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00:00:00Oh
00:00:30Oh
00:01:00Oh
00:01:30Foreign
00:02:00Foreign
00:02:22Baby
00:02:30Foreign
00:02:54Foreign
00:03:00Foreign
00:03:12Is
00:03:30between women over 35 years of age.
00:03:32Thank you very much.
00:03:34Thank you very much.
00:03:36Hey, hey, hey!
00:03:38Hey, hey, hey!
00:03:40Hey, hey, hey!
00:03:42A por las yallas!
00:03:44Oe!
00:03:46A por las yallas!
00:03:48Oe!
00:03:50A por las yallas!
00:03:52Oe!
00:03:54A por las yallas!
00:03:56Oe!
00:03:58Wow, what a party!
00:04:00A por las yallas!
00:04:02Ricardo, I'm going to stop with this.
00:04:04I'm not saying... I'm celebrating
00:04:06because there are people who think I'm celebrating
00:04:08because of the duel with El Hormiguero.
00:04:10The truth is that all of Spain is there.
00:04:12Of course, but they are making
00:04:14an incredible audience anyway.
00:04:16However, Carlos Latres...
00:04:18We send a hug to Carlos Latres
00:04:20because he's always a piece of shit.
00:04:22Carlos...
00:04:26No, but...
00:04:28Do you remember, Ricardo,
00:04:30when there was all this movement that attacked us a lot,
00:04:32and you said, I just want the show to start,
00:04:34because they were putting us like the devil,
00:04:36as if this was going to be a brainwashing.
00:04:38And I said, I want the show to start
00:04:40and that people like it or not,
00:04:42but see it as a comedy show
00:04:44that we try to make people have fun.
00:04:46And the fact that this happens,
00:04:48I simply celebrate it because it's a recognition
00:04:50and a validation and I thank you very much
00:04:52and we are very grateful.
00:04:54We are not going to...
00:04:58Very well said.
00:05:00Very well said, Broncano.
00:05:02What do you say, Ana?
00:05:04Very well said.
00:05:06It's well explained, isn't it?
00:05:08You're used to being put on a table
00:05:10with Juan Melbal and Nuria Roca.
00:05:12No, but it's true.
00:05:14Our thing was that the show starts,
00:05:16that people see it and see that it's a show.
00:05:18We are simply a comedy show
00:05:20and we are not going to leave anyone out.
00:05:22Everyone can see the show.
00:05:24Ana's son is a bullfighter.
00:05:26Well, listen...
00:05:30You don't need to compete.
00:05:32You don't need to compete.
00:05:34No, it's true.
00:05:36Why did you put her here, Ana,
00:05:38apart from the fact that she's very good?
00:05:40I don't know.
00:05:42It's because there was a bullfight here.
00:05:44There was a bullfight.
00:05:46They didn't mess with you, Ana.
00:05:48No, no, no.
00:05:50On the contrary, there was a bullfight
00:05:52in the sense of applauding me
00:05:54to get me out of here.
00:05:56A bullfight of love.
00:05:58Of course. With great enthusiasm.
00:06:00With great enthusiasm.
00:06:06It relaxes you.
00:06:08Ana, it relaxes you.
00:06:10You listen to it and it gives you...
00:06:12What do people know about you?
00:06:14No, I told them that
00:06:16I was a nurse.
00:06:18Okay. Good profession.
00:06:20Very noble. Where?
00:06:22In the PSIT hospital in Valencia.
00:06:24In Valencia.
00:06:28And then today,
00:06:30in the video...
00:06:32And on the other side, in the video?
00:06:34In the video, there was an ambiguity
00:06:36that we allowed ourselves the luxury
00:06:38of allowing it.
00:06:40What happened?
00:06:42Because there's a guy named Marquez,
00:06:44who is normal.
00:06:46Who is that?
00:06:48The guy in the second left row.
00:06:50Is he stupid?
00:06:52He is very stupid.
00:06:54And he has had emotional difficulties
00:06:56but, on the other hand,
00:06:58Maria hasn't had a bad time,
00:07:00but there's a little plot.
00:07:02What's wrong with her?
00:07:04Let her tell it. I think it's better.
00:07:06And you don't like it?
00:07:08No, I like it, but we've made an exception.
00:07:10Let's see.
00:07:12Basically,
00:07:14I started to like a classmate.
00:07:16We had a project, we made a song.
00:07:18In the end, we ended up messing up.
00:07:20Wait, wait.
00:07:22You messed up with a classmate
00:07:24and me too.
00:07:26With a girlfriend?
00:07:28At that moment, I asked him
00:07:30if he was with his girlfriend
00:07:32and he said no, they had broken up.
00:07:34But after that, I went to Argentina.
00:07:36He went back to his island
00:07:38and came back to Fuerteventura.
00:07:40And you are Argentinian?
00:07:42No, I'm Venezuelan, but I lived in Argentina.
00:07:44I went to visit my friends.
00:07:46So, he told you, I don't have a girlfriend anymore.
00:07:48What girlfriend?
00:07:50You got involved.
00:07:52He came back with his girlfriend.
00:07:54He came back with his girlfriend.
00:07:56Fuck, a horrible parenthesis.
00:07:58The thing is, they made a song together
00:08:00and he doesn't want it to be published
00:08:02and she thinks it's going to be a hit.
00:08:04So, he sang the song in a WhatsApp audio
00:08:06and he sent it to him.
00:08:08Ok.
00:08:10And that's the end of the story.
00:08:12There's a song you made with him because you both sing.
00:08:14Yes.
00:08:16And he doesn't want it because...
00:08:18He doesn't want it because I haven't released any song
00:08:20But he sang it here, Maria.
00:08:22Yes, if you want, put the audio.
00:08:24No, but let him sing it.
00:08:26Ok.
00:08:28I'll sing it.
00:08:36But do you want me to sing the minute or just the chorus?
00:08:38No, no, no.
00:08:40The beginning and the chorus.
00:08:42The chorus.
00:08:44The song is very long, guys.
00:08:46It's a feature film.
00:08:48The chorus.
00:08:50He started singing the song
00:08:52when Ana was 35 years old.
00:09:02Excuse me, how do I introduce you?
00:09:04What's the name of the song?
00:09:06Tell me what's going on.
00:09:08No, no, no.
00:09:10It's called Tell me what's going on.
00:09:12That would be good for the bride.
00:09:14Yes, I think so.
00:09:16Ok.
00:09:18It's because some big tits have fallen on her.
00:09:20Poor thing.
00:09:22Tell it to the tits in the second row.
00:09:24Of course.
00:09:26Well.
00:09:30I'm not going in.
00:09:32It's a three of you thing
00:09:34where I'm not going to judge.
00:09:36But it's called Tell me what's going on.
00:09:38Ok, Maria, I'll introduce you.
00:09:40Ricardo, why is it a different thing every day?
00:09:42What's wrong with you?
00:09:44I'm looking for something colorful
00:09:46that touches me.
00:09:48It's not working.
00:09:50I like this look.
00:09:52Ok, let's see it.
00:09:54I want to sell donuts.
00:09:56Maria.
00:10:04What's the artist's name?
00:10:06No.
00:10:08My artist's name is MD
00:10:10because I have two initials.
00:10:12Be careful, there's MA
00:10:16and that name is already caught.
00:10:22If the other guy in the song
00:10:24is called Miguel Ángel, it's perfect.
00:10:26MDMA, it's incredible.
00:10:28No, it's called Eleder.
00:10:30Ok.
00:10:32The Eder that comes from Aragon.
00:10:34If you have to go into ecstasy,
00:10:36contact me.
00:10:38Did you roll with an elf?
00:10:40Let me do it.
00:10:48Let me do it.
00:10:50First he kissed her and then he said
00:10:52destroy this ring.
00:10:54Sergio, let me introduce her.
00:10:56Not only did she have pointed ears.
00:10:58MD...
00:11:04You could say he was the f***ing friend.
00:11:06But...
00:11:08Please, that's enough.
00:11:10Sergio.
00:11:12That's enough.
00:11:16Destroy this ring, it sounded awful.
00:11:18MD presents
00:11:20a short chorus of a possible hit,
00:11:22according to her, called Dime Lo Que Pasa.
00:11:36Dime lo que pasa
00:11:38Se que estas esperando mi llamada
00:11:40El mensaje de ven a mi casa
00:11:42Para decirte que tu me encantas
00:12:06Sorry.
00:12:08Here...
00:12:10Here...
00:12:22Sorry.
00:12:24So many people came here to sing
00:12:26and then they sing like shit.
00:12:28This girl, I didn't have any expectations
00:12:30but she sang incredible.
00:12:32Congratulations, MD.
00:12:38We have three calves today too.
00:12:40What a luck.
00:12:42Pediphile, a wish.
00:12:44It's true that three calves
00:12:46right under the spotlight.
00:12:48Look how they shine.
00:12:58I tried...
00:13:00And then a short chorus.
00:13:02I start the show.
00:13:04Ana, do you want to say something?
00:13:06Do you want to say something?
00:13:08There's no advertising today.
00:13:10Never mind.
00:13:12Do you want to say
00:13:14welcome to La Revuelta,
00:13:16this is Televisión Española,
00:13:18thank you for watching the show.
00:13:20And we start.
00:13:22Look at that camera.
00:13:24Welcome to La Revuelta.
00:13:26Welcome to La Revuelta,
00:13:28this is Televisión Española.
00:13:30Thank you for...
00:13:32Thank you for...
00:13:34Thank you for coming.
00:13:36Thank you for coming.
00:13:48What's up, Guillo?
00:13:50Ah, right,
00:13:52the Children's Day is almost over.
00:13:54You know that every day
00:13:56when the Children's Day is over,
00:13:58we put a message for the kids
00:14:00to go to bed.
00:14:02All the babies and all this,
00:14:04the magic man comes out
00:14:06and sends them to bed.
00:14:18And now...
00:14:22And now in La Revuelta,
00:14:24like every day,
00:14:26he's here every day,
00:14:28but not every day you tell him to go out.
00:14:30Is he here or is he there?
00:14:32He's there.
00:14:34A round of applause for Jorge Ponce,
00:14:36nothing less.
00:14:38I'm here in El Croma because...
00:14:40It's been a while since you've been there.
00:14:42I'm in El Croma of the year.
00:14:44We're going to do these things
00:14:46that they do in public,
00:14:48territorial disconnection,
00:14:50so that everything is not Madrid
00:14:52with its things of freedom,
00:14:54Spain of the B stage,
00:14:56of the San Miguel 00 stage.
00:14:58Spain is the best.
00:15:00And then all that is counted
00:15:02in territorial disconnection.
00:15:04Let's see.
00:15:18Okay, territorial disconnection,
00:15:20we know other parts of Spain.
00:15:22Let's go to Benidorm.
00:15:24Most people have only seen it like this,
00:15:26they've only seen it in Llavero.
00:15:28And you have to see it.
00:15:30So, very important,
00:15:32the first thing with Benidorm
00:15:34is not, you see the M, Benidorm.
00:15:36Why does it mark a lot?
00:15:38Because if you say Benidorm,
00:15:40you see me here,
00:15:42you say Benidorm,
00:15:44but if you say it with the M,
00:15:46you get the face that when you say it
00:15:48with the M you say Benidorm.
00:15:50Benidorm.
00:15:54If you say Benidorm,
00:15:56you say Benidorm,
00:15:58and you get Rajoy's mouth.
00:16:00Let's go directly to the Strip View.
00:16:02We are in Benidorm,
00:16:04the last stop.
00:16:06Here we see it, all the people,
00:16:08the end of the journey, David.
00:16:10Benidorm from inside or on the street?
00:16:12On the street.
00:16:14Here we see it,
00:16:16the last journey of the Yallos.
00:16:18And they are already in the sea.
00:16:20So we have all the types of Yallos.
00:16:22What unites them all?
00:16:24The Yallos of Benidorm are all the same.
00:16:26David, look, this is Benidorm.
00:16:28This is Benidorm, the T-shirt that says Benidorm.
00:16:30There you see it, there you put Benidorm.
00:16:32Benidorm.
00:16:34It doesn't matter to the one in the background,
00:16:36even less to Yanny, he puts on a T-shirt.
00:16:38Benidorm.
00:16:42In Benidorm,
00:16:44you see it, it's a lot of torso.
00:16:46You have the one of this man,
00:16:48but of many types.
00:16:50You also have the fitness Yallo.
00:16:52The fitness Yallos.
00:16:54We have already seen the one that doesn't care.
00:16:56Then there is the young Yallo.
00:16:58The Yallo that is Yallo, but a new Yallo,
00:17:00in which they go for it on the disc.
00:17:02They are the Yogurines.
00:17:04Ricardo Castella.
00:17:06And we also have the surprising Yallo.
00:17:08Look how he gets into you, look at the Yallo.
00:17:10He eats you directly.
00:17:12He got into the camera.
00:17:14It is very important, since you are going to visit
00:17:16here in the background,
00:17:18the Quixote Nordiska Krogen.
00:17:20You see it, there is the one of Avellaneda.
00:17:22The Quixote?
00:17:24Nordiska Krogen.
00:17:26The Quixote,
00:17:28a bar to get drunk with the Norwegians.
00:17:30The Quixote Nordiska Krogen.
00:17:32And you have to be very careful
00:17:34and come back here, for example,
00:17:36if we are here, we go to the beach.
00:17:38For example, we have here,
00:17:40we go through the Moritimo Pass, very beautiful.
00:17:42Here we see, for example, a lady
00:17:44who is packing her bags. Why?
00:17:46Because she is leaving.
00:17:48She is leaving as a vendor.
00:17:50I don't know where, because suddenly
00:17:52you change here and the lady is gone.
00:18:02Where is the lady? We don't know.
00:18:04She disappeared.
00:18:06We go to another part of Benidorm.
00:18:08We go to the Alameda del Alcalde Pedro.
00:18:10Very busy.
00:18:12Very busy, a lot of life.
00:18:14In Benidorm, by the way, this is the Montmeló
00:18:16of this type of cars.
00:18:18In Benidorm, this car is what you see the most.
00:18:20It looks more like a Renault 4.
00:18:22Some, I think, I get angry because
00:18:24they abuse the car.
00:18:26It is not worth having a friend
00:18:28with a car to throw away
00:18:30everyone's towels,
00:18:32the bags of the market.
00:18:34A dog.
00:18:36The dog can walk.
00:18:38Don't abuse the cars.
00:18:40We have a lot of people, people taking things.
00:18:42Here we have some people
00:18:44taking something. Let's see if we see the tattoo.
00:18:46Look at the tattoo. What does it say?
00:18:48I am a wild potra.
00:18:56I am a wild potra
00:18:58and with the malleage
00:19:00I fucking brought you.
00:19:02I don't know.
00:19:04By the way, in Benidorm we also have this.
00:19:06You ate it all.
00:19:08I didn't expect it.
00:19:10Look, I am fine.
00:19:12You eat it, fine.
00:19:14And a couple more corners of Benidorm.
00:19:16We have this other corner
00:19:18where the mandatory ambulance is.
00:19:20The ambulance doesn't move from there.
00:19:22They have it directly.
00:19:24I don't know if you know the famous expression
00:19:26in Alicantina, more at ease
00:19:28than in the shadow of a rhinoceros.
00:19:30More at ease than in the shadow of a rhinoceros.
00:19:32Because look at this gentleman.
00:19:36Excuse me.
00:19:38He is very at ease.
00:19:40A very powerful, noble
00:19:42shadow of a rhinoceros.
00:19:44If you put the one next to the giraffe,
00:19:46it's worse, but the rhinoceros.
00:19:48If we go here, we have more torso.
00:19:50But from time to time in Benidorm this happens.
00:19:52You have a torso on this side
00:19:54and if you go here, another torso
00:19:56that comes from there.
00:19:58But this is the alpha torso.
00:20:00He ate it directly.
00:20:02Where do people have fun in Benidorm?
00:20:04In the disco Puff.
00:20:06This is a nice print from Benidorm.
00:20:08A car, as I said.
00:20:10The gentlemen, drunk in the morning.
00:20:12They don't care about anything.
00:20:14And very good shows.
00:20:16In this poster we can see
00:20:18U2, Coldplay, Pink Floyd,
00:20:20Palanca y Cambio.
00:20:26Palanca y Cambio.
00:20:30Palanca y Cambio.
00:20:32Palanca y Cambio.
00:20:34Palanca y Cambio.
00:20:36And finally, we say goodbye to Benidorm.
00:20:38We go here, this nice print.
00:20:40Here we see Benidorm,
00:20:42the nice beaches, the umbrellas.
00:20:44Remembering that if in Mercadona
00:20:46it's not from 7 to 8,
00:20:48in Benidorm it's practically
00:20:50any time.
00:20:52Here we see it.
00:20:54No, man, no.
00:20:56The gentleman said,
00:20:58get there and I'm taking off my shirt.
00:21:02Fuck.
00:21:08At the time of eating.
00:21:10And as always in this type of set
00:21:12we have the big looker.
00:21:14He got the google car.
00:21:16So, you already know Benidorm.
00:21:18Regional disconnection for Benidorm.
00:21:20Jorge, thank you very much.
00:21:22A round of applause for Jorge Ponte.
00:21:24Jorge Ponte.
00:21:28MD tells me Sergio
00:21:30with a gesture that perhaps there is no news, there is news of the elf
00:21:36Let's see, because we remember that this program is live and surely the kid has seen it from his house, right?
00:21:41This is live, Ana, you already know that it is almost midnight, right?
00:21:46Let's see...
00:21:47Watch out...
00:21:49He laughs, he laughs inside, huh?
00:21:51Let's see, sorry, bring the microphone closer, bring it closer
00:21:53He has answered it
00:21:54Bring it closer, there is something
00:21:55Oh my God
00:21:56Oh Holy Virgin, she sent it to him...
00:22:01Let's see...
00:22:02He has answered me
00:22:03Open it, open it, there
00:22:04Hello, ok
00:22:05He has answered me
00:22:06What the fuck, hahaha, it's IA
00:22:08What the fuck?
00:22:10What the fuck, hahaha?
00:22:11It's IA
00:22:12It's what?
00:22:13Artificial Intelligence
00:22:15But we are normal
00:22:22Well...
00:22:24We are normal
00:22:26We are normal
00:22:28Well...
00:22:30Do you want us to send him a photo? Do you want us to take a selfie?
00:22:32Yes, yes
00:22:33Come here, come here, run, let's send it to him so he can see that it's true
00:22:37Oh boy, I get nervous sending a selfie directly to the same Elder, son of Hered
00:22:42I mean, of course
00:22:44Go up, go up
00:22:48Oh my God
00:22:49With MD, what an artist, huh?
00:22:53Oh boy
00:22:58Hahaha
00:23:00Ok
00:23:03Today there is a problem with the guest, I'm going to tell you because we have...
00:23:06Let's see, something happened, we had...
00:23:08What's going on?
00:23:11Wait, now I see it
00:23:13Something was going on
00:23:14Today we had a guest who couldn't come because he is a...
00:23:17He will come, he is a sportsman who has suffered an injury
00:23:19Ok
00:23:20And he couldn't come and today at four in the afternoon, now it's...
00:23:23I don't know, it's past...
00:23:24It's six, right?
00:23:25Yes
00:23:26It's five
00:23:27We didn't have anyone
00:23:28We had several options and I already asked Fernando not to tell me what there was
00:23:32Can I say the options there were?
00:23:33Come on
00:23:34We told him
00:23:35Today at three in the afternoon we told him
00:23:37Yes, yes
00:23:38Anígar Tiburú
00:23:39Anígar Tiburú
00:23:41Jordi Hurtado
00:23:42Jordi Hurtado
00:23:44I made a missed call to Reina Sofía
00:23:46Yes
00:23:47Reina Sofía, I don't think so, but the rest are real
00:23:49Yes
00:23:50We told Raúl Cimas
00:23:53We told him...
00:23:54Well, I already say no, but we told him as a joke
00:23:56The father of the bad ninja, but...
00:23:59He tried, he tried
00:24:07Listen, Broncano, I...
00:24:09Sorry, sorry
00:24:10Open it, Ana
00:24:12I would have liked Anígar Tiburú
00:24:15Anígar Tiburú
00:24:16Yes
00:24:17I don't know if...
00:24:18I think we also told Yolanda Ramos, but...
00:24:20Yes
00:24:21Let's see, here you have someone, of course
00:24:23Of course, of all those...
00:24:25It doesn't show, does it?
00:24:26Yes
00:24:27Of all those...
00:24:28Is that the interview?
00:24:29That's the interview, yes
00:24:30This one or...?
00:24:32Are you finding out...?
00:24:33This person here, why?
00:24:35Ah, because he also came
00:24:36Ah, but the interview is not him
00:24:38Man, no
00:24:39What a dynamism of a show, kid
00:24:42Where is he?
00:24:43Careful
00:24:44I didn't interview him
00:24:54It's him! It's him! It's him!
00:25:02It's him! It's him! It's him!
00:25:07Wow, kid
00:25:09Thank you
00:25:10Directly from Tony's pub in Benidorm
00:25:12Incredible
00:25:14I was with Jorge and I said
00:25:15I'm going to have a drink, bye
00:25:16Sorry, I didn't interview you
00:25:17No, I didn't interview you
00:25:18You're going later
00:25:19I'm going later...
00:25:20Well, I'm leaving, see you later, thank you
00:25:21But you're coming back now
00:25:22I'm coming back, yes
00:25:23You're coming back after the interview
00:25:24I'm going to do a couple of gestures
00:25:25that I have to do
00:25:26and then I'll bring you some gifts
00:25:27Kids
00:25:28Gifts?
00:25:36I'm glad to have found out
00:25:37who is really coming
00:25:39and I suddenly thank him
00:25:40for coming
00:25:41because we actually told him
00:25:43I mean, a while ago
00:25:44And it's not the first time
00:25:45that he saves our asses
00:25:46in these situations
00:25:47He's an incredible artist
00:25:48He's one of the best comedians in Spain
00:25:50And at the same time
00:25:51he's a friend
00:25:52He's a friend
00:25:53He saved our lives
00:25:54We're very happy
00:25:55A round of applause for Raúl Cimas
00:25:56in La Resistencia
00:26:18Juanín
00:26:19Juanín
00:26:20How are you, man?
00:26:21You rock
00:26:22You rock
00:26:23You rock
00:26:24And now, I'm nervous
00:26:25because this is a success
00:26:26I have to say
00:26:27I'm thankful
00:26:28because the other day
00:26:29you texted me
00:26:30on Monday afternoon
00:26:31to wish me luck
00:26:32for the show
00:26:33and I think
00:26:34on Tuesdays
00:26:35or something like that
00:26:36at night
00:26:37they had messaged me
00:26:38so I thought
00:26:39I'd start answering
00:26:40all of them
00:26:41on my computer
00:26:42and nobody was answering
00:26:43because it was 4 in the morning
00:26:44and the only person
00:26:45But you answered
00:26:46me at 4 in the morning
00:26:47You answered me
00:26:48You were the last one to answer.
00:26:49No, no, no. There were more people left.
00:26:52And at 4 in the morning, knowing no one was going to answer,
00:26:54I wrote to Raúl, thanks a lot, and at the minute he said,
00:26:56hey, Broncano, what's up?
00:26:57Of course.
00:26:58The only one awake at dawn in Spain, of course, unfortunately.
00:27:01Of course.
00:27:05In fact, I was so happy because I was going home,
00:27:08I said, damn, he wants to mess with you.
00:27:10No, no.
00:27:12Maybe I can make a bit of an extension, right?
00:27:13Of course.
00:27:14I thank you, I thank you, but of course,
00:27:16you didn't give a damn, and now you're here,
00:27:18instead of at a random place,
00:27:19you're in a real show of success, of course.
00:27:21No, no, of course.
00:27:22The pressure...
00:27:23Don't worry, I've come to return things to their place.
00:27:26Of course.
00:27:27You're re-establishing order, right?
00:27:29I'm announcing that we're losing tomorrow.
00:27:30We've lost, and tomorrow we'll have a terrible result, and that's it.
00:27:34You say it.
00:27:36You talk about three days of excitement, but now...
00:27:39Well, the dream is over.
00:27:41But, sorry...
00:27:42Paul, assume, if you don't mind...
00:27:44The blame.
00:27:45Assume the blame.
00:27:46Because you don't care, and for us, it's like...
00:27:49Well, it's not my fault, either.
00:27:51Assume it, but what does it matter?
00:27:52You haven't taken any risks, you're still in the same team,
00:27:55a tiny bit of pressure, and...
00:27:58Assume it, but what does it matter? Assume the blame.
00:28:00Hello.
00:28:04Spain.
00:28:05That's it.
00:28:06Spain.
00:28:08That's it.
00:28:11These are very sad words,
00:28:13also addressed to the president of the government.
00:28:16Why? Why?
00:28:18Well, because they say I don't know what, right?
00:28:21Yeah, yeah, yeah.
00:28:31You feel we're disappointing him, don't you?
00:28:34Pedro.
00:28:35What's my camera?
00:28:37Go to Spain, Spain.
00:28:38What camera?
00:28:39There, there.
00:28:42Pedro.
00:28:43It's me. I was looking for the camera.
00:28:47I'm very sorry.
00:28:48Give them another chance.
00:28:50Tomorrow.
00:28:51There's no show.
00:28:52Everything...
00:28:53No, there's no show tomorrow.
00:28:54Not tomorrow, Friday, right?
00:28:56There's no show tomorrow, Pedro,
00:28:57so you'll be happy again tomorrow, okay?
00:29:00Tonight, your project, your son...
00:29:04...has failed.
00:29:05No, sorry. No, no, no.
00:29:07What?
00:29:08No, because...
00:29:13I've been trying to get rid of San Benito for two weeks,
00:29:17and now...
00:29:18Well, David, if you're not his son, I don't get it.
00:29:28You don't get how I got here, do you?
00:29:30I don't get it.
00:29:32Yeah, yeah.
00:29:33I don't get it, and less...
00:29:34And less everything, yeah.
00:29:36Of course.
00:29:37With the team I have behind me.
00:29:38Yeah, yeah.
00:29:40Well, I appreciate that.
00:29:41What time did they tell you?
00:29:43Last night or this morning?
00:29:44Well, yesterday was the premiere.
00:29:46Okay.
00:29:47Today, I haven't been able to watch anything.
00:29:51No, I didn't see you yesterday,
00:29:52and I think the writers came, which I don't like.
00:29:55You don't like them.
00:29:56And...
00:29:57I don't spend it.
00:29:58And...
00:30:00It was the premiere, so I ran out of battery.
00:30:02Yes.
00:30:03I got to the hotel.
00:30:05Yes.
00:30:06I turned it on to see if someone had written to me,
00:30:08the people I'd been with last night.
00:30:10Okay.
00:30:11Let's see if someone had written to you,
00:30:13in case it got delayed.
00:30:14Yeah, or...
00:30:15Hey, have you left? What the fuck?
00:30:17Yeah, yeah.
00:30:18But no.
00:30:19However, someone from your show had written to me.
00:30:22Alejandro.
00:30:23Alejandro.
00:30:24I said, no, hey, tomorrow, what's up?
00:30:26Let's see if you can come tomorrow.
00:30:28It's so late.
00:30:29What time was it?
00:30:32I don't know.
00:30:3312 o'clock.
00:30:36And...
00:30:37And what did you say?
00:30:38I said, I have two options.
00:30:40Either I tell the producers,
00:30:43who are going to say, fuck, that's cool,
00:30:45or I let it go, since nothing's happened.
00:30:47I'll have a good hangover and all that.
00:30:49But I said it, and in the end, I'm here, sweating and all that,
00:30:52but I'm delighted.
00:30:53I'm delighted.
00:30:54I'm delighted.
00:30:55Thank you very much.
00:30:56I'm delighted, man.
00:30:58Whatever you need.
00:30:59We're going to put things back in their places.
00:31:02We're going to put things back in their places.
00:31:05We're going to put things back in their places.
00:31:07We have...
00:31:08It's going to be a minority show.
00:31:10We have...
00:31:11Again.
00:31:12We're back to the same thing, right?
00:31:14We have some RTVE thanks for coming.
00:31:17Ah, great.
00:31:18I didn't bring them anything.
00:31:20Sure, you...
00:31:21You didn't bring anything?
00:31:22No.
00:31:24Nothing.
00:31:25I didn't bring anything.
00:31:26Not even 50 euros?
00:31:27Yes, of course.
00:31:2850 euros is never enough.
00:31:31Of course, but I never spend more.
00:31:33Do you have 50 euros?
00:31:34I've got one of 50, one of 10 and another of 20.
00:31:37This is one square.
00:31:38I was just kidding.
00:31:39I appreciate it, but...
00:31:41Here, now you look very exciting,
00:31:43but you'll soon go back to...
00:31:51Come on!
00:31:52Grandfather's advice, don't you trust your son?
00:31:54Well, now it seems like it, but in two weeks you'll be back.
00:31:58Wait, I'll give it to you.
00:32:00They're things from Spanish television.
00:32:04Mythical things.
00:32:05Herminia's Rebecca from Cuéntame.
00:32:08Look at this.
00:32:09Oh, how wonderful.
00:32:11Ramón García's grapes from Nochevieja.
00:32:14Well, well, well.
00:32:20A tape on VHS of what we bet on.
00:32:23Do you remember what we bet on?
00:32:24The history of television.
00:32:28This is land...
00:32:29...from Hombre y la Tierra.
00:32:35There are three more things.
00:32:37Weekly report.
00:32:38All the weekly report scripts from 55 years ago.
00:32:42Can I leave...
00:32:43Sorry, I forgot this.
00:32:44They're on Brailly because we wanted to give them to the first blind guest and we forgot.
00:32:48We'll give them to you anyway.
00:32:51Leave it there.
00:32:55This is...
00:32:56You'll notice it's sweaty.
00:32:58It's the shirt from the first day of David Bustamante in Operación Triunfo.
00:33:02Here it is.
00:33:04Wow, what a story.
00:33:06What did you do to the TV?
00:33:08It's like his colony.
00:33:10Of course, that's where the colony came from.
00:33:12And then we have the cucumber from...
00:33:14It's like a cucumber from...
00:33:16...Spanish television, 24 Hours.
00:33:18There it is.
00:33:20Oh, sorry.
00:33:22This is so sad.
00:33:26The other one is also sad.
00:33:28I told you we were going to give Brailly's weekly report to the first guest,
00:33:32Aitor.
00:33:33Blind surfer.
00:33:34He was wonderful.
00:33:35We made him a trophy that said,
00:33:36first guest in the history of La Revuelta.
00:33:38We forgot to give it to him.
00:33:39I'll take it.
00:33:40Don't worry.
00:33:45That's it.
00:33:48I mean...
00:33:50I'm not blind.
00:33:52But a while ago...
00:33:53A while ago.
00:33:54There he is.
00:33:55Do you want to sit down, Raúl?
00:33:57I don't know if I can.
00:33:58Sit down, sit down with all that.
00:33:59There he is, Raúl Cimas, the guy.
00:34:00Okay, I'll leave it here.
00:34:07It's always summer with the cucumber in your hand.
00:34:09Tell me, Ana.
00:34:10So, isn't...
00:34:11What?
00:34:12Isn't Nígar Tiburó coming?
00:34:13Yes.
00:34:19Sorry.
00:34:20I'm sorry.
00:34:21I shouldn't have said it.
00:34:22Because, of course, Nígar Tiburó was...
00:34:23Of course.
00:34:24I'm sorry to disappoint you, Ana.
00:34:25But, of course, Raúl...
00:34:26Do you know Raúl Cimas?
00:34:27Let's see.
00:34:28Tell me something.
00:34:29Let's see.
00:34:30What do you know about him?
00:34:31Well, I've seen him on TV.
00:34:32I've seen him on Movistar many times.
00:34:33Ah, so you really know him.
00:34:34Yes, yes.
00:34:35Do you want to tell him something?
00:34:36Sell yourself.
00:34:37I mean, because she was waiting for Nígar Tiburó.
00:34:38Sell yourself.
00:34:39Look, Ana.
00:34:40I don't know.
00:34:41Let's see what comes to your mind.
00:34:42I don't know.
00:34:43I don't know.
00:34:44I don't know.
00:34:45I don't know.
00:34:46I don't know.
00:34:47I don't know.
00:34:48I don't know.
00:34:49I don't know.
00:34:50I don't know.
00:34:51I don't know.
00:34:52I don't know.
00:34:53Let's see what comes to you mind.
00:34:54Give him the money.
00:34:55Don't give him the money.
00:34:56How am I going to give him the money?
00:34:57No, no, no.
00:34:58No.
00:34:59You can't sell yourself.
00:35:00That's immaterial.
00:35:01I understand the disappointment.
00:35:02And the only thing I can tell you is that you're going to go to Mars as the interview progresses.
00:35:03Yes.
00:35:04Can I give you a gift of the ones you gave me?
00:35:05Or is it ugly to give away what you have been given?
00:35:06No.
00:35:07That's not okay.
00:35:08That's not okay.
00:35:09No?
00:35:10No.
00:35:11You didn't like it at all? Me neither.
00:35:20Tell him, maybe you can win it for Raúl Edalbacete.
00:35:24What can we do to convince you?
00:35:26I don't know, I don't know.
00:35:28One moment, sorry.
00:35:29An incredible thing has happened.
00:35:32You've all heard it, haven't you?
00:35:34A girl, have you heard it?
00:35:35It was like Super Mario Bros.
00:35:37She went to scream, long live the fair, and a tremendous rooster came out.
00:35:40It was very sad.
00:35:44Pass her the microphone.
00:35:48She tried to say, long live the Albacete fair, and long live the fair!
00:35:50Let's see if she's going to be the sister of Eder.
00:35:52How?
00:35:53Sorry, did you leave the microphone?
00:35:55Yes.
00:35:56Who was it? The rooster?
00:35:58What's your name?
00:35:59Maria, too.
00:36:00Maria.
00:36:01Yes.
00:36:02How have you lived it?
00:36:03How have you lived it?
00:36:04Have you warmed up with the Albacete fair?
00:36:05It's a very important feeling.
00:36:07The what? The Albacete fair?
00:36:08The Albacete fair.
00:36:09The Albacete fair?
00:36:10Yes, man.
00:36:11And then it betrayed your own emotion.
00:36:13Indeed, look at the heart.
00:36:15Do you want to say long live the fair without roosters so that everyone can say long live?
00:36:18Oh, it's just that...
00:36:19But don't worry, you'll be able to say it.
00:36:21The Virgin of the Plains, which is longer and there are more chances that a rooster will come out.
00:36:26Of course.
00:36:27Long live the fair, we say long live, and then long live the Virgin of the Plains and another long live, and that's it.
00:36:32Applause to Albacete.
00:36:33Maria, you can.
00:36:34Come on, we're with you.
00:36:35Come on, Maria.
00:36:36Long live the...
00:36:37Fuck!
00:36:39Applause.
00:36:46What's up? You were there last night, right?
00:36:48He got stuck with the minimum.
00:36:51All the Catholic people were super happy because he said long live the faith.
00:36:54Long live the faith, of course, of course, too.
00:36:56Well, long live the faith.
00:36:57It's a bit like that, you can't avoid the roosters.
00:36:59It's like the singer from Celtas Cortos, right?
00:37:02He's like, give me a short story.
00:37:04He did that a bit too, yes.
00:37:06Do you think you can?
00:37:07Come on.
00:37:08Come on, the third one.
00:37:09Overcome, beautiful story, the one you're living here today.
00:37:11Come on.
00:37:12Long live the fair.
00:37:15And now, watch out, watch out.
00:37:16And long live.
00:37:17And long live the Virgin of the Plains.
00:37:19Applause.
00:37:27Give it to me, Guillo.
00:37:28It has the same voice as the roosters.
00:37:29Give it to me, give it to me.
00:37:30And the voice of the roosters of the stories.
00:37:33Applause.
00:37:38Pass it to him, pass it to him, the water.
00:37:40Thank you very much.
00:37:41You're welcome, Maria, enjoy it.
00:37:42Well, well, well.
00:37:44Phew, almost, huh?
00:37:45Okay, sorry.
00:37:46So, that's under control.
00:37:48Ana, for you.
00:37:49Then I'll interview Raúl, right?
00:37:50I'm sorry.
00:37:51To finish, I'll start the interview with you.
00:37:53Ana, could you, since it's the last time I turn to you,
00:37:56send a message to Anígar Tiburu so that he comes saying...
00:37:59Send a message to the camera.
00:38:01Man, yes, it would be very good if he came.
00:38:04You like it, huh?
00:38:05Although I won't be able to see it live anymore.
00:38:07Why?
00:38:08Because I won't be there.
00:38:10Because again...
00:38:11If I didn't tell you that I was going to catch him.
00:38:13Because I won't be there.
00:38:14Ah, you won't be able to see it here live.
00:38:16Of course, live.
00:38:17Ah, what a scare, what a scare.
00:38:27I've seen Raúl Zimaz a lot with Buena Fuente.
00:38:29We have a nun, in case you want to leave an inheritance.
00:38:31What? With Buena Fuente?
00:38:32You've seen Raúl with Buena Fuente?
00:38:34Yes, many times.
00:38:35Very good, Andreu.
00:38:36What a couple you two are.
00:38:37Very good.
00:38:38I liked it a lot.
00:38:39OK.
00:38:40Do you want to promote the series now?
00:38:42Yes, I would like to.
00:38:43OK.
00:38:44Because now that we've done it...
00:38:47Now that it's been shot, right?
00:38:48Yes, of course.
00:38:49But you know what the dynamics are here.
00:38:51If I have to promote anything from the audience,
00:38:54I stop promoting my series and I get on with their stuff.
00:38:57Do you offer yourself?
00:38:58Yes, but let me say first, more than anything,
00:39:00because they're excited.
00:39:03It's true that the other times you've been here,
00:39:05you've been very generous, very generous in that sense,
00:39:07and you've promoted, right?
00:39:08You've promoted local businesses, right?
00:39:10Yes, once they threw me a book while I was presenting mine
00:39:13and I ended up selling the other one.
00:39:15It's true.
00:39:16If someone has to think,
00:39:17when the series is over,
00:39:19if someone has a small business or something local,
00:39:21I mean, if the owner of Mercadona is here,
00:39:23don't say anything, because...
00:39:24But if someone has something to promote,
00:39:26if someone has to promote something small,
00:39:27Raúl, you've done a good job.
00:39:28Think about it and then raise your hand and say it.
00:39:30Okay, but first, yours.
00:39:31First, mine.
00:39:32I present it.
00:39:33Come on.
00:39:35Raúl Cimas
00:39:39presents
00:39:41a series of...
00:39:43Where is this broadcasted?
00:39:44It's not on Spanish television, is it?
00:39:45No, not at the end.
00:39:48Not at the end, huh?
00:39:49Not at the end.
00:39:50We were going to do it there, but...
00:39:52Well, it's a...
00:39:54It's a series that will be broadcasted starting tomorrow.
00:39:58Okay.
00:39:59On Prime Time.
00:40:00On Prime Time?
00:40:01No, on Prime Video.
00:40:08Look,
00:40:10man, you're driving me crazy.
00:40:11You're late, I know.
00:40:12No, of course.
00:40:13That aside,
00:40:14no, don't say Amazon, now it's Prime Video.
00:40:17Do you remember when it was...
00:40:18It wasn't Movistar, it was Movistar Plus.
00:40:20No...
00:40:21That's how I promote all the networks.
00:40:23And then they released Disney,
00:40:25which was Disney Plus,
00:40:26but you had to say Disney Plus.
00:40:28It's true that it's difficult.
00:40:29These things happen.
00:40:30You drive me crazy.
00:40:31Do you know where there are no confusions?
00:40:33Here, for example, Ricardo,
00:40:34there have never been confusions here.
00:40:35It's just that I haven't said it today,
00:40:36I'm going to say it now.
00:40:37Why?
00:40:38Because this has always been called television.
00:40:41Wow, man.
00:40:48On Prime Video.
00:40:49Okay.
00:40:50It's called Enfín.
00:40:51It's a series...
00:40:52I present it.
00:40:53Yes.
00:40:54The last one.
00:40:55Apocalypse.
00:40:56Presents...
00:40:58A series...
00:40:59A series on Prime Video.
00:41:01Okay.
00:41:02It's called...
00:41:03Starting tomorrow...
00:41:04And the name and the title.
00:41:05All the episodes.
00:41:06It's called Enfín.
00:41:08Bam!
00:41:10And it's a series that,
00:41:11as you can see in the poster,
00:41:12I'm not in it.
00:41:13You're not in it.
00:41:15It's true that I picked it up before
00:41:16and I said,
00:41:17well, I guess it will be the protagonist
00:41:18and it will be appreciated,
00:41:19but of course,
00:41:20I'm not even in the poster.
00:41:21No, no, not even in the series.
00:41:24But some friends have asked me
00:41:25if I could promote it
00:41:26and somehow...
00:41:29I'm not in it.
00:41:30I'm not in it.
00:41:31I'm not in it.
00:41:32I'm not in it.
00:41:33I'm not in it.
00:41:34I'm not in it.
00:41:35I'm not in it.
00:41:36I'm not in it.
00:41:37I'm not in it.
00:41:38Somehow...
00:41:44Marlene Alterio was going to come,
00:41:45but in the end,
00:41:46things got complicated.
00:41:47When I went home,
00:41:48she was still here.
00:41:49She was still here, right?
00:41:50And in the end,
00:41:51I had to come.
00:41:52They sent you.
00:41:53Yes.
00:41:54So, well,
00:41:55it's a series by David Sainz,
00:41:56written by David Sainz
00:41:57and Enrique Lojo.
00:41:58And...
00:41:59And...
00:42:00These wonderful people
00:42:01who did Malviviendo
00:42:02and all those things
00:42:03with four hard...
00:42:04Greasy, right?
00:42:05Greasy too.
00:42:06And...
00:42:07And, well,
00:42:08it's wonderful.
00:42:09It's about the apocalypse.
00:42:10It's about the apocalypse, right?
00:42:11Yes, it's about the apocalypse
00:42:12in Spain.
00:42:13I like that...
00:42:15It's true that, historically,
00:42:16the apocalypse,
00:42:17at the audiovisual level,
00:42:18has always been centered
00:42:19in the United States,
00:42:20in Nebraska,
00:42:21the apocalypse always starts there.
00:42:22Yes, yes.
00:42:23I like that what happens
00:42:24in the apocalypse
00:42:25happens in Cuenca.
00:42:26It's a good idea.
00:42:27It's not in Cuenca,
00:42:28but it starts in Seville.
00:42:29I mean,
00:42:30the first thing that dies is the elf.
00:42:31Okay.
00:42:32And people
00:42:33end up without the elf.
00:42:34Without grace, right?
00:42:35Then they lose their grace
00:42:36and they become monsters
00:42:37and they look like people
00:42:38from Santander.
00:42:39Okay.
00:42:48The apocalypse turns
00:42:49Sevillians into Cantabrians,
00:42:50of course.
00:42:51Yes, yes, of course.
00:42:52It's very fucked up.
00:42:53It's an apocalypse
00:42:54that a lot of people say,
00:42:55I wish I had hit the planet
00:42:56for real.
00:42:57Of course, of course.
00:42:58We have video, Guillo,
00:42:59I suppose, right?
00:43:00There are trailers of the series.
00:43:01Okay.
00:43:02We don't know if you appear
00:43:03in the trailer.
00:43:04I hope not.
00:43:06Okay.
00:43:07Okay, well,
00:43:08put it in the trailer.
00:43:09Anyway.
00:43:36No!
00:43:48Let's go!
00:44:03She's pretty, huh?
00:44:04She's very pretty.
00:44:05It's a...
00:44:06The planet is going to explode.
00:44:10In the end,
00:44:11well, against another planet.
00:44:12Yes.
00:44:13I only read my parts
00:44:14of the script, okay?
00:44:15Okay.
00:44:16In the end,
00:44:17it doesn't explode.
00:44:18Yes.
00:44:19The planet,
00:44:20I think it's about that.
00:44:21Let's hope not.
00:44:22Maybe later people
00:44:23watch the series
00:44:24and it's about something else.
00:44:26And then the protagonist
00:44:27leaves his family
00:44:28to go out
00:44:29and live rock and roll.
00:44:30Yes.
00:44:31When he thinks
00:44:32the end of the world
00:44:33is near,
00:44:34when the planet
00:44:35goes by,
00:44:36he has to go back
00:44:37with his tail between his legs.
00:44:38Having shown
00:44:39that he had left, of course.
00:44:40Of course.
00:44:41More or less,
00:44:42it's about that.
00:44:43I like it.
00:44:44And this time,
00:44:45my character
00:44:46this time
00:44:47does a great job.
00:44:49Okay.
00:44:50What's your favorite theme?
00:44:51Yes, well,
00:44:52they told me,
00:44:53well,
00:44:54you play a crazy guy
00:44:55who's a bit paranoid.
00:44:56Yes.
00:44:57So, well,
00:44:58I read the script
00:44:59and I said,
00:45:00you guys are crazy,
00:45:01he's right.
00:45:02Of course.
00:45:03You identified
00:45:04directly with him,
00:45:05with the crazy guy.
00:45:06Of course,
00:45:07he says,
00:45:08the crazy guy
00:45:09is paranoid,
00:45:10no, no, no.
00:45:11We call ourselves
00:45:12awake people.
00:45:13You don't like
00:45:14to be seen around,
00:45:15right?
00:45:16Of course.
00:45:17He opened his eyes
00:45:18to the truth.
00:45:19The conspiracy theory
00:45:20is very dangerous.
00:45:21Why?
00:45:22Look, for example,
00:45:23what we were talking about,
00:45:24there are people
00:45:25who say
00:45:26that Pedro Sánchez
00:45:27put you here.
00:45:28Okay.
00:45:29When I hear that,
00:45:30I say,
00:45:31you're a bunch of assholes.
00:45:32Okay.
00:45:33You don't know anything.
00:45:34Pedro Sánchez
00:45:35has been dead for 20 years.
00:45:46I don't know if Anígar Tiburú
00:45:47would have this information,
00:45:48by the way.
00:45:49Of course.
00:45:50I wouldn't have given him
00:45:51such a level of,
00:45:52well,
00:45:53to go into the deepest.
00:45:54I know you have
00:45:55a lot of information out there.
00:45:56Yes.
00:45:57And you're,
00:45:58now that I've seen you there,
00:45:59you're a good actor,
00:46:00Raúl.
00:46:01You have a very versatile face.
00:46:02Look at that face.
00:46:03Take a shot.
00:46:04Look at that face.
00:46:05It's good for everything.
00:46:07It's good for a doctor,
00:46:08it's good for a beggar,
00:46:09it's good for...
00:46:10It's good for a footballer's father.
00:46:13It's incredible.
00:46:14Orchestra director.
00:46:16What?
00:46:17What?
00:46:19What did they say?
00:46:20What a mess, I think.
00:46:21Oh, well.
00:46:22Yes, they've noticed.
00:46:23What a mess?
00:46:24They've said,
00:46:25what a mess, yes.
00:46:26I mean, on top of it.
00:46:28On top of it.
00:46:29You're coming.
00:46:30I'm coming.
00:46:31You're making fun of people.
00:46:32I'm coming.
00:46:33With my friend.
00:46:34From the Albacete fair.
00:46:36As good as I can.
00:46:37And on top of it,
00:46:38they treat me like this.
00:46:39What a shame.
00:46:40Does anyone have,
00:46:41sorry, does anyone have,
00:46:42we've said before,
00:46:43I was about to start
00:46:44asking you the last questions.
00:46:45Does anyone have a business
00:46:46or some kind of thing
00:46:47they want to promote?
00:46:48Don't tell me it's a business.
00:46:49Okay, here's a girl.
00:46:50I think it's a shame
00:46:51that they're surprised
00:46:52by these things
00:46:53because they should be
00:46:54used to Ernesto Sevilla.
00:46:55There's another kid there.
00:46:56Let's see,
00:46:57let's get this girl
00:46:58in the front row.
00:47:00What kind of,
00:47:01what's your name, sorry?
00:47:02Nerea.
00:47:03Nerea.
00:47:04What kind of thing
00:47:05do you want to promote, Raul?
00:47:06Well, look,
00:47:07I'm in a roundabout.
00:47:08A roundabout?
00:47:09In a roundabout?
00:47:10Long live the wedding!
00:47:11Long live!
00:47:12Long live!
00:47:17And, well,
00:47:18I'm in a roundabout.
00:47:19Yes?
00:47:20Of folklore.
00:47:21But, well,
00:47:22that doesn't need promotion.
00:47:23No, yes, yes.
00:47:24We are open
00:47:25to contributions.
00:47:26Long live the Jota!
00:47:27Long live the Jota!
00:47:28Long live the folklore!
00:47:29Long live the Spanish tradition!
00:47:31Long live the Jota!
00:47:32Oh my God!
00:47:39But,
00:47:40but look...
00:47:41She's already done the promotion.
00:47:42I can't...
00:47:43But, but look
00:47:44how life is sometimes,
00:47:45the prejudices.
00:47:46I thought that because of my age
00:47:47and such,
00:47:48I was going to say,
00:47:49well, I have a Bitcoin company
00:47:50and such,
00:47:51I've set up a thing
00:47:52of vapors and such,
00:47:53and suddenly she said,
00:47:54long live the roundabout,
00:47:55long live the folklore,
00:47:56with all her shit.
00:47:57Very good.
00:47:58Very good.
00:48:00And it's also true.
00:48:04No, it's also very good
00:48:05because for the
00:48:06classic Spanish television
00:48:07spectator
00:48:08to see that things
00:48:09haven't changed that much.
00:48:10Of course, of course.
00:48:12We're not going to separate
00:48:13much from...
00:48:14No, it's very good.
00:48:15And what do you play?
00:48:16I, well,
00:48:17Spanish Jotas.
00:48:18I play the guitar.
00:48:19Spanish Jota, eh?
00:48:20Yes.
00:48:21Spanish Jota, eh?
00:48:22Aragonese,
00:48:23whatever they ask us.
00:48:24Where are you from?
00:48:25I'm from a town in Guadalajara,
00:48:26Tortola de Henares.
00:48:27If you want to look for us...
00:48:28Tortola de Henares,
00:48:29how rural everything is.
00:48:30I love this, eh?
00:48:31Yes, it's true.
00:48:32Tortola roundabout, eh?
00:48:33I live in a town in Guadalajara.
00:48:34Yes.
00:48:35What age, really?
00:48:36In Albalate de Zorita.
00:48:37I've been there.
00:48:38Don't tell me.
00:48:39Yes.
00:48:40Let's see if you've been
00:48:41partying together.
00:48:42Yes.
00:48:43Albalate de Zorita,
00:48:44do you know it?
00:48:45Yes, of course.
00:48:46There are Jotas there,
00:48:47the Jotas of Albalate.
00:48:48Yes, of course.
00:48:49Promote those, Raul.
00:48:52To the camera there,
00:48:53the Jotas of Albalate.
00:48:55Hello.
00:48:56I live...
00:49:00I live in a town
00:49:01called Albalate de Zorita.
00:49:02It has incredible Jotas,
00:49:05but I haven't been in town
00:49:06for a long time
00:49:07and I just found out.
00:49:10As soon as I have more information,
00:49:12I'll keep you informed, okay?
00:49:20Let's see.
00:49:22But...
00:49:23Sorry, Miguel,
00:49:24is this from Albalate de Zorita
00:49:25or from Tortola
00:49:26from I don't know where?
00:49:28Tortola.
00:49:29That's us.
00:49:30That's you, right?
00:49:31Yes.
00:49:32Are you there?
00:49:33Yes, look,
00:49:34I'm the one with the bow.
00:49:35Let's see.
00:49:36Put it on, put it on.
00:49:37I would be like 11 years old there.
00:49:39Zoom in, zoom in.
00:49:41That one, that one.
00:49:42But the one below, the girl.
00:49:43No, the one above, the one above.
00:49:44The one above the guitar.
00:49:45That one, that one.
00:49:46There's the girl, right?
00:49:47With the bandana.
00:49:48Yes, yes, yes.
00:49:57I love the wall in the background,
00:49:59very representative of La Mancha.
00:50:01Yes.
00:50:02The wall of raw bricks.
00:50:04An incomparable frame,
00:50:05that's how La Mancha is.
00:50:11There was another kid there
00:50:12who was very insistent
00:50:13to bring the microphone closer
00:50:14and that kid,
00:50:15the kid who has an incredible beard.
00:50:16Damn, that...
00:50:17What a physical presence, kid.
00:50:18What a bug.
00:50:19He's from a desert island, right?
00:50:22No, no.
00:50:23What's your name, sorry?
00:50:24Cristobal.
00:50:25Cristobal.
00:50:26Color.
00:50:27Yes.
00:50:28Are you promoting what?
00:50:29Throwing axes at a tree?
00:50:30No.
00:50:31He'll have a beard.
00:50:32A hardware store.
00:50:33A hardware store.
00:50:34No.
00:50:35Yes, a hardware store.
00:50:36What are you promoting?
00:50:37I'm here to bring you something, David.
00:50:39But who are you giving it to?
00:50:41I mean...
00:50:43He won't be a magician.
00:50:44Wait, I'll pick it up.
00:50:45No, no, no, no, no.
00:50:46I'll pick it up.
00:50:48It's a...
00:50:49Do you always carry the card?
00:50:50Because I didn't know you were going to do this.
00:50:51No, no, I brought it on bet.
00:50:52Do you want us to pay for the parking?
00:50:56Okay, it's like a letter.
00:50:57Yes.
00:50:58Well, it's my wife's card
00:51:00that does imitations.
00:51:02Oh, that's scary.
00:51:03She made you an invitation.
00:51:04She did?
00:51:05An imitation.
00:51:06An imitation?
00:51:07Yes.
00:51:08Where?
00:51:09In your house?
00:51:10No, on Instagram.
00:51:11Well, in fact, she went to Rome
00:51:12to be characterized with your face.
00:51:14What?
00:51:15And...
00:51:16And why in Rome?
00:51:17Why in Rome?
00:51:18Because she was the best characterizer in Europe
00:51:20and she went there.
00:51:21What?
00:51:22Yes, yes.
00:51:23What a difficult face you have, David.
00:51:25But...
00:51:27They had to go there,
00:51:28to the Renaissance artists,
00:51:29so they could recreate this picture, right?
00:51:31No, you look a bit alike, actually.
00:51:33Okay, okay.
00:51:35Let's see, but...
00:51:39Have you said that your girlfriend looks like Abram Cano?
00:51:42I'm sorry.
00:51:43My wife, Unaires.
00:51:44Fuck, I'm sorry.
00:51:45Congratulations.
00:51:47But...
00:51:48Can we see it?
00:51:49We've posted it on Instagram so that...
00:51:51Is this the Instagram?
00:51:52Yes.
00:51:53Let's see, Miguel, look for it.
00:51:54Thank you very much.
00:51:55At...
00:51:56At...
00:51:57At...
00:51:58At...
00:51:59At...
00:52:00At...
00:52:01At...
00:52:02At...
00:52:03At...
00:52:04At...
00:52:05At...
00:52:06At...
00:52:07At...
00:52:08At...
00:52:09At...
00:52:10At...
00:52:11At...
00:52:12At...
00:52:13At...
00:52:14It's this video itself, hey.
00:52:15Fuck!
00:52:16It's a mixture between you and Juan Luis Guerra, right?
00:52:20Al Pacino, too.
00:52:21See, but...
00:52:22I'm a mixture of Al Pacino and Broncato.
00:52:24Look at that, hey!
00:52:27My name is Michael Corleone...
00:52:30It could be called Broncatz...
00:52:31Broncatz...
00:52:32Everybody's laughing,
00:52:34because they sound more Italian.
00:52:35That's true.
00:52:39Watch out, my hand is sweating right now!
00:52:40Fuck, you didn't expect that, right?
00:52:42Is it real?
00:52:43Carapel, I'm a figure, now I move with more grace, that's cool.
00:53:00It was well done.
00:53:01That's how I imagine Leder.
00:53:04Let's see, but...
00:53:07I mean, I liked it, I was worried at the same time.
00:53:09It took me through a rollercoaster of emotions, it's incredible.
00:53:11But now, take advantage of it, promote her as an imitation artist.
00:53:16Of course.
00:53:17Now that we've seen her work...
00:53:23Hi!
00:53:25Hi!
00:53:34Do you want to know a new dimension of imitation?
00:53:39Very good, at a marketing level, very good, a new dimension.
00:53:44It's been a short time, but you miss Carlos Latre?
00:53:55Don't cry.
00:54:01Don't cry anymore.
00:54:04Dry the tears from your face.
00:54:07Because this country doesn't stop giving good imitators.
00:54:12I'm getting emotional.
00:54:14Like the case of Inés de Miguel and the 1001 Voices.
00:54:20The phone number is...
00:54:21No, no!
00:54:22The phone number is...
00:54:23No, no!
00:54:24The phone number is...
00:54:27Can you give it to me?
00:54:29Say it, say it.
00:54:33Or say the phone number, if...
00:54:36Let's see...
00:54:38Or Instagram, of course.
00:54:39Instagram, okay.
00:54:41You've made Instagram too small.
00:54:45I've said it before.
00:54:46It's called...
00:54:47At Inés.
00:54:48At Inés.
00:54:49She's so happy.
00:54:50How does she move away from the paper like my grandmother?
00:54:52It's incredible.
00:54:53Look how far she's gone.
00:54:54I'm getting old,
00:54:55but this way I guess she'll like Ana more.
00:54:58Of course.
00:55:00I learned this from Anígar Tiburó,
00:55:02who looked at me like this and said,
00:55:04no, no, this is what you have to do,
00:55:06you have to move away from it.
00:55:13And I'm also going to make a joke for you.
00:55:17This imitator
00:55:18will mark a new era.
00:55:20Her name is Inés de Miguel
00:55:22and her Instagram is
00:55:24at Inés...
00:55:27de Miguel,
00:55:28de Miguel,
00:55:29the D.
00:55:30Just the D.
00:55:31Okay?
00:55:32So, we'll be waiting for you there.
00:55:34Goodbye, hearts.
00:55:35Inés.
00:55:36Inés.
00:55:37Inés.
00:55:38Inés.
00:55:39Inés.
00:55:40Inés.
00:55:41Inés.
00:55:42Inés.
00:55:43Inés.
00:55:44Inés.
00:55:45Inés.
00:55:46Inés.
00:55:47Inés.
00:55:48Inés.
00:55:49Inés.
00:55:50Inés.
00:55:51Inés.
00:55:52Inés.
00:55:53Inés.
00:55:54Inés.
00:55:55Inés.
00:55:56Inés.
00:55:57Inés.
00:55:58Inés.
00:55:59Inés.
00:56:00Inés.
00:56:01Inés.
00:56:02Inés.
00:56:03Inés.
00:56:04Inés.
00:56:05Inés.
00:56:06Inés.
00:56:07Inés.
00:56:08Inés.
00:56:09Inés.
00:56:10Inés.
00:56:11Inés.
00:56:12Inés.
00:56:13Inés.
00:56:14Inés.
00:56:15Inés.
00:56:16Inés.
00:56:17Inés.
00:56:18Inés.
00:56:19Inés.
00:56:20Inés.
00:56:21Inés.
00:56:22Inés.
00:56:23Inés.
00:56:24Inés.
00:56:25Inés.
00:56:26Inés.
00:56:27Inés.
00:56:28Inés.
00:56:29Inés.
00:56:30Inés.
00:56:31Inés.
00:56:32Inés.
00:56:33Inés.
00:56:34Inés.
00:56:35Inés.
00:56:36Inés.
00:56:37Inés.
00:56:38Inés.
00:56:39Inés.
00:56:40Inés.
00:56:41Inés.
00:56:42Inés.
00:56:43Inés.
00:56:44Inés.
00:56:45Inés.
00:56:46Inés.
00:56:47Inés.
00:56:48Inés.
00:56:49Inés.
00:56:50Inés.
00:56:51Inés.
00:56:52Inés.
00:56:53Inés.
00:56:54Inés.
00:56:55Inés.
00:56:56Inés.
00:56:57Inés.
00:56:58Inés.
00:56:59Inés.
00:57:00Inés.
00:57:01Inés.
00:57:02Enés.
00:57:03Enés.
00:57:04Enés.
00:57:05Enés.
00:57:06Enés.
00:57:07Enés.
00:57:08Enés.
00:57:09Enés.
00:57:10Enés.
00:57:11Enés.
00:57:12Enés.
00:57:13Enés.
00:57:14Enés.
00:57:15Enés.
00:57:16Enés.
00:57:17Enés.
00:57:18Enés.
00:57:19Enés.
00:57:20Enés.
00:57:21Enés.
00:57:22Enés.
00:57:23Enés.
00:57:24Enés.
00:57:25Enés.
00:57:26Enés.
00:57:27Enés.
00:57:28Enés.
00:57:29Enés.
00:57:30Enés.
00:57:31Enés.
00:57:32Enés.
00:57:33Enés.
00:57:34Enés.
00:57:35Enés.
00:57:36Enés.
00:57:37Enés.
00:57:38Enés.
00:57:39Enés.
00:57:40Enés.
00:57:41Enés.
00:57:42Enés.
00:57:43Enés.
00:57:44Enés.
00:57:45Enés.
00:57:46Enés.
00:57:47Enés.
00:57:48Enés.
00:57:49Enés.
00:57:50Enés.
00:57:51Enés.
00:57:52Enés.
00:57:53Enés.
00:57:54Enés.
00:57:55Enés.
00:57:56Enés.
00:57:57Enés.
00:57:58Enés.
00:57:59Enés.
00:58:00Enés.
00:58:01Enés.
00:58:02Enés.
00:58:03Enés.
00:58:04Enés.
00:58:05Enés.
00:58:06Enés.
00:58:07Enés.
00:58:08Enés.
00:58:09Enés.
00:58:10Enés.
00:58:11Enés.
00:58:12Enés.
00:58:13Enés.
00:58:14Enés.
00:58:15Enés.
00:58:16Enés.
00:58:17Enés.
00:58:18Enés.
00:58:19Enés.
00:58:20Enés.
00:58:21Enés.
00:58:22Enés.
00:58:23Enés.
00:58:24Enés.
00:58:25Enés.
00:58:26Enés.
00:58:27Enés.
00:58:28Enés.
00:58:29Enés.
00:58:30Enés.
00:58:31Enés.
00:58:32Enés.
00:58:33Enés.
00:58:34Enés.
00:58:35Enés.
00:58:36Enés.
00:58:37Enés.
00:58:38Enés.
00:58:39Enés.
00:58:40Enés.
00:58:41Enés.
00:58:42Enés.
00:58:43Enés.
00:58:44Enés.
00:58:45Enés.
00:58:46Enés.
00:58:47Enés.
00:58:48Enés.
00:58:49Enés.
00:58:50Enés.
00:58:51Enés.
00:58:52Enés.
00:58:53Enés.
00:58:54Enés.
00:58:55Enés.
00:58:56Enés.
00:58:57Enés.
00:58:58Enés.
00:58:59Enés.
00:59:00Enés.
00:59:01Enés.
00:59:02Enés.
00:59:03Enés.
00:59:04Enés.
00:59:05Enés.
00:59:06Enés.
00:59:07Enés.
00:59:08Enés.
00:59:09Enés.
00:59:10Enés.
00:59:11Enés.
00:59:12Enés.
00:59:13Enés.
00:59:14Enés.
00:59:15Enés.
00:59:16Enés.
00:59:17Enés.
00:59:18Enés.
00:59:19Enés.
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01:04:46Oh
01:04:54But I give a
01:04:5670 I know so Antonio said that I'm a macho funny. Oh, that's a value. I sent a yo-yo, 69
01:05:01for me
01:05:02Getos I
01:05:04Remember, I was a little caramel. Oh, sorry
01:05:07Okay, look at me. I don't go to much about it. Okay, caramel. Oh, it's gone. Come me figura
01:05:13I'm a latina. It's gonna be nice. Yeah, but I mean, it's talking about it
01:05:18Yes, but I said, okay. It's a chocolatito. He said it's been done. It's an antonio. Oh, yeah, Antonio
01:05:28And we will need to
01:05:33Tell us
01:05:35I don't say
01:05:38He's my baby, come on, I don't know and I see
01:05:50Yeah, I think I'm gonna come is it as they think that's that yes
01:05:56I still have one of a pariah bah
01:06:01Otra para este lado
01:06:04Otra parada
01:06:07It's a pariah
01:06:10Otra y al fondo
01:06:14Dale una
01:06:15Dale una cantante. Si una
01:06:18Mira, ver que es a ver si se me leó lo que se bueno que se me se me se me se me se me
01:06:23toma toma
01:06:24Pechas a la que se va a caer la muchacha
01:06:27Bueno regalos a antonio. Sí, pero quién
01:06:29Pero
01:06:35Y para los chavales para los chavales de la de la resonancia
01:06:41Era buen nombre
01:06:44La resonancia
01:06:46Igual estamos a tiempo es una pandilla de enfermos todos
01:06:50Lo mejor es una resonancia para saber a la vez coño que viene el precio
01:06:54No, esto es una pegatina vale y con un chocolatín dentro
01:07:06Y hasta ya me voy
01:07:08Se agradecería que quieren la bolsa también la bolsa no que es mía que no la bolsa no que es mía
01:07:17Es buena esta que no que está bueno que te calles coño
01:07:20Pero
01:07:23Antonio pero perdón estamos muy contentos de que sea tu 70 cumpleaños
01:07:27Aprovecha de unas como padrino en nuestra etapa anterior ya fuiste padrino
01:07:31Sí, dinos tu cumpleaños en daño nosotros primera semana de programa de unas a partir de unos un poco de unas palabras bonitas
01:07:36Antonio, te lo voy a decir a ti personalmente y al público en general de televisión
01:07:43Están atentos muy bien a ver y me cuesta decirlo
01:07:51Todo esto que está pasando el recién es más sensible davis
01:07:56Ha sido un sueño
01:08:08Antonio Resines