• 2 months ago
Agatha Christie's Poirot playlist
https://dailymotion.com/playlist/x8r1g0

Soccer (Football) playlist: https://dailymotion.com/playlist/x8nz5q

Baseball playlist: https://dailymotion.com/playlist/x7wkxu

Music playlist: https://dailymotion.com/playlist/x7wkxs

Music 2 playlist: https://dailymotion.com/playlist/x878im


Umi no Triton playlist:
https://dailymotion.com/playlist/x8gx12

Betty Boop playlist:
https://dailymotion.com/playlist/x85kg0

Archie's Funhouse playlist:
https://dailymotion.com/playlist/x83psu

Action Man (2000 TV series) playlist:
https://dailymotion.com/playlist/x82ed6

Action Man playlist:
https://dailymotion.com/playlist/x81c5s

Men In Black: The Series playlist: https://dailymotion.com/playlist/x7y6jg

Super Mario Brothers Super Show playlist: https://dailymotion.com/playlist/x7xlu0

Super Mario World Playlist: https://dailymotion.com/playlist/x7x79j

Kirby Right Back at Ya Playlist: https://dailymotion.com/playlist/x7r0sn

101 Dalmatians (Disney dog animation) playlist: https://dailymotion.com/playlist/x7u52l

Category

😹
Fun
Transcript
00:00But this is not the country, my friend.
00:21The country is full of trees, and flowers, and public houses.
00:27This is a desert.
00:30I don't know why we've come all this way anyway.
00:32You found the cork.
00:33No.
00:34The cork is but the beginning of the story, Hastings.
00:38We're on to bigger things.
00:44Look at that work.
00:59Look at that view.
01:00Yes, well, views are very nice, Hastings, but they should be painted for us so that
01:08we may study them in the warmth and comfort of our own homes.
01:12That is why we pay the artist for exposing himself to these conditions on our behalf.
01:16What do you mean, conditions?
01:17It's a wonderful day.
01:20Just fill your lungs with that air.
01:22No, my poor friend.
01:23This sort of air is intended for birds and little furry things.
01:28The lungs of Hercule Poirot demand something more substantial, the good air of the town.
01:41We have got the right Eliza Dunn.
01:45We have got the right Eliza Dunn, have we?
01:47I mean, what's she doing all the way up here?
01:50That is what we are here to find out.
01:58Wonderful position.
01:59Yes?
02:00Formerly an employee of the Mrs. Yes?
02:06Formerly an employee of the Mrs. Ernst and Todd at 88 Prince Albert of the Mrs. Ernst
02:11and Todd at 88 Prince Albert Road, Clapham.
02:14That's right.
02:15I am Hercule Poirot, Miss Dunn.
02:17I have to answer my newspaper advertisement.
02:20Oh, yes.
02:21My letter, sir.
02:22I've already got my legacy.
02:23I've already got my legacy.
02:24Miss Dunn, may we be permitted to come into the house for a moment?
02:30I'm sure your employer will not object.
02:33No, she won't mind.
02:36Come in.
02:38Come in.
02:39My laugh, sir, I'm sorry, sorry, is I don't have no employer, see?
02:52This is my house.
02:53Oh, Miss Dunn, forgive me.
02:56That's all right, sir.
02:57You wasn't to know.
02:59This is part of my legacy, see?
03:02Oh, sit down, do.
03:06Miss Dunn, you have mentioned your legacy, but Captain Hastings and I, we know nothing
03:20of this.
03:21What was the ad then?
03:23Your late mistress, Mrs. Todd, was much concerned about you.
03:26She feared some accident might have befallen you.
03:28But didn't she get my letter?
03:30No, she got no letter.
03:32She got no word of any kind.
03:34Oh, dear, sir.
03:36I gave the letter to Mr. Crock.
03:38I said most particular he was to give it to me, he was to give it to Mrs. Todd.
03:43Perhaps you would recount to Captain Hastings and me, count to Captain Hastings and me,
03:48the whole story?
03:49No.
03:50And it was last Wednesday that it all, it was last Wednesday that it all started like.
03:58The stone which the builders rejected, the same has become the head of the corner.
04:05I'd been over to see my friend in Oxton and I was on my way home when a gentleman stopped
04:09me.
04:10He said he'd been asking for me at number 88.
04:14Then he told me some story about an old friend of my grandmother's in Australia leaving me
04:21a house and some money in her will.
04:23Well, I didn't believe him at first.
04:27And then he showed me this letter.
04:29It will be the stone which the builders have rejected.
04:34127 Wentworth Way, Melbourne.
04:39127 Wentworth Way, Melbourne.
04:43Well, one of them is right here, Miss Dan.
04:50Benjamin Crouchet, Attorney-at-Law.
04:55Oh, yes indeed, sir, I didn't mean to doubt you.
05:02It's just over by Acton, isn't it, sir?
05:07Oh, my good God.
05:09But before we confront that particular difficulty, there is one other...
05:12Oh, my good God.
05:13But before we confront that particular difficulty, there is one other...
05:16Oh, God.
05:17But before we confront that particular difficulty, there is one other stipulation that we should
05:21get out of the way.
05:22And what of is that, sir?
05:24Well, it's of no importance as it doesn't apply in this case, thank heaven.
05:29It's just a stipulation that you should not be in domestic service.
05:33Oh.
05:36As the madam has done.
05:38I am a cook, sir.
05:41Didn't they tell you at the house?
05:44My dear Miss Lloyd, dear.
05:50This is very unfortunate.
05:54Er, now, sir.
05:58Now, sir.
06:00That's ever so nice.
06:03Even if it is a bit out of the way.
06:07Believe I have it.
06:10We lawyers always know a thing or two.
06:14The way out here is for you to have left your employment before we met.
06:21But we have met, sir, I mean, and I haven't.
06:24Haven't you?
06:25No.
06:27Haven't you, Miss Dan?
06:29No, I...
06:34Oh, I see.
06:37Yes.
06:39You left your employment this morning, did you not, before we met?
06:44Yes.
06:46I remember now.
06:48I did, as a matter of fact.
06:50There.
06:52Now, it is imperative that you take possession of the house by noon tomorrow.
06:58In order to do that, you must catch the night train from Kings Cross.
07:02Oh.
07:03Go along, Miss Dan.
07:04I'll give you ten pounds or so for the fare.
07:07And you can write a note to your employer at the station, which I shall personally deliver for you.
07:12And explain everything.
07:16And was everything as Mr Crotchet had said?
07:20Oh, yes, and more, sir.
07:23Now, what about your luggage?
07:25All the things you had left at 88 Prince Albert Road.
07:28Oh, well, Mr Crotchet sent them on like he said he would,
07:31but they was all done up in brown paper, like.
07:34I don't know.
07:36I suppose Mrs Todd was angry with me and grudged me my bit of luck
07:40and wouldn't let him have my box.
07:43But Annie said the trunk was.
07:44Later, my friend.
07:46Later.
07:47What, my letter?
07:55Say.
07:57Say.
07:59A little muddle about your trunk.
08:02A little muddle about your trunk.
08:05Which I will straighten out with Mrs Todd.
08:07A little muddle about your trunk.
08:10Which I will straighten out with Mrs Todd, if you will permit.
08:13Oh, thank you very much, sir.
08:16Come, Hastings.
08:18We must return to London.
08:21With all possible speed.
08:28If there's nowhere you can contact the Chief Inspector,
08:32then telephone him at his home.
08:34Yes, of the greatest urgency.
08:37Tell him he should not be looking for babies.
08:39He should be looking for Simpson.
08:42Not babies, but Simpson!
08:45Sir.
09:09Sir.
09:10What's Simpson supposed to have done?
09:13Sir.
09:14What's Simpson supposed to have done?
09:16What's Simpson supposed to have done?
09:22Talking today, eh?
09:23They take a little vacance, eh?
09:27They take a little vacance, eh?
09:31It's to do with this Eliza, isn't it?
09:34No.
09:38Then it's something to do with this Australian fellow.
09:41There is no Australian fellow.
09:43Yes, there is. She told us about him.
09:49No.
09:51Oh, right, the lodger, yes.
09:53Do you remember I asked him if...
09:55Oh, right, the lodger, yes.
09:57Do you remember I asked him if he took an interest in...
09:59Yes.
10:00Do you remember I asked him if he took an interest in amateur theatricals?
10:05Yes, I do, as a matter of fact.
10:08I don't know.
10:09I don't know.
10:10Yes, I do, as a matter of fact.
10:13Why do you think I asked him that?
10:16Why?
10:18Well, making conversation, I suppose.
10:24That's because he had recently been wearing a false beard.
10:29He had a tiny trace of gum Arabic in his...
10:33What do you call it here?
10:34Sideburn.
10:35Sideburn, yes.
10:41Shh, boom.
10:42Shh, boom.
11:10Oh, my God.
11:27Arcule Poirot, who are you?
11:31Arcule Poirot, who are you?
11:35So, who are you?
11:38Sarge, there's some French gent at the door.
11:41No, no, no, no, no, I am not some French gent.
11:43I am some Belgian gent.
11:46Oh, well, well, and if it isn't Mr. Poirot.
11:48It is.
11:49Is the lady of the house in?
11:51The chief inspector's here.
11:52Mr. Poirot!
11:54Ah, Mrs. Togden-Morning.
11:55I don't know how you have the impotence.
11:57You were paid off handsomely.
11:59Well...
12:00And then look at this, we've got policemen crawling all over the house.
12:02Well...
12:03And then look at this, we've got policemen crawling all...
12:07Well...
12:08And then look at this, we've got policemen crawling all over the house.
12:09Well...
12:10And then look at this, we've got policemen crawling all over the house.
12:11Well...
12:12And then look at this, we've got policemen crawling all over the house.
12:13Well...
12:14And then look at this, we've got policemen crawling all over the house.
12:15Well...
12:16And then look at this, we've got policemen crawling all over the house.
12:17Well...
12:18And then look at this, we've got policemen crawling all over the house.
12:19Well...
12:20And then look at this, we've got policemen crawling all over the house.
12:21Well...
12:22And then look at this, we've got policemen crawling all over the house.
12:23Well...
12:24And then look at this, we've got policemen crawling all over the house.
12:25Well...

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