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00:00THE LORD OF THE SKIES
00:07Come in.
00:11Mrs. Arcos.
00:13Come in, Santos.
00:15Come in and close the door.
00:26What's with the long face, Santos?
00:28Santos Pellicer always keeps his word.
00:33You did it.
00:35Did you doubt it?
00:37No. Actually, no.
00:40Have you found any information?
00:43I haven't been able to read it yet.
00:45I just picked it up from Maria Fernández's room.
00:47Nobody saw you, right, Santos?
00:50Of course not.
00:52Come on, sit down.
00:58And read something.
01:01But what?
01:03I don't know. Open it and the first thing you find...
01:05I'm looking forward to seeing if Maria Fernández
01:08describes the same nonsense she says.
01:12Let's see...
01:16This one.
01:19But despite how much she loved her lover,
01:23something was wrong with the girl.
01:24Every time they talked about a wedding,
01:27she was like... like a paralysed person.
01:31And she didn't know why.
01:35Well, I guess you're not reading the spelling mistakes.
01:38No, because you can't.
01:40But she has a few.
01:42Although that's the least of it.
01:44This brochure is unsmokable.
01:46Yes, I think it would be more useful
01:48to liven up the fire in the chimneys.
01:50But keep reading.
01:52Maybe you'll find something more interesting.
01:54You choose what you want.
01:57Let's see...
01:59I'm so clueless.
02:02Look.
02:04Here, for example.
02:07But then, why did her departure hurt her so much?
02:13Maybe it wasn't just the distance, but...
02:17but something had broken between them.
02:22No, no. Don't continue.
02:24I'm going to cry.
02:26Well, I guess this whole paragraph
02:29is dedicated to her beloved Salvador.
02:31To his such-and-such.
02:33Curses and jokes to make her laugh.
02:35Well, look.
02:37Maybe you'll find something more interesting.
02:40Let's see...
02:44This one, for example.
02:47He was a fair and kind man.
02:51So good, so good
02:52that many people took him
02:54for Mars' softy.
02:57She was the complete opposite.
02:59Hard as a stone.
03:01Maybe she had a heart,
03:03but it was so cold
03:05that she never showed any kindness
03:08or closeness.
03:10Stop. Don't keep reading.
03:12What's going on?
03:14It's clear that he's talking about the Marquises.
03:17You think so?
03:19Yes.
03:20It's clear that this notebook
03:22contains something more
03:24than innocent notes.
03:26This notebook contains
03:28grievances we can't let go.
03:36Santos.
03:38Don't tell anyone what you just read.
03:41Of course not.
03:44If you don't mind,
03:46I'll return it right now.
03:48No, no, no.
03:51I think this notebook
03:53will be much more useful
03:55than I imagined.
03:59I'm going to examine it in detail.
04:14Curro.
04:16You're here.
04:17Yes.
04:19I was trying to read the newspaper.
04:21So you're not very busy.
04:23No.
04:30Great. Why do I have to talk to you?
04:33I see.
04:35What's going on?
04:40It's about my wedding with Gena.
04:44Do you know the date?
04:45Yes.
04:47It'll be tomorrow.
04:49What? Really?
04:51Yes.
04:52But, Manuel, that's wonderful!
04:54I know.
04:56I'm sorry I can't tell you more.
04:58You already told me why.
05:00You don't want me to ruin it.
05:02Curro, that's not it.
05:04I don't want to compromise you.
05:06If you don't know anything,
05:08they can't force you to say anything.
05:10Do you understand?
05:12Then why are you telling me the date?
05:15Because your dear sister did the same thing with María Fernández.
05:18Ah.
05:20I see that something has gone wrong in your perfect plan
05:23to keep everything in the most absolute of secrets, right?
05:26Well, yes.
05:28And given the circumstances,
05:30I think it's only right that you're also aware of it.
05:33Yes. Since I'm the brother of both contrayentes,
05:36I appreciate the gesture, yes.
05:39Although you know perfectly well
05:41that what I would like
05:43would be to take you to the altar.
05:45Yes, I know.
05:47Don't worry. I know it's impossible. It's okay.
06:00Manuel, you're in a bad mood.
06:02Why do you say that?
06:04Well, because you're shaking like a flan
06:06and because you just drank my coffee.
06:08Forgive me.
06:10It's okay.
06:12After all, this will be the most important day of my life.
06:16The only thing I feel is that it won't be the wedding I dreamed of for Hanna.
06:19And why do you say that?
06:21Because it will be.
06:23Ángel would love for us to be able to share this day
06:26with the people who love her the most.
06:28And there are many.
06:30Yes, starting with María Fernández, from what I see.
06:32And for you.
06:37I swear I would love to shout to the four winds
06:39that I'm going to marry her.
06:42But unfortunately, it's impossible.
06:44I see.
06:46Well, you told me.
06:49Even if I'm not shouting.
06:53Curro, you know that one way or another,
06:55you'll be there with us, right?
06:58I know.
07:03And now, tell me.
07:06How can I help you?
07:09You've already helped me a lot.
07:11Yes, I know.
07:13But I'm not sure I can do anything else
07:15to make you feel better.
07:18Well, actually, you can.
07:20Tell me.
07:26Brother, when we get married,
07:28I'm going to ask Father Samuel
07:30to bring a letter of promise.
07:32A letter?
07:34Yes.
07:36In it, I'll explain what happened
07:38and why I acted that way.
07:40So you're going to tell your love story with Hanna?
07:42That's right.
07:44And something tells me
07:46that the news will be devastating.
07:48Your mother won't like it.
07:50No, but my mother's matter
07:52has no arrangement.
07:54What matters to me
07:56is how our father will take it.
07:59And you want me to be present?
08:01That's right.
08:03And why don't you prefer
08:05that I give him the letter directly?
08:07No.
08:09Not in any way,
08:11and I don't want to put you in trouble
08:13even when I'm going to get in the way.
08:15So?
08:17So I need you to be there.
08:21I need you to support our father
08:23in whatever he needs.
08:27And most importantly,
08:29I need you to show him
08:31the good side of all this.
08:35Okay?
08:37Yes, like, for example,
08:39showing him that
08:41you're happy.
08:43Right?
08:45Immensely.
08:48Count on it, brother.
08:52Don't worry.
08:54Calm down.
09:07Am I interrupting
09:09any captivating reading?
09:11I can't get past the first page.
09:14Then it's not that captivating, right?
09:17I'm afraid the problem is not the reading,
09:19but myself.
09:23Let's see.
09:26To be honest,
09:28I couldn't do this novel either.
09:30You're right.
09:32The election didn't help either.
09:37Why do you spend your hours here,
09:39locked up?
09:41If you were interested in reading
09:43and you were drunk,
09:45I could understand, but...
09:47I don't know.
09:49I don't like seeing you wandering around the farm,
09:51watching the crops,
09:53or that the grain grows properly.
09:56The grain grows well without surveillance.
10:00Let's see, I'm an ignorant
10:02in everything that has to do with the field,
10:04we all know that, but...
10:06This ignorant is worried about you.
10:08I'm just tired.
10:09I don't think it's anything serious.
10:11But thank you for worrying about me.
10:14You're my favorite cousin.
10:16Thank you, Martina.
10:20And how are you?
10:22Fine.
10:25Well,
10:27I think I'm dying of jealousy, cousin.
10:30Jealous of whom?
10:32They're just my feelings,
10:34so let's drop the subject.
10:36Come on, tell me. Jealous of whom?
10:38Well, I know that those jealousies
10:40are not justified,
10:42because I was the one
10:44who insisted that she stay with us,
10:46so...
10:48Are you talking about Julia?
10:50I couldn't imagine that she would be interested
10:52in that way for work.
10:54Really?
10:56She doesn't let it, not even in her dreams.
10:58But, let's see, one moment, one moment.
11:00How is it that you're jealous of Julia?
11:02Well, maybe I chose the wrong word.
11:04What I mean is
11:05that I feel displaced.
11:07That's what I mean when I say I'm jealous.
11:09But now Curro and you have a friendship, right?
11:12Yes, that's why I told you that I chose the wrong word.
11:15But we've known Julia for a very short time,
11:18and now they seem inseparable.
11:21Curro has been at the forefront.
11:23I think he knows how to take care of himself.
11:25Yes, in many aspects, yes.
11:28But in many others, I don't think so.
11:30And I would be afraid
11:32to let Julia hurt him.
11:35Are you listening to yourself, cousin?
11:38Why?
11:40Well, I think you've chosen the right words
11:43and you're dead jealous.
11:45What's there between Curro and you?
11:47Are you back together?
11:49No.
11:53We're fine,
11:55but we're not...
11:57You don't know what you are.
11:59It's not true.
12:01I know we're not a couple,
12:02and I know we're not engaged,
12:04but I know we're fine.
12:06And maybe there's a chance
12:08that there's something more.
12:10And do you think Julia's presence
12:13can ruin that possibility?
12:17I'm afraid it will.
12:19Then talk to him.
12:21Let him know you're worried.
12:23No.
12:25No, I can't.
12:27Be honest with him,
12:29and he'll be honest with you.
12:30Maybe that can help you
12:32find out who you really are.
12:54Vera,
12:56do you know where Javel's water is?
12:58What?
13:00I just sold some tablecloths to Maria Fernández
13:03and we've noticed that one has a stain
13:06and it doesn't come out with soap.
13:08Yes, yes, of course, sorry.
13:10The thing is, it's worn out.
13:12I guess they'll bring it now
13:14when they go shopping in town.
13:16In that case, the tablecloth will have to wait.
13:18I have to go up and tend to the gentlemen.
13:20If you want, I can clean it
13:22as soon as they bring Javel's water.
13:24Would you do that for me?
13:26Of course, it's not hard for me.
13:28Thank you, Vera.
13:30I'll miss you.
13:32No, really, I'm not exaggerating.
13:34You're one of those people
13:36who deserve to have kept their promise.
13:38Now I'm going to smile, Teresa.
13:40Well, that's what I feel.
13:42And I'm not the only one who thinks that.
13:44They're all delighted with you.
13:46Thank you very much.
13:48Everyone except Santos, of course.
13:50And I don't understand why.
13:52Maria Fernández told me in one of her letters
13:54that you became a couple.
13:56Well,
13:58a lot has happened since then.
14:00Yes, of course.
14:02I guess it's something personal,
14:04but I just want you to know
14:06that you can count on me for everything you need.
14:16Actually, there's not much to tell.
14:20I was never very convinced of that relationship.
14:23Oh, no?
14:25No.
14:27I never felt very comfortable with Santos.
14:30I didn't know.
14:33Don't worry.
14:35No one knew.
14:37Or almost no one.
14:39So why were you with him?
14:42Well, it's...
14:44It's hard to explain.
14:46It didn't even happen.
14:49Let's just say
14:51Santos always found a way
14:53to keep me by his side.
14:56That doesn't sound good at all.
15:00So...
15:02you didn't have feelings for him?
15:05No.
15:07Even if the situation between Santos and I
15:10was always very tense from the outside.
15:12I'm sorry, but...
15:15But that's part of the past.
15:17And...
15:19Are you happy now?
15:21Yes.
15:23I think so.
15:25I'm glad.
15:27And I'm sorry I couldn't help you sooner.
15:28Well, actually,
15:30all this happened while you were away.
15:33And even if you had been here,
15:35you couldn't have done much.
15:37You can always do something,
15:39even if it's giving unasked advice.
15:42And what advice would you have given me?
15:46Well, I guess I would have told you
15:49that it's important
15:51to face the truth.
15:53And that you have to face the problems head-on.
15:56It makes perfect sense.
15:59And it's not even my advice.
16:04It's something Feliciano always told me.
16:12Well, it's very good advice.
16:14Very sensible.
16:17It's a shame that sometimes it's so hard for us to act that way.
16:22Yes.
16:24Of course it is.
16:29Let's go.
16:40An envelope.
16:42With the pledge of the promise, sir.
16:44Wow.
16:46And in the name of Don Gregorio Castillo.
16:59I'm going to leave this letter to the innkeeper
17:02so that he can give it to you as soon as he sees it.
17:04And what have you written?
17:06Nothing new. It's the same location as last time.
17:08And I'm not going to tell you when.
17:12Yes, I know what was in that envelope, Mr. Baeza.
17:19I wrote it myself.
17:21I knew it.
17:23I didn't tell Sergeant Gordino.
17:25I know.
17:26Because otherwise he would be making a statement in the barracks.
17:30I have to, sir.
17:34So we can deduce that the sergeant found the envelope
17:37but not the note that was inside.
17:39Considering the questions he asked me,
17:41it seems so.
17:43What did that note say?
17:47Just the time and place of the citation.
17:49It didn't say anything that personally intrigued him.
17:52No.
17:54I don't think so, at least.
17:56But why did that man keep only the envelope?
17:59Maybe he took a mental note of the address
18:02and got rid of it.
18:04That's what would go through that poor devil's head.
18:07The one you call the devil, I remind you that he is a murderer.
18:10I know.
18:12He was willing to kill himself again, Mr. Baeza.
18:14Anyway, what we do know now is that the Civil Guard
18:17has proof that relates the promise to that man.
18:20And all seems to indicate that I am one of the last people
18:23who saw him alive.
18:24That's what makes me one of the main suspects.
18:36It seems so.
18:39Mr. Baeza, I assure you that I have nothing to do with his death.
18:42You don't need to tell me.
18:44I totally believe your innocence, sir.
18:46And don't worry because the envelope doesn't prove anything.
18:49What it proves is that I was with that man a few hours before he died.
18:51It doesn't prove anything if you don't take anything else into account.
18:57Listen, I know it won't seem like a good idea to you,
19:00but I think you should go talk to that sergeant.
19:03That would be to succumb to panic, sir.
19:05Let's leave things as they are.
19:08It's not convenient for him to impersonate himself in that briefcase.
19:22The noble seamstress guild
19:25only allows single girls
19:30to meet every week
19:34in the house of each sister
19:38so that when they go to work
19:42they can sew and sing, sew and sing, sew and sing, sew and sing.
19:46Sew and sing, sew and sing, sew and sing.
19:51You're like María Fernández.
19:53Well, we know what I can do if they fire me.
19:56As a seamstress and as a seamstress too.
19:59Look at the most beautiful arrangement I can make for the waist of the dress.
20:04María, for God's sake.
20:06Thank you very much.
20:08Today for you, tomorrow for me.
20:11Although the one who gets married tomorrow is you.
20:14It will be your turn tomorrow.
20:16Yes.
20:20Let's see.
20:26You know what?
20:30I still can't believe that
20:32I'm going to be married tomorrow at this time
20:35and that Manuel and I are going to be husband and wife.
20:37Until death do us part.
20:39And let's hope that happens in many, many, many, many years.
20:42I don't care about that.
20:43I'm going to live the rest of my days with him
20:45and as long as we don't have to hide our love.
20:48Who was going to tell you
20:50that a month ago your fiancé was having a bellyache in the trenches?
20:54And at that moment I thought I would never see him again.
20:58But well, things have changed a lot.
21:01And let's hope they stay there.
21:03That you were right and things in the promise change very quickly.
21:06I'm just optimistic that you were here this morning.
21:08And I'm still here.
21:10But one thing doesn't take away the other and you're going to get married in Luján, right?
21:13Near La Marquesa.
21:15And that's playing with fire.
21:17I already know, I could get married further away.
21:19But well, it's true that having the priest nearby has helped us to speed things up
21:23and plan things well.
21:25I don't intend to convince you.
21:27But come on, I could have married you in Puebla de Tera,
21:29which is a shot from an airplane.
21:31Manuel doesn't have the plane here.
21:33I see.
21:35If I only ...
21:37I already know, Maria.
21:39And I appreciate your advice.
21:41Because I know you give them to me with good intentions.
21:43I see.
21:45But you're going to be submissive, right?
21:47As if I were watching you.
21:49Well, yes, I'm going to marry Manuel and the hermit of Luján tomorrow.
21:52It has been quite difficult for Manuel to manage them
21:54so as not to reveal the priest's identity.
21:56If it were Don Fermín,
21:58he would have slapped each of them twice.
22:01That's the luck of having a new priest
22:04who doesn't know his dangers.
22:06You'll see, Ana.
22:08But lying to a priest, that has to be a sin.
22:10And a very big sin.
22:11Very big.
22:13Maria, we're not lying to him about the essentials.
22:15We love each other.
22:17Yes, yes, I know we have no choice.
22:19As if I wasn't going to formalize yours.
22:21Of course.
22:23So what's wrong with you?
22:25Don't you want me to get married or what?
22:27It's not that.
22:29I want you to get married, Ana.
22:32But it's going to be the most special day of your life
22:35and I'm not going to be able to see it.
22:41You're going to be with me.
22:43One way or another,
22:45but you're going to be with me.
22:48And you know what?
22:51You have to remember what Teresa said.
22:54That the important thing is not the day of the wedding
22:56but what comes after.
22:58The rest of our lives.
23:01And we're going to share that.
23:03Of course we are.
23:04Yes, we are.
23:09Come on, you're so grumpy.
23:11You're going to hit Marquesa.
23:13You're going to rent balconies to see it.
23:15You're going to rent a good one
23:17because no one can stop this.
23:20Come here.
23:29I'm not proud to have lied
23:31but it was the only way I could get to you.
23:35Well, but tell me about yourself.
23:37I barely know Matilde.
23:39Well, before being Julia,
23:41she was the institute of the grandchildren
23:43of the Duchess of Ferino.
23:45Matilde, a babysitter.
23:47I didn't expect that.
23:49Well, some of the Duchess's grandchildren
23:51are no longer exactly children.
23:53Oh, no?
23:55No. In fact, the eldest granddaughter
23:57is quite a woman.
23:59Her name is Carolina
24:01and she is a kind and sweet young woman.
24:03I taught them to read,
24:05to write, history, art.
24:08And well, to be up to the task,
24:10I had to train myself.
24:12That shows that you have a lot of ambition.
24:15It shows that I've come this far
24:17but that's another story.
24:19Well, we have time.
24:21Besides, I want to meet her.
24:23Well, that girl Carolina
24:25had lived outside of Spain for a long time
24:27and she barely had any friends.
24:29That's why my lady managed
24:30to get her granddaughter
24:32to go to the feast
24:34of the Duchess of Trezuelos.
24:36The one Martina went to?
24:38That's right.
24:40But Carolina wasn't there to attend.
24:42She only came if I accompanied her.
24:44I see.
24:46But that reception was only for young ladies.
24:50That's why we agreed
24:52that I would go to one of them.
24:54At first, I didn't think it was a good idea
24:56but then I found out
24:58that Martina de Luján
25:00had a relationship with Manuel
25:02and that I was going to marry her.
25:04That's right.
25:06So I agreed to play your game
25:08and I stopped being Matilde of the Institut Tric
25:11and I became Miss Julia.
25:14I see.
25:16I only went to the feast
25:18to meet Martina
25:20so I could get to you.
25:23I needed to talk about Paco.
25:25To know everything about his death.
25:26There's just one thing
25:28that I don't quite understand.
25:31You came to this palace
25:33to give Martina the pendant, right?
25:36Did you steal it?
25:38No, please, no.
25:40No, no, no.
25:42I took advantage of a moment of carelessness
25:44when he kept the pendants in his bag
25:46and I borrowed one.
25:48So I could have an excuse
25:50to visit La Promesa.
25:53I see.
25:54To visit La Promesa.
25:56An inexcusable excuse.
25:58Just like all those who came later
26:00to extend their stay in La Promesa.
26:02Their dizziness, their parents' trip,
26:04restoring the painting...
26:07I already told you I hate lies.
26:10But I had to do it
26:12for Paco.
26:25Come in.
26:29Why did you come, Petra?
26:31To bring me another bouquet,
26:33as if it were for me?
26:35I'm sorry, ma'am.
26:37That was just a carelessness.
26:39One of many.
26:41Ma'am, I actually...
26:43Petra, I'm almost ready
26:45to go down to have a snack,
26:47so I'll see you later.
26:52I'm almost ready to go down to have a snack,
26:54so whoever has to wait, let them wait.
26:56Actually, ma'am,
26:58I came for something else.
27:02And why should I be interested
27:04in your carelessness?
27:06The truth is that I still think about it.
27:08Yes, it was a mistake
27:10to give in to Ama de Llaves.
27:12Yes, you have already told me that
27:14on several occasions, ma'am.
27:16But when we both have the answer,
27:18the mistake would have been to give in.
27:23Tell me what you've come for.
27:26What is this?
27:28A notebook?
27:30It's proof of my efficiency
27:32as Ama de Llaves.
27:34Read it yourself and you'll see for yourself.
27:41Vera, I left the soufflé half-cooked.
27:43The soufflé can wait.
27:45We can't.
27:47I just put it in the oven.
27:49I need to know it goes up well.
27:50The soufflé goes up perfectly.
27:52That's why you're Lope,
27:54the best cook in the region.
27:56Vera, I'm just a simple cook.
27:58The soufflé is a very complicated dessert.
28:00Look, that's exactly what I wanted to talk to you about.
28:02The soufflé?
28:04No.
28:06The one you always miss, Lope.
28:08And it's not fair that you treat yourself like that.
28:10Vera, I know what I am
28:12and the place I occupy in the world.
28:14And what about the place you occupy in my heart?
28:16Because what demoralizes me
28:18is that we've already talked about this before
28:20and we don't want to talk about it again.
28:22No, you're right.
28:24What's really important is
28:26if I'm willing to keep insisting.
28:28What do you mean?
28:30That I'm tired, Lope.
28:32And that I can't go on with this.
28:34So what do we do?
28:36No, the question is, what are you going to do?
28:38Are you going to keep pretending to be the victim
28:40or are you going to accept once and for all
28:42that you're just as worthy to me
28:44as any of the gentlemen?
28:46Lope, I'm very clear about who I was,
28:48who I am and what I want to be.
28:50If the past makes you feel inferior,
28:52you may not be prepared for the present,
28:54much less for what comes next.
28:57So if that's the case,
28:59we'd better leave it as soon as possible.
29:02I can't be with someone who feels inferior to me.
29:05My love, it's not you.
29:07What do you mean it's not me?
29:09No, it's everything that surrounds you.
29:11Everything I've abandoned, you mean.
29:13What do you mean?
29:19Forgive me.
29:22You forgive me?
29:24I love you more than my life.
29:26And I promise I won't doubt again
29:28and that I'll be up to it.
29:31Let's see if it's true.
29:40At Lope's level,
29:41it's hard for me to believe
29:43there's a cook as good at cooking as him.
29:45It's the truth.
29:47He's one of the best cooks in Madrid
29:49and he'll be in charge of our wedding banquet.
29:51I share Margarita's skepticism.
29:53I don't think he cooks better than Lope.
29:55That's right.
29:57There's no guest who's ever left
29:59without giving a compliment to one of his dishes.
30:01Not to mention you'd realize
30:03he's a Madrid cook.
30:05Money isn't a problem.
30:07I don't doubt Lope is excellent,
30:09but he doesn't have the prestige
30:11to sign a menu.
30:13He's an oil painter.
30:16You can say whatever you want, Cruz,
30:18but it's been very difficult
30:20to get him to cook for us.
30:22It's been almost a miracle.
30:24Really? And how did the miracle happen?
30:26Well...
30:28Through a good friend.
30:30Who?
30:32I'd rather keep the name a secret.
30:34I'll just tell you he works for the royal family.
30:36Oh, please. That's fantastic.
30:38Why would Ignacio come up with something like that?
30:40To give himself importance, for example.
30:42No, because my fiancé doesn't need to do that.
30:44Let him be, Margarita.
30:46It's not worth it.
30:48When you tell us the exact identity
30:50of that genius cook,
30:52I'll believe you, Ignacio.
30:54Cruz, that's enough, please.
30:56Yes, that's enough.
30:58We're organizing our wedding
31:00with the greatest enthusiasm.
31:02I don't understand why you can't share our joy.
31:04What should I be happy about?
31:05Margarita, don't push yourself.
31:07It's obvious you're resentful about something.
31:09Resentful about me?
31:11Nonsense.
31:13Let's talk about something else.
31:15Or let's not talk about anything at all, and that's it.
31:17Lately, everyone seems to be very upset
31:19about the promise.
31:21What do you mean?
31:23Well, even young people
31:25are behaving in a strange way.
31:27If you mean my son Manuel,
31:29I remind you that he just arrived from a war.
31:31I mean Manuel, Catalina,
31:33who is locked up all day.
31:35With the help of a spoiled brat.
31:37Are you going to attack my daughter now?
31:39Let her mature for once.
31:41Stop it, Cruz.
31:43You're going to take her side, as always.
31:45Catalina is pushing herself too hard
31:47about the jams, and she's a bit upset.
31:49You should understand her.
31:51You seem to understand everyone, except me.
31:53I wish I could, dear, but you can't.
31:55You don't want anyone to understand you.
32:05Come on, miss.
32:07Give the snack a try.
32:09We made it with a lot of love.
32:11I appreciate it, but I wasn't kidding
32:13when I said I wasn't hungry.
32:15Oh, oh, oh.
32:17Miss Catalina is not hungry.
32:20This is serious.
32:22Let's see if you're going to have a bit of a temper.
32:24No, no, I'm fine.
32:26Yes, yes, you don't look bad.
32:30And how's the jam business going?
32:33Any news?
32:35Well, I've barely had time
32:37to review the accounts
32:39and analyze the state it's in.
32:41Yeah, but with everything you've told us,
32:43I'm sure the business will move forward,
32:46no matter what.
32:48Yes, we'll have to adapt to the current market
32:50and to the new times.
32:52The market in Plaza de Ato?
32:54But that hasn't changed, has it?
32:56No, Candela, I don't mean that market.
32:58I mean a more global market.
33:00Well, as soon as you know the news,
33:02let us know,
33:03we'll be delighted to get down to work,
33:05even if it's with more common flavors.
33:07Don't worry, Lope.
33:09And I guarantee you
33:11we won't diminish your creativity,
33:13even if we have to focus it in another way.
33:15Yes, of course.
33:17When things are the way they are in the world...
33:19Yes, offering a product as innovative
33:21as the one we offered
33:23will be difficult to sell now.
33:25Excuse me, Miss Catalina,
33:27but I don't quite understand.
33:29Well, because of the situation we're in,
33:31we're at war.
33:33The market isn't ready for innovation.
33:35It wants things to be the way they were.
33:37Sure, people want strawberry jam
33:39to be strawberry jam.
33:41That's right.
33:43Don't worry, Lope.
33:45We'll find a way to make it
33:47the way it was before.
33:49No, Miss Catalina,
33:51those are very logical arguments.
33:53Now it's time to do things as God commands,
33:55with quality products.
33:57Very well said.
33:59Have you heard from Lope?
34:01When he has news, let us know.
34:03That's right.
34:07Lope, Candela,
34:09don't you have to go to Alacena
34:11to do some inventory?
34:13Us?
34:15Yes, because we've had a lot of work these days.
34:17Miss Simona is taking care of us,
34:19so let's go, Miss Candela.
34:21Don't be stubborn.
34:23Let's go, let's go, let's go.
34:25So we'll be alone at Catalina's party for a while.
34:27I wasn't going to stay much longer either.
34:29Nothing, just for a while,
34:31to give her a break.
34:33As you wish, Miss.
34:35Thank you very much for the snack.
34:37You're welcome.
34:46Something's wrong with this girl.
34:48I told you,
34:50she's been more weird than a green dog.
34:52It's normal that she hasn't eaten the snack.
34:54No, what's not normal
34:56is that she hasn't told me what's wrong with her.
34:58Well, then,
35:00are we going to Alacena, Lope and I, to do inventory or not?
35:01Candela, it was just an excuse.
35:03As I was saying.
35:05Come on, you look like you're about to play M.O.S.S.
35:07I'm not going to play with a couple.
35:09Come on, you two are so smart.
35:12Come on.
35:14There's a lot of smartness around here.
35:28Ole!
35:32Ole!
35:34What beautiful things are there.
35:39Ole!
35:41It's been a long time.
35:45Let's go, let's go.
35:47To the square.
35:54Let's go.
35:58Ole!
35:59Ole!
36:06Marcelo.
36:08Come here for a moment.
36:12What, are you in a hurry?
36:14Me?
36:16But I was just shaking the carpets.
36:18I see. And with what were you shaking them?
36:20With your tongue?
36:22Why do you say that?
36:24I say it because I'm not Leila.
36:26I know exactly what you were doing.
36:27Hey, I didn't do any of that.
36:29Well, that's not what my eyes have seen.
36:31I was shaking some carpets,
36:33and it turns out that one of them was so small
36:35that it almost looked like a crutch.
36:37I see.
36:39Yes.
36:41It's not my fault.
36:43The girl made it funny, don't you think?
36:45We're here to work, not to make others laugh.
36:47Because to laugh, there are already clowns in the circus.
36:49Hey, it was an innocent joke, woman.
36:51Well, you seem to me the least innocent of all.
36:53So, to work and concentrate,
36:55that's enough with that.
36:57Are you sure you don't want me to slap you too?
37:00I'm jealous of Joselito the Rooster.
37:02Don't even think about it, Marcelo.
37:04Don't even think about it.
37:06But why are you so angry with me, woman?
37:08Come to work.
37:28The potatoes are ready to fry.
37:30Can I have a look at Lupe's dessert?
37:33Oh, no, I'll be right there.
37:35You told me that five minutes ago.
37:37As soon as it's done,
37:39the guy is going to be enthusiastic.
37:42You're right, Candela.
37:44I'm sorry.
37:46I'm very sorry.
37:48But the one who's going to get close to the oven is me.
37:57Nothing.
37:59Let's see.
38:01It wasn't that bad.
38:03It wasn't that bad, but I had to do it.
38:05What's wrong with you?
38:07Why are you so upset?
38:09Don't worry about me, Miss Catalina.
38:11The boy is fine.
38:13But we have a job to do.
38:15Yes, yes, yes, of course.
38:17Yes, of course, of course.
38:19But there's no one here.
38:21My heart is breaking.
38:23Have you seen the enthusiasm
38:25when I asked him about the jam?
38:27Look, look.
38:29The captain is in a bad mood.
38:31Look at what he's done to the business.
38:33Yeah, but I don't think he's like that because of that.
38:35I think something else is wrong with him.
38:37Why?
38:39Well, I'd like to know that, Candela.
38:42But it has to be something very big
38:44so that he doesn't trust me and tell me.
38:46Will he have something to do with Nadañe?
38:48It could be.
38:50Can you imagine if,
38:52after having settled in the palace,
38:54having convinced him to come here,
38:55the boy doesn't fall in love with you?
38:57It could happen.
38:59But Miss Catalina has to tell the truth.
39:02It's hard for her, like everyone else,
39:04but in the end, she does.
39:06So?
39:08So it has to be something very big.
39:11But I don't feel like it at all.
39:19As you can hear,
39:21he was making out with her as if he were a bullfighter.
39:23And Trini was laughing at him.
39:26Isn't Trini supposed to know he's married?
39:29The one he's supposed to forget is him,
39:31who wanted to make out with me.
39:33Really?
39:35And the worst part,
39:37according to him, he wasn't doing anything wrong.
39:39He must be shameless.
39:41Are you sure you're exaggerating?
39:43Not a little bit, Hanna, not a little bit.
39:45Well, maybe all this we're imagining doesn't exist.
39:48Yes, of course, I would have imagined
39:50I was making out with Veronica.
39:52But I don't know about making out and having sex.
39:54He likes it that way, I'm telling you.
39:56Besides, you told me he was making out with Josefa, didn't you?
39:59Maybe he's just a good partner, that's all.
40:02Well, yes, he might be a good partner, yes.
40:05What I find strange
40:07is that Teresa is interested in that man.
40:09I also find it quite strange.
40:11Yes.
40:14Teresa, what are you doing here?
40:17Well, I came to look for the iron,
40:19but when I passed by, I thought I heard my name.
40:22Oh, really?
40:24Yes.
40:26No, no.
40:29We were saying that
40:32Hanna couldn't use the iron
40:35because I'm sure you were coming for her
40:37and that she couldn't use it.
40:39So yes, Hanna.
40:41Sure.
40:43Well, if you're using it, I'll come for it later.
40:45No, take it if you want.
40:47Yes, sure.
40:49Yes, of course.
40:50Yes.
40:55Why didn't you tell us?
40:57Who, me?
40:59You, who's going to tell you?
41:01No, no.
41:03Because you're right and the boy was drunk.
41:06Well, even so, I think she should know.
41:10Besides,
41:12I've told her a few times that Marcelo was going too far.
41:16And what did she tell you?
41:17She told me
41:19that she didn't really care,
41:21to be honest.
41:41What do you want now, Petra?
41:42Nothing.
41:46Ma'am, I've heard
41:49that you didn't finish your lunch.
41:52And I was wondering if you needed anything.
41:54No, I don't need anything,
41:56much less you.
41:59If I may ask,
42:01have you had the opportunity
42:03to read the notebook I gave you?
42:05And why would I waste my time on that nonsense?
42:08Because I have the feeling
42:09that you have information
42:11that would be very interesting for you, ma'am.
42:14Well, once again, you're wrong.
42:16Before going down to have lunch,
42:18I could take a look at it
42:20and I've only found absurd ripples and childish stories.
42:22Well,
42:24maybe, ma'am,
42:26it's just that
42:28you haven't read the pages of Mas en Julia.
42:31Where do you want to go?
42:33Nowhere, ma'am.
42:35But I insist that
42:36I should give you a second chance.
42:39As if it were another waste of time,
42:41you'll be responsible for it.
42:43I assure you that, lately,
42:45the idea of degrading you to Fregona
42:47is the most attractive to me.
42:49Let me show you
42:51the most succulent fragments.
42:53And read them yourself, ma'am.
42:55Read them yourself, ma'am.
43:06Once, she got sick
43:09and had to go
43:11for a season
43:13to a retirement home
43:16and he suffered a lot from her absence.
43:20You could say
43:22that they loved each other
43:23more in the distance
43:25than in the proximity.
43:27But does this have to do with me?
43:29I'm afraid it does, ma'am.
43:31That fable dared to write about me
43:33and in this tone?
43:35I assure you that I'm going to kick her out.
43:38And no one in the neighborhood,
43:40no decent house, will hire her.
43:42Before doing that, ma'am,
43:44I would keep reading
43:46because there is other information
43:49that is even more interesting.
43:54And who could imagine
43:57that those two
44:00servants,
44:02united by chance,
44:04would find love
44:06in the same palace
44:08where they lived?
44:10The first one
44:12fell in love with a
44:14son of a marquis.
44:17A young,
44:19brave,
44:20capable of flying
44:22through the sky.
44:26The two friends
44:28organized their wedding.
44:30The first one in private
44:32because no one
44:34could find out
44:36about their romance.
44:38What is this?
44:40You can deduce it yourself, ma'am.
44:42That son of a marquis,
44:44capable of flying through the sky,
44:46is none other than
44:48his son Manuel.
44:50But then?
44:52Then who the hell is the bride?
44:55Can't you guess, ma'am?
44:59Pull the expose.
45:13Leave this notebook where you found it
45:16and pretend no one has ever seen it.
45:20No one.
45:28I'm intrigued.
45:30What's so secret you have to tell me?
45:33You'll see, it's more than secret.
45:35It's serious.
45:37So I need your maximum discretion.
45:39Manuel, you're scaring me.
45:41Tell me what it's about.
45:45Catalina, do you remember that time
45:47you turned to me to cover your back
45:48when you went to visit Pelayo?
45:50Of course.
45:52And I'm very grateful to you.
45:55Do you remember what I told you?
45:57I need you to return the favor.
46:01What are you up to, brother?
46:04None right now.
46:06But everything will change tomorrow.
46:09What are you talking about?
46:12Do you trust me, sister?
46:15Of course I trust you,
46:16but I don't understand why there's so much mystery.
46:18I can't tell you anything else.
46:21Then you're not going to tell me anything you expect from me.
46:29I need you to defend me no matter what happens tomorrow.
46:33Will you do it?
46:35I've always done it.
46:37But what's going to happen tomorrow?
46:40Nothing bad.
46:42I give you my word.
46:44But I need yours to defend me.
46:46And please, sister, I know this is very strange,
46:49but I need you to give me your word.
46:53I beg you.
46:55Okay, okay, I'll do it.
46:57You have my word, I'll defend you no matter what happens.
47:15First of all, thank you for coming so early.
47:19Thank you for letting me know.
47:21I assume it's something important.
47:23That's right.
47:25Something you forgot to tell me this morning.
47:28I'm afraid so.
47:30I'm sorry for the inconvenience.
47:31You won't be if you manage to shed some light on Mr. Castillo's death.
47:36I understand that I have not advanced in your investigation.
47:40Do you really want to be the one to ask the questions?
47:43No, no, no, for God's sake, no. I'm sorry.
47:46But no. Unfortunately, we still have no leads.
47:49That's why I'm here, because I hope you'll give them to me.
47:55I lied to you.
47:58What did you say?
47:59What did I say?
48:01I didn't tell you the whole truth.
48:03I was scared.
48:05I didn't know the implications of revealing the name of the owner of the envelope.
48:11Do you know who did it?
48:13Who put Gregorio Castillo's name on it?
48:17I did it.
48:19I was the one who sent the envelope to Mr. Castillo.
48:22You did?
48:24Yes. There was a note inside that said to meet me.
48:29I don't understand. Why did you want to meet Mr. Castillo?
48:35I wanted to convince him to leave Mrs. Adarre alone.
48:45Mrs. Adarre? Your wife?
48:51I understand it less and less.
48:53Didn't you tell me that Mrs. Pia Adarre had died?
48:59I also lied to you about that.
49:02Mrs. Adarre is alive, fortunately.
49:25And that rose?
49:26It's an attempt to make up for not having arrived in time to talk to the cooks about the jams.
49:33Don't worry.
49:35I'm very sorry, Catalina.
49:37I approached Juan and the saint went to heaven.
49:40It doesn't matter.
49:43I already went down and explained the situation to them.
49:46And what did they say?
49:48Well, what they already told us, that they are at our disposal.
49:51Lope seems a little more convinced about the decision to make more conventional jams.
49:56I'm very happy.
50:01Honey, will you forgive me?
50:04There is nothing to forgive.
50:09No, no.
50:17Catalina, what's going on?
50:23No, no, no.
50:26You're not going anywhere without telling me what's wrong with you.
50:29Speak at once.
50:36I'm pregnant.
50:49Mrs. Adarre, do you have a problem with me registering the cabin?
50:56No, of course not.
50:59Although I already tell you that I'm not going to find anything.
51:02Where do you have the money?
51:05What money?
51:08Don't play dumb, Mercedes.
51:10And above all, don't take me for a fool.
51:12You know perfectly well what money I'm talking about.
51:15That would be wonderful.
51:26I want that sea to be ordered tomorrow and not the day after tomorrow.
51:30What happens is that tomorrow is my day off.
51:33And?
51:35I was invited to a snack today.
51:37That is an excellent plan.
51:39Since you have gotten up in such a good mood, perhaps you would like to accompany me this afternoon.
51:43Well, yesterday I tried to give him a task for this afternoon.
51:48And he already hung himself, claiming that it was his day off.
51:51I have proposed to my son a plan for this afternoon, but he has come up with the most absurd excuse.
51:57It is clear that you are hiding something, ma'am.
52:00And now all that remains is for Father Samuel to give us his blessing.
52:04Yes.
52:05He shouldn't be here.
52:07At the last moment I asked him to go in search of the photographer from Luján.
52:10You wanted a memory so that our children could see it.
52:13But you don't want to go out in the photo with that cape covering all the dress you're wearing underneath.
52:17Today is the day.
52:19Or there are many possibilities that it is.
52:23All we need is to know where they plan to get married, that pair of fools.