The 1984 Italian erotic romantic drama film, directed by Salvatore Samperi, tells the story of a complex and taboo relationship between a successful woman, Patrizia, and her brother, Emilio. Emilio is an introverted, hypochondriacal youth who is also a pornophile.
Category
🎥
Short filmTranscript
00:00:30I bet he won't know any better than to experience that in the summer.
00:00:34Come along now, dear. It's not the time to play ball.
00:00:37You know the doctor said you mustn't play, Emilio.
00:00:40You must be quiet and rest.
00:00:43You've got to understand that you can't run about and excite yourself.
00:00:47Now sit down there and do your lesson.
00:00:49Or draw some pictures if you like.
00:00:52That's a good boy.
00:00:54Oh, my, how good you are.
00:00:58Papa, I don't want to draw.
00:01:11I want to play with the children.
00:01:13You know you can't, darling. You mustn't perspire.
00:01:16Dear old boring and fussy Edmere.
00:01:19Oh, just for a little.
00:01:21No, Emilio. We are going home.
00:01:28There we are.
00:01:30How's that? Not too tight?
00:01:32Can you breathe all right?
00:01:36You know the doctor wants it placed up tightly, Emilio.
00:01:40Adorable and nettling, Edmere.
00:01:42I'm sure you'll like it.
00:01:44I'm sure you'll like it.
00:01:46I'm sure you'll like it.
00:01:48I'm sure you'll like it.
00:01:50I'm sure you'll like it.
00:01:52I'm sure you'll like it.
00:01:55Adorable and nettling, Edmere.
00:01:57Now study your poetry.
00:02:25Emilio, stand up, please, while I help you put your shirt on.
00:02:29Then I'll go out with you for a nice long walk.
00:02:32Why can't you ever leave me alone?
00:02:54Adorable and nettling, Edmere.
00:02:56I'm sure you'll like it.
00:02:58Adorable and nettling, Edmere.
00:03:00I'm sure you'll like it.
00:03:02Adorable and nettling, Edmere.
00:03:04I'm sure you'll like it.
00:03:23Ah, Signorina Patrizia.
00:03:25You're still in time to see Port-Edmere.
00:03:27He's upstairs.
00:03:28How is he?
00:03:29The same as usual.
00:03:30Would you get my bags from the car?
00:03:32Of course.
00:03:36Thank you for coming.
00:03:37Don't mention it.
00:03:41Oh, Luisa.
00:04:57You'll miss her.
00:05:28Excuse me.
00:05:31I'm Franco Alessi, Emilio's professor.
00:05:34I tutor him.
00:05:35I'm here to...
00:05:36Yes, I understand, professor, but I don't think today's convenient.
00:05:38There's been a death here.
00:05:39Come back another time, all right?
00:05:40Of course.
00:05:41Well, I'll sign.
00:05:43No, no.
00:05:44What the hell for?
00:05:45What am I doing?
00:05:46Would you open the door, please?
00:05:47Of course, signore.
00:05:49Grazie, arrivederci.
00:05:52Emilio!
00:05:53Emilio!
00:05:57Emilio!
00:06:00Emilio!
00:06:01Ciao, Patrizia.
00:06:02Did I frighten you?
00:06:03Still a shadow bug, huh?
00:06:05Your professor was here, but I sent him away.
00:06:07I didn't think you'd feel like having a lesson today.
00:06:09As a matter of fact, I told him to...
00:06:10God, it's stuffy in here.
00:06:13You need some air.
00:06:14Light.
00:06:17Don't you get claustrophobic here?
00:06:23You're very pale, you know.
00:06:25Pale?
00:06:26Oh, come on, that's enough of that light.
00:06:28You didn't even go to the cemetery, poor man.
00:06:31You know, I couldn't wait to see you again.
00:06:32Couldn't wait to see me again.
00:06:35I've stayed away too long.
00:06:36You've grown.
00:06:38Is my room ready?
00:06:39Your room?
00:06:40When are you going back?
00:06:41I'm not.
00:06:42I'm staying.
00:06:43Besides, I can't leave you alone here.
00:06:45What about your studio, the factory, your business?
00:06:47I've sold it all.
00:06:48Trade name and company.
00:06:50To whom?
00:06:51To an American firm.
00:06:52They paid me a lot for it.
00:06:54Americans.
00:06:55I'm just staying on as a consultant.
00:06:57So you just decided to up and leave Venice like that?
00:06:59Well, no.
00:07:00Once in a while I'll have to run over there.
00:07:01That way you'll have a break from me.
00:07:03Yeah.
00:07:07Well, now, shall we look at my room?
00:07:09Your old room?
00:07:10Okay.
00:07:16Look at that dust.
00:07:20But what have you done with it?
00:07:21No, I was using it.
00:07:25It's become your den.
00:07:27Your refuge.
00:07:29It's also your prison, though.
00:07:31It might be a prison, but it suits me fine.
00:07:33You can go if you don't like it.
00:07:34No.
00:07:35I'm staying and changing things.
00:07:36You've got to get out.
00:07:38It's a hot, sunny day and the beach is near.
00:07:40You have to move.
00:07:41Come on.
00:07:42I don't have to.
00:07:43I don't have to do anything.
00:07:44And I want you to enroll in a public school.
00:07:45I don't like you having private lessons.
00:07:49Emilio, are you listening?
00:07:51I'm going to straighten you out.
00:07:54What a mess.
00:07:59Christ, what's going on?
00:08:00Come on.
00:08:01Get up.
00:08:02It's a beautiful day.
00:08:04That's a nice cough.
00:08:06Well, the ozone will fix that.
00:08:08I'm taking you to the beach today.
00:08:11I'm going to get dressed.
00:08:12You hurry, huh?
00:08:16You think I'm crazy?
00:08:18The sun's bad for me.
00:08:19And the sea has a crock of shit.
00:08:21You can go to the beach.
00:08:23I'm tired and I feel awful.
00:08:27Don't walk so fast.
00:08:30Breathe deeply.
00:08:32Can't you smell how good the air is here?
00:08:35I don't know how you can stay shut up in the house all day.
00:08:38I just don't get burrs in my feet.
00:08:40Oh, look at this.
00:08:42Come and see what I found.
00:08:46Wonderful.
00:08:48Wonderful.
00:08:53Hey, look at this.
00:08:58Yeah, what is it?
00:09:00Isn't it like perfume?
00:09:01Yeah.
00:09:06Look here.
00:09:08What a nice little mushroom.
00:09:14I bet it's delicious.
00:09:15I bet it's poisonous.
00:09:16Don't touch me with that hand.
00:09:18You're afraid of your shadow, aren't you?
00:09:20Yes, I'm afraid of my shadow.
00:09:22Come on, let's go home.
00:09:24It's hot.
00:09:25Besides, I don't feel well.
00:09:26I'm tired.
00:09:27No, you're not tired.
00:09:28You're simply out of condition.
00:09:29And that's the fault of Edmea.
00:09:31Poor thing.
00:09:32Edmea, Edmea.
00:09:37I think we ought to go back home.
00:09:38There are even snakes in this place.
00:09:40You could get bitten, you know.
00:09:42It's fake au poivre.
00:09:44I went to three butchers before I found them.
00:09:46Now eat it.
00:09:47It's excellent.
00:09:48And I made the sauce myself.
00:09:53I know you design clothes,
00:09:54but I didn't know you knew how to cook as well.
00:09:56I surprised you, huh?
00:09:58It's too big and undercooked.
00:09:59I'm sure it's bad for me.
00:10:01It's perfectly cooked.
00:10:02Eat it, Emilio.
00:10:06Finished.
00:10:07Good.
00:10:08You see?
00:10:17Three kilometers.
00:10:31Look at those foals.
00:10:39Idiots.
00:10:41One.
00:10:43Two.
00:10:45Three.
00:10:47Four.
00:10:49Five kilometers.
00:10:51Now I'm leaving town.
00:10:53Coming to the lagoon.
00:10:55Now a sprint.
00:10:56Faster, faster, faster.
00:10:57I'll pass them all.
00:10:59What happened in here?
00:11:00Small revolution.
00:11:01I moved everything.
00:11:03Yeah.
00:11:04Thirty-four.
00:11:06My studio will occupy that corner.
00:11:07And this part I'm planning to use as a gym.
00:11:09And the furniture?
00:11:11I sold everything this morning.
00:11:13You could have told me.
00:11:14Why? Was it important?
00:11:15No, not at all.
00:11:17By the way, do you need money?
00:11:19What's the shit for?
00:11:37I'll be right back.
00:11:59She's quite cute.
00:12:00Is she your girlfriend?
00:12:02Who?
00:12:03The one you're watching.
00:12:04Why no?
00:12:05Why not?
00:12:06I don't even know her.
00:12:07What's stopping you?
00:12:08She lives in front of us.
00:12:09She might as well live on the moon.
00:12:11You're too bashful.
00:12:19Have you seen my scissors, Emilio?
00:12:20No.
00:12:24Was that an art film you were watching?
00:12:26I see you subscribe to literary magazines as well.
00:12:30Patrizia, can't you leave me alone?
00:12:33This trash is all over the place.
00:12:37You know what we'll do?
00:12:38We'll put all these in the library.
00:12:42And look at this room.
00:12:43It's a pigsty.
00:12:45Are you listening?
00:12:46And stop playing with those lights.
00:12:48And you stop spying on me
00:12:49and telling me what to do every five seconds.
00:12:59Ode number 10.
00:13:02This passion rises up
00:13:04like the crest on a wave.
00:13:06It haunts me.
00:13:24Come on, Patrizia.
00:13:25That's enough.
00:13:26I'm worn out.
00:13:27Dance.
00:13:30All right.
00:13:31We'll rest a bit.
00:13:34Come on.
00:13:35You know I'm making you do this for your own good.
00:13:38You've got to start exercising.
00:13:39Be more active.
00:13:41Nobody ever let you move as a boy.
00:13:43I'm only doing it because I love you.
00:13:47You never do anything.
00:13:48Never go out.
00:13:49Never do so.
00:13:50Look, I'm perfectly happy with the way I live
00:13:51and I don't need anyone.
00:13:53Are you sure?
00:13:58No.
00:13:59I'm not sure at all.
00:14:01And I wonder if time's not running out on me.
00:14:03What do you mean by that?
00:14:05I was thinking I might die.
00:14:07You know that a lot of people die at my age.
00:14:09On motorcycles, for example.
00:14:11Why does it have to be on a motorcycle?
00:14:13Because only this year there were 1,300.
00:14:15Everybody thinks about dying.
00:14:17Because dying is part of living.
00:14:20But you shouldn't dwell on it.
00:14:22You mustn't let your thoughts be so negative.
00:14:25Life can be beautiful.
00:14:26You'll meet wonderful people.
00:14:28Get out and make friends.
00:14:30I know you'll like it.
00:14:32And you'll see that I'm right.
00:14:33What's so marvelous outside
00:14:34that I can't see on television?
00:14:36Now don't talk nonsense.
00:14:38What you see on television is only a part of reality.
00:14:41But the world's so foul.
00:14:43There's so much cruelty in life.
00:14:45I know that sooner or later
00:14:46something awful will happen to me.
00:14:48You've got to get out of the house and start living.
00:14:50You must, Emilio, or you'll rot away.
00:14:52Don't you think I want to go out,
00:14:54run, be able to kiss a girl,
00:14:56and be like all the others?
00:14:58I don't know.
00:15:00I don't know.
00:15:02I don't know.
00:15:04I don't know.
00:15:06I don't know.
00:15:08I don't know.
00:15:10I don't know.
00:15:12I don't know.
00:15:14I don't know.
00:15:16I don't know.
00:15:18I don't know.
00:15:20I don't know.
00:15:22I don't know.
00:15:24I don't know.
00:15:25I don't know.
00:15:55I don't know.
00:15:57I don't know.
00:15:59I don't know.
00:16:01I don't know.
00:16:03I don't know.
00:16:05I don't know.
00:16:07I don't know.
00:16:09I don't know.
00:16:11I don't know.
00:16:13I don't know.
00:16:15I don't know.
00:16:17I don't know.
00:16:19I don't know.
00:16:21I don't know.
00:16:23I don't know.
00:16:25I don't know.
00:16:27I don't know.
00:16:29I don't know.
00:16:31I don't know.
00:16:33I don't know.
00:16:35I don't know.
00:16:37I don't know.
00:16:39I don't know.
00:16:41I don't know.
00:16:43I don't know.
00:16:45I don't know.
00:16:47I don't know.
00:16:49I don't know.
00:16:51I don't know.
00:16:53I don't know.
00:16:55I don't know.
00:17:19No more aerobics.
00:17:20No more dancing.
00:17:21No more anything.
00:17:22What's the matter?
00:17:23I've got a lot of problems.
00:17:25I've got a lot of things to take care of and leave those alone.
00:17:28I can't work with you watching.
00:17:30You mind going out?
00:17:32OK, OK.
00:17:34Sorry I bothered you.
00:17:35Bano, Atelier Bano, may I speak with Rigo, please?
00:17:57This is Patrizia Viani.
00:18:05There's a call for you.
00:18:19Yes.
00:18:20Hello?
00:18:21Ah, ciao Patrizia, it's been a long time.
00:18:23Glad to hear you.
00:18:25And are you?
00:18:26Oh, I'm well.
00:18:31Why don't you come down and see me tonight?
00:18:33I'd love to.
00:18:33Yeah, fine.
00:18:35I'll leave just as soon as I finish the job I'm doing.
00:18:39You know, I not only want to see you, but I'm dying to make love to you.
00:18:44Oh, we'll see.
00:18:47I don't know what you've got in mind tonight,
00:18:48but there are some cute new models here.
00:18:50And I mean, I don't necessarily have to come alone, do I?
00:18:54No, no, by all means, bring one along.
00:18:58I won't be shocked, you know.
00:19:01Fine, I should get there about eight.
00:19:03All right.
00:19:04I can't wait.
00:19:06About eight.
00:19:08That's great.
00:19:10Ciao.
00:19:35In Ethiopia, over six million are starving and face certain death
00:19:45unless massive food shipments are received immediately,
00:19:47according to a spokesman for the U.N.'s Food and Agricultural Organization.
00:19:51The total for Africa.
00:20:06Here's the corner kick.
00:20:08Walsh to Neal.
00:20:09It's a bad moment for a switch.
00:20:10Liverpool is attacking, Neal passes and here comes Kennedy.
00:20:13He kicks and scores.
00:20:15Liverpool now leads two to one with ten minutes left to play.
00:20:27Welcome in, what's stopping you?
00:20:29This is new.
00:20:30I just wanted...
00:20:31Why did you knock?
00:20:32I just wanted to say friends are arriving from Milan.
00:20:34That's fine with me, but why'd you knock?
00:20:37Well, I don't know.
00:20:38I just did.
00:20:38Do you mind?
00:20:42You usually always just enter without knocking.
00:20:44How come?
00:20:45Must we argue over it?
00:20:49Do I have to wear a suit and tie?
00:20:50Wear what you like.
00:20:53I tell you, I can't even breathe.
00:20:54And in the middle of the seat, I've got to think of knitwear and furs.
00:20:57Imagine.
00:20:57It's positively suffocating.
00:20:59I can't bear it.
00:21:00Listen, people, I finished with raglins and tweeds.
00:21:02I can't stand them.
00:21:03They're even making them in Japan and Korea.
00:21:06And plaid.
00:21:06We could call them Ogeisha Klan plaid.
00:21:08Well, let's see if I did well to trust you.
00:21:10What have you chosen?
00:21:11I like the teina.
00:21:13Will you take a whiskey?
00:21:15Yes, thanks.
00:21:18Well, this winter, I'm pushing mohair.
00:21:19And as for the colors...
00:21:21You are.
00:21:21And who gave you that idea?
00:21:23But you know perfectly well, darling, you did.
00:21:25When are you coming back with this?
00:21:26You can't stay holed up all the time.
00:21:27It's not like you.
00:21:29Oh, yes.
00:21:29You must come back to Venice to present the collection and for the Americans.
00:21:32Yes, if you're there, everything will go smoothly.
00:21:34You can convince anyone.
00:21:35Think about it.
00:21:36But there's Roberta.
00:21:38She's perfectly marvelous and can stay in touch with me.
00:21:40I can give her the models and fabrics.
00:21:43I've always collaborated with you.
00:21:44I'm beginning to think I'm your personal shadow.
00:21:46Oh, my, we're frustrated, aren't we?
00:21:48I was only joking, but I know my limitations.
00:21:50If anyone's frustrated, it's you.
00:21:52But I like being here.
00:21:53It's my home.
00:21:54Besides, I enjoy living in a small city.
00:21:57I love taking care of the house and things.
00:21:59And Emilio.
00:22:03Hey, listen, everybody.
00:22:04I've got a terrific idea for photographing Bono's furs.
00:22:07We'll shoot all the pictures right here in these old canals.
00:22:10Besides, as you know, Venice has been photographed so often.
00:22:12And I'm crazy about this place.
00:22:14I bet you have a better reason for picking it.
00:22:17And what's that?
00:22:17Oh, Benedicta, haven't you caught on?
00:22:19Origo picked this old town because Patrice is here.
00:22:22My goodness, but you are naive.
00:22:24And Roberta, you're silly.
00:22:26When I was in Como, I found new silk designs that are really marvelous in every way.
00:22:30I was promised they would be here in a week.
00:22:32Yes, I've seen them.
00:22:33They're fantastically fantastic.
00:22:35They've arrived.
00:23:01Don't you find it dull here all alone?
00:23:03But I'm not alone. There's Emilio.
00:23:05And besides, I work as well.
00:23:07I keep occupied.
00:23:08He's always been spoiled, you know.
00:23:10He was allowed to do anything he wanted as a child.
00:23:12And I think that's been his undoing.
00:23:14Patrice, you're so apprehensive, I find.
00:23:16Are you his mother or his little sister?
00:23:18He's not a boy anymore.
00:23:20But he's certainly not a man yet.
00:23:21A man develops in his own way.
00:23:26I wonder if it's not a reciprocal want.
00:23:28I find it most enjoyable playing the mother role.
00:23:31He's always been so alone and his health hasn't been good.
00:23:34I'm sure my staying here will help him.
00:23:35Then you're going to live here permanently?
00:23:37Oh, I don't know.
00:23:38For the time being, yes.
00:23:40Then we'll see.
00:23:42Oh, I think when it comes to bad taste, you should feel it.
00:23:44Excuse me, everyone, but I'm going to bed.
00:23:45Good night.
00:23:46Good night, Emilio.
00:23:47Good night.
00:23:58Is this the room you had when you were a child?
00:24:00Yes.
00:24:01But lower your voice.
00:24:03Emilio sleeps in there.
00:24:08Come here.
00:24:09Don't rush me.
00:24:11There's no hurry.
00:24:13In that case, I'm not budging from here on out.
00:24:15I'm going to bed.
00:24:16Good night.
00:24:17Good night.
00:24:18Good night.
00:24:19Good night.
00:24:19Good night.
00:24:20Good night.
00:24:21Good night.
00:24:22Good night.
00:24:23Good night.
00:24:23Good night.
00:24:24Good night.
00:24:25Good night.
00:24:26Good night.
00:24:27Good night.
00:24:27I'm not staying here until tomorrow morning.
00:24:29Arigo, darling, you know that I like to sleep alone.
00:24:33If you want, I can leave now.
00:24:34Now, don't be silly.
00:24:36Stop pouting.
00:24:37Stay.
00:24:41Every time I see you, you're more beautiful.
00:24:43Damn, I can't wait to make love to you.
00:24:45Really?
00:24:47Speak softly.
00:24:58It's been too long, hasn't it?
00:24:59Yes.
00:25:27Perfect.
00:25:44But what is it?
00:25:46Didn't you like it?
00:25:47You want me to...
00:25:48Don't worry about me.
00:25:52You seem worried about something.
00:25:53Detached.
00:25:55No, it's nothing.
00:25:57You sure?
00:25:58You're not thinking of someone else, are you?
00:25:59Don't be silly.
00:26:01I've just felt strange lately.
00:26:02It's the heat I get.
00:26:03If you like talking, I think we should.
00:26:06Listen, I'm in love with you.
00:26:08Why don't we live together?
00:26:10Let's give it a try.
00:26:11I'll do whatever you...
00:26:12No, I'm not ready for that.
00:26:14Get dressed now.
00:26:16Do I have to go?
00:26:17Yes, please.
00:26:19I want to be alone now.
00:26:20I don't feel like talking about it tonight.
00:26:22All right.
00:26:27Do you have any idea how it feels to be a girl?
00:26:30Don't let men look at you.
00:26:31Don't let them touch you.
00:26:32Keep your legs crossed.
00:26:34All men are bad.
00:26:37You must stay pure.
00:26:39And when you're menstruating, you're impure.
00:26:42The first time it happens, you're afraid.
00:26:44You feel the blood oozing between your legs.
00:26:46And you think everyone is aware of it.
00:26:48So you put deodorant all over yourself.
00:26:50Because you're afraid.
00:26:51You're afraid of the smell.
00:26:52You're afraid of the smell.
00:26:53You're afraid of the smell.
00:26:54You're afraid of the smell.
00:26:55You put deodorant all over yourself.
00:26:57Because you know you smell bad to people nearby.
00:27:02And your vagina is a thing that fills you with shame.
00:27:05Much worse than robbery, mugging and murder.
00:27:09To me, it's something that...
00:27:13that I have here between my legs.
00:27:16It's always hidden.
00:27:18Deep down, closed inside.
00:27:21It sleeps for a while, then suddenly awakes.
00:27:24I mean...
00:27:25I felt it when I was...
00:27:28four. No, when I was fifteen.
00:27:30Well...
00:27:33We had gone to a movie.
00:27:35I remember.
00:27:38The film was Dr. Zhivago with Omar Sharif.
00:27:41You were just a baby then and sat on Papa's lap.
00:27:43You slipped through it.
00:27:47I was watching.
00:27:50When all at once...
00:27:53I felt a man's hand on my leg.
00:27:56At first, I thought the man sitting on my left had done it by accident.
00:28:01Though I knew it wasn't.
00:28:03Then when...
00:28:06his hand...
00:28:08started moving at my thigh...
00:28:11I had the strangest sensation.
00:28:14I closed my legs.
00:28:18He squeezed me hard.
00:28:22Then he pulled his hand away.
00:28:24I was paralyzed.
00:28:26I couldn't move and sat watching the film.
00:28:29But I was in a bath of sweat.
00:28:31My heart beat wildly.
00:28:34Then, after a moment...
00:28:37he took hold of my hand...
00:28:40with a sort of violence...
00:28:45and put it down...
00:28:47under his coat...
00:28:50where his lap was.
00:28:51I could...
00:28:53feel his pants and underwear.
00:28:56They were unbuttoned.
00:28:59And I felt something else...
00:29:02so hot...
00:29:04so hard.
00:29:06Then he took my hand and placed it on it.
00:29:11And before...
00:29:14before I knew it, my hand was moving...
00:29:17back and forth...
00:29:19back and forth...
00:29:21back and forth.
00:29:24Then I began to feel something hotter.
00:29:27A flood of liquid in my hand.
00:29:30Warm and viscous.
00:29:32I didn't know what it was then.
00:29:44But it was pleasing.
00:29:46Maybe because you were there...
00:29:48and Papa.
00:29:49He was just some sex pervert.
00:29:52No, just a poor wretch.
00:29:56Not Arrigo.
00:29:58He's a fashion photographer...
00:29:59and the profession is full of tremendous fags.
00:30:01They all think you're Coco Chanel.
00:30:04However, Arrigo really likes women...
00:30:06but he says that I'm the only one who turns him on.
00:30:09I must admit, it's flattering...
00:30:12to know that whenever we meet...
00:30:15I excite him.
00:30:18I knew he was impatient all evening.
00:30:19And later, when...
00:30:21when we went up to my room...
00:30:22there were no little games.
00:30:24No foreplay.
00:30:26I licked his whole body.
00:30:28At the same time, my fingers were caressing him...
00:30:31all over.
00:30:32Then he came rushing like a giant flood tide.
00:30:35It burst...
00:30:37inside, then on my face.
00:30:39It was overwhelming.
00:31:18Yeah, just great.
00:31:19I'm sick and tired of rowing. I want to rest.
00:31:22All right, tell me what this is.
00:31:23What is it that everyone wants...
00:31:25but rarely can find?
00:31:26A house.
00:31:29Where do you want to go now?
00:31:31Back to the house.
00:31:34How did Marie Antoinette die?
00:31:36She cut herself shaving.
00:31:42Who won the Italian Soccer Cup in 83?
00:31:45Venice.
00:31:46No, they're always in third division.
00:31:50It was Rome.
00:31:52What's the capital of Upper Volta?
00:31:54How the hell should I know?
00:31:56Don't you ever study?
00:31:57Guagadougo.
00:31:5911 letters.
00:32:00Damn crossword puzzles.
00:32:46THE END
00:33:11Okay here?
00:33:13Now we'll take a swim, huh?
00:33:14No, you go. I'm tired. I want to go back to the house.
00:33:18Back to the house.
00:33:20Here we are.
00:33:44THE END
00:34:00Patrizia!
00:34:04Patrizia!
00:34:06Where the hell is she?
00:34:09Patrizia!
00:34:15Where are you?
00:34:21Patrizia!
00:34:25Patrizia!
00:34:29Goddamn her.
00:34:34Patrizia!
00:34:45Patrizia!
00:34:53Patrizia, where are you?
00:35:04Patrizia!
00:35:15THE END
00:35:40Where the hell have you been?
00:35:41You won't become more manly by using bad words and drawing dirty designs.
00:35:45It only shows how really immature you are.
00:35:47Why'd you drag me out here? You know the sun's bad for me.
00:35:49Then you go off and leave me.
00:35:51I told you a swim would do you good. It's refreshing.
00:35:54You wouldn't listen to me.
00:35:55It's because I'm afraid of the water.
00:35:56All that massive water and their waves besides.
00:35:59I can't swim either.
00:36:00I can teach you.
00:36:02No, and don't force me to learn. I just want to stay in my room.
00:36:05No, my dear. There's no doubt about that.
00:36:07Aren't you tired? Let's go back to the house.
00:36:10I left something to eat in the boat if you wanted.
00:36:12I'm not hungry and I've had enough of this.
00:36:14You really want to go?
00:36:16Can't we stay and get a bit more sun?
00:36:19I want to go.
00:36:22All right. Come on.
00:36:24Get up. We're going.
00:36:26Your moping knife just drives me crazy.
00:36:30Well, move it.
00:36:31Wait a second.
00:36:33Emilio.
00:36:37You're awake, aren't you?
00:36:38I can't get to sleep. It's too hot.
00:36:40Do you want me to tell you one of my stories?
00:36:44I'll tell you of Mauro.
00:36:45Mauro was a big bastard.
00:36:47Everyone thought he was my fiancé.
00:36:49I guess because he was always welcome at the house.
00:36:51Papa approved.
00:36:52His family was rich.
00:36:53Papa knew them well.
00:36:55Mauro was timid, but he had a big crush on me.
00:36:58I wouldn't do anything then before getting married
00:37:00and I always told him no.
00:37:02Though I was always provoking him and posing in front of him.
00:37:05Well, even timid as he was,
00:37:07one day he got up his courage and grabbed at me
00:37:09in the most clumsy way.
00:37:11Then he suddenly froze.
00:37:13When he stopped like that, I got mad.
00:37:16Because, even though I kept saying no,
00:37:18I wanted him to take me.
00:37:21But he finally managed to do it the next time.
00:37:24We were both alone in the house.
00:37:26No, you were there too.
00:37:27I'd forgotten you were there that day.
00:37:29And when I began laughing, he told me,
00:37:30be quiet, because he was afraid you'd hear us.
00:37:32And when he began rubbing me in this way,
00:37:36he began to touch me.
00:37:38I said I was afraid.
00:37:41I kept telling him, no, please don't.
00:37:45But even as I was saying it, I was wishing.
00:37:49I hope he finds the courage.
00:37:52I hope he finds the courage.
00:37:55I watched his face.
00:37:57His eyes were closed.
00:37:58He had a black beard.
00:38:00He had a long beard.
00:38:01He had a black beard.
00:38:03He kept rubbing his beard against my cheek.
00:38:06He had big hands.
00:38:08And he bit his nails like you do.
00:38:11And meanwhile,
00:38:13with his free hand,
00:38:15he kept fumbling with the zipper, which wouldn't work.
00:38:18But he couldn't open it because he was nervous.
00:38:21So I placed my hand on top of his.
00:38:24And guided it like this.
00:38:26And managed to open it.
00:38:32Then Mauro got on top of me.
00:38:35Even on his elbows.
00:38:37He was much too heavy for me.
00:38:40Then he began to try to enter me,
00:38:42but he couldn't make it because his aim was bad.
00:38:45But then without any reason at all, he got angry with me.
00:38:48He did, when I hadn't done anything.
00:38:52Take me.
00:38:53Take me, I said.
00:38:56I want you.
00:38:59I beg you.
00:39:02You'll be my first.
00:39:05I put his members in a wet lip to my flower and moved toward it.
00:39:08And then he
00:39:10broke me.
00:39:14Then he went inside.
00:39:16Way down inside.
00:39:17I could feel his swelling inside me.
00:39:20And when I felt his heat rising, I gently started moving.
00:39:23Then faster.
00:39:24It was both pain and pleasure in a way.
00:39:28I want to stay forever that way.
00:39:30Then I rolled over and pulled him on top of me.
00:39:33I began
00:39:35to cry.
00:39:36Go on harder.
00:39:39He kept pushing deeper inside me.
00:39:41I was ablaze with pleasure.
00:39:44Then we exploded together at last.
00:40:00Your fish will be ready in a few minutes.
00:40:02All right, thank you.
00:40:05You realize this place is full of mosquitoes?
00:40:08Oh, for goodness sake.
00:40:09Don't think about them.
00:40:10Just think about the good seafood we're going to have here.
00:40:15I bet you've never been here before.
00:40:16No, I haven't.
00:40:17I've never been to this place.
00:40:19I'm afraid I haven't.
00:40:20I'm afraid I haven't.
00:40:21I'm afraid I haven't.
00:40:23I'm afraid I haven't.
00:40:24I'm afraid I haven't.
00:40:25I'm afraid I haven't.
00:40:26I'm afraid I haven't.
00:40:27I'm afraid I haven't.
00:40:28I've never been here before.
00:40:30You know that I prefer to stay...
00:40:31They hold up at home, I know.
00:40:33I don't think you want to understand.
00:40:34Understand what?
00:40:36That other boys your age have girlfriends.
00:40:38And they make love.
00:40:40They go to parties together and have fun.
00:40:42They play sports and behave as if there's no tomorrow.
00:40:45Instead you deprive yourself to live like a hermit.
00:40:47Alone.
00:40:49For example, with this parmesan.
00:40:50You eat the crust and leave the best part.
00:40:53And the peaches you want are unripe and bitter.
00:40:56As if you had a mania for bad things.
00:40:58I can't help it if I don't like it.
00:41:00Ripe fruit is like death and moldy.
00:41:02That a poem of yours?
00:41:04It was a phrase I just thought of.
00:41:12What is it?
00:41:13No, you eat it. It won't hurt you.
00:41:15It won't?
00:41:18I think the seafood's making me ill.
00:41:21My headaches.
00:41:22Patricia, tell me one of your stories.
00:41:25His name was Fabio.
00:41:26He was very important.
00:41:29He was a big friend of Papa.
00:41:30I used to call him uncle.
00:41:33The first time I saw him, I was practically a baby.
00:41:35I grew up with him around the house.
00:41:38When they spoke of him,
00:41:39Mama and Papa would speak in French.
00:41:42So I wouldn't understand.
00:41:44But to me that made him more interesting.
00:41:47One day I heard Papa say, referring to him,
00:41:49with an ironic look,
00:41:51Il est un tambour des femmes.
00:41:54Meanwhile, I was growing up.
00:41:58But Fabio didn't take any notice of me.
00:42:01He never looked me in the face.
00:42:03Never paid me a compliment.
00:42:08It seemed I didn't even exist for him.
00:42:11But that really began to get me.
00:42:13And I started doing everything I could to get him to notice me.
00:42:17My reaction was strange because I was young then.
00:42:20And to me, he was elderly.
00:42:22Almost old.
00:42:24Well, how old was he?
00:42:27I think he was about 40.
00:42:30Maybe 50.
00:42:36Well, go on.
00:42:38Well, one day I decided
00:42:41that I'd go to his house.
00:42:44But before I went, I put on some things that were,
00:42:46for a young girl like me, pretty provoking.
00:42:52And I went without my bra.
00:42:55The fact that he was a friend of Papa was exciting.
00:42:58Even if it was outrageous.
00:43:03He opened the door for me.
00:43:06And he wasn't at all surprised.
00:43:10He showed me inside.
00:43:11And took me straight to his bedroom.
00:43:13Then he said,
00:43:14you're a little bitch, you want to play the slut?
00:43:17All right then, show me what you can do.
00:43:20So I...
00:43:23I...
00:43:29But he...
00:43:31pulled up a chair and watched.
00:43:34And I waited.
00:43:38And while...
00:43:39while he watched,
00:43:42my heart beat faster.
00:43:45And I felt myself getting moist.
00:43:48Open your legs, he said.
00:43:53And little by little, I was excited.
00:43:57I let myself go.
00:44:03I slid to the floor and degraded myself.
00:44:07And Fabio said,
00:44:09go on, baby, show me how you do it when you're alone.
00:44:13I can still hear his voice urging me on.
00:44:19And I...
00:44:22I...
00:44:53I...
00:45:01I...
00:45:22I...
00:45:24I...
00:45:27I...
00:45:32I...
00:45:36I...
00:45:39I...
00:45:43I...
00:45:52I...
00:46:22I...
00:46:24I...
00:46:26I...
00:46:37Damn, these mothballs stink.
00:46:38It's a nice smell, I like it.
00:46:40I just want to see if we can salvage anything.
00:46:43And this one, shall we keep it out? It'd be good for the evening.
00:46:46Hey, look, it's snowing.
00:46:49Give that to me.
00:46:51Didn't you say you like the smell of naphtalene?
00:46:53How about this? Go now.
00:46:55Let me see it.
00:46:56I'm afraid this bird's had it.
00:46:58Yeah.
00:47:00There.
00:47:04What are you doing?
00:47:09Emilio, we mustn't go on like this.
00:47:11Like what?
00:47:12There's no use ignoring it. You know what?
00:47:14We are to each other.
00:47:16So?
00:47:18We haven't done anything, just talk.
00:47:20Well, we can't go on like that.
00:47:22It's only a game for you.
00:47:23But to me, it's a malaise.
00:47:26But you started it.
00:47:27I know.
00:47:28Well then?
00:47:29I feel awful about it.
00:47:32Because of me?
00:47:33No, because of me.
00:47:35I must go back.
00:47:37To Venice?
00:47:39Venice won't solve anything.
00:47:42And you don't really want to leave, do you?
00:47:44There's not a living soul here.
00:47:47Yes, anything could happen.
00:47:49No one would ever know.
00:47:51Aren't you afraid?
00:47:53Of course I'm afraid.
00:47:56So am I.
00:47:57But I keep going on.
00:47:59Without knowing where.
00:48:01It's like moving through a fog.
00:48:04Well, hold your hand.
00:48:14What's happening to us, Emilio?
00:48:16What difference does it make?
00:48:18I don't understand anything anymore.
00:48:21And I don't want to.
00:48:23I just want to go away.
00:48:26Let me take you by the hand and we'll go together.
00:48:29I don't know.
00:48:44I've never been in a car before that could go so fast.
00:48:47Of course, the car was a Maserati and they're very fast.
00:48:51But the car doesn't belong to my friend, it's really his father's.
00:48:56And I was so angry, because Jenny should know that going fast like that really scares me.
00:49:00Here, put these on.
00:49:02Jenny's very young, but fortunately has money, besides the Maserati.
00:49:06She bought me that purse there.
00:49:08Do you like it?
00:49:09I love it.
00:49:11He's not even 20 yet.
00:49:13Turn around again.
00:49:16Well, it's lovely.
00:49:18Walk there.
00:49:20But you know, I've always been attracted to younger men,
00:49:24because they don't wear out so quickly.
00:49:31I don't know.
00:49:33I don't know.
00:49:35I don't know.
00:49:37I don't know.
00:49:38I don't know.
00:49:48Oh, wowee, it's a pretty dress.
00:49:51Oh, bello, bello, bello.
00:49:53Would you mind if I tried it on?
00:49:55It's pleated lace.
00:49:56It's simply marvellous.
00:49:58And the decorations just right for me.
00:50:01Would you sell it to me at cost?
00:50:03I might.
00:50:05I think it'll excite Johnny, he's kind of timid, you know.
00:50:08Don't lie to me, boys. They'll trust me.
00:50:17Emilio!
00:50:22Emilio!
00:50:25What now?
00:50:30Emilio!
00:50:32You mean you'll give it to me?
00:50:34You'll have to earn it.
00:50:36I have a surprise for you.
00:50:38Come inside. Don't stand there in the doorway.
00:50:41I want you to meet a friend of mine.
00:50:43Her name is Michelle. She's a mannequin.
00:50:45Hello there.
00:50:47This is Emilio. I told you about him.
00:50:49He's nice.
00:50:51How old are you, Emilio?
00:50:53Sixteen and a half.
00:50:54Oh, how great! You've never been kissed?
00:50:57To me, you look much older.
00:50:59You know, Patricia says that you act like an old bear.
00:51:02But to me, you look more like a teddy bear.
00:51:05Do you mind if I keep it on?
00:51:07I said it was yours now.
00:51:09One, two, three, four.
00:51:12Emilio, do you like it?
00:51:14One, two, three, four.
00:51:16Does it look good on me?
00:51:18One, two, three, four.
00:51:20You should be touched.
00:51:21I know.
00:51:23Who knows?
00:51:25Well, teddy bear, do you like it?
00:51:27Do you like it?
00:51:33Michelle has a nice figure, honey.
00:51:37Let him look at you.
00:51:51Am I pretty?
00:51:53Yes.
00:51:57You find you like my body?
00:52:00Well, don't you like me?
00:52:08Emilio, come here next to me.
00:52:12I'm not going to bite.
00:52:20I'm not afraid of you.
00:52:21Afraid of me?
00:52:23That's much better.
00:52:24Sit right here next to me.
00:52:26First, you must demonstrate your ability with the handle of this cane.
00:52:30With that?
00:52:32Are you sure?
00:52:33Yes, show me what you can do.
00:52:57That's very good.
00:52:59You're the best.
00:53:11Okay, Michelle, you're perfect.
00:53:13Very good.
00:53:15Let's see.
00:53:17Get down on your hands and knees.
00:53:19Pretend you're a little mouse.
00:53:20That's it.
00:53:21Run along the carpet.
00:53:23Run, run, the cat's chasing you.
00:53:29Now, stop right there and wait for your orders.
00:53:31Like this?
00:53:33I'm waiting.
00:53:36Now, pretend you're a little dog.
00:53:38I'm wagging my tail.
00:53:47That's some present you've given me.
00:53:49Wouldn't it be fun making love to this little dog?
00:53:55We'll see.
00:53:56We'll see if you merit it.
00:54:04Would you like me as a kitten?
00:54:09Or as a tiger that bites you?
00:54:14Or as a tiger that bites you?
00:54:40Now, stop.
00:54:42Get dressed and go back to Venice.
00:54:44But why can't we play anymore?
00:54:45Why can't you leave me alone?
00:54:48Why don't you come along to Venice too?
00:54:51That way you can accompany Michelle.
00:54:54And you can drive back with me.
00:54:55At six I have my lesson with the professor.
00:54:58But we'll be back home by six.
00:55:01All right.
00:55:03All right.
00:55:04As long as we're back home at six.
00:55:06Listen, Patrizia.
00:55:07If I want a girl, I can find one by myself.
00:55:09You didn't have to throw Michelle at me.
00:55:10Okay, okay.
00:55:11We won't talk about it anymore.
00:55:13Now I've got to see those two American buyers.
00:55:15They're important for my work.
00:55:17I want to sell them everything I can and make a lot of money.
00:55:20Money, money, money.
00:55:22Then we can take a long trip.
00:55:23Would you like that?
00:55:24Now, this pattern is very unusual.
00:55:26The dominant color isn't violet or Bordeaux or even purple.
00:55:29It's more like the robes of the doges.
00:55:31Ah, yes. Venice. The doges.
00:55:32Bravo.
00:55:33Benedetta.
00:55:34Yes?
00:55:35Would you put some music on, please?
00:55:36Okay.
00:55:37And I picked just the place for the showing.
00:55:40Oh, that's beautiful.
00:55:41We're able to furnish that in various colors.
00:55:43Yeah, okay, fine.
00:55:45The place I picked is a fish market in the town of Gioia.
00:55:47It's simply filled with atmosphere.
00:55:49But what's the budget?
00:55:50Oh, around 20 or 25,000.
00:55:53Hmm.
00:55:54I'll have to make a telephone call to Los Angeles.
00:55:56You must be kidding.
00:55:57You know it isn't so much.
00:55:58You'd pay more in America.
00:56:00When will it be ready?
00:56:01Well, around the 10th or 15th.
00:56:02When will it be ready?
00:56:03Well, around the 10th or 15th of September.
00:56:06You've decided, right?
00:56:07Then tomorrow we're having lunch.
00:56:09You'll be my guest.
00:56:10Oh, and bring your appetizer.
00:56:11Benedetta.
00:56:16Emilio.
00:56:18Do you know what time it is?
00:56:20Sorry, I had to go out with Patrizia.
00:56:23Right, but it's a quarter to seven.
00:56:24I was getting ready to go.
00:56:25Don't worry, Professor. Don't get excited.
00:56:27We'll pay you for the time you lost.
00:56:28Step out that cigarette butt immediately.
00:56:30No, look, you misunderstood me.
00:56:31It isn't a question of money.
00:56:32It's just that I have...
00:56:34Is she angry with me?
00:56:35I don't think so.
00:56:36Shall we go upstairs?
00:56:37All right, let's go up.
00:56:38Well, now, today we can discuss...
00:56:40We can discuss...
00:56:41What the hell can we discuss?
00:56:42I don't know.
00:56:43Anyway, you don't give a damn, do you?
00:56:44We'll find something to talk about.
00:56:46You see, Emilio,
00:56:47what I've been trying to get you to comprehend,
00:56:49even though you don't give a damn,
00:56:51is the fact that these ideas are all tied together.
00:56:53They're all interlocked.
00:56:54For example,
00:56:55Marx can't be understood without Hegel.
00:56:57That's quite obvious.
00:56:58And Hegel can't be understood without Kant.
00:57:00Kant can't be understood without Luther.
00:57:03What sort of girl is Patrizia?
00:57:05Well, Patrizia is...
00:57:07pretty difficult to comprehend.
00:57:11Same as Marx...
00:57:13can't be understood without Hegel,
00:57:15can't be understood without Kant.
00:57:16Ah, bravo, bravo.
00:57:17Very funny.
00:57:18Here, hold these books.
00:57:19They're heavy.
00:57:22The problem I face is Franco Maria Ricci, my boy.
00:57:24Besides...
00:57:25Franco Maria Ricci?
00:57:26Who's he?
00:57:27Ah, Franco Maria Ricci.
00:57:28I'll tell you who he is.
00:57:29He's the one who hooked me into buying 24 volumes
00:57:31of the Encyclopedia Diderot d'Alembert,
00:57:33a deluxe edition that is payable in 24 easy installments
00:57:36from here to eternity,
00:57:37if you know what I mean.
00:57:38So what?
00:57:39So, I'm embarrassed.
00:57:41And since Edmé has passed away,
00:57:43well...
00:57:45I mean, I don't know who to talk to now.
00:57:47Who'll pay me for these lessons?
00:57:48I mean...
00:57:50I'm two months behind,
00:57:51and Ricci's dunning me.
00:57:52Well, I'm sorry.
00:57:53I thought Patrizia's been taking care of it.
00:57:55Well, she hasn't.
00:57:56Nobody has, unfortunately.
00:57:57Say, I know.
00:57:59You have lunch with us tomorrow in Venice.
00:58:01That way you can meet Patrizia.
00:58:02That's a wonderful idea you have.
00:58:03Besides, I find she's a girl who is a person that's...
00:58:07interesting.
00:58:08She's not mad at me, no.
00:58:13I hope our guests like the salad, Rudy.
00:58:15Patrizia, explain what it is, will you?
00:58:17The best part's for Riccio,
00:58:18the rose of Kyoto.
00:58:20I've never had salad like this before.
00:58:22Have you?
00:58:23Dive in?
00:58:24Oh, yes, very much.
00:58:25It's very different.
00:58:26Fred, do you like it?
00:58:27No, not much.
00:58:29But it's very good for you.
00:58:30You know, for the figure.
00:58:32For the figure?
00:58:33Oh, well, they're on a diet.
00:58:35Well, I'm not.
00:58:36I don't like it.
00:58:38You may not like it,
00:58:39but in the 16th century,
00:58:40the dojos had more than 40 recipes based on radicchio.
00:58:43A brodicchio?
00:58:44No, not brodicchio.
00:58:45Radicchio.
00:58:46Well, I like iceberg lettuce better.
00:58:50Well, I propose a toast to our business.
00:58:53Now, don't give me any more of that wine.
00:58:54I want beer.
00:58:55Benedetta, you have to drive.
00:58:57I know the road like the palm of my hand.
00:58:59I don't need to try the car drives itself.
00:59:01But you know wine makes you sleepy.
00:59:02You must work tomorrow.
00:59:03Oh, it's more important to live it up sometimes, isn't it?
00:59:15You see, it's not important whether radicchio is an aphrodisiac
00:59:18or is not an aphrodisiac.
00:59:20That's beside the point.
00:59:21Its unique texture and nut-like taste
00:59:22one must learn to appreciate.
00:59:24Besides, well, besides its marvelous color.
00:59:30Have you noticed he keeps watching you?
00:59:32No, who?
00:59:33Don't pretend you don't know him, my professor.
00:59:35What you Americans call eye appeal.
00:59:37Not this deep rose and crimson.
00:59:39And how they blend.
00:59:40Emilio, don't whisper.
00:59:42Yes, if it weren't for its extraordinary flavor...
00:59:44I was telling something to Patrizia.
00:59:45Well, you shouldn't whisper.
00:59:46You know it's not polite.
00:59:47You know it's not polite.
00:59:48You know it's not polite.
00:59:49Patrizia.
00:59:50Emilio.
00:59:51You want to bet the professor's hot for you?
00:59:53You think so?
00:59:55Well, watch that.
00:59:57Sauvignon.
00:59:58It's what this is called in French, but it's an Italian wine.
01:00:01It always should be served cold.
01:00:03Ah, the old world.
01:00:04You people here have some things that are pretty good,
01:00:06I must admit.
01:00:07Yeah, old wine, old houses, old everything.
01:00:10Well, I don't like Europe much.
01:00:12It's good for business, and that's about all.
01:00:14It's good for business, and that's about all.
01:00:16Well, I don't like Europe much.
01:00:17It's good for business, and that's about all.
01:00:19Not even the women?
01:00:20Oh, si, si, the women.
01:00:22Bella, bella.
01:00:24Is it possible to have another beer?
01:00:25Of course.
01:00:26Una altra birra per il grassone.
01:00:29Grassone?
01:00:30What's a grassone?
01:00:31I don't know.
01:00:32Must be the name of a beer.
01:00:36Ah, here comes the fish.
01:00:40The smell of the sea.
01:00:42I want another beer.
01:00:43It's coming, it's coming.
01:00:44You're touching him, aren't you?
01:00:45I've got my hand on him.
01:00:47You'll be sorry.
01:00:52We're planning to launch a new line of perfume in the spring.
01:00:57I might call it radicchio.
01:00:59Eh, radicchio, pedicchio.
01:01:01They've got it on the brain, don't they?
01:01:02Not a bad idea.
01:01:03I think we should make a rose-colored eau de toilette.
01:01:06Yeah, that ought to sell.
01:01:46All right.
01:02:07Are you satisfied?
01:02:10You seem to be daydreaming, professor.
01:02:12I've been admiring that dragon.
01:02:14May I offer you an apple?
01:02:15Thanks.
01:02:45What a filthy pig you are!
01:02:53She's quite right.
01:02:54I shouldn't eat my apple with my hands.
01:03:05No, don't throw that out.
01:03:06That's the diary of mine and Papa.
01:03:07Oh, right, if you want to live in the past.
01:03:09You were great today at lunch.
01:03:10Because of the way I treated that poor fool?
01:03:12No, because you understood me right away.
01:03:14I really enjoyed watching you.
01:03:15The way you led him on and the way he...
01:03:17It was wrong, and you know it.
01:03:19It was only a game, and a dangerous one besides.
01:03:21It's a form of regression and impotence.
01:03:23You mustn't do it anymore.
01:03:25Because you won't ever grow up and risk remaining a boy.
01:03:28Always be a boy, Ann.
01:03:30I wouldn't mind that, really.
01:03:32After all, what is there outside?
01:03:34Why, there's everything.
01:03:35And more.
01:03:37Someone who'll give you hope.
01:03:39One who'll make life more pleasant.
01:03:41A woman who loves you.
01:03:43This evening we're going to a movie.
01:03:52I want to see if you have the courage to do what you said you did with that man.
01:03:55No, Emilio, please.
01:03:56Come on.
01:04:12Look.
01:04:13Nino, what are you doing? Where did you get it?
01:04:15Do it well.
01:04:16Are you crazy?
01:04:18All right, Pertuzzi, you know what you have to do?
01:04:20But, you know, I'm...
01:04:23No.
01:04:24Must I explain?
01:04:30No.
01:04:32Not yet.
01:04:33What do you mean, not yet, Angelina?
01:04:35It's been a week.
01:04:37This holy woman won't give us any more signs of life.
01:04:42Margherita, look.
01:04:44I swear, if you don't do it, you're dead.
01:04:46I mean, you understand me, right?
01:04:48If I make you do it a hundred times, I'll make you suffer.
01:04:51Come on.
01:04:56Come on, let her in.
01:04:59But, Valerio, I'm already undressed.
01:05:01You're undressed.
01:05:03Let her in.
01:05:04What, did she need something?
01:05:06No, nothing, I just wanted to tell you...
01:05:08...how the Matarazzo is coming tomorrow.
01:05:10I want to go to the Matarazzo.
01:05:13You're not going to the Matarazzo?
01:05:15I'm not looking at you.
01:05:17We'll be there in half an hour.
01:05:19Yes?
01:05:20Yes, please.
01:05:38The Matarazzo
01:06:08The Matarazzo
01:06:38The Matarazzo
01:07:08The Matarazzo
01:07:24Buongiorno, this is Patrizia Viani.
01:07:26I'd like to speak with Professor Alessi.
01:07:28Grazie.
01:07:33Professor Alessi?
01:07:35Good morning, this is Patrizia Viani.
01:07:37I'd like to apologize to you for what happened yesterday.
01:07:40I'm very sorry for the way I acted.
01:07:42I'd like to see you today.
01:07:46Well, I didn't sleep well either.
01:07:49No, no, you decide the time and place.
01:07:53That'll be fine.
01:07:55At six o'clock then.
01:07:57At the cloister, yes, I know it.
01:08:00Yes, goodbye, thanks.
01:08:08The Matarazzo
01:08:16Professor!
01:08:18Professor, here I am and I humbly beg your pardon.
01:08:21No, Signorina Viani, I beg yours.
01:08:23Call me Patrizia.
01:08:25Am I late?
01:08:26No, actually, I'm early.
01:08:28It's been a wonderful day, hasn't it?
01:08:30Yes, not too warm for a change.
01:08:32Did you have other lessons today?
01:08:34No, I was doing some research at the library.
01:08:36I don't know what came over me to behave like that.
01:08:38That's why I wanted to see you.
01:08:40I hope you're still not angry with me.
01:08:41Why, no.
01:08:42Anyway, it's not important.
01:08:43Let's forget it.
01:08:44I acted like a fool, that's all.
01:08:46I'm only sorry for Emilio.
01:08:47Because, well, I'm not Rousseau.
01:08:49But I did have a good rapport with him.
01:08:51You know, like an older brother.
01:08:53I always wanted one.
01:08:55Come on.
01:08:57Let's not talk about Emilio.
01:08:59What about you?
01:09:00Tell me about yourself.
01:09:01Well, there's nothing special to tell.
01:09:03I used to live in Milan but decided to leave home
01:09:05so I ran off to Venice.
01:09:07Well, you didn't run very far.
01:09:09What does that mean?
01:09:10It isn't the distance that counts.
01:09:12I left home to be on my own.
01:09:14But I didn't want to take up one of those useful professions
01:09:17so I studied philosophy.
01:09:19There's nothing more useless than that.
01:09:21Because to me, what's important in life is to feel...
01:09:25Oh, I don't know how to express it.
01:09:27What's important, I think, is to...
01:09:29Oh, I don't know what's important.
01:09:30I just keep going along.
01:09:31But your successful dynamic...
01:09:32Oh, but that's all in the past.
01:09:34I think I'm only beginning to live now.
01:09:37Let's go this way.
01:09:38There's something I want to show you.
01:09:50This place has been abandoned since the war.
01:09:52Partisans fought the Germans here.
01:09:54The Nazis were holding some hostages and shot them all.
01:09:57But that seems to be all forgotten now.
01:09:59Oh, well.
01:10:00So you're sure you're not angry with me?
01:10:02I'm sure.
01:10:03Good.
01:10:05But you are a bit strange.
01:10:24Take your hands off her!
01:10:28No!
01:10:29Emilio!
01:10:30What are you doing?
01:10:31Leave him alone!
01:10:32Don't!
01:10:33Stop acting like a child!
01:10:34No, Emilio!
01:10:35Let me up!
01:10:36Don't!
01:10:37You'll break my glasses!
01:10:38Emilio!
01:10:39Go away!
01:10:41Emilio!
01:10:48Why, you were jealous.
01:11:03You're jealous, aren't you?
01:11:05Me, jealous?
01:11:06Listen to what the Marquis de Sade wrote.
01:11:08It'll be useful to you when that great photographer Arrigo gets here.
01:11:11Don't begin that again, because you know I only work with him.
01:11:13What individual is so devoid of good sense as to imagine that this small oval orifice,
01:11:17which was created for something else,
01:11:19is not also meant to accept the male member?
01:11:21Emilio, that's enough!
01:11:22Stop it now!
01:11:23Listen, an opening so small, like the one which lies between the buttocks,
01:11:26gives maximum pleasure, I've found.
01:11:28What are you getting at now?
01:11:29I think it was pretty clear.
01:11:31Arrigo's arriving.
01:12:01I think I'm going out of my mind.
01:12:09Wonder what it can be.
01:12:11Could it be I've been too blind?
01:12:14Something's happened to me.
01:12:20Walking up and down the floor.
01:12:23Wonder what I can do.
01:12:25Who is it I'm sorry for?
01:12:28Maybe I think it's you.
01:12:31I'm taking a change in life.
01:12:34Too bad.
01:12:36You would never be the one.
01:12:39It's really sad.
01:12:41You were never really part of me.
01:12:45Come on mister, tell me what you're gonna do.
01:12:51Turning the pages back on.
01:12:54Love is a waste of time.
01:12:58Turning the pages back on.
01:13:01Love don't work a second time.
01:13:05Cause it's too late.
01:13:09Turning the pages back on.
01:13:12Love is a waste of time.
01:13:19Turning the pages back on.
01:13:22Love don't work a second time.
01:13:26Love don't work a second time.
01:13:30Cause it's too late.
01:13:52Fine, now come a little closer.
01:13:55Have you got both in focus?
01:13:57Now move back and open your coat.
01:14:00I'm the one who's laughing too.
01:14:03And be sure it's for real.
01:14:06I'm taking a change in life.
01:14:09Too bad.
01:14:11You could never be the one.
01:14:14It's really sad.
01:14:16You were never really part of me.
01:14:21Come on mister, tell me what you're gonna do.
01:14:24Now it was good, huh?
01:14:25Yeah, pretty good.
01:14:27I can't wait to see this stuff develop.
01:14:29They were wonderful.
01:14:30The birds are terrific.
01:14:32Listen to Arrigo.
01:14:33Of course they're like it.
01:14:34The place is terrific.
01:14:35You couldn't have found a better one.
01:14:36Arrigo, why are you so insecure?
01:14:37Well, you never can tell.
01:14:39Oh, you know it was great.
01:14:41You're just fishing now.
01:14:42No, I really wasn't.
01:14:44Ciao, I'll be seeing you later.
01:14:46Well.
01:14:47Hi.
01:14:48Where were you hiding?
01:14:49Look Patrizia, you don't have to keep checking on me.
01:14:51I can come and go where I want.
01:14:52I wasn't checking, Emilio.
01:14:54Only if you want to spy on my models in the dressing room, you don't have to hide.
01:14:57I wasn't spying on them.
01:14:59No?
01:15:00Seems so.
01:15:06There's Michelle.
01:15:07You want me to talk to her?
01:15:08Tell her to wait for you?
01:15:09No, I just liked looking at her.
01:15:13Arrigo, you going back to Venice or you staying with us?
01:15:15Well, I don't know.
01:15:17I'd be glad to stay.
01:15:18No, not tonight.
01:15:19Have you forgotten what I read to you?
01:15:20Stop it, Emilio.
01:15:21No, wait.
01:15:22I'm inviting you.
01:15:24Well, alright.
01:15:25You mean we'll all have dinner together then?
01:15:27Sure, you can even spend the night if you like.
01:15:29I'd be fine.
01:15:43We'd better not.
01:15:44I have the curse.
01:15:52If you want...
01:15:55I could manage it.
01:15:57Let's get married.
01:15:59Get married?
01:16:00Are you mad?
01:16:01I'm serious, Patrizia.
01:16:02Marry me.
01:16:14What's the matter?
01:16:16Please take me.
01:16:19Please take me like this.
01:16:22No.
01:16:24Turn over, darling.
01:16:26Please.
01:16:27No, go on.
01:16:29Patrizia.
01:16:46Is this what you want?
01:16:53But I don't want to hurt you.
01:17:16Stop now.
01:17:20Please.
01:17:21No.
01:17:26Please.
01:17:27No.
01:17:33Please.
01:17:34No.
01:17:46No.
01:17:49No more.
01:17:50No.
01:17:54No more.
01:18:05What the hell are you doing?
01:18:06Packing.
01:18:08What for?
01:18:10I've got to go.
01:18:11I can't take anymore.
01:18:12Do you understand?
01:18:13No.
01:18:14It's useless to argue.
01:18:15In no scenes.
01:18:16I've decided.
01:18:17I'll find someone to take care of you.
01:18:18I don't want anyone.
01:18:20And you're not leaving.
01:18:21I've got to go.
01:18:22Don't you stop me.
01:18:23I can't take anymore.
01:18:24No, don't leave.
01:18:27But you're the one who's been asking me to leave.
01:18:28Have you forgotten?
01:18:29That was before.
01:18:31I have to go now.
01:18:34Open the door.
01:18:35You're not leaving.
01:18:36Can I tell you that I'm leaving?
01:18:37Get out of the way.
01:18:41Oh, Mr. Albino.
01:18:44Patricia.
01:18:45Please wait, will you?
01:18:47Patricia.
01:18:49Please.
01:18:52I don't want you to go.
01:18:53Get out of my way now.
01:18:54Let me go.
01:18:56Give me that bag.
01:19:08Let me in.
01:19:11Open this door.
01:19:13Come back here.
01:19:18Poor Emilio.
01:19:24Where's that key?
01:19:37No.
01:19:38No.
01:19:39Let me go.
01:19:41Let go of me, I say.
01:19:44I'll never let you go.
01:19:48You're the only one I want to stay with.
01:19:50There's no one else in the world.
01:19:53All right, Emilio.
01:19:55But we'll make a pact.
01:19:58From now on, you're the one who'll submit.
01:20:01Do you agree to that?
01:20:10Yes.
01:20:32We're not playing any longer, are we?
01:20:34No.
01:20:40No.
01:21:11Touch me, Emilio.
01:21:29Do you feel me?
01:21:31No.
01:21:32No.
01:21:34No.
01:21:36No.
01:21:38No.
01:21:40No.
01:21:43Was this what you wanted?
01:21:55What are you planning to do?
01:22:00You're not planning to hurt me, are you?
01:22:02But you're the one who told me
01:22:05what bestows the greatest pleasure.
01:22:07You recall?
01:22:09You read me that passage from Arquidesano.
01:22:12That small opening between the buttocks,
01:22:14created by nature,
01:22:16is also meant to accept the...
01:22:17But you haven't got a...
01:22:23All right.
01:22:25Come over here.
01:22:32I'm getting married.
01:22:34I'm marrying Arrigo.
01:22:36What for?
01:22:37Because I ought to.
01:23:04Arrigo, the motorboat's here.
01:23:05We'd better go with him to Venice.
01:23:07I'm afraid they might never make it on their own.
01:23:09All right, don't worry.
01:23:10I'll take them.
01:23:11Go on, everybody.
01:23:12Bye.
01:23:16I'll be back soon.
01:23:35I'll be back soon.
01:24:05I'll be back soon.
01:24:35I'll be back soon.
01:25:06Darling, Arrigo will be back soon.
01:25:09Don't pretend you're asleep.
01:25:14All right, this time pretend if you want.
01:25:17The next time I'll be the one to pretend
01:25:19while you take me.
01:25:22Now your stepsister
01:25:25will caress you.
01:25:29She wants you.
01:25:31She wants you.
01:25:43You're mine.
01:26:01I love you.
01:26:03Always.
01:26:05Always.
01:26:07Always.
01:26:09Always.
01:26:30Always.
01:27:00Always.
01:27:01Always.
01:27:02Always.
01:27:03Always.
01:27:04Always.
01:27:05Always.
01:27:06Always.
01:27:07Always.
01:27:08Always.
01:27:09Always.
01:27:10Always.
01:27:11Always.
01:27:12Always.
01:27:13Always.
01:27:14Always.
01:27:15Always.
01:27:16Always.
01:27:17Always.
01:27:18Always.
01:27:19Always.
01:27:20Always.
01:27:21Always.
01:27:22Always.
01:27:23Always.
01:27:24Always.
01:27:25Always.
01:27:26Always.
01:27:27Always.
01:27:28Always.
01:27:29Always.
01:27:30Always.
01:27:31Always.
01:27:32Always.
01:27:33Always.
01:27:34Always.
01:27:35Always.
01:27:36Always.
01:27:37Always.
01:27:38Always.
01:27:39Always.
01:27:40Always.
01:27:41Always.
01:27:42Always.
01:27:43Always.
01:27:44Always.
01:27:45Always.
01:27:46Always.
01:27:47Always.
01:27:48Always.
01:27:49Always.
01:27:50Always.
01:27:51Always.
01:27:52Always.
01:27:53Always.
01:27:54Always.
01:27:55Always.
01:27:56Always.
01:27:57Always.
01:27:58Always.
01:27:59Always.
01:28:00Always.
01:28:01Always.
01:28:02Always.
01:28:03Always.
01:28:04Always.
01:28:05Always.
01:28:06Always.
01:28:07Always.
01:28:08Always.
01:28:09Always.
01:28:10Always.
01:28:11Always.
01:28:12Always.
01:28:13Always.
01:28:14Always.
01:28:15Always.
01:28:16Always.
01:28:17Always.
01:28:18Always.
01:28:19Always.
01:28:20Always.
01:28:21Always.
01:28:22Always.
01:28:23Always.
01:28:24Always.
01:28:25Always.
01:28:26Always.
01:28:27Always.
01:28:28Always.
01:28:29Always.
01:28:30Always.
01:28:31Always.
01:28:32Always.
01:28:33Always.
01:28:34Always.
01:28:35Always.
01:28:36Always.
01:28:37Always.
01:28:38Always.
01:28:39Always.
01:28:40Always.
01:28:41Always.
01:28:42Always.
01:28:43Always.
01:28:44Always.
01:28:45Always.
01:28:46Always.
01:28:47Always.
01:28:48Always.
01:28:49Always.
01:28:50Always.
01:28:51Always.
01:28:52Always.
01:28:53Always.
01:28:54Always.
01:28:55Always.
01:28:56Always.
01:28:57Always.
01:28:58Always.
01:28:59Always.
01:29:00Always.
01:29:01Always.
01:29:02Always.
01:29:03Always.
01:29:04Always.
01:29:05Always.
01:29:06Always.
01:29:07Always.
01:29:08Always.
01:29:09Always.
01:29:10Always.
01:29:11Always.
01:29:12Always.
01:29:13Always.
01:29:14Always.
01:29:15Always.
01:29:16Always.
01:29:17Always.
01:29:18Always.
01:29:19Always.
01:29:20Always.
01:29:21Always.
01:29:22Always.
01:29:23Always.
01:29:24Always.
01:29:25Always.
01:29:26Always.
01:29:27Always.
01:29:28Always.
01:29:29Always.
01:29:30Always.
01:29:31Always.
01:29:32Always.
01:29:33Always.
01:29:34Always.
01:29:35Always.
01:29:36Always.
01:29:37Always.
01:29:38Always.
01:29:39Always.
01:29:40Always.
01:29:41Always.
01:29:42Always.
01:29:43Always.
01:29:44Always.
01:29:45Always.
01:29:46Always.
01:29:47Always.
01:29:48Always.
01:29:49Always.
01:29:50Always.
01:29:51Always.
01:29:52Always.
01:29:53Always.