• 3 months ago
(Adnkronos) - Il presidente della Fondazione Magna Grecia, Nino Foti, ha aperto i lavori dell'evento organizzato a Sibari dal titolo "Percorsi di sviluppo del territorio tra cultura e innovazione", nel corso del quale ha posto l'accento sulla digitalizzazione come strumento di coinvolgimento dei più giovani nei percorsi di valorizzazione del patrimonio culturale

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00:00Sibari is the birthplace of the Magna Grecia, where the great Pericles wanted to build the first area, Panellenia, where a city was built, which at that time was the largest in Athens, the largest city in the world, where there were liberties for the citizens.
00:24The citizens were acquired, so they gave to the citizenship what they had to be up-to-date. The women had a place in society and were even invited to the parties, for which they needed some time to prepare, but in short, they all participated.
00:45The Foundation today returns to Sibari, a place that represents the pride of our roots and gives a contribution to young people today, especially to understand where they come from and what their role is in society.
01:04With technological innovation and artificial intelligence, it allows us to bypass all the aspects that are unknown to us in Calabria of the so-called industrial revolution.
01:15Many young people can be involved in the field of archeology and, of course, in new innovative tools, such as the digitalization of all works of art, but above all in the interpretation of what has happened in the past.
01:37Today we are here to celebrate the 40th anniversary of the Magna Grecia Foundation, which in the capital had its Christmas with two major living historians.
01:50Professor Giovanni Pugliese Caratelli, an academic from Lince, who died 102 years ago, was the only living historian who knew how to interpret history from a papyrus, which is what the director of EMMA always says in his illustrations.
02:11Professor Giovanni Pugliese Caratelli, an academic from Lince, who died 102 years ago, was the only living historian who knew how to interpret history from a papyrus, which is what the director of EMMA always says in his illustrations.

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