A kidnap plot goes wrong resulting in the death of a child. The police have only one lead, an old lady who has a vague recollection of the kidnapper leaving a public telephone box. To catch the murderer she acts as bait by telling the press that she has seen the killer's face.
Source: IMDB
Source: IMDB
Category
🎥
Short filmTranscript
00:00:00Wilson, you don't know me, but I've got something to be honest with you.
00:00:06I'm in a blue blazer, grey trousers, school pants, white socks.
00:00:12Shut up and listen.
00:00:15I'll make a statement, you're gonna pay for it.
00:00:18I want two thousand, do you get it?
00:00:21Now here's what you do.
00:00:30I want two thousand, do you get it?
00:00:33Now here's what you do.
00:00:36I want two thousand, do you get it?
00:00:39Now here's what you do.
00:00:42I want two thousand, do you get it?
00:00:45Now here's what you do.
00:00:48I want two thousand, do you get it?
00:00:51Now here's what you do.
00:00:54I want two thousand, do you get it?
00:01:25I'll just give you one day.
00:01:28I'll find you tomorrow at twelve o'clock on the house.
00:01:31That's all.
00:01:34And when does your son leave school?
00:01:37At half past three.
00:01:40Miss Pavey's very kind, she's always very careful.
00:01:43I've got to go.
00:01:46I've got to go.
00:01:49I've got to go.
00:01:52Miss Pavey's very kind, she's always very careful that the children leave school at the right time.
00:01:56She never keeps them in.
00:01:58Well it gets dark so soon now, you see.
00:02:00He should have been here at four o'clock.
00:02:02I got home at six.
00:02:04My wife is in a terrible state.
00:02:06She phoned Miss Pavey and several of our neighbours.
00:02:08Michael left school at the right time.
00:02:10He walks it in fifteen minutes, there are no roads to cross.
00:02:14It's a quiet residential area with nice looking houses.
00:02:17Well it's a safe sort of...
00:02:20We've never had any reason to worry.
00:02:24We both went out looking for him but it got dark.
00:02:27I phoned the local police station.
00:02:30Then I got this call.
00:02:32I got this telephone call.
00:02:36Then we knew what had happened.
00:02:38He asked for two thousand pounds.
00:02:40I haven't got it, I haven't got anything.
00:02:43He's a bright boy.
00:02:45We put all our savings into his education.
00:02:48I don't know what to do.
00:02:50Oh, we might find a witness.
00:02:52Pass it by or one of the neighbours.
00:02:53No, no, we phoned nearly everyone.
00:02:54Nobody saw or heard anything.
00:02:55It's so quiet.
00:02:57He could walk off with a house and no one would notice.
00:02:59Well, we'll check everything anyway.
00:03:01We've already started inquiries in the immediate vicinity.
00:03:03We'll just have to give them the money.
00:03:05I don't know how but we'll have to.
00:03:07Mr. Wilson, I'll tell you what I'm going to do.
00:03:10I'm going to be perfectly frank with the press about this.
00:03:12And I advise you to do the same.
00:03:14I suppose they think that the parents of anyone going to that school must have plenty of money.
00:03:17When they find out their mistake and they'll obviously have to wait a long time for the money,
00:03:20they'll most likely release him.
00:03:22I must try and get that money quickly.
00:03:25They might hurt him.
00:03:26I don't think they'll do that.
00:03:27You see, he's very young.
00:03:28He's no threat to them as a witness.
00:03:30And I'm not leading you off the garden path.
00:03:33I want to be as big a compass as I can to you.
00:03:37Now tell me, have you got a recent photograph of your son?
00:03:40Oh, yes, I've got one here.
00:03:43Taken last summer.
00:03:46Sergeant Connell would like a list of what he was wearing.
00:03:49You see, they move him about.
00:03:50If he can tell, somebody might spot him.
00:03:52He's wearing a navy blue blazer,
00:03:56short white trousers,
00:04:00grey school cap,
00:04:03grey tie with a thin red stripe,
00:04:08and shoes.
00:04:11And white socks.
00:04:15Well, thank you, Mr. Wilson.
00:04:17I'll have somebody around to be with you all the time.
00:04:20And I'll be around myself tomorrow.
00:04:22I'll wait for them to phone.
00:04:24Don't worry about the money.
00:04:25I'll see that you get that.
00:04:28But if you can keep them talking long enough,
00:04:30we'll be able to trace that call
00:04:32and you may have your boy back before you know it.
00:04:36Good night, Mr. Wilson.
00:04:38Mr. Wilson?
00:04:45Well, he might just be stupid enough to phone from his own house,
00:04:48use his own phone.
00:04:50You never know your luck.
00:04:54He has a rotten business.
00:04:56Well, thanks, George.
00:04:57We'll be in touch.
00:04:59Who was that?
00:05:00George Galloway, Post Office, Investigation Branch.
00:05:03Everything set?
00:05:04Yes.
00:05:05They're monitoring all calls to Wilson's number.
00:05:07All we have to do is to go there and wait for him to ring.
00:05:10If he rings.
00:05:11He'll ring.
00:05:12Come on.
00:05:15Think he'll call Wilson, sir?
00:05:16Yes, I think he'll have another go.
00:05:18Why not? He's gone this far.
00:05:20He knows that Wilson's desperate
00:05:21and he knows the appeal in the paper's not worth anything.
00:05:24A rich man would have paid off secretly, maybe,
00:05:26and a lot quicker, too.
00:05:28I think this publicity might stampede him into some...
00:05:31...orders to Card Johnny.
00:05:33Card Johnny.
00:05:34Message for Superintendent Hume.
00:05:38Hume here.
00:05:39The body of a boy answering the description of Michael Wilson
00:05:41has been found dead in Rainer's Wood.
00:05:43Identification positive.
00:05:45Shall I repeat?
00:05:46No.
00:05:48Message understood.
00:05:52The boy was dead from the word go.
00:05:55Wilson will never go through with it now, sir.
00:05:57Unless...
00:05:58Unless we don't tell him until after he takes the call.
00:06:01No, we'll tell him.
00:06:02And he'll take the call.
00:06:13Yes.
00:06:28You'd better answer it, sir.
00:06:40Yes?
00:06:41Yes?
00:06:44Oh...
00:06:45No, I... No, I won't be coming to the office today.
00:06:51Was that him?
00:06:52No, it was just a friend.
00:06:57Have you heard anything? Have you found Michael?
00:06:59Yes, we have.
00:07:01Mrs Wilson...
00:07:02Thank God! Is he all right?
00:07:04Colin, they've found him!
00:07:06He's not hurt, is he?
00:07:08They haven't hurt him?
00:07:10Well, where is he?
00:07:12I'm...
00:07:14I'm sorry, Mrs Wilson.
00:07:17Oh, no!
00:07:19Oh, God, no!
00:07:22No!
00:07:23No, God, no!
00:07:27No!
00:07:31Go and get a doctor. Don't use the phone.
00:07:35Mr Wilson.
00:07:38Talk to him.
00:07:41Take me to my son.
00:07:44Not now. Not yet.
00:07:46You string my cats up by the tail!
00:07:49I'll string you up by the tail!
00:07:51You're sick! You're nothing but a phantom!
00:07:54Why don't you find a job in a slaughterhouse?
00:07:57Why don't you get on your broomstick and fly back to Capistrata?
00:08:02Mr Hopper!
00:08:04Listen, Mr Hopper.
00:08:05Mr Hopper!
00:08:07One day, that man will make me really mad.
00:08:11Mrs M, one of these days you're going to have a heart attack if you keep fighting with Freddy.
00:08:15I'm not fighting, but you see, he's always chasing my cats.
00:08:19Why don't you leave them alone?
00:08:21Don't let him bother you.
00:08:23He's all right. He don't mean no harm.
00:08:25He's just playing, really.
00:08:26He likes chasing the cats.
00:08:28Yeah, I know. I suppose you don't mean any harm,
00:08:31but you see, my cats is all I got, so I get mad.
00:08:34I don't know why those cats, they don't learn to keep out of his dustbin.
00:08:39They know there is nothing there but trouble.
00:08:42Oh, Mrs M, you are a sweet woman, you really are.
00:08:46And one of these days, after my wife is going to leave me,
00:08:50I'm going to come jumping, pow, wow, pooh, right over this wall,
00:08:55and you better watch out.
00:08:59Mr Hopper,
00:09:01if you don't look out one of these days,
00:09:04I'll come to your house and take your wife from your wife.
00:09:09That I'm going to see.
00:09:11How's Judy?
00:09:12Oh, well, I don't see her very much these days, you know.
00:09:15We have quarreled.
00:09:17Oh, no. I thought she was your little darling.
00:09:20What happened?
00:09:21Oh, nothing, nothing.
00:09:23We quarreled over her mama and her papa.
00:09:25I shouldn't have fight with her.
00:09:27Now I'm sorry, you see, but I can't help because she doesn't come to see me.
00:09:32Mrs M, why don't you talk to her?
00:09:34Why don't you go phone her, tell her you're sorry and you want to see her?
00:09:36No, no, no, no, no, no.
00:09:38She has to come and visit me.
00:09:40No, no, no, no, no, no, no, no.
00:09:42Now you listen to me.
00:09:44Judy loves you.
00:09:45You phone her.
00:09:46Maybe she's stubborn just like you are and don't want to make the first move.
00:09:50How sweet you are.
00:09:52Yes, perhaps someday I will call her.
00:09:54But no, not now because I have no change.
00:09:56No pennies for the phone, you know.
00:09:58Yes, right now.
00:10:00And I've got the pennies for the phone.
00:10:02Four of them, here.
00:10:04Four pennies.
00:10:05We don't want to see you pining away, Mrs M.
00:10:07It's very kind of you.
00:10:09You know, Mr Houghton, I love you.
00:10:12I mean it.
00:10:14I mean it, I love you.
00:10:16You are a lovely man.
00:10:18A lovely man.
00:10:19I'll tell you what.
00:10:21Give me your phone, Judy.
00:10:22And the next time I see you, I'll give you a big kiss.
00:10:26Mr Wilson.
00:10:29I want you to listen very carefully to what I've got to say.
00:10:33Now at any moment now, that phone's going to ring.
00:10:36And the person that did this is going to be talking to you.
00:10:40But he's dead.
00:10:43They won't call.
00:10:45My boy's dead.
00:10:47But they don't know that you know that.
00:10:50So they'll call and it may be our only chance of catching him.
00:10:54Mr Wilson.
00:10:56Mr Wilson, do you understand what I'm saying?
00:10:59The person on that phone doesn't know we've found the boy.
00:11:03Nobody knows except you and us.
00:11:05But it may come out.
00:11:07And if it does, the killer will lose contact with us.
00:11:11Now do you see?
00:11:13So this may be our one and only chance of catching him.
00:11:17One slip up and they've gone.
00:11:19And it's a million to one against us ever finding them again.
00:11:23So you've got to keep them talking.
00:11:28Mr Wilson.
00:11:30I can't.
00:11:32You must. You're the only one that can do this.
00:11:34They know your voice. They may even know you.
00:11:36No.
00:11:38No.
00:11:40You can do it. Please, please help us.
00:11:44I can't.
00:11:46I can't.
00:11:48Now please leave me.
00:11:50I don't want you here.
00:11:52You will.
00:11:54You will because you've got to.
00:11:57No.
00:11:59Go away.
00:12:01Go away, please.
00:12:09Leave us alone.
00:12:11Just...
00:12:14Leave us alone.
00:12:18Mr Wilson, if this man gets away now,
00:12:22would you ever be able to forgive yourself?
00:12:39Hello. Wilson speaking.
00:12:42Wilson, have you got the two thousand pounds?
00:12:45I'm getting it. I'm getting it for you.
00:12:47You must give me more time.
00:12:49You can get it. Anybody can get it.
00:12:52I don't even know who you are,
00:12:54but if you want your kid, you'll get two thousand pounds.
00:12:57But I don't earn that much. I just haven't got it.
00:13:00You've got to give me a little bit more time.
00:13:02It's a lot of money to me.
00:13:04Don't play games with me.
00:13:06How much does it cost you to send him to that school?
00:13:13How is my boy?
00:13:15Is he all right?
00:13:17Don't try and be clever and he'll be all right.
00:13:20Don't worry anymore. Everything will turn out fine and dandy.
00:13:24Liar. Liar!
00:13:26Why did you kill my son?
00:13:28What has my son ever done to you?
00:13:32Come, baby. Come home.
00:13:39Maybe you've done it. Thank you very much.
00:13:43Yes?
00:13:45Yes? Oh, good. Yes, very good.
00:13:47Yes, we'll be here.
00:13:49A call's been traced to a phone box on the Dudley Road,
00:13:51and they're on their way.
00:13:53Play that tape again.
00:14:01Wilson, have you got the two thousand pounds?
00:14:13Excuse me, madam. Will you come with me, please?
00:14:15I don't do nothing bad.
00:14:17No, I don't do nothing bad.
00:14:19Please. No, it's a mistake.
00:14:21It's all right, madam. Let me go.
00:14:23No, let me go. I don't do nothing bad.
00:14:26Hello, there. Hello.
00:14:28Let me go.
00:14:35No, it doesn't mean a thing to me.
00:14:37How much does it cost you to send him to that school?
00:14:39Here? Here?
00:14:41Oh. Oh, I see.
00:14:44Well, all right. Take her down to the station. I'll be there directly.
00:14:47What's up?
00:14:49They missed him. By a few seconds, they bloody well missed him.
00:14:55Oh, I think I'm back to the station.
00:14:57Are you positive you didn't hear that voice?
00:14:59Would you like me to play the tape again?
00:15:01No, please. I didn't get anything from it. Nothing. Nothing at all.
00:15:06Oh, I'm sorry, Mr. Wilson.
00:15:08I'm terribly sorry.
00:15:12Oh.
00:15:20Oh, excuse me, sir.
00:15:22That's the lady they picked up in the phone booth.
00:15:25Oh.
00:15:27Oh, Connor, get on to that fellow of yours at the post office
00:15:30and ask him if we can have some extra copies of that recording, will you?
00:15:33Right, sir.
00:15:35Anything about her?
00:15:37Not much. She's Italian.
00:15:39What's her name?
00:15:41Mrs. Marotta.
00:15:43Marotta.
00:15:50Hello, Mrs. Marotta.
00:15:52I'm Superintendent Hume.
00:15:54I'm sorry you've been frightened, but how are you feeling now? Better?
00:15:57Good, thank you. I feel good.
00:16:00Oh, I'm so pleased.
00:16:02Now, Mrs. Marotta, if we could have a little chat,
00:16:05just the two of us, you know, just a few words,
00:16:08but only if you feel all right.
00:16:10Now, if you prefer to wait, we'll drive you home,
00:16:13and I'll come round and talk to you later.
00:16:15No, I talk now.
00:16:17I like better if we talk now.
00:16:19Good. I'm very pleased to hear it.
00:16:22I want to know what is it I've done,
00:16:25and why I am here.
00:16:27I'm doing nothing bad.
00:16:29In my whole life, I'm doing nothing bad.
00:16:32But your policemen, they arrest me.
00:16:35They arrest me and they make a big mistake.
00:16:39Mrs. Marotta.
00:16:41They didn't arrest you. You're not arrested.
00:16:44You can walk out of here any time you like.
00:16:47But, Mrs. Marotta,
00:16:49did you see in the papers about that little boy called Michael Wilson?
00:16:57Yes. Kidnapped.
00:17:00In all the papers.
00:17:02Those letters. So big, high.
00:17:05Yes. He's kidnapped.
00:17:09And the man that kidnapped him was in that phone box just before you.
00:17:16No.
00:17:18No.
00:17:23Now I know why they bring me here,
00:17:25and why they ask me and ask me.
00:17:33I help.
00:17:36Come this way.
00:17:42Sit down, Mrs. Marotta.
00:17:49Yes, sir?
00:17:51Tell Connor to get up the labs and tell him to get those doctors shaken up.
00:17:54I want something turned up.
00:17:56And he can transfer all my calls. I don't want to be disturbed.
00:18:02Now, Mrs. Marotta,
00:18:04the point is this.
00:18:06You could be a very great help to us if you'd seen that man.
00:18:10Take a notice of him or anything about him.
00:18:13But I understand you don't remember him at all.
00:18:16No.
00:18:18It's true. It's true. I don't remember anything.
00:18:21If I only would have known him well,
00:18:24I would have looked at him good.
00:18:26But I don't know him, so...
00:18:28I did not look.
00:18:30You see, I...
00:18:32I stand waiting my phone.
00:18:35And I was thinking about my own business.
00:18:38When you got it in your mind to do something,
00:18:41you keep on thinking about it, no?
00:18:44Well, that's how it was.
00:18:51Now, Mrs. Marotta,
00:18:53tell me everything that happened.
00:18:55Oh, I know you've gone over this before, but...
00:18:58I want to know from you in your own words.
00:19:01That is, if you're not too tired.
00:19:03I'm not tired.
00:19:05Oh, good, good. Well, you tell me exactly how it was.
00:19:10Old man's not free then?
00:19:12No, the Italian lady's still with him.
00:19:14Any news?
00:19:16No, unless he has some.
00:19:18Well, I understand she did see the man, all right.
00:19:21In the box just ahead of her.
00:19:23Yes, you remember something?
00:19:25Now, take your time, Mrs. Marotta, take your time.
00:19:28You've got all the time in the world,
00:19:30so long as you don't miss anything.
00:19:32His feet, his legs.
00:19:34His feet, his legs. You were looking down.
00:19:36You saw his feet and legs.
00:19:38Was there anything special about them?
00:19:40I am thinking.
00:19:42The shoes.
00:19:44Shoes are brown?
00:19:46Black? Yes, I think.
00:19:48And the pants, the pants are dark.
00:19:51Brown, dark, maybe.
00:19:54But you see, I am all the time looking for my penny,
00:19:57so I see, but I do not look, you understand?
00:20:01Yes, well, go on, Mrs. Marotta.
00:20:05The door.
00:20:07The door opens and the feet come out.
00:20:10Oh, dear God.
00:20:12If only I look.
00:20:14The feet come out and right away they stop.
00:20:17They stop a second and I think,
00:20:19oh, dear, he's just now remembered something else.
00:20:22He'll go inside and phone again.
00:20:25But no, maybe he's thinking which way he will go.
00:20:29And he goes away.
00:20:31By now I have found my penny,
00:20:33so I go inside and phone my niece.
00:20:37Well. Oh, well.
00:20:40Well, we'd better see about getting you home, Mrs. Marotta.
00:20:43Thank you very much. You've been a great help.
00:20:45I am not help at all, I wish.
00:20:47It's no good to wish now.
00:20:49Well, it's not your fault.
00:20:51Now, would you like a cup of coffee?
00:20:53Very nice of you. Thank you.
00:20:58Well, I'll bring you a cup of coffee,
00:21:00then someone will come and take you home in the car.
00:21:03Grazie.
00:21:04Now, I'm very busy, so you will excuse me, won't you?
00:21:06Of course.
00:21:22Aunty Rosa!
00:21:24Aunty Rosa!
00:21:28Aunty Rosa!
00:21:36Thank you. Thank you very much.
00:21:39Aunty Rosa!
00:21:41Trudy!
00:21:43Are you all right, screaming down the phone like that?
00:21:45I thought you'd been murdered.
00:21:47Oh, Trudy, don't talk now, don't talk.
00:21:49There's something terrible to tell you.
00:21:51Come inside. Come.
00:21:54Yes, sir?
00:21:56All regional television and radio programs
00:21:58will be interrupted at peak viewing hour,
00:22:00and before that, after the news.
00:22:04So you think it's a good idea, sir?
00:22:07Fine.
00:22:08Well, if you say so, sir, that's what we'll do.
00:22:11Thank you, sir. Goodbye.
00:22:14Well, that's my way of getting the chief constable approval.
00:22:19Make him think that he thought of it.
00:22:26Now, before our next program,
00:22:28we bring you a special police bulletin.
00:22:30Michael Wilson, a six-year-old boy
00:22:33missing from his home in Holly Oak Park, Bristol,
00:22:36since approximately 3.30 yesterday afternoon,
00:22:38was this morning found dead in the vicinity of Rainers Woods.
00:22:42It's believed that the boy was taken on his way home from school,
00:22:46and the police are anxious to interview a man
00:22:49who telephoned the dead child's father at 12 noon today.
00:22:52We have a recording of the conversation
00:22:54between this man and the child's father.
00:22:56Listen carefully. Do you know this voice?
00:22:59If you do, or if you think you do,
00:23:02then please telephone Bridge 5111,
00:23:06or your local police station.
00:23:08Do you know this voice?
00:23:10Do you know this voice?
00:23:12Is that Wilson? Have you got the 2,000 pounds?
00:23:16You can get it. Anybody can get it.
00:23:19I don't even know who you are,
00:23:21but if you want your kid, you'll get 2,000 pounds.
00:23:24Don't play games with me.
00:23:26How much does it cost you to send him to that school?
00:23:29You'll get it. Never mind.
00:23:32Don't try and be clever and he'll be all right.
00:23:35Don't worry anymore. Everything will turn out fine and dandy.
00:23:38Joe! You'll hear from me.
00:23:40Wilson, have you got the 2,000...
00:23:42You take the phone conversation.
00:23:44You can get it. Anybody can get it.
00:23:52Yackety-yackety-yackety-yack.
00:23:56Why don't you shut up and go to bed?
00:23:58Oh, sleep. Sleep.
00:24:00I don't know how you can even think about going to sleep.
00:24:03Well, what do you want me to do?
00:24:05I don't want you to do anything.
00:24:07But if you want to do something, then make it so that it never happens.
00:24:10I want you to bring that child back to life again.
00:24:13I want you to take me away from here. That's what you can do.
00:24:16I want you to make it so that I can start my life all over again,
00:24:19and if you can't do that, then you can't do anything.
00:24:21Hey, wait a minute.
00:24:24What's the matter with you?
00:24:28Now, don't go to pieces on me.
00:24:30You were great on that phone. Great!
00:24:33Nobody ever recognized that voice of yours.
00:24:35It was all over the place.
00:24:37Sounded like a stevedore.
00:24:39We got nothing to worry about.
00:24:41You killed that little boy.
00:24:43Can't you shut up about that?
00:24:45That's all you've said for the last five hours.
00:24:47Sure, I killed the kid, but listen, honey, I didn't mean to kill him.
00:24:50I just tied him up a little too tight.
00:24:52How could you let me go down to that phone box today?
00:24:55I don't blame you. I know it's terrible.
00:24:57I know what I've done is a terrible thing.
00:24:59But believe me, and I mean this,
00:25:01that little kid's better off than most of us.
00:25:03He's dead, but he died while he was clean and innocent.
00:25:06You mustn't think about him anymore.
00:25:08What's happening to me?
00:25:10What's happening to my life?
00:25:13Oh, I wish to God I'd never met you.
00:25:17Oh!
00:25:20Oh, Joe, I didn't mean it.
00:25:23I didn't mean it.
00:25:29I didn't mean it.
00:25:33I didn't mean it.
00:25:39Oh!
00:25:41Hey!
00:25:44Sorry, sir.
00:25:46I... I hear on the radio last night.
00:25:50Why you didn't tell me?
00:25:54Yes, well, uh...
00:25:56Well, I'm sorry, Mrs. Marotta.
00:25:59So the man that was on the box
00:26:03and it was falling before I did yesterday,
00:26:06he knew about the child.
00:26:08Yes, and he's most likely the one that did it.
00:26:11He knows. He knows, and yet he phones for the money.
00:26:15Yes, that's right. That's how it was.
00:26:19Listen.
00:26:21Yesterday I told you some things I remembered.
00:26:26I didn't tell you all. It was not all.
00:26:29You mean you remembered something else?
00:26:31Yes. No.
00:26:33Oh, Mrs. Marotta, you either remember something or you don't.
00:26:36But, mister, I'm going crazy.
00:26:38Since yesterday, I close my eyes and I see...
00:26:41I see the shoulders.
00:26:43After the radio, I don't eat.
00:26:45I am thinking, and now I know what I can do to help.
00:26:49Now I know what I must do.
00:26:52And what is it, Mrs. Marotta, that you must do?
00:26:56The man who was on the box,
00:26:59he has to come and find me.
00:27:01What? Yes.
00:27:03He has to come and find me where I live.
00:27:05Oh, but Mrs. Marotta...
00:27:07No, listen. He must come.
00:27:10He must kill me,
00:27:12because I am the one, the only one who has seen him.
00:27:16But you didn't, Mrs. Marotta.
00:27:18You didn't see him.
00:27:20But he don't know.
00:27:22But how is he going to know?
00:27:26I know, I know.
00:27:28He must read the papers that I've seen him.
00:27:30And I know him if I've seen him again.
00:27:32If he sees my picture and where my house is,
00:27:35then he's coming quick to find me, yes?
00:27:38He's got to. He must.
00:27:40When he comes to kill me,
00:27:42when you catch him, you have him.
00:27:44That's all.
00:27:46Yes, that's true.
00:27:50It's a very fine thing you're offering to do, Mrs. Marotta.
00:27:53But I'm afraid it can't be done.
00:27:56Why?
00:27:58Oh, there are many reasons.
00:28:00And the big one is you.
00:28:02Now, suppose we do what you want,
00:28:04and we set this thing up,
00:28:06and it doesn't come off.
00:28:08I'm not going to get killed.
00:28:10In my house, you are hiding.
00:28:12So when he comes, you catch him,
00:28:14and he's going to die, not me.
00:28:17Oh, I'm sorry. It's out of the question.
00:28:19Mister.
00:28:21Mister, look at me.
00:28:23Mister, listen.
00:28:25If I die, and you can find this man,
00:28:28it's a good death, no?
00:28:30What better?
00:28:32How am I going to die better, eh?
00:28:42Give me the chief constable.
00:28:45Chief.
00:28:47I've got Mrs. Marotta with me,
00:28:49and she wants to publish in the papers
00:28:51that she's recognized the killer
00:28:53and offer herself as bait.
00:28:56Oh, I know she didn't, but he doesn't know that, eh?
00:28:59Can we do this?
00:29:02We can't, eh?
00:29:05All right, sir, we can't.
00:29:10Well, that's it, Mrs. Marotta.
00:29:13Definitely no.
00:29:15Even if I wanted to do this myself,
00:29:17they wouldn't let me.
00:29:19And my chief says no.
00:29:21I've got a boss just like anybody else,
00:29:23and he doesn't do business that way.
00:29:27Oh, sit down, sit down.
00:29:29We owe you a ride home anyway.
00:29:31No. I take a bus, a walk.
00:29:34I'm used to it.
00:29:38Goodbye.
00:29:45Goodbye.
00:30:15Goodbye.
00:30:35You've come so early. What's happened?
00:30:37Was something wrong?
00:30:38I don't know. Something stinks. Read that.
00:30:40Mrs. Marotta?
00:30:43She must be crazy.
00:30:45She couldn't have been outside that phone box.
00:30:47I'd have seen her.
00:30:48You were probably so panicky you didn't see anything.
00:30:50But the whole thing don't make no sense.
00:30:52Look, it says here,
00:30:53she's seen this man with big shoulders
00:30:55and she recognized him again anywhere.
00:30:57Well, hell, you two ain't the best of friends,
00:30:59but she must have seen you going in and out of the house a few times.
00:31:02Did you talk to her much?
00:31:03Well, yes, once in a while.
00:31:04Well, then she'd know you, wouldn't she?
00:31:06Why wouldn't she just say,
00:31:07I see Mrs. Hotter coming out of the phone box?
00:31:13You know what they're trying to do, baby?
00:31:16They're trying to be smart.
00:31:19They ain't got a clue.
00:31:21I've seen this man.
00:31:23Well, I got news for you, lady.
00:31:25It wasn't no man, it wasn't my wife.
00:31:28What you're so happy about,
00:31:30you don't seem to realize what you've done,
00:31:32the kind of trouble that you're in.
00:31:34What do you mean you're in?
00:31:36You must mean we.
00:31:38You're sharing my life, Jackie.
00:31:41Anyway, we ain't in any trouble.
00:31:43We know something that they don't know.
00:31:45So stop worrying about it.
00:31:47I was only in that phone box for a minute.
00:31:49Why did she have to be there at the same time?
00:31:51I don't know.
00:31:54Hey.
00:31:56Wait a minute.
00:31:59Oh, I could shoot myself.
00:32:02I sent her to that phone box.
00:32:04I got her to call Trudy.
00:32:05I even gave her the pennies.
00:32:07How could I be so stupid?
00:32:10It was right around that time, too.
00:32:12Oh, I could shoot myself.
00:32:16Joe, you're not going over there.
00:32:18Well, of course I'm going over there.
00:32:20It's the only way to find out what we have to know.
00:32:22If she saw anybody, it was you.
00:32:24It's all right, you just keep your nose inside.
00:32:31But what about the reporters?
00:32:33Suppose they start investigating.
00:32:35They'll do anything to get a story.
00:32:37They'll want to track down your relatives,
00:32:39to get pictures for their papers.
00:32:41You just don't know how these things work, Auntie Rosa.
00:32:46Oh, Mr. Hopper.
00:32:50Come in.
00:32:51Hello, Mrs. Anne.
00:32:53Have a coffee with us, Mr. Hopper.
00:32:55No thanks, my stomach ain't been too good lately.
00:32:57That's what I'm doing home early.
00:32:59No, I just dropped in to say hello to our new celebrity.
00:33:02Celebrity?
00:33:03She's got a picture plastered over every newspaper in town.
00:33:06Her name, address and everything.
00:33:08And she won't believe me
00:33:09when I tell her the danger she's in over all this.
00:33:12You tell her, Mr. Hopper.
00:33:13Please, you tell her.
00:33:15Well, gee, I hadn't really thought very much about it.
00:33:18But maybe Trudy's right.
00:33:20You know, you could get yourself into an awful lot of trouble.
00:33:23Look, Auntie Rosa.
00:33:24You just come right out and say you made a mistake.
00:33:27You didn't see anybody.
00:33:29I'm not going to say I haven't seen this man
00:33:33because I have seen him.
00:33:36You did?
00:33:37You really did see him, Mrs. Anne?
00:33:39No, she didn't.
00:33:40She told me before she didn't see him.
00:33:42Now she's trying to say that she did.
00:33:44You know you didn't see anybody.
00:33:46You just think you did.
00:33:48Or maybe you were trying to attract a little attention.
00:33:52I'm sorry, Auntie Rosa.
00:33:53I didn't mean that.
00:33:56A horrible, terrible, bad thing happens to a little boy.
00:34:00How can you say you haven't seen anything?
00:34:03I saw him.
00:34:05I was outside of the phone box.
00:34:07It was somebody.
00:34:09Somebody I know.
00:34:11Somebody I've seen around here.
00:34:15I don't know how.
00:34:17But I'm sure one day I shall remember.
00:34:22Now you listen to me.
00:34:23You've got no business to publish a story like that without checking with us first.
00:34:28I don't give a damn what right the public have got.
00:34:30The police force of the city is far too understaffed
00:34:32to protect any individual who wants to make some stupid statement to the press.
00:34:36We regard the publicity given to her as unfortunate.
00:34:42Well, that covers us.
00:34:46Sure, she's forced our hand,
00:34:47but maybe that's the very best thing that could have happened.
00:34:51The question is how to use this situation and protect her.
00:34:56I've had men covering the house ever since this story first came out, but...
00:35:01What I want is somebody inside the house.
00:35:08Now, she knows you, doesn't she?
00:35:12And let's face it, you don't really look like a copper, do you?
00:35:16So I think you're just the person to volunteer for the job.
00:35:25I'll have to kill her.
00:35:27Joe, don't do it.
00:35:29Don't do it.
00:35:30I've got to do it.
00:35:33She knows, the little lady knows.
00:35:37She doesn't know that it's you yet,
00:35:39but one of these days she will.
00:35:44One of these days,
00:35:46you're going to be walking down the street or coming out of the back door,
00:35:50or she's going to see you shopping
00:35:52and something's going to click in that brain box of hers
00:35:55and she'll say,
00:35:57that's the one that was in the phone box.
00:36:00And before you know it, I'll be doing the trap door fandango.
00:36:04Now, I like the old lady.
00:36:06She's a dear, sweet, lovable little woman,
00:36:09but she has to go.
00:36:11Joe, what's happening to you?
00:36:14The child's dead, isn't that enough?
00:36:16Now you talk about going out and deliberately killing Mrs. Murata,
00:36:19where's it going to end?
00:36:20Can't you get it through your head that I don't want to kill her?
00:36:22Well, then don't, Joe, please.
00:36:24Please, Joe, don't.
00:36:25Don't, Joe, please.
00:36:26Please, Joe, let's just go away from here.
00:36:28Let's go and get into that old van and just drive away from here.
00:36:32Drive away?
00:36:33Where to?
00:36:34Where are you going to go?
00:36:36What are you going to live on?
00:36:38We ain't got money enough to buy gas for that stinking old van.
00:36:42Here, look.
00:36:44That's my life savings.
00:36:46That represents 20 years
00:36:48as an orderly in that stinking hospital.
00:36:51Emptying bedpans, carrying trays,
00:36:53yes, doctor, no, doctor, yes, nurse, right away, nurse.
00:36:56Well, how far do you think I'm going to get on that?
00:36:59Joe, don't start.
00:37:01Don't start that again.
00:37:03Don't start that again.
00:37:05And don't you tell me what to do.
00:37:07Don't you ever tell me what to do.
00:37:08If it wasn't for you, I wouldn't be in this mess.
00:37:10You wanted the money and you took the child.
00:37:13Now don't you try and blame me.
00:37:15All your life has been spent blaming other people for your own failures.
00:37:18And if you mean it's my fault because you married me,
00:37:20then that's not true either.
00:37:21You didn't have to stay in this country.
00:37:22I'd have gone to America with you anytime you liked.
00:37:24I'd have worked my fingers to the bone for you.
00:37:27But no, it had to be you.
00:37:28You had to do it all alone.
00:37:29For 20 years you've talked about making the money
00:37:31and going home like a conquering hero.
00:37:33And you've never even earned enough money to pay the fare.
00:37:35You know better than to talk to me like that.
00:37:37Yes, go on.
00:37:38Go ahead.
00:37:40That's all I've ever had from you.
00:37:42For 20 years of loving you.
00:37:44Go on.
00:37:49Oh, baby.
00:37:51Oh, baby, baby, baby, baby.
00:37:55Stick with me.
00:37:56Trust me.
00:37:57Everything will be all right.
00:37:59I'll take care of everything.
00:38:06Oh, Mr. Hofstad.
00:38:08What a nice surprise.
00:38:11Come in, come in.
00:38:12Good evening, good evening, Mrs. M.
00:38:14Another visit.
00:38:15How nice of you.
00:38:16How is your stomach?
00:38:17Oh, it's fine now.
00:38:18It's much better.
00:38:19Just one of those bugs, I guess.
00:38:20Oh.
00:38:21No, it's you we're worried about now.
00:38:23You worried about me?
00:38:24Oh, no, no, no, Mr. Hofstad.
00:38:26Everything happens, I'll bring on myself.
00:38:28No, no, I don't want you to worry about me.
00:38:31Do you want a cup of tea?
00:38:33Well, I wouldn't say no if you're going to make one for yourself.
00:38:35I'd love to join you.
00:38:37Right away.
00:38:38I'll tell you what I came over about, Mrs. M.
00:38:41You know, I've been doing a lot of thinking about
00:38:44what we were discussing when Trudy was here, you know?
00:38:48And it's been worrying me.
00:38:50So I talked it over with the wife.
00:38:53And she agrees with me.
00:38:55We think that you need some protection in here.
00:38:58I don't know what the police are doing,
00:39:00what they're up to, but it seems to me
00:39:02they should have a man around here by now.
00:39:04Oh, how nice of you.
00:39:06Anyway, here's the proposition.
00:39:08Like I say, I talked it over with the wife.
00:39:10Now, we don't think that you should stay alone here,
00:39:13especially at night.
00:39:14So if you've got an extra room,
00:39:16I figure the best thing would be for me
00:39:18to come over and sleep here, you know?
00:39:20Come and stay nice and just make sure that you're okay.
00:39:24Well, Mr. Hobson, it's very nice of you,
00:39:27but I don't need it.
00:39:28No, no, no, really, I do not need it
00:39:30because you see, the police, they look after me.
00:39:33Oh, the police, they take care of you, huh?
00:39:35Well, where are they now?
00:39:36Out there somewhere?
00:39:38Across the road, up the other end of the street?
00:39:40No, you need somebody right here in the house, hmm?
00:39:45No, I don't see anybody out there.
00:39:50Not just so.
00:39:54I mean, you know, you never know
00:39:58where this kind of a guy is gonna pop up from.
00:40:03He'll be clever.
00:40:04He's probably got more brains
00:40:06than all of the police put together.
00:40:08Aren't you scared?
00:40:12Aren't you scared?
00:40:16Sure, I'm scared.
00:40:18I'm plenty scared.
00:40:21Where's Trudy?
00:40:23She gone home?
00:40:24Yes, she left.
00:40:26She will come later, maybe.
00:40:28I don't know because, you see,
00:40:29we are part not very friendly
00:40:31because she wants me to say I haven't seen anything
00:40:35or I should run away.
00:40:37Well, tell you, Mr. Hobson,
00:40:38if you do something wrong, then you are scared.
00:40:41And if you're scared and you run away,
00:40:43well, then it's even worse.
00:40:45I've got all my stuff unpacked and I've got the...
00:40:48Oh, I'm sorry, I didn't know you had company.
00:40:52You don't disturb.
00:40:54Mr. Hobson is an old friend of mine.
00:40:56He lives here next door.
00:40:58Hi, I'm Bob Connor.
00:41:00Hi.
00:41:01Trudy's told me a lot about you.
00:41:02I'm down here for a couple of weeks
00:41:03and her people don't think it would look very good
00:41:05if I stayed at her place.
00:41:07So, Auntie Rosa here is putting me up.
00:41:09Well, that's very nice.
00:41:10I'm pleased to meet you.
00:41:11It's nice for Mrs. M, too.
00:41:13I guess you've been reading the papers.
00:41:15Yes.
00:41:16You know, I don't understand a bloke like that.
00:41:20I suppose he must be mentally sick or something.
00:41:23Yeah, it's crazy.
00:41:26You come from out of town, huh?
00:41:28About ten miles out.
00:41:30I work at the Bargold Foundry.
00:41:32Is that so?
00:41:33Well, that's interesting.
00:41:35My old man used to work in a foundry in Pittsburgh.
00:41:38He operated a blast furnace.
00:41:40What do you do?
00:41:41Nothing so high class as that.
00:41:43I'm just about as low as you can go.
00:41:45Oh? What's that?
00:41:47I'm a casting cleaner.
00:41:49It's just about as dirty a job as you can get.
00:41:52You work with a drill.
00:41:54Thanks, Auntie Rosa.
00:41:56That's right.
00:41:57You go in with your drill
00:41:58as soon as the casting's emptied and cooled off
00:42:00and you knock off all the slag and curds
00:42:01that's baked onto it.
00:42:03It's rugged.
00:42:04Yeah, it's pretty rough.
00:42:06Do you get much overloading?
00:42:08You get it on some production runs.
00:42:10And then they nearly always have to set up a night shift.
00:42:12My old man, he used to stink.
00:42:16I can smell him to this day.
00:42:18That foundry smell, you know?
00:42:20It used to get into his clothes and his hair.
00:42:23Down into his pores, even.
00:42:25And it takes a hell of a long time to get it out.
00:42:28It's kind of a, you know, a metal dust and coal dust and sand
00:42:32all mixed up together.
00:42:34Sort of a gray smell.
00:42:37And once you've got a load of it,
00:42:39you never forget it.
00:42:41You want to know something?
00:42:43You don't smell like you worked in a foundry.
00:42:46You smell like a cop.
00:42:49Ain't that right?
00:42:50Ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha!
00:42:54Oh, I'm glad to see you guys doing something.
00:42:58I was just about to offer my services to Mrs. M.
00:43:00as a bodyguard, but now I guess I won't be needed.
00:43:03Mr. Hobson, I didn't want to make you fool, you know.
00:43:05No, no.
00:43:06But Mr. Connor said to me not to say one word to anybody.
00:43:10So I don't know what to do.
00:43:12You did quite right, Mrs. Marotta.
00:43:14And I'd appreciate it if you wouldn't tell anybody either.
00:43:17Oh, sure, sure.
00:43:19You don't have to worry about me.
00:43:21Well, I gotta go.
00:43:22Thanks for the tea, Mrs. M.
00:43:24Bye, Mr. Hobson.
00:43:25Bye-bye.
00:43:26Oh, he's such a lovely man, you know.
00:43:29Such a lovely man.
00:43:30He does so many things for me.
00:43:32You can't imagine.
00:43:33Do you know?
00:43:34He fix my lights.
00:43:35He fix my oven.
00:43:36He's a lover of mine.
00:43:38He fix this, he fix that.
00:43:40I fix you.
00:43:45What's the matter with you?
00:43:47You don't have to sit there looking so miserable.
00:43:49I ain't done nothing.
00:43:50They got a cop over there.
00:43:52I haven't done it.
00:43:54That's what I said.
00:43:55They got a cop over there.
00:43:57Oh, thank God.
00:44:00Joe.
00:44:01Joe, leave it now.
00:44:02Don't try to do it again.
00:44:04You'll only get caught.
00:44:05I thought you were gonna keep out of this.
00:44:07I just don't want you to get caught, that's all.
00:44:09And you will, you know.
00:44:10No one's that clever.
00:44:11I couldn't bear it, Joe.
00:44:13I'm not clever, sweetheart.
00:44:15That guy over there making out he's
00:44:17Trudy's boyfriend working in a foundry.
00:44:19I got him in ten seconds.
00:44:22Don't you worry a little head.
00:44:23I'm gonna do it and nobody's gonna catch me.
00:44:27And right now I just figured out how it's gotta be done.
00:44:32How?
00:44:34If I don't tell you, it's not your problem.
00:44:37Nobody's gonna know nothing about this.
00:44:39Where are you going?
00:44:40Out.
00:44:41Where?
00:44:43Back to the hospital.
00:44:45I forgot something.
00:44:47Joe!
00:44:54Joe!
00:45:06I heard you come in.
00:45:10You've been gone a long time.
00:45:12I know.
00:45:13I couldn't find what I was looking for.
00:45:15I must have left it someplace else.
00:45:18What have you lost?
00:45:20Nothing.
00:45:23Boy, am I tired.
00:45:27I gotta get to bed.
00:45:28I'll be up early.
00:45:49Don't have to be up at six o'clock when you're on day shift.
00:45:54I want to try and do something with that stinking van.
00:45:58Now why don't you just shut up and go to sleep?
00:46:23Good night.
00:46:53Good night.
00:47:23Good night.
00:47:53Good night.
00:48:23Good night.
00:48:53Good night.
00:49:23Good night.
00:49:24Good night.
00:49:53Good night.
00:50:23Good night.
00:50:53Good night.
00:50:54Good night.
00:51:23Good night.
00:51:24Good night.
00:51:54Morning, Mr. Connor.
00:51:55Morning.
00:51:57My iron doesn't work.
00:51:59Oh, do you want some breakfast?
00:52:00Some bacon and eggs?
00:52:02Lovely, that would be marvelous.
00:52:03Good.
00:52:04I had mine already.
00:52:05You know, I got up very early this morning.
00:52:08There.
00:52:09Nice, warm coffee.
00:52:11Help yourself now.
00:52:12And I want to see if I can understand something about this iron.
00:52:15I don't understand nothing.
00:52:18Oh, dear.
00:52:20I don't understand nothing.
00:52:23What shall I do now with you?
00:52:29Joe, come on.
00:52:31Why don't you eat your breakfast?
00:52:32Oh, yeah.
00:52:35Thank you, darling.
00:53:32What's the matter?
00:53:33You haven't eaten your breakfast.
00:53:35I just want to make sure that old Val gets me there.
00:54:24Oh, Mr. Hopper.
00:54:25What are you doing here?
00:54:27Well, to tell you the truth,
00:54:29I was just coming in to see how you were.
00:54:31Oh, you're just the man I wanted.
00:54:33Come in, please.
00:54:34Come.
00:54:35Come in, please, Mr. Hopper.
00:54:37Good morning.
00:54:38Morning.
00:54:39Give me your hat.
00:54:41And sit down.
00:54:42Just a second.
00:54:43You see, if you give me two minutes of your time
00:54:46before you go to work,
00:54:48and look at my iron.
00:54:50It's broken.
00:54:51Look.
00:54:52It doesn't work anymore.
00:54:54I don't know.
00:54:55I don't understand nothing.
00:54:57Have you got a screwdriver?
00:54:59A what?
00:55:00A screwdriver, you know.
00:55:01Oh, yes.
00:55:02Sorry.
00:55:03There.
00:55:04This one.
00:55:05It's so kind of you to help me.
00:55:07I don't know what to do for you.
00:55:09Do you want a cup of coffee, Mr. Hopper?
00:55:11That's fine.
00:55:22Here.
00:55:53Here.
00:56:07There, Mr. Hopper.
00:56:11You know,
00:56:12I think it was the fuse.
00:56:15No, it's right here in the plug, isn't it?
00:56:17In there?
00:56:19Oh, dear.
00:56:20I'm glad you didn't ask me.
00:56:21I'm hopeless at that sort of thing.
00:56:39Oh, my...
00:56:40My cat!
00:56:45He's not breathing.
00:56:47My cat is dead.
00:56:49He's dead.
00:56:50Dead?
00:56:54No.
00:56:55Oh, no, my Bruno.
00:57:05Don't drink that.
00:57:08It's poisoned.
00:57:10Poisoned?
00:57:13Hello, Edmonds.
00:57:14The Wilson murder.
00:57:16I want every possible place in town
00:57:17checked for a quantity of missing drugs or poisons.
00:57:20And look into any break-ins on similar premises
00:57:22over the past few weeks.
00:57:24And if any of these places report a loss,
00:57:26get a list of the employers and check them.
00:57:30And I want that milk bottle fingerprinted.
00:57:33And the front door steps fingerprinted.
00:57:36I don't care whether it takes a month.
00:57:38I want that information.
00:57:43I...
00:57:46I see that
00:57:47somewhere, someplace,
00:57:49God must have a little corner for the cat soon.
00:57:53That's why I don't want that my...
00:57:55My dear Bruno
00:57:57should miss it.
00:58:00Poor old Bruno.
00:58:02It's a sad thing for you, Mrs. M.
00:58:05Yes, it's very sad.
00:58:07But, Mr. Hockton,
00:58:08could you imagine
00:58:10if it would have happened
00:58:11to Mr. Connor
00:58:13or to myself
00:58:14or to you?
00:58:15I guess we were just lucky.
00:58:20Well, young fellow,
00:58:21you boys getting anywhere?
00:58:23You know, it seems a damn funny thing to me
00:58:24that this guy can come walking right up the street
00:58:26without being seen.
00:58:28Looks like your men are either sleeping
00:58:29or you need to put more of them on the job.
00:58:31Well, there's nothing much I can say to that except
00:58:34well, we're doing our best.
00:58:36I've just been on the radio to the superintendent.
00:58:38We're gonna move all the men in closer today.
00:58:42We've been looking for somebody
00:58:43who's trying to get into the area.
00:58:46But I have a feeling
00:58:47that it may be somebody
00:58:48who already lives nearby.
00:58:50Well, I'll tell you something.
00:58:51It wouldn't surprise me.
00:58:53You can meet people every day of your lives
00:58:54and never know what goes on inside of them.
00:58:57It could be any one of these people around here.
00:58:59Yes, it's true.
00:59:01I know it's true.
00:59:03You see, in my mind
00:59:05there is something I will remember.
00:59:09It's someone I will know.
00:59:12And it's getting close.
00:59:15Close.
00:59:16I'm sure one day I will know.
00:59:20Well, I hope so.
00:59:23In the meantime, are you gonna stay here?
00:59:25Yes, I will.
00:59:26Oh.
00:59:28You're a wonderful woman, Mrs. Emerson.
00:59:31You have to do what you have to do.
00:59:36Mr. Connor, I'm going to bed now.
00:59:39Do you want something?
00:59:40A cup of tea or coffee?
00:59:42No, thanks, Mrs. Marotta.
00:59:43I don't think so, but thanks anyway.
00:59:44You know, I don't like the idea you sit up all night.
00:59:47Sleep.
00:59:48Nothing will happen tonight.
00:59:50Don't worry about me, Mrs. Marotta.
00:59:52I'll be all right.
00:59:53You get some sleep.
00:59:55And don't forget, I'm here
00:59:57and there's a policeman in every street
00:59:58for a quarter of a mile around.
01:00:00Oh, I see.
01:00:01Good night.
01:00:03Good night.
01:00:07Come on, people.
01:00:14Come on.
01:00:28There, there, now.
01:00:3190, 90.
01:00:32There, 90, 90.
01:00:33There, there.
01:00:35There, little darling, there.
01:00:44There, there, there.
01:00:46There, there, there.
01:00:48There, there, there.
01:00:50There, there, there.
01:00:52There, there, there.
01:00:54There, there, there.
01:00:56There, there, there.
01:00:58There, there, there.
01:01:00There, there, there.
01:01:02There, there, there.
01:01:04There, there, there.
01:01:06There, there, there.
01:01:08There, there, there.
01:01:10There, there, there.
01:01:12There, there, there.
01:01:14There, there, there.
01:01:16There, there, there.
01:01:18There, there, there.
01:01:20There, there, there.
01:01:22There, there, there.
01:01:24There, there, there.
01:01:26There, there, there.
01:01:28There, there, there.
01:01:30There, there, there.
01:01:32There, there, there.
01:01:34There, there, there.
01:01:36There, there, there.
01:01:38There, there, there.
01:01:40There, there, there.
01:01:42There, there, there.
01:01:44There, there, there.
01:01:46There, there, there.
01:01:48There, there, there.
01:01:50There, there, there.
01:01:52There, there, there.
01:01:54There, there, there.
01:01:56There, there, there.
01:01:58There, there, there.
01:02:00There, there, there.
01:02:02There, there, there.
01:02:04There, there, there.
01:02:06There, there, there.
01:02:08There, there, there.
01:02:10There, there, there.
01:02:12There, there, there.
01:02:14There, there, there.
01:02:16There, there, there.
01:02:18There, there, there.
01:02:20There, there, there.
01:02:22There, there, there.
01:02:24There, there, there.
01:02:26There, there, there.
01:02:28There, there, there.
01:02:30There, there, there.
01:02:32There, there, there.
01:02:34There, there, there.
01:02:36There, there, there.
01:02:38There, there, there.
01:02:40There, there, there.
01:02:42There, there, there.
01:02:44There, there, there.
01:02:46There, there, there.
01:02:48There, there, there.
01:02:50There, there, there.
01:02:52There, there, there.
01:02:54There, there, there.
01:02:56There, there, there.
01:02:58There, there, there.
01:03:00There, there, there.
01:03:02There, there, there.
01:03:04There, there, there.
01:03:06There, there, there.
01:03:08There, there, there.
01:03:10There, there, there.
01:03:12There, there, there.
01:03:14There, there, there.
01:03:16There, there, there.
01:03:18There, there, there.
01:03:20There, there, there.
01:03:22There, there, there.
01:03:24There, there, there.
01:03:26There, there, there.
01:03:28There, there, there.
01:03:30There, there, there.
01:03:32There, there, there.
01:03:34There, there, there.
01:03:36There, there, there.
01:03:38There, there, there.
01:03:40There, there, there.
01:03:42There, there, there.
01:03:44There, there, there.
01:03:46There, there, there.
01:03:48There, there, there.
01:03:50There, there, there.
01:03:52There, there, there.
01:03:54There, there, there.
01:03:56There, there, there.
01:03:58There, there, there.
01:04:00There, there, there.
01:04:02There, there, there.
01:04:04There, there, there.
01:04:06There, there, there.
01:04:08There, there, there.
01:04:10There, there, there.
01:04:12There, there, there.
01:04:14There, there, there.
01:04:44I'll go upstairs, and I'll make a nice cup of coffee.
01:05:14I'll go upstairs, and I'll make a nice cup of coffee.
01:05:44What's the matter? What's happened?
01:05:46Oh, no! Lanzardino! Lanzardino!
01:05:49Mamma!
01:06:15Police. Can you help me?
01:06:17Yes, I can. What is it?
01:06:18You're Mrs. Hopter, aren't you?
01:06:20Yes.
01:06:21Mrs. Marotta has been attacked. She's hysterical.
01:06:23Can you go to her?
01:06:24How do you mean?
01:06:25Just go and sit with her. I've got to get on to headquarters.
01:06:27Yes, but my husband's ill. He's in there.
01:06:29Be as quick as you can, will you?
01:06:30Yes, yes, I will.
01:06:35What have you done? Where are you?
01:06:44Oh!
01:07:45Joe! Joe, thank God!
01:07:47It's all right, it's all right. Leave me alone.
01:07:49Joe, Joe, they want me to go over there.
01:07:51That policeman's asked me to go over there. Now, what do I do?
01:07:53I know, I heard, but you can't go.
01:07:55Joe, let me go. Please, let me go. Please.
01:07:58Don't you see? It's our only chance we can get this over with.
01:08:01What are you talking about?
01:08:02Listen to me, Joe, listen.
01:08:03If I go over there in your coat, and she doesn't recognize me,
01:08:07then you have nothing more to worry about.
01:08:10It's our only chance now.
01:08:12If you try all this again, you're going to be caught.
01:08:15And anyway, you may be doing it all for nothing.
01:08:17Because if she doesn't know me, then you can forget all about it.
01:08:23All right, go.
01:08:39Can I come in?
01:08:40Oh, dear.
01:08:42Please, come in. Come in.
01:08:44I'm very sorry to get you out of bed at this time.
01:08:49Oh, that's all right. I want to help if I can.
01:08:53What happened?
01:08:54Oh, you know, a man, a man tried to kill me.
01:09:01He had a horrible face. A horrible face.
01:09:06Thank goodness the policeman was here.
01:09:08Yes.
01:09:09Where is he now?
01:09:10He's upstairs talking to the police. He has a radio, you know.
01:09:14Oh, I see.
01:09:22Can I make you a cup of tea?
01:09:24That would be very nice of you. The kettle is on already.
01:09:29I don't know why.
01:09:32Oh, God, it was terrible.
01:09:36Believe me, I was so scared.
01:09:42Terrible face.
01:09:45Big, big face.
01:09:49Oh, dear.
01:09:50Do you smoke, Mrs. Marotta?
01:09:52Oh, sometimes.
01:09:54Will you have one now?
01:10:06Thank you so much. You are very kind.
01:10:17I've never seen such a horrible face in my life.
01:10:22Never, never, never.
01:10:36Oh.
01:10:39You didn't let it stand.
01:10:43Oh, I'm sorry.
01:10:45I'm used to quick brew tea in my house.
01:10:48Oh, never mind. It will be all right. Just the same. Thank you.
01:10:56Oh, God.
01:10:59Drink this and you'll feel better.
01:11:06Do you know?
01:11:07It's very nice of you to look after me like this.
01:11:10Extremely nice.
01:11:11You know what I was thinking?
01:11:14I would like to have you here for dinner on Sunday.
01:11:19You and your husband.
01:11:21I will prepare a lovely Italian dinner.
01:11:25Oh, that would be lovely.
01:11:27I told you.
01:11:29He likes you a lot.
01:11:31Such a lovely, lovely man.
01:11:33Oh, now you have to go home.
01:11:35I am all right now.
01:11:36You're sure you're all right?
01:11:38Yes, I am all right. Thank you.
01:11:41Bye, Mrs. Marotta.
01:11:42Bye.
01:11:44I'll get it.
01:11:53Goodbye, Mrs. Marotta.
01:11:55Don't worry anymore.
01:11:57Everything will be fine and dandy.
01:12:03The feet.
01:12:05The feet.
01:12:08Don't worry anymore.
01:12:09Everything will turn out fine and dandy.
01:12:11Fine and dandy.
01:12:12Fine and dandy.
01:12:13Fine and dandy.
01:12:18It's her.
01:12:21It's her.
01:12:25It's you.
01:12:27She didn't know you.
01:12:29It's you.
01:12:30You just made the best decision of your life.
01:12:34We don't have to worry anymore.
01:12:36Not anymore.
01:12:37Oh, baby, I love you.
01:12:39And we're going to celebrate.
01:12:41But first I got to get rid of these dungarees.
01:12:43I'll stick them under the staircase.
01:12:44I'm supposed to be sick, you know.
01:12:46You get out the whiskey.
01:12:47Right.
01:13:01You are a great little girl.
01:13:03And I'm going to make you happy for the rest of your life
01:13:05if it's the last thing that I do.
01:13:07Here's to you.
01:13:12Oh, Joe, don't let's talk about it anymore.
01:13:15It's all over.
01:13:19Ann.
01:13:21Ann.
01:13:23Ann.
01:13:25Ann.
01:13:27Ann.
01:13:28Ann.
01:13:38Ann.
01:13:39What is it?
01:13:40What is it?
01:13:41Tell me, baby.
01:13:42Tell me.
01:13:51Oh, my God.
01:13:53Oh, my God.
01:13:55My God.
01:13:58Oh, baby.
01:14:03Oh, baby.
01:14:04It was a mistake.
01:14:06It was a mistake, see.
01:14:08I tried to.
01:14:10It was the glass.
01:14:13Just another mistake.
01:14:15Boy, I sure make a lot of mistakes, don't I?
01:14:18I don't see anybody who makes as many mistakes as I do.
01:14:22Can live this long, do you?
01:14:24But you...
01:14:25You...
01:14:28You listen to me, baby.
01:14:29I'm gonna... I'm gonna make it up to you.
01:14:31I'm gonna work hard.
01:14:33And I got the potential.
01:14:34I got a lot of potential.
01:14:36And you stick...
01:14:37You stick with me, baby,
01:14:38and you're gonna be wearing diamonds
01:14:40the size of cash that you're...
01:14:44I love you.
01:14:45I love you.
01:14:46I got a lot of money.
01:14:49But you see, everybody
01:14:52seems to have a vested interest.
01:14:54Mr. Hofter.
01:14:59Oh, you fellas must know a lot about that.
01:15:02In the army,
01:15:03anytime anybody showed any get-up-and-go,
01:15:06they always put him down.
01:15:08But the army was wonderful.
01:15:10You know, I loved it.
01:15:11The comradeship
01:15:12and... and...
01:15:13and the men all pulling together.
01:15:16When Jennifer's watching home again, hurrah!
01:15:21Hurrah!
01:15:22We give her a hearty welcome.
01:15:24Hurrah!
01:15:25Hurrah!
01:15:26Let her see the great Broadway musical!
01:15:30Hurrah!
01:15:56you