Mamie if you’ve nothing’ else to do, ma Mamie girl
I’m going to give an invitation
For to come along o’ me (In my little canoe)
Mamie, it’ll carry me an’ you
And that’s enough for a nice flirtation
As you’re sitting in your lonesome
In your lonesome with me
I’ve got so much to say, and I’m forgetting how
I’ve such a tale as no one knows
I’d better say to you the very last thing now
So while the light of love is ling’ring
In your little languid eyes
Mamie won’t you come along o’ me
Where the iris grow?
Mamie, I’ve a little Canoe
Room for me, my Mamie, and you
I’ll paddle along and rock you in my cradle (my little canoe)
Mamie, you’ll have nothin’ to do
And when I’ve told my worries to you
Then, Mamie we might canoodle we two (In my little canoe)
Mina Hickman sings "My Little Canoe" on American Record Company disc #030847 from 1904, issued early 1905.
The song is by Leslie Stuart.
Before Ada Jones began recording regularly in 1905, Mina Hickman was arguably the industry's leading female recording artist.
In the early 1900s she probably worked most often for Columbia, typical titles being "Lullaby" (658) and "Pretty Molly Shannon" (659). The company issued several discs of Hickman singing with bass William F. Hooley, including early numbers 101, 102, and 103. Many early Columbia records featured anonymous soprano voices, and Hickman is undoubtedly on some of these.
Hickman's first records for Eldridge R. Johnson's new Victor Talking Machine Company were cut on April 29, 1901, and she worked for the company until 1905. The sole performance issued from her 1901 session was "When I Think of You" (seven-inch 751).
Several 1903 performances were issued, including "Killarney," "For All Eternity," and "Under The Bamboo Tree." None of the five titles cut during her final session on March 14, 1905, was issued.
She recorded for Zon-o-phone from 1901 to 1904. Solo numbers include "Under the Bamboo Tree" (nine-inch 5413), "Under the Deodar" (nine-inch 5414), and "Laughing Water" (nine-inch 5778). The May 10, 1901, catalog lists four numbers that she sang with tenor J.J. Taylor, including "The Kiss Duet" (seven-inch 9570).
In 1901 she made with Harry Macdonough two Edison Standard records, "When Two Little Hearts Are One" (7975) and "Tale of the Bumblebee" (7976).
She recorded a 1902 song closely associated with stage performer Lillian Russell, "Come Down, Ma Evenin' Star." Hickman's versions were issued as Columbia 955 and Zon-o-phone 5292.
Some of her last records were made for the American Record Company, with four records issued in February 1905: "Mexico" (031001), "On Llawana's Shore" (031002), "Sylvie" (030932), and "My Little Canoe" (030847). American also issued some Ada Jones titles.
From this point on--for a decade--Jones would be the industry's dominant female artist of popular material.
"My Little Canoe" Mina Hickman (most popular female making records before Ada Jones?) 1904 BIOGRAPHY.
I’m going to give an invitation
For to come along o’ me (In my little canoe)
Mamie, it’ll carry me an’ you
And that’s enough for a nice flirtation
As you’re sitting in your lonesome
In your lonesome with me
I’ve got so much to say, and I’m forgetting how
I’ve such a tale as no one knows
I’d better say to you the very last thing now
So while the light of love is ling’ring
In your little languid eyes
Mamie won’t you come along o’ me
Where the iris grow?
Mamie, I’ve a little Canoe
Room for me, my Mamie, and you
I’ll paddle along and rock you in my cradle (my little canoe)
Mamie, you’ll have nothin’ to do
And when I’ve told my worries to you
Then, Mamie we might canoodle we two (In my little canoe)
Mina Hickman sings "My Little Canoe" on American Record Company disc #030847 from 1904, issued early 1905.
The song is by Leslie Stuart.
Before Ada Jones began recording regularly in 1905, Mina Hickman was arguably the industry's leading female recording artist.
In the early 1900s she probably worked most often for Columbia, typical titles being "Lullaby" (658) and "Pretty Molly Shannon" (659). The company issued several discs of Hickman singing with bass William F. Hooley, including early numbers 101, 102, and 103. Many early Columbia records featured anonymous soprano voices, and Hickman is undoubtedly on some of these.
Hickman's first records for Eldridge R. Johnson's new Victor Talking Machine Company were cut on April 29, 1901, and she worked for the company until 1905. The sole performance issued from her 1901 session was "When I Think of You" (seven-inch 751).
Several 1903 performances were issued, including "Killarney," "For All Eternity," and "Under The Bamboo Tree." None of the five titles cut during her final session on March 14, 1905, was issued.
She recorded for Zon-o-phone from 1901 to 1904. Solo numbers include "Under the Bamboo Tree" (nine-inch 5413), "Under the Deodar" (nine-inch 5414), and "Laughing Water" (nine-inch 5778). The May 10, 1901, catalog lists four numbers that she sang with tenor J.J. Taylor, including "The Kiss Duet" (seven-inch 9570).
In 1901 she made with Harry Macdonough two Edison Standard records, "When Two Little Hearts Are One" (7975) and "Tale of the Bumblebee" (7976).
She recorded a 1902 song closely associated with stage performer Lillian Russell, "Come Down, Ma Evenin' Star." Hickman's versions were issued as Columbia 955 and Zon-o-phone 5292.
Some of her last records were made for the American Record Company, with four records issued in February 1905: "Mexico" (031001), "On Llawana's Shore" (031002), "Sylvie" (030932), and "My Little Canoe" (030847). American also issued some Ada Jones titles.
From this point on--for a decade--Jones would be the industry's dominant female artist of popular material.
"My Little Canoe" Mina Hickman (most popular female making records before Ada Jones?) 1904 BIOGRAPHY.
Category
🎵
MúsicaTranscripción
00:00Nuestra pequeña canoa de Miss Nina Hitman, American Records.
00:30Por el tiempo que he estado en la calle, mi querida chica,
00:34mi señorita,
00:36si me casaste conmigo y no bailaste suficiente para una noche de placer,
00:42¿Has estado en tu soledad?
00:45¿En tu soledad conmigo?
00:48Tengo mucho que decir y me estoy olvidando de todo.
00:54Tengo mucho que decir y nadie sabe.
01:00Tengo mucho que decirte,
01:03pero me estoy olvidando de todo.
01:06Por el tiempo que he estado en la calle, mi querida chica,
01:12si me casaste conmigo y no bailaste suficiente para una noche de placer,
01:19¿Has estado en tu soledad?
01:22Por el tiempo que he estado en la calle, mi querida chica,
01:28si me casaste conmigo y no bailaste suficiente para una noche de placer,
01:35¿Has estado en tu soledad?
01:38¿En tu soledad conmigo?
01:52Mi querida chica,
01:54si me casaste conmigo y no bailaste suficiente para una noche de placer,
02:01¿Has estado en tu soledad?
02:04Por el tiempo que he estado en la calle, mi querida chica,
02:09si me casaste conmigo y no bailaste suficiente para una noche de placer,
02:16¿Has estado en tu soledad?
02:19Por el tiempo que he estado en la calle, mi querida chica,
02:24si me casaste conmigo y no bailaste suficiente para una noche de placer,
02:31¿Has estado en tu soledad?
02:34¿En tu soledad conmigo?
02:37No sabes qué decir,
02:40no sabes qué decir,
02:44todas las noches que brillas como un rocío,
02:47de tus ojos pequeños,
02:50tal vez sea la oportunidad para ti,
02:53para decirme lo mismo,
02:57tal vez soy un pequeño pez,
03:01un pequeño pez para mí, para mí y para ti,
03:04un pequeño pez para mí, para mí y para ti,
03:07mi querida chica,
03:09mi pequeña pez,
03:11tal vez no tengas nada para mí,
03:14cuando me agarro mis ojos,
03:17tal vez, tal vez,
03:19mi pequeña pez,
03:21pequeño pez.