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01:42♪
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02:10Hello?
02:28I'm sorry, mom. I was in the bathroom.
02:30What are you doing here?
02:32Come with me.
02:33Just give me a minute. What are you doing here?
02:35I'm fine, mom. It's just the beans.
02:37What is this?
02:38Anything. Tea, anything.
02:39Tea.
02:47Thank God.
02:52♪ My name is Tikki, Tikki, Tikki, Tikki, Tikki.
02:56My name is Cha-cha, cha-cha, cha-cha, cha-cha.
02:59Tikki, Tikki, Tikki, cha-cha, cha-cha, cha-cha.
03:03Tikki, Tikki, Tikki, Tikki, Tikki, Tikki.
03:05Can you lower your voice?
03:06Cha-cha, cha-cha, cha-cha, cha-cha, cha-cha, cha-cha.
03:09I'm watching the video. I was about to do it.
03:11Now I have to do it first.
03:14I have to watch it to hear how I do it.
03:19Okay. Can you do it with me?
03:21No, thank you. Thank you.
03:22If you'll excuse me, I'll lower my voice.
03:25Lower your voice a little, my dear, so you don't bother your sister.
03:28I'm making a video.
03:30I know. I know, my dear.
03:32But we have all day to make the video the way we want.
03:35And I also know that I haven't uploaded a video in over 15 minutes.
03:39But, God willing, we'll make it.
03:53Don't worry, Noor.
03:55It's only a week or two, and you'll get used to it.
04:02Good morning, Noor.
04:06I'm sorry, Farida.
04:07You haven't answered me since you got here.
04:10It's okay. I'll tell you what.
04:11You don't say two words at the same time.
04:15Maybe you're nervous because of the new situation she's in.
04:18But believe me, Noor, it's not like that at all.
04:25A hotel service you won't find in Hilton itself.
04:30I swear, I wasn't nervous at all.
04:33I swear, Mom, I was going to give you a rose instead of the one they put in the flowerpot.
04:37But I couldn't find a flowerpot in the fridge.
04:43I swear, my dear, the doctor said I haven't been feeling well for a while.
04:46You should rest a little.
04:47How can I feel well when I'm in the hospital?
04:49Really?
04:50I haven't been out of the house for two days.
04:52What more can I rest?
04:54What more can I rest?
04:56What can I rest? What can I do?
05:03What about my first breakfast?
05:05No, I haven't forgotten.
05:07Mom, I can't do this.
05:09This breakfast is for you to take your medicine.
05:11If you take it on an empty stomach, you'll get tired.
05:16What about my first breakfast?
05:18Yassine, thank you for the breakfast.
05:20It's very nice.
05:21It's very nice.
05:22But I'll eat when I'm hungry.
05:23Okay?
05:24I'll eat when I'm hungry.
05:28Okay, Mom.
05:29Okay.
05:30Okay.
05:31I'll leave it here.
05:32You can eat when you're hungry.
05:43Where's the kebab?
05:45It's okay. Do whatever you want.
05:47If you need anything, I'm here.
05:56What did they steal from you?
05:57I won't tell you.
05:59I caught them.
06:00Then people heard the noise and came.
06:03One of them.
06:05Okay.
06:07Did you tell the police?
06:09Why would I tell them?
06:10They didn't take anything.
06:12No.
06:13So they can catch them.
06:15Suppose, God forbid,
06:17they caught you again.
06:18What would you do?
06:19Isn't it a sin to steal in the same street twice?
06:21Then you're a thief.
06:22I'll go to the police station.
06:25Okay.
06:26Pick up your stuff and come with me.
06:28Come with you where?
06:30Where?
06:32At home, of course.
06:34Do you think I'll leave you alone like this?
06:36Like what? I'm fine.
06:38What do you mean fine?
06:39You can't move.
06:43Anyway, let me tell you.
06:46Everything that happened to you,
06:48why didn't you call us?
06:50At least your father was there.
06:52I don't want my father to know anything about this.
06:54Yes.
06:55As I told you, you won't get anything from him.
06:57Why?
06:58He's your friend's son.
06:59You fought with him and cut him off.
07:01He's your father.
07:02He should know about you.
07:03No, he shouldn't.
07:06May God forgive me.
07:08Yousef.
07:10Do you think he'll listen to you like a servant?
07:13What you said the last time.
07:16My dear son.
07:18Any father in the world
07:20wishes to see his son better than him.
07:24I know that he always
07:27makes you feel bad.
07:29But believe me.
07:30I swear.
07:31You don't know what you have.
07:34Okay, I'll tell you something.
07:35Give me two days.
07:36And I'll tell you everything.
07:38Don't worry about me.
07:40Okay, my dear.
07:41You'll see.
07:53I love you.
07:55I love you too.
08:22Yes, Rini.
08:24Is something wrong?
08:36What's wrong?
08:38I can't sleep again.
08:43It's getting harder.
08:46I don't know what to do.
08:49Every time I talk to you,
08:51I try to break it.
08:53Why?
08:54You know I don't like staying at home.
08:56Neither do you.
08:57I don't like it either.
08:59You don't like staying at home either.
09:01You're always at home, Yasin.
09:02You don't go out.
09:03I go out once a day.
09:05How can I go out when she's tired?
09:07We can't be together.
09:09And you can't sit face to face like this.
09:12Go out for a while.
09:13Get some energy.
09:14No.
09:15You'll hurt each other.
09:16And then I'll come a lot.
09:19When he comes, I go out.
09:22Yasin.
09:23Yes?
09:24I can't be like this in front of you.
09:26You can't know I know him.
09:31Come on.
09:32Go talk to your friends.
09:38I'll leave you alone.
09:52Okay.
10:23I found him in front of the gate and outside.
10:25I called Noor right away.
10:28I want to know why these books are being sold to me at home.
10:38Do you remember this concert?
10:41It's called Cairo Opera Orchestra.
10:44Why this concert?
10:46I remember exactly the same concert.
10:48But it's written in history.
10:50It's been a year and a half.
10:52Four years.
10:54So you're not the only one who sent these books.
10:57We all sent them.
10:58What do you mean?
11:00Someone knew there were three of us.
11:02So he sent a note to each one of them.
11:04And he also sent a note to you.
11:08You mean someone is spying on us?
11:10Why is he sending me?
11:11I'm not going with you.
11:12I'm Mali.
11:13And who is sending these books anyway?
11:17I don't know, Reem.
11:18I don't know.
11:19Someone wants us to save Aroa.
11:21But what does Aroa have to do with this concert?
11:25But this doesn't have a CD.
11:28And who is he?
11:30I'm telling you.
11:31Look at the flash drive.
11:43I took these pictures.
11:45I sent them to Aroa's mother and Hiba.
11:50I only have this one.
11:52Like the hard disk.
11:57Give me the picture.
12:02Is it the same girl?
12:03Yes.
12:04Do you think she's the one they're talking about?
12:07No, no.
12:08She's too young to be Aroa's friend.
12:11There's a board, too.
12:20What is this?
12:23It's exactly the same.
12:25It looks like her.
12:27You see?
12:28Yes.
12:29The fire that came out of here was originally in the right side.
12:33But what does that mean?
12:36I don't know.
12:37But this is the only thing that's not connected to the two boxes.
12:40The rest is all about music.
12:42And Aroa has nothing to do with music.
12:44The rest is all about music.
12:46And Aroa has nothing to do with music.
12:49There must be something in Aroa's life that we don't know about.
12:52Trust me, if we knew, we'd know who kidnapped her.
12:55But these things happen twice.
12:57I mean...
12:58People are still young. They don't know these things from the start.
13:01Anyway, this is a very strange subject.
13:03It's getting stranger and stranger.
13:05I think you need to get rid of this whole thing.
13:08Answer me.
13:09Yes.
13:11You don't know anything about them.
13:15We're going to the mosque to get this letter.
13:18There's no other solution.
13:19I think so too.
13:24Yassine.
13:25Of course, we have to go.
13:28I'm not going anywhere with you.
13:29I'm out of this story.
13:31And then the person who sends these boxes,
13:33I'm sure he's afraid of something big.
13:35And he's the one who saved Aroa himself.
13:37And by the way, it's not far that they're the ones who sent someone to do this to you.
13:41I told you it's a shame, Reem.
13:43Tell us about it.
13:44Guys, there's someone kidnapped.
13:46And there's someone who sends these boxes because he wants someone to save him
13:49from someone the police themselves can't find.
13:51So this person is definitely a criminal.
13:53And very dangerous.
13:54Can you imagine what he's going to do to you if he finds out you're looking for him?
14:07Yes, Mr. Zahiba.
14:08Sorry, I had a question for you.
14:11Has Aroa ever written an article about a band called Orchestra Opera in Cairo?
14:17Ever?
14:19Okay, okay, thank you.
14:20Of course, of course.
14:23Okay, bye.
14:25What?
14:26I'm telling you, she's never written an article.
14:29What's her relationship to you?
14:31I don't know.
14:33Oh my God.
14:36What's the big deal that's gotten into us?
14:38Reem is the one who did this to you so you'd have a place to call home.
14:42Okay, fine.
14:45Let's go?
14:46Let's go home.
15:38I love you.
16:09I love you.
16:17I love you too.
16:38I love you too.
17:03I'm not sick of this man, I feel good.
17:09I love you.
17:11I love you too.
17:38I love you too.
17:44Was she a member of the band?
17:48Maybe he replaced her with someone or she just walked out.
17:52I don't know.
17:54But I have a feeling now.
17:55The time he was playing with her is definitely some time ago.
17:57My heart knows.
17:59You are so soon adding to this, Yasen.
18:02Even before that, we did the same mistake.
18:04But why does it have to do with Aroa?
18:06We are here to see.
18:07We asked Hiba and Arwa's mom, and they said she might not have anything to do with this.
18:11Exactly.
18:12We need to ask her first.
18:14Ask her what?
18:15Does she know Arwa or not?
18:16She's so clingy.
18:17We can't, of course.
18:18Remember what Reem said.
18:19There was a part of him that was Peruvian, but there were some things that were right.
18:22If Arwa's kidnapper knows we're looking for him, we'll be in big trouble.
18:26You're right.
18:27That's why we have to be very careful.
18:29Who are we talking to and what are we saying?
18:32Just a second, guys.
18:38Peace be upon you.
18:39And upon you.
18:40What's your name?
18:41Abdul Rahman.
18:42Nice to meet you, Abdul Rahman.
18:44Do you work here?
18:46Yes, I do.
18:47I just wanted to say that I really like the man who was playing the kamanga.
18:54You mean Mr. Khaled?
18:55Yes.
18:55He's the best kamanga player in Egypt.
18:57He's a great player.
18:58He's a great player.
19:01But there was also a lady who was playing with him.
19:03She wasn't here today.
19:05I showed her a show she was in.
19:07Yes, Ms. Alya.
19:08Excellent, excellent, Ms. Alya.
19:10But she wasn't here today.
19:12Did she leave the team or something?
19:13She'll be back.
19:15She'll be back.
19:24There was a lady who was playing in the video.
19:32Yes.
19:34She's also missing.
19:49Yes, Ameera.
19:50Yes, Mustafa.
19:51Of course, you're going to be very happy.
19:53Everything you wish for has happened.
19:55And you made my daughter leave me.
19:57I didn't do anything.
19:59Noor is the one who came to me.
20:01I didn't even ask her what happened between you two.
20:03Even though I'm sure you made her do that.
20:07Really?
20:08What else?
20:09She came to you and you ignored her.
20:11And you also told her,
20:13Ameera is the one who ruined our lives.
20:15And Ameera is the one who made me cry.
20:17And Ameera is the one who made you cry.
20:18Isn't that right?
20:19No, it's not like that.
20:20Even though I'm sure you did that to me.
20:23But I'm not you, Ameera.
20:25Okay.
20:26I'm not calling to talk about our relationship.
20:28I'm calling you to tell Noor to come back.
20:31What do you mean by that?
20:33I mean to tell her to come back, Mustafa.
20:35Why don't you tell her to come back?
20:39You're not going to tell her?
20:40No, I'm not going to tell her.
20:41And I don't have to tell her.
20:44Okay.
20:45Okay, Mustafa.
20:46Bye.
20:52That's why none of this has anything to do with the car.
20:55The other box is leading us to another one.
20:59I don't understand.
21:02What about Arwa?
21:05And why is there nothing in that box that tells us that we're going to save someone?
21:09Or that someone is kidnapped?
21:10In the first box, it said that we're going to save a life in danger.
21:14And the thing in the box led us to Arwa.
21:16We got another box, it led us to another one, and it turned out that she was also kidnapped.
21:20I'm sure this isn't a coincidence.
21:22I'm sure Ali is in the same danger that Arwa is in.
21:24We're looking for two kidnappers, each one of them has a different direction.
21:27There's no other explanation.
21:29You're also going to find two kidnappers from the same person.
21:32Yeah, but why?
21:34Why would someone kidnap two completely different people?
21:37Or what's Arwa's relationship with Ali?
21:41I don't know.
21:43Because there's something in common between them.
21:45Between Arwa and Ali.
21:47There's something in common between them that we don't know.
21:50And if we can get to this, we'll get to the kidnappers.
21:53I'll tell you what, there's a cafe next to the theater.
21:56Why don't you come and talk to us?
21:58Instead of the cold we're in.
22:00No, I can't go to a cafe like this.
22:02Then why don't you come to my place?
22:04So we can sit next to each other and think about the gifts.
22:09What about you?
22:10I'm okay if you're okay, let's go.
22:12Are you okay?
22:13Yeah, let's go.
22:14Okay, let's go.
22:23Come on.
22:26In the name of God.
22:29Sorry, it's a little messy.
22:32God bless you.
22:33You look like an old man, as the book says.
22:38Your house is very nice.
22:47Do you play guitar?
22:48I mean, I'm starting to learn, a little.
22:58In the name of God.
23:02What is it?
23:03I'm sorry, I didn't notice.
23:04It's nothing.
23:05Just open it.
23:12Okay.
23:14In the first box, we got the picture of the incident.
23:18In the second box, we got the memorandum.
23:21In the first box, we got the video of the four families.
23:24In the second box, we got the flash drive with the same purpose.
23:28The person who sends this memorandum has a certain style.
23:31I think if we know his style, or understand how he works,
23:34we'll be able to get to the things he wants us to get to faster.
23:38I also feel that we'll find this common thing here.
23:41I feel that we need to find this common thing to understand who Ali is.
23:50His name is in the Opera Orchestra.
23:57Ali Hassan Mohamed.
24:00And of course, this is Khaled, the only one in the orchestra.
24:05Khaled Mahmoud Mahdi.
24:06Okay.
24:07Mahmoud Mahdi.
24:08What do you think?
24:09Let's start.
24:10Okay.
24:11Agreement.
24:12Ali.
24:15No news.
24:16But there's a Facebook post.
24:21Look at his profile in Friends.
24:25Look at his profile.
24:36What is this?
24:38I think this is Khaled.
24:39Maybe this is the link between them.
24:41Khaled Mahdi.
24:43What?
24:45Khaled Mahmoud.
24:49I don't know.
24:50He doesn't have it.
24:52Let's look at his phone number.
24:54He doesn't have a Facebook account.
24:56Here.
25:06These are married people.
25:09But these married people don't even have one photo of him.
25:12Maybe they're in a relationship.
25:13No, he doesn't have a photo in Friends.
25:15He's ready to get married.
25:16He's ready to get married.
25:17But his status is written in the marriage certificate.
25:20We need to talk to Khaled.
25:22I'm sure he'll talk to you.
25:24We just need to find an entrance.
25:28I have a great idea.
25:31I have a graduation project in my university.
25:33It's a documentary.
25:36I'm thinking of going to him and telling him
25:38that we're making a documentary about Ali.
25:41And then we'll be able to record with him.
25:44That's a great idea.
25:46But I think it'll be hard to record with the whole team.
25:48I don't think anyone will let us in on Khaled.
25:51And we'll have to gather information about Ali.
25:53Okay.
25:55I'll try to get to the team and get you a teacher.
26:00Okay.
26:03Yassine.
26:08Yassine.
26:11Yassine.
26:12Yes, Mom.
26:14What time is it?
26:15It's late. Go to sleep.
26:16I have to go.
26:17No, no. Wait for me, Mom. I'll be right back.
26:19Just wait for me.
26:25But you said you'd be back in half an hour.
26:27I know, dear.
26:28But the road is very busy today.
26:32Okay, go ahead.
26:33I'll call you later.
26:34Go ahead.
26:45I love you.
27:15Hey.
27:23Mom.
27:25I'm going to the bathroom.
27:26Okay.
27:46What's all this?
27:47You're a professional now.
27:49I don't want anything from you anymore.
27:52Now?
27:53You don't want me anymore?
27:54Yes.
27:55Okay, my girl.
28:02Like this.
28:05Like this.
28:07Like this.
28:09Like this.
28:11Like this.
28:12Like this.
28:13Like this.
28:15Yes.
28:16I had a concert in the opera house yesterday.
28:19I need the number of the orchestra that was playing.
28:24Yes, any number.
28:25I want the number of the manager of the opera house.
28:28I need to make an appointment with him for an important event.
28:32Yes.
28:35Okay.
28:38Thank you very much, sir.
28:39Goodbye.
28:40Goodbye.
28:42Is this a new event you're arranging?
28:45Yes, it's an event we have at the university.
28:49Do you remember, Noor?
28:51Do you remember how much we used to do these things when you were young?
28:57No, I don't remember.
28:59How come?
29:00We did a lot of things when you were young.
29:04As you say, I was young.
29:06Of course, I don't remember.
29:08I see.
29:10I see.
29:16I'm going to get ready to go to my appointment.
29:18Wait a second.
29:19I'll get you some money.
29:20No, thank you.
29:21I don't need it.
29:22Noor, are you hiding it from your father?
29:26No, I'm not hiding it.
29:27I really don't need it.
29:28I'll tell him as soon as I need it.
29:41You know, if we hadn't been late in the morning,
29:43we wouldn't have been waiting for everyone.
29:46I swear to God, I was fine before.
29:48I don't know why I didn't wake up.
29:51But next time, if you wake me up, I won't wake up yet.
29:54Wake me up before you get ready.
29:56I'll wake myself up.
29:57I'll wake you up.
29:58I don't know what I'm going to do.
30:01I don't know, Haseen.
30:02I don't know either.
30:03Next time, I won't be able to wait for everyone.
30:06I won't be able to take it.
30:08I can do it myself.
30:11Okay, Mom.
30:12Next time, I'll make sure I wake up.
30:15And then I'll go by myself.
30:17What's so serious?
30:18What's so serious?
30:19I don't understand.
30:20What's going on?
30:21Mom, this is the last time I'm going by myself.
30:23I'm tired.
30:24And my father is with you in the middle of the street.
30:25What if this happens and you're drunk?
30:27I won't be able to take it.
30:28No, that's right.
30:29That's right.
30:30Okay, then.
30:31Since I fell in the street once,
30:32I'll go die.
30:33I won't go by myself again.
30:34I won't drive.
30:35I won't do anything.
30:36I won't do anything.
30:37Okay, then.
30:38Okay.
30:40Okay, Mom.
30:41Sit down.
30:42Sit down.
30:43Sit down.
30:48Okay, Mom.
30:56Come on.
30:57Come on.
30:58Come on.
30:59Come on.
31:00Come on.
31:04Come on.
31:05That's it, that's it.
31:07That's it.
31:09There.
31:19I'm sorry.
31:21Everything's fine.
31:22I'm sorry.
31:35♪♪
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