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00:00I
00:02Know we've almost an hour waiting and that bastard is not going to show up here, so it doesn't make sense for us to stay here
00:12Yes, you're right
00:14It will be better if we go back to the palace before it gets dark on the road
00:19If Mrs. Petra misses me when it's time to prepare dinner, I'll have a good time with her, so
00:23If
00:28You go to a good step you will arrive before dinner but you are not going to join me
00:37I'll be later
00:41And that because
00:43Because when we go through the town I'm going to approach the tavern
00:47And to do it alone, I already imagine that a maid cannot go with the son of the sea that is the tavern
00:54But
00:56It doesn't matter what they say
01:00And why do you need to go there
01:03I'm going to get closer to ask for Gregorio and find out why he hasn't come to our date
01:10And it's not going to be dangerous for him to come back alone at night
01:14While that man is still free, everything is dangerous
01:18But don't worry, I'll be careful
01:20I promise you
01:50You
02:12Hey mom, no, no, tell you I don't you got better
02:17I'm sorry, what are you doing here alone?
02:22Nothing
02:28Looking at the darkness that comes through the window
02:33I was getting carried away, I think it's time to go to sleep, have a good night
02:40Wait
02:42Are you okay?
02:44Of course
02:47I've noticed you a little serious during dinner
02:50Are you sure everything is fine?
02:53Very sure
02:56Didn't it bother you that we read the news about Manolo's request that you came with Pela and me?
03:02Why would something like that bother me?
03:04Well, I don't know, but it gave me that feeling
03:08You two left in a hurry
03:11Because we were going for a walk
03:14Besides, what they talk about, they don't stop talking about
03:16I don't care
03:18So it didn't bother you?
03:20Don't you give importance to what you don't have?
03:24Well, thank God, because I didn't want to be the one to offend you
03:27You can't stand what?
03:29Not that you were the one who wrote the social news of the newspapers
03:32No
03:34But anyway, this time they didn't say anything bad about you
03:38They just commented on the surprise of seeing you together again at a social event
03:41What contents have been, right?
03:44Well, they even praised you
03:47Yes, that's their game, to lower your guard
03:50And then to hit you again
03:53But I don't care if they mock me or make me look bad, really
03:58Man, it's better if they flatter you, right?
04:02If I tell you the truth, the best thing would be that they ignore me
04:04That they don't talk about me, neither good nor bad
04:07Well, but that's impossible because you're the cousin of the Marquis of Lujan
04:10Yes, I'm afraid of that
04:13That I'm going to have my whole life behind the press
04:16And that I'll never be able to get rid of that San Benito
04:30Good night, mother
04:34Are you going to rest?
04:36Yes, it's late
04:38Good night
04:40Are you going to leave without giving him a goodnight kiss?
04:43No one understands you, son
04:46Now you want a goodnight kiss, but you leave without saying goodbye to me
04:51Mother, but I told him I was leaving
04:53You didn't tell me you were coming back at this time
04:56Yes, you're right about that
05:01I got stuck, I was going to come back earlier
05:03I'm sorry
05:06And why? If you can tell me
05:08Nothing important
05:11It can't be because of a woman
05:14No
05:16I was with the engineers, as I told you
05:19And later I waited for a book I had to deliver and it didn't arrive
05:22And what book is that?
05:24One about airplane designs
05:26You're never going to get tired of those things, are you?
05:29No, so the sooner you add it, the better for everyone
05:33Well, in any case, that has nothing to do with you not saying goodbye to me when you leave
05:38Mother, I told him I was leaving
05:40And I remember you were quite dry
05:43So as not to be
05:45You allowed yourself the luxury of giving me lessons on how my marriage has to be
05:49You're absolutely right
05:52I'm no one to talk to you about those things
05:54As the saying goes, I sell advice that I don't have
05:57A saying full of wisdom
05:59Thank goodness you recognize it
06:01Yes, I do
06:04And I want to compensate you with a little gift
06:07You've let me down
06:09You know I love these pastas
06:11Well, now you can taste them
06:13Thank you, son
06:16It's such a detail
06:18Do you like the disgust you have with me?
06:20Do you think you're going to buy me with some simple pastas?
06:22Mother, I want to be on good terms with you
06:24I suffer a lot when you're angry with me
06:27And what do you think?
06:29That I like it when we're on bad terms?
06:31Then why don't we hug and forget all the disputes we've had these days?
06:35Come here
06:37My son
06:39Oh Manuel
06:45And Simona made Perallo cook
06:47He's never cooked before
06:49But what did he cook?
06:51Well, he tried to make a snack his way
06:53Yes, yes
06:56Look, here's the great cook
06:58Apprentice and thank you
07:00Thank you
07:02Apprentice and thank you
07:04Excuse me if I bother you
07:07But I wanted to tell you something, Catalina
07:09A telegram arrived for us this afternoon
07:11And who sent it?
07:13The same newspaper that published the news about the handwriting in which we appeared
07:16And what do they want?
07:19Nothing bad, calm down
07:21They just want to interview us and take a few photos for their society notes
07:23How fun, with photos and everything
07:25I don't want to know anything about journalists
07:27Especially after what they did to us
07:30What the newspapers want is to sell
07:32And they don't care about looking for the morbid and the unfortunate
07:34Even if it's a lie
07:36But I already told you that in the last news there were no lies
07:38And they even made fun of you
07:40Well, I prefer not to tempt fate by allowing them that chronicle
07:43I think it would be a golden opportunity
07:45To end once and for all with the rumors about us
07:47But I don't care what people say
07:49Well, I don't
07:51And neither do you
07:54And if you don't remember the discomfort we felt
07:56When we got to the party and saw that everyone was looking at us
07:58Maybe
08:00Maybe
08:02Maybe, but then I forget
08:05Well, not me, Catalina, and I tried
08:07Come on, think that it would allow us to give our opinion about what happened
08:09Because so far the world has only heard curses and slander
08:11Pelayo is right
08:13Besides, it's going to be very entertaining
08:16To have the house full of journalists and photographers
08:18Come on, Catalina
08:20Think about it, at least calmly
08:22Okay, I'll think about it
08:24But that doesn't mean I'm going to say yes
08:27I don't know
08:29I don't know
08:53Manuel!
08:56But what are you doing in my room?
08:58Do you think you could have surprised me?
08:59Do I look naked?
09:02I wouldn't see anything that I haven't seen before.
09:06Even so, it's not convenient and you know it.
09:10Get out of here, truant.
09:13You can't keep coming in like this because they're going to end up discovering us.
09:15So what?
09:17I don't care.
09:19My love, in a few days we're going to be husband and wife.
09:22So what else do we have?
09:25They should find out when we get married.
09:29Yeah.
09:32So tell me, have they told you anything about Gregorio at the tavern?
09:36Yes.
09:38In fact, he was coming to that.
09:40You see, apparently there was a fight outside the village.
09:44And Gregorio had to see her?
09:46Judging by the description made by those who were present, yes.
09:50Maybe that's why he didn't go to the meeting.
09:52Maybe.
09:53Because it was a fight of the fatties.
09:55In fact, the civil guard had to come.
09:57And there was some injured.
09:59And they didn't stop anyone?
10:00No.
10:01They just limited themselves to dissolving the mess.
10:04Well, it's a shame.
10:05Because they could have put Gregorio back in the dungeon.
10:08Yes.
10:09And you don't know where he ends up.
10:11Neither.
10:12But I'm sure he'll drop by the tavern again.
10:15That's why...
10:16That's why...
10:21I'm going to leave this letter to the taverner.
10:23So he can give it to him as soon as he sees it.
10:26And what have you written?
10:27Nothing new, it's the same location as last time.
10:29And I'm not going to tell you when.
10:31No, because you can show up there again.
10:33But let's see, Manuel, the only thing I...
10:35There are no buts that are worth it.
10:37Hanna.
10:40And why do you think he's coming back?
10:43After this fight, maybe he doesn't feel like it.
10:46I hope so.
10:48But as long as he feels that Doña Pia is here, he won't go far.
10:53Unfortunately, you're right.
10:56I hope this time he comes to the meeting.
10:58And we can forget about this nightmare once and for all.
11:02I'm afraid it won't be that easy, Manuel.
11:05Gregorio has only one purpose.
11:07Which is to take Doña Pia's life.
11:10And it's going to cost us blood, sweat and tears if he doesn't get it.
11:17And now, please.
11:20Tell me when.
11:25No.
11:36Santos.
11:37Santos, can you hear me?
11:40Santos, can you hear me?
11:44God.
11:46You're burning.
11:48I have to get you out of the fever.
11:53Mrs. Hercos.
11:55Mrs. Hercos, what's wrong with me?
11:58I can't see well.
11:59I can't see, Mrs. Hercos.
12:02What's wrong with me?
12:05I can't see well.
12:06Nothing's wrong with your eyes, Santos.
12:08Don't worry, you're fine.
12:11It's just the fever.
12:13No.
12:15What a bad time.
12:17What a bad time for you to fall to your knees with me.
12:34How are you, son?
12:38I've been through better times.
12:43Can you please put the pillow back on me?
12:51Hug me, please.
13:07We should have hugged more.
13:11It's a wonderful feeling.
13:14Yes.
13:16It's good that you call me that.
13:19Mother.
13:23I don't know why I didn't do it more often.
13:27Why did I insist on reproaching him so much?
13:33It's my fault, Felipiano.
13:36I shouldn't have left you by my side, son.
13:40I'm sorry.
14:10I'm sorry.
14:17Aren't you going to ask me about your son, Manuel?
14:20I know he's here.
14:22I heard him go to his room last night.
14:24And you don't care to know where he's been?
14:27I imagine you're going to tell me.
14:30Yes, because it seems I'm the only one here who cares about those things.
14:36He told me he went to talk to some engineers.
14:38Good.
14:40And what's the problem?
14:42Stop distrusting him.
14:44I have my reasons.
14:46He's been very courteous with me.
14:48And when he behaves like that, I know he's hiding something from me.
14:51Maybe he's just affectionate with his mother.
14:54No, I know him well and I know there's something else.
14:57Cruz, stop looking for trouble.
14:59You have to trust people more, especially when it's about your son or me.
15:03You wouldn't have given me reasons to trust you.
15:05Besides, I think someone has to worry about whether our children come or go.
15:09What's this about?
15:11That Manuel comes and goes.
15:13And you?
15:15You don't even bother to ask where he could be.
15:18Of course, we don't even talk about asking for explanations.
15:21I think he's too old to go wherever he wants.
15:24You never need to ask anything, Alonso.
15:26I'm not surprised that the family is the way it is.
15:29I don't understand you. Where do you want to go?
15:31We haven't become everyone's food, Alonso.
15:33Catalina, for example.
15:35She's going to look for Pelayo and come back with him without asking anyone's permission.
15:39But what's this about now?
15:41You're jumping from one subject to another.
15:43And besides, your dear daughter decides to go to a party with her old fiancé
15:47so that everyone knows how stupid he is.
15:50And you?
15:52Instead of stopping him, you don't even open your mouth.
15:54It's just that my dear daughter can decide what to do with her life.
15:57Yes, while she ruins ours.
15:59You're taking things out of Kizio again.
16:01I'm not taking anything out of him.
16:03I'm not taking anything out of Kizio, Alonso.
16:05The only thing I want is for this to be a decent house
16:07and for there to be no more scandals.
16:09But you don't care.
16:11And then you come to me with what you want to fix things.
16:14Between you and me.
16:16But I can see that you're trying to get my children in the way to mess it all up.
16:28Come on, Mrs. Candela.
16:30I need the prisms fixed to put them in the drawer.
16:31The day has just begun and we're working like chickens without heads.
16:34And you, Mrs. Simona, how is Clara doing?
16:37Is she ready for the snow?
16:39One or two minutes to go.
16:41Good morning.
16:43Good morning.
16:45Why are there so many tasks this morning?
16:47We want to advance the work so that Lope and Simona have more time in the afternoon.
16:50Another visit from the Duchess?
16:52Yes, if I catch him, we'll have to take care of him later.
16:54So, either we advance the dinner and the food, or we take everything.
16:58It's what we have.
16:59Well, no.
17:01Because they're making you work more than you can handle.
17:03And on the same day.
17:05Don't think that no one here has given up on the issue of the ports.
17:08I think it's very bad.
17:10They should complain to end this nonsense.
17:12Leave it.
17:14If the Duchess comes to the kitchens, it's because the Marquise has granted it.
17:17And if the Marquise grants it, we have no choice but to shut up and do our job.
17:22But it's unfair.
17:24They're making them work more and more without any compensation.
17:25And even if it's a matter of a day, that Duchess is constantly walking around here.
17:30Yes, it seems that she's taken a liking to it.
17:33One day, they'll be on the promise.
17:35Yes, and if they keep working like this, they'll start to have trouble with the daily dishes.
17:40And the Marquise will end up reprimanding them.
17:42What does she want us to do, little girl?
17:44Vera is right.
17:46Besides, she's having to work a lot more with all this.
17:48We have to complain, Mrs. Simona.
17:50With education, but complaining.
17:52But complaining.
17:54And who does it? Who's going to complain to the cat?
17:56Who's going to tell the Marquise?
17:58Of course not me.
18:00It's true that we work more, but we're already used to it.
18:03Besides, everything will pass. Even the visits of the Duchess.
18:06Of course, she'll get tired of so many recipes and so many back and forths here.
18:10Mrs. Simona, we don't have to put up with this.
18:13She's worked all her life.
18:15We haven't worked more in the kitchens.
18:18Or when the gentlemen organize a party and fill the palace with guests.
18:22We've always had to complain.
18:24This seems different, but in the end, it's the same thing.
18:27Work.
18:29Work for many, work for one, but work.
18:32That's what we've come to this world for.
18:34She wouldn't have to do it.
18:36She can.
18:38You know what the Bible says, don't you?
18:40That you will earn the bread with the sweat of your forehead.
18:42There are worse things.
18:44Because I admit that the visits of a Duchess don't bother me that much.
18:47No, not even me.
18:49She's a very nice lady and she treats us with sympathy.
18:50And she tells you stories where someone important always appears.
18:53Yes, she told us that once she had dinner with the kings.
18:56Then the Marquises won't say anything to her.
18:58I'm not crazy.
19:00Me neither.
19:02Do whatever you want.
19:05Pupillo, this has to be.
19:07And this one has a little bit left.
19:21Manuel.
19:28Work.
19:30You arrived just in time.
19:32You were missing.
19:35Actually, I arrived yesterday.
19:37Now I come from Lujan.
19:40Well, if you arrived now, it means you left early.
19:46Yes.
19:48Yes, that's right.
19:54Is something wrong?
19:59No.
20:01No, nothing's wrong.
20:04I think I should go to the studio.
20:08Yes, yes, of course.
20:10Don't worry, come.
20:17See you later.
20:27You and I have a conversation pending.
20:39That's right.
20:47See you later.
21:03I guess you know what I'm going to talk to you about.
21:09I know Jan and you are brothers.
21:11I know.
21:13And yet, the two of us have decided to shut up these days.
21:16And to act as if nothing had happened.
21:18Well, I had decided to take the first step.
21:21If I saw that you didn't.
21:23Well, you were going to let me out of the room without saying anything.
21:26Yeah.
21:28You see, Manuel, it's just that ...
21:30I've started to think that ...
21:33Maybe you were disgusted when you found out.
21:36Disgusted is not the word.
21:41Surprised ...
21:43Yes.
21:45Not for less.
21:48I needed time to assimilate it.
21:52I understand you.
21:54It's an easy story to summarize.
21:56Imagine.
21:58To think that you are the son of some people.
22:01That your origin is one.
22:03And suddenly ...
22:06Everything is a lie.
22:08Yes.
22:10Everything is a lie.
22:11Look.
22:14It's like ...
22:16If you wanted to throw the foundations of a house.
22:19Pretending that they will stand.
22:22It seems impossible.
22:25It is.
22:29And that's why now ...
22:31I'm a different person than I was before.
22:33A better one.
22:35I want to think.
22:37And all thanks to Jana.
22:39Yes.
22:41Thanks for having her as a sister.
22:49Has she changed you so much?
22:52Jana is the best thing that has happened to me in this life.
22:56Yes.
22:59I have always thought that ...
23:01That the captain has never loved me.
23:05And my mother ...
23:07The poor woman.
23:09She couldn't give me much love.
23:11But Jana did.
23:13In fact, I would tell you that ...
23:15I have not been more lucky ...
23:17Than being with her.
23:20The same thing happens to me.
23:24How do you say?
23:27That Jana is the best thing that has happened to me in life.
23:30I also have my secrets, cousin.
23:38You ...
23:40You and Jana ...
23:43Yes.
23:45Since the first day the promise came.
23:48When we saw each other in the gardens and neither of us knew what to do.
23:52And you ...
23:54You and Jana ...
23:56Yes.
23:57When we saw each other in the gardens and neither of us knew who the other was.
24:01No.
24:03No, no, no.
24:05You're kidding, right?
24:07I fell in love with her from the first moment I saw her.
24:11So ...
24:13Jana and you ...
24:15Are you together?
24:20Yes.
24:22But it hasn't been easy to get here.
24:25Before we had to go through a marriage that made no sense.
24:31Because of my accidents.
24:33Even because of this stupid war.
24:37But nothing has managed to separate us.
24:41Now I understand why he told you that we were brothers.
24:45We have tried to keep it hidden, but we have not always succeeded.
24:51Well ...
24:53It seems that you have succeeded.
24:59You and my sister are dating.
25:03Sooner or later, something more than that.
25:09We are going to get married.
25:13Are you going to get married?
25:16Yes.
25:18Wait, you don't mind that I'm your sister's fiancé?
25:23No.
25:25Two of the people I love the most are going to be together.
25:31It can't bother me.
25:34It's just that ...
25:37I'm going to need some time to get used to it.
25:40To assimilate it, yes.
25:47Here it is, doctor.
25:49The fever doesn't go down and it's hard for him to breathe.
25:56Dr. Guillén says he has a cold that attacks his lungs.
26:00And why are you calling me then?
26:02Because I wanted your opinion.
26:05The effectiveness of Dr. Don Emilio Palomino is known throughout the region.
26:10And I was calmer.
26:12There, on the table, you have the medicines that Dr. Guillén sent you.
26:29Actually, I proposed to her before we went to the front.
26:33So all those letters I saw you write weren't just for your family?
26:38No, most of them were for her.
26:43And I say, during all this time in the trenches,
26:47didn't you think about telling me?
26:50Curro, I swear I wanted to tell you many times.
26:56I didn't want to compromise her.
26:58I see.
27:01I understand you, yes.
27:02Yes.
27:05You see, Manuel, I also have to tell you something.
27:09Something I wanted to tell you.
27:11It seems we interrupted.
27:15No, no, no, nothing important.
27:18Right, Timo?
27:21No.
27:24In fact, I'm leaving.
27:29Curro.
27:33Cousin.
27:34Cousin.
27:35Julia.
27:38Julia has already told me that you apologized.
27:42That's right.
27:43And I think you accepted it with pleasure.
27:45That's right.
27:46Besides, I also had a lot of guilt.
27:48I was also tired of the war.
27:51Well, that's in the past.
27:54The point is that to make you forget my bad ways,
28:00I have thought of making it up to you.
28:03Oh yeah?
28:19You say that Plato wants to learn,
28:22and that we don't mind teaching him one thing or another.
28:25Well, the truth is that today I didn't want to learn any particular Plato,
28:28but something else.
28:30A dessert?
28:31No.
28:33I want you to help me, all of you,
28:35to make a gala menu.
28:39Sure, we'll do it.
28:43That dinner would be for something special.
28:46A birthday, a handshake.
28:49Yes, my husband wants to make a dinner for businessmen
28:52with whom he wants to do business.
28:54And do you know more or less how many people it would be?
28:57Yes, around 20.
29:00A menu for 20 people.
29:05And do you know the tastes of those gentlemen?
29:08No, but since many of them come from far away,
29:11I would like them to serve products from these lands.
29:15And what do you think of hunting meat?
29:18I don't think it's a bad idea.
29:20What dishes would you suggest?
29:23A gala menu for 20 people.
29:25Men, above all.
29:27I don't think anyone will come with their wives.
29:30Say something, any dish you can think of,
29:33and point to Vera.
29:35It's not that simple, ma'am.
29:37A gala menu is not decided in a breath.
29:41You have to think it over.
29:43That's right. Besides, the rushes are not good, counselors.
29:46This is not preparing the recipe for a dish.
29:49We have to think of a menu, as a whole.
29:51I see.
29:53I really didn't imagine it would be so complicated.
29:59I'm thinking of several ideas that I think you might like.
30:03Uh-huh.
30:05How about preparing smoked salmon canapés with cheese cream and caviar?
30:09If you don't like caviar, you don't have to.
30:11No, I've never liked it.
30:14And mixing it with salmon seems like a good idea.
30:17To continue, some chicken sandwiches with a sauce called curry.
30:21They eat it in India and it's delicious.
30:23Besides, it would add an exotic touch to dinner.
30:26Good, so there's variety.
30:28For starters, I propose mushroom cream with centeno bread croutons.
30:33I would flavor it myself with mint.
30:35And the croutons, being crunchy, would give it texture.
30:38Could be.
30:40I can think of two main dishes.
30:42Coq au vin with truffle mashed potatoes.
30:45More chicken?
30:47Yes. The difference is in the truffle.
30:48We have a delicious truffle from Camañas.
30:51It's a beautiful village in Teruey.
30:53But if you don't like it, we can prepare a grilled lamb loin
30:57with mint sauce and asparagus risotto.
31:00Look, the Italian touch never goes wrong.
31:03As you can see, what we're doing is preparing a classic menu with modern touches.
31:08Yes, I see it perfectly.
31:11And for dessert, what do you think?
31:14Crème brûlée with a touch of lavender.
31:18Lavender on a plate.
31:21Yes, it gives it an exquisite touch, I assure you.
31:25I didn't know lavender was used in desserts.
31:28Well, yes.
31:30And if you tell me the sparkling wines you have in your winery,
31:33I can recommend you a better marinated wine for dinner.
31:39Well, the truth is, young man,
31:42not knowing what to recommend a moment ago,
31:44this wine has taken a menu out of your sleeve in an instant.
31:58Come on, Shantos.
32:00Open your mouth, this medicine will do you very well.
32:04You'll see.
32:12Can I come in?
32:14Yes.
32:16Just a few drops.
32:20That's it.
32:25I've been told another doctor has come to see you.
32:28Is he worse?
32:30No, but he's not better either.
32:33And his fever doesn't go down.
32:36So I had Dr. Palomino come, he's a doctor from the region.
32:41And what did he say?
32:42Well, he sent you this medicine,
32:45which seems to work better and should improve in a short time.
32:50May God hear you.
32:53Yes.
32:56I wish when my son Feliciano was so bad,
32:59I would have brought other doctors to treat him.
33:02But I didn't.
33:06Don't worry about that, Mrs. Arcos, it's useless.
33:09No.
33:10No.
33:12We didn't do anything.
33:14And we allowed that butcher to operate on him.
33:17That's not true, of course things were done.
33:20Although, they were still done late and badly.
33:23Which is the same as not doing anything.
33:25And we didn't know that the doctor who sent to bring her,
33:28Mrs. Marquesa, would behave that way.
33:30He kills himself, he's a criminal.
33:33And he treated Feliciano without any kind of examination.
33:36Yes.
33:38But I'm sure that since Mr. Curro operated in another way,
33:42of course, yes.
33:47But as I say, it's not worth turning around.
33:50You have to look forward.
33:53Forward.
33:59There's no other way.
34:05No.
34:07It's good that you've looked forward.
34:09And that soon you've forgotten, Teresa.
34:12For God's sake, don't start with that again, Mrs. Arcos.
34:15Life goes on.
34:17No, it doesn't.
34:20My life is tied to my son Feliciano's account forever.
34:23While yours changes.
34:25And what did he want me to do?
34:27That I stay single for life?
34:29No, not that.
34:31But not that you'll get married so soon.
34:33You have such a poor memory.
34:37I swear I haven't stopped thinking about him.
34:39Don't.
34:41Don't say his name.
34:43I swear I haven't stopped thinking about him.
34:45Don't say it!
34:47I'm not going to repeat it.
34:51You know, the only thing,
34:54the only good thing about Feliciano's death, Teresa,
34:59is that I can't marry you.
35:02Because you would have made him a disgrace for life.
35:08Now go.
35:12Go.
35:34Yes.
35:37Yes, General, don't worry.
35:40No, no, no, no.
35:42I assure you that we can't be the origin.
35:44You have my word.
35:47I already told you that's impossible.
35:50Well, because the raw material we use is of the highest quality.
35:54Excuse me, sir. Would you like some coffee with milk?
35:58Yes.
36:00Yes.
36:02No, no, no, General.
36:04The process of sterilization of the fruit is still in progress.
36:08They ripen, they ripen several minutes a day.
36:12That's why I'm telling you that the origin can't be our jam.
36:15Sir, how many terrones do you want?
36:19My General, we have several people supervising the process every day.
36:24That's why you have to help me.
36:27If you deny that our jams have something to do with the poisoning of those soldiers,
36:33of course, of course, I would know how to pay that favor with interest.
36:38Always at your disposal, my General.
36:42If you had the kindness to let me know if there were any news,
36:46at your command, my General.
36:49Goodbye, goodbye.
36:51So, Captain, do you want a terron or two?
36:54You're an idiot, aren't you?
36:56Excuse me?
36:58Do you know what this is?
37:00A phone.
37:01And do you know what it's for?
37:02To talk.
37:03And haven't you been told that when a man is talking, he must not be interrupted?
37:07You don't even know that?
37:08I thought...
37:09Don't think so much.
37:11Focus on following orders. I don't think it's that difficult.
37:14I'm sorry. I'm sorry to have bothered you.
37:16Well, you have.
37:18I was having a very important conversation and you couldn't think of anything else but to bother me.
37:22It won't happen again.
37:23Of course it won't happen again.
37:24Because as this is repeated, I will personally make sure that you are fired.
37:28Do you understand?
37:29Yes, sir.
37:31Get out of my sight, come on, I don't want to see you.
37:32But I haven't put the seal on it yet.
37:44It's cold.
37:46It will be useless.
37:50You have barely told anything about that request for help.
37:53There is not much to tell.
37:55Well, daughter, there will be something.
37:58Did you have a good time?
38:00He was excited.
38:01Right, Pelayo?
38:02Yes, they brought a good orchestra and we met old friends.
38:06What is this about some journalists and even a photographer coming to this house?
38:11What are you saying, Cruz?
38:12What you are hearing, dear.
38:13Here your daughter and the count intend to bring a journalist to interview them.
38:17They want to take pictures all over the palace.
38:20Is that true?
38:22How is it true?
38:24Do you think I'm making it up?
38:26I don't know how you dare to say something like that without our consent.
38:29Can I speak, Cruz?
38:31Of course, speak.
38:33Let's see how you justify this insensitivity.
38:35First of all, you asked us for permission, Milla Pelayo,
38:38when you quoted that journalist who started the persecution against us.
38:42Dear, I'm not the one who has to give explanations here.
38:45Of course, of course.
38:47I'll give them to you.
38:49Well, let's try to solve this misunderstanding.
38:52This misunderstanding has nothing, Alonso.
38:54Let me speak.
38:59Those journalists must be guessed because neither Pelayo nor I have given the yes to that interview.
39:04They just made us the proposal and Catalina said from the beginning that she wanted to think about it.
39:09And she pretends to believe me.
39:10It's the truth.
39:12But seeing how she has put herself, I'm craving that interview.
39:14I think I'm going to say yes.
39:16This is a provocation, Alonso.
39:17Are you listening?
39:18Let's see.
39:19I don't think we should worry about an interview.
39:22So you think it's okay?
39:24What I'm saying is that we've been isolated here for months,
39:27without social life.
39:28Maybe it's even good for us that the press comes.
39:32I'm just saying that I have to be informed about what is going to be done in this palace.
39:36Well, it's been informed.
39:38And I'm sorry to contradict you, Father,
39:41but Cruz should be worried about the visit of those journalists.
39:44And why is that?
39:46Because I plan to tell everything I think about you.
39:48And how he has treated me during these years.
39:50That's enough, Catalina.
39:51Don't you dare bring any journalist to this house.
39:58No.
40:24Teresa, are you okay?
40:26Yes.
40:27Yes, yes.
40:28Yes?
40:30And then why are you crying?
40:32No, I was just removing a stain with aguaraz and ...
40:37and the steam got into my eyes.
40:41I see.
40:43You can keep lying to me, Teresa.
40:46But you don't fool me.
40:47You don't fool me.
40:56Mrs. Arcos has rejected me again.
40:59A good rebuttal, son.
41:02Has it been because of the job?
41:04You don't listen to that woman.
41:05She's a whore.
41:08It has been because of Feliciano.
41:11Is he still throwing you in the face that you will marry Marcelo?
41:17And he has told me very ugly things.
41:20You see, that woman has a very poisonous tongue.
41:25Do you know what I do when I start to let go of Billy?
41:28Of what?
41:30Well, I start to make very difficult accounts for myself.
41:33I start to add 63 with 45, for example.
41:37And this takes up so much vice that I don't think about what you're telling me.
41:43I wish I could do something like that, but I don't think I can.
41:47Well, this is getting up.
41:50What do I do?
41:52Well, no.
41:53Not because I came to tell you something very urgent.
41:56What happened?
41:57Well, your husband, who was serving coffee to the captain of the Mata,
42:00and he had to do something that was getting him upside down.
42:04Why?
42:05Well, because he interrupted her while she was talking on the phone.
42:09And what did the captain tell him?
42:11Well, about you being less handsome.
42:13That's why I came to tell you, to cheer you up a little.
42:15And to correct you, to see if you don't get in trouble.
42:18Thank you very much for letting me know, María.
42:20We've been together for a long time.
42:22Well, yes.
42:23But that's why you have each other.
42:26That you're married for a reason.
42:46Have you put a good ham bone in the broth to give it substance?
42:49A very beautiful bone.
42:51That broth brings back a dead man.
42:53Oh, don't say those things, Candela.
42:54They give me a lot of bad luck.
42:55It's a way of speaking, Simona.
42:57It's a young man.
42:58I'm sure he has a big cold.
42:59Look at you, in two days we'll have him around here, giving it all.
43:01And then we'll regret that he recovered so soon.
43:05Hello.
43:06Has the Duchess of Carria already left?
43:08Yes, thank God.
43:09Because when that woman is here, I can't do anything in the kitchen.
43:12Thank God.
43:13Because when that woman is here, I can't do anything in the kitchen.
43:16Well, what dish did they teach you today?
43:17No, I didn't want a specific dish today.
43:19Today I wanted a whole menu.
43:22Well, I don't know what your cooks will think,
43:24but of course I don't think they'll find it very funny.
43:26Well, imagine that.
43:27As if now the Marquess would start to plant herself in the kitchens of other palaces
43:32and get interested in her dishes.
43:34That would leave us in a good place.
43:37And then they got a menu that she liked?
43:39Well, Lope has started to talk with his golden beak,
43:42and we've come a long way.
43:44Yes, boy, it's worth a little bit.
43:46They got a menu from La Manga, the sea of apañado.
43:49Well, let's see if he prepares it for us one day.
43:55Do you have any ice left?
43:56Some are left.
43:58The pantry, along with the fish they brought from the village.
44:01Well, let a maid add a good piece in a jug of water to Santa's room.
44:05Hasn't the boy's fever gone down?
44:07Nothing, not even a pinch.
44:09He's making a very tasty pusherito, with a good ham bone.
44:12Well, later I will try to make him take it,
44:15although it will be difficult because the fever has him completely numb
44:18and it takes work until he takes the medicines.
44:22Do you want me to go see how he is?
44:25You, and what are you going to do?
44:27Send him one of your magic remedies?
44:31Maybe I can help him.
44:33Yes, of course.
44:34Like the medicine you sent to my son helped him, right?
44:40Doña Petra, Feliciano was very weak.
44:43And the remedies don't work miracles either.
44:45I could see that with my son.
44:47Go if you see him.
44:49So you don't want me to go?
44:52No, of course not.
44:55Let a maid add ice to Santa's room.
45:05What a pulse you have.
45:08This is nothing.
45:09You should go work as a miniaturist.
45:12They are able to paint a picture in a grain of rice.
45:15In a grain of rice?
45:17Let's see, as entertainment it's fine, but ...
45:21I don't know if it's the most practical thing to decorate a wall.
45:27Do you have a favorite painting?
45:30Or a special painter?
45:32No, there are so many that I like.
45:35I see.
45:37Well, I think my favorite painting would be the birth of Venus.
45:41I saw it once in a photograph in a magazine and I was dazzled.
45:45By Botticelli, yes.
45:46Yes.
45:47Beautiful.
45:48I would love to see it for real.
45:49Well, I'm afraid I'll have to wait because it's in Florence.
45:52And with Italy at war, it's not a good time to travel.
45:54I see.
45:55Let's see if that damn war is over, really.
45:59Did you know that Botticelli also painted part of the Sistine Chapel?
46:03Well, I had no idea.
46:05Well, it's just that ...
46:06Well, the subject of art is quite ignorant, really.
46:09It's hard to learn.
46:13Julia, Martina.
46:15Do you remember that this morning I told you that I was going to compensate you for being so grumpy?
46:20Of course.
46:21One does not forget things like that in a house where there is nothing to do.
46:25Well, the promised is due.
46:28This is the compensation.
46:33A remedy against wrinkles?
46:35You're not going to compensate us with that because I don't have any at the moment.
46:38No, not this one.
46:39Look at this one.
46:42I don't understand.
46:43Let's see.
46:45I've taken care of everything necessary to play the bandit.
46:49We'll set up a challenge in the garden and we'll be able to do a tournament.
46:51Challenge Pelayo, Catalina, Manuel ...
46:53Hey, I've never played, but I think it's a lot of fun.
46:58And you, Julia, have you ever played?
47:02Yes.
47:03Just once.
47:05Well, you'll see that we're going to have a great time playing.
47:09And if you don't know, I'll show you.
47:17It's true that I did everything I could.
47:19But Feliciano was very sick, so I don't know what I could do to save him.
47:23Didn't you tell Marimandra or is she like that?
47:26But if you are convinced that I am to blame for the ...
47:29for the death of his son.
47:31And they have been in charge of repeating it to me several times.
47:34That woman is resentful of the world.
47:36That's why she says those barbarities.
47:39But I wish I could have saved Feliciano.
47:41What do I tell you that you don't listen to him, Leñe?
47:44Santos has more tractors and more venous than usual.
47:48That's true.
47:50It's true that he has taken a lot of credit for that boy.
47:52Look how far.
47:53He even went to look for another doctor to examine him.
47:56But yesterday Dr. Guillen came to see him.
47:58Well, nothing. She went to look for another doctor today.
48:01And do you know who paid her?
48:03Her?
48:04Exactly.
48:05From her own pocket.
48:07When she has seen Marimandra or something like that.
48:10For someone who was not her son.
48:12It's pretty weird.
48:14So you don't listen to what she tells you.
48:16Because she is lost.
48:20Now.
48:21Yes.
48:44Well, Father, here we are.
48:48But if you are going to recommend me for the ...
48:50Wait, Catalina.
48:51You still don't know why I called you.
48:54Sit down.
48:57You're right, I'm sorry.
49:00I thought that after the discussion with Cruz I was going to throw a rag at you.
49:04No, I'm not going to do that.
49:06Although I didn't like what I saw.
49:07I don't like to argue either.
49:09Neither with Cruz nor with anyone.
49:12I want to think about that.
49:14Someday we will talk about that.
49:16But not today.
49:17So why did you call us today?
49:21Come in, Lorenzo.
49:23We are all here.
49:24Sit down.
49:25And that?
49:27Is this meeting going to last long?
49:28I hope not.
49:29But I don't think it's welcome for you to be standing and we sitting.
49:33Okay.
49:35But be brief.
49:38I'm waiting for a phone call.
49:41Be careful.
49:45I just want to tell you that I have made a decision about the jam business.
49:50What decision do you have to make?
49:52The business is going perfectly.
49:53Really?
49:55And then why have we had those problems with the army?
49:58We are not responsible for those intoxications.
50:00What intoxications are you talking about?
50:02It doesn't matter, Catalina.
50:03I'll get to the point.
50:06I have decided that the business will go back to Catalina and Pelayo.
50:20I have decided that the business will go back to Catalina and Pelayo.
50:40Curro.
50:41Did you want to see me?
50:45I have something to tell you.
50:47Is that what you wanted to tell me before you got to Julia Martínez?
50:52Yes.
50:53Yes, that's right.
50:55Good.
50:56Come on, I'm all ears.
50:58You'll see, Manuel.
51:00You have been honest with me.
51:04Telling me about you and Hanna.
51:08And I have to be honest with you.
51:11Is that okay?
51:13Honest with who?
51:14Is that okay?
51:16Honest with what?
51:18There's...
51:20There's something else I haven't told you.
51:24And I can't keep hiding it from you, so...
51:30Hanna and I are brothers, yes.
51:35But from different fathers.
51:45And what do you mean by that?
51:50That I have a brother.
51:54Yes, a brother with whom I do share a father.
52:01Good.
52:03And who is it?
52:10It's you.
52:12Manuel, you and I are brothers.
52:23I sent for another doctor who prescribed a different specific.
52:27But why did he do that?
52:29Isn't it clear to you?
52:31At the very least, you should have consulted me.
52:33Don't you think there's a calm atmosphere in the palace?
52:36Do we think it has something to do with the fact that the Duchess of Carril is not visiting us today?
52:40Well, I'm not going to tell you no.
52:43But let's see, what's going on with this lady?
52:45It's outrageous to have her here, but she's not going anywhere.
52:49If this infidelity reached my mother's ears, her marriage would be broken.
52:54And both would be devastated more than they already are.
52:57You can be calm.
52:59We're not going to hurt them.
53:02Yes, but then how are you going to get to the origin of what happened to your mother?
53:06How are the visits of the Duchess of Carril going in the kitchens?
53:09Fine.
53:10Fine, ma'am.
53:11The Duchess shouldn't have a complaint.
53:13I want to know what's going on in those painstaking meetings in Petra's office.
53:17How are the husband and wife doing?
53:20I only receive complaints from everyone because of him.
53:23That's why I can't do anything else but consider my son Santos' warnings.
53:27He insists that Marcelo is not prepared to perform the functions of a lackey.
53:31We bought a badminton game.
53:33That's right.
53:34And I don't know why he's being delayed.
53:36And that's why I want to go and ask if something has happened.
53:38Do you want me to go with you?
53:39I was thinking of going for a walk.
53:42Better. I've been sitting all day and it would be good for me to stretch my legs a little.
53:45You have made this decision exclusively to punish me for the distance between us.
53:50This decision has nothing to do with what is happening between us.
53:53I don't intend to punish you, Cruz.
53:55It's not a personal matter, it's business.
53:57Well, you're making a very serious mistake.
53:59One more and I'll be ready.
54:00Nothing new under the sun, dear.
54:02Well, if you do that, I don't think there will be a next time.
54:04This is not working, Marcelo.
54:05If you don't pay attention to your tasks,
54:07the only thing you're going to get is for the truth to come out and for everything to come out.