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00:00♪
00:30Look at the vividness of the colors.
00:33Now it looks like it was painted yesterday.
00:39Yes, yes, it is more alive now, yes.
00:44I wanted to thank you from the bottom of my heart.
00:48It has been a huge detail for my uncle Alonso.
00:53Is something wrong?
00:56No, it's not that.
01:00And why do you seem so opposed then?
01:06My parents must be returning from San Sebastián.
01:10Which means that I will also have to return home soon.
01:16And you don't feel like it?
01:18Absolutely nothing.
01:21But why? I had understood that the one you didn't get along with was with your brother-in-law, right?
01:27If I am honest with you, my relationship with my parents is not much better.
01:33And for what reason?
01:37Julia, you know you can tell me anything and I know how to keep secrets.
01:43I know.
01:46Well, come on. Sit down and tell me.
01:52And besides, the reasons to be angry with your parents are surely not very different from those of any girl your age.
02:00Like me, for example.
02:03What do you mean?
02:05You are also being forced to find a husband.
02:13That's right, but ... I ...
02:17What?
02:19That I didn't want to marry an idiot like my brother-in-law.
02:24My parents didn't stop until my sister married him.
02:28In the end, everything ends with your brother-in-law, huh?
02:31He must be an insufferable man for you to have so much affection for him.
02:39It's just ... Why do they force us to find a man?
02:43What happens? Can't we be happy alone?
02:47Better alone than badly accompanied.
02:49Exactly. And besides, looking for the perfect husband is not an easy task.
02:55He has to be a good person.
02:59He has to be nice.
03:02As handsome as possible.
03:04You have to endure it all your life, as the priest says, until death separates us.
03:11Did I say something wrong?
03:13No, no.
03:15It's just that the varnishes I used to clean the painting with irritate my eyes.
03:20Worse than cutting onions.
03:28It smells like the orange my grandmother had in the courtyard.
03:31It's a random flower.
03:32Do you remember when I was a little girl?
03:35The truth is that it is a very beautiful detail that the Duchess of Carril has given us these jars from Cologne.
03:41It brings a lady from the head to the feet.
03:44Look where it is now giving me.
03:46It's a shame that she hasn't come to the kitchens for a few days.
03:48Oh yes, because of the trip she has, yes.
03:51You have taken good care of her.
03:53The least I could do was give her a gift.
03:55She didn't have to do it, huh?
03:57That shows you that she is a very close woman.
03:59At the same time, elegant and distinguished.
04:01I could learn from her, Mrs. Marquesa.
04:04I always look over your shoulder.
04:07Could you make me an apple for Mrs. Margarita?
04:11Of course, Teresa.
04:13Red, yellow or green.
04:15Well ...
04:16Acid or sweet?
04:18I don't think she knows it herself.
04:20Apparently, a friend has told her an English saying that says that an apple a day keeps the doctor far away.
04:25Agavaramo.
04:26Well, I think it's a good advice, really.
04:28In my town there is another saying, but a little more ... stupid.
04:32And you're not going to tell us?
04:34No, no, no.
04:35Candela, don't leave us in the middle.
04:37Well, there it goes.
04:39Eat healthy and poop hard and tell the doctor to ...
04:43For God's sake, Mrs. Candela, we are in the kitchens.
04:47You are more stupid than a cement pirouette, Candela.
04:49I have already warned you, huh?
04:51That's true.
04:52The one who warns is a traitor.
04:54I have warned.
04:57And what are those fresh ones?
04:59A gift from our friend, the Duchess of Carril.
05:02To help her with the recipes for her book.
05:04Well, it's a gesture on her part.
05:06A very fishy gesture.
05:08Can I smell them?
05:09Of course.
05:10Take mine.
05:14It smells like the orange I had next to my house.
05:16Right?
05:17My grandmother also had an orange in her courtyard.
05:20Azar flower.
05:21I love it.
05:23The truth is that I find it curious that a lady is interested in this kitchen.
05:28Yes.
05:29As they say now, she is naked.
05:31Yes, but let her come personally.
05:33I don't know, the logical thing would be for her to send one of her cooks.
05:36Right.
05:37That's what we thought at first, but ...
05:39Yes, the Duchess of Carril is a housewife.
05:42She is a lady.
05:44But she doesn't look like a lady.
05:45And that's the most difficult thing of all.
05:48Yes, the truth is that it is complex for me to be one thing and at the same time not to be it.
05:52If I knew her, I would understand.
05:57Pass me one of the yellow ones.
06:00And a red one.
06:33What are you looking at?
06:35But the night is closed.
06:48I know.
06:51But I wasn't looking outside.
06:54I was ...
06:56I had been thoughtful.
06:59Have you managed to solve the problems of the world?
07:04I was hoping you would finish my shift to see you.
07:08Well, here I am.
07:10Enjoy my presence.
07:12Or you of mine.
07:15What had you so lucky?
07:18The mermaids.
07:20Come on, Manuel, we said there would be no secrets between us.
07:24I was thinking about the difficulties that having children must entail.
07:29You were thinking about paternity.
07:31In reference to your parents, the Marquises.
07:35Yes.
07:37But you know, I was also thinking about Doña Pia.
07:41That woman has buried herself in life in order to protect her son.
07:45For a son, you do what you have to do.
07:48I'm sorry.
07:49I was also thinking about Mr. Baeza.
07:52But that Mr. Baeza has no children.
07:55I know.
07:57But I was thinking about how good a father he would have been.
08:00I don't know.
08:02I think he would have been straight, but affectionate.
08:07I think both Mr. Baeza and Doña Pia are an example of generosity and dedication.
08:12I don't know.
08:14I think both Mr. Baeza and Doña Pia are an example of generosity and dedication.
08:21You know, parents bring us into the world.
08:24They raise us, feed us, educate us.
08:27Their children give everything for us.
08:30That's right.
08:33But nevertheless, do we really know them?
08:37Do we know who they are?
08:40Because not long ago I wouldn't have imagined that my father could have had a child out of wedlock.
08:48And I'm also thinking about my mother.
08:51If the image I have of her is correct or not.
08:55I mean, is she as I picture her in my head?
08:59A straight, perfectionist, inflexible woman who has never made a mistake?
09:10I guess everyone will have their lights and their shadows.
09:14And that they will not be proud of everything they have done in their lives.
09:24And us?
09:27Will we be good parents?
09:31Well, it's a bit early to think about that, isn't it?
09:35I hope not.
09:39I assure you that being a father is what I'm most proud of in this world.
09:43But I can't look forward to anything with so much strength.
09:48And especially now that I've found the perfect mother for my children.
10:00I swear.
10:02I'm looking forward to ending this whole thing with Gregorio.
10:05Meeting him, giving him the money and never seeing him again.
10:09And so being able to focus once and for all on our wedding.
10:14And I'm anxious because our new life begins as soon as possible.
10:30Do you distinguish what it is, yes or no?
10:34It's sweet, it's refreshing.
10:36And there is a mixture of floral and citrus notes.
10:40But do you know what it is or not?
10:46Lemonade.
10:48Almost.
10:50Orange.
10:52But you have it.
10:54Azar flower.
10:56Prize?
10:59The truth is that your mother has very good taste.
11:02Yes, I'm not going to deny that.
11:04The cooks are delighted with your gift.
11:07Yes, she has known how to earn them.
11:10If they really knew her.
11:13The play is coming out round.
11:15Well, since she has been so generous, she could have brought you a bottle, right?
11:19It's just that you don't have the right because you're a man.
11:22My favorite smell is your skin.
11:25I don't want any more expensive fragrances.
11:28No, even my mother would have guessed, ignoring you.
11:31Well, yes. I prefer that to what she has against me.
11:35It bothers me that everyone is so understanding with her.
11:39And above all, it bothers me that you are.
11:41Vera, I'm just waiting, you know that.
11:43Yeah, but if everyone were aware that my mother is not interested in cooking at all,
11:48much less being a friend of the service,
11:50and that she is here simply to get me out of here and take me back to the palace.
11:53As long as your mother dedicates herself to giving smiles and fragrances, we can't do anything.
11:57López is winning the cooks for interest.
11:59Yes.
12:01But that's the only thing that proves that she is a strategist.
12:04Don't believe it.
12:06Because the attitude she is having is a bit suspicious for a lady of her class.
12:10And that can cause jealousy.
12:12Your mother is not neglecting any detail.
12:15None. The passes she is giving are small and very firm.
12:18Look, Teresa has just commented today that it is a bit strange
12:21that a duchess is so interested in cooking.
12:23Vera, from a simple comment to a deep suspicion there is a very long stretch.
12:28And I'm sorry I'm not more encouraging, but we have to be patient.
12:31We have to wait and see what moves your mother makes.
12:34I hate everyone dancing to her tune.
12:37That's exactly what we have to do.
12:40Or at least pretend.
12:42I see.
12:44But I admit that I am very curious to know what your mother is like.
12:48Because so far she has only shown her kinder side.
12:51I want to know what she is like in reality.
12:53Well, you don't want to know her.
12:55Why? You only point out her flaws, but in the end your mother is doing what any mother would do,
13:00which is trying to get her daughter back.
13:02Is that so bad that you have made that woman so stingy?
13:06Looking the other way?
13:08You think it's not enough?
13:16Forgive me.
13:18No, you forgive me.
13:21This matter annoys me.
13:25Look, López, we were enjoying a very low standard of living.
13:29And no one was wondering where the money came from.
13:32Eyes that don't see, heart that doesn't feel.
13:34Yes.
13:36My father had some businesses, but we didn't ask what they were.
13:41When you have a very comfortable standard of living, what do you care about the rest, right?
13:45The thing is that I started to feel curious and I started to ask around here and there.
13:50And you found answers you didn't want to find.
13:53I discovered that behind our comfortable life there would be a lot of ruined lives and a lot of pain.
14:03It had to be very hard to discover all that, right?
14:09But it was much harder to discover what I discovered later.
14:13What?
14:16That my mother was aware of all that.
14:19And that she continued with her life as if nothing had happened.
14:23And that Mrs. Amalia de la Vera, the wonderful and charming Duchess of Carril,
14:29who has bewitched the whole service,
14:32was really selfish and a person who simply cares about her own well-being.
14:43To think that the cooks think it is the mirror where Mrs. Marquesa has to look at herself.
14:49López, my mother is no example to follow, much less for me.
14:53Everything I want to do is exactly the opposite of what she is.
14:56Everything I want to do is exactly the opposite of what she is.
15:19Really, María, you don't know how strange that conversation was.
15:23Why?
15:24Well, because Manuel told me how much he wanted to have children.
15:27And I think that's why he wants to spend time with me.
15:29Well, that's weird, woman.
15:31The same, Manuel has accelerated, but it's normal after what happened with Mrs. Jiménez.
15:36That was a low level of emotions.
15:39That if they were first on tape, that if later he had a bad achievement,
15:42that if later everything was a joke of bad taste.
15:44Let him rest in peace, but more in peace we have not been without her.
15:48María, but what are you saying?
15:50Wouldn't you like to be told off? But I have more reason than a saint.
15:55Anyway, what surprised me the most about this conversation
16:00is the concept that Manuel has of his mother.
16:03That she is worse than hell, as we all have.
16:05Well, no, he really thinks she is an example of righteousness.
16:09Come on, that she is bad for being too rigid.
16:11More or less.
16:13I don't know, I understand Mr. Manuel.
16:15Somehow he will have to justify his mother.
16:18And it's nice that he loves her with all her defects.
16:20Well, defects and virtues.
16:22But what virtues does that woman have, which is worse than hell, Hanna.
16:25Look at Mr. Manuel, his love of his son makes him see the black and white,
16:28but you know perfectly well what there is.
16:32And if it's me who is wrong?
16:35Do you need me to remind you of all the bullshit that woman has done to you?
16:38That they have not been few, and the ones that remain to be yours,
16:40that they will not be few either.
16:42Look, Hanna, mothers-in-law are like melons.
16:44They can touch you good or they can touch you bitter.
16:47And you have touched the cucumber that has nothing sweet.
16:49Yes.
16:51If I thought that woman was going to be your mother-in-law,
16:53I would have a heart attack.
16:54Well, what do you want?
16:55To suspend the wedding?
16:56That you run away?
16:57No, it's that.
16:59But you're right.
17:02Well, I'm going to have to learn to deal with her.
17:05Well, the good thing is that you already have experience
17:07putting up with unbearable women like María Mandrago.
17:10Although I think about it and say,
17:11who of the two is more unbearable?
17:13María Mandrago or Marquesa?
17:16Difficult to say.
17:17Well, that's it.
17:18That's it, let's get to work.
17:20And stop warming my head.
17:34I'll be back at lunchtime.
17:39Are you leaving?
17:43I think it's more than obvious that yes.
17:46And can I know where?
17:49To visit a friend.
17:52It seems that you are not very talkative.
17:55It also seems more than obvious.
17:57Today you are very observant, Alonso.
18:00If you want, I can bring you closer by car.
18:03I don't need it, thank you.
18:04I have a driver waiting for me at the door.
18:05Wait, don't leave me with the word in my mouth.
18:09What do you want?
18:12I had thought of something and I wanted to tell you.
18:15The postcard we received yesterday from María Antonia from Mallorca
18:19reminded me of a trip we have pending.
18:23Yours?
18:24Yes, we left it pending when you stayed in Cinta de Leonor.
18:28The marquises of Grau invited us to visit their palace in the city of Palma.
18:31Do you remember?
18:32And what's coming now?
18:34Well, we could take the opportunity to travel to the island.
18:38I'll write to the marquis to see if he welcomes us.
18:40And we could set sail in a few days.
18:42Are you seriously proposing that we go on a trip
18:44to a place where I know your lover is?
18:49María Antonia is not my lover.
18:51Look, Alonso, I'd better go.
18:52They're waiting for me and you're going to make me arrive late.
18:54See you later.
19:09Well, I'm going to reserve my perfume for when I meet my lover.
19:13I'm sure that with how smart he is,
19:15the teacher will find out first that he is a flower of chance.
19:18I don't know if he's so fine-nosed,
19:20but the story of the spider has to be told by a saint.
19:24So, did you like the present from the duchess?
19:26The truth is that the lady has a knack for it.
19:28Although Aida is sure of it.
19:29Because who doesn't like such a fresh and elegant scent here?
19:32That too.
19:34And when are you going to see your Don Carlos?
19:36At the moment there is none.
19:37I'd like to.
19:39Well, then close the bottle and stop smelling,
19:41because you're going to lose the scent.
19:42And then it's not going to smell like anything.
19:43It's true.
19:44Then it's like water.
19:45No color, no smell, no taste.
19:47Yes.
19:48I wouldn't risk it and I would start using it now.
19:51I'm sure that man is charming,
19:52but enjoy it yourself, Mrs. Candela.
19:55You're right.
19:56It's okay to think so much about others and so little about me.
20:00Now I'm going to smell orange, because I'm worth it.
20:03I'm going to send my daughter Virtudes to use it.
20:07You're worth it too, Mrs. Simona.
20:09Be selfish and enjoy it.
20:10Yeah, but I enjoy it more if my daughter uses it.
20:14What makes me happier is having her happy
20:17and also my grandson Adolfito.
20:20Besides, when my daughter uses it,
20:23she'll remember me.
20:26Oh, mothers.
20:27Always keeping their mouths shut
20:29to give themselves to their children.
20:32What am I going to do, Candelilla?
20:33I can't think of anything.
20:35There's nothing a mother wouldn't do for her children.
20:38I don't think so.
20:39A mother's love for her child is the greatest love.
20:44That's why sometimes I feel sorry for Mrs. Petra.
20:47Because she had to go through so much pain
20:50when she lost her Feliciana.
20:52And I understand that now she's trying to fill that void
20:56by taking care of Santos.
20:57Come on, Simona.
20:59Bring me a cardo, a viper.
21:03A viper that lost a child.
21:05And that void is impossible to fill with anything or anyone.
21:09A child is unique and irreplaceable.
21:18A child is unique and irreplaceable.
21:24It seems that the stain from breakfast has disappeared by magic.
21:26It has been essential to clean it without delay
21:28because as time goes by, the stain clings more to the fabric
21:32and then it is more difficult to remove.
21:36Please, Mr. Baeza,
21:38transfer my thanks to the maid in charge of cleaning.
21:40As you wish, sir.
21:42Not only because of her skill,
21:43but also because of the speed at which she solves the mess.
21:48Romulo, are you okay?
21:51You don't look well. Have you rested?
21:53No, but if I'm honest, I haven't slept all night.
21:58And why is that?
21:59There's something I can't get out of my head.
22:01I see.
22:04It's about Gregorio, right?
22:11I don't know if it will comfort you,
22:13but I'm just like you.
22:14Although I will also tell you that ...
22:17Wait, I'm convinced that he will accept the deal.
22:20But do you have any doubts?
22:22What if everything ends badly?
22:24What if that bastard hits you again?
22:26Or something worse?
22:28Do we have connected thoughts?
22:30Yes, but that is no relief, sir.
22:34As the saying goes,
22:36the evil of many comforts the fools.
22:38Yes, but in this matter,
22:39that only worries me, it does not comfort me.
22:42I see.
22:44But neither you nor I are fools, Mr. Baeza.
22:47And we know perfectly well what can happen.
22:51Yes, yes.
22:53I'm looking forward to putting an end to this matter.
22:55And me.
22:57I hope we finish all this as soon as possible.
23:00But anyway,
23:01if Gregorio has some common sense left,
23:03he has no choice but to accept the deal.
23:05Because otherwise it would be going straight to jail,
23:07or even worse, the weak link.
23:09Or fleeing indefinitely.
23:11Indeed.
23:12And none of those alternatives
23:13seems too appetizing, right, Greg?
23:15But still, it does not end up reassuring me.
23:18Neither do I.
23:20Until I meet that man,
23:22I see that he takes the money and leaves,
23:23so as not to breathe in peace again.
23:25I'm afraid the only thing we can do
23:27is to be patient and wait.
23:30Don't you remember what I told you a long time ago?
23:33There is nothing that worries me more than waiting.
23:37Excuse me.
23:42I'm sorry.
23:54I thought Mrs. Marquesa was going to eat out.
23:57It was normal.
23:58She was meeting a friend.
23:59Why would she eat with a friend?
24:01And now, to make the pisto with onions.
24:03You never told me.
24:08What makes me sad is that
24:09the rest of the family is not going to eat
24:11Brussels sprouts.
24:12But since Mrs. Marquesa came in,
24:14the rest house has been full.
24:16And you know what's going on here.
24:18Since Mrs. Marquesa doesn't eat Brussels sprouts,
24:20no one eats Brussels sprouts.
24:23You have to be careful with the pisto, Candela.
24:25I've already told Lope to put more firewood in the oven
24:27so that the vegetables are done as soon as possible.
24:32Vera.
24:35Have the gentlemen said anything?
24:36Do we have to prepare anything else?
24:38No.
24:40Be careful, girl.
24:41It's up and down.
24:42With that perfume, you're going to break the jar.
24:44Is it a gift?
24:45Of course.
24:46The gift of the Duchess of Carril.
24:48No.
24:49I don't mean that.
24:50I mean it's a gift that I make you,
24:52Mrs. Simona.
24:53Me?
24:55And why?
24:56Well, because I've been thinking about it
24:59and I've thought it's not fair
25:00that you run out of your perfume
25:01to give it to your daughter Virtudes.
25:03But I do that because I love her, girl.
25:05But you don't need so much sacrifice.
25:07Come on.
25:08Take my jar.
25:09No, no, no.
25:10No way.
25:11You've earned that jar
25:12for taking those notes so well, Tomás,
25:14and with that beautiful letter.
25:16I insist.
25:17Take it, Mrs. Simona.
25:18I'm looking forward to it.
25:19Besides,
25:20the water of chance is not my favorite fragrance either.
25:22In fact, I hate it a lot.
25:25Really?
25:26You're not lying to me?
25:27Come on, Simona.
25:28Take it at once.
25:29Thank her.
25:30Don't make her look bad.
25:34Thank you very much from the bottom of my heart, Vera.
25:36You're welcome.
25:40Let's continue with the track.
25:50Smaller cinnamon the pieces.
26:01Santos.
26:03How are you?
26:04How are you feeling?
26:05I'm fine.
26:07And the fever?
26:08Not a trace.
26:10Doesn't your throat hurt?
26:11Do you have trouble breathing?
26:13I already told you I'm fine.
26:17And that smile?
26:19What is it for?
26:21Nothing.
26:22Santos,
26:23I'm getting to know you.
26:26What are you up to?
26:31So I'm right.
26:32Tell me what it is.
26:35As you say,
26:37you're getting to know me.
26:38So you already know how much I like mystery
26:41and intrigue.
26:44I'm leaving, Mrs. Argos.
26:45I have to attend to Mr. Curro.
26:48Give it to me.
26:59Mr. Curro,
27:00Mr. Curro.
27:02Santos,
27:03what can I do for you?
27:04I just came to report.
27:06Yesterday I got back to work
27:08and I'm ready for anything you need.
27:12And how are you?
27:15Restored, thank you.
27:17As I said, I'm at your disposal for whatever you need.
27:21Thank you very much,
27:22but right now I don't need your services.
27:25I'll let you know.
27:27Are you looking for a book in particular?
27:29Do you want me to help you?
27:30No.
27:31No.
27:32I'm not in a good mood, Santos.
27:35Is there anything I can do to cheer you up?
27:38No.
27:39I'm afraid not.
27:41Unfortunately,
27:42no one can help me.
27:44Maybe if you share your worries with me.
27:47Really, Santos, don't insist.
27:49It's very considerate of you,
27:52but I don't want to pay for my bad mood.
27:54Like it happened to me with your partner, Marcelo.
27:58I'm aware.
28:00I know he made some mistakes.
28:02He just arrived and he's not familiar with
28:05some of the house chores,
28:06especially those that have to do with the treatment of the gentlemen.
28:09I noticed.
28:11It was a terrible mistake to give him the responsibility of attending to him.
28:14Even so,
28:17I think I stayed with him.
28:19Especially reporting the matter.
28:21So if you see him,
28:22apologize on my behalf.
28:26Will you do that, sir?
28:28Even if I was right,
28:30anyone can make a mistake.
28:32And I admit that my ways were not the best.
28:35So I insist.
28:36Apologize on my behalf.
28:39Take care, sir.
28:42Thank you very much.
28:43I'll let you know if I need anything.
28:47Goodbye.
28:49Goodbye.
28:51Goodbye.
29:11Miss, can I come in?
29:14You're still in bed, huh?
29:16You have to get up and finish getting ready.
29:18Otherwise, time will run out.
29:21Time for what?
29:23Well, what are you going to do?
29:24To receive the gentlemen from the press,
29:26who have just arrived.
29:27How?
29:28How?
29:29It can't be.
29:31Yes, they are waiting for you.
29:33But if we cancel the interview, girl, I'll talk to them.
29:36Well, I don't know.
29:37I have to tell them.
29:38No, no.
29:39It's impossible for them to be here.
29:42I'm telling you no.
29:43Miss,
29:44I don't know what happened.
29:46The fact is that a car just arrived with two gentlemen
29:48and one of them had a gun.
29:50I mean, it must be the camera.
29:53Go get Ángel's count, María.
29:54Escape.
29:56Wouldn't it be better if you got ready first?
29:57I'll help you.
29:58No, no, no.
29:59I have to talk to Pelayo as soon as possible.
30:01Go, María.
30:02Fly, fly.
30:03I'm running, I'm running.
30:04Faster than the wind, I'm running.
30:06Do you see the coin?
30:08Of course, we're not blind.
30:10Well, look, pay close attention.
30:13This coin...
30:16It's gone.
30:19It's gone.
30:20How did you do that, Musasho?
30:22Magic.
30:23I told you.
30:25Tell me about it.
30:26Tell me about it.
30:27Tell me about it.
30:28Tell me about it.
30:29Tell me about it.
30:30Tell me about it.
30:31Tell me about it.
30:32Tell me about it.
30:33Tell me about it.
30:34She's bringing me back.
30:36The rooms that I don't have left, the coin,
30:38it was from the sale.
30:39Don't worry, Candela.
30:40If you have it, it's right behind your ear.
30:42Yes, come on.
30:43Don't laugh at me.
30:44It's the truth.
30:49Come on, he left me like a fly.
30:51I can't even close my mouth.
30:53How did you do that, boy?
30:55Don't you believe in magic?
30:57Well, look at us.
30:58Wow.
31:04What's going on here?
31:05Nothing, I have my public under control.
31:09Teresa, has he ever done that coin trick to you?
31:12Of course he has.
31:14How could he let the slave trust this truant?
31:17Yes, the truth is that since he was a child, he was good at those tricks.
31:19I loved them.
31:21What do you mean, you loved them?
31:23But did you meet us at the house of the Duchess of Abrontes?
31:26Yes, yes, of course.
31:27Teresa and I are from the same town.
31:29But when we were little, we barely had a relationship.
31:31Although I knew all my tricks.
31:33Ah, I had no idea.
31:35Well, yes, Mrs. Simona, we were countrymen.
31:37You have to see it again, it gives you life.
31:39It gives you life, huh?
31:40I was already a little dizzy from how confused you have me.
31:44Well, I don't know.
31:45I don't know.
31:46I don't know.
31:47I was already a little dizzy from how confused you have me.
31:50Well, we were part of different groups of friends.
31:53And we hardly saw each other.
31:54And besides, I left the town very young.
31:56And fate brought us together many years later.
31:59For both of us, it was like meeting each other almost from scratch.
32:01Isn't it surprising?
32:03A lot.
32:05Don't you think?
32:06And yet, look at us.
32:08Married and happy.
32:10Well, I think we should get back to work.
32:12In addition, a visit has arrived and I am sure that Don Ricardo needs your help, dear.
32:16Yes, dear.
32:19Hey!
32:24Let's go, little girl.
32:25You're back, huh?
32:26I had forgotten you.
32:31The world is a handkerchief.
32:34Oh yes, after what happened with Feliciano, Teresa deserves to be with a good man.
32:38Let's hope Marcelo is.
32:40That's for sure.
32:42Like Calle, he leaves a lot to be desired.
32:43Maybe the problem is that the boy is in the wrong place and the work in the palace is not his thing.
32:48Maybe.
32:49Now, why is that, Mario de Teresa?
32:51If it weren't for you, I would be on the street.
32:53Nobody is perfect.
32:54Well, you and me, almost, almost.
32:57Silvana, look.
33:00Do you see it now?
33:02Well, now you don't see it.
33:05Quiet!
33:14What's going on?
33:15That's what I'm saying.
33:16What are those two journalists doing down there?
33:18Didn't we cancel the interview?
33:20What?
33:21You can see them yourself.
33:28What?
33:29I don't know, I don't understand.
33:30I warned you, I told you I didn't want to talk to anyone about the press.
33:34It has to be a mistake.
33:35Yes, we agree on that, a capital mistake.
33:37Well, calm down, Catalina.
33:39I'll calm down when we solve all this mess.
33:41Go down right now to talk to them.
33:43Someone from the newspaper had to make a negligence because I made it very clear to them that I didn't want them to come.
33:47I promise you I did things right.
33:49Good or bad, the point is that they are here.
33:51Go and tell them to leave.
33:53Please, go.
33:54I'll go down right now and solve all this.
33:57I thought all this was already solved.
33:59I know that the count of Añil called the newspaper to cancel the interview.
34:02In fact, I was present at that call.
34:04Journalists are like dogs in a prison.
34:06They don't let go of the bone once they grab it.
34:08Well, of course I don't feel good about that cancellation.
34:11They got upset because they said they hadn't had too much time off.
34:14I don't know if I should have said anything.
34:16I don't know if I should have said anything.
34:18I don't know if I should have said anything.
34:20I don't know if I should have said anything.
34:22I don't know if I should have said anything.
34:24I don't know if I should have said anything.
34:27So how much time do you need, Aunt?
34:30If you hadn't gone to the table,
34:32they wouldn't have had any problems, but they had to come.
34:35Because journalists need flesh.
34:37Well, if they haven't been invited to this house, we can always dispatch them.
34:40They will claim it is a confusion and I will accept it.
34:43But I'll tell them to leave with calm and without panic.
34:47Who are those two men at the door?
34:49One of them has had the face to address me without even introducing himself.
34:52Who would have believed it?
34:54They are journalists, mother.
34:56And you know they don't take advantage of the opportunity to ask indiscreet questions.
35:00Well, if I already knew that they were the scapegoats of the press.
35:03What I don't understand is what they are doing here.
35:05Didn't Pelayo say yesterday that they had canceled the chronicle?
35:08And did he?
35:09We saw him talking to the newspaper.
35:11Calm down Cruz, I'm sure it's a confusion.
35:14An interested confusion.
35:16Those people have shown up here to see if they can catch something.
35:19Well, they're going to go empty-handed.
35:21I will order them to kick them out.
35:23With good manners and education, of course.
35:25Yes, of course. Don't give them a chance to criticize you in their newspaper.
35:29I have no fear of them.
35:31What happens is that I'm not prepared to be seen in photographs.
35:35And I'm not prepared to answer indiscreet questions.
35:38Cruz, I think you don't have to worry about that.
35:40They don't want you to be the protagonist of their chronicle.
35:43They are more interested in Catalina and Pelayo.
35:46Let's see if what's going to happen is that those two have deceived us.
35:50And in reality they haven't canceled anything.
35:52My sister would never do something like that, mother.
35:54Calm down Cruz. It was a misunderstanding, I'm sure.
35:57A misunderstanding?
35:59Look.
36:04Let's see if the count clarifies to us what those feathers are doing there.
36:07I just spoke to Catalina. Unfortunately, it's all a mistake.
36:10And what are you going to do to remedy it?
36:13I'm going to make sure they leave the promise.
36:15Well, we look forward to your news.
36:21No.
36:31Marcelo.
36:32Have you done what Mr. Pellicer told you?
36:34Yes, I have already accommodated the journalists in the music room.
36:37They are waiting for some of the gentlemen to receive them.
36:39And has everything gone well?
36:41Well, of course. It wasn't that difficult either.
36:43Well, you know you have to be very careful.
36:45Yes. You're always going to be with the same nonsense.
36:48Well, yes. At least for a while, until you get on fire and stop making mistakes.
36:53Santos, excuse me. I have already accommodated the journalists.
36:56Do I have to do something else?
36:58They haven't told me anything.
37:00But I have a message to pass on to you from Mr. Curro.
37:03For me?
37:04Yes. He insisted that I speak to you.
37:06And what is it about?
37:08What has he done wrong this time?
37:10It's not about what he has done wrong now,
37:13but what he did during my convalescence.
37:15The gentleman has informed me of the incident he had with you.
37:19He told me that ...
37:21it was very abrupt,
37:23and that his ways were not the right ones.
37:26He has asked me to apologize on his behalf.
37:28Really?
37:30Do you see how it was not my fault?
37:32Marcelo, don't get it wrong.
37:34One thing is that the gentleman has recognized that his attitude was inappropriate.
37:37And another, very different, is that you have not made mistakes.
37:40You still have a lot to learn.
37:41But I'm ...
37:42I completely agree with Teresa.
37:44We all make mistakes.
37:46The gentleman is the first to recognize it, and that honors him.
37:49Recognize all yours.
37:52Have you ever cleaned the silver?
37:54Never.
37:56Then come with me.
37:57It's time to learn something new.
38:02Pay attention and put the five senses.
38:15Come on.
38:17This is a gratification for the inconvenience that this misunderstanding has caused you.
38:21Very grateful.
38:23And do me the favor of talking to your newspaper manager
38:26to verify that I did indeed call to cancel the interview.
38:29Do you know the name of the person who attended you?
38:32I'm sorry, but I don't remember at this moment.
38:35But I can assure you that I notified.
38:37And we do not doubt your word, Mr. Conde.
38:39Look, I understand that the pace of an editorial of a newspaper
38:42must be frantic,
38:44and that perhaps someone will forget that my chronicle had been canceled.
38:47For what you say, he canceled it with very little margin.
38:50With enough so that you did not have to move here.
38:54But well, I already tell you that I take care of this mistake.
38:56We are all human.
38:58And who knows, perhaps in the future we can carry out that chronicle
39:00that Miss Lujan and I promised to do.
39:03I hope so.
39:05Although you already know that what is news one day,
39:08the next day no one cares.
39:12Please accompany these gentlemen to the exit
39:14and help them carry their stuff.
39:16Don't worry, we'll manage on our own.
39:19We just needed you to break the team.
39:24Just a little curiosity.
39:26Miss Catalina de Lujan and you,
39:28have you decided to leave the scandals
39:30and get married again?
39:32The past is just the past.
39:34And you will find out about the future when it arrives.
39:36And the present?
39:38At what point is your relationship now?
39:41Well, let's say that we are starting a new stage
39:44after clarifying the mistakes of months ago.
39:46I guess that's why you're staying here at La Promesa.
39:49That's right.
39:51Would you welcome under your roof
39:53someone with whom you didn't get along well?
39:55Well, that's fine.
39:57In the end, you're going to do a simple curiosity,
39:59a whole interview, right?
40:01Thanks for coming.
40:02One more thing.
40:03We will be in contact.
40:05I wish you a good trip back.
40:08You're welcome.
40:27This delay is worrying me.
40:28I hope Pelayo is not having problems
40:30with those journalists.
40:32They are capable of showing up at the palace
40:34and not moving until they get what they want.
40:37Look.
40:38Well, you can show them how to do that.
40:42Catalina will need you to whisper.
40:45No, I'm the one who's on.
40:47I'm fed up with my stepdaughter
40:49getting us into her problems.
40:51A lot of people talk about independence
40:53and then drag us all down with her ineptitude.
40:55Cruz, that's enough.
40:56That's enough.
40:58Am I saying something that isn't true?
41:01I'll go talk to those journalists
41:03to see if I do something that makes sense.
41:05Are you finally worthy of doing something?
41:08They've already left.
41:10Everything has been the result of a mistake.
41:12A mistake?
41:14Let me doubt it.
41:15Those people don't give up easily.
41:17If they're here, it's to see if they're up to something.
41:19No one has done anything wrong here.
41:21It's just that the order to revoke the interview
41:23didn't arrive in time.
41:24That's all.
41:28Well, I'm leaving.
41:30Taking advantage of the fact that the palace has been cleared
41:32and that I'm not going to deal with those people.
41:35I'm leaving.
41:54For one reason or another,
41:56Salvador and I always end up postponing the wedding.
41:59It seems like they've done us a bad eye or something.
42:01Don't exaggerate, Maria.
42:03I'm not exaggerating.
42:05First, the confusion of when Salvador returned from the war.
42:08Well, he just needed time to settle down.
42:11Yes.
42:12And then, because of Miss Catalina.
42:14And that absurd rule that you can't get married if you're a maid,
42:17if there's a wedding of middlemen.
42:19An absurd rule, obviously.
42:21Yes.
42:23And then there's that fake wedding
42:25that Salvador pulled out of his sleeve.
42:27That was a coincidence of the Greek homosphere.
42:30When I thought we were on the right track,
42:33Salvador accepted that job out of the blue and ...
42:36And it worked out.
42:40Well, Maria, anyone who hears your laments
42:42is going to think that your girlfriend left you on the altar.
42:45And it's not like that.
42:46Ana is right.
42:47The important thing is that you are together and that you love each other.
42:49Yes.
42:50And that I assure you that sooner or later you will end up getting married
42:53and we will celebrate it to the top.
42:56In case I don't finish seeing the moment
42:58when I marry Salvador.
43:00Well, you'll see how soon it will be.
43:03And I don't care if it's a big or small wedding.
43:06The important thing is that we love each other.
43:09And that it's the most beautiful day of our lives.
43:13Hey, Teresa, and ...
43:15How was your wedding with Marcelo?
43:17You haven't told us anything.
43:21Well ...
43:22Well, beautiful.
43:23Beautiful like all weddings.
43:26You know, with the boyfriends, the priest ...
43:29The church.
43:32Chiquilla, but tell us something else.
43:34Some specific detail.
43:36There would be some special moment, right?
43:39Well, the truth is that it was quite simple and discreet.
43:42It turns out that a family member of Marcelo had passed away
43:45and out of respect, we didn't want to make an invitation or anything.
43:55How disgusting.
43:57So we got handsome, we went up to the parish and we gave each other the cigarette.
44:00I love you. And that was it.
44:06Well, I'm sorry you didn't have a celebration in condition, Teresa.
44:11That's not the important thing, Maria.
44:16Well, I agree with you.
44:18The important thing is that there is love.
44:20And I think there is between Teresa and Marcelo.
44:22And a lot.
44:24Well, but a wedding is a unique and very special moment.
44:27And for us it was unforgettable and very special.
44:30Although not as we thought.
44:34So a wedding is the first day of the rest of your life.
44:37The important thing is not the moment itself, but everything that comes after.
44:51Come in, come in, Sergeant.
44:53How do you say your name was?
44:56Emilio Burdina, Sergeant of the Civil Guard.
45:02I have been in command of the Luján barracks for several months.
45:05And you come to pick up Sergeant Fugner, am I wrong?
45:08Absolutely.
45:09I've heard about you, but I didn't have the pleasure of meeting you.
45:12Sit down, please.
45:18Well, what have you brought for the promise?
45:22Unfortunately, it is not a mere visit.
45:26I am on duty and I come to inform you of bad news.
45:29A tragic death, in fact.
45:31And who died? Who is it about?
45:34The correct question would be ...
45:36Who have you killed?
45:39How do you say?
45:41It's about Gregorio Castillo.
45:43Former mayor of this palace.
45:45His body was found with a shot in the chest in the old slaughterhouse.
45:51The body of the mayor of the city of Luján.
45:53The body of the mayor of the city of Luján.
45:55The body of the mayor of the city of Luján.
45:57The body of the mayor of the city of Luján.
45:59The body of the mayor of the city of Luján.
46:02Don Gregorio is dead?
46:04Apparently, his body was found in the ruins of the slaughterhouse with a shot in the chest.
46:08The dog is dead, the rage is over.
46:10I would not like his death to be related to this palace.
46:13Come on, it would be the flesh that those gazettiers need.
46:17I'm afraid your wishes will not be granted, Cruz.
46:20What do you know, Lorenzo?
46:22Apparently, the threat has disappeared, which is why Doña Pia was locked up.
46:25That's right.
46:27But you haven't told anyone that she's alive.
46:29Exactly. We have to walk on lead.
46:32We can't rush, especially now that we're so close to the finish line.
46:36Well, go with the mayor.
46:38He's the dog of the slaughterhouse, he doesn't eat or let him eat.
46:40It's not that either.
46:41Well, you tell me what it is.
46:43We have served them a collection of articles on a tray.
46:46To get in the way of telling our last name.
46:48I don't see it that way, mother.
46:50Actually, I think they have nothing to write against us, neither good nor bad.
46:54As if they needed a real story, those journalists, to make up those articles.
46:58I knew it.
46:59But I already told you that you don't have to worry about anything.
47:01It's just that I don't have the right to be respected in my privacy.
47:03Any occasion is good to drag my name through the mud.
47:06Well, let them go.
47:07Yes, but I'm fed up.
47:08What is that, Petra?
47:10I just brought you a treat, ma'am.
47:11Give it to me.
47:12Prepare a vase for the flowers.
47:14Of course, Petra. I'm going to keep them in my hand.
47:17Well, read the note, they disgust us.
47:21Petra.
47:23It's for you.
47:25I just met Father Samuel in Lujan.
47:28And?
47:29We got married in the afternoon.
47:31And there are three days left.
47:33Three afternoons, my love.
47:35I just talked to Julia and she told me something that has bothered me a lot.
47:41What?
47:43Well, don't play dumb, because if she told me, she had to tell you.
47:46Look, well, Martina, I'm just as shocked as you are.
47:48Santos, leave. Right now.
47:50But what did I say now?
47:51You know exactly what you said. Leave.
47:53Well, that woman has been in the palace for days and days too.
47:56I thought that now that you had resumed the relationship, you would have many things to tell.
47:59You think it's funny, don't you?
48:00You came to that, to make fun of me.
48:02Because I didn't know you had such fine skin.
48:04I want to talk to the sergeant.
48:06As you have said, I am one of the last people who saw Gregorio alive.
48:09And that makes me one of the main suspects, if not the first.
48:13Don't go to the barracks.
48:15Why?
48:17I have nothing to hide.
48:18You have. And more than you think.