2001 Touched By A Killer UNCUT HOT MOVIE Isabella Hofmann James Wilder Louise Fletcher
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Short filmTranscript
00:00:30I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:00:53I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:00:55Thou preparest a table before me in the presence of mine enemies.
00:00:56Thou anointest my head with oil, my cup runneth over.
00:00:57Surely goodness and mercy shall follow me all the days of my life, and I will dwell
00:00:58in the house of the Lord forever.
00:00:59The Lord is my shepherd, I shall not want.
00:01:00I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:01I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:02I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:03I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:04I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:05I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:07I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:08I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:09I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:10I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:11I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:12I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:13I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:14I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:15I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:16I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:18I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:19I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:20I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:21I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:22I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:23I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:24I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:25I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:26I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:27I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:29I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:30I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:31I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:32I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:33I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:34I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:35I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:36I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:37I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:38I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:40I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:41I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:42I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:43I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:44I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:45I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:46I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:47I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:48I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:49I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:51I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:52I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:53I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:54I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:55I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:56I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:57I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:58I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:59I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:00I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:02I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:03I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:04I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:05I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:06I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:07I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:08I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:09I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:10I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:11I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:13I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:14I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:15I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:16I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:17I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:18I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:19I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:20I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:21I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:22I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:24I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:25I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:26I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:27I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:28I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:29I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:30I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:31I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:32I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:33I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:35I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:36I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:37I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:38I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:39I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:40I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:41I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:42I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:43I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:44I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:45I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:06at the courthouse, they're reading the Valdez verdict.
00:03:09What time is it?
00:03:10It's 10.30.
00:03:11Oh, the alarm.
00:03:15OK, am I in trouble?
00:03:16Well, Bernie's at the courthouse covering for you.
00:03:19But you'd better get down there.
00:03:20Yeah.
00:03:21Coming.
00:03:32And sentencing will take place on Tuesday the 16th.
00:03:36The state expects the maximum sentence.
00:03:39Mr. Clark, that could mean the death penalty.
00:03:42Do you not find that kind of punishment harsh?
00:03:44Well, of course it's harsh.
00:03:46But this is going to send a clear message
00:03:48to those who believe that they can disregard
00:03:50the laws of our community.
00:03:52Excuse me, sir.
00:03:53And when do you proceed with the trials
00:03:54of the other two defendants?
00:03:57Within the next two weeks.
00:03:59Now you'll have to excuse me.
00:04:00Assistant District Attorney Warren Penn here
00:04:02will be glad to answer any further questions.
00:04:05How do you feel about being called a mongoose?
00:04:09Fine by me, as long as I get the snakes.
00:04:13Sorry I'm late.
00:04:14I overslept.
00:04:15We'll talk about it later.
00:04:16Let's catch him before he gets away.
00:04:17Left off.
00:04:18We expect the same results with the two other indictments.
00:04:20Bitch!
00:04:22Bernie, old dog, what are you doing here?
00:04:24Well, you got a big case coming up.
00:04:26One down, two to go.
00:04:27And just in time for the election.
00:04:28It's got nothing to do with that.
00:04:30Well, that's not what your campaign manager told me.
00:04:34Just kidding me.
00:04:35This is my niece, Nikki Barrington.
00:04:37Nikki Barrington, this is Mitchell Clark, our District
00:04:40Attorney and local mongoose.
00:04:42How do you do?
00:04:42Nice to meet you.
00:04:44Nikki grew up around here.
00:04:45She'd just come home from New York City.
00:04:48Welcome back to Marshall Falls.
00:04:49You could use some new blood around here to liven
00:04:51up Bernie's stodgy old paper.
00:04:55What do you think?
00:04:56Well, Bernie's stodgy old paper doesn't endorse politicians.
00:04:59You know, Bernie, that's what I like about you.
00:05:02You are one of the few truly righteous
00:05:04people left in the world.
00:05:09He doesn't know how right he is.
00:05:32Thank you.
00:05:56Can I come in?
00:05:57Yeah, sure.
00:05:58Come on.
00:06:02What is it?
00:06:04RJ sent me a package last night and, uh,
00:06:06wants me to cover a story for him.
00:06:08How's he doing?
00:06:10Not good.
00:06:11Well, that's too bad.
00:06:12Yeah.
00:06:13What's the story?
00:06:15There's this guy over at Mid-Valley who's scheduled
00:06:18to be executed next month.
00:06:19Tyler Nash?
00:06:21RJ doesn't want you to cover the execution, does he?
00:06:23He's convinced that the guy is innocent.
00:06:26OK.
00:06:27You go ahead and just make sure it doesn't interfere
00:06:29with your work on this paper.
00:06:31Thank you.
00:06:41Vicki!
00:06:42Vicki!
00:06:45Hey, open the damn door.
00:06:47It's cold out here.
00:06:50Coming.
00:06:56What the hell are you doing out here?
00:06:58Well, I've been knocking at the front door forever.
00:07:01Sorry.
00:07:02Oh.
00:07:03Oh, this is totally unacceptable.
00:07:08I think I look stunning.
00:07:09Really?
00:07:11Whoa, so what happened here last night, huh?
00:07:14Wild research party.
00:07:15Very exciting.
00:07:16Yeah?
00:07:17Well, you forgot to sign off on the net,
00:07:19and I've been trying to call you all morning.
00:07:21Oh, sorry.
00:07:22Did you forget our seminar this morning?
00:07:25I did, but I've got to go to Mid-Valley Penitentiary today.
00:07:28Oh, Nicky, they finally busted you.
00:07:29You're very funny in the mornings.
00:07:33Ooh, now this is worth working late for.
00:07:38That is my Mid-Valley lunch date.
00:07:40What?
00:07:41RJ asked me to interview him, do a story.
00:07:43Huh.
00:07:51Having trouble sleeping lately.
00:07:53So try a glass of warm milk, anything but those.
00:07:56My doctor prescribed them.
00:07:58The dreams again.
00:07:59Yeah, since I moved back.
00:08:01So move, sell the place.
00:08:02I like the place.
00:08:03Yeah, but too many bad memories.
00:08:05Oh, come on, Liza, I'll get over it.
00:08:07Yeah, before or after you get addicted to those.
00:08:09Honey, how long have you known me?
00:08:11Oh, ever since second grade when
00:08:13Jimmy Lane stole your notebook and I had
00:08:15to beat him up to get it back.
00:08:16So?
00:08:17Still worried?
00:08:19As a matter of fact.
00:08:20God, you are so annoying.
00:08:21Please make me some coffee.
00:08:22I'm taking a shower.
00:08:23I love you too.
00:08:29So Wayne wants to ask you out.
00:08:32Oh, please.
00:08:34He's a nice guy.
00:08:36Oh, if he's so nice, why don't you go out with him?
00:08:39Well, because I'm not the step-mom type.
00:08:41And besides, he likes you.
00:08:43Liza, you know something?
00:08:44You're obsessed.
00:08:46I mean, why are you so compelled to set me up all the time?
00:08:49I just want my best friend happy.
00:08:52I don't need a man to be happy.
00:08:54I like my man to be happy.
00:08:56I don't need a man to be happy.
00:08:58I like my independence.
00:09:00And I like having control of my life.
00:09:02Oh, I'd like to be out of control just one last time
00:09:05before I start getting hot flashes.
00:09:08Thanks for the coffee, by the way.
00:09:11You are a goddess.
00:09:13Mm.
00:09:19Debbie, you know who I am if you remember this poem,
00:09:23passions drift amongst the silken flesh,
00:09:26beads of sweat drip slowly down sunken and surrendered crevices,
00:09:32giving breath to conscious rapture.
00:09:34Nicky.
00:09:37It's the mid-valley guy again.
00:09:39So what's he in for, bad poetry?
00:09:41No, murder.
00:09:44Oh.
00:09:45Well, for someone who likes to be in control,
00:09:47I think you picked an interesting person
00:09:49to interview.
00:09:50I didn't pick him.
00:09:52RJ did, OK?
00:09:53Mm-hmm.
00:10:22Ah.
00:10:38Thank you.
00:10:40Sit over there, please.
00:10:52Oh.
00:11:22Thank you.
00:11:36Where's Mr. Malone?
00:11:39He asked me to come in his place.
00:11:42Who are you?
00:11:45I'm Nicky Barrington.
00:11:47I'm also a journalist.
00:11:49He said he'd help me.
00:11:51He said he would write a story.
00:11:53What does that mean?
00:11:55Means I'm going to get to know you over the next few weeks.
00:11:58What do you get out of it?
00:12:03The chance to write a piece that
00:12:05might convince the state to change
00:12:07its views on capital punishment.
00:12:10So it doesn't matter whether I'm innocent or not?
00:12:13Not here to pass judgment.
00:12:15So what do I get out of it?
00:12:16I mean, you don't have a story unless I'm executed.
00:12:20Am I right?
00:12:22OK.
00:12:26So who exactly is this Debbie?
00:12:29She's my missing witness.
00:12:32No, I don't know her last name.
00:12:33And if she comes forward, I would get an appeal.
00:12:38Well, this was front page news.
00:12:41If she exists, why didn't she just come forward?
00:12:44Well, she exists.
00:12:45Maybe she's scared.
00:12:47Maybe she moved.
00:12:50Maybe she doesn't care.
00:12:52The DA convinced the jury you lied about her.
00:13:01You're beautiful.
00:13:04Let's just stick to business, all right?
00:13:05Hey, I just meant it as a compliment.
00:13:10Tell me about your lawyer.
00:13:12Nothing to say.
00:13:13Look, I don't have time to go 100 miles to get
00:13:16answers like that, all right?
00:13:18What are you getting mad at?
00:13:19I'm not getting mad.
00:13:21I just, I, I, I don't have time to play games.
00:13:24I'm not playing games.
00:13:26My attorney was court appointed.
00:13:28He told me I should throw myself at the mercy of the court.
00:13:31I did.
00:13:33Here I am.
00:13:41A full moon kindled the white beach
00:13:43in front of the local bar in Marshall Falls
00:13:45the night Cecilia Flowers decided to take
00:13:47a peaceful midnight stroll.
00:13:50But she was not alone.
00:13:53Someone had followed her out of the blue moon,
00:13:55stalked her, and waited for the perfect moment to attack,
00:13:59the moment she was most vulnerable,
00:14:03the moment she was totally alone.
00:14:07Her killer sprang upon his prey like a black cat.
00:14:11He took her young life with the slash of his blade
00:14:13against the soft flesh of her neck,
00:14:16cruel, cold-blooded, no sympathy.
00:14:19The animal drank her fear like wine.
00:14:22What happened to Cecilia Flowers that night was inhuman.
00:14:26No one should have to submit to that kind of terror.
00:14:29Marshall Falls, beware.
00:14:31There's a boogeyman out there.
00:14:47Get a playmark.
00:14:48All the only playmarkers are going to give
00:14:49you a mask on or mandatory aid.
00:14:51I don't think that's true.
00:14:52I think so.
00:14:58So you raced cars?
00:14:59Stock cars.
00:15:01Win much?
00:15:02I won my share.
00:15:04OK, I'm sure this is the last thing you want to do again.
00:15:07But you want to tell me what happened?
00:15:11I was passing through Marshall Falls.
00:15:14I had a couple of days before a race near Portland.
00:15:17It got canceled, so I decided to stay on.
00:15:20Several people at the Blue Moon saw
00:15:22you there with Cecilia Flowers.
00:15:24That's right.
00:15:25She was sitting at the bar, so was I.
00:15:27We had a couple of drinks.
00:15:30That's all.
00:15:31We left at the same time, but we both went our separate ways.
00:15:35And then you went to this other bar
00:15:37where you picked up this Debbie.
00:15:40Yes, Deeks.
00:15:42Deeks.
00:15:44OK, so how come no one at Deeks remembered seeing you there?
00:15:48I don't know.
00:15:50I guess we got out of there pretty quick,
00:15:52then we drove to the beach.
00:15:54Did you sleep with her?
00:15:56No.
00:15:59We talked for about two or three hours.
00:16:01Then what happened?
00:16:03Then I took her back to Deeks, where she picked up her car.
00:16:07That's the last I ever saw of her.
00:16:13Tyler, why did you run when you knew the police were after you?
00:16:20I honestly don't know.
00:16:26Today, Mitchell Clark, county prosecutor,
00:16:28makes his closing arguments in the Tyler Nash trial.
00:16:32He will most likely focus on the fact
00:16:34that Nash had no alibi, and remind the jury
00:16:38that an eyewitness placed Nash at the scene.
00:16:43Flowers, a young Marshall Falls resident.
00:16:47Jury deliberations are expected to be short.
00:16:50We'll continue coverage of this story
00:16:52once the jury has reached its verdict.
00:16:55And now, back to our newsroom.
00:16:57Ted?
00:16:59Dr. Henry, please report to ICU.
00:17:02Dr. Henry, please report to ICU.
00:17:09Dr. Flowers?
00:17:09Yes.
00:17:10Hi, I'm Nikki Barrington from the
00:17:12Democrat and Sentinel.
00:17:13Ah, yes, that is important.
00:17:14ICU.
00:17:15Yes, yes, it is.
00:17:17Thank you so much for taking the time.
00:17:19Doctor, five years ago, you performed an autopsy
00:17:23on Cecilia Flowers, a murder victim.
00:17:25Flowers.
00:17:26Flowers, yes.
00:17:28You might recall that Tyler Nash
00:17:29was convicted of that crime.
00:17:30In your testimony, you concluded that Miss Flowers' throat
00:17:33was slashed from right to left.
00:17:34You asked me to recall a murder case that
00:17:36took place over five years ago?
00:17:38I read the court transcripts, doctor.
00:17:40You stated that the killer slashed Miss Flowers
00:17:43from behind using a right to left motion.
00:17:46And because of that, he had to be left handed.
00:17:48Yeah, so?
00:17:49All right, well, isn't it possible
00:17:50that the killer could have slashed her from the front?
00:17:52I don't know.
00:17:53Possible.
00:17:54Well, if the murderer killed her from the front,
00:17:55using your logic, he'd be right handed.
00:17:58Isn't that so?
00:17:59Now, why wasn't that mentioned in your testimony?
00:18:01What is your point, Miss Barrington?
00:18:04Tyler Nash is scheduled to be executed next month.
00:18:06He might be innocent.
00:18:08All I did was give my professional opinion
00:18:10and answer the questions asked of me.
00:18:11Now, you'll have to excuse me.
00:18:13I'm late, and I've got a lot of work to do.
00:18:15Yes, of course.
00:18:17Thank you for your time.
00:18:18Now, why didn't your attorney challenge
00:18:20the Flowers' autopsy report?
00:18:24Tyler, you're left handed.
00:18:26What if the murderer slashed the Flowers girl from the front?
00:18:30My new attorney used that argument as part
00:18:33of an appeal for my retrial.
00:18:37All right.
00:18:39OK, another witness for the prosecution.
00:18:41Roger Walker said that he saw you
00:18:43with the victim in your truck at the Blue Moon
00:18:46just before she was killed.
00:18:48He lied.
00:18:49OK, why do you say that?
00:18:51Because it didn't happen, that's why.
00:18:53How could he see something that didn't happen?
00:18:57Sometimes witnesses have completely different accounts
00:18:59of the same event.
00:19:02Do you always do that?
00:19:04Do what?
00:19:06That little thing with your hair.
00:19:13How can you be so cavalier?
00:19:20I'm not.
00:19:23I just miss the simple things, like that little thing
00:19:27with your hair.
00:19:36Oh, oh, oh.
00:19:50Good afternoon, Techley Corporation.
00:19:52Yes, Roger Walker, please.
00:19:54Mr. Walker is in Houston on business.
00:19:56When is he expected back?
00:19:58The end of next week.
00:19:59Is there someone else that can help you?
00:20:00Is there a number where I can reach him?
00:20:02I'm sorry, we're not permitted to give out that information.
00:20:05But if you leave your name and number,
00:20:06I'll relay the message.
00:20:08No, thanks, I'll just call back.
00:20:12Nikki, you got a minute?
00:20:13Sure.
00:20:19What's up?
00:20:19I want you to go to Olympia and cover
00:20:21the state congressional runoff.
00:20:24What?
00:20:27Well, can't Wayne or Liza do it?
00:20:29Why?
00:20:31I'm not up on my state politics.
00:20:33What's going on, Nikki?
00:20:38It's that thing I'm doing for R.J.
00:20:39Well, that thing wasn't supposed to interfere
00:20:41with your work on the paper.
00:20:42I know.
00:20:45You better sit down, Nikki.
00:20:50This came in on the wire this morning,
00:20:51and I wasn't going to give it to you until after work, but, uh.
00:20:59Newsman R.J. Malone died early this morning.
00:21:03Oh, my god.
00:21:05You OK?
00:21:09Yeah.
00:21:11Oh, heck, Wayne is probably tired of working on that fast
00:21:13food toy scandal anyway.
00:21:15I heard his kids are giving him hell about it.
00:21:19Thanks.
00:21:24You seem tense.
00:21:26Oh, well, um, I've just had a bad couple of days.
00:21:30You know, I haven't slept well.
00:21:32What's going on?
00:21:35Hey, come on.
00:21:37I've been honest with you from the beginning.
00:21:39You've got to be honest with me.
00:21:44R.J. Malone died.
00:21:47Oh, man.
00:21:53How?
00:21:54Cancer.
00:21:56You two were close, huh?
00:21:57Hey, did this Debbie ever tell you where she lived?
00:22:04No.
00:22:05Did you ever ask her?
00:22:06No.
00:22:09Nikki, what's going on?
00:22:14Come on.
00:22:15You're in agony here.
00:22:16What's happening?
00:22:23I don't know.
00:22:25I'd worked with R.J. for 10 years, you know?
00:22:29I mean, I knew it was coming, but he was like a father to me.
00:22:39I'm sorry.
00:22:44What was your father like?
00:22:47What was your father like?
00:22:50My, my dad, uh, he spent most of his life
00:22:58beating the hell out of me and my mom.
00:23:01Is your mother living?
00:23:03No.
00:23:04Yours?
00:23:06No.
00:23:07You know, when my mom died, I truly
00:23:11knew that I was alone in the world.
00:23:17Things wouldn't come easy.
00:23:19Yeah, I guess I know what that feels like.
00:23:24I got something for you.
00:23:42Drop a pebble in the lake and watch the waters part
00:23:46until the rings reach every shore and touch some other's heart.
00:23:52I stand near the water's edge praying for a sign
00:23:55that somewhere across the mist of time
00:23:57there awaits a heart like mine.
00:24:03And you wrote this for me?
00:24:06Uh-huh.
00:24:08I like it.
00:24:27In case I'm not here and you want somebody to talk to.
00:24:39SIREN WAILS
00:24:43SIREN WAILS
00:25:07SCREAMS
00:25:09SCREAMS
00:25:12SCREAMS
00:25:42There were no traces of blood, hair, or fiber
00:25:45from the victim found in his truck,
00:25:47on his clothes, or in his motel room.
00:25:49And there was only one eyewitness, Roger Walker,
00:25:51and his testimony was circumstantial.
00:25:53Why? Because Tyler Nash said so?
00:25:55Oh, please.
00:25:56How about this?
00:25:57You cannot condemn a man to death no matter what he did.
00:25:59It's barbaric.
00:26:01Are you falling for this guy?
00:26:03No.
00:26:04Good, because I wouldn't want to have to identify your body
00:26:06just because this guy turns you on.
00:26:08Liza!
00:26:09Well, why can't you admit that you have hormones,
00:26:11just like the rest of us?
00:26:13Okay, you've hurt me enough. I'm gonna go solo.
00:26:16And besides, I don't believe his story about the missing witness.
00:26:19I mean, anyone can be found.
00:26:21Only if they want to be.
00:26:22Yeah, but what if he killed this Debbie, too?
00:26:24Okay, and what if this Debbie was in on it?
00:26:26What if the whole thing was a set-up?
00:26:28It's starting to sound like a soap opera to me.
00:26:31Liza, be serious for one minute.
00:26:33What if he's innocent?
00:26:34Everyone on death row is innocent.
00:26:36Hasn't anyone ever told you?
00:26:38I am so sorry.
00:26:40I, I, oh, please.
00:26:43Forgive me, Nikki.
00:26:45Liza, I'm sorry.
00:26:46I'm sorry, honey.
00:26:48Sometimes I say the stupidest things.
00:27:03Hello?
00:27:06Hello?
00:27:07Hey, it's Tyler.
00:27:11Hi.
00:27:12Look, I, uh, I hope you don't mind me calling.
00:27:15No, no, I, I, I told you to.
00:27:19Look, we got five minutes before they pull the plug here.
00:27:22Well, that doesn't seem fair.
00:27:26I hear music.
00:27:28Yes.
00:27:29Huh.
00:27:32That sounds nice.
00:27:34Tell me about your home.
00:27:36Five minutes and you want to make small talk?
00:27:38You know what?
00:27:40Actually, that's exactly what I'd like.
00:27:43Okay.
00:27:44Um.
00:27:49I live just outside of Marshall Falls,
00:27:51about a hundred miles north of you.
00:27:55I'm surrounded by trees in the middle of nowhere.
00:28:00That's nice.
00:28:01Tell me, um, what's inside your home?
00:28:07A lot of knick-knacks, you know.
00:28:09It's woodsy, cozy.
00:28:12Big fireplace.
00:28:14Wow.
00:28:16So, tell me about you.
00:28:20Not much to say.
00:28:22Oh, sure there is.
00:28:24What do you want to know?
00:28:26I want to know everything.
00:28:27I want to know everything in five minutes.
00:28:29Yeah.
00:28:30That's, uh, it's a start.
00:28:34I used to live in New York.
00:28:37So, uh, why did you move back?
00:28:40At least, uh, in Marshall Falls,
00:28:44everybody knows who you are.
00:28:46Oh, boy.
00:28:48That is not always a good thing.
00:28:51Anyway, R.J. used to say that
00:28:58writing doesn't come from big cities.
00:29:00Writing comes from the heart.
00:29:03Like love.
00:29:07Tyler.
00:29:15I can see you.
00:29:20What do you see?
00:29:24I see your loneliness.
00:29:26I want to see you.
00:29:30Tyler?
00:29:32Tyler?
00:29:34Tyler?
00:29:36Tyler?
00:29:38Oh.
00:30:04Wow.
00:30:06You look beautiful.
00:30:15What's that?
00:30:17It's nice, Sarah.
00:30:19I drew this for you.
00:30:31You really did this?
00:30:33Yeah.
00:30:36Does it look like your place?
00:30:39Yeah.
00:30:42Yeah, that's amazing.
00:30:46Is there anything you can't do?
00:30:48Yeah.
00:30:50Touch you.
00:30:54Hold you close.
00:31:07I'm gonna die.
00:31:12I'm gonna die in two weeks.
00:31:36I love you.
00:32:01Nikki!
00:32:03Tyler!
00:32:06Tyler!
00:32:36Tyler!
00:33:07You just happened to be in town on the night of the murder?
00:33:10I saw you on that trip, too, remember?
00:33:14Nick, you don't know anything about this guy.
00:33:17He is not a killer.
00:33:19Believe me, I know this trial inside and out.
00:33:22Clark... Clark went after Tyler like a...
00:33:24Like a mongoose after a snake?
00:33:26He's a killer.
00:33:28He's a killer.
00:33:30He's a killer.
00:33:32He's a killer.
00:33:34Like a mongoose after a snake?
00:33:36Nick, you're putting me as well as yourself
00:33:38in a very compromising legal position.
00:33:41I know you're about to commit perjury.
00:33:43That makes me an accessory.
00:33:45We could both face serious jail time.
00:33:48Liza, no one will ever know that you know you have my word.
00:33:54Oh, that's great. Just great.
00:33:56I thought you were my friend.
00:33:58Don't do this. I am your friend.
00:34:00I am your best friend, which is why I'm trying
00:34:02I'm trying to talk some sense into you.
00:34:04This makes perfect sense to me.
00:34:06I have never been so sure of anything in my life.
00:34:11I don't know.
00:34:14OK, Liza.
00:34:16This conversation never took place.
00:34:19Now it's either that or you turn me in.
00:34:27Judge Robertson just ordered a stay
00:34:28of execution for Tyler Nash.
00:34:31For what reason?
00:34:32Seems his missing witness finally showed up.
00:34:35Motion for a new trial has been granted.
00:34:37It's scheduled for the 11th.
00:34:39Nikki Barrington.
00:34:40Works at the Democrat and Sentinel.
00:34:43Bernie's niece.
00:34:45Give me everything you can find on her.
00:34:47School, friends, sex life, addictions.
00:34:51Gotcha.
00:34:53Tyler, I can do this.
00:34:55I can.
00:34:56I know every aspect of your trial.
00:34:59I was in town visiting my mother when
00:35:01the murder took place, and there
00:35:02is nothing about this to me that couldn't apply to me.
00:35:04It's perfect.
00:35:05I don't buy it, OK?
00:35:06You don't know what you're getting yourself into.
00:35:08I can't let you.
00:35:09No, no, no, look.
00:35:10All right, there is no law against my visiting you.
00:35:12All of our conversations have been private.
00:35:14And besides that, Tanaki already deposed me
00:35:18and filed another motion to retry.
00:35:20So I'm sorry, but there is no turning back.
00:35:24Ms. Barrington, how did you come to meet Tyler Nash?
00:35:29I was living in New York.
00:35:31Every year during August, I came back home to Marshall
00:35:35Falls to see my mother.
00:35:37I heard about this place called Deeks.
00:35:40I was there that night.
00:35:41What happened at Deeks?
00:35:43Shortly after the band started, Tyler
00:35:45Nash offered to buy me a drink.
00:35:47Now, have you ever met the man before?
00:35:49No.
00:35:51He told you his name at this time?
00:35:53Yes.
00:35:55What did you tell him your name was?
00:35:57Debbie.
00:35:58Debbie.
00:36:00Why did you do that?
00:36:03I didn't want to give out my real name to a total stranger.
00:36:06I understand.
00:36:07Please, go on.
00:36:09It was pretty crowded there.
00:36:11Mr. Nash couldn't get a waitress.
00:36:14So then he suggested we leave and go back to his hotel room.
00:36:17And did you go?
00:36:18Of course not, not with a man I just met.
00:36:21What did you do then?
00:36:22We went to the beach and talked.
00:36:24For how long?
00:36:26A couple of hours.
00:36:27Now, during the time that you were parked,
00:36:29did you see anyone?
00:36:31Just a few people coming and going
00:36:32from the bar across the way.
00:36:34The Blue Moon?
00:36:35Yeah.
00:36:35What happened when you finished talking?
00:36:38He drove me back to Deeks.
00:36:40I got in my car, and I drove home.
00:36:42Miss Barrington, these events took place over five years ago.
00:36:46Why have you not come forward until now?
00:36:50Well, like I said, I didn't live here at the time.
00:36:54I returned to New York never having
00:36:56heard about the murder case or Mr. Nash's indictment.
00:37:00And what made you come forward at this time?
00:37:02My mother recently passed away.
00:37:04I was packing some of her things for storage
00:37:07with old newspaper, and I came across one
00:37:09of Mr. Nash's personal ads.
00:37:12And it was then that I realized he was looking for me.
00:37:16Now, the murder took place between 9 PM and 11 PM
00:37:20on the night of the 20th.
00:37:22Can you confirm to this court that you were, in fact,
00:37:25with Tyler Nash during that time?
00:37:27Yes.
00:37:29Yes, I can.
00:37:30I have no further questions, Your Honor.
00:37:33Mr. Clark.
00:37:35Thank you, Your Honor.
00:37:37You're a journalist, is that correct?
00:37:40Yes.
00:37:41Therefore, one can assume that you are street smart,
00:37:43that you understand the ways of the world?
00:37:46I suppose.
00:37:47So can you explain why it is that you
00:37:50refused to give your real name, but you
00:37:53agreed to park on an isolated beach with, in your own words,
00:37:58a total stranger?
00:38:03I don't know.
00:38:05I suppose it's not the smartest thing I've ever done.
00:38:08When exactly were you parked, Ms. Barrington?
00:38:10Was it 9.30 to 11.30, 10.30 to 12.30?
00:38:14When was it?
00:38:15I believe it was 10 to midnight.
00:38:17Two hours, that's a long time.
00:38:20Did you have sex with him?
00:38:21No.
00:38:22Objection, Your Honor.
00:38:23Irrelevant.
00:38:24Sustained, the jury will disregard
00:38:26the question and the answer.
00:38:29What did you do all that time?
00:38:31We talked.
00:38:32About what?
00:38:34Poetry, art, music, life.
00:38:44You recognize this girl?
00:38:46The mutilated body of Cecilia Flowers.
00:38:50Pretty gruesome, I agree.
00:38:55Have you seen her before?
00:38:57No.
00:38:58She was 21 years old.
00:39:01Objection, there is no connection between the victim
00:39:03and Ms. Barrington.
00:39:04Your Honor, there most certainly is a connection.
00:39:06Ms. Barrington is trying to undo
00:39:08the conviction of a killer.
00:39:10Objection, Your Honor.
00:39:11Objection sustained.
00:39:14Objection sustained.
00:39:15Mr. Clark, stick to straightforward
00:39:17and relevant questions.
00:39:20Ms. Barrington, I'm a little puzzled by something.
00:39:24We asked for a sample of your hair.
00:39:26We checked it against the trace hairs
00:39:28we found in Mr. Nash's truck and on his clothes,
00:39:31and it was conclusive.
00:39:32Your hair did not match.
00:39:34Objection, the victim's hair did not match either.
00:39:37Objection sustained, the jury will disregard
00:39:39the prosecution's last statement.
00:39:43And there's the matter of your father.
00:39:46Isn't it true that he, like Mr. Nash, was on death row?
00:39:50That he, in fact, was executed at Mid-Valley State
00:39:53Penitentiary in 1967 for the murder of one
00:39:56J. Hollis Meyer?
00:39:57Objection, Your Honor, this is completely irrelevant.
00:40:00Your Honor, it is directly relevant.
00:40:02It speaks to Ms. Barrington's motive, a very powerful motive
00:40:05for wanting to get back at the justice system
00:40:07for taking her father's life.
00:40:09Oh.
00:40:10Oh.
00:40:18Coming.
00:40:21Coming.
00:40:24Hang on.
00:40:27Uncle Bernie, hi.
00:40:28Can I come in?
00:40:29Yeah.
00:40:31I was just about to make myself an egg salad sandwich.
00:40:35You want one?
00:40:36Not unless you want to watch me sky
00:40:37ride all over your ceiling.
00:40:38What?
00:40:39Gas.
00:40:40Oh.
00:40:41You haven't really changed this place very much, have you?
00:40:46No, it's still Mom's place.
00:40:48You ever get the feeling that she's still with us?
00:40:51Always.
00:40:52Then she must be feeling like I am right now.
00:40:57Confused.
00:40:58Confused?
00:40:59Why are you doing this, Nikki?
00:41:05You weren't in Marshall Falls when the Flowers murder happened.
00:41:09That's when you drove your mom to Portland to start her breast cancer treatments.
00:41:13You called me every day, remember?
00:41:16So, why are you putting yourself in this position?
00:41:22What position?
00:41:23Perjury.
00:41:24I'm not.
00:41:26Nikki.
00:41:30Don't insult my intelligence.
00:41:33This is not your concern.
00:41:34Yes, it is.
00:41:35One, I am your uncle.
00:41:36Two, it implicates the paper.
00:41:38There is nothing that ties you or the paper or the staff to this.
00:41:44I know what you're doing.
00:41:46How can I claim to have any integrity and not expose that?
00:41:49Can't you see what they're doing to him?
00:41:51It's just like what happened to my father.
00:41:53Your father was found guilty.
00:41:55And he was innocent.
00:41:56Damn it, Nikki.
00:41:57No, he wasn't.
00:42:05How can you say that?
00:42:07Have you ever bothered to investigate the facts surrounding your father's case?
00:42:13Or are you afraid to find out something?
00:42:19You gotta grow up, Nikki.
00:42:21He was guilty.
00:42:23I knew it.
00:42:24I knew it.
00:42:25Your mother knew it.
00:42:26She just didn't have the heart to tell you about it.
00:42:30Your father had a temper.
00:42:32And one day he just snapped and he killed his boss in cold blood.
00:42:36No, he didn't.
00:42:44Please, don't throw your life away for this guy.
00:42:51Go talk to Mitch.
00:42:54Tell him Miss Nash coerced you into lying for him.
00:43:01I can't.
00:43:09You mean you won't?
00:43:14I believe him.
00:43:17Oh.
00:43:27Nikki.
00:43:29I've got a responsibility to the people in this community.
00:43:33The people who work for me.
00:43:36If you proceed with this charade tomorrow,
00:43:41you can't come back to the paper.
00:43:57I promised your mother that I would take care of you.
00:44:28Archer Walker, do you solemnly swear to tell the whole truth
00:44:30and nothing but the truth before this court?
00:44:32I do.
00:44:37Mr. Walker, in the previous trial of Tyler Nash,
00:44:41you testified that you were at the Blue Moon on the night of August the 20th.
00:44:44That is correct.
00:44:45And that at approximately 10.30 p.m. you left the bar
00:44:49and you saw a man and a woman seated in a parked pickup truck.
00:44:52Is that correct?
00:44:53Yes, sir.
00:44:55And you went on to identify the man in that truck as the defendant, Tyler Nash.
00:44:59That is correct.
00:45:02Now I'm going to show you a photograph, Mr. Walker.
00:45:05I want you to examine it very carefully.
00:45:12Was that the woman that you saw seated next to Tyler Nash in that pickup truck
00:45:16on the night of August 20th?
00:45:18No, sir, it is not.
00:45:19Are you sure?
00:45:20Positive.
00:45:24I'm going to show Mr. Walker a photo of Nikki Barrington.
00:45:32Mr. Walker, is this the woman that you saw seated in the pickup next to Mr. Nash?
00:45:38Objection, Your Honor, leading the witness.
00:45:40Sustained. Rephrase the question, Counselor.
00:45:43Do you recognize this woman?
00:45:45Yes, sir.
00:45:46This is the woman that was seated in the truck.
00:45:48Let the record show that Mr. Walker has clearly identified Cecilia Flowers
00:45:53as the woman who was sitting in Tyler Nash's truck on the night of the murder.
00:45:58I have no further questions, Your Honor.
00:46:02Your witness.
00:46:05Mr. Walker, what do you do for a living, sir?
00:46:08I'm a computer programmer.
00:46:10I create networks, websites, things of that nature.
00:46:14Would you consider your powers of observation to be above average?
00:46:19Yes, I would say above average.
00:46:21Now, we're supposed to accept your testimony.
00:46:24Testimony that has to be based not only on your powers of observation but on your memory as well.
00:46:29I'm sure you'll agree it is very important to be certain.
00:46:32Yes, I understand.
00:46:34Good.
00:46:36Now, where was the pickup truck parked?
00:46:40It was in the parking lot next to the bar.
00:46:42But was it parked, let's say, under a street lamp against a building under a tree?
00:46:47Uh...
00:46:50It was just parked in the lot.
00:46:54There were quite a few cars there.
00:46:57Mr. Walker, you don't sound terribly convincing.
00:47:00Does that mean you're not sure?
00:47:02I remember it was quite cloudy that night.
00:47:10Let the record show that the night of August 20th was clear and with a full moon.
00:47:17Mr. Walker, did you stop and look into the pickup truck as you passed by?
00:47:25I looked in and I...
00:47:26Did you stop, sir?
00:47:27I don't remember if I stopped.
00:47:29But I did get a good look.
00:47:33Your Honor, I ask permission to bring Nicky Barrington before this witness.
00:47:37Objection, Your Honor.
00:47:39On what grounds, Counselor?
00:47:40Mr. Walker has already clearly established that Nicky Barrington was not in Tyler Nash's truck that night.
00:47:46Your Honor, is the prosecution now going to try my case as well?
00:47:50Your objection is overruled, Mr. Clark.
00:47:53You may continue, Mr. Tanaki, but this better be leading somewhere.
00:47:57Thank you, Your Honor. It will.
00:47:59The court calls Nicky Barrington.
00:48:07Ms. Barrington, would you kindly step forward and stand before the jury and witness?
00:48:17Auburn hair, shoulder length, brown eyes, 5 feet 7 inches tall, approximately 125 pounds.
00:48:26Mr. Walker, was I just describing Cecelia Flowers or Nicky Barrington?
00:48:36Well?
00:48:43I don't know.
00:48:44Why?
00:48:47What happened to your above average powers of observation?
00:48:53Could it be, sir, that you don't know?
00:48:55Because I am describing both Cecelia Flowers and Nicky Barrington.
00:49:02Mr. Walker, your testimony convinced a jury beyond a reasonable doubt to convict my client, Tyler Nash, to be sentenced to death at the hands of the state.
00:49:15The Court of Appeals
00:49:36Has the jury reached a verdict?
00:49:38We have, Your Honor.
00:49:39How do you find?
00:49:41In the matter of the people versus Tyler Nash, we find the defendant not guilty.
00:49:48The court is gratified that justice has ultimately been done in this case.
00:49:53Mr. Nash, you are released from custody.
00:49:57Ladies and gentlemen of the jury, thank you very much.
00:50:00This court is adjourned.
00:50:03Oh, thanks.
00:50:04Wait up, wait up.
00:50:10Congratulations.
00:50:11How was that?
00:50:14Free math.
00:50:16There's just some papers you have to sign before you leave if you'd go with the bailiff.
00:50:19Yeah.
00:50:20Okay.
00:50:24Thanks, counselor.
00:50:27Thank you.
00:50:29Oh, come on, Steve.
00:50:30You were great.
00:50:31You freed an innocent man today.
00:50:35I hope you're right.
00:50:39Excuse me.
00:50:58Thank you.
00:51:23This is it.
00:51:24This is great.
00:51:28Thank you.
00:51:34This is really nice.
00:51:59Look at that. Isn't that pretty?
00:52:02Yeah, it is.
00:52:28Wow.
00:52:58Hmm.
00:53:16Hey.
00:53:21You okay?
00:53:23I forgot what it was like.
00:53:26What?
00:53:28To be free.
00:53:33You know something?
00:53:35You're safe now.
00:53:58You're safe now.
00:53:59You're safe now.
00:54:00You're safe now.
00:54:01You're safe now.
00:54:02You're safe now.
00:54:03You're safe now.
00:54:04You're safe now.
00:54:05You're safe now.
00:54:06You're safe now.
00:54:07You're safe now.
00:54:08You're safe now.
00:54:09You're safe now.
00:54:10You're safe now.
00:54:11You're safe now.
00:54:12You're safe now.
00:54:13You're safe now.
00:54:14You're safe now.
00:54:15You're safe now.
00:54:16You're safe now.
00:54:17You're safe now.
00:54:18You're safe now.
00:54:19You're safe now.
00:54:20You're safe now.
00:54:21You're safe now.
00:54:22You're safe now.
00:54:23You're safe now.
00:54:24You're safe now.
00:54:25You're safe now.
00:54:26You're safe now.
00:54:27You're safe now.
00:54:28You're safe now.
00:54:29You're safe now.
00:54:30You're safe now.
00:54:31You're safe now.
00:54:32You're safe now.
00:54:33You're safe now.
00:54:34You're safe now.
00:54:35You're safe now.
00:54:36You're safe now.
00:54:37You're safe now.
00:54:38You're safe now.
00:54:39You're safe now.
00:54:40You're safe now.
00:54:41You're safe now.
00:54:42You're safe now.
00:54:43You're safe now.
00:54:44You're safe now.
00:54:45You're safe now.
00:54:46You're safe now.
00:54:47You're safe now.
00:54:48You're safe now.
00:54:49You're safe now.
00:54:50You're safe now.
00:54:51You're safe now.
00:54:52You're safe now.
00:54:53You're safe now.
00:54:54You're safe now.
00:54:55You're safe now.
00:54:56You turn around, these doors leave.
00:55:02I found someone to believe.
00:55:07You and I have found someone to believe.
00:55:16Guess what?
00:55:17Hm?
00:55:19There's a job opening for a mechanic down on 7th.
00:55:22Oh, yeah?
00:55:23It ain't driving, but it's a start.
00:55:27You're thinking about going back to racing, aren't you?
00:55:30It's the only thing I know how to do.
00:55:33It's pretty remote out here, you know?
00:55:53It's a good idea.
00:56:03What do you want?
00:56:12Five minutes of your time.
00:56:14Sorry.
00:56:15You're racing down a dark stretch of highway with no lights on.
00:56:19Nice metaphor.
00:56:21You're in my way.
00:56:25That's one hell of an act you and Tanaki put on.
00:56:27Isn't this called harassment?
00:56:29No, I'm just having a conversation.
00:56:32It's a free country last I checked.
00:56:34In fact, anyone can say anything you should know.
00:56:37I'm afraid I don't know what you're talking about.
00:56:39Oh, I think you do.
00:56:41May I go now?
00:56:43Nobody's stopping you.
00:56:46Shh.
00:57:04Now, don't tucker yourself out, darling.
00:57:06Save some energy for me.
00:57:13Watch it!
00:57:17You're so cute.
00:57:38Stand by me now as I walk down the fiery forest.
00:57:43Stand by me now.
00:57:46I'm, uh, writing a tune.
00:57:51How do you like that guitar?
00:57:53Man.
00:57:56This is an absolute beauty.
00:57:58Where did you get it?
00:57:59It belonged to my father.
00:58:01Oh, my God, I'm so sorry.
00:58:03No, no, no, no.
00:58:04It's okay.
00:58:05Are you sure?
00:58:06Go ahead and play.
00:58:08Oh, thanks.
00:58:09Okay.
00:58:13Talk to me now is a fine...
00:58:16What the hell?
00:58:20You're playing right-handed.
00:58:22Yeah, that's, uh, that's how I learned.
00:58:26Walk with me now is a fine...
00:58:30Walk with me now is a walk down the fiery furnace.
00:58:35Is this Nash's racing itinerary for Florida?
00:58:38Right there.
00:58:40He was there approximately three months before he was arrested.
00:58:43Why are we looking into this?
00:58:45There's an unresolved murder down there similar to the Flowers case.
00:58:48Mitch, that case is over.
00:58:50No, it's not.
00:58:52At the time of the Florida murder,
00:58:54Nash just happened to be racing at Daytona Beach.
00:58:58Mitch, that's got to be a couple hundred miles from where the murder took place.
00:59:02I don't know if the race was before or after the murder.
00:59:15I agree.
00:59:16I just think we should crop it about here.
00:59:19Unless you run it vertically.
00:59:22Ah, you're right.
00:59:23Shows more of his character.
00:59:25That's a scratch on the negative.
00:59:26He's a slumlord.
00:59:27Remember, he doesn't have any character.
00:59:30It's an unresolved murder near Tallahassee, Florida.
00:59:33Happened before Nash came to Marshall Falls.
00:59:35So?
00:59:37So he just happened to be there around the same time.
00:59:41Shouldn't you be out campaigning?
00:59:43I hear boats are scarce around here.
00:59:46Bernie, your niece is playing with fire.
00:59:49If that were true, what do you suppose that I could do about it?
00:59:53Convince her to come and see me.
00:59:55I've got some new information that might change her attitude.
00:59:58Information that might change her opinion about Mr. Nash.
01:00:04This one's on me.
01:00:08Our tax dollars at work.
01:00:29Are you okay?
01:00:31Yeah.
01:00:33I just didn't hear you sneak up on me.
01:00:36I didn't sneak up on you.
01:00:38I just came to ask if you wanted to go to town for lunch.
01:00:41Yeah.
01:00:43Sure, just give me a minute, okay?
01:00:46Okay.
01:00:53I'm sorry.
01:00:56Thank you.
01:01:02Ever been to Florida?
01:01:04Every winter.
01:01:06Why?
01:01:07Daytona Beach?
01:01:09Sure.
01:01:10Racing season.
01:01:14Mitchell Clark spoke to Liza and my uncle.
01:01:16He's trying to tie you to a murder there.
01:01:19God, why doesn't that surprise me?
01:01:23Is he getting to you?
01:01:25No.
01:01:27Are you sure?
01:01:31Hi. Do you guys know what you want?
01:01:33Yeah, I'll have the pasta special, please.
01:01:36I'm gonna have a cheeseburger and fries.
01:01:38Nice.
01:01:45They took five years of my life.
01:01:48What more do they want?
01:01:50I mean, I...
01:01:53Hon, you can't keep blaming the world for what happened to you.
01:01:57You're right.
01:01:59It's just...
01:02:02I wish it was that easy.
01:02:06I haven't held anything back.
01:02:08I've never done that before.
01:02:10Nikki...
01:02:13I would never, ever hurt you.
01:02:20You two got a lot of nerve showing up here.
01:02:23Cecilia Flowers was a friend of mine.
01:02:27You know what?
01:02:29Let's just get out of here.
01:02:43Stop it! Stop it!
01:02:45You're gonna kill him!
01:02:50Stop it!
01:03:10We've been here for almost three hours.
01:03:13If you want to hold us any longer, I'd like to call my lawyer.
01:03:16Otherwise, let us go now.
01:03:21Your boyfriend put those guys in the hospital.
01:03:25Those guys started it,
01:03:28and there's a room full of witnesses who'll testify to that.
01:03:31Testify?
01:03:33You'd know all about that, wouldn't you?
01:03:35My phone call?
01:03:44Follow me.
01:03:50There you go.
01:04:20Follow me.
01:04:50Follow me.
01:05:02Hello?
01:05:04Nikki? Mitchell Clark.
01:05:06I'm hanging up.
01:05:08Does the name Peg O'Neil mean anything to you?
01:05:10No.
01:05:12What if I told you this woman claims to have been Tyler's girlfriend
01:05:15at the same time as you were visiting him in prison?
01:05:18If you want more, meet me at Lago at 3 o'clock this afternoon.
01:05:25Who's that on the phone?
01:05:27Um, the...
01:05:29the paper.
01:05:31They want me to clean out my desk.
01:05:39So...
01:05:41Nash was charming other women
01:05:43at the same time as he was charming you,
01:05:45as you can see by this.
01:05:48The guy's a regular Shakespeare.
01:05:51He worked on Peg O'Neil.
01:05:53Drop a pebble in the lake
01:05:55and watch the waters part
01:05:57until the rings reach every shore
01:05:59and touch some other's heart.
01:06:01I stand near the water's edge
01:06:03praying for a sign that somewhere across the mist of time
01:06:06there awaits a heart like mine.
01:06:11You wrote this for me?
01:06:18So you dig through other people's garbage.
01:06:21Nash used you, Nicky.
01:06:23He's still using you.
01:06:27Do you love anyone?
01:06:29What?
01:06:34Do you love anyone?
01:06:38Is there anything in your life
01:06:40that you care about more than your career?
01:06:44I care about justice.
01:06:46I care about truth.
01:06:48No, you don't.
01:06:50You care about winning.
01:06:52That's your truth.
01:06:54Come on.
01:07:16They called your work.
01:07:18They said you weren't there today.
01:07:21Yeah, I had some thinking to do.
01:07:25Thinking about what?
01:07:29Peg O'Neil.
01:07:32Peg O'Neil?
01:07:35Peg O'Neil responded to an ad
01:07:37a couple of months prior to you and I ever becoming involved.
01:07:41And we wrote to each other a few times.
01:07:45Nicky,
01:07:47Nicky,
01:07:49you can't believe that you were the only one that I communicated with.
01:07:52What do you mean I can't believe that I was the only one?
01:07:55What, am I a mind reader, Tyler?
01:07:58You know that Clark had a file full of that stuff
01:08:02that you sent to Peg O'Neil,
01:08:05including that sweet poem that you wrote to me.
01:08:08You led me to believe that that poem was written for me.
01:08:13And you even tried to get her to be your alibi,
01:08:16but she wouldn't do it. She refused.
01:08:18And what did I do? I believed you.
01:08:22I lied for you.
01:08:24I stood up in front of all those people in the courtroom
01:08:27and I risked everything for you.
01:08:46I love you.
01:09:17Come on, come on, Liza.
01:09:20Hey, it's Liza. You know the drill.
01:09:22Leave a message and I'll call you back.
01:09:28Ha, ha.
01:09:46Ha, ha.
01:10:16Ha, ha.
01:10:47Were you here all night?
01:11:06I lied to you.
01:11:10I lied to you.
01:11:12I lied to you.
01:11:16With Peg O'Neil, I know you feel like I used you.
01:11:24I'm sorry for that.
01:11:30I've never had anyone in my life care for me the way you do.
01:11:36And I'm trying to learn how to deal with that.
01:11:41I love you, Nicky.
01:11:43I love you with all my heart
01:11:45and I want to show you in a way that you know
01:11:48and that you can understand.
01:11:50It's just...
01:11:52It's just I need a little help
01:11:56to learn how.
01:12:05Want some?
01:12:07No.
01:12:13I'm going to take a bath.
01:12:43Okay.
01:13:05Ah!
01:13:13Ah!
01:13:33Don't leave me.
01:13:43Don't leave me.
01:13:53Coming.
01:13:57Just a minute.
01:14:01Good morning.
01:14:05Spread them. Spread them down here.
01:14:07What the hell is going on here? You have no right.
01:14:09This little piece of paper gives us every right.
01:14:11Search one.
01:14:17Why?
01:14:18A young girl was murdered last night
01:14:20on a beach near Canaan Point.
01:14:22Canaan Point is three hours away.
01:14:24I told them I was here last night.
01:14:26Oh, but of course you were.
01:14:28Look what I found.
01:14:32I have a permit for that.
01:14:34Check it out.
01:14:37How many more women are going to die because of him?
01:14:40Because of you?
01:14:42What is it, anyway? What's he got over you?
01:14:46Mitch.
01:14:47Just a minute, Sam.
01:14:48I really need to speak with you.
01:14:57Let him go.
01:15:02You should put this where your boyfriend can't find it.
01:15:05Only town, Nash.
01:15:10Reportedly, every night at the parking lot,
01:15:12a young girl is murdered.
01:15:14Suspect is driving in a white Veyron.
01:15:41Come here.
01:16:01Tyler!
01:16:04What are you doing?
01:16:07Where were you last night?
01:16:09I was out driving.
01:16:10Clark thinks that I killed that girl.
01:16:12Apparently, you do, too.
01:16:14Running away isn't going to solve anything.
01:16:16It's just going to make matters worse.
01:16:18I'm not going back to jail.
01:16:20This is exactly what they want you to do.
01:16:23Don't do this.
01:16:24Can't you see that I have no choice?
01:16:28Nikki, come with me.
01:16:29What?
01:16:30If we leave now, we can be in Canada in less than two hours.
01:16:33Come on.
01:16:34This is crazy.
01:16:35God, every time there's a crime within 100 miles of here,
01:16:38it's going to be all over me.
01:16:39I have no intention of waiting for him to come back,
01:16:41and he will come back.
01:16:42But he's got nothing on you.
01:16:44That didn't stop him last time.
01:16:46If you run now, everyone's going to be convinced that you're guilty.
01:16:50Are you coming or not?
01:16:54No.
01:16:55No, not like this.
01:16:58Ty, I really wish you wouldn't do this.
01:17:01Come on, pack your stuff.
01:17:03What?
01:17:04Pack!
01:17:08Who the hell do you think you're talking to?
01:17:13I said pack.
01:17:18Yeah, hey, it's me.
01:17:20It's me.
01:17:21It's me.
01:17:22It's me.
01:17:23It's me.
01:17:24It's me.
01:17:26Yeah, hey, it's Nikki for Liza.
01:17:29All right, then let me speak to my uncle.
01:17:31Yes, it's urgent.
01:17:33Come on, come on.
01:17:36All right, okay, would you just tell him that...
01:17:38What are you doing?
01:17:40I'm not going with you.
01:17:42Oh, I get it.
01:17:43The second I'm out of here, you're on the phone to Clark.
01:17:56Come on, stop it.
01:17:57Hey!
01:18:04Tyler, that's enough.
01:18:05Hey!
01:18:06Let me out!
01:18:07Leave me alone!
01:18:26Shit.
01:18:48I still think you should call the cops.
01:18:50I can't.
01:18:53Yeah.
01:18:54Yeah.
01:18:56I know.
01:18:59Liza, what is wrong with me?
01:19:01Hey, you fell in love.
01:19:03I mean, I'm a reasonably intelligent woman.
01:19:05How could I be so stupid?
01:19:07No, no, naive is more like it.
01:19:12Will you ever forgive me for what I put you through?
01:19:17Are you kidding?
01:19:18You've always been there for me.
01:19:21Always.
01:19:24Just my turn, that's all.
01:19:28Thanks.
01:19:31You know, with our luck, maybe we should just give up on men.
01:19:36Okay, bad suggestion.
01:19:39I really appreciate you letting me stay at your place for a while.
01:19:42Are you kidding?
01:19:43It's gonna be like old times, you know?
01:19:45Sleepovers, summer camp, cheap white wine.
01:19:48Oh, no.
01:19:49What?
01:19:51I left my purse at the house.
01:19:52My credit cards, my driver's license, everything is in that purse.
01:19:55It's all right, we'll get it in the morning.
01:19:57I don't want to go back.
01:19:58Hey, don't worry, all right?
01:20:02No one's gonna mess with me.
01:20:22I don't feel good about this.
01:20:24Let's just make it quick, okay?
01:20:26Oh, don't worry about it.
01:20:38Oh, my God.
01:20:40You know, I don't know if this was such a good idea.
01:20:42Maybe we should just go.
01:20:43Oh, we'll be fine.
01:20:45All right, help me find my bag.
01:20:47Sure.
01:20:49Ah, here it is.
01:20:52Great, let's just go.
01:20:54Sure.
01:21:18Hey, look, I know you think I'm paranoid, okay?
01:21:24What?
01:21:25Won't start.
01:21:30My cell phone is gone.
01:21:31Oh, you probably left it in the house.
01:21:33No, it was right here, I know it.
01:21:36Where are you going?
01:21:38We'll call from the house.
01:21:39Liza!
01:21:41Liza!
01:21:43I tell you what, you make the call, I gotta pee.
01:21:46Can't you just hold it?
01:21:48How long have you known me?
01:21:58Oh, great, great, there's something wrong with the phone.
01:22:03Hey, Liza, listen, we're gonna have to go to my neighbor's house, okay?
01:22:06But it's only about a quarter of a mile down the road.
01:22:08We can use the phone there.
01:22:12Liza!
01:22:17Liza, come on, I really want to get out of here, okay?
01:22:22Not funny.
01:22:23Liza?
01:22:33Liza!
01:22:38Oh, shit!
01:22:40Liza!
01:22:41Oh, shit!
01:22:48Liza!
01:22:50Liza, go!
01:22:53Oh, God.
01:22:55Oh, God.
01:23:18No, don't come in!
01:23:23I swear to God!
01:23:24Stop it!
01:23:25Don't come any closer!
01:23:26I swear to God, I'll shoot you!
01:23:28Give me the gun!
01:23:29I'll shoot you!
01:23:30Don't take it!
01:23:31Give me the gun!
01:23:32Nikki, stop it!
01:23:35It's all right, Nikki!
01:23:49Why did you do that?
01:23:54Oh, what a tangled web we weave.
01:24:04I knew you weren't there that night.
01:24:07Oh, God.
01:24:11Oh, God.
01:24:14Oh, please.
01:24:16Because I took care of the real witness.
01:24:18Get out of here.
01:24:20Get out of here.
01:24:22Get out of the car.
01:24:24Get out of here.
01:24:26Don't do... Don't...
01:24:28Don't do this.
01:24:30Oh, but I want to.
01:24:32Don't worry, I'm not going to leave you.
01:24:34I said go.
01:24:42Besides, they already know who I am.
01:24:45You see, I kind of slipped up the other night.
01:24:48Gain in point.
01:24:56Don't.
01:25:00I'm going to enjoy you.
01:25:10You like this?
01:25:12Tyler!
01:25:14Come on!
01:25:44Come on.
01:26:14Shit.
01:26:16Shit.
01:26:18Shit.
01:26:20Shit.
01:26:22Shit.
01:26:24Shit.
01:26:26Shit.
01:26:28Shit.
01:26:44Shit.
01:27:00Tyler.
01:27:10Don't die.
01:27:14Honey, please don't go.
01:27:18I'm so sorry.
01:27:22Come on, stay with me.
01:27:44Goodbye, Liza.
01:27:46I love you.
01:28:14I love you.
01:28:44I love you.
01:29:14I love you.
01:29:16I love you.
01:29:18I love you.
01:29:20I love you.
01:29:22I love you.
01:29:24I love you.
01:29:26I love you.
01:29:28I love you.
01:29:30I love you.
01:29:32I love you.
01:29:34I love you.
01:29:36I love you.
01:29:38I love you.
01:29:40I love you.
01:29:42I love you.
01:29:44I love you.
01:29:46I love you.
01:29:48I love you.
01:29:50I love you.
01:29:52I love you.
01:29:54I love you.
01:29:56I love you.
01:29:58I love you.
01:30:00I love you.
01:30:02I love you.
01:30:04I love you.
01:30:06I love you.
01:30:08I love you.
01:30:10I love you.
01:30:12I love you.
01:30:14I love you.
01:30:16I love you.
01:30:18I love you.
01:30:20I love you.
01:30:22I love you.
01:30:24I love you.
01:30:26I love you.
01:30:28I love you.
01:30:30I love you.
01:30:32I love you.
01:30:34I love you.
01:30:36I love you.
01:30:38I love you.
01:30:40I love you.
01:30:42I love you.
01:30:44I love you.
01:30:46I love you.
01:30:48I love you.
01:30:50I love you.
01:30:52I love you.
01:30:54I love you.
01:30:56I love you.
01:30:58I love you.
01:31:00I love you.
01:31:02I love you.
01:31:04I love you.
01:31:06I love you.
01:31:08I love you.
01:31:10I love you.
01:31:12I love you.