Category
🎥
Short filmTranscript
00:30Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
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07:20oh, oh, oh, oh, oh, oh, oh,
07:22oh, oh.
07:24Okay.
07:26Speaker 1.
07:28teeny by
07:30teeth in
07:32detail.
07:34END
07:36Speaker 2.
07:38No, I don't want a
07:40работы
07:42Speaker 3.
07:44Oh,
07:46no,
07:48You'll see that they'll answer soon.
07:50You'll see.
07:51They're going to call me.
07:52That will happen.
07:53I'm sure.
07:54Oh, my son.
07:55Oh, son of my life.
07:57Oh, my soul.
07:59You have a lot of heart, but little brain.
08:01Do you think that sending a couple of pictures
08:03will fix everything?
08:04We put up a nice store.
08:05You have a lot of customers,
08:06and things are getting better and better.
08:08Why do you have the ambition to be famous?
08:10What's the point?
08:11Who the hell got you in your head?
08:13Margarita, you're breaking my heart.
08:16I'm less than that curly-haired cart driver,
08:18and I do everything for Zanem.
08:20You know that.
08:21I do everything for her.
08:23Son, I'm sorry you're so disappointed,
08:26but tomorrow you'll be worse.
08:28Besides, I'm worried about all this.
08:30I'm your mother.
08:31Don't give me problems.
08:32I love you and I suffer for you,
08:33if you understand me.
08:35Look, it must be an important agency.
08:37Tell me.
08:38Yes, I'm Muzafer Kayag.
08:40For a real ad?
08:43Really?
08:44Yes, I'm available.
08:45You see?
08:46They're calling me for an ad.
08:48Yes, I'm listening.
08:49What did he say?
08:50A cheese and dairy company?
08:52Great!
08:53I'm all over the place.
08:54I'm 1.95 meters tall.
08:55Yes, I can measure that,
08:56but with the confidence I have in myself,
08:58I can reach 2.05 meters.
09:00Yes, of course.
09:01I'll be there in a couple of hours.
09:02It's just that I'm being followed by a group of admirers,
09:04and I have to get rid of them first,
09:06but I'll go as soon as possible.
09:07Thank you very much.
09:09What do you mean a group of admirers?
09:10And what do you mean you're 2.05 meters tall?
09:12Since when do you measure so much?
09:14You've never behaved like this.
09:16Please, those are unimportant details.
09:18They sell cheese and other dairy products.
09:20It's a serious business.
09:21My photos will bear fruit.
09:22I'm going to become a famous man,
09:24and the whole neighborhood will know who I am.
09:26Shake, ingrate butcher!
09:39Why do I have to go look for locations with Kerim?
09:41There's no time or alternatives.
09:43Besides, we're on the same budget.
09:45You and Kerim will choose a location for the shoot.
09:48Well, that's all.
09:49You have to take care of it.
09:51The contract says I'm your lawyer,
09:53and I have to go look for locations with you.
09:55If you don't come with me, I'm not going.
10:04Yes, you're right.
10:06We'll meet the contract.
10:08We'll go together.
10:11Very well.
10:17My dear neighbors, a star has been born.
10:19I'm the pride of the neighborhood,
10:21Muzafer Kaya.
10:22Mr. Semil, put her on your headgear
10:24so everyone can see her.
10:25Yes, sir.
10:26Let's see.
10:27Ready, gentlemen?
10:28Here you go.
10:29Yes, it's me, Muzafer Kaya.
10:31And for the beautiful ladies of my neighborhood too.
10:33There you have all the information and contact information
10:35in reverse.
10:36Age, height, weight.
10:37Serap, where are you going?
10:39Have a picture of me signed.
10:41Keep it well, because one day it will be worth a lot of money
10:43when I die.
10:48Hi, how are you?
10:49Divinely.
10:57Is something wrong?
10:58What kind of question is that?
11:00Can't you see I'm posing?
11:01Now I'm dedicated to advertising.
11:03And I want you to know that I'm better than you.
11:05I don't participate in simple ads
11:07like some organic lovers.
11:09Do you understand?
11:10No, I will advertise cheeses and their derivatives
11:12throughout Anatolia.
11:13It will be a national level campaign.
11:15From now on, you can call me Cheese Man.
11:19The truth is, I'm very happy.
11:21You do well to rejoice,
11:22because everything I touch ends up becoming a success.
11:25Although now I need you to accompany me.
11:27Get out of there, now.
11:28Let's go.
11:30Wait, who will take care of the butcher shop?
11:32What?
11:33Aren't you the boss?
11:35I'm an assistant you can leave at the front.
11:37Tell him to take care of it,
11:38and when he's done, close the store and that's it.
11:40Didn't I help you in your promotion to advertising?
11:43Didn't I motivate you, my king?
11:45Didn't I teach you to move on stage?
11:47Didn't I polish you when you needed it?
11:49Unlike you, I don't need help.
11:51I'm the invisible part of the iceberg,
11:53to make it clear.
11:54Musa, I have a lot of work.
11:56No, wait a minute.
11:57I need you to accompany me.
11:59You have to do it.
12:00It's the moment I dreamed of.
12:01I have to shine on stage.
12:02You have to be there to applaud me.
12:04Besides, someone will have to tell Sanem all this.
12:07You have to help me.
12:08You owe me.
12:09Please.
12:10I need your help.
12:11You have to say yes.
12:12And you say it's a cheese and dairy ad?
12:14Are you sure?
12:15Yes, cheese and dairy.
12:16You didn't hear anything.
12:18Besides, I'll be on a national level.
12:20I won't repeat it to you, because you don't take me seriously.
12:23Now I'll be a big star.
12:25I'm going to be a cheese man.
12:26Musa, I have to work.
12:28Hey, take off your apron.
12:30Immediately.
12:31And come with me, butcher.
12:34I love you.
13:05I need the glasses.
13:07I'll take them.
13:17Can I help you?
13:18No, don't worry, I already have them.
13:31What's wrong?
13:33I have a lot of heat.
13:35It's hot, isn't it?
13:36Should I turn on the air conditioner?
13:38What did you say?
13:39The air conditioner?
13:40Great, now I'll be cold.
13:43Then I'll turn it off.
13:44No, leave it on.
13:45You leave the air on, I'll open the window.
13:49I'm going to turn on the radio.
13:50I want to listen to some music.
13:52Very good.
13:53Do you want to show that you can behave like a normal person when you're with me?
13:57Or what else are you trying to do?
13:59Exactly.
14:01Yes, I see, very normal, yes.
14:03What did you say?
14:04I can't hear you because of the music.
14:06What are you doing?
14:08What do you want?
14:09Turn down the volume.
14:10Behave like a girl, please.
14:12Turn it down or turn it off, but stop playing it.
14:14I'll look for a song that you like.
14:16Leave it to me.
14:17That's fine.
14:18Calm down, calm down.
14:19Leave that.
14:20Very good.
14:21Let's see what song you play.
14:22Sure, it's the song of my life.
14:24Of course.
14:26Do you see it?
14:27There it is.
14:30Calm down.
14:31What are you doing?
14:32Don't take it off.
14:33Listen to it.
14:34You'll see how you like it.
14:35It's a beautiful song.
14:55Very good.
15:26No.
15:52I don't want to.
15:53I know you don't want to go with me.
15:54I don't want to.
15:55Please help me.
15:56I have a lot of pictures.
15:57Look, all I have are very good.
15:58I already told you I have a lot to do.
16:00Where are you taking me?
16:01Oh, you'll see soon.
16:02I helped you a lot in your career as an actor,
16:04and now you have to return the favor.
16:06So don't keep questioning me, okay?
16:08Musa, I think this questions our friendship.
16:11Let me go back to work.
16:13Ay, ay, ay, ay.
16:14How can you question our friendship?
16:16I did it when the rumors about your commitment to Sanem
16:19spread throughout the neighborhood.
16:21Don't answer.
16:22Of course I did,
16:23but now you have to do the same as me,
16:25retract what you said.
16:26So don't bother me anymore, and better shut up, okay?
16:30And help me.
16:31Hi, what are you doing here?
16:33They called Musa Fer to make a cheese ad,
16:35and he wants me to go with him.
16:37Is it true, Musa?
16:39Ay, come here.
16:40I'm very proud of you.
16:42Congratulations.
16:43Thank you very much.
16:45Although it's a shame.
16:46Look at these brothers.
16:47One ignores me and the other is proud of me.
16:49Why?
16:50Because she's not only my life coach,
16:52but she's also my coach in the world of acting.
16:55Are you serious?
16:56I'm an actor's coach?
16:58I can't believe it.
16:59It looks like my career has taken a step forward.
17:01Not a step, dear.
17:02Many steps.
17:03This is just the beginning, and it won't stop.
17:05From now on, we'll go very far.
17:07Fame, success, and applause are waiting for us.
17:10Let everyone know.
17:11A star has been born.
17:12Let the whole neighborhood know.
17:14Her name is Musa Fer Kaya.
17:16Have you heard of her?
17:17Remember that name,
17:18because my name will be heard everywhere.
17:20Oh, no.
17:21Look.
17:22One of my signed photos is on the floor.
17:24Damn it.
17:25How horrible people are.
17:26It's wet and full of mud and gas.
17:28It's dirty.
17:34This one doesn't work anymore.
17:48Oh, no.
17:59Did you sign it?
18:01Musa Fer Kaya?
18:02You have to come with us.
18:04Really?
18:05I was just thinking about that.
18:07I wanted to stop by,
18:08but the truth is that I've been very busy lately.
18:10I have a lot of work with advertising projects.
18:13You can ask Mrs. Melat.
18:15She's the hairdresser in the neighborhood.
18:17Look, this is number 38, right?
18:19Well, she lives right in front.
18:21Help me.
18:22They're going to take me.
18:23The police are chasing me.
18:24Don't let them stop me.
18:26Help me.
18:27They're chasing me.
18:28Help me.
18:29Please help me.
18:30Please.
18:31Musa Fer.
18:32They want to take me.
18:33Hey, what's going on?
18:34Wait a minute.
18:35That boy is from our neighborhood.
18:37What did he do?
18:38Why are you looking for him?
18:39The boy is a good person.
18:41Yes, what's the problem?
18:42Ma'am, this guy is a deserter.
18:48What?
18:52Please don't waste my time.
18:53I have to get to work.
18:54You deserted the army?
18:55No.
18:56It's true.
18:57You're a deserter.
18:58Let's go.
18:59But they never called me to their ranks.
19:00I swear I'll have the right to explain myself.
19:01No.
19:02Wait a minute.
19:03Let me say goodbye to my neighbors.
19:05Tell Sanem to wait for me.
19:08Although I don't think he will.
19:09And please tell my mother
19:11to bring me clean underwear.
19:13White and cotton.
19:15Come on.
19:17Musa.
19:18I'll be waiting for you.
19:20Glory to peace.
19:33What did I tell you?
19:34In this neighborhood, they love action.
19:37That was pure adrenaline.
19:40But what are you talking about, woman?
19:41You'll see when your mother finds out.
19:43Poor thing is a little crazy.
19:44And with this, she'll end up heartbroken.
19:46Oh, they took him.
19:49I'm so sorry for her.
19:50God, what can we do?
19:53It's your obligation.
20:10Are we there yet?
20:11Uh-huh.
20:14We're here.
20:19The neighborhood.
20:20The businesses.
20:21The houses.
20:22The people.
20:23All this works for us.
20:24The street.
20:25Everything is perfect.
20:26Do you like it?
20:27Can we go back now?
20:28Where?
20:29To the office.
20:30No, we can't.
20:32First, we have to see other neighborhoods.
20:34Don't you like this one?
20:38I'm not convinced.
20:39You're not convinced.
20:40It's not how I imagined it.
20:42Let's look for others.
20:43We can go to the neighborhood next door and see how it is.
20:47Do you want to see another neighborhood?
20:51It has to be perfect.
21:12It has to be perfect.
21:42It has to be perfect.
22:12It has to be perfect.
22:43Jan, why did we stop here?
22:45Why?
22:46Come on, get out, Sanem.
22:48Look.
22:50I think it's the perfect neighborhood.
22:52Really?
22:53Yes, because it's complete.
22:55The tailor shop.
22:56The barbershop.
22:58The bakery.
22:59The hairdresser.
23:00The lingerie shop.
23:01It's the same setting, just like you described in your script.
23:04Now, let's knock on a random door.
23:06Jan, wait.
23:07Why are you knocking?
23:08My mom's not home.
23:09There's no one home.
23:12Mom.
23:13What's up?
23:14Hi, Metcube.
23:15Oh, Mr. Jan, what a surprise.
23:17Thank you very much.
23:18Jan.
23:19Jan.
23:20Hey, we're looking for a new place to shoot an ad that will inspire and motivate us.
23:25That's why we came to visit you.
23:27Maybe you can invite us to tea if you don't mind.
23:29Oh, it's not a bother.
23:30With great pleasure.
23:31Please come in.
23:32I'll prepare it.
23:33No, Mr. Jan, there's no need.
23:34Why bother my mother?
23:36We'll look for another place, Mom.
23:39Come in, please.
23:42Leila, are you leaving?
23:44Yes, I'm leaving.
23:45I want to ask you something.
23:46Tell me.
23:47How long will Aileen stay?
23:48I don't know, but if she continues with that behavior, it will be an eternity.
23:52I heard it will be three months, but I'm not sure.
23:54What?
23:55Three months?
23:57Oh, God, what bad luck.
23:59How can we stand that witch for three months?
24:02Don't exaggerate.
24:03She's not that bad.
24:04She's very talkative and has a lot of sense of humor.
24:07You'll get used to it.
24:09You only think that because she chose you as an actress for the role in the ad, right?
24:13Maybe a little.
24:15I figured.
24:18Speaking of the ad...
24:22Osman and I made a good couple on the set.
24:32Listen, I'll tell you something, but please don't be offended.
24:35Okay?
24:36Gulis, it's obvious you like Osman.
24:38It's very obvious, really.
24:41But if it were you, I'd forget about him.
24:43Find someone else.
24:44Why?
24:45What happens if I want to go out with him?
24:47Because Osman is a great guy.
24:49He has a good heart and he's naïve.
24:51Yes, he's very handsome, nice, he has a lot of style and he has a very attractive smile.
24:56Exactly.
24:57That's why I'm telling you.
24:59Because it's not your style.
25:01It's impossible.
25:02In the end, you'll get tired of Osman and you'll break his heart.
25:05I know you.
25:06He doesn't deserve it.
25:07Find someone else.
25:08Hey, I'm not going to marry him.
25:10We're just going to the movies together.
25:12Really?
25:13Well, have fun, girl.
25:15Although you don't know it yet, but I'll take care of everything.
25:19Leave it in my hands.
25:20You know I'm good at organizing things.
25:24What I told you didn't work.
25:26It goes in one ear and comes out the other, right?
25:29Honey, nothing went in one ear and much less came out the other.
25:34Okay, do whatever you want.
25:38But I warn you.
25:40If you break Osman's heart, I'll never talk to you again, you hear me?
25:44Go.
25:51So they're going to shoot an ad here in the neighborhood and Sanem wrote the script?
25:55Why didn't you tell me?
25:57It's just that we just planned it.
25:59True, in our company, many things arise like this, suddenly, out of nowhere, without thinking.
26:06It's curious, but it's our style.
26:09That's how we work.
26:11Yes.
26:12Oh, it's very important that you like your job.
26:14Yes, a lot.
26:15A lot.
26:16It's true, of course.
26:17Well, tomorrow when we come to shoot, you could take care of the food.
26:22We can eat in the garden, but not something ostentatious.
26:25A small catering, please.
26:27A mini catering.
26:28I love it.
26:29Of course we can do it in the garden.
26:31Great.
26:32Also, the neighborhood is perfect for the shoot.
26:36It's very familiar.
26:37The protagonists are the age of Sanem.
26:39They are four girls who are in their room packing their bags to leave home.
26:44In short, now I just need to find, let's say, four rooms.
26:49Well, if you want, you can use the girls' rooms.
26:52Perfect.
26:53No, of course not.
26:54Why not?
26:55If you wrote the script, don't give Mr. Jan problems.
26:58That they record in Leila's room, it will come out beautiful, right?
27:01If you want them to record in the bathroom, what else?
27:04Yes, I agree.
27:05You're right.
27:06Why do you give Mr. Jan so many problems?
27:08Why? Why?
27:09I don't understand.
27:10Can I see the rooms?
27:11Is that possible?
27:12Oh, of course.
27:13I have to go shopping for tomorrow's catering.
27:16Why are you going now?
27:17Wait.
27:18No, I do it with pleasure.
27:19Jan, where are you going?
27:20Don't finish the tea.
27:21Wait, my room is messy.
27:27Jan.
27:29Franz Kafka.
27:30Letters to Milena.
27:36Jan.
27:40Albatros.
27:44Albatros.
27:47Tell me, why are you still here?
27:49I just left it there and I didn't take it off.
27:56Are you writing your novel?
27:57Yes, that's what I do.
28:02You haven't given up.
28:03Of course not.
28:09You see, now that I see your room, I think we won't use it.
28:14I don't want to spoil it, you know?
28:16Because it's very beautiful.
28:18So, we'll look for another one.
28:23Okay.
28:24As you wish.
28:26Can we go now?
28:35Hammock.
28:37Sea.
28:38Camp.
28:39And those initials, what are they?
28:44My aunt Kaviran.
28:46I don't want to forget her scent,
28:48and that's why I write her initials everywhere.
28:53Your aunt?
28:54My aunt Kaviran.
28:58My name and your aunt's sound the same.
29:01The Tree of Wishes.
29:03Keep it.
29:06How disrespectful, how rude you are.
29:08You went and took it from the tree?
29:10Rude?
29:12Are you serious?
29:13Is that what you think?
29:14First, analyze your behavior.
29:16I don't want to analyze anything or think about anything.
29:18I'm fed up.
29:19I am too.
29:21And it's my fault.
29:22Yes, I misinterpreted you.
29:24I made a mistake with you.
29:26You're right.
29:27Now I understand that you can't love me.
29:29Because this is not love.
29:31You don't run away from the person you love.
29:34And you don't play with their feelings either.
29:39What's between us is stupidity.
29:42Jan.
29:44You can be calm.
29:45I think you never loved me.
29:47Jan.
29:52Congratulations, Anem.
29:53You won the war.
29:55Jan.
29:57Jan.
29:59Wait a minute.
30:04Jan, please.
30:22Jan.
30:27Anem, let me go.
30:29Jan, I don't want you to go.
30:32Step aside, please.
30:35Let me go.
30:47Jan.
30:48Jan.
30:52Jan.
31:22Jan.
31:23Jan.
31:24Jan.
31:25Jan.
31:42I'm sorry about poor Mozafer.
31:44He gave the neighborhood a touch of color.
31:46I don't know what color, but he was happy.
31:49And Aizun is very affected.
31:51no ha parado de llorar.
31:52Y es entendible.
31:53De pronto vienen y se llevan al muchacho.
31:55Sí, exacto.
31:56Hasta Zanem parece estar molesta.
31:59No, está molesta por otra cosa.
32:01Se encerró en su cuarto.
32:03Mamá, no se encerró en su cuarto.
32:05Irá a pasear a la playa.
32:07Leila, ¿hablaste con tu hermana
32:09sobre el señor Yan como quedamos?
32:11Sí, papá, claro.
32:13Lo que quiere es destacar en el trabajo,
32:15que los jefes se fijen en ella.
32:16Pero no es lo que ustedes piensan.
32:18Vaya.
32:19Pues, ¿cómo ha cambiado esta chica en tan poco tiempo?
32:22La forma en que le habla a su jefe.
32:24Dime, ¿a ti te parece normal?
32:27No, lo cierto es que no debería.
32:29Tranquila, volveré a hablar con ella.
32:31Muy bien.
32:33No cabe duda.
32:34¿Qué harían sin mí?
32:36Al final soy yo la que mantiene unida la familia.
32:38Sí, mi amor, soy como tú.
32:40Somos iguales.
32:41Pero, en cambio, tu padre y tu hermana
32:43solo dan problemas.
32:45Muchas gracias, Mevkibe.
32:47¿Qué quieres decir?
32:48Siempre estoy de tu lado, no puedes negarlo.
32:51Papá, tú siempre estás del lado de Sanem,
32:53no lo niegues.
32:54Es verdad.
32:57Sí, tienen razón, la protejo un poco.
32:59Pero a ti también te quiero mucho.
33:01A ti también, mujer.
33:02Ya lo sé.
33:04¿Qué, no estoy de tu lado?
33:05Bueno, supongo que algunas veces.
33:09Así se habla.
33:10Buen provecho.
33:12Igualmente, papá.
33:14En esa época estaba en Londres.
33:15Estuve tres meses.
33:16¿Tú estudiaste ahí?
33:17Sí, pero hubiera sido imposible coincidir contigo,
33:20porque era una muy buena estudiante
33:22y no salía a divertirme.
33:24Era muy ambiciosa.
33:26¿Eras ambiciosa?
33:27Entonces significa que ya no lo eres.
33:29¿Qué te pasó?
33:30Digamos que ahora soy una ejecutiva
33:32centrada en el éxito profesional, en general.
33:35Y has triunfado.
33:36Por supuesto que sí.
33:37Reconozco que has hecho mucho por la empresa.
33:40Me alegro que lo vea.
33:41Salud.
33:43¿Ya te he contado cómo empecé a trabajar en la agencia?
33:48No, cuéntamelo.
33:49Venía regresando de Londres.
33:51Estaba recién graduada de la universidad.
33:53Fui a la agencia para conocer a tu padre.
33:56Hablamos mucho.
33:57Le conté todo sobre mí
33:59y los grandes sueños que tenía para el futuro.
34:01Luego traté de convencerlo
34:02de lo bueno que haría contratándome como creativa.
34:05Y vaya, por Dios,
34:06ahora me siento avergonzada de solo pensarlo.
34:09Estaba recién graduada.
34:10Pensaba que sabía todo sobre el trabajo.
34:12Tu padre se levantó y me dijo,
34:14mañana empiezas a trabajar.
34:16Sí, a mi padre le gusta la gente segura de sí misma
34:19y las personas trabajadoras que se involucran.
34:22Como sabes, eres muy especial para él.
34:25Y él para mí.
34:26La verdad es que aprendí mucho a su lado.
34:29Jan, me alegro mucho que hayamos salido.
34:32Hace tiempo que no teníamos la oportunidad de hablar así.
34:35Sí, sí.
34:36Estuvo muy bien.
34:37Necesitaba hablar con alguien.
34:39Gracias.
34:40Me alegro.
34:41¿Tienes algún problema?
34:42Estás un poco...
34:44pensativo.
34:45¿Quieres que hablemos?
34:46Sabes que hablo mucho,
34:47pero también soy buena escuchando.
34:49No, no es nada.
34:50Es que...
34:52no quiero contar.
34:53No.
34:54Pero no te preocupes.
34:55Ya se me pasará.
34:56Seguro que sí.
34:57Ya pasará.
34:59Bueno, creo que he superado el trauma de Aylin
35:02y no pienso darle más importancia.
35:05¿Qué hacemos?
35:06¿Tomamos otra copa?
35:08Sí, claro, pero...
35:10quizá la próxima vez, ¿no?
35:12Prefiero irme a casa.
35:13Estoy cansado.
35:14Sí, ya es tarde, por supuesto.
35:17Lo dejamos para otra ocasión.
35:19La cuenta, por favor.
35:21¶¶¶
35:51¶¶¶
36:01¶¶¶
36:11¶¶¶
36:21¶¶¶
36:31¶¶¶
36:41¶¶¶
36:51¶¶¶
36:59¿Cuándo llegaste?
37:02Hace cuatro horas.
37:06Bienvenida.
37:08Muchas gracias.
37:15¿Tienes algo que decirme?
37:19Creo que sí.
37:23¿De verdad quieres que te cuente?
37:30Tal vez no lo creas, pero ya viví este momento.
37:33Fue en mis sueños.
37:35Así que...
37:36no estoy seguro de querer oírlo.
37:39¶¶¶
37:49¶¶¶
37:54¿Por qué no quieres estar conmigo?
38:00Porque te amo demasiado.
38:03¶¶¶
38:13¶¶¶
38:17¿Por qué escapas de mí?
38:21Porque te amo.
38:24¶¶¶
38:30Creo que...
38:32no quieres estar conmigo.
38:36Porque yo te amo.
38:41Incluso...
38:43incluso más que a mí misma.
38:46¶¶¶
38:56¶¶¶
39:06¶¶¶
39:16¶¶¶
39:24¿Qué me estás haciendo, Sanem?
39:27¿Qué te estoy haciendo?
39:30Ojalá lo supiera y pudiera explicarlo.
39:35Nos estamos mojando.
39:37No me importa.
39:40Podría quedarme aquí, mirándote.
39:44Hasta mañana.
39:48Te lo juro.
39:49Me estoy volviendo loca con tantas emociones.
39:51Creo que estoy loca.
39:54No sé qué hacer.
39:56Todos ríen.
39:59¶¶¶
40:03Puede que al besarnos otra vez nos sintamos mejor.
40:06¿Quieres probar?
40:08Buena idea.
40:11¶¶¶
40:17Vamos.
40:21¡Corre, entra!
40:23¿Tienes hambre?
40:26Sí, tengo mucha hambre.
40:28Voy a cocinar algo.
40:30Puedo preparar albóndigas tartaras si quieres.
40:32No, déjamelo a mí.
40:34Ahora es mi turno, ¿de acuerdo?
40:36¿Qué ocurre?
40:37¿No quieres poner tu vida en peligro?
40:39Por ti, me arriesgaría sin pensarlo,
40:42pero quiero disfrutar de esta noche juntos.
40:45Me arriesgaré en otro momento.
40:48Debes tener frío.
40:49Buscaré algo seco para ti.
40:52Ay, sí.
40:53¶¶¶
40:58¿Dónde está Zanem?
41:00¿Por qué me preguntas a mí?
41:01Yo no tengo idea dónde está Zanem.
41:03Es tarde y los tres estamos aquí.
41:05¿Dónde se habrá metido?
41:06Oye, a mí no me mires.
41:07¿Cómo quieres que lo sepa?
41:09Supongo que los tres podemos adivinar
41:12dónde está y con quién.
41:14En este momento me equivoco.
41:17¿Con quién?
41:18Conozco la historia de principio a fin.
41:20¿Y qué sabes?
41:22Todo el nombre con tres letras.
41:24Lo de Zanem con ese hombre.
41:28Pues entonces ya me voy,
41:29porque no puedo hacer esto.
41:31Se lo prometí.
41:32No puedo abrir la boca.
41:33Oye, espera, ¿a dónde vas?
41:35Osman.
41:37Ya solo quedamos tú y yo aquí.
41:40¿Hace cuánto que lo sabes?
41:41¿Qué sabes exactamente?
41:42¿Cómo reaccionaste cuando lo escuchaste?
41:44Te escucho.
41:45Leila, ¿cómo voy a saber
41:46qué fue lo que escuchaste?
41:48Osman, te diré lo que vamos a hacer.
41:50Cuéntame todo lo que sabes
41:51y yo haré lo mismo, ¿de acuerdo?
41:54Tú primero.
41:55Tú.
41:56Tú primero.
41:57¡Hola, Osman!
41:58¡Aquí estoy!
42:00Hola, bienvenida.
42:02Muchas gracias.
42:03¿Qué estás haciendo acá?
42:05Hola, Leila amiga.
42:07Me seleccionaron para interpretar un papel.
42:09La escena es en pareja
42:10y necesitaba practicar,
42:11así que Osman va a echarme una mano
42:13con mis ensayos.
42:14¿Qué?
42:15¿Nos vamos, Osman?
42:16Anda.
42:18Espera un segundo.
42:19¿No pudiste encontrar a alguien en la oficina
42:21que pudiera ayudarte a ensayar?
42:23Por eso le preguntaste a Osman, ¿verdad?
42:25Nadie aceptó ayudarme, Osman.
42:27Fue el único.
42:29Bueno, creo que es hora de irnos.
42:33Leila, ¿podemos llevarte a casa de camino?
42:36No, Osman.
42:37Ya sabes que vivo cerca de aquí.
42:38Puedo ir caminando.
42:39No te molestes.
42:41Bueno, entonces vámonos.
42:42Adiós, Leila.
42:43Nos vemos.
42:44Osman, vámonos.
42:45Buenas noches.
42:46Buenas noches.
42:47Apresúrate, Osman.
42:48Escucha, voy a repasar el guión contigo.
42:50¿Cómo coquetea esa mujer?
42:51¡Está loca!
42:52Subtítulos realizados por la comunidad de Amara.org