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00:00:00I don't understand why you give up and then you drag yourself like a worm.
00:00:05Antonio, don't follow me.
00:00:07The worm is using you. You're a puppet, a whore.
00:00:10I'm a responsible politician. I gave the word to Judith and this block needs me.
00:00:14She's alone and defenseless. Now's the time to get rid of her.
00:00:17We'll manage as before.
00:00:19Don't you miss my power?
00:00:21Yes, yes.
00:00:23Hello, Judith.
00:00:24Don't wear a suit. It's so sexy.
00:00:27Can we talk?
00:00:28About what?
00:00:29The end of your rule. We're going back, Enrique. Give up your mandate.
00:00:33Shut up.
00:00:35I'm going to withdraw my bet.
00:00:37I'm still the deputy manager. I arranged the invoices for three months.
00:00:41Enrique, we can't go on like this. It doesn't work out between us.
00:00:45What do you mean?
00:00:47In any case...
00:00:48Isn't that too much? What are you doing?
00:00:50Shut up.
00:00:51You should have found another deputy.
00:00:53What?
00:00:54Judith, I already have the invoices for the block.
00:00:57If you give me the invoices, I can start arranging them.
00:01:00Hello.
00:01:01Enrique, please give him the invoices. He's busy.
00:01:17Did you get the offers for the filter?
00:01:19Yes, I did. I'll show them to you.
00:01:25What a pathetic picture.
00:01:27How could he squeeze the folder?
00:01:29But he's not prepared for the job. He has no experience.
00:01:32He can use it for something else. This guy beats every deputy manager.
00:01:36Please, Javi is married. And Lola is his girlfriend.
00:01:39On everything.
00:01:40You don't understand anything, Pope.
00:01:42They say it's coded.
00:01:43He's going to blow the filter, and she's going to show him the offers.
00:01:48You're sick. You can see that you're getting in everywhere.
00:01:52Change your hair. You're not going to recover.
00:02:00Enrique, I...
00:02:01She told me you gave her the leave to help her.
00:02:04But if you want to go back...
00:02:06No, no, no. I'm very happy. I'm getting rid of a lot of problems.
00:02:09Now I can live. Urgently.
00:02:11Yes, yes. Let's go back to women.
00:02:13Are you coming? Lola is far away now.
00:02:15No, thank you.
00:02:16Come on. You have to get ready. Or you're already getting ready.
00:02:19Bye.
00:02:22You see? They didn't do anything.
00:02:24He didn't have time to blow the filter.
00:02:26A quick man-man. Maroto.
00:02:28Maroto.
00:02:29They knocked out the housekeeper.
00:02:31What's the hurry, huh?
00:02:32Antonio, please.
00:02:35Enrique, admit it. He did it.
00:02:38Neighbors.
00:02:39The housekeeper is flirting with the husband of the emigrant neighbor.
00:02:42With Antonio Ressio, that was exceptional.
00:02:52Antonio.
00:02:53How did I hit you?
00:02:54Are you okay?
00:02:55I'm not guilty of your life.
00:02:57I'm your friend.
00:02:59And I'm distant.
00:03:00Don't drink. This is Fran's snack.
00:03:02You almost broke my nose.
00:03:03We'll have a snack and we'll talk.
00:03:05We have to figure out how to get the power from the red-haired tyrant.
00:03:08Francisco Javier, don't be a coward.
00:03:10Get up already.
00:03:11What a terrible family.
00:03:15Damn it.
00:03:16Fran looks like a jungle here.
00:03:22What's going on?
00:03:23A huge snake.
00:03:25The fear of a little snake.
00:03:27Damn it.
00:03:29We have to make a fire circle to protect ourselves.
00:03:32Wait, Miren.
00:03:33How did she get here?
00:03:34Francisco Javier.
00:03:35She got into the trunk of an emigrant.
00:03:37What's going on?
00:03:38Watch out, son.
00:03:39There's a huge snake in your tent.
00:03:41Why are you getting in?
00:03:42What do you mean why?
00:03:43Is it yours?
00:03:44It's called Marilyn.
00:03:45A friend gave it to me.
00:03:46His mother took it and I took it.
00:03:48You were acting stupid with the caravan.
00:03:50Boys, we were the A-team.
00:03:52We helped people from all over Spain.
00:03:54Kiss me from behind.
00:03:55You kiss me.
00:03:56How can you make a tropical mess here?
00:03:58It's forbidden to have exotic animals in the house.
00:04:01No one knows.
00:04:02Anyway, she can't stay here.
00:04:04If she runs away, do you know what will happen to the building?
00:04:07There will be panic.
00:04:09It's true.
00:04:10Don't even think about it.
00:04:11I'll take the animals by the wings and take them.
00:04:14They'll eat you alive.
00:04:16It's better to pay a fine than to die in the stomach of this beast.
00:04:19Wait, I'll talk to a friend to take it.
00:04:21You have 24 hours.
00:04:22I'll make it 12.
00:04:23I won't sleep with Marilyn in my house.
00:04:29What a brilliant plan, Microna.
00:04:31I'm a red-haired rascal.
00:04:33This python will lose you.
00:04:35Deputy Home Manager.
00:04:37Why?
00:04:38So I'm busy with something.
00:04:39I get off work and start thinking.
00:04:41Is it Lola?
00:04:42Is it Raquel?
00:04:43I know I like Raquel.
00:04:46It was just one kiss.
00:04:47Two.
00:04:48Two.
00:04:49I mean, three.
00:04:50But...
00:04:51Excusatio non petita accusatio manifesta.
00:04:55That means, I'm not chasing a rat.
00:04:58In Latin.
00:04:59The rat is confused.
00:05:01No one is confusing me.
00:05:02I love my wife.
00:05:04But Lola is so far away.
00:05:05And Raquel is so close.
00:05:08Aliquando et insanire iunucundum est.
00:05:12Translate.
00:05:13Sometimes it's healthy to do stupid things.
00:05:15That's from Seneca.
00:05:17How do you know Latin?
00:05:19I studied for 15 years at the seminary.
00:05:21I lost my faith along with my virginity.
00:05:24I won't say more.
00:05:26Dad.
00:05:27Dad, I'm Amador.
00:05:30What?
00:05:31What's Amador?
00:05:32Your son?
00:05:33No, no.
00:05:34The railwayman is Teodoro.
00:05:36I'm Amador the Sixth.
00:05:39Yes, yes.
00:05:40You idiot.
00:05:41Dad, I want you to bring mom home.
00:05:43Why?
00:05:44So you can be with her.
00:05:45She's your wife.
00:05:47You missed her again.
00:05:48Dad, dad.
00:05:49Get a grip.
00:05:50Dad, dad.
00:05:52Shut up.
00:05:53What did they tell you?
00:05:54That he's fine on his own.
00:05:55Is he single like me?
00:05:56How can he be single, you idiot?
00:05:57He's married.
00:05:58I'm sure he wants a divorce.
00:05:59I'll kick his ass.
00:06:00My dad loves my mom.
00:06:01Hey!
00:06:02Then why doesn't he want to come back?
00:06:04There's obviously a reason.
00:06:05I don't know.
00:06:06He says he feels free.
00:06:07He plays cards at the bar.
00:06:08He eats with Sol.
00:06:09He smokes.
00:06:10He's happy.
00:06:11Let's see how you'll get rid of the guests.
00:06:12When you work, you get together with your mom.
00:06:13Accept him, Amador.
00:06:14I don't want to get together with my mom.
00:06:15I want to be Bohemian Swallow.
00:06:16Calm down, man.
00:06:17We need to get your dad to pick up the guests at the bar.
00:06:18A man appreciates something when he loses it.
00:06:19Oh, Gregoria.
00:06:20Maxi, what the hell?
00:06:21We need to find Gadge at the guests.
00:06:22You want to kick her out?
00:06:23No need.
00:06:24It's enough for your dad to see that another man is taking care of her.
00:06:25Gadge.
00:06:26I can't find her for myself.
00:06:27It's not easy.
00:06:28We need a free man at her age.
00:06:29Hopeless in life.
00:06:30And runaway.
00:06:31We need a free man at her age.
00:06:32Hopeless in life.
00:06:33And runaway.
00:06:34We need a free man at her age.
00:06:35Hopeless in life.
00:06:36And runaway.
00:06:37We need a free man at her age.
00:06:39We need a free man at her age.
00:06:40Hopeless in life.
00:06:41And runaway.
00:06:42We need a free man at her age.
00:06:43Hopeless in life.
00:06:44And runaway.
00:06:45We need a free man at her age.
00:06:46Hopeless in life.
00:06:47And runaway.
00:06:48We need a free man at her age.
00:06:49Hopeless in life.
00:06:50And runaway.
00:06:51We need a free man at her age.
00:06:52Hopeless in life.
00:06:53And runaway.
00:06:54We need a free man at her age.
00:06:55Hopeless in life.
00:06:56And runaway.
00:06:57We need a free man at her age.
00:06:58Hopeless in life.
00:06:59And runaway.
00:07:00We need a free man at her age.
00:07:01Hopeless in life.
00:07:02And runaway.
00:07:03We need a free man at her age.
00:07:04Hopeless in life.
00:07:05Hopeless in life.
00:07:06And runaway.
00:07:07We need a free man at her age.
00:07:08Hopeless in life.
00:07:09And runaway.
00:07:10We need a free man at her age.
00:07:11Hopeless in life.
00:07:12And runaway.
00:07:13We need a free man at her age.
00:07:14Hopeless in life.
00:07:15And runaway.
00:07:16We need a free man at her age.
00:07:17Hopeless in life.
00:07:18And runaway.
00:07:19We need a free man at her age.
00:07:20Hopeless in life.
00:07:21And runaway.
00:07:22We need a free man at her age.
00:07:23Hopeless in life.
00:07:24And runaway.
00:07:25We need a free man at her age.
00:07:26Hopeless in life.
00:07:27And runaway.
00:07:28We need a free man at her age.
00:07:29Hopeless in life.
00:07:30And runaway.
00:07:31Hopeless in life.
00:07:32And runaway.
00:07:33We need a free man at her age.
00:07:34Hopeless in life.
00:07:35And runaway.
00:07:36We need a free man at her age.
00:07:37Hopeless in life.
00:07:38And runaway.
00:07:39We need a free man at her age.
00:07:40Hopeless in life.
00:07:41And runaway.
00:07:42We need a free man at her age.
00:07:43Hopeless in life.
00:07:44And runaway.
00:07:45We need a free man at her age.
00:07:46Hopeless in life.
00:07:47And runaway.
00:07:48We need a free man at her age.
00:07:49Hopeless in life.
00:07:50And runaway.
00:07:51We need a free man at her age.
00:07:52Hopeless in life.
00:07:53And runaway.
00:07:54We need a free man at her age.
00:07:55Hopeless in life.
00:07:56And runaway.
00:07:57Hopeless in life.
00:07:58And runaway.
00:07:59We need a free man at her age.
00:08:00Hopeless in life.
00:08:01And runaway.
00:08:02We need a free man at her age.
00:08:03Hopeless in life.
00:08:04And runaway.
00:08:05We need a free man at her age.
00:08:06Hopeless in life.
00:08:07And runaway.
00:08:08We need a free man at her age.
00:08:09Hopeless in life.
00:08:10And runaway.
00:08:11We need a free man at her age.
00:08:12Hopeless in life.
00:08:13And runaway.
00:08:14We need a free man at her age.
00:08:15Hopeless in life.
00:08:16And runaway.
00:08:17We need a free man at her age.
00:08:18Hopeless in life.
00:08:19And runaway.
00:08:20We need a free man at her age.
00:08:21Hopeless in life.
00:08:22And runaway.
00:08:23You're risking the Spanish dream by renouncing your roots.
00:08:26Okay, okay.
00:08:34Are you an idiot?
00:08:36You've given up on life and civilization.
00:08:39You're not going to last in the jungle.
00:08:46What a quality.
00:08:47I can't close this.
00:08:48Someone will come in one day.
00:08:50Wait.
00:08:51How do I...
00:08:52Take out the gun.
00:08:53What gun?
00:08:54The one with the paralyzing bullets.
00:08:56Don't you have one?
00:08:58No.
00:08:59You're an Indian.
00:09:00You can't even load a rifle.
00:09:02You get close to the snake,
00:09:04and you make Miren wrap around you,
00:09:06and you take her away.
00:09:08But...
00:09:09No, no, no.
00:09:10It's better to throw her a blanket and put her in a sack.
00:09:12You're a coward.
00:09:13Come on.
00:09:14I'll wait for you here.
00:09:15No, no.
00:09:16Come with me.
00:09:17She might attack me.
00:09:18You're always counting on the white man.
00:09:23Here she is.
00:09:24Her name is Marilyn.
00:09:25Let's call her...
00:09:26Marilyn, beautiful.
00:09:30Boss Antonio, the snakes are deaf.
00:09:32What are you saying?
00:09:33Why are they dancing?
00:09:34Like they're emulating the Indian flight?
00:09:36I don't know.
00:09:41What an idiot.
00:09:42I'm going to find him the gauze from the first part.
00:09:45Oh, look.
00:09:46It's Marilyn.
00:09:47Marilyn.
00:09:48Marilyn.
00:09:49Marilyn.
00:09:51Oh, look.
00:09:52The flute.
00:09:53I'm going to play her a hypnotizing tune.
00:09:56Can you play it?
00:09:57Close your eyes so I don't hypnotize her.
00:10:11She's asleep.
00:10:12You can take her.
00:10:15But her eyes are open.
00:10:16Come on.
00:10:17I did the hard work.
00:10:18Oh, God.
00:10:19Help me.
00:10:26I got her.
00:10:27I got her.
00:10:28Come on.
00:10:29Get in the cage.
00:10:30It's cold, white man.
00:10:31Come on.
00:10:39Oh, come on.
00:10:40She's so heavy.
00:10:41How are you going to let her in?
00:10:43She's going to panic.
00:10:45You're starting to learn.
00:10:46One day you're going to be my dolphin,
00:10:48but first you have to become a Spaniard,
00:10:50which is hard.
00:10:51But if the socialists are involved,
00:10:53I want to vote.
00:10:54Of course.
00:10:55And become the prime minister.
00:10:58Lesbians.
00:11:00Good afternoon.
00:11:01How are you?
00:11:02Don't greet them.
00:11:03Shushi.
00:11:04Peace, equality.
00:11:05Connect.
00:11:06Are you preparing the lesbian wedding?
00:11:08Yes.
00:11:09My name is Antonio.
00:11:10Hurry up.
00:11:11The People's Party is going to win the elections.
00:11:13You're going to be late.
00:11:14Come on.
00:11:15Come on, let's go.
00:11:19We've changed.
00:11:20I'll take care of them.
00:11:21Boss, Antonio.
00:11:22The snakes.
00:11:23They're scaring me.
00:11:31Come on.
00:11:32Go and scare the neighbors.
00:11:34Snake or python.
00:11:35Fulfill your mission.
00:11:37Mission?
00:11:45Where is he?
00:11:58Hurry up.
00:11:59You have to go to the market.
00:12:05Leo, where are you?
00:12:06Ring the doorbell.
00:12:07Open it.
00:12:08I can't hear you.
00:12:09Take your turbo 4000.
00:12:10It doesn't make that much noise.
00:12:11Wait a minute.
00:12:15You should be here by now.
00:12:16I've been here for 10 minutes.
00:12:18Why are you calling me?
00:12:19Because you're not opening it.
00:12:20I don't know you're here.
00:12:21You should ring the doorbell.
00:12:23I did.
00:12:24I can't hear anything.
00:12:25Not now.
00:12:26But I did before.
00:12:27Ring it.
00:12:30I can hear it now.
00:12:31Ring it.
00:12:32I'm going, mom.
00:12:36Amateur.
00:12:37Vicente is trying to kill himself.
00:12:38Oh, what a tragedy.
00:12:40What's going on?
00:12:41Vicente wants to kill himself.
00:12:42Oh, what a tragedy.
00:12:44It's been 13 times since his wife died.
00:12:46He decided to put an end to his life.
00:12:48He'll make it if we don't do something, mom.
00:12:50Hurry up.
00:12:51There's still time to hear his last words.
00:12:53We have to call a doctor.
00:12:55No, no, no.
00:12:56There's no need.
00:12:57Javi is an expert in first aid.
00:13:03Hurry up.
00:13:04They're coming.
00:13:07One.
00:13:08Two.
00:13:09Three.
00:13:11Wake up, dad.
00:13:12Wake up.
00:13:13Holy Virgin.
00:13:14Don't go yet.
00:13:15Don't go.
00:13:16Please.
00:13:17One, two, three.
00:13:18Javi, leave him.
00:13:19Go away.
00:13:20It's time to die.
00:13:21Dad.
00:13:25Dad, you're alive.
00:13:27That's a miracle.
00:13:28A miracle.
00:13:29Life gave us a second chance to save him.
00:13:32I saw your mother.
00:13:33She was making croquettes for St. Peter's Day.
00:13:35Vicente, what did he do?
00:13:36He feels very lonely after his mother's death.
00:13:39It's better if we leave them.
00:13:41Yes, yes.
00:13:42We'll meet at the bar later.
00:13:43Why don't you leave me to die?
00:13:44I'm not happy.
00:13:45In this world.
00:13:47Leave me.
00:13:48The croquettes.
00:13:49I'll try again next week.
00:13:55Dad.
00:13:56Lily, lubricate my throat from all the pressure.
00:14:03Stay here.
00:14:06And stay here.
00:14:13Hey, Nina.
00:14:14I saw you.
00:14:15Take him away.
00:14:16I have an interview for a job.
00:14:18No, no.
00:14:19I'm a janitor.
00:14:20I don't get paid for that.
00:14:21And you don't get paid for anything else.
00:14:23Bye.
00:14:24I don't want any trouble with the housekeeper.
00:14:25Get out of here.
00:14:28Okay.
00:14:29Now, what do I do with you?
00:14:31Yes.
00:14:32The housekeeper is in trouble.
00:14:33The red-haired scoundrel beat up all the housekeepers.
00:14:36She offered me a job, but I was a student like Scarida.
00:14:39This nymphomaniac can't be the head of a Christian community.
00:14:42Let's criticize her right away.
00:14:44Let's pay the janitor.
00:14:45First, the ladies.
00:14:47And what about the father-in-law?
00:14:48I'm sure he's a homosexual.
00:14:50And he has such a heart.
00:14:52The housekeeper dumped him.
00:14:53Let's pay her.
00:14:55I was very mature for her.
00:14:56You go die.
00:14:57No one asks for the door.
00:14:59But this Judas is shameless.
00:15:00But he's being too kind while his wife's gone.
00:15:03No one admires a holy marriage anymore.
00:15:07Look who's talking.
00:15:09Ma'am, we're criticizing the housekeeper.
00:15:11Are we going to get in trouble?
00:15:13Look, Barbie.
00:15:14Don't you go with Javi?
00:15:16Don't even think about it.
00:15:17Javi doesn't attract me at all.
00:15:18But now it's your girlfriend.
00:15:20What?
00:15:21What girlfriend?
00:15:22Well, ma'am, the housekeeper took him for a dolphin.
00:15:25Let's pay her.
00:15:26What a generation.
00:15:27All with all.
00:15:28What a mess.
00:15:29I'm not interested at all.
00:15:31And I doubt Javi is a Judas,
00:15:33because he's very fond of his wife.
00:15:35Eat, eat.
00:15:37Our friends are stealing our gadgets.
00:15:39Where are you going?
00:15:41What do we have an elevator for
00:15:42when everyone is climbing the tables?
00:15:44How much is the change in the elevator?
00:15:46And why is no one using it?
00:15:48Pretend you saved my wife.
00:15:50Eh, nothing.
00:15:52Someone will find her.
00:15:56Raquel, come in.
00:15:58The devils are calling.
00:15:59I knew it.
00:16:00How are you?
00:16:02Fine, I'll take care of the private parts.
00:16:04Why didn't you take care of them all winter?
00:16:07Are you hinting that I'm cold?
00:16:09No, in the corridors.
00:16:11They say you have a new housekeeper.
00:16:13The old one was very boring,
00:16:15so I took Javi.
00:16:17He's younger, more dynamic,
00:16:18he's closer to me.
00:16:20Do you hear him?
00:16:21Come on, this one.
00:16:22Where did you hear it from?
00:16:23I'm not saying it.
00:16:24The neighbors are talking.
00:16:25They're already calling the prostitute upstairs.
00:16:27You need to be a big brat
00:16:29to use the fact that Lola is gone
00:16:31and to seduce Javi,
00:16:32who is so evil,
00:16:33so unprotected,
00:16:34so sensitive.
00:16:36Do you like him?
00:16:38No, no.
00:16:39You like Javi a lot.
00:16:41No, he doesn't attract me at all.
00:16:42We're talking about you.
00:16:43You like him.
00:16:44He'll hear you.
00:16:46Quiet, please, stop.
00:16:51What happened?
00:16:53A very big,
00:16:54very big,
00:16:55big...
00:16:56Take my shoe.
00:16:57Who?
00:16:58The snake.
00:16:59Calm down.
00:17:00Calm down.
00:17:02Oh, my God!
00:17:03Where did it come from?
00:17:05From the climate change.
00:17:06Take my shoe.
00:17:07Give it to me.
00:17:08Javi, do it.
00:17:09You're my subordinate.
00:17:10I won't.
00:17:11Come on.
00:17:12This is just the first bite.
00:17:13Javi, the snake can't stay there.
00:17:16What are you?
00:17:17A lion?
00:17:20Or a fly?
00:17:22Hey, let's talk to someone who understands
00:17:24what's going on in Franco's jungle,
00:17:26or talking to the dog.
00:17:27It's very easy.
00:17:28You'll jump on the rope
00:17:29and throw it around.
00:17:30This is a snake,
00:17:31not a parrot.
00:17:32Suggest something.
00:17:33I'm not a housekeeper,
00:17:34nor a landlady.
00:17:35Quiet.
00:17:36I'll risk my life.
00:17:47Come on, handsome.
00:17:50Out.
00:17:52Out.
00:17:54Is this risking your life?
00:17:56Take her to the housekeeper.
00:17:57She won't hurt you.
00:17:58Maybe she's hungry.
00:17:59Do you have anything to eat?
00:18:01I have food.
00:18:02If it's food,
00:18:03she won't leave.
00:18:06She's not a snake.
00:18:07Hit her on the head.
00:18:08No, the throat.
00:18:09No.
00:18:10No.
00:18:11Should I kill her
00:18:12or adopt her?
00:18:13The devils.
00:18:14The elevator.
00:18:15The neighbors will see her.
00:18:16I'm going to fix the invoices.
00:18:17No, no.
00:18:18You're coming with me.
00:18:21Shushi,
00:18:22I'm afraid
00:18:23to go to the ceremony
00:18:24with a motorbike.
00:18:25I'll get...
00:18:26dizzy.
00:18:27It's super original.
00:18:28It's better in Estonia,
00:18:29isn't it?
00:18:30Like in Seville.
00:18:31I'll wear a rake
00:18:32and a veil.
00:18:33It's not very Egyptian.
00:18:35Oh, dear.
00:18:36What stupid arguments
00:18:37for this...
00:18:38ceremony.
00:18:39If you don't want
00:18:40to marry me,
00:18:41tell me.
00:18:42I want to,
00:18:43but I don't want
00:18:44to get on a motorbike.
00:18:45I'll break down.
00:18:47Be careful.
00:18:52Good afternoon.
00:18:53Good afternoon.
00:18:58How are you?
00:19:00We're from liturgy.
00:19:01Wonderful.
00:19:02Cleansed of sins.
00:19:04Yes.
00:19:05Not like someone else.
00:19:09No.
00:19:10Don't come in.
00:19:11Back.
00:19:17What's going on?
00:19:20I mean...
00:19:22What's in your mouth?
00:19:24Don't you smell it?
00:19:26Exhaling gases
00:19:27in your genitals.
00:19:28How can that be?
00:19:29I exhaled.
00:19:30It really smelled.
00:19:32You're so nasty.
00:19:33And that was a man.
00:19:35What a shame.
00:19:36Was your mother
00:19:37so well-bred
00:19:38that she left you
00:19:39and exhaled?
00:19:40Lola didn't leave me.
00:19:41Why are you going
00:19:42to the manager?
00:19:43Don't go with me.
00:19:44So it's still you.
00:19:45Don't get me involved.
00:19:47Liar.
00:19:48It's normal.
00:19:49Why are you acting like this?
00:19:51This management
00:19:52is a complete mess.
00:19:53It wasn't like this
00:19:54with Antonio Resio.
00:19:55He says
00:19:56the gays were different.
00:19:57Very different.
00:19:58Satan sent you
00:19:59to mess with us.
00:20:00Berta,
00:20:01let me remind you
00:20:02that you saved the porter.
00:20:04I only answer to God
00:20:06and He
00:20:07already forgives me.
00:20:09Okay.
00:20:10Pray for us
00:20:11sinners.
00:20:12You're doomed
00:20:13to eternal hell.
00:20:14I'm a sinner.
00:20:18Now I'm officially
00:20:19the servant of God.
00:20:21Why don't you tell
00:20:22the neighbors the truth?
00:20:23How can I tell them
00:20:24there's a snake of freedom?
00:20:26We have to warn them.
00:20:27I don't know where it is.
00:20:28Those bastards are dangerous.
00:20:29It must have gone somewhere.
00:20:30There's a lot going on.
00:20:32Judith, we'll warn them.
00:20:33We have to warn them
00:20:34before something happens.
00:20:37The meeting again?
00:20:41Come on, Tonin.
00:20:42Last step.
00:20:44Hold on.
00:20:45Hamilton's coming.
00:20:47Kokia, what are you doing?
00:20:48I'm going to get him.
00:21:01What's wrong?
00:21:02You're very serious.
00:21:03I'm stressed.
00:21:04A friend
00:21:05is trying to commit suicide.
00:21:07Vicente Gorki.
00:21:08We have to help him.
00:21:09It's best
00:21:10to get him
00:21:11to a mental hospital
00:21:12with walls,
00:21:13plastic masks
00:21:14and tools.
00:21:15Enough.
00:21:16Why don't you invite him
00:21:17to the meeting?
00:21:18What?
00:21:19Maybe he'll cheer up a bit.
00:21:20Why are you hitting me?
00:21:21Because you're talking nonsense.
00:21:22I love your father.
00:21:23What?
00:21:24I don't like this man.
00:21:25Just one dinner
00:21:26and you're done.
00:21:28Respect your mother a bit.
00:21:30Mom,
00:21:31you've always taught me
00:21:32that we should be
00:21:33supportive
00:21:34and help people in need.
00:21:35Because there are people
00:21:36worse off than us
00:21:37and they suffer a lot.
00:21:38I had foreseen the poor children
00:21:39in Africa,
00:21:40so why help them
00:21:41when you don't want
00:21:42to help
00:21:43a person like you?
00:21:46You're right.
00:21:48Am I?
00:21:49I'll go out with Vicente.
00:21:50But just one meeting
00:21:51to cheer him up.
00:21:52Thank you, Mom.
00:21:53I'm very proud of you.
00:21:54I don't want to fall in love
00:21:55because I don't want problems.
00:21:56I don't believe you.
00:21:57I...
00:21:58I really like men.
00:21:59They fight for me.
00:22:01Yes, yes, yes.
00:22:02Come on,
00:22:03invite him to dinner
00:22:04and then we'll see.
00:22:05Mother,
00:22:06if your father finds out...
00:22:07How will he find out?
00:22:08He's far away.
00:22:11Dad,
00:22:12you have to come
00:22:13so that Mom
00:22:14can meet another man.
00:22:15What's better for her?
00:22:16Is that true?
00:22:17Dad!
00:22:18Dad!
00:22:19Shut me up!
00:22:21What's the rush?
00:22:22What's the excitement?
00:22:23Will she like me?
00:22:24Will I like her?
00:22:25How much do I envy you?
00:22:26What's the feeling
00:22:27after so many years?
00:22:28Boring!
00:22:29Take this.
00:22:30I booked a table
00:22:31in an elegant restaurant.
00:22:32Put on a suit.
00:22:33Yes,
00:22:34I'm going to Pantsuk.
00:22:35Vicente,
00:22:36don't worry.
00:22:37I'm going to Pantsuk.
00:22:38Don't worry.
00:22:39I'm going to Pantsuk.
00:22:40Vicente,
00:22:41this is a romantic meeting.
00:22:42I'm going to fall in love
00:22:43and take you on a date.
00:22:44Look at him.
00:22:46I don't want to go to the bar
00:22:47with this physiognomy
00:22:48that you're scaring my clientele.
00:22:49What's your name?
00:22:50My father
00:22:51won't come.
00:22:52He's not interested in the meeting.
00:22:53Great!
00:22:54The romantic meeting
00:22:55is cancelled.
00:22:56No,
00:22:57nothing is cancelled.
00:22:58And what are we going to do?
00:22:59How are we going to make
00:23:00your husband jealous
00:23:01that he's not here?
00:23:02That's why
00:23:03the photo was made.
00:23:04We have to document
00:23:05the romantic meeting.
00:23:06Exactly!
00:23:07And what are we going to do?
00:23:08We're going to make
00:23:09compromising photos
00:23:10of your mother
00:23:11with her lover.
00:23:12Vicente,
00:23:13Yes, I know.
00:23:14The future of Amador
00:23:15is in your hands.
00:23:16Be gentle.
00:23:17My goodness!
00:23:18Give me five beers.
00:23:24Silence,
00:23:25we're a lot of people today.
00:23:26Let's start.
00:23:28What's going on now?
00:23:29We're going to be
00:23:30late for the meeting.
00:23:31I'm sure
00:23:32the manager
00:23:33messed up again.
00:23:34You can expect everything.
00:23:35Calm down,
00:23:36it's nothing serious.
00:23:37For a deputy manager
00:23:38nothing can be
00:23:39nothing serious.
00:23:40Are you offended?
00:23:41No,
00:23:42it's serious.
00:23:43Even
00:23:44everyone's life
00:23:45is in danger.
00:23:48What milk!
00:23:52So,
00:23:54I know it's going to
00:23:55look weird to you
00:23:56because it looks weird
00:23:57to me too,
00:23:58but the problem is
00:24:01that a pigeon
00:24:02is coming out of the building.
00:24:03The last time
00:24:04it was seen
00:24:05in the elevator.
00:24:06Up or down?
00:24:07I don't know.
00:24:08What does it matter?
00:24:09Because
00:24:10it could be
00:24:11somewhere here.
00:24:13The snake
00:24:14is possessed by evil.
00:24:15Please,
00:24:16calm down.
00:24:17The manager's
00:24:18return
00:24:19attracts evil.
00:24:20What management?
00:24:21Please,
00:24:22sit down.
00:24:23It's nothing serious.
00:24:24It's just a little
00:24:25pigeon.
00:24:26How little?
00:24:27About four meters.
00:24:30Under the devil's
00:24:31feet.
00:24:32Under the devil's
00:24:33feet?
00:24:34Four meters.
00:24:35This is a man-eater.
00:24:36Where are the kids?
00:24:37I don't know.
00:24:38In the garden.
00:24:39Carlotta,
00:24:40take your brother
00:24:41upstairs.
00:24:42Give him some corn,
00:24:43it's the worst.
00:24:44One stupid question.
00:24:45Where did the snake
00:24:46come from?
00:24:47I don't see
00:24:48any jungle
00:24:49around here.
00:24:50Some idiot
00:24:51bought it.
00:24:52Leo.
00:24:53It's not me.
00:24:54I don't like
00:24:55people with fists.
00:24:56Who?
00:24:57She could have
00:24:58run away from the zoo.
00:24:59There's one
00:25:00thirty kilometers away.
00:25:01She doesn't have
00:25:02any fists.
00:25:03It was her.
00:25:04I saw her.
00:25:05Her son was holding
00:25:06her in his arms.
00:25:09Please,
00:25:10Eric,
00:25:11how can you
00:25:12let the kid go?
00:25:13I didn't know.
00:25:14But dad...
00:25:15He must have
00:25:16let her go.
00:25:17You're lying.
00:25:18You let her go
00:25:19to make a mess
00:25:20of the housekeeper
00:25:21who kicked you out
00:25:22of the house
00:25:23and your bed.
00:25:24Eric?
00:25:25No, no.
00:25:26I categorically
00:25:27deny it.
00:25:28It's under the snake.
00:25:29Are the snakes
00:25:30in the house?
00:25:31No,
00:25:32they're everywhere.
00:25:33She moved
00:25:34out of the house
00:25:35out of her free will.
00:25:36Don't panic
00:25:37for God's sake.
00:25:38I'll get
00:25:39a specialist
00:25:40to catch her.
00:25:41What for?
00:25:42We're
00:25:43out of some janky
00:25:44money.
00:25:45I'm not paying
00:25:46for more water.
00:25:47You could pay
00:25:48the councilor
00:25:49because he let her go.
00:25:50I'm not
00:25:51paying for
00:25:52my wife's
00:25:53rent.
00:25:54Eric,
00:25:55please.
00:25:56Nobody cares.
00:25:57I care.
00:25:58What rent?
00:25:59I mean, yeah, yeah.
00:26:04Koke, catch the snake!
00:26:06No, no, no, no, no, no.
00:26:08Here's the snake!
00:26:11Shaggy!
00:26:12It's not funny.
00:26:18Calm down.
00:26:19I'm going to organize a group to catch the snake
00:26:22and get the peace back in the block.
00:26:25No.
00:26:26Javi will organize it. He's the deputy manager.
00:26:29Whatever he wants. I'll do the calculations.
00:26:32Okay, but in the meantime, what are we going to do?
00:26:35Are we going to look at the outside world? Where's the year?
00:26:37Who's going to catch it now?
00:26:39If I catch it, at least...
00:26:40No one's going to eat me! Go back!
00:26:42Idiot!
00:26:43Please!
00:26:44While we catch the snake, we have to be careful.
00:26:47And who's lucky enough to do it alone?
00:26:50Bad luck.
00:26:51Pay attention to wet and warm places.
00:26:53Dark areas, closets, headboards, under the bed,
00:26:56behind the appliances, in the sink, in the trunk...
00:26:59What's so important to get me out of here?
00:27:02And very important. Don't use the toilet.
00:27:04Snakes slip through the cracks and appear through the toilet bowl.
00:27:08Gentlemen!
00:27:09Are you going to catch the balls?
00:27:10It's worse. It wraps around and tightens.
00:27:12And what are we going to do?
00:27:14Come home. I'll protect you.
00:27:16Antonio!
00:27:17What?
00:27:18That's what he told me.
00:27:19While we catch the snake, your management
00:27:22will go to the toilet of the caravan, which is completely safe.
00:27:26And there you will be able to do your work quietly.
00:27:30Is everyone going to come home?
00:27:32What's the hurry?
00:27:34End of meeting!
00:27:36I'm first again!
00:27:38And today?
00:27:40Tonino fell asleep in the caravan. He was very tired.
00:27:43Why did he fall asleep?
00:27:44Keep him until tomorrow, because I have another interview and I have to be fresh.
00:27:48But wait, I...
00:27:49How much is it?
00:27:50Your caravan is the safest place.
00:27:52It will be calmer.
00:27:54And it will be better for me.
00:27:55And the child is not dinner?
00:27:57If he wakes up, he has cream in the morning.
00:28:00But this is already under the counter.
00:28:07My God!
00:28:08Ponferradina fell out of the house again.
00:28:11There is no central attacker.
00:28:13Vicente!
00:28:14I'm going out!
00:28:15Don't pressure me that it's worse.
00:28:20Don't tell me the child is sleeping.
00:28:23He won't wake up. Come on!
00:28:25Shame!
00:28:26Let's line up at the footbridge, like in Panair.
00:28:28How long has this one been in there?
00:28:30A quarter of an hour.
00:28:31I'm going to get drunk.
00:28:32Me too!
00:28:33What a terrible management!
00:28:35Leave it!
00:28:36What's my fault that there's a neighbor with a fever?
00:28:38You're creating trouble.
00:28:39Before you came to power, I was a watchman.
00:28:42Who's last?
00:28:43Should I take a ticket?
00:28:44What is this belt for?
00:28:45So I don't sit on the chair.
00:28:46It's not hygienic.
00:28:47It's a great idea.
00:28:48I'll take this one for the kids.
00:28:49It'll protect your seat.
00:28:50Don't protect your seat!
00:28:51The housekeeper is in a mess.
00:28:53Get out, get out.
00:28:54Next one.
00:28:55Come on!
00:28:56Me, me!
00:28:57What's that?
00:28:58The owners first?
00:28:59The housekeeper is provoking your friends.
00:29:01She's not my friend.
00:29:02But I am.
00:29:03No, it was easy for you, huh?
00:29:04Come on, Gregoria!
00:29:05I can't get out of here.
00:29:07Look at him, Chelsea.
00:29:08He's a journalist.
00:29:09Collect the documents.
00:29:10In the bathroom, you walk in front of the appointment.
00:29:12Let me go!
00:29:13Don't touch my documents.
00:29:14I'm not the president!
00:29:15Ma'am, you're going to hurt my husband.
00:29:17Let him drive you out.
00:29:18Come on!
00:29:20I'll get in during this time.
00:29:22Please, please, be patient.
00:29:23Let's not get on our nerves.
00:29:25Please!
00:29:26Calm down.
00:29:27This doesn't work.
00:29:28It's clogged.
00:29:29Oh, right.
00:29:30The tank is full.
00:29:31Closed for repair.
00:29:32Come tomorrow.
00:29:34I can't tomorrow.
00:29:35I have to get up now.
00:29:37God punishes you for your sins.
00:29:39But you walk in the meadow.
00:29:40It's open day and night.
00:29:42Yes, we walk in the meadows like cavemen.
00:29:45With this housekeeper, we're back in Paleolithic.
00:29:47The bathroom was invented in 1596 by Harrington.
00:29:50Although there are remains and artifacts for throwing out...
00:29:53Come on!
00:29:54What are we going to do now?
00:29:55It's worse than Zapatero.
00:29:56Don't make me ride Zapatero.
00:29:58Antobio or Zbika and Red.
00:29:59That's one and the same.
00:30:00Shoshila with me in the field.
00:30:03Be calm.
00:30:04Surely the group to catch the snake will catch it at any moment.
00:30:07Are you sure this will work?
00:30:09I don't know, but at least I'm giving ideas.
00:30:11Lift the lid.
00:30:12What if it jumps on my neck?
00:30:14Calm down.
00:30:15First I'll let the water go.
00:30:16I'll stir it with the current.
00:30:17And when it grabs the chicken,
00:30:18I'll drip on the water,
00:30:19and you'll put it in the bag.
00:30:21But if it's stirred,
00:30:22it won't grab the chicken.
00:30:23It will grab it,
00:30:24because the predator instinct is stronger.
00:30:26Frank said it hasn't eaten in a month.
00:30:28So it'll jump on my neck.
00:30:29Javier, the housekeeper's deputy
00:30:31should be ready to make sacrifices for his flock.
00:30:33How's it going?
00:30:34Good, good.
00:30:35Everything is under control.
00:30:36I'll go back and risk my life.
00:30:37Javi, be careful.
00:30:38Calm down.
00:30:39I was found a month ago in Africa.
00:30:42A four-star hotel,
00:30:43with a prepared lion in the lion's den.
00:30:45Don't think that...
00:30:46I'll bet on the housekeeper
00:30:47that you'll hook up with her.
00:30:48I won't hook up with her.
00:30:49She was...
00:30:50Please, I'm quite old.
00:30:51I mean...
00:30:52Can we focus on the killer snake?
00:30:54Yes.
00:30:55The chicken is alive.
00:30:56Come on.
00:30:57Let the water go,
00:30:58and lift the lid.
00:31:03Be careful!
00:31:04Lift it!
00:31:05Yeah, I didn't wash my hands there.
00:31:06Shut up.
00:31:07Good.
00:31:08We blocked one exit.
00:31:09We have to check 17 more toilets.
00:31:13Did you catch it?
00:31:14No, but your home is safe.
00:31:16Don't use the toilet,
00:31:17there's a locked chicken in there.
00:31:22Eric, we can't use the 18th toilet in the building.
00:31:25No, we'll use the 17th,
00:31:27and wait for the 18th.
00:31:28Brilliant plan.
00:31:29We don't even know if it's in the sewer,
00:31:31and we don't have that many chickens.
00:31:32We'll buy it.
00:31:33You're so negative.
00:31:34You're ruining my fighting spirit.
00:31:36You're wasting your time, Marilyn.
00:31:38She's playing with you.
00:31:40Only you were missing.
00:31:42I can help you catch it.
00:31:44What do you know about snakes?
00:31:46Nothing.
00:31:47What would I know?
00:31:48Sorry, I was a stuntman,
00:31:49Felix Rodriguez,
00:31:50Delafuente,
00:31:51in the Dangerous Scenes of Man and the Earth.
00:31:53Thank you very much, Maxi,
00:31:54but we're on our way to catch the snake.
00:31:56You'll never find it without my help.
00:31:59It's hidden in some wet place in the building.
00:32:02Under 25 degrees,
00:32:03the endothermic body is inactive.
00:32:07We tried to catch it with a chicken,
00:32:09but...
00:32:10The network python doesn't eat dead animals.
00:32:12Its victims need to be alive.
00:32:15Like us.
00:32:16And like you.
00:32:18Don't listen to him.
00:32:19Let's go.
00:32:20They'll close the super.
00:32:21Wait.
00:32:22The brain is leading.
00:32:23I'm appointing you as the main snake catcher in the block.
00:32:26Will I get paid?
00:32:27Well, no.
00:32:28It doesn't matter.
00:32:29I'll do it for the adventure.
00:32:31But as a bait,
00:32:32I'll keep the skin to make shoes.
00:32:35These are imitations.
00:32:36If you look closely,
00:32:37the skull of the snake is repeated here,
00:32:39here,
00:32:40and here.
00:32:42They're beautiful.
00:32:43Okay.
00:32:44What's your plan, Maxi the Crocodile?
00:32:48Did you take the camera?
00:32:50Yes.
00:32:51Look.
00:32:52The new Turbo Show 9000
00:32:54with the option to zoom in 12x.
00:32:56It captures distant objects with amazing resolution.
00:32:59Did you take pictures or not?
00:33:00Of course.
00:33:01Let me see.
00:33:02Give it to me, you don't know how.
00:33:03I know.
00:33:04No, you don't.
00:33:05Where are you going now?
00:33:06Nowhere.
00:33:07I'm going home.
00:33:08Vicente, you're very handsome.
00:33:09Doesn't he look like Errol Flynn?
00:33:11Yes, yes, he's very handsome.
00:33:12Here are the flowers.
00:33:13And don't overdo it.
00:33:14Amador,
00:33:15the pictures should be compromising.
00:33:17Right.
00:33:18Overdo it.
00:33:19I allow you.
00:33:20Come on,
00:33:21call and give the flowers in a romantic way.
00:33:23We'll take them from the bouquet stand.
00:33:26You're late.
00:33:27Take it.
00:33:28Thank you,
00:33:29there was no need.
00:33:30This is my first romantic meeting in 35 years.
00:33:32No,
00:33:33it's not romantic.
00:33:34I'm happily married.
00:33:35Yes, yes,
00:33:36fine.
00:33:37Don't get lost
00:33:38and don't even think
00:33:39about trying something strange.
00:33:40Are we leaving?
00:33:41Yes,
00:33:42come on.
00:33:43I have a surprise for you.
00:33:44A surprise?
00:33:45Yes,
00:33:46a surprise.
00:33:47A surprise?
00:33:48Yes,
00:33:49a surprise.
00:33:50A surprise?
00:33:51Yes,
00:33:52a surprise.
00:33:53A surprise?
00:33:54Yes,
00:33:55a surprise.
00:33:56Yes,
00:33:57a surprise.
00:33:58A surprising surprise.
00:33:59Do you know
00:34:00we have a lot of work?
00:34:01It's going to be hard.
00:34:06Go remember where it is!
00:34:08It'll fall from here.
00:34:11Coachman party,
00:34:13just like in university.
00:34:15Why don't you go sleep in the other bedroom?
00:34:17Oh right,
00:34:18your dog bothers me.
00:34:19If anyone sees him,
00:34:20tell them
00:34:21to shut the toilet door
00:34:22and the lid on the bathroom.
00:34:23Put something heavy on top.
00:34:25Next time I'll vote for Kiseljak.
00:34:27You can't, you're not a relative.
00:34:29Mom, you're pressing my thigh.
00:34:31Don't you have a whole look?
00:34:33Look at me. And you?
00:34:34Move!
00:34:36Let's show our tits.
00:34:37She's been operated on.
00:34:38Come on, let's go.
00:34:39Let me see.
00:34:40Don't peep at me!
00:34:41Help! Help the kitten!
00:34:45Grab my arm!
00:34:46You'll make me look like Paul McCartney's ex.
00:34:53Help me, bitches!
00:34:54It's getting to my knee!
00:34:59You're a threesome!
00:35:00Just like for the snake!
00:35:02Are you stupid?
00:35:03It's not funny!
00:35:04It's a good thing I brought the kids to my mother.
00:35:07That's absurd.
00:35:08A spokesman talks to debtors,
00:35:10debt collectors,
00:35:11broken elevators,
00:35:12not with snakes and killers of freedom.
00:35:15Come on, it's time for this snake.
00:35:18Let's talk about something else.
00:35:20Okay.
00:35:21Okay.
00:35:24Raquel likes Harry.
00:35:25Yes, very much.
00:35:27No, you hired him as a housekeeper.
00:35:29Look at him, he's so shy.
00:35:31He's falling for him.
00:35:32You've broken him already.
00:35:33Did they give you a salami?
00:35:34I didn't break him.
00:35:35But you like him.
00:35:36Admit it.
00:35:37Yes, I like him.
00:35:38So what?
00:35:40He's a very cool guy.
00:35:41And that's it.
00:35:42So what did you see about Rosalio?
00:35:44He's very friendly, sensitive, intelligent,
00:35:46honest, gentle, a good man.
00:35:48And he's faithful.
00:35:50He kissed me twice
00:35:51and he kissed his wife.
00:35:53He was so wet.
00:35:54Can you imagine?
00:35:55Does Lola know?
00:35:56No, no, no, no.
00:35:57Because I stopped him on time.
00:35:58But how many men are there?
00:36:00A few idiots.
00:36:02I don't just like him,
00:36:03I'm enchanted.
00:36:05I think he's the perfect gadget,
00:36:06lover, friend,
00:36:08faithful husband and father.
00:36:10But he won't do anything
00:36:11because he's married to my girlfriend.
00:36:13For me, Harry is forbidden food.
00:36:15Like red meat,
00:36:16eggs,
00:36:17dairy products,
00:36:18flour,
00:36:19pork,
00:36:20chocolate,
00:36:21ice cream,
00:36:22muffins,
00:36:23sauces.
00:36:25And what do you eat?
00:36:26A lot of things.
00:36:27Tofu.
00:36:29And Javi is young.
00:36:32At our age,
00:36:33thirty-something.
00:36:34Watch out for Stasi,
00:36:35he's going to throw up.
00:36:36Go.
00:36:37No, no, no.
00:36:39I don't like Javi.
00:36:41He's calm for you.
00:36:42No, no, not for me.
00:36:43He's for Lola.
00:36:44Yes, yes.
00:36:45All right,
00:36:46shut up already.
00:36:47We look like a puppet show.
00:36:50To get the snake out of the hiding place,
00:36:52we need to recreate their natural habitat.
00:36:54Thirty degrees and relative humidity.
00:36:56Ninety percent.
00:36:58Come on.
00:36:59Take it and spray it.
00:37:01That's it.
00:37:02I know how to do it.
00:37:03I don't want any mistakes.
00:37:04We're risking our lives.
00:37:07Mary will notice
00:37:08the presence of the fleas
00:37:10with her infrared vision.
00:37:12What about the cucumbers?
00:37:13Calm down,
00:37:14they're lab-related.
00:37:15They were doomed.
00:37:16All right,
00:37:17and when the snake appears,
00:37:20I'll get rid of it.
00:37:22The plan is good.
00:37:23I like it.
00:37:24All right,
00:37:25go on.
00:37:26You're the housekeeper,
00:37:27I'm going to bed.
00:37:28No,
00:37:29the python is a night predator.
00:37:31We need to organize security.
00:37:34We'll spend the night here.
00:37:45The ad opens faster.
00:37:49The ad opens faster.
00:37:56More wine?
00:37:57Do you want to get me drunk?
00:37:58No, no,
00:37:59why?
00:38:01What's with the meeting?
00:38:03There's not much going on.
00:38:04We've been here for two hours
00:38:05and we haven't taken a single picture.
00:38:06What are you doing?
00:38:07I'm calling Vicente to do something.
00:38:12My son.
00:38:13He must be worried.
00:38:15Very nice of him.
00:38:16Let him take care of himself.
00:38:17Hello, Javi.
00:38:18We're making progress.
00:38:19Yes, yes,
00:38:20we're doing great.
00:38:21Take my hand or something.
00:38:22I need a compromising picture.
00:38:24It's hard work.
00:38:25Vicente,
00:38:26man, please.
00:38:27Otherwise,
00:38:28you won't get rid of it.
00:38:29It'll take you a month.
00:38:30Come on.
00:38:31All right, all right.
00:38:32Sleep tight.
00:38:34Is everything all right?
00:38:35Yes, yes, yes.
00:38:36It's starting.
00:38:37Be ready with the camera.
00:38:44Vicente,
00:38:45are you all right?
00:38:48Oh, Gregoria!
00:38:50Stop people from looking at us.
00:38:52This is not the kind of place
00:38:54we're supposed to be.
00:38:55I'm sorry.
00:38:56I'm sorry.
00:38:57I'm sorry.
00:38:58I'm sorry.
00:38:59I'm sorry.
00:39:00I'm sorry.
00:39:01I'm sorry.
00:39:02I'm sorry.
00:39:03I'm sorry.
00:39:04I'm sorry.
00:39:05I didn't propose to my wife
00:39:06in such a place.
00:39:08Now I'll take a picture.
00:39:09Sir, are you all right?
00:39:10Move it!
00:39:12You're the fourth
00:39:13of the bunch.
00:39:15Where was I?
00:39:16Don't fall to your knees.
00:39:17Yes,
00:39:18I held your hand
00:39:19and said,
00:39:20Gregoria!
00:39:21Do you want to marry me?
00:39:23I took a photo.
00:39:24You've embarrassed yourself.
00:39:25You must have cut your head off.
00:39:26Take me home right now.
00:39:27I knew I shouldn't have to come.
00:39:29I knew it.
00:39:33Did you take a shot?
00:39:34Did you take a picture?
00:39:35Yes, look.
00:39:37Leave it at home and I'm going to sleep.
00:39:39No, no, leave the final picture.
00:39:40What final picture?
00:39:41The kiss of the dears.
00:39:42Yes, to break my womb.
00:39:44My death will be paid by these.
00:39:48And these are not enough?
00:39:50No, I want to see that there is love,
00:39:52that my mother loves him.
00:39:53And how will we achieve it?
00:39:55I remembered.
00:39:56We'll meet at three on the third.
00:39:58It's so late, your mother will sleep.
00:40:00Exactly.
00:40:05Let's camp at the entrance.
00:40:07And how hot it is for God.
00:40:09It's a little tight, but the price is good.
00:40:13Javier, I want to ask you.
00:40:15Are you satisfied as a deputy home manager?
00:40:18Honestly, no.
00:40:19It's not pleasant.
00:40:20It's difficult.
00:40:21Judit is not easy at all.
00:40:23Is that so?
00:40:24As attractive as she is, she is so unstable.
00:40:26That's why an angel with a face and a sinful body
00:40:29hides a bipolar personality that can confuse you.
00:40:32Be careful where you go.
00:40:33I'm not going anywhere.
00:40:34And why did I become a deputy home manager?
00:40:36To do something.
00:40:37To think all day whether Lola, whether Raquel ...
00:40:40Do you like Raquel?
00:40:42What is this thing, young man?
00:40:44Well, you're not that young.
00:40:46You're approaching 40.
00:40:4832.
00:40:49Exactly.
00:40:50You have white hair here.
00:40:52You're not flattering, but ...
00:40:54Enrique, I don't want to have anything in common with Judit.
00:40:56Do you want her?
00:40:57No.
00:40:58Javier, bow down.
00:40:59You're digging for the devil.
00:41:00No.
00:41:01Bow down with your endless legs
00:41:03while your body is shaking from your brutal thighs.
00:41:06Enrique, you look a little nervous to me.
00:41:09Sorry.
00:41:10This noise of monkeys confuses me.
00:41:14Change to Carol, comrade.
00:41:16Your turn.
00:41:17I've only been sitting for 10 minutes.
00:41:18I'll get rid of her.
00:41:20I have to be fresh.
00:41:21Wait.
00:41:28Wait.
00:41:29Wait a minute.
00:41:32It's not bad here.
00:41:33It's like when we went camping with the students.
00:41:36I laughed so much.
00:41:37It was ...
00:41:38Yes.
00:41:40The bitter misfortune.
00:41:41That's the game for you, isn't it?
00:41:43You have no idea what we're made of.
00:41:45A perfect organism.
00:41:47Its structural perfection
00:41:49can only be compared to its hostility.
00:41:52It's a predator
00:41:53that has no means,
00:41:55no bite.
00:41:57You admire it.
00:41:59I admire its purity.
00:42:19I'm scared.
00:42:32Spread out, you louts!
00:42:36Come on.
00:42:37You're scaring the neighbors.
00:42:40I'm a red-haired lout.
00:42:42You're going to miss this meal.
00:42:47Where have you been?
00:42:48Sleep with me.
00:42:49The snake is free.
00:42:50I'm here alone.
00:42:51You should have taken the keys from Javi.
00:42:53How did you get down with the brain?
00:42:55That's not going to happen.
00:42:56Your mother will kill us.
00:42:58She won't understand.
00:42:59Drink the pills for sleep.
00:43:02Look at him.
00:43:03He's a little crazy.
00:43:04He's a little crazy.
00:43:05He's a little crazy.
00:43:06He's a little crazy.
00:43:08Look at him.
00:43:09He's on the couch.
00:43:11Vicente!
00:43:13Vicente!
00:43:14He's not responding.
00:43:15Help me.
00:43:16What are you doing?
00:43:23Quiet, quiet.
00:43:24He's going to wake up.
00:43:25If he's not awake yet,
00:43:26give him the pill.
00:43:27Do it.
00:43:28Come on.
00:43:30Come on.
00:43:31Take his pants off.
00:43:34If your dog wakes up,
00:43:35there's going to be a murder.
00:43:38Mother, what are you doing?
00:43:50Help me put him to sleep.
00:43:53I'm going.
00:43:54I'll leave the device.
00:43:55Bye.
00:43:56Be careful.
00:43:57He's a little crazy.
00:44:07He's a little crazy.
00:44:38He's going to wake up.
00:44:40What's going on?
00:44:41A terrible picture.
00:44:42I'm going to send it to Dad.
00:44:59Shushi!
00:45:00Shushi!
00:45:02Are you awake?
00:45:04He's going to wake up.
00:45:05Don't shake.
00:45:08What's going on?
00:45:09What's going on?
00:45:10Mishka!
00:45:13No!
00:45:14Don't kill her.
00:45:15She's my wife.
00:45:16I can't be with her.
00:45:20No!
00:45:21Take it off.
00:45:22Take it off.
00:45:23Take it off.
00:45:29Good morning.
00:45:31What time is it?
00:45:33What?
00:45:34Do you live together?
00:45:35It's a group hunt for snakes.
00:45:38She took the mice.
00:45:39They didn't notice.
00:45:40She didn't take them.
00:45:41They ran away.
00:45:43Oh, no.
00:45:44He was in our bed again.
00:45:46The lesbian in pajamas.
00:45:47The caviar is to blame.
00:45:49He was supposed to change me, but he fell asleep.
00:45:52You fell asleep.
00:45:53You were supposed to wake me up.
00:45:54The exhaustion won me over.
00:45:56Or the age.
00:45:57Anyway, you both betrayed me.
00:45:59The snake killer's eggs.
00:46:01Mereline is breaking.
00:46:03Lord!
00:46:04We're going to die of fear.
00:46:07Stay calm.
00:46:08Don't get too close.
00:46:09We found her nest.
00:46:11Yes, we made a jungle and she's free.
00:46:13How will she breed when there's no snake?
00:46:16It was about time.
00:46:18Honey!
00:46:19Don't bite them.
00:46:20How not?
00:46:21Crush them!
00:46:22No!
00:46:23Back!
00:46:24The snake will come and kill them.
00:46:26I'll wait for her.
00:46:28Who allowed this Pole to join the group?
00:46:31Caviar appointed him.
00:46:32If I were the manager,
00:46:33I'd take over the nest and give
00:46:35a snake skin wallet to every owner.
00:46:38Not to the tenants.
00:46:40To you, yes.
00:46:41And some powder.
00:46:42Snake skin powder?
00:46:44How uncomfortable.
00:46:45Like Conan's masks.
00:46:47Wait a minute.
00:46:48These eggs have a expiration date.
00:46:50What?
00:46:51Look.
00:46:52My God!
00:46:53This is a mutation.
00:46:54Like Godzilla.
00:46:56What kind of mutation is this?
00:46:58To write the date of...
00:46:59It's strange.
00:47:00Who was this Shagajia?
00:47:03The same guy.
00:47:04Antonio Resio.
00:47:05Look at him.
00:47:06He gave up.
00:47:07You make him ugly
00:47:08because you bite Maroto.
00:47:11See?
00:47:12Everyone's talking.
00:47:13No, Raquel.
00:47:14You're mistaken.
00:47:15What a betrayal.
00:47:16Leave her alone.
00:47:17Come on.
00:47:18Successful meeting.
00:47:19Who's going to clean the jungle?
00:47:20Shut up.
00:47:21The housekeeper is still a Jew.
00:47:23You like her?
00:47:24Ah, you want to try
00:47:25Snail of Tex's penis.
00:47:26Do you want me to try it with you?
00:47:28Shushi, no!
00:47:29Calm down.
00:47:30Let's trust Judith a little.
00:47:33Did you make a mistake?
00:47:34Yes.
00:47:35But that's because of inexperience.
00:47:37Do you wear a wig?
00:47:39How much?
00:47:40This month, free of charge.
00:47:41Let's not waste time
00:47:42and look for everyone together.
00:47:43We'll split up into groups
00:47:44and check the building.
00:47:46Come on.
00:47:47The bad guys, too.
00:47:48Please.
00:47:49But to make him a job
00:47:50if you do the job.
00:47:52With Antonio Resio
00:47:53that was an exception.
00:47:55Don't be silly.
00:47:56He won't come back to you.
00:47:57Come on.
00:47:58Let's do something together.
00:47:59Neighborhood adventure.
00:48:00Are you going to throw away
00:48:01this trash can
00:48:02that leads the block to the abyss?
00:48:04You deserve your honor then.
00:48:07Come on, you two,
00:48:08look in the toilet.
00:48:09It's pretty wet there.
00:48:10And dark.
00:48:11Javi,
00:48:12do it for me, please.
00:48:13All right, all right.
00:48:14Why don't the neighbors chase you?
00:48:15You pay the bill.
00:48:16Have a little political dignity.
00:48:18Koke,
00:48:19clean the entrance.
00:48:21I don't care about anything up there.
00:48:23As long as this snake
00:48:24doesn't eat anyone,
00:48:25they won't take measures.
00:48:26That's right.
00:48:28We need a victim.
00:48:29I'm going to see Tonino.
00:48:30I left him alone in the booth.
00:48:35The fool gave me the solution.
00:48:41What the hell?
00:48:44Get out of here, you coward.
00:48:45Mom, what did you do?
00:48:46What is this gentleman doing
00:48:47in my bed?
00:48:48Yes, what is he doing here?
00:48:50You're a coward,
00:48:51a coward,
00:48:52my mother.
00:48:53What are you saying, you fool?
00:48:54Get out,
00:48:55or I'll call the police.
00:48:57You can't do this to Dad.
00:48:59He took the safety measures.
00:49:00I didn't do anything with this one.
00:49:02You have to go back to Dad.
00:49:03You're not safe here.
00:49:05I'm not going anywhere.
00:49:06There's no pervert
00:49:07chasing me out of my house.
00:49:08Oh,
00:49:09it's yours now.
00:49:10I'm going to eat
00:49:11before I get really sick.
00:49:16Oh, God.
00:49:27Dad, how are you?
00:49:29Did you see the pictures?
00:49:31Yeah, yeah, yeah,
00:49:32calm down.
00:49:33I warned you.
00:49:34That's what happens
00:49:35when you don't pay attention
00:49:36to your wife.
00:49:37No, Dad,
00:49:38don't make her cry.
00:49:40She,
00:49:41she loves you a lot.
00:49:42She's begging you
00:49:43to bring back the sausages.
00:49:45Talk to her.
00:49:47But don't tell her
00:49:48anything about the pictures.
00:49:49There's no reason, Dad.
00:49:50What are the pictures for?
00:49:53Shut up.
00:49:54We've already made the sky,
00:49:56and it's the most difficult
00:49:57and very fast,
00:49:58in four hours.
00:50:00And on the box it says
00:50:01from three to six years.
00:50:05You stay here and play.
00:50:07I'm going to the bathroom
00:50:08and I'm going to smoke a cigarette.
00:50:11Paralysis,
00:50:12that's my brilliant plan.
00:50:13You have to steal
00:50:14the caravan from the doorman.
00:50:16The keys are always there.
00:50:17You take them
00:50:18and put them
00:50:19in some gypsy shack.
00:50:20They'll split there.
00:50:22Is he going to commit a crime again?
00:50:24No,
00:50:25it's not a crime.
00:50:26It's to grow coca
00:50:27while I'm extracting tannin.
00:50:28The holy devil
00:50:29is distracted, isn't he?
00:50:30Don't be angry.
00:50:31This is a national sport.
00:50:33I'm sure
00:50:34you paid your ticket the same way.
00:50:35No,
00:50:36I've been working
00:50:37for six years.
00:50:38Suddenly,
00:50:39we were stuck
00:50:40for 12 hours
00:50:41because of an explosion.
00:50:4212 hours?
00:50:43Didn't they show it
00:50:44on TV?
00:50:45You messed up the ticket.
00:50:46Now you could be famous.
00:50:47It was in Chile.
00:50:48Chile,
00:50:49Colombia,
00:50:50everything is ours.
00:50:51The sun didn't set
00:50:52in the Spanish Empire,
00:50:53but with the Socialists,
00:50:54we lost everything.
00:50:56It was before that.
00:50:57Are you going to teach me
00:50:58Spanish history?
00:50:59Remember
00:51:00that you'll be released
00:51:01in the immigration office.
00:51:02Yes, boss Antonio.
00:51:12Is this really moving?
00:51:15What did this Arab sell me?
00:51:17Coca!
00:51:18They stole the caravan from you.
00:51:20TJ!
00:51:21Yes?
00:51:25Coke?
00:51:27How irresponsible is it
00:51:28to leave the child
00:51:29at the mercy
00:51:30of every psychopath
00:51:31who passes by?
00:51:32Tony,
00:51:33I'm your father.
00:51:34Leave it.
00:51:35We're going home.
00:51:37Wait, wait.
00:51:38Give me a shoe.
00:51:39I'll leave it here
00:51:40so it's more dramatic.
00:51:41How are you?
00:51:42I miss your childhood.
00:51:44God.
00:51:45Parales,
00:51:46what are you doing?
00:51:48Mr. Coke,
00:51:49what are you doing here?
00:51:50This is my house.
00:51:51Where are you going
00:51:52with the caravan?
00:51:53I borrowed it
00:51:54to go to the airport
00:51:55so my brother
00:51:56from Barranquilla
00:51:57could pick me up.
00:51:59Hurry up,
00:52:00brother.
00:52:01I left Tony
00:52:02in the booth.
00:52:03Okay,
00:52:04but don't turn me in.
00:52:05You have to beg,
00:52:06Parales,
00:52:07not steal.
00:52:08I didn't want to.
00:52:10I'm sorry.
00:52:11I'm sorry.
00:52:12I'm sorry.
00:52:13I'm sorry.
00:52:15Okay,
00:52:16don't cry.
00:52:17Come on.
00:52:21There you go,
00:52:22son.
00:52:23Start learning the fish.
00:52:24One day
00:52:25you'll inherit my empire
00:52:26and you'll be the hope
00:52:27of the family.
00:52:28That's the fish, Tom.
00:52:29But until you grow up,
00:52:30the fish can disappear.
00:52:31Stay here
00:52:32until I come back.
00:52:34Wait, wait.
00:52:35I'll show you
00:52:36the economic channel.
00:52:37The only decent thing
00:52:38on TV.
00:52:39What luck.
00:52:40Debates.
00:52:42Listen,
00:52:43here you learn more
00:52:44than at school.
00:52:47Who's playing with salami,
00:52:48Amador?
00:52:49Who's playing with salami,
00:52:50Amador?
00:52:52Amador?
00:52:53Son.
00:52:55What are you doing with this suitcase?
00:52:56I'm going back to your father.
00:52:57And why?
00:52:58I talked to him
00:52:59and he seems strange to me.
00:53:00Do you know what he's like?
00:53:01No,
00:53:02we haven't heard from him in a long time.
00:53:04I'm sorry
00:53:05I'm leaving you here alone,
00:53:06but I have to be with him.
00:53:08Of course.
00:53:11I'll miss you, Mom.
00:53:13And I'll miss you, son.
00:53:15Will you take me to the station?
00:53:17I have work.
00:53:18I'd better call a taxi.
00:53:19Be a good boy
00:53:20and find a job.
00:53:22Yes, Mom.
00:53:23Yes, yes.
00:53:24Come on, driver.
00:53:26Goodbye.
00:53:27Goodbye, Mom.
00:53:36I'm free.
00:53:37Free.
00:53:39Free.
00:53:43Hello.
00:53:44Is it comfortable?
00:53:45Yes, it's very comfortable.
00:53:47The crisis with the snake killer.
00:53:49She's not here.
00:53:51She either left
00:53:52or took off her jacket
00:53:53and hid to eat with Mila.
00:53:55It's more comfortable for us
00:53:56to sit on the sofas.
00:53:58Would you like something to drink?
00:53:59No, thank you.
00:54:00We saw two fleas,
00:54:01but we couldn't catch them.
00:54:02They must have tried
00:54:03some kind of doping
00:54:04for wheelchairs
00:54:05because they run
00:54:06at a terrible speed.
00:54:08Araceli doesn't let us kill them.
00:54:09She believes in reincarnation
00:54:10and is convinced
00:54:11that one of them
00:54:12is her grandmother.
00:54:14Any suggestions
00:54:15from the housekeeper?
00:54:22What else are you going to say?
00:54:31Come on, say something.
00:54:33I'm leaving.
00:54:35No, no, no.
00:54:36No, no.
00:54:37Wait here.
00:54:38We'll talk.
00:54:39No, seriously.
00:54:40What do you want in the middle of a crisis?
00:54:41To be professionals?
00:54:43Come on, girl.
00:54:44It's obvious
00:54:45you're leaving with...
00:54:47No, no.
00:54:48This is
00:54:49Crisis and Stub.
00:54:51We're discussing the snake
00:54:53which is nowhere to be found.
00:54:55But I'm leaving.
00:54:56I have a lot of work
00:54:57and...
00:54:58and...
00:54:59Come on.
00:55:04How far is the door?
00:55:11Come on.
00:55:12Bye.
00:55:16Are you kissing him?
00:55:18No, no.
00:55:19Don't lie to me.
00:55:20I know this physiognomy.
00:55:22His or mine?
00:55:23Both of them?
00:55:24Yes, kiss him.
00:55:25What's the big deal?
00:55:27Javier, we need to talk.
00:55:28Eric, I love Lola.
00:55:29I didn't do anything to anyone.
00:55:30Leave me alone, please.
00:55:31Don't get mad.
00:55:32I wanted to apologize
00:55:33for my attitude towards you
00:55:34because it's...
00:55:35my job.
00:55:36I'm not...
00:55:37Listen to me.
00:55:38Don't get mad.
00:55:39I consider you to be
00:55:40a principled person
00:55:41despite the rumors.
00:55:42I know you're not capable
00:55:43of cheating on your wife.
00:55:44Make sure you don't
00:55:45want Judith.
00:55:46Right?
00:55:47I don't want her.
00:55:48No, no.
00:55:49Neither do you.
00:55:50And in general?
00:55:51Judith made you a partner
00:55:52to make me jealous.
00:55:53And so far,
00:55:54she's been successful.
00:55:55But those numbers
00:55:56of an immature girl
00:55:57don't apply to me.
00:55:58I keep the keys
00:55:59to this relationship.
00:56:00Yes, yes.
00:56:01Make sure.
00:56:02I'm sorry
00:56:03I have to use them.
00:56:04She's very passionate.
00:56:05Yes, yes.
00:56:06I mean,
00:56:07imagine
00:56:08that I...
00:56:09Go on.
00:56:10We have our problems.
00:56:11In fact,
00:56:12we're even in trouble.
00:56:13But I know
00:56:14she loves me madly.
00:56:15Attack me right away.
00:56:16The sooner you figure it out,
00:56:17the better.
00:56:18Did she tell you anything?
00:56:19She's mad.
00:56:20Besides,
00:56:21you're free to go.
00:56:22I let her go.
00:56:23She can't stand the tension.
00:56:24Exactly.
00:56:25Oh,
00:56:26Smehoranka.
00:56:27What are you going to do
00:56:28without me?
00:56:29No.
00:56:30Let her come.
00:56:31No.
00:56:32No.
00:56:33No.
00:56:34No.
00:56:35No.
00:56:36No.
00:56:37Let her come.
00:56:38Let her suffer a little.
00:56:39You'll make her a shithead
00:56:40no matter what.
00:56:41I'm going to open your heart,
00:56:42share your feelings with him,
00:56:43and you're going to throw yourself at him.
00:56:44And you're going to advertise him
00:56:45as if I like him.
00:56:46If only she hadn't studied marketing.
00:56:47Kiseljaka is right.
00:56:48You really are a red-haired nerd.
00:56:49I'm very lonely.
00:56:50What about the girl?
00:56:51He doesn't like me.
00:56:52Let's change them.
00:56:53This isn't a rock, Leudit.
00:56:54We're talking about an intelligent,
00:56:55gentle, and sexy man.
00:56:56The girl
00:56:57doesn't like me.
00:56:58She doesn't like me.
00:56:59She doesn't like me.
00:57:00She doesn't like me.
00:57:01She doesn't like me.
00:57:02She doesn't like me.
00:57:03She doesn't like me.
00:57:04She doesn't like me.
00:57:05She doesn't like me.
00:57:06She doesn't like me.
00:57:07She doesn't like me.
00:57:08She doesn't like me.
00:57:09She doesn't like me.
00:57:10She doesn't like me.
00:57:11She doesn't like me.
00:57:12She doesn't like me.
00:57:13She doesn't like me.
00:57:14She doesn't like me.
00:57:15She doesn't like me.
00:57:16She doesn't like me.
00:57:17She doesn't like me.
00:57:18She doesn't like me.
00:57:19She doesn't like me.
00:57:20She doesn't like me.
00:57:21She doesn't like me.
00:57:22She doesn't like me.
00:57:23She doesn't like me.
00:57:24She doesn't like me.
00:57:25She doesn't like me.
00:57:26She doesn't like me.
00:57:27She doesn't like me.
00:57:28She doesn't like me.
00:57:29She doesn't like me.
00:57:30Ah!
00:57:31So this is war.
00:57:32And she got lost because she's closer to me.
00:57:34You broke our friendship.
00:57:36What kind of friend am I when I have a gadget?
00:57:40Help!
00:57:41Tony is missing!
00:57:44They took my child!
00:57:47This is obviously an abduction.
00:57:49There is a big black market for children's organs for transplantation.
00:57:53Please, Maxi!
00:57:54The mother is here!
00:57:55Where were you looking for him?
00:57:57I left him at the front door.
00:57:59He's a fool.
00:58:00A real fool.
00:58:01But you heard him well, didn't you?
00:58:03Ma'am!
00:58:04There was no abduction.
00:58:05No one leaves here.
00:58:06The snake killer took Tony.
00:58:09No!
00:58:10Yes.
00:58:11Look at his shoe.
00:58:12He has a legion in his shoe.
00:58:14She dug him out.
00:58:16I urge you to be wise.
00:58:18Let's not assume such a terrible thing without convincing evidence.
00:58:22The constable is safe.
00:58:23The star crawled to the booth and surprised the child.
00:58:26She ran away.
00:58:27She died of suffocation.
00:58:30Tony!
00:58:31My mother took him.
00:58:33Now she's probably feeding him in some corner of the building.
00:58:37Maxi!
00:58:38We're all energy.
00:58:41Tony is definitely in the tragedy.
00:58:43The snake has eaten human flesh.
00:58:45We'll die in terrible pain.
00:58:47Here's the culprit.
00:58:49I'll kill you!
00:58:51I'm not guilty.
00:58:52The paralytic took my caravan.
00:58:55Yes, yes.
00:58:56Poor immigrant.
00:58:57How many more neighbors must die to be fired by the housekeeper?
00:59:01Procedure for firing!
00:59:02And charges!
00:59:03You're not doing your job.
00:59:05I'm sorry.
00:59:06We have to do something to find Tony.
00:59:08Or the snake.
00:59:09Or both.
00:59:10He's already dead.
00:59:11First, let's choose the housekeeper.
00:59:13I suggest I go back.
00:59:15Antonio, now is not the time.
00:59:17The child is gone.
00:59:18Did you baptize him?
00:59:19For what?
00:59:20The corner of the building.
00:59:21He died wrongly.
00:59:22It's terrible.
00:59:23He's so young and he's already dead.
00:59:25What is this obsession now?
00:59:27You're not even one percent.
00:59:29There may be hell for your children.
00:59:31Don't listen to them.
00:59:32I'll go to the police to report the disappearance.
00:59:34If I have to, I'll go on TV.
00:59:36How much will they pay me?
00:59:38If they give me on TV, I have to go to the hairdresser.
00:59:41I'm coming too.
00:59:43Where are you going?
00:59:44We have to be supportive.
00:59:45Where are you going?
00:59:46We have to vote.
00:59:47We'll die.
00:59:48The neighbors don't love you.
00:59:50But I do.
00:59:51Wait.
00:59:52I'll fight the idiot.
00:59:53How long will you punish me?
00:59:54A little while.
00:59:57Maxi, we have to find the snake immediately.
01:00:00Go to the zoo or wherever it is.
01:00:02No.
01:00:03It's between Marilyn and me.
01:00:05Admit it.
01:00:06Because we don't know where it is.
01:00:07Don't worry.
01:00:08Tonin was just an ordealist.
01:00:10She will attack again.
01:00:13And I'll wait for her with the puppy.
01:00:22What am I going to do with this child?
01:00:24I'm going to be a lonely father.
01:00:26Tonin, the first lesson in life.
01:00:28Don't trust anyone.
01:00:30Watch out for foreigners, faggots and redheads.
01:00:33The latter are the most difficult to find.
01:00:35They usually deal with movies or protest songs.
01:00:40Damn it.
01:00:41Who is it?
01:00:42Antonio.
01:00:43It's me.
01:00:44We need to talk.
01:00:45Mom.
01:00:46Come here.
01:00:47I'm coming.
01:00:48How bored is this woman?
01:00:50The second lesson in life.
01:00:52Never get married.
01:00:53Only prostitutes.
01:00:54It's cheaper.
01:00:58What?
01:00:59Antonio, you won't let me keep you like this in front of the neighbors.
01:01:04Don't humiliate her.
01:01:05Something else.
01:01:06Yes.
01:01:07Hurry up.
01:01:08Where are you going?
01:01:09To get the Bible.
01:01:10To get the Bible.
01:01:11I left it in my locker.
01:01:12What Bible?
01:01:13The one signed by Monsignor Raul Coballer in Corta Iglesia.
01:01:17Don't go in there.
01:01:18I'll get it for you.
01:01:19Wait here.
01:01:20What's going on?
01:01:21What are you hiding in there?
01:01:22Nothing.
01:01:23Is there another woman?
01:01:25Yes, yes, yes.
01:01:26Don't look.
01:01:27With naked breasts.
01:01:28I made her a gendarmerie.
01:01:29She was going to go to Draeger.
01:01:31You're lying.
01:01:32You didn't put on the hat.
01:01:33I'm under cover.
01:01:34I like it more.
01:01:35Hurry up.
01:01:36This is my house.
01:01:37Get out of here.
01:01:39Tonin?
01:01:40Did you distract him?
01:01:41No, no.
01:01:42I didn't distract him.
01:01:43Because he's my son.
01:01:44I'm going to call the police.
01:01:45Wait, wait.
01:01:46I don't need this kid.
01:01:48I just wanted to get rid of the housekeeper.
01:01:50Our daughter-in-law.
01:01:51She thinks her child was eaten by a snake.
01:01:54She was brilliant, wasn't she?
01:01:55But I don't trust her.
01:01:56She's still in power.
01:01:58How can you play with the pain of a mother?
01:02:01She beats everyone and votes for her.
01:02:03Antonio.
01:02:04Are you listening to me?
01:02:05Yes, maid.
01:02:06I'll get him back.
01:02:07Wake up right now and apologize.
01:02:09I have a different plan.
01:02:11I'm going to kill two birds with one stone.
01:02:13Now they're going to make me a housekeeper.
01:02:16Where are you going?
01:02:17Antonio Resio will be the hero who will free Tonin.
01:02:20The living legend of Montepinar.
01:02:23Who's going to believe you?
01:02:25Do you have that anti-cellulite cream that smells bad?
01:02:28The gel with this effect?
01:02:29Yes.
01:02:30Give it to me.
01:02:31It looks like stomach juices.
01:02:34Brain, what are you doing?
01:02:35A party at home until the evening?
01:02:37My mother went to the pool.
01:02:39With the girl in the pool, it's going to be wild.
01:02:42Come on.
01:02:44Come on, bye.
01:02:48Mom.
01:02:49What are you doing here?
01:02:53My father left her and she came back.
01:02:55Break up your marriage.
01:02:57How can you send her those pictures?
01:02:59She's healthy.
01:03:01Now you're going to keep her until she dies.
01:03:03Enough.
01:03:04She's in very good health.
01:03:05Don't you know you made the pictures?
01:03:07No, my father didn't say anything.
01:03:09What did he say at the party?
01:03:10He just left her?
01:03:11It turned out he was a thug.
01:03:12He had a girlfriend.
01:03:13What are you talking about?
01:03:14I've been wearing the same haircut for three years.
01:03:16And I've used up all the money.
01:03:18Everyone has gadgets, only you don't.
01:03:20Don't touch me.
01:03:21Why are you touching me?
01:03:22So your mother is free now.
01:03:23Don't do this to them.
01:03:25Find a job, go back to Milo and...
01:03:27I don't want to go back to my mother.
01:03:29I want to be a bohemian truck driver.
01:03:32Hey, Hamedor, you're not going to learn.
01:03:36I left him here with Pazela.
01:03:38And look, we had already made the sky.
01:03:41I went to the caravan to flush...
01:03:44I mean, to the toilet.
01:03:46My son!
01:03:47What did you do with Tonin?
01:03:50Do you usually use the door as a pillow?
01:03:54No, no.
01:03:55The door is limited to the fulfillment of your contract.
01:04:00What contract?
01:04:01We believe Tonin was kidnapped by a python,
01:04:04who is trying to break free.
01:04:06This is...
01:04:07What?
01:04:08Araceli, don't speculate without basis.
01:04:10This one is red.
01:04:11Do you have a python at home?
01:04:12His name is Marilyn.
01:04:13No, my son is Francisco Javier,
01:04:15who is a bit of a strange teenager.
01:04:18You must have permission.
01:04:19I'll explain.
01:04:20It all started three years ago,
01:04:21when my wife left me a note,
01:04:24and my life turned upside down.
01:04:25Again?
01:04:26I know, I didn't leave you anything.
01:04:28This one is a lesbian dough.
01:04:30And Saskun, you don't care about that.
01:04:32Are you a lesbian?
01:04:34Why is everyone asking this question?
01:04:36Because this is the world of homophobia.
01:04:38Police, we're desperate.
01:04:39We've been looking for the snake since yesterday,
01:04:41but there's no sign of it.
01:04:42The only sign is...
01:04:44that Tonin ate it.
01:04:45We're going to kill you, bastard!
01:04:47Calm down, calm down.
01:04:48We'll see if we can find the child,
01:04:51or the snake.
01:04:52Calm down.
01:04:54The bitter misfortunes.
01:04:55This is a game for you, right?
01:04:57Maxi!
01:04:58Maxi, you don't know what you're getting yourself into.
01:05:00An imperfect organism, a predator.
01:05:03I got him!
01:05:04I freed Tonin from the beast's prey!
01:05:06Tonin!
01:05:07Tonin, my son!
01:05:09Take him.
01:05:10They're forcing me to let him go.
01:05:11Who is this gentleman?
01:05:12Antonio Resio, a merchant and hero of the block.
01:05:15What is this about the child?
01:05:17What is it?
01:05:19Stomach juices.
01:05:20Do you want me to clean it for you?
01:05:22It smells like rotten cellulite gel.
01:05:24I'm sure there are stabilizers like in the leagues.
01:05:26It stinks.
01:05:27I spilled it.
01:05:28The bitter one was like a pinocchio in a whale's skin.
01:05:31Is this some kind of joke?
01:05:32How is the child going to live inside the snake?
01:05:35He could have swallowed it whole.
01:05:37He's so tiny.
01:05:38Don't listen to him.
01:05:39He dragged Tonin away.
01:05:40Antonio!
01:05:41He's gone too far this time.
01:05:43Yes, attack me now while I'm agonizing.
01:05:45Spill your poison.
01:05:47I have five minutes left.
01:05:49Just enough to hold a meeting and fulfill my last wish.
01:05:52I want to die as a housekeeper.
01:05:55The pythons have no poison.
01:05:58This one is a mutant.
01:05:59Who votes to become a housekeeper?
01:06:01Who?
01:06:02Dad, I found Marilyn.
01:06:04She was back in my room.
01:06:06Back, everyone!
01:06:07This is between me and her.
01:06:09Take this and we'll confiscate it.
01:06:11Excuse me.
01:06:12And you, come with us to the police.
01:06:14But I'm a hero!
01:06:15For this you become an attacker and a kidnapper.
01:06:18The child is fine.
01:06:19Are you going to file a complaint?
01:06:20If he wins something, yes.
01:06:21I didn't distract anyone. I'm his father.
01:06:24I'll give you a box of caries.
01:06:25You can't smell them with your shoes on.
01:06:28This neighbor is a constant threat.
01:06:29He deserves serious punishment.
01:06:31You are also here to look after dangerous animals.
01:06:34But my son is guilty.
01:06:35I'm an advisor, please.
01:06:37And I'm a merchant.
01:06:38What a country!
01:06:39Are you happy now?
01:06:40Maybe there are prostitutes there.
01:06:42Orgy in Bambisa.
01:06:43No.
01:06:45Don't hit me on the head that my hair is short and without it.
01:06:54Do you like classical music?
01:06:56I thought we could watch a movie like a friend.
01:06:59I don't know.
01:07:00The Exile lives on the upper floor.
01:07:02For example, a married man whose wife passes by
01:07:04and he begins to feel attracted to a terrible Russian neighbor.
01:07:08Sounds familiar to me. I've seen it.
01:07:10Don't lie to me.
01:07:11I have football.
01:07:12You have football every day.
01:07:13And thank God.
01:07:14Do you have a TV in the bedroom?
01:07:16No, it's better to watch it here.
01:07:18But first make me dinner at least.
01:07:19I want croquettes.
01:07:20Okay, but frozen.
01:07:22Frozen.
01:07:23If your mother hopes ...
01:07:25God!
01:07:30You ...
01:07:31Do you want?
01:07:32No, no.
01:07:33For me, this is forgotten food.
01:07:36Like you.
01:07:37There is not much healthy food here.
01:07:39It's better in the evening at your place.
01:07:41Because we are friends and friends do not wish.
01:07:44No, that's terrible.
01:07:46And the friendship falls apart.
01:07:48But we are not such friends.
01:07:50Friendship is a strange thing.
01:07:52Raquel, you ...
01:07:54You are very close.
01:07:57You are very close.
01:07:59Croquettes!
01:08:00One moment.
01:08:02No, stay calm.
01:08:03Back.
01:08:04This time you start.
01:08:06I fell in love with you.
01:08:07But why?
01:08:08I did nothing.
01:08:09You did something.
01:08:10I do not fall in love like that.
01:08:11I would be very pleased, but ...
01:08:14You do not attract me at all.
01:08:16Do not lie.
01:08:17Call.
01:08:20God!
01:08:22And a little olive oil.
01:08:23Dad, get up.
01:08:25Come on.
01:08:26Can you get dirty here?
01:08:28My boiler fell apart.
01:08:30I want to relax.
01:08:32I had a hard day.
01:08:34We were going to have dinner ...
01:08:36What are you doing here, dirty?
01:08:38No, you do not get dirty.
01:08:39Do you have a new servant?
01:08:40Let's explain that.
01:08:42Get out.
01:08:43I came first.
01:08:44You got very drunk with the model from last year.
01:08:47I do not have to go naked to grab the gadget.
01:08:50Surgery chicks attract a lot.
01:08:52They are not operated.
01:08:54Calm down.
01:08:55Calm down.
01:08:56Calm down.
01:08:57Oh, my God.
01:08:58I just missed the neck.
01:08:59Enough olive oil.
01:09:00You're lying that you're really drunk.
01:09:01I believe you.
01:09:03Javi can not do that.
01:09:04You have to choose.
01:09:05Yes, choose.
01:09:06But you know that she wants only sex.
01:09:08And mine is love.
01:09:09Mine too, Javi.
01:09:10I love you.
01:09:11I love him for a month.
01:09:12You were drunk yesterday.
01:09:14It was love at first sight.
01:09:15Wait.
01:09:16Stop.
01:09:17Look.
01:09:18I am very grateful to you for these deep feelings that have spread in your hearts,
01:09:22but I already chose when I got married to my wife.
01:09:26Who knows what he's doing in Miami.
01:09:28Dad.
01:09:29Open your eyes, Javi.
01:09:30Lola was not happy here.
01:09:32And now she has a new life, surrounded by Latinos.
01:09:35And we look at the lovers of Adelita.
01:09:37No.
01:09:38Lola loves me and respects me.
01:09:39She can not live without me.
01:09:40Married?
01:09:41Maybe.
01:09:42Since when did not ring?
01:09:47Lola.
01:09:48Here.
01:09:50Lola, my love.
01:09:51How are you?
01:09:53I love you too.
01:09:54I miss you a lot.
01:09:56Do not you feel a little sorry?
01:09:58Let's go.
01:09:59What a humiliation.
01:10:00Let's go out for a drink.
01:10:02Yes, I need a friend.
01:10:04Me too.
01:10:12Hello.
01:10:13Antonio.
01:10:14What do you want?
01:10:15It's a little ...
01:10:16Is your friend here?
01:10:19What is it for?
01:10:20I want to ask her something.
01:10:22Are we neighbors?
01:10:23Yes.
01:10:24Sushi, fish.
01:10:26Merchant.
01:10:28What?
01:10:29The one where he offers to try your latex penis with me.
01:10:32Is he still driving?
01:10:38Turn around!