52:30I remembered it from the medical series.

00:52:32You know it's not because this looks like a little heart?

00:52:34Why is it?

00:52:35Because the whole hand...

00:52:37It's the heart.

00:52:38It's like the anatomical heart.

00:52:40And that...

00:52:41The aorta and the other vein.

00:52:43Damn.

00:52:44And the other, the other.

00:52:45But...

00:52:46I think it's a find, sorry.

00:52:47Look what a find, kid.

00:52:49Public service.

00:52:50But who told you?

00:52:51You deduced it and you...

00:52:53Yes.

00:52:54I deduced it.

00:52:56It could be.

00:52:57It's like the heart.

00:52:58This is like an emoji heart,

00:53:00just the top part.

00:53:01Did you go to YouTube and see the explanation?

00:53:03No.

00:53:04I saw it.

00:53:05I saw it.

00:53:06And it looked like a heart.

00:53:07I didn't ask anyone, but...

00:53:09It's like when one night I suddenly discovered

00:53:11that Apple had made the bitten apple because...

00:53:14Because of the Bible.

00:53:16Like that, huh?

00:53:17Yes, I don't know, I was about to think that.

00:53:18I said...

00:53:19And everyone...

00:53:20Shut up, but yes.

00:53:21Ah, but you don't know?

00:53:22No, no, no.

00:53:23Who's going to tell me?

00:53:24Those high spheres.

00:53:25You're all the time...

00:53:26The people who say they don't have contact

00:53:28are the people who are the most Illuminati.

00:53:31You also have that thing, huh?

00:53:32Which one?

00:53:33Being like a reptilian or...

00:53:36Or a scientist or something like that.

00:53:38No.

00:53:39You are in the science department in Iowa.

00:53:40Shut up.

00:53:41In what?

00:53:42In the science department.

00:53:43But that's what Tom Cruise opened here with...

00:53:45Yes, yes, there you are.

00:53:46I've already seen you.

00:53:47No, man, no.

00:53:48No, man, no.

00:53:49Imagine that.

00:53:50Or Mormona, right?

00:53:52You're not without any kind of elitist thing?

00:53:55Not only not elitist,

00:53:57but in the end, I need very specific data

00:53:59to believe me, just like you.

00:54:00I come from a family of doctors.

00:54:02Family...

00:54:03It's true, I think you said this.

00:54:04They're all doctors.

00:54:05So...

00:54:06Everyone, all doctors?

00:54:07Well, yes, my brother, my mother and my father.

00:54:09Jordano Seras, right?

00:54:10My father is Jordano

00:54:11and he came with a medical scholarship

00:54:14and he met my mother doing pharmacy.

00:54:16In college, huh?

00:54:17That's why I didn't say doctor, in respiration.

00:54:19Because you didn't have...

00:54:20No, because my family was going to kick my ass.

00:54:22Shut up.

00:54:23What do they say?

00:54:26What do they say?

00:54:27How much feedback do you have from your family?

00:54:29What do they say?

00:54:30Fuck.

00:54:31The other day, my mother said to me,

00:54:33I don't know, girl, why people say...

00:54:35Well, she's Basque.

00:54:36She says,

00:54:37I don't know, girl,

00:54:38why people say you're such a good actress.

00:54:42I swear on my life.

00:54:43She says,

00:54:44I think you're terrible.

00:54:47Terrible?

00:54:49My mother doesn't like it.

00:54:50I think you're terrible.

00:54:51I don't know, girl,

00:54:52why people say you're such a good actress.

00:54:54But she also goes...

00:54:55No, no, no.

00:54:56She says it well.

00:54:57I mean, there's like...

00:54:58Well, right?

00:54:59Yes, I mean,

00:55:00she doesn't do it to hurt me.

00:55:01That's why I can comment on it.

00:55:03So, what do you think her intention is?

00:55:05To tell you, girl, you're terrible?

00:55:06I mean, what do you think she's looking for

00:55:08on a maternity level?

00:55:09No, it's terrible.

00:55:10I don't know if she said exactly terrible.

00:55:12That you weren't such a good actress.

00:55:13Yes.

00:55:14I don't know why...

00:55:15That happens with parents, right?

00:55:16She says a lot.

00:55:17She says, I see you.

00:55:18I'm looking at you, right?

00:55:19Yes.

00:55:20Well, and no,

00:55:21there are things she doesn't like.

00:55:22There are people she thinks are better.

00:55:24So, that's the feedback from my family.

00:55:26Do you want to send a message to your mother?

00:55:27Love.

00:55:28You don't care.

00:55:30You don't care, of course.

00:55:31You don't care, love.

00:55:32Fuck, she has a terrible daughter.

00:55:33She doesn't see this, I think.

00:55:34She sees it?

00:55:35No, but I'll tell her.

00:55:36Maybe now she does,

00:55:37maybe she didn't see it before,

00:55:38but now on Spanish television?

00:55:39No, it's on Netflix.

00:55:40Television!

00:55:46Does it hurt to have gone to Movistar?

00:55:48No.

00:55:49In the pocket, it hurts.

00:55:50It's heavy, you freak out.

00:55:53I mean...

00:55:58Does the lumbago hurt?

00:55:59It was comfortable there.

00:56:01I mean, I was embarrassed to leave

00:56:02because I was there for seven years

00:56:04doing this show

00:56:05and another two or three doing another,

00:56:06but it hurts, it hurts.

00:56:07No, because it was also a decision.

00:56:08I mean, it's fine, it's fine here too.

00:56:10Do I ask you the classic questions?

00:56:12Abel, yes.

00:56:13Sorry, do you know Floy Lan?

00:56:14Before that.

00:56:15What's her name?

00:56:16Floy Lan.

00:56:17Felipe Juan Floy Lan de Todos los Santos,

00:56:18her brother.

00:56:19Her brother?

00:56:20Yes.

00:56:21Personally?

00:56:22Yes, our favorite member of the royal family.

00:56:24I don't know him personally.

00:56:25Okay.

00:56:26I know things, but I don't know him.

00:56:27Let's see.

00:56:31Give us a hint.

00:56:32No.

00:56:33It's strong.

00:56:34Man, you can't say you know things

00:56:35if you don't say them now.

00:56:36You haven't let us...

00:56:37Yes, yes, yes, I can.

00:56:42Okay.

00:56:43Do I ask you the classic questions?

00:56:44Okay.

00:56:45Do you want me to add another one later?

00:56:46Yes.

00:56:47Okay.

00:56:48Money in the bank?

00:56:49Sure.

00:56:50Double.

00:56:51Double the last time you came.

00:56:52How much was it?

00:56:53Twelve and a half million.

00:56:54You said twelve and a half million,

00:56:55but I didn't believe it.

00:56:56But it's your business, I already told you.

00:56:59Yes, it has gained...

00:57:00I mean, it's still on a line...

00:57:01I mean...

00:57:02It's ascending.

00:57:03It's ascending.

00:57:04Like the stock market, always up.

00:57:05Okay, but...

00:57:06But is that ascending a line

00:57:08or is it a curved ascending?

00:57:10No, no, no, no.

00:57:11I mean, does it accelerate growth?

00:57:12I mean, just as it accelerates the fall,

00:57:15it goes up.

00:57:16Okay.

00:57:17Relation...

00:57:30Pompas! Pompas! Pompas! Pompas!

00:57:38The Pompas was there behind a bush,

00:57:40like a squirrel, and...

00:57:43And when it was needed,

00:57:44like a sniper,

00:57:45he put his sound effect.

00:57:46Thank you very much, Pompas.

00:57:47In times of war, any hole is a trench.

00:57:49Very well said.

00:57:50Let's see.

00:57:53That saying is very dirty, isn't it?

00:57:55He put it well.

00:57:56Very good, Pompas.

00:57:57He put it well.

00:57:58Pompas.

00:57:59Pompas is precision.

00:58:02Sexual relations in the last 30 days.

00:58:05We remember...

00:58:06Stop, stop.

00:58:07Pompas, you have to know when to stop too.

00:58:09You can't...

00:58:10Count.

00:58:12Coito, normal, one point.

00:58:15Masturbation, 0.2.

00:58:16Petit, 0.6.

00:58:17I can't tell you the number,

00:58:18but you wouldn't believe it.

00:58:19Why?

00:58:20High or low?

00:58:21High.

00:58:22High?

00:58:23I can believe it perfectly.

00:58:24It's not like money.

00:58:26It's serious.

00:58:27I can believe it perfectly.

00:58:28Why wouldn't I believe it?

00:58:30Because you ask...

00:58:33This and Petit and such,

00:58:35so I guess you think no one fucks.

00:58:38Why would I guess?

00:58:39Because otherwise you wouldn't ask that question.

00:58:41No, hey...

00:58:42I wouldn't add points to the previous one.

00:58:44Here he adds points to those things.

00:58:46It's not that it's a previous one,

00:58:47it's that sometimes Petit or masturbation

00:58:49goes to that part,

00:58:50without being associated with Coito himself.

00:58:52For me it's a previous one.

00:58:53You're always a previous one.

00:58:55Well, I don't know, I understand it that way.

00:58:57So you don't touch the lower zone,

00:58:58unless it's to do it all.

00:58:59I mean, I'm not going to talk to you specifically.

00:59:01I can tell you a lot.

00:59:03But throw a figure.

00:59:05No.

00:59:06It's true that...

00:59:07It's true that by not inviting you to anything,

00:59:09you have free time.

00:59:10You have a lot of time to...

00:59:16A lot of time.

00:59:21He's looking at you again.

00:59:22He peeked again.

00:59:23Pay attention.

00:59:24He peeked again.

00:59:25It wouldn't be worth it,

00:59:26because it would be coerced.

00:59:27He would invite me for...

00:59:28What were we talking about?

00:59:29A lot.

00:59:30A lot.

00:59:31The answer is a lot.

00:59:32A lot, a lot.

00:59:33Okay, then.

00:59:34More money goes up.

00:59:37And sex goes up.

00:59:38And more sex.

00:59:47What's the new one?

00:59:48Eh?

00:59:49The new one?

00:59:50The new...

00:59:51What new?

00:59:52The new question.

00:59:53Is it a new question?

00:59:54Of course.

00:59:55Oh, I thought of one before.

00:59:56Are you more sexist or more racist?

01:00:01I have to choose.

01:00:02Give the question a thought.

01:00:03It's a good one.

01:00:04I don't expect you to be a lot of one thing or another,

01:00:07but unfortunately,

01:00:08we're all a bit of one thing or another.

01:00:10The flute was amazing here.

01:00:13Not racist, zero.

01:00:14Okay.

01:00:15So, everyone is a bit sexist and a bit racist.

01:00:17Let's see.

01:00:19That's a long one.

01:00:20Being Arab, Basque...

01:00:22Yeah, of course.

01:00:23It's true that you have a...

01:00:24A black boyfriend.

01:00:25Yeah, you have everything.

01:00:28But that's not an impediment.

01:00:30You can't even say black.

01:00:31I mean, imagine.

01:00:32I'm Arab and I can't say anything.

01:00:33If I can't say anything,

01:00:34how can I say I'm more racist?

01:00:36You can, because you're saying it.

01:00:38No.

01:00:39No, I'm not saying anything.

01:00:40I'm speaking normally.

01:00:42Okay.

01:00:43So, more sexist?

01:00:45More racist?

01:00:46Let's see.

01:00:47No, man, because I...

01:00:48So, more racist?

01:00:49I want to win the boys.

01:00:50I don't want to win the girls.

01:00:52Okay.

01:00:53So, you're more racist?

01:00:54I'm racist.

01:00:55More racist than sexist?

01:00:56If racist is winning the boys, yes.

01:01:01It's a good question.

01:01:02It's a good question, Ricardo.

01:01:03I just realized it's a good one.

01:01:04But what does sexist mean?

01:01:06I'm not going to tell you.

01:01:07Yes.

01:01:10Yes, yes.

01:01:13Sexist in general.

01:01:14If you do a mansplaining about sexism,

01:01:16you're screwed.

01:01:17It's...

01:01:18You're screwed.

01:01:19But what is sexism?

01:01:20What does sexism mean?

01:01:21Really, I don't know.

01:01:22Well, sexism, in my opinion,

01:01:25is to think there's a difference

01:01:27between men and women

01:01:28simply because they're men and women.

01:01:30There is.

01:01:31So, sexist in general.

01:01:32But specifically,

01:01:33is there a difference

01:01:34between men and women?

01:01:38Anatomically, yes.

01:01:39Anatomically, yes.

01:01:40Depends on what?

01:01:41Mentally, I don't know.

01:01:42In a sit-down,

01:01:43careful, in Bulgarian women

01:01:45do it more.

01:01:46Yes, but Bulgarians?

01:01:48A Bulgarian doing a sit-down?

01:01:49Of course.

01:01:50When you say Bulgarians,

01:01:51I say Bulgarians.

01:01:52Of course, Marco, you got it.

01:01:53No, but it's a type of sit-down.

01:01:55Oh, fuck.

01:01:56Oh, fuck.

01:02:00It's not that they're Bulgarians.

01:02:03What are Bulgarians?

01:02:04The ones where you put one foot up

01:02:06and the other one down.

01:02:07Yes, that one, Naya.

01:02:08No, no, no.

01:02:09There are a lot of guys doing gluteus.

01:02:11It's this sit-down.

01:02:12The Bulgarian...

01:02:13I hadn't fallen either.

01:02:14No, it's this one.

01:02:15You put yourself like this.

01:02:16Like this, this sit-down.

01:02:18That's the Bulgarian sit-down.

01:02:20But with lats,

01:02:21girls do a lot there.

01:02:22Yes.

01:02:23It's over.

01:02:24Now it's fashionable.

01:02:25The show is over.

01:02:26The show has just ended.

01:02:27What?

01:02:28Really?

01:02:29I think so, right?

01:02:30We have to...

01:02:31Pablo, it's true.

01:02:33Okay, well, now.

01:02:34Now, later.

01:02:35Now, later.

01:02:36But yes.

01:02:37Now, now.

01:02:38Okay, so it's over.

01:02:39The interview is almost over.

01:02:40So?

01:02:41I'm leaving.

01:02:42But what...

01:02:43I mean, it's not true that...

01:02:44Of course, now you're very dry.

01:02:45Of course, it's true that I said it in a way that...

01:02:47I'm leaving when you tell me.

01:02:48You're fine.

01:02:49I mean, is there anything left to comment on?

01:02:51When is the Netflix series coming out?

01:02:53A movie is coming out.

01:02:54It premieres now in Donosti.

01:02:55I know I can't say this, but I'm going to say it.

01:02:57Why?

01:02:58It's called The Red Virgin.

01:02:59It's quite powerful.

01:03:00Oh, in theaters?

01:03:01Yes.

01:03:02Okay, well, the movie is coming out.

01:03:03Of course.

01:03:04I'm leaving.

01:03:05Bye.

01:03:07But that's it, right?

01:03:08What?

01:03:09You've been...

01:03:10But wait, wait.

01:03:11Pablo, don't leave.

01:03:12Oh, no.

01:03:13A hug.

01:03:14Do people say goodbye?

01:03:15Of course.

01:03:16What about you?

01:03:17You're saying goodbye abruptly.

01:03:18I didn't say goodbye abruptly.

01:03:19You said, well, it's over.

01:03:20Because I realized it was over,

01:03:21but then I wanted to say goodbye more personally.

01:03:22No, no, no.

01:03:23Take the picture.

01:03:24Yes, it's true.

01:03:25Have you been well, Nayoan?

01:03:26Yes, the truth is that yes.

01:03:27We will always invite you.

01:03:28I love to see you.

01:03:29You are in the moment you are.

01:03:30You know what happens?

01:03:31I said before when I came in.

01:03:32Do you know what the difference is between this show and others?

01:03:33That there is an audience, man.

01:03:34Indeed.

01:03:35Nayoan Ingris, the audience.

01:03:36All right.

01:03:37Nayoan Ingris.

01:03:53And now, to finish the show,

01:03:56of the best comedians

01:03:57who have stepped on this set.

01:04:00Yes.

01:04:01An applause.

01:04:02Sure, maybe the energy has gone.

01:04:03Because they've been waiting there for a while.

01:04:05How will the energy pass to Pablo Ibarburo.

01:04:07Yeah, it's true.

01:04:08It's Pablo Ibarburo, there he is, man.

01:04:09A round of applause for Pablo Ibarburo.

01:04:15Pablo Ibarburo.

01:04:20Pablo Ibarburo.

01:04:21I'm sorry.

01:04:28This is going to be on the show or is it going to be cut?

01:04:30If it gets cut, I'm going to leave my fucking house.

01:04:33No, you're having dinner with me, remember, Pablo.

01:04:35You could cut it.

01:04:36The Pompas is going to come out, I tell my mother,

01:04:38put the TV on, the Pompas is coming out.

01:04:41What is this?

01:04:42Let's see. I'll tell you.

01:04:44I'm leaving, I'll come tomorrow.

01:04:45I'll come tomorrow.

01:04:48Yes, yes, yes.

01:04:49I charge twice.

01:04:51I'm honest with you.

01:04:54This could not be broadcast, but it could also be broadcast.

01:04:58What were you going to do?

01:05:01That I make you the menu?

01:05:03Yes.

01:05:04First, I was going to comment on the program a little bit in general,

01:05:07the little things of the program, what happened yesterday and such, right?

01:05:10And then...

01:05:11Maybe that's what could be done, and the other thing you leave for another day.

01:05:14No!

01:05:17No, no!

01:05:19That I do that...

01:05:20No, but you are going to know what is today and what was the other day.

01:05:23Sure.

01:05:25And also, here is the Pompas!

01:05:27Yeah!

01:05:32Okay, sit down, sit down, Pablo.

01:05:35Tell us a little bit about that and that's it.

01:05:37How are you?

01:05:39Spanish television, Pablo.

01:05:40Spanish television, boy, prime time.

01:05:42I've seen the program, I saw it yesterday.

01:05:45Okay. A piece of shit.

01:05:48Fuck, strong statements.

01:05:49But the shit that was already.

01:05:52It's what I said from the beginning.

01:05:54The shit that was being done, that was acquired,

01:05:57is the shit that is being broadcast.

01:05:59We haven't fooled anyone here.

01:06:01So, I think everyone is happy.

01:06:03Indeed.

01:06:04And you know that I am more of a fan than an employee of this program.

01:06:07You see the program more than what comes out, of course.

01:06:09Of course.

01:06:11Specifically today.

01:06:12Of course, specifically today.

01:06:14Today I have seen two and a half hours of the program.

01:06:17And you're going to smile for two minutes.

01:06:19Exactly.

01:06:20But you know that I do the program to be able to see it.

01:06:22What? I don't understand.

01:06:23I like to watch TV more than to do it.

01:06:26I mean, I want to watch TV.

01:06:27You like to watch TV a lot.

01:06:28But I have to work to be able to allow myself to watch TV.

01:06:31I mean, if I could see it instead of doing it, I would see it.

01:06:34But I have to do it to be able to see it.

01:06:36Of course, because you have to have a house where you can watch TV.

01:06:38I need it to be done,

01:06:39because if it wasn't done, I would have to see what I do to see it.

01:06:41Yeah, yeah, yeah.

01:06:42Of course, because not seeing it, I don't want to do that.

01:06:44For you, the most important thing is to watch TV.

01:06:45And the means to be able to continue watching it is to make TV.

01:06:47To make TV to be able to see it.

01:06:49For a TV operator, there's the guy.

01:06:51Here, handling it.

01:06:56And I have to say that I, as a television viewer,

01:07:01Yes.

01:07:02I don't notice much difference with other shits.

01:07:05I mean... What do you mean?

01:07:06This program is shit.

01:07:07Yes. But it's a TV show.

01:07:10Yes, of course.

01:07:11I don't know what people expect from a TV show.

01:07:13A TV show won't fix your marriage.

01:07:16People are expecting from a TV show.

01:07:18Yes.

01:07:19Here, shit has been done for a long time.

01:07:22Of course, years.

01:07:23And it will continue to be shit.

01:07:24Yes.

01:07:25But it was time to change a bit.

01:07:27I mean, there are no more MasterChefs anymore.

01:07:30What do you mean?

01:07:32We weren't going to make a MasterChef Perros.

01:07:34Ah.

01:07:35Well, watch out.

01:07:36There it is.

01:07:37MasterChef Perros.

01:07:38There it is.

01:07:39Then, you can make more shows.

01:07:42Yes.

01:07:43But we've already made the show where Mercedes Mila

01:07:46shows videos of Mercedes Mila when she was young.

01:07:48That show has existed.

01:07:49That show has been made many times.

01:07:51There's no need for it anymore.

01:07:53That's like going to see your grandmother

01:07:55and she shows you the photo album.

01:07:56But instead of the photo album,

01:07:58it's the audiovisual archive of Spanish television.

01:08:00By the way, tell me how it happened.

01:08:02It's what Judge Emanuel Arias told him.

01:08:04Oh!

01:08:05APPLAUSE

01:08:06APPLAUSE

01:08:11Ask the parliamentary question.

01:08:14It was discovered that the whole show

01:08:16is the testimony of Carlitos in the trials.

01:08:18LAUGHTER

01:08:19It's a tragedy.

01:08:20Yes, yes.

01:08:22It's...

01:08:23In 1985, my parents hid the money under the mattress.

01:08:27LAUGHTER

01:08:28APPLAUSE

01:08:29APPLAUSE

01:08:35So, now I could show you the other thing,

01:08:37but there's no need.

01:08:38No, that's it.

01:08:39With this joke you've made, it's all over for me.

01:08:41That's it?

01:08:42That's it. Have you been doing this?

01:08:44LAUGHTER

01:08:45I've forgotten that you also do things for children.

01:08:48Look, look.

01:08:49Look at this shot.

01:08:50For teenagers.

01:08:51This show is being watched by Josep Borrell, you know?

01:08:54You also have to...

01:08:55You also have to give things to the kids.

01:08:57Of course.

01:08:58I've decorated it, it's a bit...

01:08:59What?

01:09:01It's very ministerial, isn't it?

01:09:02Well, it was the idea.

01:09:03You'll have to add things little by little,

01:09:05but it's nice.

01:09:06But you have to break it a bit.

01:09:08You have to break it.

01:09:09Do you want to break something before going out?

01:09:11Yes.

01:09:12As you go out, grab the cushion and throw it against the glass.

01:09:15Let's see if you're going to break it.

01:09:17By the way, one thing I wanted to tell you.

01:09:19Where were you going?

01:09:20How long have we known each other?

01:09:21Ten years.

01:09:22Ten years.

01:09:24Yes.

01:09:25Couldn't you find a sofa to stand on?

01:09:26LAUGHTER

01:09:27Can you stand on this?

01:09:28He can't stand on this either.

01:09:30LAUGHTER

01:09:31It's impossible.

01:09:32APPLAUSE

01:09:38Pablo, you can't even stand on a sofa, man.

01:09:40LAUGHTER

01:09:43Pablo Ibarguro, La Resistencia.

01:09:45CHEERING

01:09:46Pablo Ibarguro.

01:09:47Pablo Ibarguro.

01:09:48Thank you, Pablo.

01:09:49Thank you for coming.

01:09:50Leave it there.

01:09:51Thank you for coming.

01:09:53This was La Revuelta.

01:09:54I'm Ricardo Castaño.

01:09:55I'm Sergio Beto.

01:09:56CHEERING

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