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00:00As is well known, clashes between brothers are settled by slapping.
00:06That's why I apologize to you and Rafael.
00:11Julio has apologized and behaved like a man while you kept silent.
00:16So you found out about him.
00:17Why else?
00:18If it had been for you, I would never have known.
00:20From today you are in charge of Valle Salvaje again.
00:23With the power to make as many necessary decisions as you want without being questioned.
00:30Could you explain to me what has led you to put all the responsibility in my hands?
00:33I confess that the suggestions of another person have helped me make the decision.
00:37Your wife, Gaspar. Your wife.
00:40Vale is her weight in gold, so you can take good care of her.
00:43But I promise that from now on I will change.
00:47I will be the man you want me to be.
00:49Ask me with your hand in your heart to forget her and I swear to God that I will.
01:05I am your aunt. I am your mother's sister.
01:09Imagine the storm that would break loose.
01:11We will catch her together.
01:14Let them go for a walk.
01:16Let them go for a walk.
01:19Let them go for a walk.
01:28Accept it once it's over or I'll have to tell you everything, Bernardo.
01:32Mercedes, for God's sake.
01:34The choice is in your hands, Bernardo.
01:38If you want to know, you just have to keep talking.
01:40This blow doesn't look good.
01:43He hasn't been cured, has he?
01:50Right now you're going to tell me who you're hiding behind your back and why you're hiding.
01:56I was playing.
01:58Playing?
02:00What happened?
02:02But I don't understand how you can harm children or hide them.
02:05What's wrong with Luisa?
02:07Nothing, Adriana. Really.
02:10I wanted to apologize for what happened with Pedrito and for how I spoke to you.
02:15Don't worry, it wasn't that bad.
02:17When my illness is over, Pilara will do it.
02:23And that day, my family will need someone to support this house.
02:29Bárbara and Adriana lost their father shortly before coming to Valle Salvaje.
02:34What was he killed for?
02:36What?
02:38I think Mrs. Pilara knows something.
02:41What if she asks me again?
02:44That won't happen.
02:45You have my word.
02:48But how can you come into my house like that?
02:50And how can you go around talking about my brother?
02:53What a curious reaction.
02:55Plus, saying, as she says, that behind my son's connection there is no personal interest.
03:01For now, I already know my husband's.
03:03And the reason is to be in such a hurry.
03:05I need to know his, Victoria.
03:09But I'll find out before that wedding is held.
03:16VALLE SALVAJE
03:23Rafael didn't spend the night at home.
03:30Did you hear me?
03:31Perfectly.
03:33What do you want me to do?
03:34That he runs after him and brings him by the ears as if he were a kid?
03:38Our son is already an adult man.
03:42Besides, it's not like it's the first time.
03:44At least you could show a little concern.
03:49I know you.
03:50And even if I wasn't present at the conversation, I would put my hand on the fire because you were too hard on him.
03:55I gave him the treatment he deserved.
03:57Haven't you seen how he has left the face of his own brother?
04:00And the world falls apart every time I imagine them reaching out to solve their differences.
04:04But you have to admit that Rafael ...
04:07Are you going to justify it?
04:08No.
04:09What he did was wrong.
04:12But it is also true that the treatment you give him is far from what Julio receives.
04:18Nonsense.
04:19Rafael needs more consideration on your part.
04:24Since he got here, he's been leaving his soul for these lands.
04:27It's his obligation. It's what we all do.
04:29But he must also earn your respect.
04:33He's been trying to do it all his life.
04:36José Luis ...
04:39He didn't even protest when he had to go to war to stab a fly that didn't belong to him.
04:47Enough.
04:48I have work.
04:51It's for the wedding.
04:54Everyone is waiting for the great speech of the Duke.
04:58I don't understand how things are.
05:00How can you have the temerity to write a few words?
05:03Do you expect them to write alone?
05:05You already know what I expect, José Luis.
05:07Pilara, please.
05:09This wedding, in these circumstances, makes no sense.
05:15But ...
05:16Why do you insist on tightening the rope so much?
05:19Because I have too many reasons.
05:22And it hurts me to see you so blind.
05:26That girl is not ready to get married. Not even Julio is.
05:30It was the nerves of the link that led him to fight with his brother.
05:34I had never seen him like that. Never.
05:37All this is nonsense.
05:39We have committed ourselves to the whole world.
05:41There is no going back.
05:42Well, we can find a way.
05:45Pilara, please.
05:47What's your problem?
05:51I don't like that girl.
05:54I've told you a thousand times, but you insist on not taking me into consideration.
05:58Adriana is not a woman for my son.
06:02And do you think the day will come when a woman deserves your approval?
06:10And now please leave me alone. I've already wasted a lot of time.
06:28I have a wound that does not heal over time
06:35For a betrayal that pierced my heart
06:40As if it were a fist
06:46That I have not forgotten
06:51I have not forgotten
06:54I have not forgotten
06:57Who locked me in this torment
07:04Of silence and lies
07:07Everything I knew is getting further away
07:14I live dreaming
07:17With what fate decided to deny us
07:22Condemned to the taste of bitterness
07:26Dancing with madness
07:28Imagining that it is you
07:33I live dreaming
07:35Eternally waiting
07:37That in this wild valley
07:40Your light illuminates me
07:43That in this wild valley
07:47Your light illuminates me
07:52I love you
07:58I hope the arrangements of the priest for the wedding arrive in time.
08:01It wouldn't be a tragedy either. You have a bow full of beautiful dresses.
08:05Let's see, it's not full.
08:07I remind you that you have much more clothes than your older brother.
08:10But each garment serves for an occasion.
08:12In addition, you will wear the mother's dress.
08:14You will be very beautiful and we must all be up to the task.
08:17Who has seen you and who sees you?
08:19I don't know if in the end you will take the taste of the wild valley.
08:22I have another option.
08:23Good morning, ladies.
08:27I see that I am not the only one who has gone out to take advantage of the morning.
08:30Who can stay locked up when a day like this dawns?
08:34I'm glad you enjoy the valley.
08:37How is Pedrito evolving?
08:39Better, much better.
08:42Good news then.
08:43Yes, it is a relief to see how every day is more vital.
08:47In fact, we have just picked up some berries and fruits for him.
08:50If you saw him, his mouth would be watering.
08:53And it is not for less. You have chosen well.
08:55Do you want?
08:56No, thank you. You are very kind.
08:58I wouldn't want to deprive Pedrito of these delicacies.
09:01Excuse me.
09:02Excuse me, Mr. Alejo. Do you know where your brother Rafael is?
09:05Pedrito wants to thank you for everything you have done for him and I can't find him around here.
09:09I'm sorry, I can't help you.
09:12Rafael left yesterday. I think he didn't spend the night at home.
09:16Has something serious happened?
09:18As serious as you want to consider.
09:20A family fight.
09:22Rafael argued with my sister and my father about the government of these lands.
09:25I guess.
09:26I've never been interested in those disputes.
09:29And do you think he will spend a lot of time outside?
09:33You never know with Rafael.
09:35You don't seem very worried.
09:37Because he would be of little use. He will be in the Cuba del Brujo.
09:40Rafael always takes refuge there, especially if he has problems with my father.
09:43It's better to go look for him.
09:45Rafael is one of those people who prefers to heal himself.
09:48Well, few things heal more than a good company.
09:51Without a doubt.
09:52When melancholy reaches me, I take refuge in literature.
09:55Books have the power to take us to another place.
09:58Just by going through a couple of pages, I'm far from here.
10:04It's time for me to continue on my way.
10:06I don't want Pedrito to get mad at me for entertaining them.
10:09Pedrito will be delighted to know that you have been worried about him.
10:13Ladies.
10:30Good morning.
10:32Sorry, I didn't hear you coming.
10:33You don't have to get up, woman.
10:35That way we can talk more calmly.
10:43Is everything okay?
10:44Yes, ma'am.
10:46You know that you can be honest with me.
10:49You must be honest.
10:51What's going on?
10:53I can't get my head out of what Mrs. Pilara said the other day.
10:57Are you still with that? I asked you not to give it importance.
11:00I would like to, but my head is like a mill.
11:03Stop complaining.
11:05She may suspect what she considers, but she has to prove it.
11:09And if she does?
11:11And if she tells Mr. José Luis everything?
11:14We'd end up in jail.
11:17Pilara is a smart woman.
11:19She knows what's at stake.
11:21If she speaks up, everything her family has built
11:25would be blown up.
11:27Not to mention that she would look like a lunatic in front of her husband.
11:31I don't understand how you can be so calm.
11:35There are so many things you don't understand, dear.
11:38That's why you have to trust me
11:40and stop giving Pablo your fears.
11:43And now for the important part.
11:46How are things with Luisa?
11:48She's got me in a bind.
11:51Besides being well equipped with the chores of the house,
11:54she's charming.
11:56Spontaneous when it comes to laughing
11:59and sweet when you need a gesture of affection.
12:03A gift of virtues.
12:05I hate her.
12:07Besides, she's getting along better with Pedrito.
12:10That's not true.
12:12And also with her sisters.
12:14That's normal.
12:15And she'll end up getting along with all of Valle Salvaje if you don't put a limit on her.
12:18It's not that easy.
12:19Are you really going to sit and cry while I keep eating you up?
12:22If that relationship keeps growing,
12:24I'm sure it will end up harming us.
12:27Why did you hire her then?
12:29Because it's better for us to control her.
12:32Besides, I remind you that I just fired a maid
12:35and this substitute comes on behalf of Rafael.
12:37No one in their right mind would reject a job that's not even a gift.
12:42Instead of thinking about it so much,
12:45get down to work.
12:50How?
12:51Get back control.
12:54Never forget that Luisa is the maid of this house.
12:57And as I told you, she's at everyone's service.
13:01Everyone's.
13:08This is the list of commitments for the wedding.
13:11I've reviewed it several times, but I'd like you to do the same.
13:15It would be a huge mistake if we forgot someone important.
13:26Do you need any guests?
13:30Everything's in order.
13:32I'm convinced that most people will be delighted.
13:36It's a very significant day for you and for the Galvez de Aguirre.
13:40We're very lucky to have the love and respect of so many people.
13:47That's why I'm worried that someone
13:50could get the wrong impression.
13:54What do you mean?
13:57The absence of your brother Rafael could stir up a lot of talk.
14:02And in this house we're not friends of rumors.
14:05If the river sounds, it's far from Valle Salvaje.
14:10I'll do everything I can to get Rafael back.
14:14Very good, son.
14:16That's exactly what I wanted to hear.
14:19Father,
14:21if I do everything I can, it doesn't mean I can get him back.
14:27Don't look at me like that. You know how Rafael is.
14:30I also know how you are.
14:32And I trust that you can fix it.
14:39Mr. José Luis, Mr. Julio.
14:41Could you come in? I'll just steal a few minutes.
14:43Go ahead.
14:47Is there a problem?
14:50No, it's about my new job.
14:52Do you regret it now?
14:54No, on the contrary. I'm very grateful for this opportunity.
14:57I wanted to tell you personally.
14:59The best way to show gratitude is with work.
15:02Yes, sir. Work and more work. I'll take care of it.
15:05Bravo. That's exactly the attitude that a good boss should have.
15:09I'm sorry if at some point I haven't been up to your expectations.
15:13But I assure you that I've always done my best.
15:15And as you can see, every effort pays off.
15:18My only goal is to devote myself and soul to the care of these lands.
15:21I swear I'll do it as if it were mine.
15:23Very well, then let's cut to the chase and get down to work.
15:34Don't worry. You've made the right decision.
15:39Now it's over Rafael.
15:41But you've already seen how he's going to respond to you.
15:44With work, work and more work.
15:47What else can you ask for?
16:13Can I help you?
16:17Mrs. Pilara.
16:19I'm sorry if I scared you.
16:21I heard something and...
16:23Well, I didn't imagine I was going to meet you.
16:27I came to look for a book for Pedrito.
16:30Alejo invited me to use the library when he needed it.
16:33And as you can see, I've taken the liberty of coming.
16:36Well done.
16:38Although...
16:40I guess it would have been a shame to meet me instead of him.
16:46Alejo is a great lover of letters, there's no doubt about that.
16:49But I'm sure you could also make me a great recommendation.
16:54You don't have to pretend with me.
16:57I know perfectly well that for a young man like you,
17:00Wild Valley doesn't have many distractions.
17:03And a handsome young man your age...
17:07It's normal for him to arouse your interest.
17:10I'm not interested, just like your son is in the books.
17:14In the books.
17:40The Galatea.
17:44By Miguel de Cervantes.
17:46I don't know if it will be to Pedrito's liking,
17:49because young people always want stories about knighthood and adventures.
17:53But I have the intuition that it will be to his liking.
17:57And to what do I owe that heart?
17:59To love.
18:04You don't deserve it.
18:07I think it's time for me to go back to my sister.
18:09Wait, wait.
18:11We've barely had a chance to talk.
18:14I'd like to know how you're doing in the little house.
18:18I often think about how difficult it must have been to leave your home.
18:22It was all very fast.
18:24Well...
18:26But at least you were lucky that your aunt welcomed you with open arms.
18:31Yes.
18:32And without barely knowing each other.
18:34Ah!
18:35Don't tell me.
18:36I don't know why I thought that Victoria and her father had a very good relationship.
18:41And it may be so.
18:43Although the truth is that I have rarely seen my aunt Victoria in the Villa de Madrid.
18:47At least since I have reason.
18:50Surely the distance and the obligations of each one prevented them from having more relationship.
18:55Yes, life is capricious.
18:58The good thing is that, in the midst of misfortune,
19:01now they have a place to move forward.
19:05I won't keep you any longer.
19:07Oh, and as my son said very well,
19:10you can come back whenever you need it.
19:23Both are appropriate for a wedding, that's not the problem.
19:26The point is that these are more elegant and refined,
19:30but more classic.
19:32While the others are more of the taste of current fashion.
19:36But less of my mother's.
19:38Both are beautiful.
19:41Aunt, I would like a little more help on their part.
19:45What do you want me to tell you?
19:47Any choice in this case would be a success.
19:50Besides, at your age, any ornament is in the background.
19:54That help is not enough.
19:58You will make the decision as soon as you see them next to the dress.
20:01I'm sure of it.
20:07You're right.
20:09It would be best to wait to see them together.
20:12Thank you very much.
20:25I could barely breathe.
20:27Don't worry.
20:29The only thing he cared about was the pendants.
20:31Even if you had sneezed, he wouldn't have noticed.
20:36I hate having to hide.
20:40It's the only way to keep seeing them.
20:43If someone finds out ...
20:45What?
20:47Stay away.
20:49Don't let those desires of yours blind you from living it all.
20:54Our relationship is a sin.
20:57No.
20:58Yes.
20:59No, no.
21:00It's impossible that what I feel,
21:02that something so beautiful,
21:04is a sin.
21:06No.
21:07How can it be if it makes me so happy?
21:09No one can understand you better than me.
21:12But we must be prudent, Alejo.
21:15A scandal of this magnitude would condemn us.
21:19Aren't we already condemned?
21:21Trapped in a wild valley.
21:24Well.
21:26At least we can be together.
21:31We could also be as far away from here.
21:34In a place where no one would know us.
21:37Imagine.
21:39Walking on my arm in the village.
21:41With one of those respectable couples.
21:45I don't know if my imagination can fly so high.
21:48Yes.
21:49When we're together, yes.
21:52I would write comedies.
21:53What I've always wanted.
21:55With my money, we'd both live.
21:57At first, it would be hard.
21:59But with time, when I get a name,
22:02I could buy a house.
22:04A home where I could leave the stupid moral judgments at the door.
22:12It would be wonderful.
22:15Besides, I know that if I left here,
22:17surely no one would notice my absence.
22:20Let's go.
22:22Alejo.
22:24Didn't you hear what I just told you?
22:27It's crazy.
22:29I don't care.
22:30I'm crazy.
22:31And so are you.
22:35Mercedes.
22:36I'd rather go crazy
22:38than have to live here, locked up.
22:41Besides,
22:42we have something in common.
22:44If I left,
22:46many would notice the difference.
22:50Your brother will get married in a few days, Alejo.
22:54Let's wait for the wedding.
22:56We'll leave later.
22:59Not to come back?
23:01Never.
23:03I don't want to have to count your kisses again.
23:06I want it all with you.
23:09All of it.
23:15You've made me feel these days more than in a lifetime.
23:19Let's go.
23:20Let's live.
23:25No.
23:31You won't regret it.
23:37No.
23:54No.
24:05How are you?
24:16I want to apologize.
24:21I've been bad to you.
24:23I was harsh and rude.
24:26But you know I'm not like that, right?
24:31You know I love you.
24:39And that light smile.
24:42Did a mouse steal it?
24:44No, because mice smile like that.
24:48What do you think?
24:50Very fine.
24:51Really?
24:53You look excited about the wedding.
24:56The event deserves it.
24:58I've known you since before you knew what a shoe is for.
25:01Bárbara,
25:02if you're so excited about that wedding,
25:05it's because there's something else.
25:07Music?
25:08Guest dancers?
25:09And an artist from Valle Salvaje,
25:11who's got you on fire.
25:12I don't know what you're talking about.
25:14What artist?
25:15Don't listen to Pedrito.
25:17Sooner or later, he'll give me the reason.
25:19Do you know where Adriana is?
25:21She left after lunch to go for a walk.
25:23Hasn't she come back yet?
25:25I haven't seen her.
25:26Very good.
25:28Instead of worrying about her wedding,
25:30she goes for a walk in the countryside.
25:32She'll do it to find some calm.
25:34Let's see if she's lucky,
25:35and if she finds a bit of hope,
25:37which would be good for her.
25:45♪
26:16Uh?
26:17That basket is too heavy.
26:18Let me help you.
26:19Not at all, miss.
26:21You think I'm going to lose my gums
26:23for four water bottles and a carton?
26:25I should have seen myself
26:26throwing the bags of firewood in the forest to my house.
26:29You're good at your job.
26:30What are you doing?
26:31From the tent to the ironing board,
26:32as you were told.
26:33Oh, no.
26:34From the tent to the chair.
26:36Don't look at me like that.
26:37I can only do you good when I rest for a while.
26:40You and the creature.
26:41And can you play golf?
26:43You and the creature.
26:44And can you play golf with me?
26:46Pedrito,
26:47Luisa has to carry on with her work.
26:50But she promised me she was going to play with me.
26:53Why did you promise me?
26:55It's just that I get spasms.
26:58Well, don't talk to her anymore.
27:00Those four water bottles can wait.
27:02I'll help you.
27:03I'll be back in a flash,
27:05but that snack has to be finished,
27:07or there's no deal.
27:08I'm almost done.
27:14Okay.
27:25Pedrito.
27:27Luisa is the maid.
27:29And I love playing with her.
27:31Let's play hide and seek.
27:33Hide and seek?
27:34I don't know if that's a good idea.
27:36I promise I won't run,
27:38and I'll be careful.
27:41Don't put me in dangerous hiding places.
27:43Please, over there. Please.
27:46Very good.
27:47To hiding places.
27:48But if you find yourself tired...
27:49I'm going home!
27:50That's it.
27:51You have my word.
27:53If you want, I can be the one to play with you.
27:56Where is this motorcycle?
27:59Where is it?
28:02Don't you see it in my eyes?
28:03One...
28:05Two...
28:06Three...
28:08Four...
28:09Five...
28:10Six...
28:12Seven, eight, nine, ten!
28:15Let the girl out of the mess.
28:18If she doesn't want to go out, what can I give her?
28:20With the head of a pan.
28:22Don't worry, the boy will be in my arms.
28:35Good afternoon, mother.
28:37You know how much I'm bothered by your habit of coming in without knocking on the door.
28:42You're right. I'm sorry.
28:46And that good-for-nothing?
28:49It seems that the first day as a head of a pan has made your mood worse.
28:53I'm exhausted, but I have no complaints.
28:55I feel that I can finally show my worth.
28:58God be with you.
28:59At least for the moment we can be happy.
29:07Are you going to tell me what's wrong?
29:10Nothing.
29:14I just wish the best for you.
29:18Believe it or not, I know how much you've pursued this promotion.
29:22And for nothing in the world, I'd like you to give it all up.
29:26I see.
29:29You think I'll get over it soon, don't you?
29:32That I'll be unable to take the reins.
29:34It doesn't matter what I think.
29:36What matters is what you show with your work.
29:39Mother, we know each other.
29:43It's your sense of responsibility that worries me.
29:47That you can face all the conflicts that await you as a manager.
29:51I've been at this for years. I'm not a kid.
29:54I'm prepared.
29:57Enough for this farm to end up depending on you?
30:00Of course.
30:04Now that you're above Rafael,
30:06you must maintain your position.
30:09The confidence of the Galvez and Aguirre
30:11is gained with a lot of sweat and is lost in a sigh.
30:15It's enough with a bad decision
30:18or with looking for the company of the wrong person.
30:22You must move away from yourself any unnecessary distraction.
30:26Do you know what I mean?
30:29No.
30:35And now?
30:38Neither.
30:39Don't you dare lie to me.
30:44If you want to play with fire, go ahead.
30:47Take that handkerchief and burn it, but stop there.
30:49The flame has just been lit.
30:51Do you understand me?
30:53Do you understand me?
31:05A FANTASTIC AFTERNOON FOR READING
31:08What afternoon is it?
31:10May I?
31:11Of course.
31:16Are you reading the Galatea?
31:18At your mother's recommendation.
31:21I decided to accept your offer
31:23and this morning I was in the library of your house.
31:26I was hoping to find you.
31:29And I found you.
31:31I was hoping to find you.
31:34But Mrs. Pilar arrived and I could enjoy your company.
31:38A pleasant meeting.
31:40Your mother is adorable.
31:42And she recommended this copy to me.
31:45As a criterion.
31:48She said it would be to my liking, because it's about love.
31:54But I haven't had time to read a single word yet.
31:58When I start, you won't be able to stop.
32:00The Galatea is a pastoral novel
32:02by Don Miguel de Cervantes Adero.
32:06Who knows?
32:07Maybe one day you will become the next genius of letters.
32:14Just a real fool
32:16would dare to compare himself to a virtuoso of the pen like him.
32:20You can rest assured that this audacity has come out of my mouth
32:23and I could repeat it as many times as necessary.
32:26I'm sure you will become what is proposed in the world of letters.
32:32You are very kind.
32:34Especially considering that you have never read any of my pieces.
32:40Let's make do.
32:41I'm looking forward to it.
32:43No.
32:44Soon.
32:45Soon I will give you a small work
32:48that I wrote a long time ago.
32:49What do you say?
32:50It would be wonderful.
32:51Wonderful.
32:53At least you will be able to give your opinion.
32:57I doubt my opinion will change.
33:01However,
33:03if you give me your prose,
33:06I will have to be up for it.
33:11I will dance with you whenever I want.
33:13What do you think?
33:21It seems that between the talk and the reading,
33:24we spend the afternoon, don't you think?
33:27Do you have other matters to attend to?
33:29Matters, matters of all kinds.
33:32I wish I could devote all my time to literature.
33:37In the world, obligations should not exist.
33:40Of course.
33:42In the meantime, let's keep dreaming.
33:45Leave.
33:46We will have many other occasions to see each other.
33:49Of course.
33:51Congratulations.
34:22Walking around here is dangerous.
34:27What are you doing here?
34:29Didn't you learn anything from what happened to Pedrito?
34:33Good afternoon.
34:36What a welcome. I'm glad to see you too.
34:39I'm sorry, but I don't like you coming here.
34:41It's getting dangerous to walk alone through these lands.
34:44You should be a little more responsible.
34:47I'm sorry.
34:48You speak to me of responsibility.
34:51I don't think I'm the most suitable person to teach anyone.
34:54I've seen them and wished to get to this place,
34:56lost in the hands of God.
34:58No one has asked for it.
35:00And I don't need it.
35:02I'm the one who wanted to ask you,
35:04what the hell are you hiding?
35:06I'm not hiding from anyone.
35:08I'm just where I need to be.
35:10Away from everything and everyone.
35:12That's right.
35:13And if they find it appropriate,
35:14the problem will be solved.
35:16And if they find it appropriate,
35:17the problem is yours.
35:20What have you come here for?
35:21To treat me with such little consideration,
35:23I can assure you that I don't.
35:25If I'm here, it's to look for you.
35:27That simple.
35:28The same thing you've been doing
35:29since I got to Bellasalvaje.
35:31The only difference is that
35:32I've never asked you for explanations
35:34about why you were doing it.
35:36You don't know where you're getting yourself into.
35:37You're right about that.
35:39I don't know.
35:41And seeing how you're behaving with me,
35:43I don't feel like doing anything.
35:47You know what?
35:49Everything about intrepid and awake
35:51is also about proud and stubborn.
35:55If I know, I won't take a step to get here.
35:58Not even one.
36:00Adriana.
36:04If you come back alone, you could get lost.
36:07Don't touch me again.
36:17I can see that you're finally asking for forgiveness.
36:20It's better than waiting.
36:24Although I can assure you
36:25that you'll have to use yourself thoroughly
36:27to forget your contempt.
36:31Wait, I need you to listen to me.
36:33We'll leave the words
36:34for when I can't touch you.
36:37Now I'd like to see
36:38how the new boss will fix them
36:40to meet my desire.
36:42Let me talk, please.
36:43Very well.
36:44Talk.
36:46Don't bother me. Talk.
36:50I didn't bring you here for this.
36:53Then what for?
36:55Are you going to make me brush cows?
37:02All I want is to clarify our situation.
37:06I see that your new job
37:07has given you a certain formality.
37:09If what you need is a job,
37:11I'll listen to you.
37:13When I talk about clarifying our situation,
37:16I don't mean our argument.
37:19Caspar, you're starting to make me nervous.
37:28Irene, what's between you and me is very special.
37:33But we have to put an end to it.
37:36What?
37:37We knew this day would come.
37:39Speak for yourself.
37:40We can't keep living in hiding.
37:43Of course we can.
37:44Look, we can.
37:47The other thing is that you don't want to.
37:49It's more difficult than all that.
37:51Why?
37:52What has changed?
37:53Nothing, nothing has changed.
37:55And that's the problem,
37:56that I'm still a married man.
37:58Something you've never cared about,
38:00until today.
38:01That's not true.
38:02You've never endured this double life.
38:04How dare you?
38:07Please, don't get involved.
38:11You leave me for a woman you don't love.
38:14A woman you've despised in front of me
38:16a thousand times.
38:18You've already forgotten
38:19when you told me how much it suffocates you
38:21to get home,
38:22how much you suffer when you share the bed,
38:24how much it makes you sick to touch it,
38:26how much it makes you cry.
38:28How much you suffer when you share the bed,
38:30how much it makes you sick to touch it.
38:32You've forgotten it.
38:40Tell me you've stopped loving me.
38:43Come on.
38:45With the desire you had to speak,
38:47now you can't even say a word.
38:53Tell me you've stopped loving me.
38:59Don't make it harder for me.
39:20Adriana!
39:22You won't get to the valley that way.
39:24Why don't you go back to your corner and leave me alone?
39:27Because you're right.
39:31I don't take refuge there to find peace,
39:33but to get away.
39:37Are you disappointed?
39:39I thought he was a man with arrests and values.
39:43No matter how much I fought with his father and his brother,
39:45I never imagined he would behave like a child.
39:47You judge me harshly
39:48and I should be the first to get on my skin.
39:51It's true that I've had problems in the big house, Adriana,
39:54but I don't get away from what happens there.
39:55I get away from you.
39:59I'm sorry, but it's hard for me to understand.
40:01Why are you looking for me?
40:03Why are you looking for me
40:04when you know that what's ours is an impossible thing?
40:06Very easy.
40:07Because I can't stop thinking about you.
40:12If I had stayed at my house,
40:13instead of going to that dance,
40:15I would have arrived with my heart intact
40:17to Valle Salvaje.
40:19I would have fallen in love with Julio.
40:22And now I would live with a very calm conscience.
40:26But I have to carry all this pain.
40:29Don't do it.
40:32Put all your efforts in loving my brother.
40:34He is a good man and he will make you reasonably happy.
40:36Believe me, any woman in this situation
40:38would feel the luckiest in the world.
40:39I'm not just any woman.
40:40I know that!
40:42But I beg you, save some effort
40:44to give your body and soul to your marriage
40:46and save your family.
40:47It's the only way
40:48that neither of us
40:49will keep wasting time acting like an idiot.
40:53Damn the day I fell in love with someone like you.
40:57I wish I had never met you.
41:19Pedrito?
41:22Pedrito?
41:25Where are you?
41:32Pedrito?
41:36Where did he go this time?
41:39We have to be careful,
41:40because this scoundrel is a master
41:42at finding hidden places.
41:45Let's see, behind that piece of furniture?
41:47It's not behind that piece of furniture.
41:53Let's see, I'll look behind the door.
41:56Not here either.
41:57I'm going to have to pray to Saint Judas
41:58so he'll give me a hand.
41:59Here!
42:01But where were you?
42:02Ah, it's a secret.
42:04I won again.
42:06No, don't tell me.
42:07I've lost count
42:08of all the fright I have in my body.
42:09Thanks.
42:10Seven.
42:11Seven?
42:12I'm shaking like crazy because of you.
42:14It's your turn.
42:15The last one.
42:17I have a lot of work to do.
42:18The last one, okay?
42:20You count.
42:22And don't look.
42:23Okay?
42:24Come on.
42:26Watch out, don't cheat.
42:31One.
42:33Two.
42:35Three.
42:37Four.
42:39Five.
42:41Six.
42:43Seven, eight, nine, ten.
42:44I'm going.
42:48Come on.
42:51Ah!
42:52Did I hurt you?
42:53Yes.
42:55Sit here.
42:56Damn it.
42:57Let me help you.
42:58Lean on me.
42:59Like this.
43:00You won't be able to.
43:01Very good.
43:02Up.
43:03What happened?
43:04An accident, Pedrito.
43:05He turned around to look for you.
43:08He didn't see the shock absorber.
43:09He tripped and fell.
43:11I knew you were hiding so much.
43:15It's okay, Pedrito.
43:16It's okay.
43:19Shall we call the Dalen?
43:20No, no, no.
43:21There's no need, ma'am.
43:22Let's see.
43:23Let's not call anyone.
43:24I'll be with you in a minute.
43:25It's okay.
43:44It's okay.
44:14It's okay.
44:44It's okay.
44:45It's okay.
44:46It's okay.
45:11I'm sorry, son.
45:13The last thing I want is to interrupt your work.
45:16Be careful.
45:17I'd like to take a break.
45:19You've been here for a long time.
45:21Half an hour.
45:24How are you?
45:26There's less and less time for the big day
45:28and we haven't had time to talk about it.
45:32I'm calm.
45:35Are you sure?
45:37Yes, at least in terms of preparations and the ceremony.
45:43There's just one thing that worries me more.
45:46Rafael.
45:52He'll come back when he's at peace.
45:55It seems a lie that you don't know your brother.
45:58I know, but if he doesn't show up at the wedding,
46:01he's going to make our last name jump from mouth to mouth.
46:05You've talked to your father.
46:08He's always so worried about what they'll say.
46:11Don't start.
46:12If he put the same effort he puts into saving appearances in other monasteries...
46:17Mother.
46:23I knew it wouldn't take long for you to come and give me the sermon
46:25about the fight with Rafael.
46:26No.
46:27No, no.
46:29There have already been too many sermons in this house.
46:32I just want you to find a way to solve your differences.
46:37In this case, he's the one who marked them.
46:40No matter how many times I turn my back on him,
46:41I can't figure out what's behind his attitude.
46:43I don't care who's more or less to blame.
46:46I've been a witness to your strife and weakness for many years.
46:50But above all, to how much you love each other.
46:56When you were kids,
46:58no one allowed anyone to speak ill of the other in their presence.
47:03It's very painful for a mother to see such a strong bond in danger.
47:12In the future, when he's no longer around...
47:15Mother, don't think about that.
47:17Listen to me.
47:20If one day I'm gone,
47:24I want you to take care of each other as a family.
47:27Because there's nothing more important.
47:29I like to make myself sad.
47:32Julio, promise me you'll fight to keep your brothers together.
47:37Promise me you will.
47:47And now I'd like to ask you for something else.
47:50Whatever you need.
48:09I'd like to know how the accounts of the farm are.
48:14With how well you live off so many numbers and papers,
48:18why do you want to talk about something so boring?
48:20I know there are problems.
48:22And I have every right to know.
48:25Everything is fine, Mother.
48:27There are some problems with some sick cattle, but they will be solved.
48:30You don't have to worry.
48:32Tell me the truth, Julio.
48:33You won't convince me with the half-truths you tell your father.
48:38If my suspicions are true,
48:41the truth will come to light.
48:43And for me it would be a hard blow to have found out otherwise.
48:46Who was it?
48:56The farm has been going through a bad time for a long time.
49:00We thought we could get back on our feet, but...
49:04we are much worse than Father thinks.
49:08What does much worse mean?
49:11To the brink of ruin.
49:34The sun will soon set.
49:37The sun will soon set.
49:42I wish I could stay at that point
49:45and give us a little more peace of mind.
49:50Maybe if I wish for it strongly.
49:55Do you think you can control the others?
50:01Right now I feel capable of everything.
50:06Let's go.
50:16Let's go.
50:18No.
50:20We have to go back.
50:21No.
50:27The last thing I want are more problems.
50:31Neither of us should get into trouble.
50:37It's okay.
50:40It will be for the best.
52:07THE LAST DAY
52:27Here.
52:28So you can sell your ankle.
52:30Thank you, but I don't think it's necessary.
52:32The one that falls gets up again and nothing has happened here.
52:36You have to deal with the body's ailments yourself.
52:40Come on.
52:41While you sell your ankle, I'll finish cooking.
52:48Do I have to stay here hand in hand?
52:50No, Mrs. Saavedra.
52:53Stop arguing and listen to Pesare.
52:56Come.
52:57But...
52:58No, no, no.
52:59The vegetables...
53:00Sit down.
53:06Here.
53:10As good as you like, Mrs. Saavedra.
53:12A little ball with a beard.
53:18Are you sure it doesn't hurt?
53:20Well...
53:21Let's see.
53:25We should have called Mr. Atanasio from the beginning.
53:29You always say the same thing.
53:31Listen to me.
53:32The falls are very treacherous.
53:34I'll be back in April.
53:55Look.
53:56I made this for you.
54:04A bear.
54:08How beautiful, Pedrito.
54:11Thank you very much.
54:14It's very pretty.
54:19Put it there.
54:22Does it hurt a lot?
54:24A little.
54:28But it hurts more if I see you sad, so change that face.
54:32It's hard for me.
54:35You fell down because of me.
54:39What nonsense is that, Pedrito?
54:43Saavedra always says those games are dangerous.
54:47And she's right.
54:49I'm not going to play hide-and-seek again.
54:51What's wrong with you is that you're afraid of losing.
54:55But I always win.
54:56But you're looking at the wolf's ear because you think I'm very good.
55:00Okay, we'll play again.
55:02But slower.
55:03Done.
55:09What do you think?
55:15Do you want me to go get some bandages?
55:17No, you don't need them.
55:21What's wrong?
55:23You're bleeding.
55:28Pedrito.
55:29Pedrito.
55:31I'm going to ask for help.
55:32Run.
55:33Run!
55:47I don't want to get married, Isabel.
55:49All brides feel restless before their wedding.
55:54But...
55:56Little by little, things get in their place.
55:59Time heals everything.
56:01Gaspar is the new boss.
56:02The sooner you accept it, the better.
56:04I accept it.
56:06Another thing is that I think it's a good idea.
56:08And you thought you might be wrong?
56:10I wish.
56:11You have a lot of resentment in your heart, little brother.
56:14And that doesn't allow you to see things clearly.
56:18And what is it that I'm not seeing?
56:21What exactly happened?
56:24I stumbled into the kitchen playing with Pedrito and...
56:28I told the boy 20 times that it wasn't a good idea to play like crazy.
56:33How's the baby?
56:35Tell me.
56:36Without warm clothes.
56:37That young woman is in bed and I doubt she'll wake up in a few days.
56:40If she's in this house, we have to prepare a wedding.
56:43We're not going to kick Luisa out if that's what you mean.
56:45Who's in charge in this house?
56:47Isabel.
56:48Adriana?
56:49El Galeno?
56:51No.
56:52You're in charge, ma'am.
56:53You should be putting your efforts into maintaining the trust you've always had with the boy and his sisters.
56:59Stop being nobody's maid and take over the place that belongs to you in this house.
57:04Is that clear?
57:05So you think you can get up and start helping us?
57:12How can we help you?
57:13You're welcome.
57:15I've come to see your niece.
57:16I've come to officially welcome our family, Miss Adriana.
57:21These jewels have belonged to my family for centuries.
57:26Julio has put Gaspar as the head of the farm.
57:30Above Rafael.
57:31He's an Aguirre's Galvez.
57:34He can't be at that man's service.
57:37Why not, Mother?
57:38Of course not.
57:39I won't let them treat Rafael badly.
57:41He's also an Aguirre's Galvez.
57:44Let him behave as such.
57:47Not here.
57:48You've gone mad.
57:54You're very patient with me.
57:59He's so well-behaved, so well-behaved, so well-spoken.
58:02Well-behaved, yes.
58:04Do you think he's going to be a good father?
58:08Do you think he feels the same as you?
58:11I think so, Isabel.
58:13But he's so shy, so tender, so respectful.
58:17As he should be.
58:19I feel like a daughter.
58:23So tell me, what's wrong?
58:26Maybe I can help you.
58:28It's about Mr. Antonio.
58:31Mr. Antonio?
58:32My father-in-law?
58:33My father-in-law.
58:37He...
58:40He didn't die at the hands of a thief like everyone thinks.