• 3 months ago
Transcript
00:00:00I have spoken to the commissioner, there won't be any harassment, don't worry.
00:00:11Sir, what do you think, what could be the reason?
00:00:17I mean, what could be the valuable thing for which a person was murdered?
00:00:22What did he want to say?
00:00:25Sir, I feel that the matter is related to this.
00:00:31Why are we thinking about this?
00:00:33Right?
00:00:34I mean, you have interacted with many other people.
00:00:37They are...
00:00:41Okay, sir.
00:00:48Sir, can I ask you a question?
00:00:50Yes.
00:00:51Sir, why didn't you ask me for this job?
00:00:56You have written a statement like a Bangladeshi.
00:01:00If you want, and besides, if the job is really valuable, then I can leave it to you.
00:01:13I know the man.
00:01:18Thank you, sir.
00:01:21You are welcome.
00:01:51Hi.
00:01:52Hi.
00:02:02Hi.
00:02:03Hi.
00:02:05How far is your work?
00:02:07Very far.
00:02:08This is our dream project.
00:02:10See.
00:02:11Wow.
00:02:16You know how to arrange footage, right?
00:02:19Yes.
00:02:20Isn't it hectic?
00:02:22It is.
00:02:23But I enjoy it.
00:02:29You went to Bharatpur today, right?
00:02:32And what about Jodhashanko?
00:02:36Yes, it's a small place.
00:02:37It's a bit scary.
00:02:40You know what's strange?
00:02:41The day I and Soham stayed there, your schedule got cancelled.
00:02:47You were supposed to go to Jamestown, right?
00:02:50Your coincidences are getting more frequent.
00:02:53Let me check.
00:03:16Jodhashanko.
00:03:34Sir.
00:03:39Khokha went to India.
00:03:41In 1742.
00:03:4420,000 Marathi soldiers were killed in Bengal.
00:03:49Villages started burning down.
00:03:52Villagers started fleeing towards Kolkata.
00:03:57Then the British government started building a Government Bridge.
00:04:06That's the Maratha Bridge, right?
00:04:07Yes.
00:04:08This is the Government Bridge.
00:04:09It says here,
00:04:10Sutanuti Govindapur Porlo Kata Seshe.
00:04:13It means that this bridge is 7 miles long and 21.7 acres wide.
00:04:19At first, it was called Upper Circular Road.
00:04:22After that, it was changed to Acharjo Prafullo Chandra Rai Road.
00:04:25At first, it was assumed that this bridge is straight.
00:04:28It means that the road we are taking now is straight.
00:04:31But, there is a Native Land on Khader Path.
00:04:35It means that this is Govindoram Mitra.
00:04:37Govindoram Mitra was the first landowner of Company Amul in India.
00:04:42So, the British called him a Native or Black Landowner.
00:04:46So, Govindoram Mitra's garden house reached this Maratha Bridge.
00:04:52So, Sujashuji came to the garden house and started digging the Maratha Bridge.
00:04:57Here it is.
00:04:58He dug the path and crossed the garden house.
00:05:01I have read this in my father's Bengali book.
00:05:05Isn't it there?
00:05:06Yes. Actually, Govindoram Mitra was an important person of the British.
00:05:09So, he had to come to the garden house and dig the path.
00:05:12Bengali literature was a part of the garden house.
00:05:18Look, Mr. Mitra.
00:05:20You have been promising this to me for the last 25 years.
00:05:25But, you are yet to trace it out.
00:05:30And, it looks that you are completely out of track.
00:05:35Sir, I am very much in.
00:05:40But, the price is not negotiable.
00:05:4335 crores.
00:05:4535 crores?
00:05:48This is too much.
00:05:49Sir, the creep is of pure gold.
00:05:55And, it has five of the world's most precious stones.
00:06:02Spindle.
00:06:04Ruby.
00:06:06Diamond.
00:06:08Emerald.
00:06:10Sapphire.
00:06:12Plus, it has got the historical value.
00:06:17Sir, 35 crores is a fair deal.
00:06:22Moreover, I have another thing to offer you.
00:06:27Sir, a nose ring.
00:06:32With many antique diamonds.
00:06:37Sir.
00:06:38I will give it to you at a discount rate.
00:06:49What is written there? Read it again.
00:06:52In 1730, Govindoram Mitra built the Navaratna temple in the garden house.
00:07:04The temple was taller than the Akhtellani monument.
00:07:08In 1840, it was buried.
00:07:11Navaratna, Navaratna, where is it?
00:07:15Sir, do you know a place called Navaratna?
00:07:23Navaratna?
00:07:24Yes, Navaratna.
00:07:25Where is it?
00:07:26It was the temple of Vikramaditya.
00:07:28No, no.
00:07:29Even we know that.
00:07:32Is there any Navaratna temple, shop or house here?
00:07:36There is no Navaratna or Pancharatna here.
00:07:38You are right.
00:07:39I don't know.
00:07:40I mean, Navaratna means history.
00:07:42Let's go from here.
00:07:43We don't have to teach history to everyone.
00:07:48Where have you been?
00:07:49We have been waiting for a long time.
00:07:51What happened?
00:07:52Where were you?
00:07:54Listen, we have to give you something to eat.
00:07:57Let's eat first.
00:07:58Then we will think.
00:07:59Let's go.
00:08:00Let's go.
00:08:01You can see it on the right.
00:08:03Black Pagoda.
00:08:04Do you know it?
00:08:05Black Pagoda.
00:08:13Navaratna temple was built by a black landlord.
00:08:15That's why the British named this temple Black Pagoda.
00:08:23Hello.
00:08:25Yes, Bapu.
00:08:28Yes, Bapu.
00:08:29Greetings.
00:08:31Where are you?
00:08:34Today, I have come to greet you.
00:08:37How are you?
00:08:39How are you?
00:08:42I am fine.
00:08:45What?
00:08:47Sister Laxmi gave birth to another child.
00:08:51Ask about the letter.
00:08:53No, no.
00:08:54I am talking about sister Laxmi.
00:08:55Not about the child.
00:08:56Ask about the letter.
00:08:58Take out a photo of the child and send it to my WhatsApp.
00:09:03I will hang it on the Black Pagoda.
00:09:05Ask about the letter.
00:09:06Why?
00:09:07One second.
00:09:10Yes, Bapu.
00:09:11Somnath...
00:09:12Somnath Das.
00:09:13Do you know a Bengali named Somnath Das?
00:09:17Do you know him?
00:09:18He is your friend.
00:09:19Yes, Govindram.
00:09:20People are famous in Kolkata.
00:09:22Govindram? Who is Govindram?
00:09:24My Bapu.
00:09:25The owner of this Black Pagoda.
00:09:27Govindram, the owner of Black Pagoda.
00:09:28No, not you.
00:09:29His.
00:09:31Not his friend.
00:09:32Sahu.
00:09:33Govindram Sahu.
00:09:34My Bapu's name.
00:09:35Pranam.
00:09:36Pranam.
00:09:37Not you.
00:09:38I did Bapu's pranam to make this lock.
00:09:41Which lock?
00:09:42Hold on.
00:09:43Hold on.
00:09:44Hold on.
00:09:45Hold on.
00:09:46Yes.
00:09:47My Bapu can make a special type of number lock.
00:09:51When Bapu used to work in Kashipur Gun Sale Factory,
00:09:54then he made this lock.
00:09:57What is your name?
00:09:58Somnath Das.
00:09:59Somnath Das.
00:10:00Many years ago, Bapu had bought a similar lock.
00:10:04And what is special about this lock?
00:10:06This lock is made of a layer of gunpowder.
00:10:11This lock will open only if you add numbers to it.
00:10:14What if someone wants to break this lock without numbers?
00:10:19Then he can get hurt by the explosion of gunpowder.
00:10:24He can even lose his life.
00:10:29Ask him about the letter.
00:10:30Who are you?
00:10:32Ask him.
00:10:33Hold on.
00:10:34Yes, Bapu.
00:10:37Do you have Somnath Das's letter?
00:10:40Letter?
00:10:41Yes, letter.
00:10:42Bapu, a madam will come to collect the letter.
00:10:45Bapu, when will you come back?
00:10:47After a month?
00:10:48After a month?
00:10:49After a month, she will come to collect the letter.
00:10:51No, no.
00:10:52Please tell him.
00:10:53One month.
00:10:54Please arrange something.
00:10:55Is the letter important?
00:10:56Very important.
00:10:57Okay, hold on.
00:10:58Hold on.
00:10:59Bapu, I am not talking about you.
00:11:00I am talking about madam.
00:11:01Listen, I am sending you madam's number.
00:11:05Take a photo of the letter and put it on her number.
00:11:11Okay, Bapu?
00:11:12Okay.
00:11:13Greetings, Bapu.
00:11:14Greetings.
00:11:18What a coincidence, right?
00:11:21Govindoram Mitra was there.
00:11:23Govindoram Sahu is here.
00:11:30Hey, he is here.
00:11:32Give it to him.
00:11:33Let me see.
00:11:34Let me see.
00:11:35At the time of Lokhi Pooja,
00:11:37the shadow of the flower
00:11:39fell on the water of the river
00:11:41and became the name of that color.
00:11:43In the shadow,
00:11:45the light of honey
00:11:47was seen.
00:11:48The rhythm of the world
00:11:50is the father of that feeling.
00:11:52The rhythm of the world
00:11:54is the father of that feeling.
00:11:56The rhythm of the world
00:11:58is the father of that feeling.
00:12:01Why is there a number at the end of every letter?
00:12:07Okay,
00:12:08isn't this the combination of the number
00:12:10of the locker?
00:12:12The one whose father gave it to him.
00:12:14Yes.
00:12:15Where is that locker?
00:12:17Where is it?
00:12:29Let's go.
00:12:41Excuse me.
00:12:42Two thousand, please.
00:12:44Why?
00:12:45The bungalow is full of salt.
00:12:47The liver is full of salt.
00:12:49And my body is full of ghosts.
00:12:52Doctors say,
00:12:53scotch cart.
00:12:54But my father,
00:12:56no aristocracy.
00:12:57It's a cart full of cows.
00:12:59Looking at your forehead,
00:13:00you look like you eat malt.
00:13:02No, I don't eat malt.
00:13:03Oh my God, strange.
00:13:05You don't eat malt.
00:13:07Then do you eat lactogen?
00:13:09You leave all that nonsense, Chandu Babu.
00:13:11There is no harm in destroying your liver.
00:13:15What are you saying, uncle?
00:13:17If you don't eat malt,
00:13:18one day everything will be destroyed.
00:13:19Do you understand?
00:13:20There is no harm in this.
00:13:22It's the law.
00:13:24Don't eat malt so much.
00:13:26Give me two thousand.
00:13:27Hey, hey, hey.
00:13:28Leave me.
00:13:29Stay away.
00:13:31My son,
00:13:33how will he take medicine?
00:13:35I will arrange everything.
00:13:36In the morning,
00:13:37he will eat two spoons of polidol on an empty stomach.
00:13:39Everything will be fine.
00:13:41What did he say?
00:13:42What will he eat?
00:13:43Polidol.
00:13:44No one understands my pain.
00:13:46You also eat two spoons.
00:13:47Come on, do your exercise.
00:13:49Oh no.
00:13:51Malt.
00:13:52This is disgusting.
00:13:54No, I ate a little.
00:13:56Sakhi Gopal.
00:14:02It was the day after yesterday, right?
00:14:03Yes.
00:14:04My Kulapladi
00:14:05went to Utsan.
00:14:06She went to Utsan alone.
00:14:09Everyone is
00:14:11not as fortunate as Somnath.
00:14:26Time up.
00:14:29Abhinav sir,
00:14:30what can be the prasad for Lokhi Pooja?
00:14:33What can be the prasad for Lokhi Pooja?
00:14:35Fruits and sweets.
00:14:36No, no, not fruits and sweets.
00:14:37What else?
00:14:39Oh yes.
00:14:41Naru.
00:14:42Narkul Naru.
00:14:43Yes, Naru.
00:15:08Narkul Naru.
00:15:09Yes.
00:15:38Narkul Naru.
00:15:39Yes.
00:16:08Take.
00:16:09Sit.
00:16:12Take, take.
00:16:13Eat well.
00:16:16Tell me, Ashutosh.
00:16:17Which part of Govind's mouth is different?
00:16:22Is it a little too much?
00:16:23Yes.
00:16:25Don't be shy.
00:16:26Don't be shy at all.
00:16:28Malaki Prasad.
00:16:30Eat to your heart's content.
00:16:33Take, take.
00:16:34Hey,
00:16:35where did the magic go?
00:16:37Maybe she's sitting somewhere.
00:16:41What happened?
00:16:42Why are you sitting like this?
00:16:43Come.
00:16:50Lokhi Pooja's prasad was missing in the first place
00:16:52and you threw it away.
00:16:53Shut up.
00:16:55I won't go anywhere until you finish your talk.
00:16:56Sit.
00:16:57Shut up.
00:17:03Eat to your heart's content.
00:17:04Yes.
00:17:06What happened?
00:17:08Did you eat?
00:17:09Yes, I ate.
00:17:10Where did you come from?
00:17:15What is this?
00:17:16Why did you bring me to Lal Bazar?
00:17:19Come.
00:17:20Tell me.
00:17:22There was a man named Adi Basinda in Lal Bazar,
00:17:24the name of the old Kolkata.
00:17:26His family deity,
00:17:27the food that was cooked in Govindji's temple,
00:17:29was spread here.
00:17:30The name of that food was Govind...
00:17:32Govindabhog.
00:17:33And what about the shadow on the right?
00:17:35The shadow of this old mission church
00:17:36was also spread on the water on the right.
00:17:38The color of the church was red.
00:17:39So, there is a saying that
00:17:40the shadow of the red color
00:17:41is called the red side.
00:17:42And the shadow of that shadow
00:17:43is the shadow of this old mission church.
00:17:44And in the shadow of that shadow
00:17:46is the reflection of Madhusudana.
00:17:48Madhusudana Dutta,
00:17:49the influence of Krishnamohan Bandobadhyay
00:17:51was the reflection of Krishna Dharma
00:17:52in this old mission church.
00:17:53Come, come, come.
00:17:55That Ritwik of the eye
00:17:57and that Pitta of Bhavan,
00:18:00means father.
00:18:03Music
00:18:22This is a strange coincidence,
00:18:24my son,
00:18:25that my name is also
00:18:26Krishnamohan Bandobadhyay.
00:18:30Somnath used to come to me often.
00:18:33He used to ask me
00:18:34a lot of questions
00:18:35about the old church of Kolkata.
00:18:38This is that letter.
00:18:40Today, I am free of debt.
00:18:44But you are saying
00:18:46that you are not Somnath's son.
00:18:48Huh?
00:18:49No, I am not his son.
00:18:51Strange.
00:18:54Stubbornness like you.
00:18:57Shirtlessness like you.
00:18:59Strangely,
00:19:01how come your body...
00:19:03Ouch!
00:19:04Ouch!
00:19:05Ouch!
00:19:06Ouch!
00:19:08Music
00:19:37Ouch!
00:19:39Ouch!
00:19:40Music
00:20:10Music
00:20:34Have you noticed something?
00:20:36Those who have seen Somnath Babu,
00:20:39like the owner of Lady Canning's grave,
00:20:41today's father,
00:20:43they all wanted to tell you something.
00:20:46And they were murdered.
00:20:51No, no.
00:20:52Jorashagar Nandakumar Babu
00:20:53didn't say anything.
00:20:55He saw Somnath Babu.
00:21:00Nandakumar Babu
00:21:01didn't want to say anything
00:21:02when he saw me.
00:21:05Because he has gone blind.
00:21:10But when one goes blind,
00:21:12does it mean one is bound by fate?
00:21:18Sakhi Gopal.
00:21:19Hmm?
00:21:21You know everything, don't you?
00:21:23What do I know?
00:21:29Why did you tell me that the other day, Sakhi Gopal?
00:21:34Tell you what?
00:21:36The day Jadu came to ask for money,
00:21:38you told me,
00:21:39you are not as fortunate as Somnath Das.
00:21:42Why did you say that?
00:21:45The day I came to this house for the first time,
00:21:47after you told me about Hari Ghosh's death,
00:21:49you told me
00:21:50that I am a different person.
00:21:53A different Sakhi Gopal from Karthik.
00:21:57Do you think I understand?
00:21:59Yes, you do.
00:22:00You understand everything.
00:22:01You are a different Sakhi Gopal now.
00:22:04You talk to me,
00:22:06talk to me.
00:22:08You know everything, don't you?
00:22:13Who am I, Sakhi Gopal?
00:22:16Hmm?
00:22:23Hmm?
00:22:28Wait.
00:22:37Hmm?
00:22:40If you want to know these things,
00:22:43I don't want my hand in this house.
00:23:06I don't want my hand in this house.
00:23:36I don't want my hand in this house.
00:23:38Sakhi Gopal
00:24:01You have come with everyone.
00:24:04Malakshi is not to be seen.
00:24:08What's going on? Where did you come from?
00:24:12To tell you the truth, I don't feel like going.
00:24:14What happened? You've been behaving badly since yesterday.
00:24:19Okay, I'll tell you how you want it to be.
00:24:23What do you mean? Tell me what's going on.
00:24:28I don't feel like going.
00:24:31I don't feel like going.
00:24:34I don't feel like going.
00:24:38What did I do?
00:24:39What was the problem?
00:24:40The arrangement was made for the work of the gentleman in the dark room between Shankar and Frida.
00:24:45We all studied about the permanent settlement in the school when we were young.
00:24:51Where the landlord was against it, Amalacharani was created.
00:24:55I went to Vidhan Saran.
00:24:58The name of which was the Cornwallis train.
00:25:01In 1910 in Bengal, Shankar Ghosh created a Thantuniyan temple and the present Matrimurti.
00:25:13And that's why, in the dark room between Shankar and Frida.
00:25:21It means the same thing, doesn't it?
00:25:25This Shankar Ghosh could be Mahadev Siva again.
00:25:28Again?
00:25:30Just like I'm doing this as a student of history.
00:25:36It could mean something else. Isn't it, Brishti?
00:25:42Tell me what's going on.
00:25:44How many devotees will bow their heads in worship?
00:25:47They will get the last sign under their feet.
00:25:49Tabildari Chailenini Hisheb Lekhar Khataye, Kaviranjan Holenini Bidda Sundar Gathaye.
00:25:58Bagh Bazarer Grunthagare Takao Ishan Kon, Orjito Jato Shankha, Korenao Samjojo.
00:26:06One.
00:26:11Tabildari Chailenini Hisheb Lekhar Khataye.
00:26:14Bhaktakavi Ramprasad Sen, who was involved in the Hisheb Lekhar Khataye of Bagh Bazar,
00:26:20wrote a song in that Hisheb Lekhar Khataye.
00:26:26Kaviranjan Holenini Bidda Sundar Gathaye.
00:26:30Ramprasad Sen, the poet of Nadiya Raja Krishnachandra, wrote a poem about Bidda Sundar.
00:26:35So, Raja Khushi gave it to Kaviranjan.
00:26:37Look at this.
00:26:39How beautifully Ramprasad Sen has been described here.
00:26:48Where are you going?
00:26:51To the Bagh Bazar library.
00:26:53That's where the thing is.
00:26:56I've told you this as well.
00:26:59It's a very stupid thing to do.
00:27:07Kaviranjan Holenini Bidda Sundar Gathaye.
00:27:37Where is the prince?
00:27:53Prince!
00:27:55Who did you sell that real thing to?
00:27:58Look, I didn't know.
00:28:01I knew it was real.
00:28:03Shut up!
00:28:04Rascal!
00:28:06Shut up!
00:28:09What is this?
00:28:12Listen to me carefully, Viraj.
00:28:14Listen to me carefully.
00:28:16I didn't get that real thing.
00:28:20So, I'm going to destroy you.
00:28:25With just one phone call.
00:28:27That shop of yours.
00:28:29That bank has taken possession.
00:28:32Give me the phone.
00:28:34Listen to me.
00:28:36I can strip your entire family naked and hang them on the road.
00:28:41Who am I?
00:28:44I'm Amit Chandra Mithal.
00:28:47Okay.
00:28:49Give me some more time.
00:28:57Yes.
00:29:00So, go.
00:29:02Follow him.
00:29:04I'm coming...
00:29:06I'll be right there.
00:29:14Where are you hitting me?
00:29:16Tell me where you have robbed.
00:29:19I didn't rob.
00:29:21I don't know anything...
00:29:23I don't know anything.
00:29:25I don't know anything.
00:29:27Help him.
00:29:28You can punish your mother for me.
00:29:29I didn't steal.
00:29:30I'm a man of integrity.
00:29:33But I'm not a thief.
00:29:35You can punish your mother for me.
00:29:37Come.
00:29:37I'll explain everything to you later.
00:29:40Listen.
00:29:41But I'll tell you...
00:29:42Don't say a word.
00:29:45No.
00:29:47Come here.
00:29:49I'll kill you and punish my mother for you.
00:29:51I'm not a thief.
00:29:52I'll kill you if I have to.
00:29:54Listen to me.
00:29:54Hey!
00:29:55I'll kill you if I have to.
00:29:57I didn't steal it!
00:29:59I didn't steal it!
00:30:01I didn't steal it!
00:30:03I didn't steal it!
00:30:05Don't hit my father!
00:30:07He doesn't know anything!
00:30:09I didn't steal it!
00:30:11I didn't steal it!
00:30:13Mother!
00:30:15Mother!
00:30:25Mother!
00:30:27Mother!
00:30:29Mother!
00:30:31Mother!
00:30:33Mother!
00:30:35Mother!
00:30:37Mother!
00:30:39Mother!
00:30:41Mother!
00:30:43You know me so well!
00:30:45What are you doing?
00:30:47What are you doing?
00:30:53My goodness!
00:30:55I heard this from Harinath.
00:30:57I heard this from Harinath.
00:30:59I heard this from Harinath.
00:31:01Ginni was a librarian before me.
00:31:03There is a secret locker in this library.
00:31:05The lock is made of a special metal.
00:31:07The lock is made of a special metal.
00:31:09If someone tries to break it...
00:31:11If someone tries to break it...
00:31:13It will burst.
00:31:15But how do you know about this?
00:31:17But how do you know about this?
00:31:19I think your former librarian Harinath and Somnath Das
00:31:21I think your former librarian Harinath and Somnath Das
00:31:23Somnath Das?
00:31:25Somnath Das?
00:31:29Somnath Das?
00:31:31Somnath Das?
00:31:53taa
00:31:59Mr. Rajesh was about to do something like this.
00:32:01So I made an exact replica to save your honor.
00:32:05I replaced it two days ago.
00:32:14You can't prove your own blood with lies.
00:32:16That too in front of everyone.
00:32:18That's why the crime has to be committed in someone else's house.
00:32:21That's why.
00:32:23If you see harm in your own blood,
00:32:26everything becomes black.
00:32:29Especially if that blood is the blood of a farmer.
00:32:33We won't stay in this house.
00:32:37We'll leave.
00:32:38But before we leave,
00:32:40we'll break the pot on our hands and leave.
00:32:52The letters.
00:32:55Nine.
00:32:57Five.
00:32:59Six.
00:33:00Four.
00:33:01One.
00:33:02Nine.
00:33:03Five.
00:33:04Six.
00:33:05Four.
00:33:06One.
00:33:07Five.
00:33:08Six.
00:33:09Four.
00:33:10One.
00:33:29♪ ♪
00:33:59In the west, at the junction of the map and the secret road,
00:34:02there is a possibility of finding the house on the other side.
00:34:06What does that mean?
00:34:29This is the story of a man who has been suffering for a long time.
00:34:35After so many years of silence,
00:34:38he has been subjected to so many atrocities,
00:34:41just for the sake of this stomach.
00:34:47But today is the day to give the witness of Shakti Gopal.
00:34:51Look at this.
00:34:54This will be used in the film Aaravbahu Purnas.
00:34:59Then?
00:35:01Then, we have to cross this tunnel and come this way.
00:35:03Right.
00:35:04And we have to keep the witness here.
00:35:05But...
00:35:29Shakti Gopal
00:35:54Look.
00:35:59Your father's revolution, I'm afraid to say it in front of you, but I have to say it today.
00:36:20For many years, just to play this flute, everything in this house has been taken over by Amir Chander.
00:36:30And till the end, Basant Bhali has given him a gun.
00:36:35And to get hold of him, he didn't even have the guts to stab his friend in the back.
00:36:42This traitor!
00:36:44Look, Ashutosh.
00:36:48Friendship is friendship.
00:36:51Business is business.
00:36:54Give me my money back.
00:36:57Listen, I'm leaving.
00:37:00How can I give you the money right now?
00:37:03Give me some more time.
00:37:05Oh my God! How much time will I give you, Ashutosh?
00:37:09Okay, fine.
00:37:10If you can't repay the loan, then keep some more mortgages.
00:37:19Give me your mother, Malakshmi's portrait.
00:37:30She is a very respected person in my family.
00:37:33Leave your respect.
00:37:35Respect.
00:37:37Respect for the loan.
00:37:40Respect.
00:37:45Hello.
00:37:48Yes, Soman, tell me.
00:37:51No, tell me.
00:37:54What?
00:37:56No, listen.
00:37:58Listen to what I'm saying.
00:38:01Look, not everyone can understand this.
00:38:03You can't understand?
00:38:05Listen to me.
00:38:07Don't tell this to everyone.
00:38:09Who gave you the thing?
00:38:11Where did you keep it?
00:38:15Did you send a letter?
00:38:18Okay, I'll see.
00:38:20Okay, okay.
00:38:27Hello.
00:38:29Harinata, this is Somnath.
00:38:31I mean, is the lock fixed, Govindram?
00:38:36Okay, I'm sure.
00:38:39Harinata, I sent you a registry letter.
00:38:45There is a map in it.
00:38:47Kindly arrange to keep it in the locker.
00:38:50I tried to do it in the museum, but it's not working.
00:38:55One more thing, Harinata.
00:38:56Harinata, in that letter,
00:38:59there is the writing of Thantwaniya Kalibari.
00:39:02Kindly arrange to write it there.
00:39:06Thank you, brother.
00:39:08What else can I do to protect the Bengali heritage?
00:39:12I did everything with great difficulty.
00:39:17Harinata, one more thing.
00:39:19One minute, Harinata.
00:39:21Yes.
00:39:23What I'm saying is,
00:39:25I have sent a letter to some of my trusted friends and seniors.
00:39:32If one day, some wise people can understand it,
00:39:38then one of them will reach the library.
00:39:43And he will get his rightful respect.
00:39:47Okay.
00:39:49Harinata, please write down the number I have unlocked.
00:39:54Okay, Ashutosh.
00:39:56I will waive off your loan.
00:40:00But not in return.
00:40:18I will waive off your loan.
00:40:24Somnath!
00:40:26Somnath, what are you doing? Listen to me.
00:40:28Tell them where the thing is.
00:40:31Somnath, you will lose your life if you get robbed.
00:40:35Somnath, please listen to me.
00:40:37I have sent the letter.
00:40:39If you have any sense, find it.
00:40:45Don't shoot me.
00:40:49Yes, tell me what happened.
00:40:52It happened.
00:40:56Jagwani Usringhalo had gone to Madhya Pradesh.
00:41:02He didn't give me the money.
00:41:05I had saved him with my money.
00:41:09And now he is giving me his life.
00:41:14Somnath was my best friend.
00:41:17He used to live in this house.
00:41:20I did everything to save my family's honour.
00:41:23I had to do it.
00:41:25Do you know the real identity of Soham?
00:41:44Madhya Pradesh
00:42:14Madhya Pradesh
00:42:22Do you know the real identity of Soham?
00:42:26The day you came here with Soham,
00:42:29I had a doubt.
00:42:35I know about my friend Chichitra.
00:42:40I had seen many people.
00:42:42But no one could understand me.
00:42:45Then one day, I saw a picture of you and Soham.
00:42:54Your daughter has found a precious diamond.
00:43:01You will be shocked to hear the information about her.
00:43:07Congratulations!
00:43:11When Somnath died,
00:43:13Kusum was pregnant.
00:43:18Kusum died when the baby was born.
00:43:24It was a boy.
00:43:26I heard that the boy was born in an orphanage.
00:43:29When you told me that Soham was an orphan,
00:43:37I was shocked to see him.
00:43:43I was looking for him in the orphanage.
00:43:46When I found out about his whereabouts,
00:43:49I was shocked to hear that he was an orphan.
00:43:55Then I came to know that he was Somnath's son.
00:44:06I understood the importance of Jinn's knowledge.
00:44:17And you started accusing him.
00:44:26You killed him because he was an orphan.
00:44:33You killed him for you and your family's pride.
00:44:40You killed him because he was an orphan.
00:44:47But Shakti Gopal, who did all this?
00:44:50It is the son of Nawab, Siraj Abdullah!
00:44:57Before the Battle of Walashi, there is a conflict between the Farashis and the Nawabs.
00:45:06And in every aspect of that conflict, the Farashis try to make Siraj their enemy.
00:45:18The Farashis gave Siraj an opportunity to escape.
00:45:23So you understand the historical importance?
00:45:27Oh no, no, no. The price is 35 crores.
00:45:33No, no. Not negotiable.
00:45:37Let's meet tomorrow and close the deal. Okay?
00:45:43Believe me, I have been through a lot.
00:45:52But what else could I do? I had no other choice.
00:45:56I had no other option.
00:45:58It would have been better if you had tried.
00:46:03You would have been more respectful.
00:46:06Listen to me.
00:46:10Look, don't do this.
00:46:12If you misunderstand me like this, where will I go?
00:46:17Everything I have is for you.
00:46:19You should have thought about that before.
00:46:40Mirza Afar.
00:46:59Mirza Afar died of an incurable disease at the age of 60.
00:47:07It is time for you to die, Ashutosh.
00:47:19No dishonesty will be tolerated.
00:48:25No dishonesty will be tolerated.
00:48:30No dishonesty will be tolerated.
00:48:35No dishonesty will be tolerated.
00:48:40No dishonesty will be tolerated.
00:48:45No dishonesty will be tolerated.
00:48:50No dishonesty will be tolerated.
00:48:54No dishonesty will be tolerated.
00:48:58No dishonesty will be tolerated.
00:49:02No dishonesty will be tolerated.
00:49:15No dishonesty will be tolerated.
00:49:20No dishonesty will be tolerated.
00:49:25No dishonesty will be tolerated.
00:49:30No dishonesty will be tolerated.
00:49:34No dishonesty will be tolerated.
00:49:38No dishonesty will be tolerated.
00:49:45What is this matter about Ali Nagar?
00:49:50What happened?
00:49:55What is this matter about Ali Nagar?
00:49:57When Siraj-ud-Daulah invaded Kolkata in 1756,
00:50:01he changed the name of Kolkata to Ali Nagar.
00:50:07The British and the Calcutta gang
00:50:11were trying to destroy the silk cloth business.
00:50:18Lord Clive had a treaty with Lord Clive during the Polash war.
00:50:22Lord Clive said,
00:50:25if Mir Jafar changes the name of the city,
00:50:28Kolkata will be changed to Ali Nagar.
00:50:32So, Siraj-ud-Daulah is the founder of Ali Nagar.
00:50:36Do you remember your son?
00:50:38Shrithi Tukdi is my only hope.
00:50:45Ali Nagar's founder is Ghumayun Jethan.
00:50:48That means Siraj-ud-Daulah's grave.
00:50:50Murshidabad's grave.
00:51:02Ali Nagar's founder is Ghumayun Jethan.
00:51:06There is a lot of information in that grave.
00:51:09That means there is a lot of information in that grave.
00:51:13Bangladesh's last Nawab.
00:51:15Let's go. Don't delay.
00:51:19Let's go.
00:51:221, 2, 3, 4, 5, 6, 7.
00:51:28This way.
00:51:48This way.
00:52:077 more to go.
00:52:08How many more?
00:52:098 more.
00:52:10Not more.
00:52:11Then 34.
00:52:12Then?
00:52:13From here, we will take the river and reach the northernmost part of the city.
00:52:17Come.
00:52:20The northernmost part of the city is on the banks of the Ganga.
00:52:24Katra Mosque.
00:52:26Ghumayun Shrithal for the city of Dhulomekha.
00:52:29In 1734, Murshid Kulikha came here as the Devan of Aurangzeb.
00:52:33And he named the city after himself, Murshidabad.
00:52:38Murshid Kulikha's grave is at the Shrithal of Katra Mosque.
00:52:44His last wish was that as many pilgrims as possible come to the Shrithal of this mosque,
00:52:47their feet should touch his grave.
00:53:14Shrithal of Ghumayun Shrithal for the city of Dhulomekha.
00:53:17His last wish was that as many pilgrims as possible come to the Shrithal of this mosque,
00:53:20their feet should touch his grave.
00:53:40Where is the grave?
00:53:43This way, this way.
00:54:04There is only one map in this Shrithal.
00:54:08There is no other map like this.
00:54:10There is no other map like this.
00:54:37Soham!
00:54:40There is no other map like this in this Shrithal.
00:54:42Have you seen anything on that side?
00:54:44Yes, I have seen, but not on that side.
00:54:46Give me the phone.
00:54:49West side.
00:54:53This side.
00:54:54Come, come, come.
00:55:10There is no other map in the west side.
00:55:13This way, this way, this way.
00:55:30Rishi, show me the picture.
00:55:40Come.
00:56:02There is no doubt that he is the son of Gharguna.
00:56:06That means, total cover is Jyotish.
00:56:09Yes.
00:56:10Jyotish has to leave the house.
00:56:11That means, we have to talk about this house.
00:56:12Yes, that is what we have to do.
00:56:13One, two.
00:56:14Two.
00:56:16Three.
00:56:17Three.
00:56:18Four.
00:56:21Five, six, seven, eight, nine, ten, eleven.
00:56:39In the hunt, the hunter gives the prey.
00:56:43This is the order of death.
00:56:46The criminal does not hide.
00:56:50The criminal will be punished.
00:56:54With the courage of Uttaparush.
00:56:58You will distinguish between black and white.
00:57:02That means, the criminal does not hide.
00:57:10He is afraid of the blood.
00:57:14He is looking for a way out.
00:57:18That means, the criminal does not hide.
00:57:26He is afraid of the blood.
00:57:31He is looking for a way out.
00:57:35The order of death.
00:57:39The criminal will be punished.
00:57:43With the courage of Uttaparush.
00:57:50The order of death.
00:57:55The criminal will be punished.
00:57:59With the courage of Uttaparush.
00:58:18Amit Shanchi.
00:58:20Amit Shanchi, give me your hand.
00:58:23Look, where have you come from?
00:58:26Thank you very much.
00:58:28Amit Shanchi.
00:58:30My father struggled a lot.
00:58:34Can you take this girl?
00:58:37You want to introduce your father?
00:58:40Then I will send you to your father.
00:58:42This innocent girl will die with you.
00:58:48Amit Shanchi, when you heard what I said in the library.
00:58:51You didn't pay attention to the last two lines of the poem.
00:58:53The money of Ali Nagar is buried there.
00:58:57Be careful.
00:58:59If you touch it, it will be a disaster.
00:59:01You Bengalis are always talking about poems.
00:59:05My real thing is...
00:59:10Amit Shanchi, listen to me.
00:59:12I will kill you.
00:59:14My father's words are not lies.
00:59:17This will not happen.
00:59:19I am telling you for the last time.
00:59:21Don't touch it.
00:59:23You will see.
00:59:25You will see life telecast.
00:59:27Amit Shanchi.
00:59:29Amit Shanchi, don't touch it.
00:59:35Don't touch it, Amit Shanchi.
00:59:51Don't touch it, Amit Shanchi.
00:59:56This is Katramul.
00:59:58This is the underground high-tension cable.
01:00:01It will take three days to repair.
01:00:07There are many lines here.
01:00:10What is the matter?
01:00:14The money of Ali Nagar is buried there.
01:00:18Be careful.
01:00:20If you touch it, it will be a disaster.
01:00:35Bernalis N.
01:00:38CID.
01:00:40He is the investigating officer of the murder case of 1990.
01:00:43Sir, I am done with my work here.
01:00:44Before leaving, I wanted to show you a picture.
01:00:48See if you can recognize it.
01:00:58This is my father and me.
01:01:02Let's go.
01:01:14Let's go.
01:01:44Let's go.
01:01:55Can I talk to you for a minute?
01:02:03I don't have any reason to accept this.
01:02:08I had a very expensive manuscript of Somnath.
01:02:14I don't remember the last page of the manuscript.
01:02:25This is the manuscript of Somnath's wife.
01:02:34The name of the writer will change in the next edition of the Bangladeshi edition.
01:02:45I heard that if you accept the fault, the punishment will be less.
01:02:53I don't know.
01:02:57But wherever you go,
01:03:02if you take him with you,
01:03:09I will be a little worried.
01:03:14Okay.
01:04:14I'm sorry.
01:04:16I'm sorry.
01:04:18I'm sorry.
01:04:20I'm sorry.
01:04:22I'm sorry.
01:04:24I'm sorry.
01:04:26I'm sorry.
01:04:28I'm sorry.
01:04:30I'm sorry.
01:04:33I'm sorry.
01:04:35I'm sorry.
01:04:37I'm sorry.
01:04:39I'm sorry.
01:04:41I'm sorry.
01:04:42I'm sorry.
01:04:44I'm sorry.
01:05:12I'm sorry.
01:05:13I'm sorry.
01:05:14I'm sorry.
01:05:15I'm sorry.
01:05:16I'm sorry.
01:05:17I'm sorry.
01:05:18I'm sorry.
01:05:19I'm sorry.
01:05:20I'm sorry.
01:05:21I'm sorry.
01:05:22I'm sorry.
01:05:23I'm sorry.
01:05:24I'm sorry.
01:05:25I'm sorry.
01:05:26I'm sorry.
01:05:27I'm sorry.
01:05:28I'm sorry.
01:05:29I'm sorry.
01:05:30I'm sorry.
01:05:31I'm sorry.
01:05:32I'm sorry.
01:05:33I'm sorry.
01:05:34I'm sorry.
01:05:35I'm sorry.
01:05:36I'm sorry.
01:05:37I'm sorry.
01:05:38I'm sorry.
01:05:39I'm sorry.
01:05:40I'm sorry.
01:05:41I'm sorry.
01:05:42I'm sorry.
01:05:43I'm sorry.
01:05:44I'm sorry.
01:05:45I'm sorry.
01:05:46I'm sorry.
01:05:47I'm sorry.
01:05:48I'm sorry.
01:05:49I'm sorry.
01:05:50I'm sorry.
01:05:51I'm sorry.
01:05:52I'm sorry.
01:05:53I'm sorry.
01:05:54I'm sorry.
01:05:55I'm sorry.
01:05:56I'm sorry.
01:05:57I'm sorry.
01:05:58I'm sorry.
01:05:59I'm sorry.
01:06:00I'm sorry.
01:06:01I'm sorry.
01:06:02I'm sorry.
01:06:03I'm sorry.
01:06:04I'm sorry.
01:06:05I'm sorry.
01:06:06I'm sorry.
01:06:07I'm sorry.
01:06:08I'm sorry.
01:06:09I'm sorry.

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