• 3 months ago
Transcript
00:00You
00:30I'm paying back or kitchen time time me why and who's I and come to come here
00:39Get
00:41Go come me
00:43Oh
00:45Good to plan time
00:48The trouble
00:54A trouble is more than I can
01:05Hey
01:15Oh
01:42My way love
01:43Yeah, but around our compromise make a loss of my when I come from dog myself
01:48I'm a boat piece or can run and some Kunkha cow come cause I'm got time well, I die
01:53Jack, I'm sure D
01:55No, no, I let me contact when I saw around our compromise my hero
01:59I'm I come and I'm not that he I can't I don't want that some had kept him suck. I'm a cheerleader
02:06Oh
02:11What can I
02:14Look me moon with Queen
02:26Who shy Max a yak I put him young row pen Nangfah
02:32Come I can't sound so on our way
02:35Oh
02:50Yeah, I'll tell you
02:56Queen young Rowney who won't be in time
03:05Sadi ha ha ha ha ha ha ha ha ha ha
03:35Oh
03:54I know
03:56Oh
04:02No, I'm I'm I'm I'm a
04:08Come I do see how people come I like up to me
04:11Can I people you may say Kong T-Roc I?
04:14Love hi. How do you have to come home?
04:16I
04:21Couldn't eat a suit on Coban could pull you young rotting ha ha
04:30Yeah, I don't make on fire my hair
04:39Ha ha teeny mate a top we in young row
04:44Come any kind of shopping Kong Kong
04:46I'm not happy pong
04:48then Kong push I
04:51Ha ha ha ha ha ha
04:58Do you go ahead
05:02Kong
05:04Oh
05:34Oh
06:05Good
06:09No, it's a lot now
06:11Shop what's a lot?
06:33And tomahawk a tie to my room
06:35Wow
06:46We are to make me come
07:05Oh
07:25Hey
07:35Oh
07:44Me come in right now
07:56Look what I
08:05Shot
08:09Pass on shot much way I know
08:24The conch it was
08:26waiting to meet your home
08:29Don't it don't be poop or Kong
08:32Toma got on me clue. Koi. Oh, boom. Boom. He's I
08:36for you and job got on leave hasa meal out of what
08:41none cousin Chai
08:44Love who you young girl out to me. Oh god. They took on to it. Oh, ain't on my car. You can't tell what I mean
08:49When I know you make that say hi
08:51I
08:55Know what young mate a push I Conan Tiana to your sweet. I'm not one
09:10So Simon can't have a push I've been an easy money
09:22Oh
09:31Look what you put so one meet an um, Pa
09:38No, no, I you know, yeah, I'm here
09:41I
09:47Don't be alone yeah
10:11I
10:42I shot by Lilliput now. Yeah, but I may be me
10:52Now you're gonna go
11:02Hey
11:11Yeah
11:23Yeah, I'll find a gala
11:26Yeah, no, it's not a phone. Hi. Yes. I'm a constant. Hi
11:29Home, I'll reach out. How nice am I? Yeah, I'm good. It's a brilliant job. Come on
11:34What's up, man? Oh, yeah, I need a lot. I don't leave son. I'm kinda white
11:37Clearly but I don't need me who can't tell I
11:40Do what I don't time I don't serve you. Come on. How did you say phone call?
11:44Come on, come on, come on. Come on. Come on. Come on. Come on. Come on
11:51Yeah, yeah
11:54Why don't I got a chance?
11:56Okay, he don't watch an old king Mahan. He can't in my life
12:01Which I am. I was one of our way
12:07Ying-ying Ruto Amiri king not lose him. I have a share no, I don't love him
12:21So you call me on
12:23Come on
12:36He says I put my to the family house or quite
12:40Then the shot good mark me here. Yeah, I got him a
12:43Tune to the Shiva. How are you? He's I
12:47Can you go?
12:49What?
12:52Then couldn't ha
12:54You have been plugged in there
12:58I don't go back. I'm not a son. I
13:01Can eat I don't call you. Thank you. Can you tell me who's last year?
13:05Ah
13:36Why do you want to get on the bike?
13:40You're not on the air. I leave on the road. So I don't go here. What do you like to be bored now?
14:06You
14:25Sorry, cut
14:27It at my Naka when he been both side up to the moon
14:31The kayak jump jump my leg such a time. I took a lot like I said, I don't know that good
15:01Oh
15:31Sorry
16:01Oh
16:31Oh
16:33Oh
16:59Good
17:03Yeah, I am
17:07Then get the nose up here
17:27So what's that home night
17:29No, I don't need it. I don't need it. I'm not gonna fight it
18:00I
18:12Don't like it. I'm a nice I want to talk about the home for get home
18:17Go go go. I'm tired. I'll have the whole hog. I think I go home with you
18:23Yeah, I'm a good idea. I'm an idea. I don't know why
18:26I
18:31Ha ha
18:33Yes, yeah, I'm a car
18:35We'll go home. Yeah, I'm bummer. Oh, yeah
18:38Oh, yeah, I'm not gonna come back home. Yeah. Yeah, I'm in a lab. Oh, yeah
18:42When not I'll be in a nap. I'm up. Come on. I don't know the summer
18:47Oh
18:50Yeah, I'm a do you know homie
18:52Don't I say you got crazy hunting in a long time me, huh?
18:55How's a high time? I'll hold on. I'm coming up. I'm great. What can I do to turn it up?
19:01No, come on. Hey, huh?
19:03Many of our people who are not a matter
19:08Tony got a variety of fight. Oh, no, no, I'll be love
19:12How about you know, I'm eating a nap. I'm Jerry pie. Yeah, that's her. I'm gonna leave some food. I don't know
19:17what happened
19:19from cough
19:21When you come in, I'm gonna have
19:30Can you watch a hot girl your porn on him? Hey, I just I'm gonna hang out
19:41Oh
20:11I
20:41Oh
21:11Yeah
21:41Oh
22:11I
22:15Think I'm a long call
22:19When I have one who Charlie people are good
22:21Hi, baby. I'm ma
22:24Got that my dialogue
22:26Boy, I'm a lawyer. I don't know
22:38What do you have for me
22:42Who from where I can't hear you or him on a cup
22:45I don't go over here. He could I don't have my luck up
22:48He can't go near the summer. Let him out. I'm a sapper Scott. I like that much. I'm a coach here. No, come here. Oh, yeah
22:56No, yeah, man, oh, oh, yeah, but I'm a young to put him and see a park or tell none
23:01Oh
23:10We're here I am I'm a mama
23:12Lampana honey, I think what's a minute. Yes, a lot. Yeah, give me my love. I got a happy lot
23:18He would have home to my one. He's wrong. My cup of honey. What the hell
23:23Oh, let me tell my dad
23:32They open Oh
23:49Happy look I made a joke. I got it. Well, I'm back up. Sure. I'm gonna get it. I have
23:54He'd like I had choice
23:57Come on, come in
24:01I
24:31Think
24:41But you'll make up I can't eat here. Oh, I don't have to tell you
24:55Who's a poor guy?
25:01I
25:31Can't
26:02Yeah, I'm gonna have to get a
26:04Mojo, I'm I know
26:07Okay, go over. I don't mean I got to talk home
26:09Long balloon. It's the power. I'll know I'm gonna die. I'm gonna open to get a gun. How many?
26:15No, I couldn't have one. Do I have a cop and we try?
26:19For Tony, yeah, me new muck. I won't talk. I'm close. I'll tell you nine. Oh, yeah, I'm Chuck
26:24Yeah, he made what how to me. But yeah, I don't die
26:28That I know maybe I can come and do that
26:33Hey, come on, I'm gonna come back. Okay. Why don't open time? Hey
26:39People
26:41People may ship with Hong Kong. I don't know now. Hey, I don't do that. I think that I
26:45I
27:45Will you come on up? I don't know. I don't get it. I'll be home by
28:15You
28:45You
29:04When the PIA here, I'll sign up for me
29:16If you do it, I'm not gonna get that yet
29:20He's a really bad man. I don't think he got my
29:24Key, but maybe he's on time. Okay
29:32Come go. I'll just be a panthera. Come on
29:37He had come on out
29:40He's a vampire took one
29:43Young like I said, I'll show you young man toys. I didn't mean by that. I'm done
29:54Come on, man, I'll be like
30:01Get the D
30:12You
30:26Let's come on come on. I'm back. I'll go away. I'll talk to you. I don't need
30:31You
30:37Don't need
30:39Mopo Saman, then you're done
30:42Come on, come to look in my don't me die eat
30:45Who y'all got that? I'm a cow. Yeah, come on. Go to bed. That's fine
30:51Go procodure my thank you. I got a choice. I'll add he I
30:53I
30:57Grow up with a yoke toad I
31:00Cause a spice or God
31:06The Tony so I'm going to nice I got up John come back to the white
31:24They have a lot of money my mind my mouth up
31:30When I'm done that
31:33Man, I am to all just I find back and I look so tight
31:37Man, I'm not going around crazy night. I'm a yoke. I
31:41think
31:43I
31:50Don't make fun choice, I am some of the panic
31:58How could I die he actually made you to need one
32:13You
32:43You
32:46Hey
32:59Whoa
33:02Don't want him a child a
33:05Lot of Saman. Oh, no, please. Oh, come on. Do it. I'm T. Moon song. Yeah. Yeah, she would play a mood
33:13He'll catch a choice. Oh, yeah. Oh, yeah. Oh, no. Oh, no. Oh, no. I'm gonna get white
33:22You have that you mean yeah, but I'll be a human I am a god
33:35Yeah, I hope I'll get kind of joy my heart
33:38Uh, baby, I got home yet, but I'm a
33:46High king of the eye
34:00By gonna
34:08You
34:19Hey, Chuck, I'm a cop. Oh, yeah, no, but I like a guy
34:23Chuck's on a no-makeup. Oh, they can't be quack. I got it. I know I'm wrong. I like that
34:33When I saw a d car
34:38No, it's right
34:42What people who hi, huh, but I know you can't make it go later. Hey, Chuck, my son. Come on
34:49Come on, Chuck. I'll be right behind me
34:54Come on, huh
34:56No, I'm here. No, you can't make it. Oh, yeah. Fuck. What way to meet him?
35:00Hey, huh? Yeah. Hey, Chuck. Yeah, quite a bit. Come on. Let's go
35:03That happen I a cyrus, yeah, it's not that in a car. Yes. I like a truck. Come on. Get my car. Yes
35:25Come on, I do come there
35:27Do
35:29We can come and I'll run my top
35:31But I say you're super Chuck took time to hear the young la what am I talking?
35:35They don't put you can imagine y'all don't even keep I can't wait who are you?
35:39Oh, yeah, oh, yeah, don't fit in on the loop. Oh, don't go now. I'm just what I like up
35:46We can come and I'm having a chat with you see a horn do me, sir
35:51I
36:21Oh
36:51Oh
37:21Oh
37:51No, I'm popular. Oh, yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah
37:57Gone talk long time to come cry here. Yeah. No, I'm Peter. I know who tied up our
38:01Mama, no, I'm a young man. Oh my good. I'm Chuck. They were good by the China. Can I Morgan? Oh
38:07I'm gonna talk long. Can what the happy China? No, no
38:11My love to my love who do it on him?
38:14I
38:17Put it to get gunshot pop it up. She with a known
38:21Consummate each other. No, I know
38:24That's a park I come up and hope for TV. I come up and turn on a pin on top. I can't eat up
38:30Sure, Turk. Well, if he won't be coming on Jim
38:33Come I took time T. I don't get to cope up. Hi
38:36Don't cry. I've been knocked out by time to come Lekha. That's an on kid. What took one?
38:40I
39:10Enough.
39:11What?
39:12Let's wait and see.
39:15Let's wait and see.
39:16No.
39:21P'Phong.
39:22P'Phong.
39:24Are we really going to do this?
39:32Who invited White?
39:33No.
39:38No.
39:39No.
39:41No.
39:42No.
39:43No.
39:44No.
39:47She's here.
39:48She's here.
39:49She's here.
39:50She came so early.
39:51The promotion probably won't be that bad.
39:54She's here.
39:56Hurry up.
39:57Hurry up.
40:03Have you been waiting for a long time?
40:13Oh, it's you.
40:16Is this your man, Swag?
40:18No.
40:22Then why...
40:27Because we made an appointment.
40:33No, it's not you.
40:36I made an appointment, but not today.
40:44So you remembered the wrong day.
40:46I knew it.
40:48Why is everyone so excited?
40:50I'm sorry for being rude to you on the wrong day.
40:54I'm waiting for an important guest.
40:57But never mind.
40:59Since you're here,
41:01I heard that you contacted O-Ten at Hua Hin
41:06to blame that housekeeper.
41:08You must have been obsessed with stealing.
41:12That's it.
41:15I want O-Ten to be responsible for this.
41:19Because when he saw Anon,
41:21he didn't hesitate to solve the problem.
41:25About that...
41:32I'm organizing a small event.
41:36Someone is coming to see Anon.
41:44Is that P'Pong's old friend?
41:47Probably since high school.
41:50I was shocked.
41:52I thought it was the person you were looking for.
41:55Don't worry.
41:57The person we chose is Anon.
42:00The person we chose is not that kind of person.
42:02If you want to cast him,
42:04you have to be worthy of him.
42:12Get up.
42:14Go sit over there.
42:16Where?
42:17Over there.
42:19The guest is coming.
42:25Anon.
42:29Your friend is here.
42:37Nice to meet you.
42:39I'm Nong.
42:43Hello.
42:45Please have a seat.
42:49Come.
42:51Have a seat.
42:59Have a seat.
43:05If the monk said it himself,
43:07I wouldn't care about that housemaid.
43:09It's because of Sinthai Bank.
43:11It's a big debt.
43:13O-Ten is worried.
43:15But I can assure you that
43:17that woman didn't mean to steal the money.
43:22I'll contact you back at the hotel.
43:30Since I'm your brother,
43:33that means
43:35I'm not a stranger to you.
43:37Since you're here for the wrong reason,
43:39can I ask for your permission
43:41to help decide something?
43:45I heard that
43:47you're going to build a house at Hua Hien.
43:49If there's a chance,
43:51you can change the atmosphere there.
43:53That's right.
43:55I like to play golf there.
43:57We should meet often.
44:01It's not that often.
44:05Can I bring a friend to join the band?
44:15This is the monk,
44:17Atthakari Wichai.
44:19He's my friend.
44:21We know each other.
44:23He's my brother.
44:35Please have a seat, monk.
44:47Who doesn't know
44:49the Chathwarathabuddha?
44:51You smell so good.
44:53No one doesn't know about this house.
44:55The case of embezzlement
44:57has been going on for a while.
45:05It's about a bank robber
45:07who stole money
45:09and got kicked out of the government.
45:11Who can forget that?
45:17Anong,
45:19have I ever told you about this?
45:23No.
45:25I've never told you.
45:29You're a monk
45:31and you can work for the government.
45:33That means you're good at it.
45:35But you have to prove yourself
45:37before you can work for the court.
45:39When you're judged,
45:41you'll be under a lot of pressure.
45:47Really?
45:53It's been a long time.
45:57I can't tell you
45:59because it's been a long time.
46:03He was just born not long ago.
46:05But if you go to the outside world,
46:07people will forget about it.
46:11If someone
46:13hates our family because of this,
46:17I can't force them.
46:23If you don't tell me,
46:25it means you're trying to cover it up.
46:27It's hard for us
46:29to be friends.
46:31You're right.
46:35It's good that you brought me here.
46:39Otherwise, I wouldn't know
46:41that I'm the talk of the town.
46:43When it comes to embezzlement,
46:45I can't call it embezzlement.
46:47Yes.
46:49Embezzlement
46:51is a man's habit.
46:55If I can bring my father
46:57to make amends in front of everyone,
46:59I want to do it.
47:05Other people's gossip
47:07is the same as your own.
47:17You're so lame.
47:21You're so lame.
47:39Wait.
47:47Don't worry.
47:49I promise I won't tell Chut about you being suspicious.
47:54No, I'm not worried about that.
47:58Phong told me that you're here to talk about the ring.
48:06Is it this ring?
48:08Let me see.
48:20My father didn't embezzle the money.
48:24He was just responsible for not being able to keep the money in the safe.
48:29Just like that woman.
48:35If you notice,
48:37there's an oil stain on this ring.
48:41You're not mistaken.
48:43Your ring investigator isn't that woman's mother.
48:45She's from that family.
48:48It's gas.
48:50Some people are willing to be manipulated even though they didn't do it.
48:56There are people like that.
49:04And that family
49:07used to have that ring.
49:10They gave it to their loved ones.
49:12The man promised to find a way to get the ring back.
49:21The man stole the ring from inside the room
49:24and claimed that this was the ring he found.
49:27At first, the woman was very happy.
49:30But when she found out that the ring was stolen,
49:35she felt bad
49:37and blamed herself for being the cause of the accident.
49:42So she took the ring back.
49:52She took the ring back immediately.
49:54Please give it back to the woman.
50:05She took the ring back
50:07and paid me back when she could.
50:10The only fault of that woman
50:12was her love.
50:14But now she's clear-sighted.
50:16She broke up with that man
50:18and returned the money I gave her.
50:29She didn't mean to take advantage of you.
50:35She was just trying to take responsibility for her love.
50:42It's like
50:44your father was blackmailed, right?
50:55My father was the one who took the money.
51:00He just couldn't take the responsibility
51:01to return the money to me.
51:05And it got worse
51:06when my father passed away.
51:09And he was blamed
51:12for being the reason
51:14he was in debt until now.
51:19Just like everyone here.
51:23But one day,
51:25the truth will come out
51:27that my father wasn't the one who took the money.
51:33My father had to be determined to do good.
51:35He had to be determined to do good.
51:38That's the only way
51:41to survive.
51:44Yes, father.
51:45I'll wait.
51:49Sir.
51:52If it wasn't true,
51:55why didn't you
51:57defend yourself in front of others?
52:00Because it's useless.
52:01It's useless.
52:04We can't help but have a chance
52:06to be above others.
52:09When someone does bad things,
52:11we don't wait for them to step on us
52:13to make ourselves higher.
52:18We usually want to show our good side
52:20by pointing out others' bad side.
52:25The reason is that we want to make ourselves look good.
52:29What I'm trying to say is
52:31we shouldn't be judged by others too soon.
52:43No wonder
52:45you look embarrassed in his eyes.
52:53He can't wait to beat you up.
52:59Don't you remember
53:01what you said on the train?
53:08Poverty doesn't make everyone a thief.
53:11Just like education doesn't make anyone smarter.
53:15We can't judge people by that.
53:24In fact,
53:25you look down on my wisdom.
53:30Who is it
53:32that judges others' goodness
53:34and badness?
53:38That's right.
53:40Because you're rich,
53:41that's why you look good in his eyes.
53:45What?
53:47You're a hypocrite
53:48so you think you're better than others,
53:51don't you?
53:56You're right.
53:58You're right about everything.
54:01So
54:03it's not just you
54:05who's jealous of others.
54:10Don't pay attention to what I'm saying.
54:13Sometimes
54:14I might be too self-assured.
54:18But this is not the first time
54:20that someone said bad things about you.
54:23Even though
54:25you said you're a woman,
54:28isn't that too cruel?
54:32Are you Chut?
54:34Chut is taking a shower.
54:36He's not coming down yet.
54:38Where are you going?
54:40It's Sampeng again, isn't it?
54:42Mom, he won't hear you.
54:43It's Sampeng.
54:44If he doesn't hear you,
54:45what are you afraid of?
54:47Sampeng.
54:49Sampeng.
54:55If you mean the words of…
54:56Your family
54:58also said bad things about you.
55:03You should have kept the trash
55:04from other people's mouths.
55:08Especially those who don't know you well enough.
55:11If you don't like it,
55:12you just have to let it out.
55:16Hold on.
55:18Hold on.
55:23I've heard that
55:24women like to put their worries
55:26on the sand
55:28and let the wind blow them away.
55:39Women like to do this, right?
55:49There's no sand here.
55:53Just burn it.
56:19The one who is gloomy
56:20might be me.
56:49Mr. Tha.
56:50Mr. Tha.
56:51It's bad, Mr. Tha.
56:53Mr. Tha.
56:54Mr. Tha.
56:56Mr. Tha.
56:57Mr. Tha.
56:58Mr. Tha.
56:59It's bad.
57:00He's in the tiger cave.
57:02Who's the giant?
57:03This way.
57:19What's wrong with you?
57:21You're so stubborn.
57:26It's not wrong
57:27to choose the best for yourself.
57:30It's not hard to find someone
57:31who deserves you.
57:34It's you
57:36who think that
57:37I'm not good enough for your brother.
57:49Directed by Tichakorn Phukhaotong
58:01If you think that
58:02I have a better chance
58:03to help you
58:04and get rid of your competitor,
58:05you deserve the best.
58:07You don't look like a fool.
58:09You don't want to get involved
58:10with that kind of people.
58:11I'm wondering
58:12where you got
58:13that middle-aged man.
58:15I've never thought
58:16of marrying Sa-ang.
58:17I don't want to be a middle-aged man.
58:18If you think you can fool anyone,
58:19you should continue
58:20fooling yourself.
58:22I don't want to choose
58:23a low-class man like you.
58:25I'll find you a husband.
58:28If you're not as good as me,
58:29you don't have to find one.
58:30Anong, are you okay?
58:34When you smile,
58:35you don't hit the giant's face.
58:36When you don't tell him
58:37that you don't believe
58:38that you're a monk.
58:39For me,
58:41no one
58:42can make my heart
58:43beat fast.
58:48This is how I am.
58:51It's not good enough to have someone.
58:53It's better to be alone.
58:58But even if I'm lonely,
59:00I'll be lonely to death.
59:02In the end,
59:03no one can wait for me.
59:06I want to know
59:07if it's you.
59:17I want to know if it's you.