• last year
Nineties Eastenders (29th August 1997)
Transcript
00:00♪
00:25Come on, Ricky. Chop, chop. Rise and shine.
00:50What's going on?
00:51It's the last day. We've got to make the most of it.
00:53What's got into you?
00:54I've decided we're going to cram it all in today.
00:56Tell you what, I'll never understand you.
00:58Why? What's the problem?
00:59Well, last night you were all tearful, telling me how much I don't deserve you.
01:02This morning you're buzzing me about again.
01:04Well, I'm a very complicated person, aren't I? Come on.
01:07Ricky, the toilet's still working. You're a genius.
01:11I keep telling him, but he doesn't believe me.
01:13Have you got any money?
01:14What do you want money for?
01:15I'm going to get some bread.
01:16Someone seems very cheerful today.
01:18Yeah, well, I've had a good night's sleep, haven't I?
01:19Tell you what, we'll come with you.
01:20No, it's all right. I don't mind.
01:22Oh, no, Jack loves going to the patisserie, don't you, Jack?
01:24Oui.
01:25Come on, grab a coat. All right, if you want to.
01:27As you were, Ricky, you can have another 20 minutes.
01:29See you later.
01:30See you.
01:37Have they all gone?
01:39No.
01:50No, I'm not even going to think about Phil today.
01:52If all I can eat and go jump off the Eiffel Tower.
01:55I mean it. That's it. No more.
01:58And what if he shows up?
02:00I'm not interested.
02:02There is one thing that worries me, though.
02:04What's that?
02:05Well, when people get divorced...
02:08Look, you've got to take me seriously on this one.
02:10You've not noticed?
02:12I chucked it in the river.
02:15Look, when people get divorced,
02:16there can sometimes be a falling out with the relatives,
02:18and I don't want that to happen here.
02:20I want us to stay friends.
02:22Of course.
02:23Because we are good friends, aren't we?
02:25Yeah. Very good friends.
02:28Anyway, you've had plenty of practice.
02:30What's that supposed to mean?
02:31Well, you got her up with Pauline when you split up with Pete.
02:33Shouldn't be a problem for you.
02:34You beggar.
02:36Two marriages down the drain, eh?
02:38Shouldn't be catching up with Pat at this rate.
02:42So, what are you two up to today, then?
02:44Well, I've done trading with Grant.
02:45He's going to come shopping with me
02:46if I try around the best deal with him.
02:48The best deal?
02:49Yeah, torture and dungeons and that.
02:50Oh, boy stuff.
02:51Yeah, boy stuff.
02:52You're more than welcome.
02:53No, I think I've had enough torture for one holiday, thanks.
02:56I'm going to go out on my own.
02:58I've got a guidebook here.
02:59I'm going to see how much I can pack in before lunch.
03:02Seriously, I'll be fine.
03:07There's no reply from our hotel room.
03:09I'll have to try again later.
03:10Who's Tiffany?
03:11I'm her best mate.
03:12I just wanted to speak to her today, if I can.
03:14Swing.
03:15Oh!
03:16So, how's the sickness?
03:18Oh, half five this morning.
03:19Thank goodness that toilet works, eh?
03:21You seem much more positive today.
03:22Yeah, I lied a good old fink in bed last night
03:24and I came to a decision.
03:25Which is?
03:26That's why I want to speak to Tiff.
03:28I've decided to keep it.
03:29Oh, brilliant. I'm so glad.
03:31I didn't want to say anything
03:32because I didn't want to influence you one way or another,
03:34but, well, inside I was praying that's what you do.
03:37Have you told Ricky?
03:38No, I want to tell him over lunch.
03:39Do you know how many nice restaurants?
03:40Not too pricey.
03:41Oh, how romantic.
03:42Oh, and hundreds of them.
03:43Oh, I'm so glad.
03:44What made you decide?
03:45Just because I love him, I suppose.
03:47Yeah, he's sweet, isn't he?
03:48Yeah, and I couldn't go and have an abortion behind his back.
03:50I mean, I wouldn't be able to live with myself.
03:52I was looking at your book again today.
03:53Which one was that?
03:54The one about babies.
03:55I know it's in French,
03:56but I was just looking at the pictures.
03:57Freaks me out, you know.
03:58It's that big and it's got a heart.
03:59I'm getting really excited.
04:01I'm so pleased for you,
04:02and Ricky's going to be really excited.
04:03Oh, I know.
04:04I can't wait to see his face.
04:05Come on.
04:09Let's go wild, shall we?
04:10Have a celebration?
04:11Yeah, I don't want Ricky knowing, though,
04:12till after the lunch.
04:13No, of course not,
04:14but we can still treat ourselves,
04:15can't we, in private?
04:16Do you want one of those, Jack?
04:19You'll never regret it, Bianca, I promise.
04:21I've never regretted you having one particular.
04:28I don't know much about the camera,
04:29only their football team.
04:30World Cup in Italy.
04:31Football, it bores me.
04:34Take it or leave it, really.
04:36So, what's all this about?
04:38I've been wanting a word with you
04:39ever since you arrived,
04:40but I have not had the chance.
04:42Go on.
04:43I care for your sister very much, you know.
04:45I know we always argue,
04:46but it's just us.
04:48So?
04:49I'm the one who makes all the money.
04:51I keep us clothed and fed.
04:52Yeah?
04:54Your sister, she does not realise
04:55what being a musician involves, you know.
04:57That is why we argue.
04:58That is why we argue so much.
04:59She does not understand the late nights,
05:01the drinks, the jugs, you know.
05:03That's fair enough, isn't it?
05:04Well, I can do without that stuff,
05:05but I cannot do without my work.
05:07Neither could she.
05:08Or Jack.
05:09Only she does not seem to realise it.
05:12So you want me to have a word with her?
05:14I've been watching the way you and Jack,
05:16you know, you play.
05:17Well, what about it?
05:19What's that phrase?
05:21He's taking his shine to you?
05:23Yeah, he's a good kid.
05:24Oh, he...
05:25Has Diane spoken to you?
05:26Oh, what about?
05:27My trip to Marseille.
05:29Oh.
05:30You see, in the music business,
05:31you struggle for many years,
05:33with very little dough, you know.
05:34And then all of a sudden, you know.
05:37So, where's this going?
05:39We've been offered a tour.
05:40The south coast, Italy.
05:43A lot of money.
05:45I want to take Jack along.
05:47Only she's not so keen on the idea.
05:49Eh?
05:50Look, if she does not come,
05:51I feel it would be the end for us.
05:55I don't want this to happen.
05:57So, what about Jack?
05:58Well, he's a Cameroon, you know.
06:00If a man's work takes him away,
06:01then his woman she comes to.
06:04Yeah.
06:05But the relatives, you know,
06:06the aunts, the uncles,
06:07they look after the children.
06:10It would only be a matter of six weeks.
06:12I would pay for all his travel expenses, you know.
06:14He would not be out of pocket financially.
06:17You're asking me to take Jack back to England?
06:19Look, I don't want to lose Diane.
06:21For all the arguments, you know,
06:22we have something worth keeping.
06:25Look, it's for your sister's sake.
06:28I know it's a lot to ask, but...
06:31Does she know you're speaking to me?
06:33No, I...
06:34I thought it best I ask you first.
06:36I've got a job on Cyrus Bianca.
06:38We're saving up for an ass.
06:39It's out of the question.
06:40Don't rush into anything, eh?
06:42Think about it and let me know.
06:43No, I've thought about it.
06:45And there's no way.
06:47And that is your last word?
06:48Yeah.
06:50Don't let her say I did not try.
06:57Thomas!
07:20Here we go.
07:22Where is it?
07:23Where's what?
07:24The Bastille.
07:25Well, I'm nice.
07:26That is nice shots, though, eh?
07:29Here, what do you think we should get Peggy?
07:32Why do you keep mentioning Melvyn?
07:33Well, we can't come all this way and not get her anything.
07:35I just don't want to think about her, all right?
07:37Who's going to tell her?
07:39If any luck, no-one will have to tell her anything.
07:41So you don't think Catherine was serious then
07:43about all that divorce business?
07:44Give her a bit of time to think about it.
07:46Cathy will shout at him a bit in her kissing make-up,
07:48but no-one will have to tell Mum anything.
07:51And where's this sodding dungeon?
07:52This is a plaster and a Bastille on it.
07:56Hang on.
07:57What?
07:58I'm looking it up in my guidebook.
08:02Right.
08:03Later in that year,
08:04after the mob attacked and overwhelmed the prison,
08:06it was razed to the ground.
08:07A line of paving stones and the place still abandons
08:09the remains of the Bastille.
08:11It's a shame.
08:12It's a shame.
08:13It's a shame.
08:14A line of paving stones and the place still of Bastille
08:16marks where the building used to stand.
08:28Well, that's the Bastille done.
08:30Now it's my turn.
08:31Shops!
08:41Do you mind?
08:42No, I don't mind.
08:43Oh, thank God.
08:44An English voice.
08:46I've just been asked to leave.
08:48Are you going to kick up a hideous fuss?
08:50No, it's all right. You go ahead.
08:51Oh, little Napoleon.
08:53Do you know, I remember a time in France
08:55when they gave you a funny look if you didn't smoke.
08:58Now, you can say no if you like,
08:59but, well, I've been saving all these for a moment like this.
09:02What is it?
09:04Ta-da.
09:05Oh, they're lovely.
09:07Most of them are still in good condition.
09:09They grow so quickly.
09:10They're only in them for a couple of months,
09:12then they're on to the next.
09:14There you go.
09:15They're yours.
09:16You're kidding.
09:17I just think one day that Jack would have a little brother or sister.
09:20That's what I was saving them for, but...
09:22Well, tomorrow's not that keen,
09:23and I've given up trying to persuade him.
09:25Well, you don't have to tell him.
09:26It's your body.
09:28Now, Diane, thanks.
09:29I don't know what I'd have done without you here to talk to.
09:31You've been great.
09:32You'd better put these away.
09:33We don't want Ricky coming in and catching us.
09:35Give the game away.
09:36And, well, we don't want to spoil your special moment.
09:39You really loved Thomas, didn't you?
09:41I guess so.
09:42It's a crazy relationship, but...
09:45we always seem to kiss and make up in the end.
09:47Yeah, I noticed.
09:50Where'd you two swan off to?
09:52Breakfast.
09:53What did you do that for?
09:54You knew we were getting some.
09:55It's Ma's idea, I bet.
09:56Yeah, that's right.
09:57Bit of male bonding, eh?
09:59Sort of.
10:00So where is he?
10:01Oh, he's gone off for rehearsals.
10:03What, before lunch?
10:04I'm only telling you what he told me.
10:05He's had a big break, I suppose.
10:07Are we going out or what?
10:08Yeah, why don't you come with us, Diane?
10:09No, I'm OK. It's all right.
10:10Come on, I want you to.
10:11It's all right if Diane and Jack come, isn't it, Ricky?
10:13I guess so, yeah.
10:15So why did you leave him?
10:17A very charming young man came to design and build a new patio for that garden.
10:21Well, I'll spare you the details.
10:23But after it was over, I remember saying to myself,
10:26so that's what all the fuss is about.
10:31So, now I'm making up for lost time.
10:34What about you?
10:36Widowed, single, divorced?
10:39Separated.
10:40Have you got a good lawyer?
10:42Not yet.
10:43Then do.
10:44They always say, we can be civilised about this,
10:48let's be friends, let's be reasonable.
10:51Don't you believe it?
10:52It's war all the way and you need all the help you can get.
10:55There you go. He's got an office in the city.
10:58It's expensive, but he's worth it.
11:00Tell him Marianne sent you.
11:02Thanks.
11:03So what are you doing in Paris?
11:05Right now, I'm having a really good time.
11:07That's what I'm doing in Paris.
11:09Good, are you?
11:14Well, I think that was a very successful morning.
11:17I was disappointed.
11:18I tell you what, when we go back, I'll take you round Tower London, special treat.
11:22Oh, don't be grumpy.
11:24Look, do you want to dip in the pool before we have lunch,
11:26or do you want to do something else?
11:28I don't know whether it's being in a different country,
11:30or maybe it's just the hot weather, but it definitely does something to a girl.
11:33Do you know how much money I spent on you today?
11:35Yep.
11:36You're a very generous man and this is my way of saying thank you.
11:40Is he smiling?
11:41I think he is.
11:50Who could that be?
11:52Could be Cathy.
11:54Or Phil.
11:55Well, don't answer it. Nobody will know.
11:59I know, I bet.
12:03Hello?
12:05Yeah, yeah, she's here.
12:10Where are you going?
12:12To have a cold shower.
12:16Bee, listen, I can't talk for long, I'm running out of money.
12:19I just want you to know that I've decided to keep the baby.
12:22Oh, Bee, that's brilliant!
12:24What did Ricky say?
12:26I'm telling him at lunchtime.
12:27Oh, I thought you'd want to know.
12:29Listen, any chance of you lot getting over here this afternoon?
12:32Yeah, it's just a bit difficult. I mean, me and Grant can try and make it.
12:37Grant, do you mind?
12:41Thing is, I can't really talk.
12:43Well, is Grant with you now?
12:44Oh, fair enough.
12:45Well, just tell me, is it Phil and Cathy?
12:47Look, I can't go into it now, but it's been like World War Three round here.
12:51Phil's off on a bender somewhere and, well, Cathy's been talking about a divorce.
12:54Blimey! I'm going to have to know all the details.
12:58Listen, do you know how to get here?
13:00No, but I've got the address. We'll get a cab.
13:02Listen, I'm running out of money. I'll see you at half two, yeah?
13:05Yeah, you bet.
13:06And Bee, I'm so happy for you. Bye.
13:15You took your time.
13:16Yeah, I had a bit of trouble getting through.
13:18What did you want to talk to her about anyway?
13:19Whatever you mind.
13:20Listen, it looks like we've missed all the fun.
13:22Why? What's happened?
13:23Phil and Cathy have had another big row. He's gone off on a bender.
13:25Are you joking?
13:26I don't know all the details, but let's put it this way.
13:28I don't think they're going to be on Mr and Mrs.
13:30What's that?
13:31Oh, it's Phil.
13:32Anyway, there's no point in worrying over something we can't do nothing about.
13:34So, first off, lunch. Diane, how do we get there?
13:36I've drawn you a map.
13:37When are you coming?
13:38I don't think that'd be a good idea.
13:40Besides, we've got to get back.
13:41We're going to cook tomorrow's favourite meal, aren't we, Jack?
13:45Hi, can I have one tonic water, please, and one beer, ma'am?
13:59Très bien.
14:32I'll have a pastis, please.
14:35I don't think it's a good idea, Phil.
14:38Really.
14:41You know something?
14:43You're very pretty, and you're good company,
14:47and you've got a good sense of humour,
14:49but I'll tell you one thing.
14:51You're no Sharon, and you never will be.
14:55Your grant ever talk to you about Sharon, does he?
14:59No, I don't suppose he does.
15:00That is because he never got over her,
15:03and it doesn't matter what you do, he never will.
15:06So, no hard feelings, and I'll have a pastis, please.
15:13Well, well, well.
15:15Look who it is.
15:17I think you should go.
15:18Don't order me about, you stinking hypocrite.
15:22It's all right for him to get his leg over with a wasser face.
15:26Lorraine, as soon as I do it, he turns into Cliff Flaming Richard.
15:30What did I say, eh?
15:31Tiffany, come back here.
15:35What are you looking at me like that for?
15:37The girl's got a right to know the truth, hasn't she?
15:41And it's not as if I'm telling her something she don't already know.
15:44I think you should come with me.
15:46Did you let my husband into our room this morning?
15:483.10?
15:49You did? Right, well, can you put me through to security, please?
15:52I want to report an attempted robbery.
15:54Hang on.
15:56Phil's back.
15:59I know.
16:01Oh, Kev.
16:02What's he done?
16:05Look, can I get back to you? I'll try and sort it out myself.
16:13What's with the Mr Silent routine, eh?
16:17Look, I know it scares everyone else.
16:20But it don't scare me.
16:22Cos I know you better than you know yourself.
16:25And I know why you wanted me to tell Cathy.
16:29Come on, Grant, it's the truth. Let's just for once tell it how it is.
16:34You were out to get me.
16:39But I forgive you.
16:42Because I understand.
16:45I know how lonely you are, because I'm the same.
16:49But she's gone. She's in America.
16:51And there's nothing you can do about it.
16:54When I threw you down that pit...
16:56Oh, yeah. It's all coming out now, innit?
16:59All right, that night in the arches,
17:02when you threw me down the pit, what?
17:04You're drunk. It ain't worth it.
17:06But don't you see, there'll never be another time like this.
17:08There'll never be another time as good as this to tell it how it is.
17:12So come on, Grant, that night in the arches,
17:14when you threw me down the pit, what? Eh?
17:18You wish you'd have killed me?
17:21Is that what you're thinking?
17:24Well, I'll tell you something.
17:27I wish you had, too.
17:30Oh, look at this.
17:33Come here, darling, and give me a great big cuddle.
17:38Ain't she amazing, eh?
17:40She's knocking on a bit, but she ain't bad for her age.
17:43She's what I used to refer to in my younger days as an OBG.
17:49That stands for oldie but goodie.
17:53I can see why you fancy her, Grant.
17:56But it's a bit of a disappointment.
17:59Disappointment when she gets her kit off.
18:02That is when you see the tell-tale signs.
18:06No offence, Kevin, but it's as well that he knows in advance.
18:11If you don't shut up, I'm going to shut you up.
18:18What do you think's gone on between Finn and Kathleen?
18:20Oh, you know what they're like. They have a bust-up and patch things up.
18:23I'm not worried about it.
18:24No, it's not the argument. It's the drink that worries me.
18:26We don't know what's gone on, so let's forget about it.
18:28So, do you like the restaurant?
18:30I don't know what to look at these prices at.
18:32Don't worry about that. I want it to be special.
18:34I can't help it.
18:35Oh, please forget about Finn and Kathy.
18:38It's not Finn and Kathy I'm worried about. It's Diane.
18:40What was that?
18:41I haven't told you what happened at breakfast this morning, have I?
18:43What was that about?
18:44I still can't quite believe it. It's Thomas, right?
18:46He drags me out on purpose, says he's got a proposition for me.
18:49Don't tell me he's asked you to join the band.
18:51This is serious, Bianca.
18:52All right, I'm listening.
18:53You know he's off on tour in the next few days.
18:55He wants to take Diane and Jack with him, only she's not into it.
18:57That's what all the rounds have been about.
18:59So?
19:00So now he wants to take Diane by herself.
19:02So what happens to Jack?
19:03It says in Cameroon, when the men have to go away to work,
19:06they take the wives with them and leave the kids to be looked after by the rest of the family.
19:10Has he got family here?
19:11Well, not he. It's ours.
19:13How do I get in?
19:15Are you joking? What, he asked you just like that?
19:17Just like that.
19:18What did you say?
19:19Well, what could I say?
19:20He hadn't even mentioned it to Diane. Can you believe that?
19:22So how is it left?
19:24He said there's no way I'm going to do that to my sister.
19:26What's he saying?
19:27He just got up and walked out.
19:29Why didn't you tell her?
19:30Well, how could I? I mean, put yourself in my place.
19:32It would have sounded awful.
19:34So where does this leave Diane?
19:36You tell me.
19:39Tamara?
19:48Mum, I'm kissing you.
19:55He's been a long time, isn't he?
19:59Yeah, well, I don't give a damn about Phil.
20:01It's you two I'm worried about.
20:04He might have fallen over in the toilets and cracked his head open or something.
20:07No, he'd be doing us all a favour.
20:10Look, Affie, you've got to decide what you want to do.
20:13He trashed my room.
20:14Well, he can deal with it.
20:16He was looking for money.
20:18I had a hundred quid in there, but I put it in the safe.
20:20Are you telling me he's out of cash?
20:22Not necessarily.
20:23Maybe he just wanted to trash my room.
20:25Come on, Cathy, you've got to decide what you want to do before he comes back.
20:29I want to go home.
20:31I want to be with my baby.
20:32Right, well, that's what we're going to do, then.
20:34But the tickets are for Tamara.
20:35We can sort that out at the station.
20:36Bianca's expecting us.
20:38You just have to ring her.
20:39She's not on the phone.
20:40All right, you're going to have to get in a cab,
20:42go over to their place and say what happened,
20:44and we'll meet you at the station. Can you do that?
20:47Me and Cathy will pack up here, settle down,
20:50Me and Cathy will pack up here, settle down,
20:52we'll meet you at the station in an hour or so, and then off you go.
20:55Oh, listen.
20:58All those things you said,
21:00they're not true, all right?
21:02None of it's true.
21:05Now, I'll meet you at the entrance to the platform.
21:17When did we get here?
21:20Maybe four years tonight.
21:22It was like a hundred years ago.
21:26Come on, let's pack those bags.
21:34Monsieur's in for a break.
21:36I'll just sort this out.
21:45Kev, I'm drunk, right?
21:48I'm sorry, I didn't mean any of that.
21:50Just leave this to me.
21:51Shut up. I ain't talking to you.
21:53Just go and pack your bags.
21:54Why? Where are you going?
21:56Where do you think?
21:58I'll never forgive you for this.
21:59Oh, give me a break, will you?
22:00A break? Give you a break?
22:03I'd like to break your neck.
22:04Look, it's not my fault, all right?
22:06I'm an alcoholic.
22:08I'm not proud of it.
22:09There we go.
22:11You are disgusting.
22:13Oh, yeah.
22:14Yeah, I am disgusting.
22:16But you have to ask yourself why.
22:18Who did this to me?
22:19Who made me what I am?
22:22Now, I'm not the only one.
22:24There's Richard Cole.
22:25I used to think he was a prat.
22:27Now I feel sorry for him.
22:29And I'll wash his face, yeah?
22:31Wilmot Brown.
22:32I mean, they say it's never the woman's fault.
22:35But has he ever raped anyone before?
22:38Answer no, I don't think so.
22:41So, like I say, you've got to ask yourself why.
22:47Second-hand goods.
22:49More trouble than they're worth.
22:52Listen, bruv,
22:53lend us the one, will you?
22:56All right.
22:57Fifty, then.
22:59Look, I ain't got any cash,
23:00and your credit card's not working.
23:05And what was that?
23:06You took it home?
23:08I'm sorry.
23:09I didn't mean any of that stuff.
23:11I was just having a go.
23:13I didn't mean any of that stuff.
23:15I was just having a go.
23:17It's just...
23:18I wanted a drink, talking.
23:22Grant,
23:23lend us the one, will you?
23:25Fifty.
23:27Grant, you're my brother.
23:36Ricky, there's something I've got to tell you.
23:38There's something I've got to tell you.
23:39Oh, yeah?
23:40Yeah, go on, you go first.
23:41No, you first.
23:42Ricky.
23:43Look,
23:44I was just gonna say what a great time I've had,
23:45and thanks for everything.
23:47You didn't think that yesterday lunchtime?
23:48Oh, no, that was my fault.
23:50Why'd you work that one out?
23:51Well, I knew that Averyn Jackerham was getting on your nerves,
23:53and it got me mad.
23:54So?
23:55Well, so I was laying out on a bit thick.
23:57What do you mean?
23:58You know, he's my nephew and that,
23:59and you didn't seem to give a toss about him,
24:01so I thought, sod you, I'll show you.
24:03So you did it on purpose?
24:04Yeah, and after you left, he drove me mad.
24:06You know, it wasn't my idea to get his face painted
24:08or have his picture done,
24:09he was just nagging me into it.
24:11He was nagging?
24:12Yeah, and when Thomas says to me,
24:14how do you fancy looking after little Jack for six weeks,
24:16you can imagine how I felt.
24:17That's the good thing about having nieces and nephews,
24:19you can give them back.
24:21I thought you liked children.
24:23That's the point, innit, I do.
24:25In small doses.
24:26Well, how would you feel about the idea of being a dad?
24:28What, at the moment?
24:29Oh, no way.
24:30No, we've got to get ourselves sorted out first.
24:32It'd be ridiculous to have kids while we're still in that flat.
24:35Yeah.
24:36I suppose so.
24:38Is that what you wanted to say?
24:41No, I was going to say I'm sorry for yesterday
24:45and that I love you
24:47and I think everything's going to be all right.
24:50What about you?
24:51Eh?
24:52Well, what was you going to say?
24:54Oh, don't matter.
24:55Oh, come on.
24:56No, you said it, didn't you?
24:57What was that?
24:59I love you too.
25:00Listen, why don't we treat ourselves, eh?
25:02Let's have a brandy or something.
25:04Excuse me.
25:10I've paid the bill. Let's go.
25:13Oi, Grant!
25:15I ain't going to give you any more money to swill down your throat now.
25:18Go away.
25:19Now, where's Tiffany, eh? What's going on?
25:21We ain't talking to you. Get in the car, Kev.
25:23We?
25:24We? What's this we, eh?
25:26That's my wife.
25:27You can think what you like.
25:29I ain't going to try reasoning with you.
25:30Oh, Grant, leave me!
25:31You got the front to deliver lectures to me, eh?
25:33Come here, you!
25:35Come on, then. What are you going to do?
25:37Oh, come on, I'm waiting.
25:38If this is what you want, have a go.
25:40Well, come on, Phil! I ain't three years old anymore!
25:57God, I know.
26:08God, I know.
26:39Set in rural Australia,
26:41in the period following the Second World War,
26:44we follow Sarah Adams as she starts a new life.
26:48A place to call home, next on Drama.
27:08Drama