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00:01You love that boy very much, but it's not your blood.
00:04It's time to do justice.
00:07I promise you, you'll be quick and you won't even feel it.
00:13Is something wrong?
00:14His brother is having trouble breathing.
00:16It's very likely that his brother won't make it through tonight.
00:20He was fine.
00:21And this afternoon he looked better.
00:23These are not my herbs.
00:24Who gave them to his brother?
00:26What did you make the boy drink, Isabel?
00:28I don't know what you're talking about.
00:29I confused the herbs that Mr. Rafael brought with others.
00:33I beg you to forgive me.
00:35I thank you for bearing the guilt.
00:37You've earned it.
00:39It would be best if I took care of this.
00:45I came to get some clothes and clean water for Pedrita.
00:48Tell me what you want to tell me.
00:49Come in and take whatever you want, Menester.
00:51Do you know whose it is?
00:53It will be yours.
00:54I had never seen it.
00:57How many prayers have we had to sacrifice?
00:59About ten.
01:00What?
01:01It's not my fault. What could I do?
01:03They have complaints about your work.
01:05Then do it better and shut up.
01:08I understand that you don't want to celebrate the wedding until your brother is fully recovered.
01:12It is understandable and human.
01:14I apologize for that.
01:16I have finished my work.
01:17And I would like to know your opinion.
01:19See?
01:20For things like that you are my favorite nephew.
01:27You haven't learned to love this place yet.
01:29I doubt you will ever do it.
01:31I am convinced that you will find something here that you like.
01:35Maybe, I don't deny it.
01:37Everything is already underway.
01:39The wedding will be celebrated in five days.
01:42To the grooms.
01:44To the grooms.
01:57I come from the fields and I can't find Gaspar anywhere.
02:00I have ordered him to talk to the people who store the crops.
02:03It won't take long.
02:11And leaving the cattle locked up in the stables is also an order of yours?
02:15Don't you get money from the animals?
02:18I had to open the fences myself.
02:20It must have been a mistake. I will talk to him.
02:22Because of such mistakes, we are in this situation.
02:25We can't lose more animals, Julio.
02:28All the farms in the region are having problems with the cattle.
02:30I don't live in all the farms in the region. I live in this one.
02:33Only with the crops we will not get ahead, Julio.
02:35And you should know that.
02:38I will talk to him.
02:40Okay?
02:41Why do you defend him?
02:43Because not everything is a mistake.
02:45And you should know that.
02:47Why do you defend him?
02:49Because not everything is a mistake.
02:51Gaspar also does a lot of good things.
02:53Really?
02:54What are they?
02:55Keeping the farmers in line, for example.
02:57And he has personally achieved several salvations for the crops.
03:00All that is missing is that after so many years he didn't do anything right.
03:03You know he won't help us with the crops, or the cattle, or anything.
03:07Your attitude.
03:09You have been very irascible since you arrived.
03:11I don't recognize you, brother.
03:14Rafael, you are no longer in the front.
03:16We are no longer enemies, this is not a war.
03:18Gaspar is a good man.
03:20And he has been working for us for years.
03:22He works hard for this farm.
03:23It's not enough, Julio.
03:25Have you seen how the lands are?
03:28What's wrong with the lands?
03:30Have you dared to step on them at least once since I left?
03:34No.
03:35I can see that you haven't.
03:36If you had, you would have realized that those lands have not rotated.
03:39Why do you think the crops are getting more and more scarce?
03:41The lands have to rest, just like the animals.
03:44You know what I'm talking about, don't you?
03:46I don't have to have them.
03:47That's what Gaspar is for, to deal with these issues.
03:49Gaspar is for the crops.
03:51But so are you.
03:54And that's how it goes.
04:14I have a wound that does not heal over time
04:27For a betrayal that pierced my heart
04:32As if it were a dagger
04:38That locked me in this torment
04:46Of silence and lies
04:49Everything I knew is getting further away
04:56I live dreaming
04:59With what fate decided to deny us
05:04Condemned to the taste of bitterness
05:08Dancing with madness
05:10Imagining that it is you
05:15I live dreaming
05:17Eternally waiting
05:20For your light to illuminate me in this wild valley
05:25For your light to illuminate me in this wild valley
05:35A few years later
05:48Luisa, I was told you were looking for me.
05:53How pretty!
05:54They're for the house.
05:55It's my way of thanking you for being so nice to me.
06:04But I'm the one who has to thank you.
06:07For how you are taking care of my brother.
06:09It's a pleasure to see you like this, Miss Adriana.
06:13Seeing Pedrito better gives me life.
06:16Poor creature.
06:17He had so many bruises on his stomach.
06:19What a bad night he had to go through.
06:22If Rafael hadn't realized the mistake with the herbs,
06:25I don't know what would have happened.
06:29What a scare we had, Luisa.
06:31But well, even Isabel seems to have a better face, doesn't she?
06:35Although I still find her a little expensive and shabby.
06:39What's going on?
06:42Has something happened to Isabel?
06:43No.
06:44Luisa, you know you can tell me, right?
06:47It's my thing.
06:49But I don't think she likes having me around here.
06:52Why do you think that?
06:53I don't know.
06:55Yesterday when I told her you told me not to leave Pedrito,
06:58no one said anything more than my great-grandchildren.
07:01No, Luisa.
07:03It's your imagination, really.
07:05Isabel is a love.
07:08The thing is that everything about Pedrito has been very hard for her.
07:11She has had a very bad time.
07:13The boy is happy with you.
07:15And just because Isabel adores him, she's going to love you.
07:18You'll see.
07:19I'm happier than a peacock with Pedrito.
07:21That boy is so innocent and so happy.
07:25I had a feeling he was going to heal.
07:26Until the grass thing happened, of course.
07:31A terrible carelessness.
07:32And strange.
07:35You think?
07:36Don't you think it's weird?
07:38That Juana said first that she wasn't ready for that Tizana,
07:41and then she changed her mind and admitted it.
07:43I guess I'd be afraid to admit such a mistake to my aunt.
07:47And I don't blame her.
07:48Because it's a waste of time.
07:53Do you know who fired her?
07:54Absolutely not.
07:56Tell her to go to hell.
07:58The girl didn't do anything wrong, you know that, right?
08:01A little compassion, ma'am.
08:03Victoria is relentless.
08:05You'll get to know her.
08:25Did I bother you?
08:26Barbara.
08:27No, of course not.
08:28Come in.
08:33I came to return the book I borrowed.
08:36Since Pedrito is better off, we've eaten him.
08:39Book eaters, like me.
08:41A rare bird in these lands.
08:42My favorite species.
08:44Don't our cows, chickens or pigs captivate you?
08:48No, they don't.
08:49They don't?
08:50No, they don't.
08:51Don't our cows, chickens or pigs captivate you?
08:54I've never liked animals.
08:56It's a shame.
08:58Me neither.
08:59That's why I hide here whenever I can.
09:03Do you want me to recommend another book?
09:05We still have the last book he lent me.
09:08Angle and shortcut.
09:13Has she read all of those?
09:17Many.
09:18Although, if I'm honest, I also enjoy the vertigo of having so many stories to know.
09:24Isn't it exciting?
09:26Yes.
09:28Yes, of course.
09:36Well, I think I should go home.
09:39Yes, of course.
09:40We'll see each other around.
09:41Of course.
09:43Barbara.
09:46Do you have anything to do today?
09:48Today?
09:51Let's see.
09:53First, I'll go to the café with my friends.
09:55Then, I have a date with the fashion designer.
09:56And at night, a string concert.
09:58A string concert.
10:00What do you think?
10:02Any day, I'll find myself milking a cow because I have nothing better to do.
10:07Until that day comes.
10:08Would you like to go around the valley with me?
10:12What do you say?
10:14If you ask me like that, I think I can cancel all my commitments.
10:19I'll follow you.
10:39A YEAR LATER
10:52Pedrito.
10:54What are you doing there?
10:56That's what happens to the sleeping beauty.
10:58You're going to sleep for a hundred years, Aya.
11:01God forbid, with all the work I have ahead of me.
11:05Come here.
11:07Come here, my sun.
11:13How are you?
11:17Uy.
11:19That face of garlic that you bring me.
11:22Something is happening to you.
11:25What is it, my child?
11:29Pedrito, it's me, Aya.
11:31You can tell me everything.
11:34What's wrong with you?
11:36I want to apologize for getting lost in the mountains.
11:42I'm sorry.
11:45I shouldn't have overreacted.
11:48I shouldn't have driven so much.
11:52But I've already told Adriana.
11:55And I'm going to tell Aunt Victoria so she won't scold you.
12:00But you don't have to say anything, my dear.
12:02It wasn't anyone's fault.
12:04The bad drink has already passed.
12:06We better forget it, okay?
12:09But I don't know how it happened.
12:12I fell down to pick up a stone and then you weren't there anymore.
12:17It's as if you had run away.
12:20What a coincidence, for God's sake, what a coincidence.
12:24Yes, and I was very scared.
12:27I ran, but I screamed and you didn't hear me.
12:32That's what happened, Pedrito.
12:34When you ran, you went where Christ gave the three voices and that's it.
12:39But I scream a lot, huh?
12:41Do you want me to show you how much?
12:43Oh, no, no, no, no.
12:44You don't have to, my dear.
12:46I don't know what happened.
12:47The wind was blowing.
12:49I don't know.
12:51Let's not turn around.
12:54Do you want to eat something?
12:56I'm not hungry.
13:02Let's go.
13:10Luisa, let's play.
13:13Let's play?
13:14But first eat something that you like the most, like Silvio.
13:19First the herbal tea,
13:21and then hot bread and milk with a lot of cream.
13:32Do you know that it was Luisa who found me in the forest?
13:36And we will never thank you enough.
13:49I have explained it to you in terms of active and passive.
13:52But insist on charging us a third more than last year.
13:56Okay, Aspar.
13:58Leave it to me.
13:59I will take care of renegotiating the price of storage.
14:03Aspar.
14:07We are in a very delicate situation.
14:09We can't make mistakes,
14:11because we can't take more losses.
14:14I'm aware of that, Mr. Julio.
14:16I don't think that's enough.
14:18You didn't give the order to take the animals out this morning.
14:22I'm very sorry.
14:24We don't have an excuse for the tension in the union.
14:27I'm going to make the mistake right now.
14:29You don't have to.
14:30Rafael has managed to open the fences.
14:35Aspar.
14:38I finally find you.
14:40The meeting this morning was long.
14:42I hope it was also profitable.
14:46What can I offer you, Mr. Rafael?
14:48Arrange what is necessary to start plowing the fields right now.
14:51I'm listening.
15:00Haven't you informed them yet?
15:02We were dealing with other matters.
15:04Well, this is of vital importance.
15:06Along with properly feeding the cattle and keeping them healthy.
15:11Let's get it going now.
15:13Excuse me,
15:15but I don't think it's time to stop any of the land.
15:18We must increase the harvests, not reduce them.
15:22No.
15:24That's bread for today and hunger for tomorrow.
15:27The land we put to rest this year will be twice as productive next year.
15:30Let's start the rotation right away, Aspar.
15:33Starting with the western fields.
15:42I'm giving you an order.
15:45Whatever you say.
15:51Let's go.
16:10When I become a writer,
16:13I will invent moving stories,
16:15those that catch you,
16:17that make you long for the happiness of the characters.
16:21As I wish to read your works, Alejo.
16:25My works will be like the books I like.
16:30Moving,
16:32that connect with the heart.
16:43You have no idea how grateful I am for your presence in Bale Salvaje
16:47and for being able to share my great passion with you.
16:51Yes.
16:53I'm glad.
16:55You are also being a great comfort to me in this place.
16:58But reading is not my only passion.
17:01Oh, really? I didn't know.
17:04Actually, you know what I like the most?
17:07I'm looking forward to you telling me.
17:10Dancing.
17:12I really want to dance.
17:16Do you know how to dance?
17:17No, no, no. I'm very clumsy.
17:20I don't think I'm as clumsy as you say.
17:22No, it's not that I'm clumsy.
17:24It's just that I have wooden feet.
17:28Show me how you do it.
17:32I didn't want to make a fool of myself in front of you.
17:37But I must warn you that I'm not going to settle
17:41because I'm a magnificent dance teacher.
17:47Can I help you with something, Bernardo?
17:50I didn't want to bother you.
17:52I've seen you in our monasteries
17:53and I thought you might want to freshen up.
17:56Thank you very much.
18:01Anything else?
18:13That silence of yours is always there.
18:15Without saying a word all these years.
18:20There was a time when we were like them.
18:25I look at you and I feel envy.
18:29An unhealthy envy, to put it mildly.
18:31Love is a matter of courage.
18:33Courage, you say? No.
18:35Love is a matter of two.
18:39With our hair turning silver,
18:41feeling that they no longer belong to us, Bernardo.
18:43Desire has no age, Mercedes.
18:47How gallant that sounds from a man's mouth.
18:50Say it yourself and I won't judge you.
18:53No.
18:55I won't say it.
18:57And not because I'm a woman.
19:00But because saying it would be deceiving me.
19:04I don't want you anymore.
19:08My desire to teach her to dance is totally selfish.
19:11Is it? Don't tell me.
19:14In a little while,
19:16we'll celebrate the reception of our brothers' wedding.
19:21And I'll need a dance partner.
19:25It's a proposition.
19:27I thought it was the gentlemen who invited the ladies.
19:31That's how it should be.
19:33But I have to do something
19:35to prevent my cousin Gaspar from becoming my dance partner.
19:38Or that man.
19:40Have pity on me.
19:49All right.
19:52I'll accept your dance classes.
19:55But don't hold too much hope in my possibilities.
19:59And please,
20:01don't be too hard on me.
20:03I beg you.
20:04I promise.
20:06Your words hurt, Mercedes.
20:11Because you know they're true.
20:14I loved you.
20:16I loved you for years.
20:19I waited for you for years.
20:22And the only thing I found were lies.
20:25I never did such a thing.
20:29I love you.
20:31I love you.
20:32I love you.
20:35Do it.
20:37Do it if you're going to feel better.
20:40If that's going to mitigate the resentment you feel for me.
20:44You could have me.
20:47And now,
20:49we'd walk through this valley.
20:53Running after our children.
20:57But you took my happiness away
20:59and turned me into a ghost.
21:04Don't expect me to be grateful for that, Bernardo.
21:10You owe me a life.
21:14That man wasn't the same as he is now in front of you.
21:17You can't see him.
21:22I fell in love with that man.
21:26Not with this one,
21:28who lives on his knees to please my sister and brother-in-law.
21:33I live on my knees to be close to you.
21:36I know.
21:39And that's why I hate you.
21:57I love you.
22:27I love you.
22:37Where did you put my burlap? I can't find it.
22:44What's wrong?
22:46Why don't you talk?
22:48Your burlap is in the bedroom.
22:50Anything else?
22:52What's that creaking sound?
22:55Talk!
22:57It's no use.
23:00I'm tired of your contempt.
23:04You reject me.
23:06It's humiliating.
23:07Humiliating?
23:11I'll tell you what's humiliating.
23:14Do you know how Rafael treats me?
23:17Like a dog.
23:19Do you understand?
23:21I'm sick of losing my job,
23:22so don't come to me with your nonsense.
23:23I don't have the body for that.
23:25Not for that, not at all.
23:28What?
23:30What are you saying?
23:33What do you mean?
23:37It's never good for you to pay any attention to me.
23:40You don't understand, woman.
23:42I'm telling you that I can lose my job,
23:44that we'll lose our livelihood and your R.K.R.
23:47That you'll bring your bread home when Rafael fires me.
23:50Tell me.
23:53Don't torture me with your imaginary problems.
23:55They're not imaginary.
23:56They're not imaginary.
24:01The problems of our marriage
24:03started long before Rafael came back.
24:09What are you accusing me of, Gaspar?
24:15That you hate me.
24:17Don't provoke me anymore, Matilde.
24:18Not today.
24:22I don't know how you've become like this.
24:24Like what?
24:25Like...
24:26Like what?
24:29Come on, say it.
24:31No.
24:36Then shut up and bring me your bread.
24:43Come on.
24:55We need all the storage space you have.
25:00If you ask for more real ones, we'll have to pay you.
25:03Before I go in,
25:04I'd like to negotiate with La Baja, if you'll allow me.
25:06Of course, Ico.
25:07We have nothing to lose.
25:09There's a lot to win.
25:14Father,
25:16I've wanted to ask you for a long time.
25:19What do you think?
25:21What do you think?
25:22I've wanted to ask you for a long time.
25:26Do you already know the terms of grandfather Antonio's will?
25:30Has the issue of inheritance been resolved?
25:32Yes.
25:33It has been resolved, yes.
25:34Of course it has.
25:36We couldn't make use of it.
25:38It would be of great help.
25:40I'm afraid not, son.
25:43Because the only thing your grandfather Antonio has left us in inheritance
25:46is a good handful of problems.
25:49Problems? What kind?
25:51Big holes in his disastrous accounting.
25:54What am I going to tell you?
25:55That's terrible news.
25:58You didn't know anything?
25:59Absolutely nothing.
26:01My grandfather was a very proud man.
26:03If he had asked me for help,
26:05hiding the problems only prevents them from being solved.
26:10What mess had he gotten himself into?
26:13Rafael told me that he saw him restless days before his death.
26:16He didn't give good explanations about the Holy Brotherhood.
26:19He also told me something.
26:20But that's just your brother's delusions.
26:23I don't think it's likely.
26:24Very likely.
26:26Grandfather Antonio had won many enemies in recent times.
26:28The Holy Brotherhood concluded that it was a robbery.
26:31Father, but...
26:35Adriana.
26:37Sorry to interrupt.
26:40I had met with Julio, but I didn't want to bother.
26:44Absolutely.
26:45You are always welcome.
26:47Besides, I was leaving.
26:49It is a joy for all of us
26:51to know that your brother Pedrito is recovering.
26:54Thank you, Mr. Duque.
26:57That's how it is, thank God.
27:00I'm going to show Adriana the Valley, Father.
27:02With everything that has happened,
27:03she has not had the opportunity to get to know our lands well.
27:06Great, great.
27:08It is important that you know how we make a living, the Galvez de Aguirre.
27:12And now, if you allow me,
27:14I have other matters that require my attention.
27:20Let's go.
27:45Alejo.
27:46Alejo.
27:48I'm not interrupting you.
27:50I'm just going to return this book to the shelf and I'm leaving.
27:57Don't be in a hurry, Mercedes.
28:00You can help your favorite nephew
28:02find the place that suits him.
28:05It is not necessary.
28:08Keep writing.
28:10You seemed very inspired.
28:12As if something new would feed your spirit.
28:17It's possible.
28:19I've had a very pleasant walk.
28:21It has connected me with nature and with ...
28:25with the joy of living.
28:29I'm glad for you.
28:33And for the little girl who was with you.
28:37If you'll excuse me.
28:39If you'll excuse me.
28:45Wouldn't it have bothered you to see me with Miss Bárbara in the gardens?
28:54Why would it bother me?
28:56You are a free man.
28:59You have the right to courtship whoever you like.
29:02In that case,
29:03it won't seem bad to her either
29:05that she has agreed to be her dance partner
29:08at Julio's wedding.
29:12It seems natural to me.
29:13How gallant you are with her.
29:16Are you of the same age?
29:18First she will give me dance classes.
29:22We will have to match
29:25the rhythm of our bodies with the music.
29:29That won't bother her either.
29:34Not at all.
29:44Find yourself a place in the book,
29:46since you have stopped writing.
29:49If that's what you want.
30:04Pedrito.
30:06Are you feeling better today?
30:09The drawing is looking very nice.
30:13It's for Luisa.
30:14To thank her for finding me in the mountains.
30:18You seem very happy with her.
30:19Does she treat you well?
30:21Yes.
30:22She's very nice to me.
30:25And she knows a lot of fun games.
30:28She's a very nice person.
30:30And she knows a lot of fun games.
30:37I was very, very cold, aunt.
30:40Luisa saved my life.
30:42Well, that was a bit...
30:44between all of us.
30:47You should also thank your sisters,
30:51Isabel,
30:53Galeno.
30:55Excuse me.
30:56Pedrito, I finally find you.
31:01What are you doing there?
31:03Nothing.
31:04It's a surprise that you can't see.
31:06For me?
31:07But I like surprises.
31:09I'd better go somewhere else.
31:11Don't look.
31:20Excuse me.
31:21I'm going to make lunch for the kids.
31:24Very well.
31:26They told me you're Fausto's niece.
31:29Yes, ma'am.
31:31A very respected foreman in these lands.
31:34God bless you.
31:36Before I went to Guadalajara,
31:38I was on the phone with the landlord.
31:40You had to call the guy.
31:42He called.
31:43Why did you call him?
31:45He was angry,
31:47and he didn't want to meet me.
31:49He didn't want to meet you?
31:50You've been in touch for years.
31:51I'm sure he didn't want to meet me either.
31:52That's what I want to hear.
31:59I was on the phone
32:01with the landlord.
32:02Before going to war, my brother was responsible for the land and the animals.
32:08But when he left, it was his cousin Gaspar who took care of it.
32:12Not only do we have cattle, we also grow corn, wheat, vegetables.
32:20Is something wrong?
32:21No, no, please go on.
32:24Adriana, I'm sorry, I'm boring you.
32:27No, no, I'm sorry, you have gone to heaven.
32:31But it is fair that you know these details, so go on, please.
32:35It doesn't have to be today, there will be time.
32:40We are here alone, Adriana. You know that you can talk to me freely.
32:49It's nothing.
32:54I hope you are not offended by me.
32:59I tried to convince my father to delay the wedding date as I promised him.
33:05I'm not disappointed with you, Mr. Julio.
33:10I know he did what he could.
33:12I hope he doesn't think badly of my father either.
33:15He is a man of strong convictions and sometimes he seems inflexible.
33:20But when he has the opportunity to get to know him better, he will see that he is a good person.
33:25I'm sure he is.
33:28Then why are you upset?
33:31Trust me, we will soon be husband and wife.
33:47Since I arrived in Valle Salvaje, I have been overwhelmed by unexpected events.
33:54It has been too many emotions.
33:57The possibility of losing Pedrito has been devastating.
34:03It is perfectly understandable.
34:07And I feel relieved in a way.
34:11I thought you had doubts about our marriage.
34:18It would bother him so much that it were.
34:22I have to confess that I had doubts.
34:27It was before I met her personally.
34:30As soon as I saw her, she disappeared.
34:36You are very kind.
34:42The farm is really big, but we have only seen this small part, right?
34:51Yes.
34:56Luisa, you must be extremely careful with Pedrito's diet.
35:00Of course, ma'am. There was nothing else to do.
35:03I suppose you know about what happened with the maid.
35:06Yes.
35:12With me, you can rest assured, Mrs. Victoria, that I do clean wheat.
35:16The truth is that with Juana's dismissal, her position has been vacant.
35:21Would you be interested in covering it?
35:23Me?
35:25Do you mean that if I could do what Juana did?
35:28As long as your state allows it, of course.
35:30Well ...
35:31You have entered this house very well.
35:33The boy loves you, his sisters too.
35:36I'm sure it's in our best interest.
35:38No, no, you are very kind.
35:40But Miss Adriana asked me to dedicate myself exclusively to Pedrito.
35:43Of course, Pedrito's care will be a priority.
35:46But the boy is getting better and needs less attention.
35:50And Adriana will move to the big house with her husband in a few days.
35:55A little while, yes.
36:00I accept, I accept with pleasure.
36:02Thank you very much, Mrs. Victoria.
36:04From now on, I will do everything Juana does.
36:06But with much more care and attention, if you want this to last.
36:10Yes, yes, of course.
36:11With your permission, I'm going to feed the boy.
36:22Excuse me, Mrs. Victoria.
36:25How are we going to carry out our plans with that slut getting our noses in everything?
36:30I know perfectly well what I'm doing.
36:33It is much better to have Luisa under our control than under Adriana's.
36:37Believe me.
36:42I love you.
36:52That's as far as our land goes.
36:54It is the largest property in the region.
36:56It's a shame that they have been so long at the mercy of an inept like Gaspar.
37:00Can you tell me where he is now?
37:01Rafael, please lower the tone, you're going to scare Adriana.
37:05I need to talk to Gaspar urgently.
37:08I have no idea where he is.
37:10What's going on?
37:11That I come from the fields of the west and no one here knows anything about the barbeque.
37:14Wasn't he clear about what he had to do?
37:17He must have come up with something unexpected.
37:19We'll talk about it later, Rafael. It's not the time.
37:22We'll talk about it now, right now.
37:25Every day we spend without solving the problems of the hacienda is another step towards ruin.
37:28Enough!
37:30I repeat, it's not the time.
37:31It's enough, Rafael.
37:33Rafael.
37:36Start thinking that Gaspar is not the only one responsible for everything that is happening.
37:40Are you blaming me for something?
37:42I'm blaming you for everything.
37:45Don't even think about talking to me like that.
37:48Much less in front of my fiancé.
37:50Why not?
37:52That way you know who you're going to marry.
37:55With someone who doesn't care about the lands of his family.
38:00Rafael.
38:03Rafael.
38:08Stop, please! Stop!
38:23Enough! Enough!
38:25Please.
38:27Please.
38:34Please, don't.
38:35I beg you.
38:37Don't do it.
39:04Matilde.
39:06Are you okay?
39:08What's wrong?
39:10No, no.
39:11It's nothing. It doesn't matter, really.
39:13How can it not matter if you're suffering?
39:16What has my son done to you?
39:17No, no, no.
39:18It has nothing to do with Gaspar.
39:21It's...
39:22These mantiles that...
39:24that my mother embroidered and I miss her so much.
39:28Matilde, come.
39:29Let's sit down.
39:30Come.
39:31Let's sit down.
39:32Come.
39:44I know perfectly well how Gaspar is.
39:46You don't need to protect him.
39:48Trust me.
39:51It's nothing. I assure you.
39:56You know you're like a daughter to me, Matilde.
40:01Let me help you.
40:03I also had a husband.
40:05I know men's weaknesses.
40:10I'm so ashamed.
40:13In the intimacy of a marriage, there's nothing to be ashamed of.
40:17But what intimacy are you talking about?
40:21I don't have intimacy with my husband.
40:25He...
40:26He doesn't want me.
40:29You wouldn't have misinterpreted the signs, dear.
40:42Gaspar is seeing another woman.
40:51Why didn't you tell me before, woman?
40:54You would have avoided a lot of suffering.
40:57This handkerchief is mine, Matilde.
41:03That's true.
41:09Forgive me.
41:10Forgive me.
41:12I thought...
41:15My son is clumsy with his feelings.
41:17That's undeniable.
41:18But you and I know he's a good man.
41:21What happens is that, like all husbands,
41:23he needs to be guided by a feminine hand.
41:29I don't know how I could do that.
41:32Matilde.
41:34Don't look down on him again.
41:38My son is a lucky idiot because he has a wonderful wife.
41:41You.
41:42Never forget that.
41:45And if he hasn't realized it yet,
41:47you'll have to give him a little push.
41:53He doesn't even look at me.
41:55The only thing that worries Gaspar now
41:57is his job, his problems with Rafael.
42:04Then...
42:07Maybe that's where you have to intervene
42:10and show him your worth.
42:18Oh.
42:21Thank you for making me laugh, sister.
42:32The pharmacist has sent you the sedative, Mrs. Pilara.
42:35He has already removed the old one from his sedatives.
42:37He was exhausted.
42:39You can go.
42:48It's amazing how this medicine gives me back my strength.
42:55I hope everything will be solved so easily.
43:11Your quesadilla, Mrs. Mercedes.
43:13Bárbara.
43:14Bárbara.
43:16What an unexpected surprise.
43:18Come in.
43:19Please, sit with us.
43:22How can we help you?
43:25I don't want to bother you,
43:26but I would like to ask you a favor.
43:28You tell me.
43:30I dared to come because I have been told that the priest who works for the Galdedaguirres
43:34is one of the best in the country.
43:35That's right.
43:37Don Eugenio does real wonders with scissors.
43:41What do you need?
43:42I was wondering if I could make a dress for the wedding.
43:45The wedding?
43:47I see it complicated.
43:49Not to say impossible in such a few days.
43:52Don Eugenio is very meticulous and perfectionist.
43:56I know.
43:57We never thought the wedding would be so soon.
44:01And I have nothing prepared.
44:05I could ask Don Eugenio if he can make a hole for you.
44:10As a personal favor.
44:11Really?
44:13That would be wonderful.
44:15I'll see what I can do, but I promise you nothing.
44:17Thank you very much, Mrs. Duquesa.
44:19I thank you from the bottom of my heart.
44:20Wait, wait a second.
44:22How is Adriana?
44:25Is she more willing to marry now that Pedrito has recovered?
44:30Yes.
44:31Yes, yes.
44:32My sister is delighted with the link.
44:34Of course, yes.
44:37Is something wrong, Bárbara?
44:38That man seems very familiar to me.
44:41Don Antonio?
44:43I'm sure it's him.
44:45I've seen that man in my house on the Via de Madrid.
44:48He came a few times to visit my father in his office.
44:56Well, I said it.
44:59I'm leaving.
45:00I won't interrupt you anymore.
45:01Thank you again.
45:16Pilara.
45:18She's just an impetuous girl.
45:20She must have confused Don Antonio with some other man.
45:23A loan shark must get a lot of visits.
45:26Don't you think so?
45:39I'm sure you don't want me to bring you anything for the blow.
45:42A little ice would be very good for the swelling.
45:45I'm fine, don't worry.
45:49Please continue.
45:52I was telling him that ...
45:55that my husband is broken.
45:58Gaspar thinks that nothing he does is enough for you.
46:01The truth is that lately he has made some mistakes that are going to be very expensive for us.
46:04And he knows it.
46:06He's trying to make up for them.
46:09What do you want from me, Matilde?
46:13I want to tell you everything my husband says out of respect for you.
46:18Gaspar is no longer an employee.
46:21He works from sun to sun, far beyond his obligations.
46:26He gives up his life for his land.
46:30But it's difficult.
46:31But it's difficult to do things right when you feel constantly judged.
46:38Your effort deserves recognition.
46:43And not just from you.
46:46Also from your brother, Don Rafael.
47:01I'm sorry.
47:15If he comes from my brother, don't bother him.
47:18I'm no one's errand boy.
47:23I just wanted to know how he's doing.
47:27Today is not the best day of my life.
47:31Those lands where I grew up are falling apart.
47:35Is there anyone here who cares?
47:37No.
47:38Just me.
47:40How do you want me to feel?
47:43Do you really think it's worth fighting with your own brother for a piece of land?
47:49My brother is the problem, Adriana.
47:53He refuses to make the necessary decisions to avoid ruin.
47:57He's desperate.
47:59He's your brother, Rafael.
48:02If I had to choose between Bárbara and Pedrito and a handful of lands,
48:07let all the villages and forests burn.
48:09Let all the fields flood.
48:11Nothing would ever separate me from them.
48:13It's our home.
48:16Defending the land is defending the family.
48:18That's what Julio doesn't understand, and from what I see, you don't either.
48:22Rafael, you told me you loved your brother.
48:26Do you really care so much about these lands?
48:28Are they worth so much to you?
48:32It's hard for me to believe it.
48:35Okay, do you want to know the truth?
48:39Do you want to know why I hit my brother?
48:42Why I would have preferred to die in the war?
48:44Why do I have a broken soul?
48:49Because my brother is going to marry the woman I love.
48:54Because in a few days, I'll lose her forever, Adriana.
48:57Adriana.
49:00I wish the land would open up.
49:03The rivers would dry up.
49:05All the crops would rot.
49:10If only I could have her.
49:27Come on.
49:57Come on.
50:08Pilar.
50:11Aren't those your valet's private documents?
50:14That's right. Close the door, Mercedes.
50:21What are you looking for?
50:22Don't you see that Jose Luis could arrive at any moment?
50:25I'm sure there are a lot of things that my husband doesn't tell me and that's going to end today.
50:30You're getting too upset.
50:31Could it be that he's where he's not?
50:33I don't think so.
50:34Hold on.
50:36Pilar, this state of nerves is not good for you.
50:40Leave it, please.
50:41You're going to get sick.
50:42You're going to pay dearly for it.
50:43I don't care, Mercedes.
50:46My husband is hiding something from me.
50:48And I'm not going to let him.
50:49Don't you understand?
50:51I think you're obsessing with something that maybe doesn't exist, sister.
50:55It exists.
50:56I think it exists.
50:58If you say so.
51:00Come here.
51:01I don't want to get involved in all this.
51:04For God's sake, finish your husband right away so he can arrive at any moment.
51:08Well, then if he comes back, he'll have to explain to me what's going on.
51:13Why is he so determined to marry Julio in a hurry?
51:17Why with Victoria's niece?
51:21And why did his father have relations with Adriana's family?
51:26Too many things without explanation.
51:28I'm sorry.
51:47As is well known, disagreements between brothers are settled by slapping.
51:51That's why I apologize to you.
51:53And to Rafael.
51:55Julio has apologized and behaved like a man while you kept silent.
52:00So you found out about him.
52:01Why else?
52:02If it had been for you, I would never have known.
52:05And why didn't you think what was coming was good?
52:07What?
52:08Living in this house?
52:09Marrying Julio?
52:11Marrying someone you don't know has to be difficult.
52:14I would have liked to marry for love.
52:17Ask me with your hand in your heart to forget her.
52:23And I swear to God that I will.
52:27I'm your aunt.
52:29I'm your mother's sister.
52:31Imagine the storm that would break loose.
52:34We'll catch her together.
52:36Accept her once it's over or I'll have to tell you everything, Bernardo.
52:40Mercedes, for God's sake.
52:41The choice is in your hands, Bernardo.
52:43Bernardo.
52:45If you want her to know, all you have to do is keep talking.
52:48From now on, you're in charge of Valle Salvaje again.
52:51With the power to make as many decisions as you deem necessary without anyone questioning you.
52:57This blow doesn't look good.
53:00It hasn't healed, has it?
53:08Right now you're going to tell me who the hell you're hiding from and why you're hiding.
53:13I was playing.
53:14Playing?
53:16What happened?
53:18But I don't understand how you can harm children or hide them.
53:22When my illness is over with me,
53:25Pilar will do it.
53:27And that day, my family will need someone to support this house.
53:33Bárbara and Adriana lost their father shortly before coming to Valle Salvaje.
53:39On the pretext that he died.
53:41What?
53:42Much less that he forced me to sit down with her on the pretext of chatting.
53:47Pilar chatting with you?
53:48He made me understand that someone could have killed him.
53:52I think that Mrs. Pilar knows something.
53:56What if she asks me again?
53:58That won't happen.
54:00You have my word.
54:03But how can you enter my house like that?
54:05And how can you go around talking about my brother?
54:12Be careful, Pilar.
54:16You be careful.