Pájaro Soñador Capítulo 87 (Doblado En Español 4K)

  • 2 days ago
Transcript
00:00♪♪
00:09♪♪
00:30This girl did something bad to your brother and now he's not okay.
00:34But it's normal.
00:36What do you expect from a girl like that?
00:38She's from a low social class and lives in a neighborhood.
00:41Don't say that.
00:42But it's the truth. Why not say it?
00:45I'm his mother and I want to know what happens to him. I have that right.
00:49I remind you that he no longer wants to talk to you.
00:51I know. I won't do it directly.
00:58Andrea, I'm leaving.
01:00Jan.
01:02Are you going out?
01:04Wouldn't you like to have tea with your family?
01:09What are you trying to do? I don't understand.
01:12I'm trying to get our relationship back.
01:14What relationship? I don't understand.
01:16There's nothing between us.
01:18I'll tell you this way.
01:20There was no such thing.
01:22Okay.
01:29Well, Mom, don't say I didn't warn you.
01:31It's okay.
01:45Hi.
01:46Hi.
01:47Ceyda, how are you?
01:49Fine. How are you?
01:52What can I say? I feel bad.
01:54It's for my son.
01:56What happened to Jan?
01:57Another argument.
01:58Our relationship is not the best.
02:00As much as I try to get close to him, he just runs away.
02:03I think he fought with Sanem.
02:05It looks like a separation.
02:07Really?
02:09That would surprise me.
02:11Why? That relationship wouldn't bring anything good.
02:15Instead, you have class.
02:17I hope Jan notices that and your charisma.
02:21Maybe he'll realize soon, ma'am.
02:23Talking to you has made me feel good.
02:26And I think my son would feel the same.
02:31I send you a kiss.
02:33And I send you.
02:48Ceyda?
02:49Jan, how are you?
02:51Fine, thank you. And you?
02:53I'm fine, too.
02:54I left work, but I don't want to go home.
02:57I thought I could go see you.
02:59No, Ceyda, I'm not at home.
03:01Can I get to where you are?
03:04If you don't mind.
03:06No, come.
03:08For me, it's fine.
03:10Perfect. Send me the address.
03:18Perfect. Beautiful.
03:21That's all I found.
03:23But it gives you an idea of the campaign.
03:26Will it be enough?
03:28I think we can have the full launch plan with some minor changes.
03:33The campaign process will go faster.
03:35The presentation will be in three or four weeks.
03:37We need to be faster than them.
03:39Because our perfume must come out before Red Moth.
03:43Fabri, do you think that's possible?
03:46Let's do it, Aileen.
03:48Although I'll need some details.
03:52We have to get them out of the market.
03:54And for that, I'll need to know what steps are being taken.
03:59Then I'll do what I can.
04:01No, you'll do more than you can, you understand?
04:06You should have joined us and not separated us, Piedra.
04:11Actually, it was me.
04:14I hurt Gianni a lot and I still hurt him.
04:19I just hope I don't lose him.
04:23I don't want to lose him.
04:26I don't want to lose him.
04:29I don't want to lose him.
04:32I just hope I don't lose him.
04:53Zanem?
04:54Hi, Gian.
04:56What are you doing?
04:58I'm in a bar. I came to drink something.
05:01You're in a bar?
05:03Are you alone?
05:04Hi.
05:08I was alone and now Zeyda is here.
05:12Zey... Zeyda is here?
05:15Yes.
05:17Okay, I won't bother you. I'll hang up.
05:20Okay, bye.
05:25Is she with Zeyda?
05:27No, I didn't hear it right.
05:29Why... Zey... Zeyda?
05:33It can't be. She's at the bar with him.
05:35Why with Zeyda?
05:38I think I'll have the same as you.
05:41Another one, of course.
05:45It's very nice to be here with you.
05:47I really needed to distract myself.
05:51Why do we toast?
05:55I don't know.
05:56Does something bother you?
05:58Yes, there's something.
06:00Can you tell me what it is?
06:03I don't want to talk about it now.
06:05Does it have to do with Zanem? Did they get mad?
06:08I told you I don't want to talk about it.
06:10Okay.
06:13I have an idea.
06:16Let's toast.
06:18To freedom.
06:20To being free souls.
06:25You know, Zeyda...
06:27I don't think you and I have much in common.
06:33Would you give me two darts?
06:42We have things in common, but you're blind.
06:49You rejected the commitment of a wonderful man like Zan.
06:52You ended up hurting his pride,
06:54and now you expect him to only belong to you.
06:57Shut up. I don't want you to tell me anything.
06:59That's enough.
07:01That's enough.
07:06I can solve the problem.
07:08I'm very good.
07:10I think I'm losing my mind.
07:18Waiter.
07:20Another round, but double this time.
07:25You don't know how much I've dreamed of this moment.
07:29Really?
07:31What else did you dream of?
07:33Look.
07:45I think a double drink is too much for you.
07:48Maybe one is enough.
07:55What did you say?
07:57What a surprise.
07:59It was a good hit.
08:01Very good.
08:14Why do I think of something like this?
08:17I'm going crazy.
08:20I have to calm down, but I don't want to sit down either.
08:27Leila.
08:29Leila. Wake up, Leila.
08:31Leila.
08:33What's going on?
08:35Calm down. Don't scream. Don't be afraid.
08:37I woke you up.
08:39You don't know the horrible things that are happening.
08:41Zan and Zayden are at the bar.
08:43There's alcohol. The night is long. They're alone.
08:45There are projects. There are campaigns.
08:47What am I going to do?
08:49What are you saying? It's too late. I don't understand anything.
08:52They're at the bar together.
08:54Just one next to the other.
08:56Maybe they went home a long time ago.
08:59They went home?
09:01Do you mean they went home together?
09:03Do you mean in the cabin?
09:05What does that mean?
09:07Are you insinuating that something can happen between them?
09:09Don't think about those things.
09:11If you think about it, it will happen.
09:13Now I can't think about anything else.
09:15Actually, I can't think about anything.
09:17Help me. Get up.
09:19Zanem, I want to sleep. Let's talk tomorrow, please.
09:21No, no, no. Don't sleep.
09:23Look at me. Open your eyes.
09:25We lost her.
09:27It looks like she left.
09:31You look as beautiful as a princess.
09:33But your snores sound like a truck.
09:35How can you do that?
09:37I don't understand, sister.
09:39I'm experiencing a nervous breakdown.
09:41Wake up, please.
09:43Leila.
09:45Leila.
09:47Sister.
09:49I want to ask you if you really think they left together.
09:51Did you sleep?
09:53If that's the case, why are you looking at me?
09:57What am I going to do now?
10:01Sleep without worrying about anything.
10:03It's my problem.
10:05What am I going to do?
10:13What am I going to do?
10:17I'm lucky.
10:23Mr. Sinan.
10:25It can't be.
10:27Mr. Sinan is a friend of my father.
10:29He is able to tell him everything.
10:31Good night.
10:33Have a good night.
10:35Think about how to solve this, Zanem.
10:43Hello, Osman.
10:45Don't tell me I woke you up.
10:49You're my friend.
10:51I want to ask you a favor, Osman.
10:55Very good tires.
10:57Resistant.
10:59Zanem, no problem.
11:01I can take you.
11:03No, Osman.
11:05I don't want to bother you.
11:07It's too late.
11:09That doesn't matter.
11:11I understand.
11:13These turn completely.
11:15Hey, Zanem.
11:17The controls are inside.
11:19It was a test.
11:21Of course I know they have a control.
11:23I wanted to see your reaction.
11:25And the lights are also automatic.
11:27That's very important to me.
11:29They're also inside.
11:31Osman, it's a test.
11:33Of course I know they're there.
11:35Remember to step on the clutch hard.
11:37The clutch?
11:39I won't use it.
11:41It's not my style.
11:43What?
11:45The clutch is super important.
11:47One more test.
11:49See you later.
11:51Time to go.
11:53Bye.
11:59The key is necessary, right?
12:01Thank you very much.
12:05Is it cold? Come back home.
12:07I'll put on my seatbelt.
12:09It's very important.
12:13Did you turn it on?
12:33You should go, Zanem.
12:35Osman!
12:37It's a test.
12:39I'll be away for four days.
12:53You did it, Zanem.
12:55Congratulations.
12:57You drive wonderfully.
13:15I don't see any light.
13:17They're not here yet.
13:19I don't see them clearly.
13:21No.
13:23I don't see them.
13:25Maybe they got here a long time ago.
13:27What did you say?
13:29If they got here a long time ago,
13:31they must be sleeping in the same bed.
13:33Shut up.
13:35If you say one more word,
13:37I won't answer.
13:45Jan?
13:53Stop here.
13:59He got here without her.
14:01He's alone.
14:03I came so far for nothing.
14:05I always trusted him.
14:15Keep the change.
14:25What was that?
14:27You shouldn't drive if you don't know, Zanem.
14:29Who hit me?
14:31Who's behind me?
14:33What's going on?
14:35What's going on?
14:37Don't move.
14:39If I push everyone at the same time,
14:41will they stop?
14:43Zanem?
14:47Kuchi?
14:55There's no handle.
14:57You have to push.
14:59Push it down the window.
15:01Down the window, please.
15:09Are you drunk?
15:11I didn't drink.
15:13What are you doing here, Zanem?
15:15I was parking.
15:17But I didn't look in the rearview mirror.
15:19I hit the tree too much.
15:21It's normal to park well.
15:23Maybe I should move forward
15:25in case someone else comes.
15:27No, don't do anything.
15:29Leave it here.
15:31It's not worth moving the car.
15:33That would be another problem.
15:35Why did you come, Zanem?
15:37And most importantly,
15:39why did you leave without saying a word?
15:41Can you answer me?
15:43I was worried.
15:45I wanted to know about you.
15:47That's why I came.
15:49Worried?
15:51A lot.
15:53I thought you'd get a good fine.
15:55That's why I didn't call you.
15:57I got in the car, started the engine,
15:59put my hands on the steering wheel,
16:01and came all the way here.
16:03Whose car is it?
16:05Osman's. It's new.
16:07He bought it recently.
16:09I wish it wasn't so new.
16:11What are you doing here?
16:13Are you coming straight from the bar?
16:15Did you come back alone?
16:17You're alone, right?
16:19I see.
16:21Who?
16:23I don't know.
16:25Oh, the one with long legs and curly hair.
16:27No.
16:29Why do you ask?
16:31I don't know. I just thought of it.
16:33I came back home alone.
16:35Very good.
16:37People should be home safe and sound,
16:39especially alone.
16:41That's the best part, don't you think?
16:43You weren't really worried about me.
16:45You were just worried about Seyda.
16:47You came to check that out, didn't you?
16:49I was worried about that.
16:51After all, I'm your girlfriend,
16:53and I can worry about those things.
16:55That's right.
16:57That means you don't trust me.
16:59What? I don't trust you?
17:01How can you say that? Don't get me wrong.
17:03I don't want you to think something like that about me.
17:05You have to believe me. I swear I trust you.
17:07It's Seyda I don't trust.
17:09In your head, there's a possibility
17:11that you're with her, right?
17:13Oh, John, you misunderstood.
17:15It's not like that.
17:17But she went to the bar.
17:19Why did she go?
17:21I didn't ask her to go to the bar.
17:23In fact, I didn't want her to go.
17:25But she came. What was I supposed to do?
17:27She came without you inviting her?
17:29She stayed without being welcomed?
17:31Now those are your questions?
17:33Correct.
17:35Why did she stay without being welcomed?
17:37And how did she get to the bar without being invited?
17:39What?
17:41You're not with me.
17:43You decided to reject me.
17:45You come and question me.
17:47Do you realize what you're doing, Sanem?
17:49Of course you don't trust me.
17:51You don't trust me so much that you came here
17:53in the middle of the night to spy on me,
17:55to see if I was with Seyda.
17:57How dare you think that about me
17:59knowing that I love you with all my heart?
18:01Take the phone. Take it.
18:03John, please. I didn't do it with that intention.
18:05I want you to check it.
18:07No, I don't want to check your phone.
18:09Read all my messages. Check it for yourself.
18:11I have nothing to hide.
18:13John, I'm so sorry.
18:15I'm sorry.
18:17Yes, I was jealous.
18:19I don't know. For a moment I got confused.
18:21I didn't know what to do.
18:23When you told me Seyda was with you,
18:25I started to think about...
18:27No, Sanem.
18:29You're absolutely right.
18:31Yes, people love their partners.
18:33Thank you for understanding.
18:35No, Sanem. I don't mean that.
18:37I think we should get to know each other better.
18:39Don't worry. You won't hear anything else about marriage.
18:41I won't make you another proposal.
18:43I think you should mature a little more.
18:45You need it.
18:47Anyway, I'll drive the car and I'll take you home.
18:49Okay?
18:51You probably sneaked out.
18:53If someone notices your absence, they'll be very worried about you.
18:55You did that, right? I know you very well.
18:57Let's leave things as they are.
18:59I'm going to leave you.
19:01John, I beg you.
19:03Don't leave me. You can't leave me.
19:05This is a small problem.
19:07Any couple has problems. Don't leave me.
19:09I'll wait for you at home.
19:11Oh...
19:13That's what you're talking about.
19:15Well, no.
19:17I'll go.
19:19I'll come back alone. Don't worry.
19:21That's right.
19:23That way, no one will see you with me
19:25and there won't be any rumors in your neighborhood.
19:27Of course. We have to hide, even if we're a couple.
19:29Even if I love you very much.
19:31It seems that love is a sin
19:33because I can only look at you from afar.
19:35That's not a shame, but my love is.
19:37John.
19:53Osman.
19:57Good morning.
19:59Good morning.
20:01Going to work?
20:03Yes, I hope I get there on time.
20:05I saw her in the morning and she apologized.
20:07She didn't look well.
20:09Yes, her relationship with John has been a little tense.
20:13He proposed that they get married,
20:15but Zanem couldn't accept for some reason.
20:18That hurt her a lot.
20:20She loves him.
20:22But it doesn't matter how much you love him.
20:24Sometimes it's impossible.
20:26You're not always reciprocated.
20:28Osman.
20:30Leyla, I realize.
20:31Realize what?
20:32You love him.
20:34Who are you talking about?
20:35Emre.
20:36Osman, it's not...
20:37Leyla, don't say anything.
20:40You'll try to make me feel better and you'll have hope again.
20:43I'm very tired of this situation.
20:45But I know well
20:47that it will hurt you again.
20:50Two rooms on the first floor, $3,500.
20:54Let's see, this one, two bathrooms,
20:56one in the main bedroom.
20:58Is it so expensive to have a bathroom near my bed?
21:01I think this one is better.
21:03No.
21:04Call if you have more money.
21:06No.
21:07No.
21:08No.
21:09No.
21:10No.
21:11No.
21:12No.
21:13No.
21:14No.
21:15No.
21:16No.
21:17No.
21:18Call if you have pets.
21:20People have gone crazy.
21:21How dare they put this kind of messages?
21:23I don't have any pets, but I don't agree.
21:26Sanem.
21:27Good morning, Yeji.
21:28Good morning, Sanem.
21:29As much as I tried, I couldn't sleep all night.
21:33I couldn't sleep either.
21:35The owner of the house wants me to leave.
21:37In all relationships, things like this happen.
21:40Everything is very expensive.
21:41Who pays for this rent?
21:42How can they pay so much money?
21:44Tell me.
21:45Who believes in that Seyda?
21:46I'll be brave and go talk to her.
21:48She has to give me an explanation.
21:49The truth is, I don't know why I'm looking for these ads.
21:52It would be better to see a real estate agent and talk to him about what I need.
21:55It's the best.
21:56Besides, we are human beings.
21:58We have feelings and we must meet all our needs.
22:02You're right.
22:03I also have feelings.
22:04I feel jealous, but it's very normal.
22:06I'll go talk to him.
22:07You can do it, Sanem.
22:08Exactly.
22:09Correct.
22:10Of course.
22:11That's right.
22:17Jan, good morning.
22:19Good morning.
22:20I'm here about last night.
22:22In the afternoon.
22:23I will meet with Mr. Maquino about the Red Mob campaign.
22:25There is still time, but let's think of ideas with the creatives to give him good alternatives.
22:30Good.
22:31I will call the meeting immediately.
22:32I almost have the preliminaries.
22:34Good.
22:35Great.
22:36You are too.
22:37Oh, sorry.
22:38I didn't mean that.
22:39Your ideas are great.
22:40That's what I meant, but ...
22:43If you are someone great ...
22:51That's great.
22:54Good morning.
22:55Good morning.
22:56Good morning.
22:57Good morning.
22:58Good morning.
23:00I agree.
23:01That would be much better.
23:03Mom, I'll be in my office.
23:05Have a good day.
23:09I hope I have it.
23:13Yes.
23:14It's okay.
23:15We'll get along very well.
23:18Mrs. Spuma.
23:20What are you doing, fool?
23:22Why don't you look at yourself?
23:24Did you call me a fool, darling?
23:26As if I were your little son?
23:27Can I call you mom?
23:28Can you lend me an apartment?
23:29What?
23:30It doesn't have to be very big, but I would like to be comfortable.
23:32This is not a coffee shop.
23:33I know, but I have to find a place to live and I wanted to consult it with you.
23:37Good morning, Mrs. Uma.
23:38Here is your coffee.
23:39Good morning.
23:43Hmm.
23:44A great aroma.
23:46Gülis, right?
23:48Yes, ma'am.
23:49My name is Gülis.
23:50Your name is Gülis and mine is Yeye.
23:51Only Yeye.
23:52Office boy, take my coat.
23:54Tell me, Yeye.
23:56Office boy.
23:57Goodbye.
24:04How are you?
24:06Always so elegant.
24:08You are so kind.
24:10I'm going to look for Emre in his office.
24:12See you later.
24:13Okay.
24:14See you.
24:25Good morning, Emre.
24:27Good morning, Aylin.
24:28I wanted to talk to you.
24:29Come in.
24:30You finally decided to talk to me.
24:36It will be something private.
24:38I like it.
24:39What is your relationship with Fabri?
24:41Emre, I remind you that thanks to me he belongs to the past.
24:44Aylin, you can fool everyone but me.
24:48I know Sanem gave him her perfume.
24:50Hmm.
24:51If I'm honest with you, that surprises me a little.
24:54That's the price you have to pay for his love.
24:57But it looks like you don't know anymore, right?
25:00You continue with your performance.
25:02When Sanem gave him her perfume, Fabri took a step back.
25:06But you're still in the game.
25:08You are involved in this matter.
25:10That's why he gave you his actions.
25:12A good plan.
25:14What will be your next step?
25:16Emre.
25:18I admire your imagination so much.
25:22Enough.
25:23I'm tired of this.
25:24I'm sorry to tell you that this is not a game.
25:27Do you know what would happen if my brother found out?
25:29But he won't.
25:30What I do know is what will happen when Jan finds out what Sanem did.
25:34And also what will be his reaction when he finds out what he did to his brother.
25:39By the way, I think your mother doesn't know anything about...
25:42Aylin and her blackmail.
25:44You can't do anything else.
25:47I'm not even surprised anymore.
25:49Think whatever you want.
25:51This is not a threat.
25:52All I do is remind you of the situation we are in.
25:55You have to pay for all my love.
25:58I told you many times.
26:00I'll repeat it.
26:02I'm not your love.
26:04I'll pay the consequences of what I did.
26:06But you...
26:08You will also pay for it.
26:10Yes, but now I won't pay.
26:12You will.
26:13And I'll also tell you something.
26:15Be very careful, Emre.
26:33Leila.
26:36Were you looking for Emre?
26:38Uh-huh.
26:40But he was busy.
26:42It's not urgent. I'll see him later.
26:44Listen.
26:45If you still had any hope with your boss,
26:48you better forget about her.
26:50Emre and I are back.
26:57Of course, no one knows in the office.
26:59Because with everything that has happened lately,
27:01people could be a little restless.
27:05Listen, Leila.
27:07You are the trusted employee of my boyfriend.
27:09And I understand perfectly well that you work together.
27:13But I advise you not to get your hopes up.
27:17I'm telling you, woman to woman.
27:19Listen to me.
27:23Have a good day.
27:31Have a good day.
27:42Very well, gentlemen.
27:44What are your ideas for the Red Mode campaign?
27:46Who wants to start?
27:48Go ahead, Yeye. I'm listening.
27:50I expect a very good argument.
27:56Uh, let's start like this.
27:58This was a young man who had been living in the same house for six years.
28:02Some time later, the owner of the house decided to evict him.
28:06But he could not find a better tenant
28:08because he never delayed in paying the rent for a single day.
28:12He is our protagonist.
28:14Of course he was worried and started looking for a place to live.
28:17But he was unlucky and then he went into a cosmetics store.
28:20Inside, he walked down the hallways and wondered where he would live.
28:24If you're sad, you go to a cosmetics store.
28:26Suddenly, he looks for a moment and sees a beautiful bottle of Red Mode.
28:30Of course, he loves the design and takes the perfume in his hands.
28:33Then he asks himself, what does it smell like?
28:36He sprays a little, loves the aroma, and asks the employee if she can take the perfume.
28:40And she says yes, if you pay her.
28:42Oh, yes, something juicy.
28:43Oh, I wonder how the story will end.
28:45I emphasize that in the dialogues we will go from drama to comedy
28:48so that people are more interested, because that's life.
28:50It's a mix between drama and comedy.
28:51Thank you very much.
28:52Hey, if I told you the word perfume, is that what you imagine, Yeye?
28:55I haven't stopped thinking about perfume.
28:57It's the center of our story.
28:59But the audience will not know what will happen next.
29:01What we will do step by step together.
29:02It's okay, calm down.
29:04Don't scream, Yeye.
29:05Perfume is the protagonist.
29:06Can I continue, Mr. Jack?
29:07Calm down, Yeye.
29:08I'm listening to you.
29:09It's okay, it's okay.
29:10Of course.
29:11Then the boy goes home suddenly.
29:13Someone knocks on the door.
29:14It's the owner and he comes with two more people.
29:17What will happen?
29:18Are they going to run me?
29:19I understand.
29:20The boys from Germany are back.
29:22Oh, what happened?
29:24I want to cry.
29:27Oh, Yeye, what happened?
29:28I have a problem with my house, Mr. Jack.
29:30The owner wants to evict me.
29:32She said it was Germany.
29:33Suddenly they made me want to cry.
29:34I'm sensitive.
29:35That's nothing.
29:36I'm sorry to tell you, Yeye.
29:37But it always happens like this.
29:38One day the owner's children return from abroad.
29:40And they kick out the girl who lives in his house.
29:42Really?
29:43The beginning of your story was good.
29:45Do you want to continue?
29:46Well, Mr. Jack.
29:47I would like to do it when I feel better.
29:49While Yeye recovers.
29:50Someone has another idea they want to share.
29:52Jan, I was working on their campaign.
29:55Yes.
29:56Super.
29:57My idea develops from the slogan.
29:59The slogan is, they will remember you.
30:05I like it.
30:06Go on.
30:07Good.
30:08We know, according to science, that the sense of smell occupies most of the memory.
30:13It is a proven fact.
30:15For example, if we get to a place and smell a pleasant aroma,
30:19we could remember the person we love.
30:22Without realizing it, we leave in the memory of others a strong memory.
30:26I thought we could use this as a second campaign slogan.
30:30Your aroma makes you unique.
30:33Now, for the filming, I imagine a location with many people.
30:38The different fragrances mix in the air.
30:40But only the aroma of Red Mouth continues while the others are scattered.
30:45It stays as a distinctive in the air.
30:47And then the leading couple of the ad is found,
30:50and the perfume makes them fall in love.
30:53It's nonsense, Mr. Jan.
30:55Why nonsense?
30:56The smell can't stay in the air like a physical trace.
30:59It can't look like that. It's impossible.
31:01I don't understand what's going on.
31:04What's wrong, Sanema?
31:05That's my slogan.
31:09What?
31:11What do you mean?
31:12I was working on some ideas in my notebook,
31:15and I wrote it as a slogan.
31:19Do you remember? Do you see it?
31:21What?
31:22Are you trying to imply that I stole your campaign slogan?
31:26I don't intend to say that.
31:28It's just that that phrase was in the ideas I worked on.
31:31What do you think I did?
31:33I went to your place, checked your notes, stole the slogan you wrote,
31:36and with it I developed my campaign idea?
31:38I can't think of my own idea?
31:40Do I need to steal your ideas?
31:41Do you think my head doesn't work?
31:43That I'm not creative?
31:44Hey, wait. Breathe.
31:45Calm down, Deren. It's okay.
31:47Sanema, Deren would never do something like that.
31:50These situations arise when several people work on the same campaign.
31:54You have to see it as a coincidence. It's okay.
31:57Two people may have the same idea.
31:59It's something possible, and so far normal.
32:01Is there anything you want to add to this slogan?
32:04Do you have another idea?
32:06No, because I couldn't develop them.
32:10I would recommend that you devote more time to your work.
32:13Advertising is a very serious activity.
32:16It's okay, Deren. Calm down.
32:18Don't get upset.
32:19To be a good creative, you need full concentration.
32:23I think you have a good slogan.
32:25It's a great idea we'll work on.
32:27You'll be the creative in charge, Deren.
32:30Very good, team.
32:31The meeting is over. Get to work. There's no time to lose.
32:36Get to work, guys.
32:37Get to work, guys.
32:42I'm going to investigate.
32:54Hi, Deren. How did it go?
32:56The slogan you gave me, you stole it from Sanem, right?
32:59Yes. Great, right?
33:01But don't think about that now. Focus on the success.
33:04I think you miss him.
33:06How dare you do something like that, Aileen?
33:08I don't play those dirty games.
33:10Deren, are you questioning me?
33:12Thanks to me, you'll lead the Red Mod campaign.
33:15And with that, you'll become the right hand of Jan again.
33:19But if you want, I can tell you everything and let Sanem surpass you.
33:24It's just what I thought.
33:26I think it's better for you to be close to me.
33:28For your own good, Deren.
33:32Let's talk to McKinnon about your idea.
33:34That way, we'll work faster.
33:36Of course. I'll go now.
33:39Sanem, stay here and think about more ideas.
33:42Of course.
33:46I think the boss broke up the love of work, Sanem.
33:57This agency is getting more and more fun every day.
34:05Welcome, Musafer.
34:07Thank you, Mevkibe, but what I'm about to tell you is not good.
34:10The atmosphere in the streets is getting tense again.
34:13All the activities in the neighborhood seem to have stopped.
34:16And all as a result of the fight between you and Mr. Nias.
34:20Which was enough for our whole community to go back 10 years in the cultural and artistic aspect.
34:25You're right. I've neglected our association.
34:28We need to have a meeting.
34:30Yes, yes, but we don't have a good place.
34:32The roof of the association is about to fall off because of all the drips it has.
34:35We have to fix it.
34:36Of course. I'm supervising the work myself.
34:38But it's not resolved overnight.
34:40If necessary, we can organize it here.
34:42It's a good idea.
34:43What do we do?
34:44Call a speaker.
34:45Okay, let's do it.
34:46Let a speaker come.
34:48But what will he talk about?
34:50What kind of talk would be interesting?
34:52I have no idea.
34:53I have to go.
34:54Goodbye.
34:55Goodbye.
34:56Goodbye.
34:57What kind of talk would be interesting?
34:59I have no idea.
35:00We have to think about it.
35:02What can attract people?
35:04If he's a speaker, he knows how to speak.
35:06That's not the problem.
35:07We have to find one.
35:08And then let him decide.
35:09Let him speak whatever he wants.
35:10I have it.
35:11What do you think?
35:12Tips for a healthy life?
35:13Recipes?
35:14Exercises?
35:15Good.
35:16I like that.
35:17I have the perfect speaker for that.
35:18The daughter of Mrs. Cera.
35:19Emerald.
35:20She's a nutrition specialist.
35:21She just finished her degree.
35:22For now she's at home.
35:23If we invite her, I'm sure she will come.
35:25Of course! She can tell us about organic foods, where to buy them, give us advice like...
35:29Avoid gluten! Do exercise, panties!
35:31Wait, I'm going to invite her.
35:32Okay, I'll talk to her and convince her.
35:34In the meantime, start announcing the talk to everyone!
35:38If I give her money, she'll come running to talk about anything!
35:41Don't you dare give her a single cent!
35:43Don't worry, I don't have a penny in my pocket!
35:45I told her it wouldn't take long.
35:47Hello, neighbors, how are you?
35:48Very well, Mr. Kibake.
35:49Good, good.
35:50We'll take over the association's activity.
35:52I wanted to tell you so you could come with us.
35:55Okay.
36:14I knew I'd find you here.
36:19Was it a bad meeting?
36:21Won't you be at the presentation?
36:26He treats me very coldly.
36:29He doesn't want to come near me.
36:31I feel like a stranger.
36:33I know how you feel.
36:35I feel like I'm only disappointing him.
36:38Even if I tell him the truth,
36:41I'm still disappointing him.
36:43I wish there was another way to solve this.
36:47I understand you.
36:49To feel love for someone and...
36:51not being able to embrace them.
36:54It's something you don't understand.
36:57Even if you think about it,
36:59it's hard.
37:01Very hard.
37:04Anyway,
37:05in a few days he'll get over it and...
37:08you'll be able to talk to him.
37:11I have no other option.
37:25I see.
37:27So you left the bar together?
37:30No.
37:31I also thought it would be like that.
37:35But Janssen kept his distance.
37:38I understand, dear.
37:40I send you a kiss, Seyda.
37:42We'll see each other soon.
37:44See you.
37:45Goodbye.
37:48It's clear to me that she's pretty stupid.
37:52She'll have to find someone else.
37:55Who could it be?
37:59Dear neighbors,
38:00you know that Meral graduated as a nutritionist.
38:05It's a shame that she's unemployed.
38:07Right, Meral?
38:08You should have married the blond guy.
38:10He went to college and didn't get a better job.
38:13Meral, that has nothing to do with it.
38:15Don't bother her or we'll have no talk.
38:17I'm sorry, dear.
38:18Why are you scolding me?
38:19What I want is for our youth to have a better future.
38:22I always wish the best for people.
38:24Enough!
38:25Stop gossiping about other people's lives.
38:28You don't respect us.
38:29The two girls in the back!
38:30Can't you hear?
38:31Do you want people to yell at you?
38:33If you keep this up,
38:34you'll only separate them like in school.
38:36I'm sorry, ma'am.
38:37Gentlemen, be quiet.
38:38No, me neither.
38:39As I was saying,
38:40the association that organized this talk
38:42with the idea that Meral would give us some nutrition advice,
38:46our new graduate has agreed to come right away
38:48and has prepared information that will be very useful.
38:51I hope so.
38:52Go ahead, Meral.
38:54Thank you for the presentation, Mechie B.
38:56I'd like to start by listening to your questions
38:59or concerns about healthy eating.
39:01I don't know if anyone wants us to touch on a specific topic.
39:04Meral, they say you can lose weight by eating,
39:06but that doesn't work for me.
39:07What are you saying?
39:08One at a time.
39:09Can you give it to me?
39:10In my case, I stopped eating bread a week ago
39:13and I haven't seen any change.
39:14I have to do something with my diet.
39:16I have to do something every day.
39:18If you talk to me, you'll confuse me.
39:21Don't do it!
39:22Why do you never listen to me?
39:23What are white poisons?
39:25For example, excellent question.
39:27Can we explain what white poisons are so they can know them?
39:31Very good.
39:32The three white poisons are the oven,
39:34the refrigerator, and the freezer.
39:36Stay as far away from those three poisons as possible.
39:39If they come into the kitchen,
39:40they don't even see them,
39:41they just fill our stomachs.
39:42That information is not correct.
39:44The three white poisons we call in nutrition
39:46are salt, flour, and sugar.
39:48Very good.
39:49Now we all know what the white poisons are.
39:52Sugar, flour, and salt.
39:54And those that are...
39:56Poisons!
39:57From now on, don't buy or sell them.
39:58If anyone dares to do so,
39:59he will be punished or expelled from here.
40:02Yes, we have to be careful,
40:03or they'll use a white sheet to wrap us.
40:06What are you talking about, Meral?
40:08What do you mean, what am I talking about?
40:09Don't you remember Mrs. Lillian's husband?
40:11All he ate was pastries.
40:13He served her three plates,
40:14and she didn't leave any crumbs.
40:16And he died.
40:17Oh, and at the funeral,
40:18we ate the leftover pastries.
40:20They were delicious.
40:22Oh, do you want to keep quiet?
40:25Go on.
40:26The most important thing to keep in mind
40:28is to avoid trans fats,
40:30margarine,
40:31canned products,
40:32and all processed foods
40:34that don't benefit us
40:35and could lead to our health deteriorating.
40:38Ladies, any packed food
40:40you consume is an imminent danger to your health.
40:42Stop consuming white poisons.
40:44Forget about packaged products.
40:46All your cells will die.
40:47What you eat is poison.
40:49Stop everything.
40:50Remember nothing.
40:51Salt and sugar.
40:52Forget about them.
40:53Eat vegetables,
40:54and you'll have no belly or fat.
40:56Our coffees are ready.
40:59Thank you very much, darling.
41:01You're welcome.
41:05Mmm.
41:07The flavor of the coffee changed again.
41:09Is there nothing standardized in this agency?
41:12I don't think so,
41:13and you should pay more attention to your work, Uma.
41:15It's all my children's fault.
41:17If they can't keep their private lives in order and disciplined,
41:20how can they deal with the problems in the office?
41:23But I'll help them.
41:24That's why I'm their mother.
41:25How will you do it?
41:27You can count on me if you need help.
41:29I'd love to do it.
41:31Of course, darling.
41:32I know.
41:33You and I think the same way.
41:35We're on the same frequency.
41:37I've always admired your way of being.
41:39You're so valuable.
41:41Thank you, darling.
41:45Leila!
41:46I'm so sorry.
41:47I was distracted with my phone.
41:49Are you okay?
41:51Why are people so stupid?
41:53This is incredible.
41:55It can't be.
41:56Why don't they notice?
41:57Is it so hard for them to pay attention?
42:00It's outrageous.
42:02How stupid.
42:03Very stupid.
42:11I'm such a fool.
42:13How could I not notice?
42:24Why do I let people treat me like this?
42:28Why do I hurt myself?
42:31What am I doing here?
42:33I'd better leave.
42:36And I have to do it now.
42:44Hi, Osman.
42:45Are you busy?
42:46Can we talk?
42:47Can we meet at the cafe?
42:48I'd like to talk to you about something important.
42:51Okay.
42:52I'll be there in a minute.
42:55See you later.