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00:00What's going on, Inés? Why did you call me so urgently?
00:03It's Laurita.
00:04Laurita what?
00:07She's gone.
00:08Gone? Where?
00:09To a friend's house? A boarding school?
00:11No, Germany.
00:14Germany?
00:17No, that can't be.
00:19Yes, yes. Look, find out for yourself.
00:21I'm going to the airport.
00:23No, no, no.
00:24I'm going to the airport.
00:25No, I'm going to the airport.
00:27I'm going to the airport.
00:28Find out for yourself.
00:32I'm going with Celia.
00:34We're leaving for Germany this morning.
00:36I'll call you later.
00:39This...
00:42Laurita couldn't have written this.
00:44This is a goodbye.
00:47She's on her way and we haven't even been able to talk.
00:50Didn't you talk to her last night?
00:51No, because when she got back from Madrid-Cabaret,
00:53I was already asleep.
00:55And not this morning?
00:56No, because she hasn't slept here.
00:58I guess she packed her things and left without making any noise.
01:04It's obvious she didn't want you to wake up
01:06so you wouldn't have to explain what she was going to do.
01:11I've lost my sister forever.
01:12No, that doesn't have to be like that.
01:15Laurita suffers a very hard blow,
01:17but I'm sure she'll recover and go home.
01:20Uncle, Laurita is very hurt by everything that happened to Agustín.
01:24And if she's gone, it's because she doesn't want to see me again.
01:26You don't have to look at it from a certain perspective.
01:29We're still her family, Inés.
01:32This is all my fault for letting myself go.
01:35Our actions have consequences, Inés.
01:37And you should never have fallen in love with your sister's boyfriend.
01:41I know. I know, but...
01:44If only I had let myself talk to her, then...
01:48It's obvious she hasn't seen the right time.
01:52And now we have to respect her decision.
01:55But what if...
01:57What if she never comes back?
02:01Inés, I'm not going to lie to you.
02:05Only time can heal the wound Laurita has right now.
02:09Only time.
02:12But I can't do anything to make you feel better.
02:15Uncle, I'm not going to work today. I don't feel well.
02:20Take the time you need.
02:25We want to tell you that we're waiting.
02:28For what? For a transfer?
02:30If you say so, they won't find out.
02:31Cheer up a bit.
02:33Hurray! Hurray! News!
02:36We're going to have a child!
02:38And that's why we're going to invite you to drink whatever you want!
02:41Well, well, well...
02:42Let's see, we can't invite everyone because we don't have money.
02:45If they're happy for us, that's enough.
02:48I don't know, say it in a calmer way.
02:50Comrades, comrades.
02:51In a reasonable amount of time,
02:53we're going to increase the family in one member,
02:56and it will surely be a female.
02:59Tini, my love, you sound like the Minister of Government throwing a party.
03:03Son, we've been here for half an hour, and I have no more ideas.
03:06We have to think of something else, because they have to believe
03:08that it was now, right now.
03:11What's wrong?
03:12I was just saying.
03:14The usual. When you're happy, you're happy.
03:18The usual. When you get married,
03:20all the tension and romanticism is over.
03:23Well, no, none of that.
03:25Actually, we were talking about my pregnancy,
03:27because we're going to have a child.
03:29Congratulations!
03:30Surprise!
03:31And you say it with that funeral face.
03:33But it's the most beautiful thing in the world!
03:35And it is, and it's a blessing.
03:37Although this face is because...
03:39It's because it involves a great responsibility.
03:42And of course, everything was very sudden and...
03:44No, don't worry, Trini.
03:45I'm sure that over time, you'll get the idea.
03:48Besides, I'm sure that working in a tea salon,
03:50instead of coming with a loaf of bread under your arm,
03:52it would rather have to be an ogaza,
03:54the creature will come with a tray full of pasta.
03:58Are you sure you're pregnant?
03:59If you've only been married a few days.
04:03Well, these things are noticeable, woman.
04:05Well, I'm sure you've already done the toad test.
04:07The frog. What's that?
04:10Well, the toad, it's very simple.
04:12The alleged pregnant woman lies down
04:14and has to put a toad on her belly, or a frog,
04:16depending on where she jumps.
04:18If she's on the right, she's pregnant.
04:21Well, I think it's for one or the other.
04:23What are you saying, Elia? It has nothing to do with that.
04:26Maybe it's not exactly like that, Miguel,
04:28but what you surely need is a batraccio,
04:30a croc-croc,
04:32which can be a frog, a toad, a toad,
04:34call it whatever you want.
04:35It can be found in another way.
04:37Much less arduous.
04:39You don't need any bugs.
04:40Look.
04:42Look.
04:45Come closer to the belly.
04:46If this turns, it means you're pregnant.
04:48My grandmother always did this, and she never failed.
04:52Come, come.
04:54Oh, Trini, she's pregnant!
04:56Congratulations! I told you!
04:58There's a croc-croc!
05:00Well, now that you say it,
05:03the truth is that I see you quite excited.
05:05I told you you have a great gut.
05:07Elias, the talk is over.
05:09Everyone to work, there are tables to attend to,
05:11and floors without barriers.
05:13Everyone to work.
05:14Yes. Excuse me.
05:16Congratulations!
05:19Where's Teresa? I want to tell her the news.
05:22I don't know. I haven't seen her all day.
05:29Well, that's it. She knows.
05:36Hi, Salvita.
05:37They told me you came to see me at Antonia's house yesterday.
05:40Did you want to talk?
05:41I had to talk to you.
05:43I guess it's about the talk I had with your father, right?
05:46Yes, just that.
05:47After you talked, it was my turn.
05:50And what did he tell you about what we talked about?
05:54He told me you had doubted his good intentions
05:57and that what he wanted was to separate us.
05:59Yes, that's exactly what I told him, yes.
06:02It's just that it's green and with handles.
06:04What surprises me is that you didn't notice.
06:06Man, I don't think my father is so twisted
06:10to set us up to separate us.
06:13No, that's because you don't know him very well.
06:16Besides, do you really think I'm going to wait two years
06:19for you to come back with your lawyer's degree?
06:21Why not? I'd wait for you as long as I had to.
06:24Yes, well, I'm not so sure.
06:26Besides, you know what they say, distance makes you forget.
06:30And in a month you've already forgotten about me.
06:32Do you trust me that little?
06:34You could trust you, Albita, but not your father.
06:37And I'm sick of him trying to manipulate us
06:40and you don't even realize it.
06:42But he just wants what's best for us.
06:44No way, he wants what's best for you.
06:46Well, not that, he wants what's best for him.
06:48And he's sure I'm not doing anything for you.
06:51You have to be very innocent if you really think
06:53he's happy that we're dating.
06:59Let's see, I was also surprised
07:01at how easily he took what was ours.
07:04That's it, all he's done is let you get excited
07:07to buy time and think of something to do.
07:11So you think he's not acting in good faith?
07:14People like your father don't change, Albita.
07:17He's been looking for something
07:19until he found a way to separate us.
07:22But the worst of all is that he's given up.
07:25Okay, but I've already told him I'm going to Salamanca.
07:28I can't back out. What do we do?
07:32Well, you'll see.
07:34But if you don't back out, I don't care if you go to Salamanca,
07:37to China, or wherever.
07:39I'm not going to wait for you.
07:41But it's only two years.
07:43Well, but two years is a lot of time.
07:45And I have a lot of plans, Albita.
07:48And you're not in them.
07:53Are you leaving me?
07:57If you don't back out, yes.
08:00I'm sorry, but I'm not your girlfriend anymore.
08:03We've been boyfriend and girlfriend at some point.
08:06I don't know.
08:08I'm sorry.
08:30Cariño, are you okay? You look tired.
08:32Yes, it's just that so much stress has passed me by.
08:36Once the danger is over, I feel exhausted.
08:39It's normal.
08:41Haven't you thought of going with Iñigo and the girl?
08:43Outside, to a motel, to rest?
08:45It's not a bad idea.
08:47Because living in that apartment is getting hard for me, Antonio.
08:50Everything reminds me of Carla.
08:52Well, soon you'll forget about her.
08:54I'm trying, but I can't help but feel
08:58that that apartment is full of bad memories.
09:01I feel that Carla is everywhere.
09:04I understand, but soon her memories
09:07won't have any effect on you.
09:09You'll see.
09:11Yes, but I'm afraid that Carla has changed me.
09:14That she has become tougher.
09:16That she doesn't have joy.
09:18No, Cariño, that's impossible.
09:20Because you have your joy deep inside.
09:22No one can take it away from you.
09:24But after so many misfortunes,
09:27I feel empty.
09:29Cariño, you just need a little time
09:32to heal the wounds.
09:35Don't go.
09:36Katrina has good news for you.
09:39Yes, I'm pregnant.
09:42She's pregnant.
09:43Well, I would have liked to tell it to me,
09:45since I'm the pregnant one.
09:47But this is everyone's home.
09:49My husband wouldn't be surprised,
09:51and neither would I, because I'm the one with the baby.
09:54Congratulations.
09:56You're in good health.
09:58Women in my family
10:00look at them twice and they're already pregnant.
10:02Well, I say that something more than looking
10:04would have had to be done by Miguelín.
10:08Come here, Trini.
10:10I hope this baby grows strong and healthy.
10:14You bet it could be the next one.
10:17You should also be happy and proud, Antonia.
10:20Really? Why?
10:21Because of how well Marta spoke yesterday at the Madrid-Cabaret.
10:24She left us all with our mouths open.
10:26And there were some very well-educated ladies there.
10:29When she got there, I was already asleep,
10:32so I couldn't see her.
10:33She had a flash.
10:35I couldn't even imagine it, Trini.
10:37Well, the same goes for politics.
10:39It would be good if there were more women in the courts
10:41and not so many gentlemen.
10:42Everything will work out.
10:43The first thing is that they let us vote
10:45and then we'll move forward.
10:47What's wrong? No one's working today?
10:49It's just that with Trini's pregnancy,
10:51we're all revolutionized.
10:53Have you found out yet?
10:54Yes, I thought so.
10:56Come on, everyone get to work.
11:02I wanted to tell you that I know you've had a hard time
11:05and that you can count on me for whatever you want.
11:08Thank you, Teresa. Really.
11:10I'm glad you're back.
11:23Inés won't come to work today.
11:25Has something happened? Is it serious?
11:28Yes.
11:32Laurita has left for Germany
11:34and her sister is very affected.
11:36But it can't be.
11:38I was talking to her yesterday
11:40and I didn't get the feeling that she was going to leave.
11:42I didn't expect anything like that either.
11:44Inés is capable of any madness,
11:46but Laurita...
11:47Laurita is much more reflexive.
11:49She doesn't know what to do.
11:52She has to feel very bad
11:54to have acted so impulsively.
11:57Did you tell her when she's coming back?
11:59No, no.
12:00I just left a note saying that she was leaving
12:02and that she would contact us as soon as she could.
12:06Well, I don't really think it's going to be a bad thing.
12:10Maybe she needs this distance.
12:13It was a snatch. I'm sure she'll be back soon.
12:15That's what I told Inés to comfort her a little,
12:18but I'm not sure it's going to be like that.
12:21Do you think she's not coming back?
12:22I don't know. She feels betrayed by her sister,
12:24which is true, and that's very difficult to accept.
12:27It's not the time she'll need to close that wound,
12:30if she ever closes it.
12:33And what's going to happen to the gramophone store?
12:35Because if Laura leaves with Celia,
12:37who's going to run that business?
12:39Well, we'll have to close it temporarily
12:41until we find a solution.
12:43I'll put a poster at the door to let our clients know.
12:47Fermín, I'm sorry you're feeling this way.
12:52Especially now that we have to think about other things.
12:57Thank goodness I have you to support me
12:59in these complicated times.
13:01There's nothing I like more than being here to support you.
13:06By the way, I've been looking at several parishes
13:09and they could get us married in a few days.
13:12I don't know, maybe it's time to think about closing a date.
13:17I'm sorry, but I don't have the head for anything,
13:21much less to make such an important decision.
13:25Of course, of course, don't worry.
13:28We'll close the date later.
13:30Thank you, yes, better when the problem with my nieces is cleared up.
13:35I'm sure everything will be solved.
13:37The girls are very united, and before you realize it,
13:39Laurita is back.
13:41I hope so, because if not, I don't know if I'll be able to sleep.
13:45Fermín, don't worry about anything.
13:47I'm here to help you with anything.
13:49Well, I'm going to take a walk around the living room
13:52to make sure everything is in order.
13:54If you'll excuse me.
14:16Today it's easier to find you in the dressing room
14:18than in your work place.
14:20It's just that with the pregnancy I'm very tired,
14:23and now that there were no clients,
14:25I don't know, I thought I'd come here to rest a bit.
14:35It's affecting you a lot, isn't it?
14:39Because with just one week of pregnancy
14:41you can't move your feet.
14:45Yes, well, it's normal to be like this at the beginning.
14:49Yes.
14:51Yes, maybe it's like you say, but I find it a bit strange
14:54that you have these symptoms so soon.
14:58You got pregnant very quickly, didn't you?
15:02Yes, the truth is that we could say that I've been lucky.
15:05We've been lucky.
15:10Is something wrong?
15:13I say it because it seems like you're not happy for me,
15:17and I don't know, you're asking me questions
15:19that, well, more than questions, seem like interrogations.
15:24Do you want to know what's wrong with me?
15:26Of course.
15:28Well, I was hoping that at some point you'd tell me the truth.
15:36The truth about what?
15:38Trini, Cañete told me everything.
15:42I know that you've been married to Miguel for a long time,
15:45and that you haven't told anyone anything
15:47to keep your job.
15:59That's true.
16:01The thing is that it was like that because we didn't have a choice.
16:07We had to keep our two salaries
16:09because neither Miguel nor I come from a good family,
16:12so we're alone, no one helps us.
16:16Trini, I can understand that.
16:19But I thought you were my friend.
16:22What's the matter?
16:23Don't we trust each other enough to be honest with me?
16:26No, of course we trust each other.
16:28The thing is that the lie had become very big
16:31long before you and I became friends.
16:33And when we started getting along,
16:35it was too late.
16:38Well, I think it was very easy, Trini.
16:41You just had to tell me four words.
16:43Miguel is my husband.
16:46I know, it wasn't that easy.
16:49For you it was much easier to keep the lie.
16:54And you didn't care that I thought
16:56I could even have something with Miguel,
16:58that I would fall into that humiliation.
17:00No, no, no, no, no, no, no.
17:02Our intention was not to hurt him at any time.
17:07What happened was pure survival, nothing more.
17:10But you've stopped to think how I can feel when I'm made fun of.
17:15That I thought you were my friend.
17:17That our friendship was sincere.
17:19Of course it's sincere.
17:21I swear that our friendship is sincere.
17:23If lying to you has been what has hurt me the most
17:26of all this, I swear.
17:28I've been a coward, an absolute coward,
17:31and I know very well, I'm sorry, really.
17:33We have behaved very badly and the circumstances have led me to...
17:37Stop.
17:41I have to think about this, Trinidad, because...
17:47If I'm honest with you, I don't know if I'm able to forgive you.
17:50No, no, no, but you have to listen to me, Teresa.
17:52You have to listen to me.
17:54From now on we will try to keep our distance.
17:57No, no, no, no, no, a moment, Teresa, no, no.
18:01No.
18:14The first thing is that you choose freely where you want to go.
18:17That's why I've looked for you these two major schools.
18:20I don't have much freedom if I only have two options.
18:23They are the best in Salamanca.
18:25Let's see, son, you choose first the one you like the most,
18:29and then you fill in the form.
18:31I don't care about either one, really.
18:34Look, I'm thinking about going to Salamanca to study
18:37and I don't understand why I have to leave Madrid to finish my degree.
18:40Have you thought about that alone
18:42or has the cleaning lady helped you reach that conclusion?
18:46Of course I've talked to Marta
18:48and she has shown me her true intentions.
18:50Wow, this girl is extraordinary.
18:52Now she can even guess my thoughts.
18:54Father, admit that not sending me to Salamanca
18:57is the best way to separate us.
18:58It hurts that you think that.
19:00I'm just trying to make you keep your promise to your mother.
19:03I'm not going to stop studying.
19:05Then I see why there should be doubts.
19:07You keep your promise and then take your life wherever you want.
19:11Look, don't get my mother involved in this.
19:13I'm sure what she wanted for me was to be happy.
19:16I had you for a more integral person, my son.
19:18Father, I'm not going to stop studying.
19:20I'm just going to do it here, near Marta.
19:22Look how hard she has hit you.
19:24I understand that you've become obsessed with her,
19:27but as time goes by, you'll get to hate her.
19:30Look, son, we've all had an obsession with youth,
19:34but none of us have married her.
19:37You're completely wrong.
19:39I'm not like you.
19:40The love I have for Marta is pure and sincere.
19:43I don't doubt it, but that girl isn't good for you.
19:46She's not our kind. She won't make you happy.
19:48Marta has a head full of birds
19:51and revolutionary ideas that take us nowhere.
19:54Believe me, son, in the long run,
19:56those women only bring problems.
19:58Look, Father, anything you say will make me change my mind.
20:01I'm not going to let you throw your future away.
20:04Father, I have to decide about my life,
20:07and the discussion is over.
20:09We'll stop talking when I feel like it.
20:12I'm still your father,
20:14and I demand the respect I deserve.
20:18You're wrong if you think I can't comment on your actions.
20:22Your mother gave up her health to bring you into the world.
20:25She never got pregnant.
20:27And I, working in our businesses
20:29to ensure a prosperous future for you,
20:32everything I do in this life, I do it thinking of you.
20:36So I think I've earned the right to be listened to
20:40and to be obeyed.
20:52I love you.
21:15Mrs. Bárbara, I wanted to give you my sincerest condolences
21:18for your daughter's death.
21:20Thank you, Mr. Fermi.
21:21The tragic circumstances of her death affect you a lot.
21:25Yes.
21:26It's the worst thing that can happen to a mother.
21:29I don't think she'll be able to get her head up.
21:31She'll have to give it her all,
21:33because life goes on, no matter what.
21:36Not for me.
21:40I don't think she'll be able to survive Carla's absence.
21:43Nothing makes sense anymore.
21:46Everything I've done lately,
21:48good or bad,
21:50I did it to protect her.
21:53It's a shame I couldn't save her from herself.
21:56Many times, no matter how much we want,
21:59we can't protect our loved ones
22:01and we can't prevent them from making mistakes.
22:04I know.
22:07But we always have to try.
22:10Although when we don't succeed,
22:12it's almost impossible to accept it.
22:15I don't have children, but I understand perfectly
22:18the terrible moments she's going through.
22:22I have to go, Mr. Fermi.
22:23I've picked up things from Carla
22:26and I don't want her to come back.
22:28Will she leave Madrid for a while?
22:31Maybe forever.
22:33I can't live in that palace anymore.
22:35Too many memories.
22:36Yes, I understand.
22:37And have you found a place to stay?
22:40Yes, in Cordoba.
22:42Yes, in Cordoba.
22:44There I have a courtyard that belonged to my second husband.
22:47A quiet place, full of charm,
22:49to spend my last years.
22:51Don't say that, Mrs. Bárbara.
22:53You have your whole life ahead of you.
22:55Yes, to think that I was wrong about my daughter.
23:00If I may have some advice,
23:02give it some time, think about it,
23:04and take your life back where you left it.
23:07Who knows what the future will be like?
23:12The most important thing is that I've solved my daughter's problems.
23:15Have you managed to sell the gallery?
23:17Practically.
23:20But I can't give you more details
23:22because negotiations can get frustrating at the last minute.
23:25Does that mean you already have a buyer?
23:27Yes.
23:28A Spanish businessman who is based abroad
23:31is the possible buyer.
23:33Well...
23:34I wish with all my heart that I make good friends
23:37with the new owner of this building.
23:39I hope so too.
23:41I'm looking forward to meeting you.
23:46I'm sorry I haven't sold the gallery to you or the tenants.
23:50But any friend of Iñigo Peña Albert is my enemy.
23:54Mrs. Bárbara, of course you have the right to negotiate with anyone,
23:58but it seems to me that your words are being a bit excessive.
24:03My daughter is rotting underground, Mr. Fermin.
24:06No.
24:07I'm not being excessive.
24:10In fact, I'm being careful.
24:14I could end that marriage in many ways, I assure you.
24:22But the desire for revenge ended with my daughter
24:24and I'm not going to let myself be carried away by those feelings.
24:27I'm not going to allow it.
24:33Now, if you'll excuse me, I have to go.
24:37I'm sorry you have to leave like this.
24:41If you'll excuse me, I'll walk you to your car.
24:49I'm glad I can talk to you, Marta. I'm going crazy.
24:53I'm very sorry that your brother has gone so far.
24:57I was surprised that the gramophone store was closed today.
25:01Did you talk to her yesterday at the Madrid Cabaret?
25:03Yes, but she didn't tell me anything about any trip.
25:06I didn't even know she was going around the corner.
25:09Is the note weird?
25:11No, I saw it as usual.
25:13When I left, she was talking to Celia.
25:17I guess she convinced her to go together.
25:21I wouldn't know how to tell you.
25:26What seems strange to me is that she left without saying goodbye.
25:29It's something that doesn't hit me right now.
25:32She left a note, but it's almost worse than not saying anything.
25:37You'll see how she gets in touch with you or your uncle.
25:42I don't think she wants to see me again.
25:45Don't get the worst of it.
25:47I'm sure she needs time to get over it.
25:50She should have told me about her plans.
25:53Inés, understand her.
25:55Accepting that your boyfriend and sister have something
25:57doesn't have to be easy.
25:59No, Marta. He's not my boyfriend.
26:01We just kissed.
26:03Do you think a kiss is not enough?
26:07She left without looking for him.
26:09Yes, but you didn't do anything to avoid it.
26:12Understand her. Put yourself in her shoes.
26:15Imagine it was the other way around.
26:17Your sister kissing your boyfriend.
26:20You wouldn't have sat there, would you?
26:24How could I do this to her?
26:27She's the most important person in my life.
26:30I've betrayed her.
26:32I can't live without her.
26:35Well, we'll see how she gets back.
26:38Maybe she won't come back, Marta.
26:40You have to give her time.
26:43Wait for the bad luck to pass and tell her.
26:49What if I go to Germany?
26:51Inés, how are you going to go to Germany?
26:54Are you crazy? You know the streets in Germany.
26:57You don't even know where it is.
26:59I have to do something. I need to talk to her.
27:03You're going to get all worked up until Laurita dies.
27:06The rest is crazy.
27:08I'm going to lose the house without her.
27:10You'll have to come up with the idea.
27:13I don't know if I'll be able to do it.
27:16You have no choice.
27:20Thank you for inviting me.
27:22I'm excited to have lunch with you.
27:24I'm excited to know you're pregnant.
27:26I wanted to celebrate.
27:28Sit down. I'm going to heat up the coffee.
27:33You were in a hurry to take care of Cibueña, weren't you?
27:37Yes, it was all very fast.
27:41I love kids. I've always been a kid.
27:44I'll take care of you. I'll be your nanny.
27:47We're going to need help.
27:49Miguel and I... I'm very overwhelmed.
27:53I don't know if I'll be able to do it right.
27:55Of course you will. Mothers have a natural instinct.
27:58Besides, no one is born learning.
28:03Why didn't you become a mother, Antonia?
28:09Well, God didn't want me to.
28:13And we tried.
28:15Ramón and I wanted to see the kids running around here,
28:20but there was no way.
28:24The truth is that not being a mother
28:26has been a thorn in my side.
28:29Don't worry.
28:31If you're okay with it,
28:33you'll be like a second mother to my son.
28:39The truth is that I've always felt
28:42that I had a lot of love left inside me to give.
28:48Oh, honey, forgive me.
28:50We're here to celebrate your maternity,
28:52not to put ourselves in your shoes.
28:56No, it's not that.
29:00I've been very bad to you,
29:02and to everyone else.
29:04What else can you do? You're a piece of bread.
29:07No, I'm not a piece of bread. I'm a liar.
29:11Because Miguel and I have been married for a long time,
29:16and we haven't said a word so as not to lose my job.
29:20And it's been a long time since we've been married.
29:24And I've been pregnant for several months.
29:27We've been lying for too long.
29:30I'm sorry, I'm sorry.
29:35So Leon's wedding was a lie?
29:37Yes.
29:39We made that up to announce that I was pregnant and...
29:45Oh, the coffee.
29:48Well, that's it. That's it. I've told him.
29:51And now, if he wants me to leave his house, I'll understand him perfectly.
29:55Come on, I understand him perfectly.
29:57I understand that he's angry like Teresa.
29:59I really understand it.
30:01Listen to me.
30:03First of all, I want to thank you for being honest with me,
30:07even though it's been a long time.
30:12But isn't he going to be angry with me?
30:15But isn't he going to be angry with me?
30:17No.
30:21Of course not, darling, yes.
30:24Necessity sometimes makes us take wrong paths, doesn't it?
30:28The important thing is to rectify time.
30:32But I feel very bad for lying,
30:35for keeping the lie,
30:37and because of this, now I'm going to lose my Teresa shirt.
30:40Well, it's normal for Teresa to be angry.
30:43You're a good friend, but I'm sure you'll reconcile.
30:46Well, I hope so.
30:48Because I really swear to you that for me, you are like a family.
30:53And I couldn't stand you being angry with me forever.
31:00Teresa, I'm going.
31:02No, you have to give me a hug.
31:12I called you to tell you that yesterday afternoon,
31:15Mrs. Bárbara said goodbye to me.
31:17She's going to live in Córdoba.
31:20And has she told you? Has the gallery been closed?
31:23Practically, I spoke on the phone with Emiliano Pedraza,
31:26and the deal is almost closed.
31:28I hope Mrs. Bárbara doesn't suspect the relationship she has with him.
31:31That would throw the purchase of the gallery on the ground
31:34on behalf of her friend.
31:36No, she has no idea.
31:38On that side, we can be calm.
31:41We could say that the only beneficiary of all this is Emiliano Pedraza.
31:44Because he's going to buy the gallery at a lower price than the market price.
31:48I think we all benefit from the fact that a man of Mr. Fermin's trust
31:52is the new owner.
31:54Well, yes, because apart from being my friend, he's a successful businessman
31:58and I'm sure he gives a good boost to the business of the building.
32:01And Mr. Fermin, why does Emiliano want to leave Argentina and come to Spain?
32:04He wants to start his business and start a new life here.
32:08Well, that sounds very good.
32:10I would also like to start from scratch somewhere else,
32:13although you never know if what's to come is better or worse.
32:16Listen to your instinct.
32:18When things are over, it's better to start another one.
32:24Well, gentlemen, I'm going to leave. I have other matters to attend to.
32:28Then let's say the meeting is over.
32:31Mr. Fermin.
32:33Agustín, stay. You and I have to deal with another matter.
32:37Sit down.
32:41Have you changed the detergent you use to clean the displays?
32:44No.
32:46Water, soap and a good while rubbing, as I've done all my life.
32:50Well, I don't like how they smell. It stinks of bleach.
32:53It seems very difficult to me that it smells of bleach,
32:56when I haven't even brought it close to the display.
32:59Well, I tell him to throw away the smell of bleach.
33:02What it smells of is bleach.
33:04Oh, my God.
33:05Teresa, wait a minute.
33:07What do the displays smell of?
33:09What do the displays smell of?
33:11Don't they stink of bleach?
33:16No. What smells to me is bleach.
33:18What I've told you.
33:20I really don't know why I'm asking for your opinion.
33:23It's clear that you're going to deny me even the evidence.
33:26Gentlemen, it doesn't smell weird to me.
33:31It's impossible to team up like this.
33:33And I'm really trying.
33:35But when I say white, you say black.
33:37Are you trying to drive me crazy?
33:39Look, he asked me a question and I answered it sincerely.
33:43What I think is that he enjoys contradicting me.
33:47Isn't that so?
33:48Well, I don't know, ma'am.
33:49Maybe it's just that I don't smell as good as you do.
33:51That's why I'm only in charge and not the manager.
33:54Let's see if it's going to be the bleach that I've mixed a little with...
33:58You're right.
33:59I'm the manager.
34:01And as such, I order you to find out where that smell comes from
34:05and to clean up the stench of the bleach.
34:20I've found you a wedding dress that will suit you.
34:24Let it be the last time you ask me a personal question.
34:28It's completely forbidden.
34:32Is it funny?
34:34The one who laughs last laughs best.
34:44This is the only dress that suits you.
34:46It's a black one with a pointed hat and a broom to fly.
34:50Why does it have that dog smell?
34:53You'll find out later.
34:55Well, be careful.
34:57Because it's very dangerous when it's with that smell.
35:00And you have a mania for it.
35:02It's an excuse to put it on the street.
35:04Well, look, whatever it has to be, it will be.
35:14I'm very sorry that you think that of me.
35:17I thought you were a gentleman.
35:20But the behavior I've had with my nieces
35:23is more typical of a Don Juan de Opereta.
35:26I assure you that it was not my intention to enmity Enes and Laura.
35:30You've broken Laurita's heart to the point
35:33that she has decided to leave for Germany,
35:36far from her family, without giving explanations
35:39and without setting a return date.
35:41I didn't know anything.
35:43I wish...
35:45I wish I could do something to fix this matter.
35:48You have destroyed the wonderful relationship
35:51that the two sisters had and all...
35:54All because you don't know how to control your snatches.
35:58You are despicable.
36:03Look, you're right to despise me that way.
36:06But in my defense, I can assure you
36:09that it was not my intention for this to happen.
36:11From good intentions to hell.
36:13I couldn't help but feel attracted to Inés.
36:15But I assure you that it all started and ended in that kiss.
36:19You couldn't help it?
36:21A good man has to know how to control his impulses.
36:24You are a scoundrel
36:27and I'm going to take you for the needs of the moment.
36:29Of course, Inés is partly to blame,
36:31but her behavior has been that of a real scoundrel.
36:37I assume all the blame.
36:40I'm not going to argue with you.
36:41And I'm not going to let you leave my office right now.
36:46I have nothing else to say to you.
36:57I'm sorry.
37:04You must be wanting to go back to your house, right?
37:06Now that you don't have a carcoma.
37:08Not too much.
37:10I'm tired of walking around with my things up and down.
37:17The only thing I want is to move in with you.
37:22Under the same roof.
37:24Well, don't run so much,
37:26because until we go through the bakery ...
37:30Yes, but let's see if these papers arrive soon,
37:33cancelling my wedding with Lucia, right?
37:36So we can get married.
37:42Hello.
37:43Hello.
37:44What can I do for you?
37:46Well, look, for now,
37:48tell us about what you said about the suffragette.
37:52What did Esperanza tell me? That you were very close?
37:54Well, at first I was stunned
37:57when they told me that I had to speak
37:59in front of so many women
38:01and on top of that, after Clara Campamor herself.
38:05Oh my God, what a commitment.
38:07I wouldn't have said it in my own mouth.
38:10Well, look, I thought the same thing.
38:12But then Mrs. Clara told me that all I had to do
38:16was tell my experiences and what I thought.
38:21And suddenly, it was like magic.
38:24As if the words began to come out on their own.
38:30We are proud of you.
38:32I would have loved for you to be there with me.
38:35If I have had the opportunity to speak in front of so many people,
38:38it has been thanks to you.
38:40We have not done anything.
38:42It has been you alone, with your treasure and your effort.
38:45Yes, and you are going to go very far, for sure.
38:49Because they have treated me as if I were their son.
38:52Thank you. They are like parents to me.
38:55Well, you are going to tell me the truth.
38:58Come on, to work.
39:00You have to do a lot of things. Come on, go folding clothes.
39:04And with Saldita? How was it?
39:07That the boy seemed to me that he was a bit disoriented,
39:11like a sailor without a compass.
39:13Well, I talked to him, but it didn't go very well.
39:16I told him that his father, the only thing he wanted was to separate us,
39:19and in the end I understood that the best thing is
39:22that we each follow our own path.
39:26Honey, I'm very sorry. I know you were very in love with him.
39:29No, and I am, Antonia, I am.
39:32But he will never face his father,
39:34and in the end Don Salvador will end up dating his.
39:37So the best thing is to end it as soon as possible.
39:41Of course. You are worth a lot.
39:45In addition, the important thing now is to be a teacher.
39:51Well, yes, honey.
39:52You now have the opportunity to fulfill your dream.
39:55And that's what you have to do.
40:07What's up? Have you already regretted it?
40:09No, no, no, no. Bring it.
40:11Yes, it's just two points. Really.
40:15Yes.
40:19Sorry, I think I didn't understand you well.
40:21You didn't understand? I'll explain it to you.
40:37Teresa.
40:40I've been trying to talk to you all day and you won't stop ignoring me.
40:43What do you want?
40:44I want to apologize for hiding what happened between you and Miguel.
40:47If I didn't tell you they were married, it would be because I was jealous of them.
40:50Very noble of you.
40:52I understand that you are angry with me, but I didn't mean to hurt you.
40:55Let's see, what was the second thing you wanted to tell me?
40:59That I want you to forgive me.
41:02I understand that you are angry and that you feel betrayed.
41:06But I'm just asking you for an opportunity
41:08to show you that you can trust me.
41:11Well, look, Cañete, I don't know if you deserve it.
41:16I made a very big mistake.
41:18And I failed you.
41:20But I want you to trust me again
41:22so I can show you that there will never be a secret between us.
41:27Cañete, we can't have a relationship
41:29if we're not honest with each other.
41:32I totally agree. And I'll never hide anything from you again.
41:36Teresa, I love you with all my heart.
41:39And I can't lose you.
41:42I just need you to give me the chance I'm asking for.
41:46Are you going to forgive me?
41:49You're going to have to try very hard.
41:52I'll do whatever you ask.
41:56Wait.
42:05Well, look, I'm going to tell you something
42:07that is important to me and no one else knows.
42:12And no, don't look at me like that, I'm not sick or anything.
42:20I'm going to leave the modern one.
42:22That's it, I admit it.
42:24But, Teresa...
42:26Look, it's just that Mrs. Lázara is driving me crazy.
42:29I can't take it anymore.
42:31And it's not worth losing your health for a job.
42:34But that happens to everyone here.
42:36Yeah, well, but she has it with me.
42:38And that dislike is mutual.
42:40Besides, I'm a calm person.
42:42And all this doesn't do me any good. That's it.
42:45Are you sure?
42:47A hundred percent.
42:49And besides, I don't want to be a witness
42:51to how Mrs. Lázara turns the modern one
42:53into a prison for all the employees.
42:56Well, if you're leaving, I'll hang my jacket and go with you.
43:01You'd do that?
43:03Teresa, I'd go to the end of the world on my knees for you.
43:06And carrying a piano if you ask me.
43:09I'd do anything for you.
43:15God, they're going to kick us out.
43:18So what? If we're not leaving anyway.
43:23Well, yes.
43:39Agustín, is something wrong?
43:42I've been talking to your uncle.
43:46He told me Laura left.
43:52It's been a conversation...
43:56very difficult.
43:58He hasn't stopped telling me what he thinks about me.
44:01And it hasn't been pleasant, to be honest.
44:04How are you?
44:06I'm fine.
44:08I'm devastated.
44:10I thought Laura would get over it,
44:13but she's putting half the world between us
44:16and she's left her business.
44:19I tried to talk to her last night in Madrid Cabaret.
44:22I told her I was to blame for everything,
44:25that she shouldn't be mad at you,
44:27but it's clear I haven't made it.
44:32Well, it's normal that she doesn't want to know anything about us.
44:37I think I should have talked to her first.
44:41I don't know, tell her I was starting to feel things.
44:46Well, this has no solution, no matter how much we regret it.
44:50What I don't regret is kissing you.
44:54Even if we tried to bury...
44:56Agustín.
45:01I don't...
45:03I don't want to talk about this.
45:05No, we've broken my sister's heart and I...
45:08I can't live with this guilt.
45:11But you can't deny what we feel either.
45:14But I've hurt her so much
45:17that I...
45:19I'm incapable of getting close to you.
45:25And I don't want to see you again.
45:31Are you sure?
45:34Yes. Yes, totally.
45:41I respect your decision, but...
45:46It breaks my heart, really.
45:49Yes, mine too, but...
45:52But there can't be anything between us.
45:55It's okay.
45:57You won't see me again at rehearsals.
45:59No.
46:01No, there won't be any more rehearsals.
46:05I'm quitting.
46:08You can't do that.
46:10I've been waiting for you all this time, Inés.
46:13You have to know how to differentiate
46:16what's professional from what's personal.
46:18Or you'll miss your great opportunity.
46:21Yes, I know.
46:24It's a very painful decision, but it's the right thing to do.
46:27Are you aware of what your decision means?
46:31Many people will lose their jobs.
46:34I know.
46:36I'm very sorry, but...
46:40I won't change my mind.
46:45Then I'd better go.
46:58A YEAR LATER
47:14Aren't you cold?
47:16It's getting cooler.
47:18I wanted to get some fresh air.
47:22I spoke to the porter.
47:25He told me that a young woman rented the flat next door.
47:28It had to be Carla.
47:30From there I could enter the terrace,
47:32and I could go up and...
47:34Listen to me.
47:36Don't go on, please.
47:38Carla is part of the past.
47:41We shouldn't spend another minute of our lives with her.
47:45I can't believe we don't have to worry about her
47:48or about what she's going to do to us.
47:52Well, maybe opening a bottle of wine
47:55and having dinner in the light of the candles
47:57could help you forget it.
47:59I think it's a good plan.
48:01Besides, we have a lot to celebrate.
48:03For example, Mrs. Bárbara is leaving here forever
48:06and her complaint is not going to prosper.
48:09It's normal. The police saw exactly what happened.
48:13There was no doubt that it was an accident.
48:15I went to talk to her this morning to tell her in person.
48:18And I found a woman...
48:20defeated.
48:23I hope that now that Carla is not by her side,
48:26she finds peace.
48:28Whatever happens,
48:30we will never see her again.
48:32Has she sold the gallery?
48:34Well, she's about to close a deal
48:37with a Spanish businessman who is based in Argentina.
48:40A friend of Don Fermín's.
48:42Does Mrs. Bárbara know?
48:44No, of course not.
48:47The businessman's name is Emiliano Pedraza.
48:51Yes, and apparently he wants to come to Spain
48:54to start a new life with his family.
48:56Sometimes it's good to change the subject.
48:59I'm glad you say that.
49:01Because I've been thinking
49:03that maybe we could leave here.
49:08The three of us.
49:11Wouldn't you like to leave all this behind?
49:14All the memories we have.
49:19The truth is that I feel chills every time I'm here.
49:23And when I think of Carla's disappearances.
49:26Clarita would be very happy.
49:28It would help her a lot to move on
49:31with everything that has happened to her.
49:33It has been hard for us.
49:35Imagine, for a girl.
49:37I see that you are very clear.
49:39But it will be difficult to leave.
49:42Here you have the Madrid Cabaret
49:44and you have to run your business.
49:47That's another thing I wanted to tell you.
49:50I've been made a very interesting offer
49:54for the place.
49:56Really?
49:58Yes.
50:00And you're going to be surprised
50:02when I tell you the name of the person
50:04who wants to buy me the Madrid Cabaret.
50:12Do you know anything about Marta?
50:14She hasn't come to clean.
50:16She asked me to tell you not to waste her.
50:18She won't come today, nor tomorrow.
50:20She won't come back to the bookstore, Salpita.
50:22Before you sign, I have to talk to Clarita.
50:24Well, after everything that has happened
50:26I want her to feel involved
50:28and know that we were going to take her into account.
50:30I think it's a very good idea.
50:32Shall we do it now?
50:34Now?
50:36I'm starting to lose my patience.
50:38We irrevocably resign from our jobs.
50:40The two of us.
50:42I thought we could move.
50:44Go somewhere else.
50:46Where?
50:48To La Rioja?
50:50I've given up starring in the opera.
50:52And how did you do it?
50:54Well, not very well, to be honest.
50:56But it's what I had to do.
50:58What did you have to do?
51:00For whom? For you or for Laurita?
51:02If I had a son, I would be proud
51:04that he would look at such a glamorous,
51:06honest, brave and exemplary woman
51:09like Marta.
51:11She's laughing at me.
51:13Because if that's the case, she's digging her own grave.
51:15I would be satisfied with one thing.
51:17With knowing exactly
51:19what you feel towards me.
51:21I never thought you and I
51:23would become good friends.
51:25And much less I imagined that losing you
51:27would hurt so much.
51:29But that's how you have become
51:31someone essential to me, I swear.
51:33Forgive me, please.
51:35Teresa, say something, for God's sake.
51:37I can't take it anymore.
51:39I've been dismissed.
51:41But what nonsense is that?
51:43Cañete and Teresa?
51:45I understand that Teresa has not just assimilated
51:47working under your orders, but Cañete.
51:49I think they're a couple.
51:51Now, the idea is born more from her than from him.
51:53What do you want now?
51:55I want to tell you something very important.
51:57And if you tell me where it is, I'll go where I came from.
51:59Well, if it's so important, tell us.
52:01I can't tell you anything
52:04But he speaks like a lawyer.
52:06Yes. I don't like this.
52:08Has something happened?
52:10There's news about Laurita. I've talked to her.
52:12Hurry up, it's urgent.
52:14Do you want to marry me?
52:18I've heard things here.
52:20I'm sure I'll leave it in good hands.
52:28Wait, don't sign.
52:31Why not, Matilde?
52:33Now we don't have to fear anyone
52:35and we don't have to worry about anything.
52:37I have doubts.
52:39For another reason.